Látlaus Ský – Swells EP

Phole follows up with a new album “Oppositeland” after his last “Pleasing”. On “Oppositeland” Phole takes a more electronic approach to his melody based productions which manages to allow you to either pay attention or drift off with it in the background.”

If you think about oppositeland, the first things that come to mind are for instance: Every one is walking backwards, every thing is upside down, you talk in an opposite language and you are wearing your clothes inside out.

But if you think about it a little longer you’ll soon discover that it goes a bit deeper. Your senses will get messy as well, you can hear smelly things and taste sound waves and amplitudes. Eventually you’ll learn that there is actually nothing in oppositeland, that we do have in normal life. And vice versa. All of life’s impossible-to-answer-questions will be answered in oppositeland. At the same time oppositeland can describe a less abstract story about the present and the future, where all natural life is left behind and everything is turned in mechanical and synthetic material.

Phole is a producer and pianist from Groningen, in the North of the Netherlands. At 18 he got his first piano lessons and a year later started to produce downtempo beats as “Phole”. Inspired by the piano lessons Phole became interested in jazz, which you can hear in his first trip-hop EP “Pleasing.” At the moment Phole is inspired by more experimental music, and has created a unique collaboration with “Brombaer” called Globo, Since spring 2011 he is working on a new album called “Philosophy of opposite land” which will be out May 7th.

Available at:
Amazon
iTunes
Beatport
Juno
Boomkat

Release Date: May 7th 2013
Genre: Electronica/Trip Hop/Jazz
CAT No: TSD416
Label: Three Sixty Records
Distributor: Orchard – Digital
Mastered by Graham Shrimpton

Track-listing:
1 The Beginning
2 Going In
3 Oppositeland
4 Catching Up
5 Vision
6 Carnivale
7 Reaching the End
8 Mechanism
9 About To Get Nuts
10 Open

This story is translated in a journey trough oppositeland with an album, animated visuals/video clips by Beun & Haas visuals, and a combined live act.
Check out the promo video and other oppositeland video material by “Beun & Haas visuals”
Oppositeland Video [click here]

OUT JAN 29th 2013

Listen to the whole album free on Spotify

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James Bernard returns with his latest release on Three Sixty Records. With great production Introspective is written with minimal layers of sound and effects, giving you a feel of classic minimal electronic music all based around a 303 .

BIO
James has been producing EDM since 1993 under many different monikers. His earliest releases were on the legendary UK record label, Rising High Records, where he was label-mates with artists like Luke Vibert, Mixmaster Morris, The Black Dog, Union Jack and Hardfloor!

James has released many records since 1993. As Influx on Sapho records, a sister label of UK label Rising High. His first ambient album, Atmospherics was released in 1994 on well respected label Rising High. He also releases on Isophlux Records (as Influx and Protocol), Analog Records (as Influx), BML Records (as Influx) and now on Three Sixty Records. Please See Discogs.com for his complete discography.

As the trance scene evolved and became more commercialized, James started to experiment with producing other types of electronic music. Soon, Influx had changed it’s sound into a more IDM, syncopated style and more releases followed on a slew of other indie labels (Isophlux, Analog Records and more) and resulted in him signing to TVT/Wax Trax records in 1998 as the primary member of the group “Expansion Union”.

A song that was written in his bedroom, named “Playing with Lightning” as a working title, had gotten the attention of someone with New Line Cinema who chose to use the song for the movie “Blade” (with Wesley Snipes) and include it on the companion soundtrack CD. Over 700,000 copies of that CD were sold and James received a gold record for his achievement.

James spent many years also as the face of Korg, doing demos for the Electribe series and also as part of the Korg Sound Design team, where he created sounds and patterns for many of their synths including… EA-1/ER-1/ES-1/EMX1, MS2000, microKorg, The Legacy Collection and many others.

Fast forward to 2012 and James is still producing lots of music and his sound has matured greatly. One minute he might be working on some epic bass style track, the next an ambient/electro-infused texture.

Release Date: Jan 29th 2013
Artist:James Bernard
Release: Introspective
Genre: Electronic/Ambient
CAT No: TSD415
Label: Three Sixty Records
Format: LP
Territory: Global Digital Release
Mastered by Graham Shrimpton

Track-listing:
1. Oblique
2. Return
3. Pheonix
4. Chloes Song
5. Island
6. Introspective
7. Alone

ALSO OUT NOW ON THREE SIXTY RECORDS
James Bernard – Atmospherics
James Bernard – New Life
James Bernard – Flashback

ALSO OUT NOW ON THREE SIXTY TUNES
James Bernard – Guidance EP

James Bernard’s Website

James Bernard on Facebook

James Bernards bio

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“Blackmill has quietly built a massive following, on his own, away from the media spotlight via his Youtube Channel. With only 33 songs uploaded BM has received 11,500,000 listens/views of his music. We are proud to be releasing this classic dubstep indie music from Blackmill on Three Sixty Records.”

Biography
Born in 1991 Watford United Kingdom, Blackmill started off producing music at the age of 8 when he received his first musical instrument, an acoustic guitar. Although he loved to play it in 2005 he discovered a musical software program called FL Studio, he was hooked straight away on producing Electronic Music.

After producing Trance from 2008-2010 under the alias “Robert J.C” Blackmill heard the genre Dubstep and had the idea of combining the two, Melodic Dubstep as he calls it was born. He pushed out a remix of Ellie Goulding’s cover of Elton John’s “Your Song” which went viral after Ellie Goulding herself posted it on her Facebook.
On February 28th, 2011, saw Blackmill’s first release, his debut album “Reach For Glory” which continues to sell very well. December 21st 2011 saw the release of Blackmill’s second album “Miracle” which today is selling extremely well. In February, 2012, Blackmill’s song “Evil Beauty” was featured on the BBC Series “Hustle” Episode 6 which again gave him another large boast in publicity.

Blackmill still continues to produce Melodic Dubstep which has proven to be a big hit reaching over 11,500,000 hits on his personal Youtube Channel alone in under 2 years. Blackmill is currently working on a third album which is to be released 2012/2013 and remixes which are still awaiting a date.

Artist: Blackmill
Release: Fortune Soul
Genre: Electronica/Dubstep/Indie
CAT No: TSD414
Label: Three Sixty Records
Format: Digital
Distributor: IODA – Digital
Territory: Global Release
UPC: 084854276682
Mastered: Graham Shrimpton

Track-listing:
1 Fortune Soul 3:21 USBTX1200071
2 Rain 5:58 USBTX1200072

Available on: itunes, Rhapsody, Deezer, Boomkat, Beatport, Djdownload, Mixmag, emusic, Google Music, iHeartRadio, rdio, Slacker, Spotify, Lastfm and many more digital retailers.
Available in: USA, UK, Holland, Italy, Sweden, Canada, Australia, Japan, Germany, France, Belgium, Spain and many more countries.

Music for Moving Images Vol 4
“Music to an Imaginary Film”

Artwork by Imaginary Foundation

This is our fourth compilation, which includes some of our favorite artists and showcases the wide range of music we like at Three Sixty Records.
Album artwork by Imaginary Foundation was inspired and created after we sent our friends at IF the demo album to enjoy. We liked the artwork so much when we saw it, we asked if we could use it for the cover art, and they graciously said yes! Creativity full circle.

Here at Three Sixty we like to think of ourselves as a small boutique label. We don’t like genres, so you will find it hard to put us in any one specific style. We started making and releasing music in 1995, and created this compilation as a way to highlight our music to the Film and TV industry.

If you want any information on a particular artist please email us at. press@threesixtyrecords.net

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Track-listing
01 boyChild – For You My Love Part1
02 Dram Rider – Yearning For Something
03 Sr Mandril – So Simple (Chris Coco Remix)
04 Fall & Amy Lyon – Broken
05 Cillo – Raindrops
06 Blackmill – Fortune Soul
07 T_Mo – Out of India
08 boyChild – Counting What If’s (Thinnen Remix)
09 Fall – Cats Cradle
10 Brombaer & Phole – Globo II
11 Paul LIttlewood – Meadow
12 Phole – Brain
13 Thinnen – You Are
14 Blackmill – Rain
15 James Bernard – My Inspiration (AM Remix)
16 Cillo – Breathe
17 Jimmy the Fingers – I’m Only Breathing
18 T_Mo – Malbec

Three Sixty Records
Release Date: Oct 2nd 2012
Artist: Various Artists
Release: Music For Moving Images V4
Genre: Electronic/Soundtrack
CAT No: TSD413
Label: Three Sixty Records
Format: Digital
Distributor: IODA – Digital
Territory: Global Release
Artwork: Imaginary Foundation
Mastered by Graham Shrimpton

Available on:
itunes, Boomkat, HMV Digital, Beatport, Djdownload, Juno, Amazon, emusic, Spotify, Sprint, Verizon, Rhapsody and many more digital retailers.

Available in:
USA, UK, Italy, Sweden, Canada, Australia, Japan, Ireland, Germany, France, Holland, Belgium, Spain and many more countries.

We love Thinnens unique style of electronic music, deep reverbs, crisp beats and songs that ebb and flow till they build into bliss.
This is Thinnens Debut release on Three Sixty.

“Not one for constraining himself to one genre, Thinnen’s productions have slowly garnered the interest of fellow music lovers and producers alike. Incorporating influences from hip hop, rock, film scores, and the ever expanding electronic music scene, he has been carving out his own sound with signature synths and percussion. Electronic music has always been a consistent interest to Thinnen over the years, but only when he realized people were making music on computers in their bedrooms, did he set out to make music himself.

8 years later and a handful of tracks released, he is looking forward to what the future has in store.”

were to buy

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Paul Littlewood has a signature arrangement style, a way of doing songs. No fancy tricks, no production wizardry, just subtly changing low-key textures and a voice. Born and raised in South Yorkshire in the North of England he has spent most of his 30 years writing and performing, developing a sound which is uniquely inspired by his changing surroundings. A huge fan of lo-fi, all of his compositions are recorded on a beloved Zoom MRS-1266, 8 track recorder, giving listeners freedom to find in them what they wish.

Cover Photo by Gillian Kalisky

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All songs mixed by Graham Shrimpton.

‘Poignant and ethereal blues music.’
Paul Robson-Now Then

‘This haunting spectral music will seep into your soul and steal it.’
Electric Ghost Journal

‘This is not music that forces its meanings on the listener, but if you give it some attention, and some time, you may well find these transparently beautiful sounds become an integral part of your landscape.’ Oliver Ardetti

Lo-Fi Recording Equipment list
Zoom MRS-1266 8 track recorder, ADK Condenser Mic, SM57 Dynamic Mic, D112 Dynamic Mic, Epiphone EJ 200 Acoustic gtr, Yamaha SG 200 Electric gtr, Fender strat, Hohner electric piano , Yamaha APX 5NA Acoustic gtr, Korg Monotron Synth, Electro Harmonix Gtr Synth Pedal.

Paul Littlewood Facebook Page

Release Date: Sept 18th 2012
Artist: Paul Littlewood
Release: Photograph EP
Genre: Lo-Fi/Indie/Folk
CAT No: TSD412
Label: Three Sixty Records
Format: Digital, Analog Reel to Reel
Distributor: IODA – Digital
Territory: Global Release

Track-listing: All FCC OK.
1 Meadow 3:45 USBTX1200050
2 Photograph 2:49 USBTX1200052
3 Wave 3:42 USBTX1200054
4 No Tomorrow 3:19 USBTX1200055
5 Early Morning Bird 3:16 USBTX1200049
6 Wave (CV) 3:35 USBTX1200053

Available on: itunes, Juno, Amazon, Spotify, emusic, Sprint, Verizon and many more digital retailers.

Available in: USA, UK, Italy, Sweden, Canada, Australia, Japan, Germany, France, Holland, Belgium, Spain and many more countries.

Paul Littlewood has a signature arrangement style, a way of doing songs. No fancy tricks, no production wizardry, just subtly changing low-key textures and a voice. Born and raised in South Yorkshire in the North of England he has spent most of his 30 years writing and performing, developing a sound which is uniquely inspired by his changing surroundings. A huge fan of lo-fi, all of his compositions are recorded on a beloved Zoom MRS-1266, 8 track recorder, giving listeners freedom to find in them what they wish.

Paul Littlewood performs the song Photograph from the new EP out Sept 18th from Three Sixty on Vimeo.

Paul LIttlewood performs the song Meadow from Three Sixty on Vimeo.

‘Poignant and ethereal blues music.’
Paul Robson-Now Then

‘This haunting spectral music will seep into your soul and steal it.‘
Electric Ghost Journal

‘This is not music that forces its meanings on the listener, but if you give it some attention, and some time, you may well find these transparently beautiful sounds become an integral part of your landscape.’ Oliver Ardetti
Lo-Fi Recording Equipment list
Zoom MRS-1266 8 track recorder, ADK Condenser Mic, SM57 Dynamic Mic, D112 Dynamic Mic, Epiphone EJ 200 Acoustic gtr, Yamaha SG 200 Electric gtr, Fender strat, Hohner electric piano , Yamaha APX 5NA Acoustic gtr, Korg Monotron Synth, Electro Harmonix Gtr Synth Pedal.

Paul Littewood website

Releases
Out September 18th 2012

Out Now

The next release on Three Sixty Tunes our Dancefloor inspired label.

Featuring Remixes by: Chris Coco, Q-Burns Abstract Message and Darkhorse

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Out Now

Release Track-list
1. So Simple
2. So Simple (Chris Coco Remix)
3. So Simple (Q-Burns Abstract Message Remix)
4. Reino De La Luna
5. Reino De La Luna (Darkhorse Remix)

Sr Mandril in the Studio

“Sr Mandril have a goal: merge electro elements with thoroughly live guitar, bass, keys and percussion. The payoff: a crossbreed of acid jazz, ambient, lounge, trip hop and house with latin rhythm and flair. This is the sound of Mexico right now.” – Festival International de Jazz de Montreal

Sr Mandril was born in 2000 when Germán González and Ramsés Ramírez decided to merge their musical ideas. The resulting sound was electronic undertones mixed with organic instruments creating a sonic image of colors, sounds and influences that go from indie-dance to acid jazz and ambient all with that Latin feel. Sr. Mandril spend a lot of time on the road playing live at various festivals and venues around South America. This release from Three Sixty Tunes, the new dance floor division of veteran San Francisco leftfield imprint Three Sixty Records, showcases a diverse set of remixes of tracks from this exciting Latin American electronic act.

Two exquisite original tunes are found in this set, both featuring the vocals of Isabelle Malchionni and the intricate multi-instrumentation of the band. The rollicking

“So Simple” opens with a carnival-like organ motif and a two-step breakbeat rhythm before falling head on into a flurry of wah-wah guitar, horn stabs, latin percussion, and Isabelle’s playful vocals.

“Reino De La Luna” is, as its title might hint, a dreamy, Balearic style track with a floating feel, lovely, emotive vocals, spacious guitar and saxophone riffs, and a powerful crescendo. This track has been masterfully remixed by Three Sixty’s in-house maestro

Chris Coco. In between his Melodica radio show and promoting his new Freedom Street album on Melodica Recordings, Chris found the time to assemble an expansive, cinematic downtempo re-work that throbs and glistens. Isabelle becomes a torch song chanteuse in Chris’ world, accompanied by muted trumpet and big, bold string pads. Lovely.

Q-Burns Abstract Message takes the reigns of “So Simple” for a rhythm-heavy remix that harks back to the breaky tunes from the 90’s he used to spin in the back room at the renowned Phat N’ Jazzy club night. It’s dance floor funk with a classic sound, complimenting Sr Mandril’s original with class and flair.

Darkhorse, who has an extensive discography on not only Three Sixty but also classic labels like Tummy Touch, Pussyfoot, and Ubiquity. His “Reino De La Luna” lovingly brings out the dubby aspects of the track, placing them on top of a groovy four-on-the-floor rhythm and adding a healthy dose of treatments and effects. This cut is Balearic bliss and is arriving just in time to close out the summer. Also in play are two remixes of the aforementioned “So Simple,” with the first courtesy of the legendary

Five eclectic, quality cuts and another brilliant package from Three Sixty … enjoy!

Some of the DJ Feedback

Tim “Love” Lee (Tummy Touch) – “Love it. Perfect for the summer.”
Kid Loco – “The Darkhorse Remix is my thing, and the Q-Burns Abstract Message remix is great, too.”
The Glimmers – “The Q-Burns Abstract Message mix is a nice groover … will try it out this weekend.”
Robbie Hardkiss – “The Darkhorse mix feels like I’m driving to the beachfront poolside lounge where the Q-Burns Abstract Message remix makes me want to order a fruity rum cocktail from a bar tending panda, while I splash and dance until the Chris Coco remix puts me in bed with a friend.”
Irregular Disco Workers – “Chris Coco’s remix is amazing!”
Djuma Soundsystem – “The Q-man’s still got it!”
Severino (Horse Meat Disco) – “The Darkhorse remix is my favorite.”
Phat Phil Cooper – “Chris Coco mix is nice… will play and say!”
Stereo 77 – “Both Darkhorse and Q-Burns Abstract Message deliver perfect summertime jams!”
Jota Wagner (Colors Sound System) – “Exquisite … let the sunshine in!”
Andy Wilson (Ibiza Sonica FM / Balearica) – “A nice packages. All the remixes are good, and the originals are strong as well.”
Al Bradley (3am Recordings) – “Cool sounds on this release and some lovely textures on the cuts. ‘Reino De La Luna’ is really gorgeous. Then Q-Burns Abstract Message again turns in a superb, percussive vibe. I’m really digging that.”
DJ Nelson (Power FM, Dublin) – “Cool release. The Darkhorse Remix of ‘Reino de la Luna’ is great. The track takes you on a cool journey with the guitar and dubbed style delay/echo effects. Great job.”
Matthias Kirsch (JazzRadio 106.8 FM, Berlin) – “Both remixes of ‘So Simple’ are a great mixture of laid-back lounge combined with some jazzy elements. Just brilliant.”
Jamie Topham (CDPool / Summer Soulstice) – “Eclectic fusion of the electronic and the balearic on this Sr Mandril release. Fairly strong productions throughout, with Chris Coco’s exquisite remix ‘So Simple’ and the Q-Burns Abstract Message funk/jazz-infused workout of the same track as the stand out moments here.”
Pepe Link (Insel Radio) – “The perfect soundtrack for a Balearic sundown.”
Nico De Ceglia (Radio 1 promos for Pete Tong) / Various Clubs): “Original is nice and so are the remixes”
Felix JR (Ibiza Global Radio, GrooveBox Recordings): “Fantastic Track”
Radio Arcadia (Radio Arcadia / Radio Relaxo): “In Rotation”
Carlitos Corcho (Chang) (Red Bull Music Academy, Chang Bang): “nice grooves”
Thomas Pudell (Black Alley) (In Control Radio Show (Push FM – weekly / DeepVibes – monthly)): “Q-Burns rocks!”

Sr Mandril Reverbnation

Sr Mandril Facebook

“Phole writes melody driven jazz trip hop that is lovingly produced and manages to allow you to either pay attention or drift off.”

Phole
Is a producer and pianist from Groningen, in the North of the Netherlands. At 18 he got his first piano lessons and a year later started to produce downtempo beats as “Phole”. Inspired by the piano lessons Phole became interested in jazz, which you can hear in his first trip-hop EP “Pleasing.” At the moment Phole is inspired by more experimental music, and has created a unique collaboration with “Brombaer” called Globo, Since spring 2011 he is working on a new album called “Philosophy of opposite land” which will be finished around Autumn 2012.

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Release Date: Aug 28th 2012
Artist: Phole
Release: Pleasing
Genre: Electronica/Jazz/Trip Hop
CAT No: TSD410
Label: Three Sixty Records
Format: Digital
Distributor: IODA – Digital
Territory: Global Release
UPC: 847108045966
Mastered by Graham Shrimpton

Track-listing:
1 Just For This Moment 1:26 – USBTX1200038
2 Brain 4:08 – USBTX1200037
3 So Much BullS#!t 3:57 USBTX1200041
4 Boattub 3:05 USBTX1200036
5 Sailcat 3:42 USBTX1200040
6 Right Away 4:10 USBTX1200039
7 Swingmeermin 3:02 USBTX1200042
8 About Her Belly 2:50 USBTX1200035

Available on: itunes, Rhapsody, Deezer, Boomkat, Beatport, Djdownload, Mixmag, emusic, Google Music, iHeartRadio, rdio, Slacker, Spotify, Lastfm and many more digital retailers.
Available in: USA, UK, Holland, Italy, Sweden, Canada, Australia, Japan, Germany, France, Belgium, Spain and many more countries.

Brombaer and Phole combine to create some lovely acoustic electronic music for their debut release on Three Sixty Records. They arrive with a popular following on soundcloud.

Phole
Is a producer and pianist from Groningen, in the North of the Netherlands.

At 18 he got his first piano lessons and a year later started to produce downtempo beats as “Phole”. Inspired by the piano lessons Phole became interested in jazz. Phole is inspired by more experimental music, and has created a great collaborations with “Brombaer” called Globo. Since spring 2011 he is working on a new album called “Philosphy of opposite land” which will be finished around Late 2012.

Brombaer
Since the beginning of 2011, Groningen, Netherlands.

Brombaers Website

Big love for Exploring the possibilities of creating music with all kinds of sounds: computer, keyboard, guitar, field recordings, percussion, and all kinds of other instruments and or household objects such as pots & pans. And a big love for Relaxing & Atmospheric sounds.

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Equipment
Computer with keyboard, mic and vst, like omnisphere.
Guitars, classic, spaans, electronish, banjo
Fieldrecorders, pots & pans, household opjects
Melodica, some kind of flute and some other “we don’t now that name” instruments.

We are very happy to announce our catalog is on Boomkat.

We like to support sites that allow you to look at a labels
catalog.

Please click here to check our tunes out on Boomkat

Metaform – Electric Eyes – Studio Brussels Remixes

Sometimes while looking for music for the radio show I find these gems. This time it was a Studio Brussels re-work of the Metaform track Electric Eyes. With over 1.1 million plays on Last FM alone, it’s safe to say Metaform’s first two releases have gone down very well.

Metaform (born Justice Aaron) is an American music producer, musician, and songwriter, who gained Insta-respect with the release of his highly acclaimed debut album “Standing on the Shoulders of Giants.” In 2010, he released a 2nd album entitled “The Electric Mist.” The track Electric Eyes is from this Release, with Studio Brussels playing around in the half time, creating a classic indie dubstep styled re-work.

Jack Dey aka Studio Brussels is a 25 year old Scottish Producer, DJ, Remixer & Musician who performs under the aliases Kool Roskii (Originals) & Studio Brussels (Remixes, DJ Sets).  Based in Aberdeen, he released a selection of remixes under the Studio Brussels name in late 2009 – 2012 of artists including Yeasayer, Kavinsky, Muse, Amanda Palmer, Reel 2 Real, John Martyn, Baby’s Gang, Lady Gaga producer Space Cowboy, which garnered frequent press attention around the world and tens of thousands of downloads, and three times in the Top Ten most popular songs chart on the worlds biggest music blog aggregator The Hype Machine.

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Three Sixty Records
Release Date: June 12th 2012
Artist: Metaform
Release: Electric Eyes Remixes
Genre: Electronic/Indie
CAT No: TSD408
Label: Three Sixty Records
Format: Digital
Distributor: IODA – Digital
Territory: Global Release
Mastered by: Graham Shrimpton

Track-listing: All FCC OK.
1. Electric Eyes (Studio Brussels Remix)
2. Electric Eyes (Studio Brussels Midnight Remix)
3. Electric Eyes (Studio Brussels Dub Remix)

Available on: itunes, Rhapsody, HMV Digital, Beatport, Djdownload, Mixmag, emusic, T-Online, Sprint, Verizon and many more digital retailers.
Available in: USA, UK, Italy, Sweden, Canada, Australia, Japan, Germany, France, Holland, Belgium, Spain and many more countries.

Check out Metaforms other music.

Blogs and Podcasts

Acid Ted

Beats to Inspire Thought

Paul Littlewood has a signature arrangement style, a way of doing songs. No fancy tricks, no production wizardry, just subtly changing low-key textures and a voice. Born and raised in South Yorkshire in the North of England he has spent most of his 30 years writing and performing, developing a sound which is uniquely inspired by his changing surroundings. A huge fan of lo-fi, all of his compositions are recorded on a beloved Zoom MRS-1266, 8 track recorder, giving listeners freedom to find in them what they wish.

“This is not music that forces its meanings on the listener, but if you give it some attention, and some time, you may well find these transparently beautiful sounds become an integral part of your landscape.” Oliver Ardetti

Reviews

Now Then Magazine ‘Poignant and ethereal blues music.’

Release Date: Out Now
Artist: Paul Littlewood
Release: Butterfly House EP
Genre: Lo-Fi/Indie/Folk
CAT No: TSD407
Label: Three Sixty Records
Format: Digital, Analog Reel to Reel
Distributor: IODA – Digital
Territory: Global Release
UPC: 084854294709
Cover art photo by Gillian Kalisky

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Track-listing: All FCC OK.
1 State of Mind 3:36 – USBTX1200014
2 Blindfold 4:02 – USBTX1200010
3 Citadel 3:46 – USBTX1200011
4 Daylight 3:50 – USBTX1200012
5 Falling Rocks 3:22 – USBTX1200013

Lo-Fi Recording Equipment list

Zoom MRS-1266 8 track recorder
ADK Condenser Mic
SM57 Dynamic Mic
D112 Dynamic Mic
Epiphone EJ 200 Acoustic gtr
Yamaha SG 200 Electric gtr
Fender strat (mexican)
Hohner electric piano
Yamaha APX 5NA Acoustic gtr
Korg Monotron Synth
Electro Harmonix Gtr Synth Pedal
Sennheiser Headphones

Photo by Chis Saunders

An EP of typical Jimmy the Fingers tunes with his take on romance, stalkers and life.
Born under a bad sign between a rock and a hard place, Jimmy soon hit the skids and took to loitering outside the local chip shop.

Darkhorse AKA Graham Shrimpton of Three Sixty Records heard the tape, found him covered in chips in a nearby dumpster, dusted him down, and discovered the kid actually had some talent. Taking him on and producing his debut album for release on Three Sixty Records. Graham co-produced the Grammy winning album Global Drum Project. The Bristol, San Francisco connection was made.

In his youth Jimmy busted out toons under the monikers Superdense Child and Zooface, and as a DJ has rubbed shoulders with the likes of Afrika Bambaata, Radio One’s Breezeblock show, Rahzel, Krafty Kuts, The Herbaliser, Fatboy Slim, Bonobo, and many more. He played keys in bands with Quantic, TM Juke, and Alice Russell from blossoming Brighton label Tru Thoughts. Then he found out he could sing, so he struck out on his own.
“Jimmy The Fingers writes about life as he sees it; a joyous and just plain silly occasion, marred only by the wonders of temptation and the melancholy. His musical stylings ever changing, he’s always one step ahead of the kids.” 360

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DJ FEEDBACK

Name: Laurent Garnier
Organisation: F Communications / “It Is What It Is” Radio Show
Favourite Track: Romantic Song
Rating: 4
Comments: will playlist on the radio Great ep —

Name: Brewster Brigham
Organisation: Kiss FM
Country: Australia
Favourite Track: Romantic Song
Rating: 5
Comments: underground gold!!!!!!!!!!

Name: DJ Morpheus
Organisation: Radio Campus
Country: Belgium
Favourite Track: Das Rocket
Rating: 4
Comments: dope! love dem! will play
on my weekly radio show over here in bxl.

Release Date: April 3rd
Artist: Jimmy The Fingers
Release: Romantic Songs
Genre: Electronic/Indie
CAT No: TSD406
Label: Three Sixty Records
Format: Digital, CD, Reel to Reel
Distributor: IODA – Digital
Territory: Global Release
Album Art: Redboy – Photo

Track-listing:
1. Romantic Song
2. Mrs Robinson
3. I’m Only Breathing

It’s taken a while to get these beautiful songs ready for release. boyChild has been working hard recording the different version of For You My Love, as you will hear it was well worth the wait.Salad Days also gets cleaned up and Mastered,as well as squashed and remixed by Thinnen.

Remixer: Thinnen
Hailing from the Northwest of the UK, Thinnen has been producing since 2005, and slowly been garnering interest after winning remix competitions for the labels Hospital Records, Med School, and Paper Chain. With a sound incorporating all different types of electronic music, next.

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Beatport

It is tough writing this, usually it’s a quick process bashing out a one sheet, but not this release. James is a good friend as well as a artist on Three Sixty. James’s wife Nicole had a long protracted fight with Acute Myeloid Leukemia and had received a Bone Marrow Transplant., Ultimately beating it, only to loose her fight, after contracting from an infection from contaminated water, after work was carried out on the water system in their neighborhood, when her immune system was still re-growing. An end that should not be! A couple of days after Nicole passed, James wrote an email to Olivia Broadfield.

Hi Olivia,
Thank you so much for understanding and for sending your love and strength.
I was thinking that something written in first person like messages from a mother figure to children.. lessons of life that she would be telling them.. about love…about what they will be when they grow.. how they will find love and lose love.. succeed and fail.. laugh and cry.. and through it all will learn that is what life is about.. the extremes of emotion.. and the mark you leave on others
I dunno.. that was just stream of consciences stuff…
To me.. whatever you feel might convey some hope and guidance that could be heard by not only our 4 children.. but anyone looking to refill their soul through music.. while possibly shaking their tush on the dance-floor as well!
Hope I am making sense.. it’s ben a rough night of very little sleep.

Olivia wrote the lyrics to Guidance & Courage and gracefully agreed to sing. The song is a message from Mom to kids for the future.  My Inspiration and Never Let You Go, were both inspired/written also during those days, and James stays true to his sound, not veering, yet creating beautiful electronic songs.

All income from these songs will go into the trust fund set up for the Children.

BIO
James Bernard has a long and critically well received career in music, he works for Propellerhead Software (makers of Reason and Record, www.propellerheads.se) as in-house artist relations and all round Reason expert and sound designer, he is the goto person for a lot of the artist’s when they get stuck, even at 2am. Just ask A Guy Called Gerald or DJ Pierre. He creates Re-Fills for Reason under his own name,  and music for them to showcase what is possible with the software, as he travels around the world performing, giving demos and training seminars on Propellerhead products.
James has released many records since 1993. As Influx on Sapho records, a sister label of UK label Rising High. His first ambient album, Atmospherics was released in 1994 on well respected label Rising High. He also releases on Isophlux Records (as Influx and Protocol), Analog Records (as Influx), BML Records (as Influx) and now on Three Sixty Records. Please See Discogs.com for his complete discography.

In 1997 he teamed up with DJ Ed Weingarten (aka Displacer) and formed the act Expansion Union, releasing music on Wax Trax!/TVT records. The song “Playing with Lightning” from the album “World Wide Funk” was featured in the hit movie “Blade” and used on the multi gold selling soundtrack CD from the film.

James spent many years also as the face of Korg, doing demos for the Electribe series and also as part of the Korg Sound Design team, where he created sounds and patterns for many of their synths including… EA-1/ER-1/ES-1/EMX1, MS2000, microKorg, The Legacy Collection and many others.

Release Date: March 27th
Artist:James Bernard
Release: Guidance EP
Genre: Electronic/Dubstep
CAT No: TST0002
Label: Three Sixty Tunes/Three Sixty records
Format: EP
Territory: Global Digital Release
Track-listing:
1. Never Let You Go
2. Guidance and Courage
featuring Olivia Broadfield
3. My Inspiration
4. My Inspiration (Anger Management RMX)

ALSO OUT NOW ON THREE SIXTY RECORDS
James Bernard – Atmospherics
James Bernard – New Life
James Bernard – Flashback

54 Million is a protest song about a war plane! Cri Kong was born in San Jose, State of Mexico. Recorded in a recording studio in the woods.

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Brombaer and Phole combine to create some lovely acoustic electronic music for their debut release on Three Sixty Records. They arrive with a popular following on soundcloud.

Phole
Is a producer and pianist from Groningen, in the North of the Netherlands.

At 18 he got his first piano lessons and a year later started to produce downtempo beats as “Phole”. Inspired by the piano lessons Phole became interested in jazz, which you can hear in his first trip-hop EP “Pleasing” (finished: march 2010′ and is still available at http://phole.bandcamp.com) At the moment Phole is inspired by more experimental music, and has created a great collaborations with “Brombaer” called Globo. Since spring 2011 he is working on a new album called “Philosphy of opposite land” wich will be finished around May 2012.

Brombaer
Since the beginning of 2011, Groningen, Netherlands.

Big love for Exploring the possibilities of creating music with all kinds of sounds: computer, keyboard, guitar, field recordings, percussion, and all kinds of other instruments and or household objects such as pots & pans. And a big love for Relaxing & Atmospheric sounds.

Brombaers Website

Out Now

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Some Radio shows playing the songs of this EP.
ChillCast

ProperlyChilled

DJ’s Buy here
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This is the first release on the new Dance division of Three Sixty Records, called Three Sixty Tunes.

Sr Mandril was born in 2000 when Germán González and Ramsés Ramírez decided to mix their musical ideas. The resulting sound has electronic undertones mixed with organic instruments creating a sonic image of colors, sounds and influences that go from acid jazz and ambient to latin.

Sr Mandril spend a lot of time on the road at various festivals and venues around South America, also performing at the Festival for International Jazz in Montreal, and the PI Jazz fest in Manila.
Latin house, and driving funk make up the main part of these remixes with the Darkhorse edit of Menu Funk and 80’s reworking. Flux’s Remix of Lover turns D&B , with massive bassline and pianos complementing the amazing vocals of Isabelle. Lastly is the epic remix of Lover by Darkhorse with rolling basslines and strings complementing Isabelle’s vocals, and the Jazz sonic production of 80’s remixed by TWisMbeats Rmx ft. Harry Greve.

ROLLING STONE LATIN AMERICA “With an excellent mix of lounge and acid jazz, Sr Mandril conquered the audience in both presentations at the 27th edition of the Montreal International Jazz Festival. Ramsés Ramírez and Germán González captivated the audience with their music…”

FESTIVAL INTERNATIONAL DE JAZZ DE MONTREAL (THIS IS THE SOUND OF MEXICO RIGHT NOW) Sr. Mandril have a goal: merge electro elements with thoroughly live guitar, bass, keys and percussion. The payoff: a crossbreed of acid jazz, ambient, lounge, trip hop and house with latin rhythm and flair. This is the sound of Mexico right now.

Release Date: Aug 23rd Artist: Sr. Mandril Release: Sr Mandril Remixed Genre: Dance/Latin House CAT No: TST0001 Label: Three Sixty Tunes Format: EP Distributor: IODA

FESTIVALS: “ P.I. Jazz Fest 2011 Manila Philipines, PH” “Festival Internacional Luminaria 2010” ( México), “Festival Internacional Santa Lucía 2010” (Monterrey),“Festival Noche de las Estrellas 2010” (México D.F.),“Festival Internacional Ollin Kan 2010”, (México D.F.),“Festival Internacional Cultural San Jerónimo 2009” (Veracruz), “Ollin Jazz 2009” ( México D.F.), “Festival Iberoamericano Vive Latino 2009” (México D.F.), “Cumbre Tajín 2009” (Veracruz), “Ollin Tlalpan Jazz 2008” (México D.F.), “Festival Internacional Viva Saltillo 2008” (Coahuila), “Festival International de Jazz de Montreal 2008” (Canada), “St. Lucía Jazz Festival 2007” (St. Lucia), “Small World Music Festival 2007″ (Toronto), “Festival International de Jazz de Montreal 2006” (Canada) , “Festival Luminaria 2006″ (México), “Festival Puerta de Las Américas 2006″ (México).

Ramsés Ramírez (Bass Guitar, synth, programming and samples/ bass, synthétiseur, programmation et échantillons) Germán González (Electric and Acoustic Guitars, Synth/ guitare acoustique et électrique, synthétiseur) Isabelle Malchionni (Voice / Voix), Iván Pérez (Trumpet & Sax/ trompette et saxophone) Anne-Marie Kirouac (Percussion) María Emilia Martínez (Flute) Claude Gardiman(Drums)

DJ Feedback

Nickodemus (Turntables on the Hudson / Wonderwheel Recordings / ESL): Loving this tune! Going to drop it tonight @ Brooklyn Bowl!
John Anderson (RPM DIrector) (WEFT 90.1 FM (Champaign, IL)): great track. super funky beat with a catchy sax riff. made to play on a sunny beach in some exotic locale.
Stickybuds (Goodgroove Records / Baffin Island Beat Brigade / Big M Bootie / Pop N’ Lock): Lover remix’s are the best, thanks.
Basement Freaks (Goodgroove / SunsetSoul / Manmade): Nice vibes
Jason Brown (Qdup Foundation / (Qdup Foundation / Goodgroove / Bombstrikes): The Original and Darkhorse edit of Menu Funk are great… Like the Flux dnb thing on this too. Cool stuff guys. Qdup
Amir Groove (Monday Deep Session on Ibiza Sonica Radio (weekly) / DeepClass Records): very nice, thanks for sharing!!
Dj Emskee (WBAI 99.5fm in NYC): Cheers for this promo DL email! The Menu Funk (Darkhorse Edit & Original Mix) are both killer. They sound pretty much the same…but still. I’m also feeling the want-to-be-but-isn’t drum and bass Darkhorse Remix of “Lover”. I keep waiting for those “Amen Brother” sped up drums to kick in on this one. LOL Nice touch tho. Thanks again! Emskee – NYC
Marc Lacasse (Urbnet / Jackhouse Reviewer / UMFM 101.5): 1 good fresh sound, funk it up! 2 the chilled beginning rolls into that furious arrangement of horns and drums, love it 3 the latin up beat mixture of soul and jazz is great, production is good 4 stripped down and back into a deeper lounge groove i can dive into this easily 5 bomb diggity here, the mixture of rock and jazz mixes well in here
Gayle Moore (MadameFLY) (mmRadio / Beatmixing.com / BeatConcious.org): Lots of energy-rich hip-swingin tunes in this bunch but Lover/Darkhorse Rmx is the winner by far for BeatConscious: deep and sweet, powerful track!
Angelos (Timewarp Music / Radio 42 / Ibiza Global Radio): groovy sounds!
Clairvo (Tilos Radio FM90.3 / Jazz Drive On Pulse Radio / Freelance Reviewer): smooth and unique! it’s great that the concept have been taken to different genres!
Dj Pelau (Swagger Lifestyle / Various Press): All the others I could pass on except for my favorite selected, “Lover (Darkhorse Remix)” which was loungey n’ surreal sounding…lovely in other words!
Barry King (Starpoint Radio / Nuwave Radio): Good Grooves
Dave Sanford (DJ Santo) (Mo’Glo Radio Show on KEXP + WNYE / Something Different radio show (syndicated)): good stuff!
Jeannie Hopper (WBAI FM (New York) / Art Radio WPS1 / APT / Cielo): refreshing…uniqueness! thanks
Robert Medina (KSYM 90.1 FM (San Antonio, TX)): Love the horns. Very earthy. I will play the heck out of this!
Mason Rothert (Below Zero Radio / Thump / Energy 92.7 FM (San Francisco)): feeling these big time.
Kerem Gokmen (Dubmission Radioshow (WYEP FM) – weekly): Pleased with this variety pack of remixes, Three Sixty due for a pat on the back for this release.
DJ Firefly (WRCT Pittsburgh 88.3FM): This entire EP is great! Excellent variety, great remixes, hard to pick only one favorite!
Genetic druGs (Cyberjam Show: WDR Radio (Cologne) /RBB Radio (Berlin) / Funkhaus Europa): Funk Bombs! Defintely!
Sharif Galal (Triple J Radio): Driving and funky! It was hard picking a fav I like them all including the slower pace Darkhorse Remix of Lover, but Menu Funk & 80′s are just surperb
Feodor AllRight & Elena Mechta (AMDJS Radio Show – 28 radio stations in Russia, Brazil, Lithuania, France, Ukraine an Italy): Few of these are nice!
Les Wright (Lofty) (The Sunday Alternative – Ambersound FM): Really nioce release. I will support with radio plays
Danny Ward (Dubble D / Moodymanc / 2020:Vision): cool!!!
Mat The Alien (Various Club Nights): thanks
Double-D (Funky Fresh Radio Show / Radio X / Play.FM / Soulsender.de): Various Styles Various Grooves…something for every Mood…Great EP!
Brewster Brigham (Kiss FM): loving the summer vibe..!
Ulf Engelmayer (StadtRadio Göttingen / Radio Lounge): will be run in our show next week best regards & thanks for the quick support Ulf radio lounge
Simon Hodge (BBC 6 Music (Funk & Soul Show)): Not sure of the first 4 tunes, but really impressed with Menu Funk which is a bit a monster
Laurent N. (8 Monthly Radio Shows: Nice 102.3 FM / House Nation Radio): Darkhorse remix for me : really nice. Support.
Anji Bee (The Chillcast with Anji Bee (Podcast/Radio Show)): Fun, eclectic, set of remixes with an international flair. Fun to take another listen to some of their classics.
Sven Thomschke (Dr. Best) (Radio Z (‘Headz’ & ‘Limbo Rhythm’ shows) / Club: ‘Rockit!’): Favorites: Menu Funk (Darkhorse Edit) Menu Funk (Original Mix)
Herbert Bachhofer (Shantisan) (Salted Soul / Various Radio): Menu Funk (Darkhouse Edit) is the standout track for me- nice 80s Boogie mixed with Funk elements…
Harry Frank Towers (The Tea Dance Show (syndicated) / KVBE FM (Las Vegas) / DMA Radio / DanceMixAmerica): My favorite track is the Flux Remix of “Lover” however for my show I will use the Original mix of “Manu Funk” the most but will also play the Darkhorse Edit of “Manu Funk” and their Remix of “80′s.” Is the word Manu referrring to Manu Dibango? I would believe it! Great stuff!
Tom Burclay (Compost Records / Play.FM): Such a great package! Really soulful and damn funky! Full Support…
Michael Ramirez (Loca FM Dance Radio (Worldwide Manager)): COOL TRACK
Ed Royal (Innvision-Records): Ep is ok and start with the best track. cheers ed
Jamie Topham (CD Pool | JT Music Media Man | Summer Soulstice): Strong package from this label with Menu Funk the pick of the bunch for me…
Bruno Lepretre (Ibiza Global Radio): cool mexican vibes !
ALTZ (Altzmusica /Bear Funk / DFA): Positive funk loving Darkhorse mix

Our first release will be from Sr Mandril.

THREE SIXTY TUNES

It’s weird, but many services are making record labels obsolete. How? If you find an artist on a small label that you like, good chance they have other music releases that will fit your musical taste, as they tend to stick to a small defined form of music unlike Majors. but services like itunes, Amazon Rhapsody even Spotify do not let you look at music based on the label’s releases. So labels are getting lost in the new world of digital. Considering it’s just a live link to the catalog, I don’t understand why it wasn’t implemented in the first place. (add your conspiracy theories here)!

We are posting sites that sell our music, that support labels by allowing you to actually click on three sixty records and see our entire catalog that’s available. (seems only sites designed by DJ’s do this)

THREE SIXTY RECORDS ON JUNO

THREE SIXTY RECORDS ON BEATPORT

THREE SIXTY RECORDS ON DJ DOWNLOAD

THREE SIXTY RECORDS ON EMUSIC

THREE SIXTY RECORDS ON DJ TUNES

THREE SIXTY RECORDS ON LAST FM

THREE SIXTY RECORDS ON TRAXSOURCE

Jimmy The Fingers

Genres: Electronica / Nu-disco / Indie

Release Info

Release Date: June 21th 2011
Artist: Jimmy The Fingers
Release: I’m Only Breathing
Genre: Electronic/Indie
CAT No: TSD400
Label: Three Sixty Records
Format: Digital, CD, Reel to Reel
Distributor: IODA – Digital
Territory: Global Release
Album Art: Redboy – Photo

“Imagine Prince and Beck conversing over cider, Frank Zappa and Jack Johnson taking bets in the corner, dirty electro is playing on the jukebox in the background and you’ve got the Jimmy The Fingers sound.”

“Jimmy The Fingers writes about life as he sees it; a joyous and just plain silly occasion, marred only by the wonders of temptation and the melancholy. His musical styling is ever changing, he’s always one step ahead of the kids.” 360

like JIMMY on BOOKFACE

BUY THE ALBUM HERE (Order CD at bottom of Page)

DJ’s High res here

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Usual Suspects

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Buy a print of the coverart

Radioplay support

Below Zero Beats
KCRW – LA
ENERGY FM – SF
CONTREBANDE – Belguim, France, Spain
STEVE MAC – Hit the Decks
MY CUPPE T/STREET NOISE
LAURENT GARNIER “It Is What It Is” Radio Show – France
CHARLES WEBSTER – UK
LEE JARVIS – UK/CHICAGO
PROTON RADIO – GREECE
RIGHT ON FM – FRANCE
WDR Radio (Cologne) /RBB Radio (Berlin)
RTRFM 92.1 – AUS
My House Your House Radio – USA
Syndicate Fm – SPAIN
Chill FM – UK
Radio Z – GER
Push FM – GER
ON3-Radio – GER
102.3 FM / House Nation Radio – USA
WKNC FM – USA
Electric Feel Radio Show / 91.3 KXCI FM – AZ
Digitally Imported Radio – USA
UMFM 101.5 – CANADA
KVBE FM (Las Vegas) / DMA Radio / DanceMixAmerica – USA
WRZX (X103) FM – ID
WYEP (91.3fm)

Jimmy The Fingers – I’m Only Breathing – One Sheet

Born under a bad sign between a rock and a hard place, Jimmy soon hit the skids and took to loitering outside the local chip shop in his cape, playing his demo on an old ghetto blaster whilst scrabbling around for tit-bits and narrowly avoiding kebab meat thrown at him for trying to drink peoples beer. Darkhorse AKA Graham Shrimpton of Three Sixty Records heard the tape, found him covered in chips in a nearby dumpster, dusted him down, and discovered the kid actually had some talent. Taking him on and producing his debut album for release on Three Sixty Records. Graham co-produced the Grammy winning album Global Drum Project. The Bristol, San Francisco connection was made.

“Imagine a dark bar with Prince and Beck conversing over cider, as Frank Zappa and Jack Johnson are taking bets in the corner, dirty electro is playing on the jukebox in the background and you’ve got the Jimmy The Fingers sound.” 360

In his youth Jimmy busted out toons under the monikers Superdense Child and Zooface, and as a DJ has rubbed shoulders with the likes of Afrika Bambaata, Radio One’s Breezeblock show, Rahzel, Krafty Kuts, The Herbaliser, Fatboy Slim, Bonobo, and many more. He played keys in bands with Quantic, TM Juke, and Alice Russell from blossoming Brighton label Tru Thoughts. Then he found out he could sing, so he struck out on his own. Nowadays he works live with Kaoss Pads, synths and a cape.

“Jimmy The Fingers writes about life as he sees it; a joyous and just plain silly occasion, marred only by the wonders of temptation and the melancholy. His musical stylings ever changing, he’s always one step ahead of the kids.” 360

Three Sixty Records

Track-listing:
1. Harmony
2. Mrs Robinson
3. Hello
4. Advertise – Available for podcasts
I’m Only Breathing – not FCC ok
6. Argue Barmy
7. Das Rocket
8. Keep On
9. Romantic Song
10. Baby
11. Be Productive
12. Audience
13. Grace
Drippin
Grace (Melovskys Rmx) – Available for podcasts
Audience (Melovskys Rmx)

Available in: USA, UK, Italy, Sweden, Canada, Australia, Japan, Germany, France, Holland, Belgium, Spain, Japan, Mexico and many more countries.

CD Prices include shipping.

“A humble studio setup keeps things simple and allows ideas to form quickly and naturally. The technology comes second place to letting a story be told. Each musical project is based around a particular memory, often from childhood. ” BoyChild

DJ’s get High res here.

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Vika playing her remix piano version of Counting What If’s.

Vika’s facebook page

Check out boyChild in the great DJ mix called Luvstep. We dig it.

REVIEWS

Listen on Anji Bee’s Chillcast.

Grungecake

The True Joe 90

From itunes

boyChild…
by Matt Scantlin – ***** 5 stars
From tiny boyChilds’ massive phenomenas grow. ??This is the sound of one hand clapping. Pure joy inside a bubble of pain. There’s magic in the gaps between the spaces.??Transformative and ethereal, each sound painstakingly selected from life’s great palette.??This is what carved ice would sound like.??Do yourself a favour, and let boyChild hug your soul…
Loving it!

by Nellynelly999 – ***** 5 stars
Top tune, love the remixes!

from bandcamp to iTunes.

by Bobby Muska – ***** 5 stars

ive been listening to boyChild since the summer when he released his first six songs which can be bought on his band camp account, and since then ive fallen in love with his gloomy, dark, ambient, and purely electronic sound. when you listen to boyChild’s music it almost like it belongs in a tim burton film, this EP as ill call it, is the same. Counting What If’s was one of the very first six songs he released, and to see it now on itunes it warms my heart because i know boyChild will be big and very well known soon. so buy this you like charismatic electronic tunes with a pinch of gloom, and i guarantee you’ll be happy your spent the 4 bucks. like him on facebook as well.

boyChild by Three Sixty Records

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After amassing a large following on Facebook,we are

proud to announce the debut release from the talented

boyChild, with vocals from Soundmouse.Includes remixes

from Vika, Bug Compass and Darkhorse.

Artist Summary

Genres: Electronica / Glitch / Indie

Release Info

Release Date: May 24th 2011
Artist: boyChild
Release: Counting What Ifs (feat Soundmouse)
Genre: Electronic/Glitch/Indie
CAT No: TSD402
Label: Three Sixty Records
Format: Digital, Reel to Reel
Distributor: IODA – Digital
Territory: Global Release
Album Art: boyChild

1. Counting What Ifs (feat. Soundmouse) (Original) 4:19 USBTX1100017
2. Counting What Ifs (feat. Soundmouse) (No Beats) 4:16 USBTX1100018
3. Counting What Ifs (Vika Remix) 3:07 USBTX1100019
4. Counting What Ifs (feat. Soundmouse) (Bug Compass Remix) 4:09 USBTX1100020
5. Counting What Ifs (feat. Soundmouse) (Darkhorse Ambient Room Remix) 5:57 USBTX1100021

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Artist Bio’s

boyChild was initially inspired to start creating music in the early 90’s when pirate radio was the main source of new and exciting music. Hours would be spent taping and cataloguing these shows on cassettes accompanied by constant aerial tweaking. A chance discovery of a copy of MED (a basic tracker music program) meant that this boy’s life would now follow a different path.

After many years locked away studying his craft, boyChild at last settled on his own sound. Described by others as beautiful and melancholic, it is electronic in its construction, but with an organic and human feel to it. With glitching electronic noises working alongside real piano, violin and cello part the result is a unique combination of cold and warm, sad and uplifting. The genre is hard to pin down, and this is deliberate.

Influences (but not necessarily sound-a-likes) include modern classical/soundtrack artists such as Craig Armstrong, Philip Glass, Hans Zimmer, to electronic artists like Venetian Snares, The Flashbulb and of course The Prodigy, who were a large influence in boyChild’s formative years.

A humble studio setup keeps things simple and allows ideas to form quickly and naturally. The technology comes second place to letting a story be told. Each musical project is based around a particular memory, often from childhood.

Our newest member to the Three Sixty fold. His first release will be the single “Counting What Ifs,” featuring Soundmouse.

Soundmouse
Soundmouse, so called because of her sweet and soft, almost delicate vocal sound, has always been musical, playing piano from a very young age. Initially attracted to the technology and production side of music, singing wasn’t part of her master plan at first. But a chance meeting with a Bristol dubstep producer called Phaeleh quickly whisked her from obscurity into an emerging scene, suddenly finding her vocals on a Ministry of Sound Compilation and as an NME download of the week, amongst other things.

Soundmouse’s intention with vocals is to convey emotion in the sound and tone, focusing on the delivery of words. The overall sound is soft with layers and harmonies to build intensity subtly, instead of the usual diva-like belters.

Vocal influences include the Icelandic Emilliana Torrini and Bjork. Her musical influences vary quite a bit, usually combining her passion for folk and acoustic music with glitchy electronica. These include Nosaj Thing, Mum, Bibio, The Tiny and Nick Drake.

As well as several collaborative projects as a singer, Soundmouse is also currently working on her debut E.P. encompassing elements of laptop folk and glitch, fused with delicate vocal melodies, and there is much more to come….

Vika

Viktoriya Yermolyeva graduated with honours from Kiev Lysenko Specialized Music High School (1996), piano class of Prof. Iryna Lipatova and National P. Tchaikovsky Music Academy of the Ukraine (2000), piano class of Prof. Igor Ryabov. She studied in the Franz Liszt Academy of Music in Weimar (D), postgraduate course with Prof. Peter Waas and simultaneously in the years 2001-2003, studied in the International Piano Academy “Incontri col Maestro” in Imola (I) with Prof. Lazar Berman. In the years 2003-2006 Viktoriya Yermolyeva studied in the Codarts Academy of Music and Modern Dance, at Rotterdam Conservatory, the Netherlands and graduated with honours from postgraduate course with Prof. Aquiles Delle-Vigne. She participated in many prestigous master classes and worked under Prof. Vladimir Krainev, Norma Fisher, Viktor Merzhanov, Diane Andersen, Karl-Heinz Kammerling. Viktoriya is award-winning pianist with long-term experience of public appearances as Concert Performer solo and with Symphonic Orchestras, Accompanist and Artist of Chamber Ensemble and certificated piano teacher. She took part in Musical Festivals in Kiev (Ukraine), in Sorrento, Spoleto, Novara, Vietri sul Mare (Italy), in Amsterdam (Grachtenfestival 2005), in Leipzig (EuroArts 2006).
As a soloist she has been appearing with Dninpropetrovsk Symphonic Orchestra with the conductor Blinov, Mykolaiv Symphonic Orchestra with the conductor Oleksandr Roman’ko, Chernigiv Symphonic Orchestra with the conductor Mykola Sukach, Kaunas Chamber Orchestra with the conductor Pavel Berman, Orchestra Sinfonica di Sanremo with the conductor M o Fabiano Monica, Jena Philharmonic Symphonic Orchestra with the conductor Kohei Sodeoka.

She won prizes in many piano competitions, among others:
1st Prize at “Filippo Trevisan” International for Piano Interpretation (I).
Winner of The Grachtenfestival 2005 Amsterdam
1st Prize at 35th International Competition “”Vincenzo Bellini”(I)
1st Prize at 20th International Piano Competition “Citta di Marsala” (I)
1st Prize at International Piano Competition “Citta’ Di Trani” (I).
1st Prize at 4th Sigismund Thalberg International Piano Prize (I)
Grand Prix at 9th Pierre Lantier International Music Competition in duet with V.Dmitriev (flute) (Fr).

Watch Vik’s Videos Here on vkgoeswild’s Channel

Boychild was inteviewd by Grungecake, read the rest here

How did boyChild come to be? What is the significance of the boyChild character?

Well, for as long as I can remember my younger sister has called me boychild. I don’t know when it started, or why, but it seemed to stick and so it was the obvious choice for an alter ego. The idea of having this other character front my musical output appealed to me. I wanted something to hide behind ‘cos I’m shy. And when I stumbled across this designer who had these illustrations of the boy character it all just seemed to fit. I had been making music years ago, very different to what I make now, but then I stopped, for quite some time. Personal events led me to get inspired to do it again, and with a new and more focused direction. And this time I had a name and an identity.

Artist Bio

boyChild was initially inspired to start creating music in the early 90’s when pirate radio was the main source of new and exciting music. Hours would be spent taping and cataloguing these shows on cassettes accompanied by constant aerial tweaking. A chance discovery of a copy of MED (a basic tracker music program) meant that this boy’s life would now follow a different path.

After many years locked away studying his craft, boyChild at last settled on his own sound. Described by others as beautiful and melancholic, it is electronic in its construction, but with an organic and human feel to it. With glitching electronic noises working alongside real piano, violin and cello part the result is a unique combination of cold and warm, sad and uplifting. The genre is hard to pin down, and this is deliberate.

Influences (but not necessarily sound-a-likes) include modern classical/soundtrack artists such as Craig Armstrong, Philip Glass, Hans Zimmer, to electronic artists like Venetian Snares, The Flashbulb and of course The Prodigy, who were a large influence in boyChild’s formative years.

A humble studio setup keeps things simple and allows ideas to form quickly and naturally. The technology comes second place to letting a story be told. Each musical project is based around a particular memory, often from childhood.

Boychild was interviewd by Grungecake, read the rest here

How did boyChild come to be? What is the significance of the boyChild character?

Well, for as long as I can remember my younger sister has called me boychild. I don’t know when it started, or why, but it seemed to stick and so it was the obvious choice for an alter ego. The idea of having this other character front my musical output appealed to me. I wanted something to hide behind ‘cos I’m shy. And when I stumbled across this designer who had these illustrations of the boy character it all just seemed to fit. I had been making music years ago, very different to what I make now, but then I stopped, for quite some time. Personal events led me to get inspired to do it again, and with a new and more focused direction. And this time I had a name and an identity.

This is our third compilation some of Three Sixty’s favorite new and old songs, with some old favs from our archives. Jonny Alford who was discovered playing music in a small train station waiting -room in Cookham, UK. Sr Mandril, Electro 7 and Space Funghi Project of Mexico City, and a couple of invited artists who we love, All India Radio and Man Or Mouse, this compilation shows the wide range of music at Three Sixty Records.

Album Notes

This is our third compilation, which show-cases some of Three Sixty’s favorite new and old songs, with some old favs from our archives. Jonny Alford who was discovered playing music in a small train station waiting -room in Cookham, UK. Sr Mandril, Electro 7 and Space Funghi Project of Mexico City, and a couple of invited artists who we love, All India Radio and Man Or Mouse, this compilation shows the wide range of music at Three Sixty Records.

We have asked a couple of guest artists we love to join our usual suspects of this compilation.

ManorMouse
We are ManOrMouse? and together we are strong!.. .. Beck and Bowie busk on the Pavement outside La Roxy, while Benny Hill passes round the hat.

All India Radio
Conceived in 1999 as an experimental music outlet for Martin Kennedy, All India Radio has steadily evolved into a ‘chilltronica’ outfit easily combining genres such as ambient, lo-fi, world music, post-rock into deep lush and cinematic soundscapes. Their music has been used in CSI: Miami, One Tree Hill, Michael Moore’s hit film Sicko, Australia’s long running hit Bondi Rescue, Bondi Bali, Big Brother and many more.

The band has been nominated for an Australian music Industry ARIA Award, toured the USA and worked with Australian music legends The Church’s Steve Kilbey (who wrote the magical ‘Under The Milky way’ rediscovered by the world in the hit movie ‘Donnie Darko’) and Graham Lee (The Triffids, KLF).

“Since the turn of the 21st century, All India Radio has mashed the ambient-hop signatures of DJ Shadow, Tortoise and Thievery Corporation with the instantly recognizable guitar soundtracking of Ennio Morricone and Angelo Badalamenti. The resulting narcotic musical textures are capable of floating listeners to galaxies far, far away.” wired.com

We have now have a couple of Otari Reel to Reel magnetic tape machines we use them for mastering and will also  be making some of our music available to buy on Open Reel Magnetic Tapes.

Here is something we mastered using the reel to reel.

The MX5050 BIII has long been the standard in 1/4″ two-track analog recorders. It features an optimized three-head design and transformerless balanced inputs and outputs to provide superior frequency response, low distortion and high signal-to-noise performance under the most demanding conditions.

We will be offering tapes recorded on new 1/4 inch, 2 track tapes on RMGI SM911 tape at either 7.5 or 15 ips with NAB playback curve.

More info to follow about pricing and shipping.

Please email us if you are interested or have questions.

History of Reel to Reel from Wikipedia

The reel-to-reel format was used in the very earliest tape recorders, including the pioneering German Magnetophon machines of the 1930s. Originally, this format had no name, since all forms of magnetic tape recorders used it. The name arose only with the need to distinguish it from the several kinds of tape cartridges or cassettes which were introduced in the early 1960s.
Reel-to-reel tape was also used in early tape drives for data storage on mainframe computers, video tape machines, and later for high quality analog audio recorders as early as the late 1940s, up until modern day studios where it is still in use. Studer, Stellavox, Nagra, Denon and Otari currently manufacture analog reel-to-reel recorders.
The earliest machines produced distortion during the recording process which German engineers significantly reduced during the Nazi era by applying a high-frequency bias current to the recording head along with the desired signal. American audio engineer Jack Mullin was a member of the U.S. Army Signal Corps during World War II. His unit was assigned to investigate German radio and electronics activities, and in the course of his duties, he acquired two Magnetophon recorders and 50 reels of I.G. Farben recording tape from a German radio station at Bad Nauheim (near Frankfurt). He had these shipped home. Over the next two years, he worked to develop the machines for commercial use, hoping to interest the Hollywood film studios in using magnetic tape for movie soundtrack recording.
Unitra ZK-147, a vintage Polish-made reel-to-reel tape recorder
Mullin gave a demonstration of his recorders at MGM Studios in Hollywood in 1947, which led to a meeting with Bing Crosby, who immediately saw the potential of Mullin’s recorders to pre-record his radio shows. Crosby invested $50,000 in a local electronics company, Ampex, to enable Mullin to develop a commercial production model of the tape recorder. Using Mullin’s tape recorders and with Mullin as his chief engineer, Crosby became the first American performer to master commercial recordings on tape and the first to regularly pre-record his radio programs on the medium. Ampex and Mullin subsequently developed commercial stereo and multitrack audio recorders, based on the system invented by Ross Snyder of Ampex Corp. Les Paul had been given one of the first Ampex Model 200 tape decks by Crosby in 1948 and went on to use Ampex eight track “Sel Sync” machines for multitracking. Ampex went on to develop the first practical videotape recorders in the early 1950s to pre-record Crosby’s TV shows.

Inexpensive reel-to-reel tape recorders were widely used for voice recording in the home and in schools before the Philips compact cassette, introduced in 1963, gradually took over. Cassettes eventually displaced reel-to-reel recorders for consumer use. However, the narrow tracks and slow recording speeds used in cassettes compromised fidelity. Following the example set by Bing Crosby, high-speed reel-to-reel tape recorders rapidly became the main recording format used by audiophiles and professional recording studios until the late 1980s when digital audio recording techniques began to allow the use of other types of media (such as Digital Audio Tape (DAT) cassettes and hard disks).

Even today, some artists of all genres prefer analog tape’s “musical”, “natural” and especially “warm” sound. Due to harmonic distortion, bass can thicken up, creating the illusion of a fuller-sounding mix. In addition, high end can be slightly compressed, which is more natural to the human ear. It is common for artists to record to digital and re-record the tracks to analog reels for this effect of “natural” sound. In addition to all of these attributes of tape, tape saturation is a unique form of distortion that many rock and blues artists find very pleasing.
Euphonic distortion and noise levels aside, high-quality analog tape currently outstrips the transparency of all but the best digital recording/playback systems: digital systems can suffer from (among other problems) clock jitter, inferior analog circuitry, inferior digital filter design, improper wordlength conversion, and/or lack of correct dithering. Dramatic improvements in the average quality of digital hardware design are narrowing the gap, though, and might soon eliminate the quality distinction altogether.

Khmer Passages – Songs for Cycles of Cambodian Life

This Album is a catalog of the music of Khmer Life – birth, coming of age, religious ordination, marriage, illness and death. A tapestry of human experience told in music and song. Three Sixty Records is proud to release recordings from the Cambodian Living Arts project.

Three Sixty will be giving 100% of income from song sales back to CLA to help support the program.

Cambodian Living Arts (CLA) was founded eight years ago by Arn Chorn-Pond, a Cambodian-American refugee who was featured in the Emmy-nominated movie, The Flute Player. Originally called the Cambodian Masters Performing Project (CMPP), Arn founded this organization when he first returned to Cambodia in order to support the music teachers who helped him survive the horrors of the Khmer Rouge.

Approximately ninety percent of Cambodia?s performing artists died during the Khmer Rouge regime, a devastating blow to all of Cambodia?s oral traditions. After the fall of the Khmer Rouge, this cultural tragedy was compounded by two subsequent decades of economic hardship, when very few of the surviving master musicians could make a living performing or teaching.

Cambodian Living Arts, a project of World Education, works to support the revival of traditional Khmer performing arts and to inspire contemporary artistic expression. CLA supports arts education, mentorship, networking opportunities, education, career development, and income generating projects for master performing artists who survived the Khmer Rouge as well as the next generation of student artists. We work with the vision that by the year 2020, Cambodia will experience a cultural renaissance so dynamic that the arts will become the country?s international signature. In doing so, CLA empowers arts students and masters to develop the performance skills and social and professional networks that will help them to make a living through the arts. Since 2003, the number of performances by masters and students has increased by 400% due to CLA?s support; consequently, some performing groups earn from $200-$4,000+ more in income each year from performances alone. Through the performing program, Cambodian Living Arts supports the masters and students to take better advantage of the changing opportunities available to them.

Artist: Various
Title: Khmer Passages
Cat no: TSD398
Format: Digital & CD
Genre: World/Asia
UPC: 844185054614
Distributor: IODA
Country: Cambodia

Tracklisting

1     Bam Pe (Lullaby) – 4:29 – Master Yun Theara – USBTX1010001
2     Sara Pha Dong Mama – 4:32 – Master Yun Theara – USBTX1010002
3     Chantaloam – 6:25 – Master Yun Theara – USBTX1010003
4     Barang Ku and Sathu Ka – 9:03 – Master Yun Theara – USBTX1010004
5     Bah Chhung – 4:37 – Master Yun Theara – USBTX1010005
6     Krusa Mouy Sobbay Neng Tuk – 5:07 – Master Kung Nai – USBTX1010006
7     Rumyol Kheiw Khchei – 3:38 – Master Yun Theara – USBTX1010007
8     Kansaeng Krhom – 9:35 – Master Sok Duch – USBTX1010008
9     Damnoeu Knong – 2:34 – Master Yun Theara – USBTX1010009
10     Tumnuonh Neang Sere Moha Maya – 4:48 – Master Prum Ut – USBTX1010010
11     Bam Pe – 4:02 – Prum Prom – USBTX1010011

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Links

Videos

Click here to watch the Flute Player

Approximately ninety percent of Cambodia’s performing artists died during the Khmer Rouge regime, a devastating blow to all of Cambodia’s oral traditions. After the fall of the Khmer Rouge, this cultural tragedy was compounded by two subsequent decades of economic hardship, when very few of the surviving master musicians could make a living performing or teaching. Cambodian Living Arts (CLA) was founded eight years ago by Arn Chorn-Pond, a Cambodian-American refugee who was featured in the Emmy-nominated movie, The Flute Player. Originally called the Cambodian Masters Performing Project (CMPP), Arn founded this organization when he first returned to Cambodia in order to support the music teachers who helped him survive the horrors of the Khmer Rouge.

CLA’s four core programs—teaching, performing, recording, and new commissions—support 16 master musicians and nearly 300 students and assistant teachers to develop skills and relationships that will enable them to generate income and develop as leaders, while also helping to preserve and celebrate their heritage. CLA works with the belief that supporting arts education is a way for people to grow and develop and heal from the traumas and hardships of both the past and the present, not only because knowing the traditional arts keeps younger generations connected to their heritage and the elders in their community, but because through the mentoring and guidance process, the students and masters build their confidence, are able to exercise leadership skills, and nurture hopes for the future.

Three Sixty Records is working with Cambodian Living Arts (A project of World Education) to release the music from this program globally with 100% of all proceeds going back to CLA.

“Space Funghi Project Sound like a night out listening to Red Holt, Miles Davis and Malo Playing together, with a long cocktail session in the Mos Eisley Bar.”

Album Notes

With an abstract flow, reminiscent of Miles Davis after a long night on cocktails, playing over Red Holt, in the Mos Eisley Bar. The unique programming and blending of the live instrumentation (drums, bass, guitar and sax.) mixes many different styles and moods together.

The result is a hybrid of electro/ lounge/ ambient/ drumn’bass/ fusion and jazz (now thats a lot of genres all in one).

Their music helps paint a picture of spectacular sunsets in the bands’ native sunny Mexico. In fact, the music is like a visual kaleidoscope that takes the audience through a fusion of sounds and sights(try it on good headphones!).

Space Funghi Project begins in 2001, when all the members were playing on a Mexican TV show as a sessions musicians , they would get together and jam a bit in between shows, these jams lead to Rodrigo booking a jam out session in PAC Audio Studios, where the band worked on playing live human played loops for hours and recorded with 2 ambiental microphones. There were a total of 20 recorded sessions, then Dr. Panic spent 1 year trying to fuse the electronic psychedelic sounds together with the human touch. The result is the sonic experience that is Elektrik Psilocybe Experience!

Members

Dr. Panic: Guitars, Loops Noises and Programing,

Laluchis : Drums, Acoustic Drums

Mr. Pink : .. Electric Upright-Bass .. ..

Capt’n Trubina : .. Saxophones .. .. .. ..

Special guests and collaborators : PP Moran : Piano; Carlos Matute : Piano; Monica Zuñiga : Vocals;  Isabelle Malchioni : Vocals; Scratches : Dj Alex Adissi.

Artist: Space Funghi Project

Title: Elektrik Psilosybe Experience

Cat no: TSD391

Format: Digital

Genre: Electronic/World/Latin

UPC: 844185063197

Distributor: IODA

Artwork: Darkhorse

Myspace page: click here

Tracklisting

01 Moran’s Jam
02 Funk5
03 Funky Monkey
04 Acapulco Cocktail
05 Mary Jane in My Mind
06 Space Train
07 Cosmonaut
08 Billy Big Mouth
09 Electrik Psilocybe Experience
10 The Great mighty Mushroom
11 Multicolor Cow
12 Peaceful and Quiet

Buy at iTunes Music Store

Buy at Rhapsody

Stream from Rhapsody

Amazon UK
Buy our tunes at Amazon UK

Amazon USA
Buy our tunes at Amazon USA

DJ Download
Buy our tunes at DJ Download

Mixmag
Buy our tunes at Mixmag

Track it Down
Buy our tunes at Track it Down

Limewire
Buy our tunes at Limewire

Juno
Buy our tunes at Juno

Dancetracks Digital
Buy our tunes at Dancetracks Digital

Podcasters we have over 30 pod safe songs pre cleared on IODA’s Promonet for use in your podcasts or mp3 sites. Click here to go to our page on Promonet. Below you can listen to some of the tracks that are available.

360 Promotracks available
Album
Artist
Label
Genre

Music For Moving Images(Volume3)
Various Artists
Three Sixty Records
Electronic, Indie

I’m Only Breathing (Main Release)
Jimmy the Fingers
Three Sixty Records
Electronic, Indie

Songs for Cycles of Cambodian Life
Khmer Passages
Three Sixty Records
Asian, World

Sarikakeo
leng Sithul, Ouch Savy, Ieng Pheakdey Samnang
Three Sixty Records
Asian, World

Terragroove
Sr Mandril
Three Sixty Records
Electronic, World Beats

Justicia Now
Darkhorse, Electro 7
Three Sixty Records
Soundtrack, World Beats

Electro 7
Electro 7
Three Sixty Records
Reggaeton, Dance

Elektrik Psilocybe Experience
Space Funghi Project
Three Sixty Records
Breakbeat, World Beats

Sr Mandril
Sr Mandril
Three Sixty Records
Electronic, World

Music for Moving Images Volume 2
Three Sixty Artists
Three Sixty Records
Electronic, Indie

Flashback
James Bernard
Three Sixty Records
Electronic, Ambient

Lydian Skye
Space Funghi Project
Three Sixty Records
Breakbeat, Indie

Crash and Burn
Fishbunny
Three Sixty Records
Electronic, New Wave

Baby Baby
Channal Bazaar
Three Sixty Records
Hip-Hop, Trip-Hop

Atmospherics
James Bernard
Three Sixty Records
Electronic, Ambient

New Life
James Bernard
Three Sixty Records
Electronic, Ambient

Lover
Sr Mandril
Three Sixty Records
Electronic, Latin

I’m On Fire
The Furze
Three Sixty Records
Alternative, Indie

Subterranean Kicks
The Furze
Three Sixty Records
Indie, Alternative

Move On
Darkhorse
Three Sixty Records
Dance, House

Carry Me Home
The Furze
Three Sixty Records
Alternative, BritPop

Happily Even After
Kid Galahad
Three Sixty Records
Soundtrack, Alternative

The Bedroom Tapes
Kid Galahad
Three Sixty Records
BritPop, Alternative Rock

Classic Tales – A Journey Through A Hip Hop Fantasy
Runaways UK
Three Sixty Records
Freestyle, Trip-Hop

Express Delivery w/ Masta Ace
Runaways UK
Three Sixty Records
Freestyle, Trip-Hop

Confessions Of A Burning Man
Various Artists
Three Sixty Records
Downtempo, Trip-Hop

Progress
Runaways UK
Three Sixty Records
Hip-Hop, Downtempo

Sr. Mandril follow up their debut album with a new release named Terragroove. It was recorded and produced at Media Luna in Mexico by Ramsés Ramírez and mixed by Ramsés Ramírez and Gerry Rosado.

Artist Summary

Artist Bio

Sr Mandril was born in 2000 when Germán González and Ramsés Ramírez decided to mix their musical ideas. The resulting sound has electronic undertones mixed with organic instruments creating a sonic image of colors, sounds and influences that go from acid jazz and ambient to latin. Sr Mandril spend a lot of time on the road at various festivals and venues around South America, also performing at the Festival for International Jazz in Montreal in 06, and 08.

After releasing their debut album to great reviews by the music media, Sr. Mandril follow up with their strong new release Terragroove. It was recorded and produced at Media Luna in Mexico by Ramsés Ramírez and mixed by Ramsés Ramírez and Gerry Rosado. This new album again is a fusion of genres covering acid jazz, funk, folk and rock with electronic and latin percussion.

“We could just say how great we feel this album is, but it’s better you hear for yourself, just how far this band has come since its debut album.” 360

FESTIVALS: “Festival de Jazz de Montreal 2008″ (Montreal 2008), “Festival de Jazz de Santa Lucía” (St. Lucia 2008), “Small World Music Festival” (Toronto 2007), “Festival Internacional de Jazz de Montreal 2006″ (Montreal 2006), “Festival Luminaria” (México 2006), “Festival Puerta de Las Américas” (México 2006), “Festival Sueño Verde” (San Luis Potosí 2005), “Festival CumbreTajín” (Veracruz 2004), “Festival Xcéntrico” (México 2004), “Festival del Despertar” (Morelos 2003)

ROLLING STONE LATIN AMERICA

“With an excellent mix of lounge and acid jazz, Sr Mandril conquered the audience in both presentations at the 27th edition of the Montreal International Jazz Festival. Ramsés Ramírez and Germán González captivated the audience with their music…”

FESTIVAL INTERNATIONAL DE JAZZ DE MONTREAL

(THIS IS THE SOUND OF MEXICO RIGHT NOW) Sr. Mandril have a goal: merge electro elements with thoroughly live guitar, bass, keys and percussion. The payoff: a crossbreed of acid jazz, ambient, lounge, trip hop and house with latin rhythm and flair. This is the sound of Mexico right now.

Buy The Album here.

Buy at iTunes Music Store

Buy at Rhapsody

Stream from Rhapsody

Amazon UK
Buy our tunes at Amazon UK

Amazon USA
Buy our tunes at Amazon USA

Three Sixty Records is proud to release recordings from the Cambodian Living Arts project. Three Sixty will be giving 100% of income from song sales back to CLA to help support the program.

Artist: Ieng Sithul feat Ouch Savy

Title: Sarikakeo

Cat no: TSD397

Format: Digital & CD

Genre: World/Asia

UPC: 616892976325

Distributor: IODA

Artwork: A to Z

Tracklisting

1. Rolok Phtup Chrang
2. Sarikakeo
3. Aterey
4. Patcheay
5. Lok Chap Lok Chang
6. Sampong
7. Chambak Roy
8. Chen Kvan Tong
9. Ti Krong Kep
10. Anupheap Puk Moat
11. Chau Bay Kdang
12. Kramum Leak Khluon

Buy at iTunes Music Store USA

Buy at iTunes Music Store UK

Buy at eMusic

Buy at Amazon MP3 USA

Buy at Amazon MP3 UK

Information

Three Sixty Records is proud to release recordings from the Cambodian Living Arts project. Three Sixty will be giving 100% of income from song sales back to CLA to help support the program.

Cambodian Living Arts just finished building a new studio in Phnom Pen, and these are the first recordings to emerge, produced by our good friend Peter Mayer, with help from Peter Gabriel, Dickie Chappel and the Real World Studios, with donations of equipment, help, support and advice.

Cambodian Living Arts (CLA) was founded eight years ago by Arn Chorn-Pond, a Cambodian-American refugee who was featured in the Emmy-nominated movie, The Flute Player. Originally called the Cambodian Masters Performing Project (CMPP), Arn founded this organization when he first returned to Cambodia in order to support the music teachers who helped him survive the horrors of the Khmer Rouge.

Approximately ninety percent of Cambodia’s performing artists died during the Khmer Rouge regime, a devastating blow to all of Cambodia’s oral traditions. After the fall of the Khmer Rouge, this cultural tragedy was compounded by two subsequent decades of economic hardship, when very few of the surviving master musicians could make a living performing or teaching.

Cambodian Living Arts, a project of World Education, works to support the revival of traditional Khmer performing arts and to inspire contemporary artistic expression. CLA supports arts education, mentorship, networking opportunities, education, career development, and income generating projects for master performing artists who survived the Khmer Rouge as well as the next generation of student artists. We work with the vision that by the year 2020, Cambodia will experience a cultural renaissance so dynamic that the arts will become the country’s international signature.

In doing so, CLA empowers arts students and masters to develop the performance skills and social and professional networks that will help them to make a living through the arts. Since 2003, the number of performances by masters and students has increased by 400% due to CLA’s support; consequently, some performing groups earn from $200-$4,000+ more in income each year from performances alone. Through the performing program, Cambodian Living Arts supports the masters and students to take better advantage of the changing opportunities available to them.

Special Thanks- Brauner Microphones, Dickie Chappell, Dennis D’Amico,

DPA Microphones A/S, Digidesign, Patrick and Mary Fowles, Peter Gabriel, Solid State Logic & Graham Shrimpton “In Memory of Him Sarim”

Here is an interview with Sr Mandril for the new album Terragroove – Out Now on Three Sixty.

(REPRESENTING MEXICO IN MONTREAL) “ROLLING STONE” (August 2006) “With an excellent mix of lounge and acid jazz, Sr. Mandril conquered the audience in both presentations at the 27th edition of the Montreal International Jazz Festival 2006…Ramsés Ramírez and Germán González captivated the audience with their music…”

(THIS IS THE SOUND OF MEXICO RIGTH NOW) “FESTIVAL INTERNATIONAL DE JAZZ DE MONTREAL” (july 2006) “Sr. Mandril have a goal: merge electro elements with thoroughly live guitar, bass, keys and percussion. The payoff: a crossbreed of acid jazz, ambient, lounge, trip hop and house with latin rythm and flair. This is the sound of Mexico right now”

THE 10 BEST LATIN CD’S OF 2005 “ROLLING STONE” (february 2006) Sr. Mandril..s debut album is considered one of the 10 best releases of 2005 by Rolling Stone latin america.

INTERNATIONAL OVERTUNES “LA TEMPESTAD” (june 2005) “… A happy incoherency between the wild name (Mr. Mandrill) and the ligth and clean sound of these duet. Without bigger instrumental postpodruction paraphernalia, this is a mexican chill out work with international overtunes”.

“DJ CONCEPT “(March 2005) “The debut album of Sr. Mandril shows talent not just on the interpretation and improvitation, but in the creative capacity and the perfect selection of instruments…they have an electronic world beat project worried to select efficiently their collaborators”

“ROLLING STONE” (february 2005) “The national Lounge and Acid jazz have never been better represented until now with the appearing of this “Sr. Mandril” with two heads. Ramsés Ramíres and Germán González are the genius behind every sound of these, their first album…”

Entrevista Sr. Mandril 2009

Artist: Jimmy The Fingers
Title: Grace
Cat no: TSD393
Format: Digital
Genre: Electronic/Dance

UPC: 844185060639

Distributor: IODA

Artwork: Darkhorse

Tracklisting

1. Grace (Orig)

2. Grace (The Melovskys Rmx)

3. Grace (Darkhorse Rmx)

Buy at iTunes Music Store

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Buy at Amazon MP3

The Debut single from Jimmy The Fingers is a positive message to all the girls out there, in a way only Jimmy The Fingers could do. The Single comes with remixes from The Melovskys of Mexico City and Darkhorse from San Francisco.

Look out for the increasingly popular video to the single shot by Steve Glashier at Nothing To See Here productions, with a little help from a lot of friends, and fast becoming a hit on youtube

Born under a bad sign between a rock and a hard place, Jimmy soon hit the skids and took to loitering outside the local chip shop in his cape, playing his demo on an old ghetto blaster whilst scrabbling around for titbits and narrowly avoiding kebab meat thrown at him. Darkhorse of Three Sixty Records heard the tape, found him covered in chips in a nearby ditch, dusted him down, and discovered the kid actually had some talent, taking him on and producing him for release on Three Sixty.

Imagine Prince and Beck fighting over cider, Frank Zappa and Jack Johnson taking bets in the corner, dirty electro’s playing in the background and you’ve got the Jimmy The Fingers sound.

In his youth Jimmy busted out toons with his equally greasy mates under the monikers Superdense Child and Zooface, and as a DJ has rubbed shoulders with the likes of Afrika Bambaata, Radio One’s Breezeblock show, Rahzel, Krafty Kuts, The Herbaliser, Fatboy Slim, Bonobo, and many more. He played keys in bands with Quantic, TM Juke, and Alice Russell from blossoming Brighton label Tru Thoughts. Then he found out he could sing, giving two fingers to the lot of em. Nowadays he works live with Kaoss Pads, synths and a cape. Jimmy The Fingers writes about life as he sees it: a joyous and  just plain silly occasion, marred only by the wonders of temptation and melancholy. His musical stylings ever changing, he’s always one step ahead of the kids.

Jimmy The Fingers – Grace – Dir Steve Glashier 2009 from Steve Glashier on Vimeo.

Jimmy The Fingers – Grace – Video by Steve Glashier

Jimmy’s good friend Steve Glashier at Nothing To See Here Productions has created a great video for the track Grace. On a cold saturday in Brighton a bunch of friends got together and shot this vid for Jimmy. Enjoy and please embed in your web page and send a link to your friends.

To see more of Steve’s work click here

Jimmy The Fingers is new to the Three Sixty Stable. He is a bit of an enigma, but we love his music. We found him outside a Fish and Chip shop, beer in hand, his demo music playing out of a ghetto blaster, as he mimed to the words.

His first release on Three Sixty will be the single Grace out March 10th 09.

[youtube QRLv_KkkKiQ 320 240]

Graham has Just finished the music for the Documentary “Justicia Now,” and is working on a Documentary about Wolves, as well as producing Three Sixty’s new signing Jimmy The Fingers, as well as trying to finish the new Fishbunny Album.

Review in Washington Post.

Global Drum Project is on Shout Factory
Grateful Dead percussionist Mickey Hart’s innovative Planet Drum CD convened some of the world’s finest drum talent for a collaboration that won the very first GRAMMY for world music—bringing together Nigerian drum legend Babatunde Olatunji, Indian tabla virtuoso Zakir Hussain, Nigerian talking drum ace Sikiru Adepoju, and Puerto Rico’s master conguero Giovanni Hidalgo, among others. The 1991 album spent an unprecedented 26 weeks at #1 on the Billboard world music chart, and continues to sell as a perennial favorite.

Fifteen years later, the musical partnership of Hart and Hussain—which began with their groundbreaking 1970s world fusion experiment Diga Rhythm Band—resumes, with a fresh collaboration of tranced-out grooves, elegant electronic programming and hypnotic tuned percussion and again enlists the great partnership of Adepoju and Hidalgo. This time they are joined by Taufiq Qureshi on percussion & vocals, Niladari Kumar on sitar, Dilshad Khan on sarangi, and the late, great Olatunji in sampled vocals from the original sessions. Elements from Hart’s various world music recordings, including the Kaluli tribespeople of Papua New Guinea’s rainforest, are woven with the live performances into a danceable, multi-textured celebration of rhythm.

Global Drum Project

Electro 7 have been around a few years, but it wasn’t until band leader Dr Panic hooked up with long time friend and traditional Cuban musician, Raul Oviedo, that their sound started to take shape. They then bought in pop producer Paolo Marcellini and the band was complete.

All three have been very busy recording and touring musicians, that had other band projects taking up their time. But in the last year the focus has been on this exciting new band and they are quickly picking up a fan base in Mexico and around the world.

The sound is still very authentic and at times is pure Cuban, and really hits the spot. A mix of exotic Latin rhythms and vocals from sun bleached, rum soaked Havana back streets with cool, contemporary, electronic, urban sounds from Mexico City’s burgeoning dance music culture.

[audio:http://threesixtyrecords.net/WP/wp-content/msk360/01_03_El_Trompo.mp3]

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