<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>AO Art Observed</title>
	<atom:link href="https://artobserved.com/feed/" rel="self" type="application/rss+xml" />
	<link>https://artobserved.com</link>
	<description></description>
	<lastBuildDate>Mon, 09 Mar 2026 21:48:27 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.6.1</generator>
	<item>
		<title>AO ON SITE: Frieze Los Angeles, Feb. 27 &#8211; March 1, 2026</title>
		<link>https://artobserved.com/2026/03/ao-on-site-frieze-los-angeles-feb-27-march-1-2026/</link>
		
		<dc:creator><![CDATA[Cristian Miller]]></dc:creator>
		<pubDate>Mon, 09 Mar 2026 19:10:48 +0000</pubDate>
				<category><![CDATA[AO On Site]]></category>
		<category><![CDATA[Art Fair]]></category>
		<category><![CDATA[Art News]]></category>
		<category><![CDATA[Featured Post]]></category>
		<category><![CDATA[Show]]></category>
		<guid isPermaLink="false">https://artobserved.com/?p=172182</guid>

					<description><![CDATA[The seventh edition of Frieze LA came to a close last week, after a packed opening that brought over 30,000 people to the fair over the course of four days. The high attendance was matched by a strong sales record that infused a much-needed sense of optimism into an art market rocked by turbulence and [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>AO On-Site: Zona Maco Art Fair, February 4th -8th, 2026</title>
		<link>https://artobserved.com/2026/02/ao-on-site-zona-maco-art-fair-february-4th-8th-2026/</link>
		
		<dc:creator><![CDATA[Cristian Miller]]></dc:creator>
		<pubDate>Sat, 14 Feb 2026 04:06:35 +0000</pubDate>
				<category><![CDATA[AO On Site]]></category>
		<category><![CDATA[Art Fair]]></category>
		<category><![CDATA[Art News]]></category>
		<category><![CDATA[Featured Post]]></category>
		<category><![CDATA[Show]]></category>
		<guid isPermaLink="false">https://artobserved.com/?p=172063</guid>

					<description><![CDATA[The 22nd edition of Zona Maco, Latin America’s largest international art fair, opened in early February in Mexico City. Art Observed was on site when the fair brought over 200 galleries from close to 30 countries to CDMX for the whirlwind of exhibitions, performances, and events known as ‘Art Week.’ Zona Maco continues to demonstrate [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>MAUREEN PALEY: WOLFGANG TILLMANS, THROUGH 20TH DECEMBER &#8217;25.</title>
		<link>https://artobserved.com/2025/12/maureen-paley-wolfgang-tillmans-through-20th-december-25/</link>
		
		<dc:creator><![CDATA[Jaya Gataaura]]></dc:creator>
		<pubDate>Fri, 19 Dec 2025 22:06:07 +0000</pubDate>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Featured Post]]></category>
		<category><![CDATA[Galleries]]></category>
		<category><![CDATA[News]]></category>
		<guid isPermaLink="false">https://artobserved.com/?p=171874</guid>

					<description><![CDATA[Build From Here marks the twentieth anniversary of Tillmans’s work cycle,&#160;Truth Study Centre, first displayed at Maureen Paley in 2005. In a sanctifying choice, the exhibition is the first to be staged at Paley’s Herald Street location — the artist’s studio before his move to Berlin — a stone’s throw from the gallery’s Three Colts [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>AO ON SITE: FRIEZE LONDON, OCT 15TH-19TH, 2025</title>
		<link>https://artobserved.com/2025/10/ao-on-site-frieze-london-oct-15th-19th2025/</link>
		
		<dc:creator><![CDATA[Jaya Gataaura]]></dc:creator>
		<pubDate>Wed, 29 Oct 2025 17:08:48 +0000</pubDate>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Featured Post]]></category>
		<guid isPermaLink="false">https://artobserved.com/?p=171868</guid>

					<description><![CDATA[As the white-tipped tents return to London’s Regent’s Park, Frieze London ’25 marks its twenty-second year—one that lands squarely on all four legs. And, like everything in this city, it has surprised everyone involved. Working alongside London-based studio A Studio Between, this year’s fair has spotlighted contemporary artists through curated sections like Artist-to-Artist and Echoes [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>SAATCHI YATES: MARINA ABRAMOVIĆ, THROUGH 31ST OCTOBER ’25.</title>
		<link>https://artobserved.com/2025/10/saatchi-yates-marina-abramovic-through-31st-october-25/</link>
		
		<dc:creator><![CDATA[Jaya Gataaura]]></dc:creator>
		<pubDate>Sun, 05 Oct 2025 23:37:56 +0000</pubDate>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Featured Post]]></category>
		<guid isPermaLink="false">https://artobserved.com/?p=171809</guid>

					<description><![CDATA[On October 1st, 2025, Saatchi Yates unveiled an exhibition by conceptual artist Marina Abramović at their St. James gallery in London. The show revisits the ephemeral, transforming two of Abramović’s performance videos — ‘Blue Period’ and ‘Red Period’ — into a collection of 1,200 monochromatic stills. Abramović has never been defined by a single phase. [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>The Armory Show at the Javits Center, September 5th-7th 2025</title>
		<link>https://artobserved.com/2025/09/the-armory-show-at-the-javits-center-september-5th-7th-2025/</link>
		
		<dc:creator><![CDATA[Theresa Bulfon]]></dc:creator>
		<pubDate>Mon, 08 Sep 2025 23:01:53 +0000</pubDate>
				<category><![CDATA[AO On Site]]></category>
		<category><![CDATA[Art Fair]]></category>
		<category><![CDATA[Art News]]></category>
		<category><![CDATA[Featured Post]]></category>
		<category><![CDATA[Show]]></category>
		<guid isPermaLink="false">https://artobserved.com/?p=171759</guid>

					<description><![CDATA[The Armory Show 2025 opened with a renewed sense of purpose, marking the arrival of New York’s fall art season with a fair that feels less like spectacle and more like a global conversation. Over 230 galleries from more than 30 countries converge at the Javits Center. The fair was divided into seven sections: Galleries, [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>Review: Anne Imhof&#8217;s Doom: House of Hope at The Park Avenue Armory, New York City</title>
		<link>https://artobserved.com/2025/03/review-anne-imhofs-doom-house-of-hope-at-the-park-avenue-armory-new-york-city/</link>
		
		<dc:creator><![CDATA[Anfisa Vrubel]]></dc:creator>
		<pubDate>Fri, 21 Mar 2025 01:36:17 +0000</pubDate>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Featured Post]]></category>
		<guid isPermaLink="false">https://artobserved.com/?p=171463</guid>

					<description><![CDATA[Anne Imhof, the German artist known for her large-scale, immersive performance pieces, returned to New York after nearly ten years with Doom: House of Hope, her largest show to date. Curated by Klaus Biesenbach and running for a week at The Park Avenue Armory, Doom brought together a cast of nearly sixty actors, dancers, and [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>AO On-Site: Zona Maco Art Fair at Centro Citibanamex, February 5th -9th, 2025</title>
		<link>https://artobserved.com/2025/02/ao-on-site-zona-maco-art-fair-at-centro-citibanamex-february-5th-9th-2025/</link>
		
		<dc:creator><![CDATA[Hannah]]></dc:creator>
		<pubDate>Sun, 09 Feb 2025 15:39:33 +0000</pubDate>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Featured Post]]></category>
		<guid isPermaLink="false">https://artobserved.com/?p=171425</guid>

					<description><![CDATA[The 21st edition of ZonaMACO, Latin America&#8217;s foremost art fair, opened Wednesday to a distinctly energized atmosphere, marking what many participants noted as the strongest opening day in recent years. The fair&#8217;s yearly evolution reflects Mexico City&#8217;s solidified position as a vital node in contemporary art&#8217;s global circulation, with significant sales and institutional presence marking [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>NATIONAL PORTRAIT GALLERY: FRANCIS BACON, THROUGH JANUARY 19, 2025.</title>
		<link>https://artobserved.com/2025/01/national-portrait-gallery-francis-bacon-through-january-19-2025/</link>
		
		<dc:creator><![CDATA[Jaya Gataaura]]></dc:creator>
		<pubDate>Tue, 14 Jan 2025 19:35:01 +0000</pubDate>
				<category><![CDATA[Featured Post]]></category>
		<guid isPermaLink="false">https://artobserved.com/?p=171379</guid>

					<description><![CDATA[The National Portrait Gallery has curated an exceptional collection of Francis Bacon’s works from the 1950s onwards, featuring sitters such as Lucian Freud, Frank Auerbach, and a roster of Bacon’s close friends. Francis Bacon: Human Presence showcases over 55 portraits, alongside letters and photographs sourced from private collections and Bacon’s Soho studio. The exhibition, on [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>A Meeting of Cultures and Worlds with artist Leiko Ikemura</title>
		<link>https://artobserved.com/2024/11/a-meeting-of-cultures-and-worlds-with-artist-leiko-ikemura/</link>
		
		<dc:creator><![CDATA[Isabel Froemming]]></dc:creator>
		<pubDate>Tue, 05 Nov 2024 20:16:09 +0000</pubDate>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Featured Post]]></category>
		<guid isPermaLink="false">https://artobserved.com/?p=171318</guid>

					<description><![CDATA[]]></description>
		
		
		
			</item>
		<item>
		<title>&#8216;As She Is,&#8217; Curated by Rejina Pyo: An Open Love Letter to the women who’ve lit her creative spark</title>
		<link>https://artobserved.com/2024/11/as-she-is-curated-by-rejina-pyo-an-open-love-letter-to-the-women-whove-lit-her-creative-spark/</link>
		
		<dc:creator><![CDATA[Isabel Froemming]]></dc:creator>
		<pubDate>Tue, 05 Nov 2024 17:26:00 +0000</pubDate>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Featured Post]]></category>
		<guid isPermaLink="false">https://artobserved.com/?p=171316</guid>

					<description><![CDATA[]]></description>
		
		
		
			</item>
		<item>
		<title>AO On-Site: Frieze Art Fair, London 2024</title>
		<link>https://artobserved.com/2024/10/ao-on-site-frieze-art-fair-london-2024/</link>
		
		<dc:creator><![CDATA[Sabrina Roman]]></dc:creator>
		<pubDate>Mon, 21 Oct 2024 19:47:21 +0000</pubDate>
				<category><![CDATA[Featured Post]]></category>
		<guid isPermaLink="false">https://artobserved.com/?p=171254</guid>

					<description><![CDATA[There was a pensive, yet hopeful, mood to Frieze 2024 that mirrored Eva Langret’s vision for reflection, progression and inclusion and it showed itself the works of the artists it showcased, both inside and beyond the tent. Zanele Muholi’s, ‘Bambatha I’ (2023) sculptural piece showed the artist in the body of a serpentine creature, which [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>Crossing Cultures: Shaping Albion Jeune’s Global Vision</title>
		<link>https://artobserved.com/2024/10/crossing-cultures-shaping-albion-jeunes-global-vision/</link>
		
		<dc:creator><![CDATA[Isabel Froemming]]></dc:creator>
		<pubDate>Sat, 12 Oct 2024 18:15:37 +0000</pubDate>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Featured Post]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[London]]></category>
		<guid isPermaLink="false">https://artobserved.com/?p=171191</guid>

					<description><![CDATA[An interview with Lucca Hue-Williams on curating boundary-pushing art, global narratives, and the future of London’s creative landscape]]></description>
		
		
		
			</item>
		<item>
		<title>Beyond The French Exit: New Formats and Fresh Perspective with Curator Mattias Vendelmans</title>
		<link>https://artobserved.com/2024/07/beyond-the-french-exit-new-formats-and-fresh-perspective-with-curator-mattias-vendelmans/</link>
		
		<dc:creator><![CDATA[Sarah Reiley]]></dc:creator>
		<pubDate>Sat, 06 Jul 2024 16:08:20 +0000</pubDate>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Featured Post]]></category>
		<category><![CDATA[Galleries]]></category>
		<category><![CDATA[Show]]></category>
		<category><![CDATA[20th Century]]></category>
		<category><![CDATA[featured post]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[London art]]></category>
		<guid isPermaLink="false">http://artobserved.com/?p=171062</guid>

					<description><![CDATA[The French Exit group show brought to life by the curatorial eye of Mattias Vendelmans invites a dialogue between artists and their muses, considering just what happens when one skips the farewell in search of something more enticing after dark. How does the basic notion of privacy and vulnerability continue to pique our curiosity? Spanning works from oil paintings [&#8230;]]]></description>
		
		
		
			</item>
		<item>
		<title>An Invitation for the Senses: The Serpentine&#8217;s 23rd Annual Pavilion</title>
		<link>https://artobserved.com/2024/07/an-invitation-for-the-senses-the-serpentines-23rd-annual-pavilion/</link>
		
		<dc:creator><![CDATA[Sarah Reiley]]></dc:creator>
		<pubDate>Thu, 04 Jul 2024 15:21:38 +0000</pubDate>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Featured Post]]></category>
		<category><![CDATA[Show]]></category>
		<guid isPermaLink="false">http://artobserved.com/?p=171076</guid>

					<description><![CDATA[&#8220;To approach this new chapter differently, instead of viewing it as a carte blanche, we embraced the challenge of considering the many existing peripheral elements while exploring the centre as a void,&#8221; begins Minsuk Cho: this year&#8217;s chosen designer of the annual Serpentine Pavilion. With a background in hospitality, commercial and visual art projects across [&#8230;]]]></description>
		
		
		
			</item>
	</channel>
</rss>

<!--
Performance optimized by W3 Total Cache. Learn more: https://www.boldgrid.com/w3-total-cache/


Served from: localhost @ 2026-04-11 17:08:09 by W3 Total Cache
-->