Peter Dinklage as Tyrion Lannister
Grade: A+

Comments: We’ve been fans of Peter Dinklage since The Station Agent, so we figured he’d be awesome as Tyrion. And he is.

Charles Dance as Tywin Lannister
Grade: A-

Comments: Dance’s portrayal of Tywin Lannister left me ice cold. Which is good because he’s a frigid old bastard.

Nikolai Coster-Waldau as Jaime Lannister
Grade: A+

Comments: We were worried that no one would be able to do Jaime Lannister, one of the most complex characters in the series, justice. Coster-Waldau melds Tywin’s coldness and Tyrions charming wit perfectly.

Lena Headey as Queen Cersei Lannister
Grade: C

Comments: Cersei Lannister is the role we’re most disappointed with after season 1. More than anyone else, Headey seems to be leaning towards the Lord of the Rings stoicism that takes all the dirty crazy fun out of George R. R. Martin’s series. Still, Headey will have a chance to redeem herself in future seasons, we think.

Jack Gleeson as Prince Joffrey Baratheon
Grade: A-

Comments: Gleeson gets a minus because he’s another one that’s so hate-able, he’s hard to like.

Mark Addy as King Robert Baratheon
Grade: A

Comments: Addy nailed the boozing, whoring King Baratheon and delivered and few laughs along the way.

Aiden Gillen as Petyr Baelish
Grade: A+

Comments: Gillen is another familiar face (The Wire) that delivered the effing goods. Baelish is a much more believable sociopath than the evil wizards of your average fantasy tale. Gillen is convincing as both the charming manipulator and as the snaky creep underneath.

Conleth Hill as Lord Varys
Grade: A-

Comments: Hill is exactly as we imagined Lord Varys, but the nature of his role means he doesn’t get any of the juicy scenes.

Rory McCann as Sandor “The Hound” Clegane
Grade: B+

Comments: Again, McCann fits the part but The Hound didn’t get much screen time in season 1. We’re hoping for more in future seasons.

Jerome Flynn as Bronn the Sellsword
Grade: A

Comments: Flynn is one of a few to have elevated his role, in our opinion. Bronn isn’t particularly memorable in the books, but his scenes with Tyrion were some of the high points of season 1.

Sibel Kekilli as Shae the whore
Grade: B

Comments: I don’t recall Shae being quite so sassy in the books, so I’m not sure if that’s Kekilli’s own spin on the role or something that was in the script. Either way, her screen time was limited so we’ll leave her with decent marks until season 2.

Jason Momoa as Khal Drogo
Grade: A-

Comments: I had my doubts, since Momoa is a Stargate alum. He only had a few lines, but he brought an intimidating on-screen presence that brought the Khal Drogo from the books to life.

Emilia Clarke as Daenerys Targaryen
Grade: A

Comments: In season 1, Daenerys makes a transition from a shaky, vulnerable girl to khaleesi. Clarke was so shaky early on that I was worried, but in the end it totally worked.

Harry Lloyd as Viserys Targaryen
Grade: A+

Comments: It’s almost too bad that Viserys is such a short-lived character, because Harry Lloyd rocked so hard. But Viserys is such a prick we wouldn’t want him around any longer than necessary.

Ian McElhinney as Barristan Selmy
Grade: A

Comments: When I read the books, I had a hard time imagining an aging knight who was still sort of a bad ass. McElhinney showed me what one looked like.

In an attempt to stave off withdrawal, we decided to grade the cast of Game of Thrones. As a whole, the cast gets an A, but it wouldn’t be much of an article if we gave every actor an A. Any criticism below is sheer nitpickery.

Sean Bean as Lord Eddard Stark
Grade: B+

Comments: Ned is such an understated character that it was hard for Bean to really blow us away, which some of the other cast members did.

Michelle Fairley as Catelyn Stark
Grade: C

Comments: Much criticized on the ‘net for looking older than superfans preferred, our gripe is less about age and more that Fairley’s performance was a little on the melodramatic side. She plays every scene like it’s Life. Or. Death., which means the real life or death scenes just kinda blend in with the rest.

Richard Madden as Robb Stark
Grade: B

Comments: Madden did a solid job handling Robb Stark’s transition from carefree kid to head of the Stark clan.

Sophie Turner as Sansa Stark
Grade: A-

Comments: Turner was one we weren’t quite sure about at the start of the season, but she’d won us over by the time Joffrey forced her to look at Ned’s head on a stick.

Maisie Williams as Arya Stark
Grade: A+

Comments: Williams had big shoes to fill, playing one of our favorite characters from the books. She didn’t disappoint.

Isaac Hempstead-Wright as Bran Stark
Grade: B

Comments: It seemed like we didn’t spend as much time with Bran in the show as in the book, but Hempstead-Wright did well with the screen time he had.

Kit Harington as Jon Snow
Grade: C

Comments: We’re still on the fence about Harington. He’s not bad, but Jon Snow is another favorite character, and we’re left wanting more from him. If he could stop making that confused doofus face so often, it might help.

John Bradley as Samwell Tarly
Grade: A-

Comments: Bradley was excellent for the most part, but there were a few moments that bordered on cartoon sheepishness. He was definitely entertaining, though.

Alfie Allen as Theon Greyjoy
Grade: B-

Comments: We hate Theon so much that we refuse to give him more than a B minus. It actually could be great acting since we’re not supposed to like Theon, but we’ll have to wait and see how things go next season.

Natalia Tena Osha the Wildling
Grade: A

Comments: What separates Game of Thrones from other fantasy (i.e. Lord of the Rings) is the lack of prim and proper. There are no pristine fairy castles in GoT. Even the good guys are kinda dirty and scruffy. Tena’s performance as Osha exemplified that grit and color well.

James Cosmo as Commander Jeor Mormont
Grade: A

Comments: Cosmo is pretty much exactly how we imagined Commander Mormont. Stern. Stern, but fair.

Iain Glen as Jorah Mormont
Grade: A+

Comments: Whether it’s the nature of the character or Glen’s own presence, Jorah Mormont stands out as Daenerys’ wise adviser.

Kate Dickie as Lysa Arryn
Grade: A

Comments: As creepy in the show as she is in the books, Dickie’s protrayal of Lysa Arryn is perfect crazy mommy, fake boob and all.

Lino Facioli as Robin Arryn
Grade: A

Comments: Congratulations parents of Lino Facioli, your kid freaks me out. I guess that’s a good thing, considering the role.

I also dug up a few of my favorite Ryan Dunn moments:

Instead, what I’ll say is this: the latest installment of the tv/movie franchise feels a little like a restaurant franchise. No one goes to Applebee’s because the food is great. They go because, though the food is mediocre at best, it’s always the same. When you order that tray of Baby Back Ribs, you know exactly what you’re getting. And when you watch a Jackass movie, you know you’re in for a lot of farting, shitting, pissing, punching, and laughing.

To be honest, I didn’t expect either of the first two Jackass movies to be good. I was pleasantly surprised. More than that, I laughed my ass off. But the creativity abundant in the first two movies is lacking in the third. The ratio of silly and funny to gross and painful is off this time around. I know this is patently unAmerican of me to say, but sometimes enough is enough when it comes to people taking hits to the nards.

Maybe what’s really missing from Jackass 3D is enthusiasm. I can’t say I blame them. I don’t think I could be too enthusiastic about taking a T-ball to the family jewels, and I don’t even have family jewels. Then again, the silly skits like Party Boy and Werewolves in London require no organ damage and, in my opinion, were funnier anyway.

1. Season One
Primary Season Long Arc: The Ice Truck Killer
Dexter’s Love Interest: Rita
Deb’s Love Interest: Rudy
The Gist: “Tonight’s the night.” The bright colors of Miami  juxtapose with the detached, sardonic voice over – the Dexter deadpan.  Enter Dexter Morgan – blood spatter forensics expert by day, blood spattering serial killer by night.  He’s cleaning up the streets of Florida the old fashioned way – by dumping garbage bags full of the mutilated bodies of criminals into the Atlantic.  The clash of styles between the emotionless Dexter and the flair of Miami’s culture – from loud music to loud shirts – were still new and exciting in the first season.   These style elements eventually became routine, but what really cements the debut season as a clear number 1 was a plot that was mysterious not only on the surface level of the twists and turns of the Ice Truck Killer case, but in terms of digging into Dexter’s past and uncovering something that fundamentally changes his interpretation of his own identity.  It was almost an origin story that pieced itself together in flashbacks over the course of the season. The writers would try to repeat this in future seasons but would ultimately fail to satisfy.

2. Season Four
Primary Season Long Arc: The Trinity Killer
Dexter’s Love Interest: Rita (married)
Deb’s Love Interest: Anton and Lundy
The Gist: Dexter’s 4th installment is best known for the shock of the season’s cliffhanger ending – Dexter returning home to find his wife, Rita, murdered in the bathtub.  The season also had another shocking death earlier in the year as Agent Lundy is shot and killed in the middle of a conversation with Deb.  It’s probably those dramatic exits of 2 longtime characters that push this season just above the rest of the pack, but John Lithgow made a decent serial killer in his guest stint as well.

3. Season Three
Primary Season Long Arc: DA Miguel Prado gets hands on with some perps
Dexter’s Love Interest: Rita (engaged)
Deb’s Love Interest: Anton
The Gist: The 3rd season is nuts.  Somehow Dexter becomes a serial killing mentor to district attorney Miguel Prado, played by Jimmy Smits.  Despite the goofiness of the DA/serial killer tandem-ing, I actually liked Smits.  Eventually, though, the conflict that arises between him and Dexter gets a little melodramatic and seems to drag on for too long before it finally resolves itself in a completely predictable fashion.  A lot of the side stories really started to get annoying this year, too – like Deb banging the partially skinned club musician,  Anton (David Ramsey).  During those scenes I was hoping Miguel and Dexter would burst into my actual house and put me out of my misery.

4. Season Five
Primary Season Long Arc: Jordan Chase and friends
Dexter’s Love Interest: Lumen
Deb’s Love Interest: Quinn
The Gist: When I first heard that Julia Stiles was going to guest star on Dexter’s 5th season, I said: “The bad news is that Julia Stiles is guest starring on Dexter next season.  The good news is that Dexter will murder her. “ More bad news:  He didn’t!  Instead he had sexual relations with her several times and helped her overcome a lot of her PTSD issues through the healing power of stab-murdering a bunch of bad guys.  At this point some of the show’s staple elements are really starting to fall flat.  Dexter’s conversations with imaginary (and/or ghost) Harry have progressed from interesting in season 1 to not so interesting in season 3 and 4 to actually pretty annoying in season 5, for one example.

5. Season Two
Primary Season Long Arc: The Bay Harbor Butcher
Dexter’s Love Interest: Rita and Lila
Deb’s Love Interest: Agent Lundy
The Gist: Dexter’s bags of bodies are discovered and the heat is on. Everyone is looking for the Bay Harbor Butcher, including the FBI. Dexter also starts going to alocholics anonymous type meetings where he explores the idea of his “dark passenger” and befriends a crazy person with a ridiculous East End accent named Lila.  Dexter wastes little time as he and Lila really hit it off, by which I mean Lila takes her clothes off and Dexter hits it.  Later he kills her.  Also, she was super annoying, and that’s the sole reason this season ranks last.

20. Memento – The infamous “backwards movie” that really launched Christopher Nolan’s career (The Dark Knight, The Prestige, Inception). Nolan packs enough action into his movies to satisfy most everyone, but at the root of his best movies are unique story/narrative concepts that are fully developed and realized via complex plots. Hard to believe that some thought of him as a “gimmick” movie maker when Memento first came out.

19.  Cloverfield – A documentary style horror movie, effectively crossing Godzilla with The Blair Witch Project. Maybe not completely beloved by critics, but beloved by me. Cloverfield‘s faithfulness to its point of view gives the unfolding horrors a sense of realism that heightens their impact.

18. Nine Lives – Nine loosely connected, interwoven vignettes, written and directed by Rodrigo Garcia, son of famed Latin American author, Gabriel Garcia Marquez.

17. Dogville – Lars Von Trier’s controversial 2003 movie starring Nicole Kidman and set on a stage with no props, backdrops, or scenery. Very dark.

16. Adaptation – Charlie Kaufman and his fictional twin, Donald, attempt to adapt Susan Orlean’s  The Orchid Thief.

15. The King of Kong – This documentary tells the story of the all-time Donkey Kong arcade game record, which is surprisingly dramatic. There’s sabotage, conspiracy, and an antagonist so villainous, you wouldn’t believe it if it wasn’t real. Plus a lot of hilarious nerds.

14. O Brother, Where Art Thou? – The Coen Brothers teamed up with George Clooney to make a Depression-era retelling of Homer’s The Odyssey.

13. The Man Who Wasn’t There – Billy Bob Thornton stars in this barber shop Noir. My favorite Coen Brothers movie of the decade, even if it’s not the most critically acclaimed.

12. Brick – This is what happens when you view a high school drama through a Noir lens.

11. The Descent – A horror movie that rises to the challenge of having an actual story with real characters, while remaining truly scary. (Side note: In seventh grade, I made it to the southwest semifinal spelling bee for my state, and I got out on my first word. Descent. Ever since, the word has terrified me.)

10. Eternal Sunshine of the Spotless Mind – Charlie Kaufman’s “what if we could pay to erase our bad memories?” movie, starring Jim Carrey and Kate Winslet.

9. The Lord of the Rings: The Return of the King – Peter Jackson’s fantasy trilogy is probably the best execution ever in this genre.

8. Let the Right One In – Swedish vampire movie that on the surface sounds similar to the plot of something like Twilight, but in reality works as a totally unique, quirky horror movie.

7. Inglourious Basterds – Most critics prefer the Kill Bill movies, but despite many openly sophomoric elements, Basterds struck me as Tarantino’s most mature movie, and it’s my favorite of his from this decade, and maybe my favorite over all.

6. A Tale of Two Sisters – This Korean horror movie combines a “what the hell is going on” plot with a variety of creepy visuals.  It has stuck with me for about 7 years.  (It also was remade into the horrible American horror movie “The Uninvited“.)

5. Shotgun Stories – A blood feud erupts between two families in a rural Arkansas town, and it’s not long before both sides go too far.

4. Amelie – A French story about an eccentric girl and her first secret adventures after a childhood of isolation.

3. The Station Agent – A lonesome dwarf inherits an old train station building in rural New Jersey and befriends some of the locals.

2. The Best of Youth – Originally made for Italian TV, this 6 hour mini-series/movie tells the story of 2 brothers, covering from their high school years up through adulthood.

1. Grizzly Man – The life and death of Timothy Treadwell – the guy who voluntarily lived among the bears in the wild of Alaska for months at a time – filmed by Treadwell himself and pieced together into a documentary by Werner Herzog after Treadwell’s death.  I watched this over 5 years ago and still think about it a lot. It didn’t win the Oscar, in fact it wasn’t even nominated, but it’s number 1 in our book.

In many ways, life in China is almost incomprehensible to the average American. Lixin Fan’s documentary, Last Train Home, gives us a glimpse, a sometimes disturbing one, of life in China through the lens of one family of migrant workers.

The movie opens with a shot panning across an endless crowd of people – I’d guess in the six figure range – standing outside of a train station in the rain. Every year 130 million migrant workers head home for the Chinese New Year, which, we’re told via text on the screen, is the largest human migration in the world. The subjects of the film, Zhang Changhua and Chen Suqin, have been making this annual trek for roughly 20 years – starting when they were just 16 years old and dropped out of school to find work, a decision which they not only regret but seems to consume them – even after 20 years, they bring it up constantly. The couple spends the rest of the year living in a tiny bunk down the hall from the factory where they sew jeans and other garments to be shipped to the Western world.

They arrive home at the family farm to spend time with their 16 year old daughter, 10 year old son and the grandmother that is raising the children with the financial help of the factory money. Their visit is awkward. Spending around 51 weeks a year away at work, they don’t know their own kids very well. Their daughter, Qin, is openly angry at her parents and rebellious. Ironically, and against all the parental advice she’s ever received, Qin drops out and gets a factory job similar to that of her parents. Her parents are confused and upset by her decision. Her mother says, “I’d rather work even harder than have Qin work.”

While there are many differences from American life to be seen, in some ways the similarities are more striking. The first words out of Qin’s younger brother’s mouth when his parents show him the cell phone they bought Qin are, “Does it have games?” During an argument with her mother, Qin says, “I don’t care what you say.” Teen angst and rebellion, it appears, are universal.

If the most important thing in someone’s life is spending time with the people they care about, the economic situation in China has removed this aspect of life almost completely. Last Train Home doesn’t beat this idea over your head, but by the end you realize that’s what it’s all about.