3.16 LOSE CONTROL @ Vice (POSR LIVE)
3.16 FROM THE MIND OF ADI @ Chupacabra (POSR DJ SET A.Warped)
3.17 HOUSE BY SOUTHWEST@ Silhoutte Sushi (POSR DJ SET A.Warped & Jake Childs)
3.18 HIGH FIVE! PARTY! @ Elysium (POSR DJs set w/Czech One) day party
3.18 AUSTIN ELECTRONIC MUSIC GRID Showcase @ Plush (POSR Live 9-10pm)
3.18 SXSW@House of Commons Co-op
3.19 DAMAGE ON THE DANCEFLOOR @ Barbarella (POSR DJ SET) day party
3.20 SXSW @ Chupacabra (POSR DJ SET)
3.21 SIX STAGES OVER TEXAS @ Couch Professor Compound/Block Party(POSR DJ SET A.Warped)

we have 2 more POSR live shows pending stay tuned!!!

POSR-Mixtape Sessions V.1
Mixed By Jake Childs

Well i’m gonna start doing a little monthly mix of 30 min sessions to add to the site, be sure to be on the lookout for other mixes by Chris Causal, Illson and Adam Warped since we are all dj’s we def will be posting more mixes. Hers my series of mixtapes  Enjoy!!  and remember buy the fucking music !!

Got a chance to sit down and chat with this fine young gentelman at the TX roller derbey after party . Very cool cat…  you should def check this guys  night

TILT: 2nd & 4th tuesaday @ BARCELONA_ATX

A. WARD – HYPERSONIC RADIO mix III 01/09/2010: latest of 3 hypersonic radio mixes originally broadcasted on 101x/101.5 fm &www.hypersonicradio.com. bass heavy electro all the way! enjoy!

tracklist:

1. Meat Katie – Tension
2. Rennie Pilgrim – Drumma (Zodiac Cartel remix)
3. Ice Ice Baby (The Disco Villains remix)
4. Designer Drugs – Drop Down
5. Break the House Down (The Integrals remix)
6. Crystal Fighters – I Love London (Paparazzi remix)
7. Vicious – Love Addict
8. Come On Feel the Noise (Kids at the Bar remix)

A. Ward – Hypersonic Radio III 01/09/2010 by tffkrwd

Got this promo a while back  just found in my spam def feeling the koncept and The Republic! Source Code DNA is collaboration between Rene Walther and Mark Angel..

[Check our site to hear this song]

[Check our site to hear this song]

]]> http://weareposr.com/2010/02/posr-interview-with-designer-drugs/feed/ 0 http://weareposr.com/2010/02/posr-interview-with-designer-drugs/ http://feedproxy.google.com/~r/weareposr/~3/jqt2Eom4w1c/ http://weareposr.com/2010/02/download-mix-from-a-trax-live-on-power-106/#comments Thu, 04 Feb 2010 00:32:47 +0000 POSR http://weareposr.com/?p=1198 peep this mix  i just jacked from the fools gold blog ….
def a keeper and its feat a track from Houstons own GOGO GARCIA!
Way to go VATO!

Download this live set

from Trizzy’s guest appearance on DJ Reflex’s show on Power 106 in LA. Clubbers! Secret joints! Tracklist after the jump.

1. A-Trak x Drake x Birdman – Loonies To Blow
2. Armand Van Helden ft. Christian Rich – Ski Hard
3. Kid Sister – Big N Bad
4. (secret weapon…)
5. MSTRKRFT – Bounce (A-Trak Remix)
6. DJ Gant-Man – Juke Dat Girl
7. Green Velvet & Kid Sister – Everybody Wants
8. Yeah Yeah Yeahs – Heads Will Roll (A-Trak Remix)
9. DJ Sega – Colours
10. Big Moe – I’ll Do It (Go Go Garcia Remix)
11. Donnis – Gone (DJ Craze’s Dookie Mix)
12. Travis Porter – All The Way Turnt Up
13. Ludacris – How Low Can You Go (Remix)

After hearing the sounds of random factor my stuff got back in touch with the synth and i totally stoped using disco loops in my tracks.. it was like if i was free! free from limitation of disco loops!  well anyways im getting off the subject but  back to random Factor to mne he changed my sound and heres an old but goodie this was one of the tracks that totally turned my  taste around!

[Check our site to hear this song]

More About Him and His legacy
http://www.myspace.com/carlfinlow
http://www.discogs.com/artist/Random+Factor

Unfortunately while arriving fashionably late we missed the opening dj’s sets as well as Woolfy’s performance. Beauty Bar had the back parking lot fenced off where they had set up a tent and were having several bands play. We entered thru the rear gate and quickly rushed past the band playing outside(sorry guys). I was in a hurry and had been anxiously anticipating this night for quite a while and no one could stop me now. We could hear the enticing pulse of the bass and the sweet sounds of synth arpeggios in the air.

It was actually kind of hard to squeeze into the back door just past the men’s bathroom as the building was entirely rammed full of people. Wow, I hadn’t seen Beauty Bar this crazy since SXSW ‘09. Classixx was already mid-set and fully rocking out dropping nu-disco bombs and classic deep house gems to a writhing throng of super sexy and up for it party people. The boys mixes were spot on and their programming was tight. Even though you almost needed a shoehorn to maneuver your way through the thick sweaty crowd everyone seemed quite gracious and in a pleasant yet festive mood.

We eventually worked our way onto the dance floor and wiggled for a few before heading to the bar to grab some drinks. It was quite a night, I ran into friends from all kinds of scenes, all the way from goths to ravers. Great job guys, happy anniversary, and cheers to another 6 years! -Adam Warped

Here are a few train-spots from Classixx’s set…
Lindstrom & Christabelle- “Baby Can’t Stop” Aeroplane Dub
Phoenix – Lisztomania (Classixx Version)
Chicken Lips-”Blank Tape”

links
http://www.myspace.com/classixxmusic
http://www.myspace.com/woolfys
http://www.learningsecretsmusic.com/

Pics from the party courtesy of our friends over at www.thepeenscene.com

So here it goes….

illson, bass player for POSR. We’re here live at the Beauty Bar with Franki Chan of I Heart Comix. He’s gonna spare a couple of minutes to talk with us and well, here he is! How are you doing?

Franki Chan:
I’m good; how are you doing?

illson:
So your loyal fans have a number of questions here.

Franki Chan:
Ok, hit it!

illson:
O.K.! Is there anything in your boyhood that indicated that you would be in the position you are in now?

F.C.
I was always a pretty independent thinker, and rebelled constantly against my parents, my teachers, and everybody else – so much so that I was constantly in trouble. I wasn’t doing bad things; I wasn’t doing drugs or getting into fights or anything, but I always kind of knew what I have to do and what I wanted to do and never let anybody else tell me anything differently. I never imagined that it would lead me to a place where I was any kind of boss or anything but, looking back on it, I think those signs were right there.

illson:
So there was an independent streak in you, even as a child?

F.C.
Very much so. Independent streak, and wanting to be some sort of … uh … entertainer.

illson:
When the artists on your label speak of you and your company, they always speak of it very highly and with a great deal of enthusiasm. What do you think you and your company provides that inspires that kind of loyalty?

F.C.
Well, first and foremost, we’re all friends, and secondly I put their wants and needs and creative-ness first. We’ve kind of been able to develop everything as more of a family, and I don’t really take the same measures or play the same rules or even know the same rules as most labels or majors do. I don’t really come from a business background, but I do understand what its like to be an artist, what its like to make your own stuff, what its like to book your own shows, put out your own merchandise and all that, and I’m just trying to treat everyone fairly. I don’t try to charge them for dumb stuff or any of that kind of thing. I make sure folks get paid. I make sure we’re all getting taken care of, and I work from start to finish, no matter what project that is – versus some label who would only give someone lots of focus if it’s, uh … a full-length. I don’t treat any differently a full-length, versus a single. If no one had anything else out at the moment, I wouldn’t treat them any differently either. We’re all family, we’re all going towards the same goal, and ultimately treating them well and divvying everything up only goes back to making our accounts right, so it’s a win-win kind of thing.

illson:
In your interviews you often speak about ‘progressive politics,’ ‘D.I.Y.’ ideals, and re-shaping the business of music. Can you give an example, aside from the things you’ve already said, a specific example of the way you do business that may not be the norm, but that you feel is a real progression?

F.C.
We’ve figured out a lot of ways to do everything by … ourselves, or at least have intimate say on everything that we are doing and directing, so for example: because we come from a background of doing shows, because we have a blog, because we’re friends and I let the artists be involved in what we do, it gives us a lot of flexibility in what we’re able to do as a label… We can just be more creative and approach business in that way. And also it doesn’t make us as a label dependent on record sales. Because we have lots of little bits of money coming in from lots of different places, I don’t have to put pressure on “sell, sell, sell, sell, sell!”…

(tape noise)

…. and do all these things that …

(tape noise)

… I can do one thing and maintain it. I can give away things for free, and be very flexible on how …

(tape noise)

illson:
So you’re not bound by one approach, and you have several revenue streams?

F.C.
Yeah, we try to (tape noise) every thing for every artist. Even though everyones friends there’s still a wide array of what their sounds are or who their audience could be…

TApe.. Noise THE END