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María Fernánda Rodríguez</category><category>la luna</category><category>wall street</category><category>florida</category><category>latism ocupas</category><category>saulo garcia</category><category>el huesped vacio</category><category>jindal</category><category>LARRAIN</category><category>cantante</category><category>historiador Morris Berman</category><category>charity navigator</category><category>sabina</category><category>e-moves</category><category>Stephanie Sigman</category><category>nuevo cd</category><category>FESTIVALS</category><category>dreamact</category><category>metropolitan Pavilion</category><category>mashable</category><title>TESPIS MAGAZINE</title><description>A Bilingual Guide to Culture, Events and Current Affairs with a Latino POV. NYC</description><link>http://www.tespismagazine.com/</link><managingEditor>noreply@blogger.com (Alex Guerrero)</managingEditor><generator>Blogger</generator><openSearch:totalResults>1065</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/tespismagazine/Vwgv" /><feedburner:info uri="tespismagazine/vwgv" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><creativeCommons:license>http://creativecommons.org/licenses/by-nc-nd/2.0/</creativeCommons:license><image><link>http://creativecommons.org/licenses/by-nc-nd/2.0/</link><url>http://creativecommons.org/images/public/somerights20.gif</url><title>Some Rights Reserved</title></image><feedburner:emailServiceId>tespismagazine/Vwgv</feedburner:emailServiceId><feedburner:feedburnerHostname>http://feedburner.google.com</feedburner:feedburnerHostname><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-8035994886400205629</guid><pubDate>Fri, 17 May 2013 15:42:00 +0000</pubDate><atom:updated>2013-05-18T13:20:45.977-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">renata moura</category><category domain="http://www.blogger.com/atom/ns#">art</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">nycxdesign</category><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">latam</category><category domain="http://www.blogger.com/atom/ns#">Diseño</category><category domain="http://www.blogger.com/atom/ns#">wanted design</category><category domain="http://www.blogger.com/atom/ns#">2013</category><category domain="http://www.blogger.com/atom/ns#">Design</category><category domain="http://www.blogger.com/atom/ns#">arte</category><title>WANTED DESIGN NYC 2013 IS ON!</title><description>&lt;div class="separator" style="clear: both; text-align: left;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;La tercera edición de WantedDesign 2013 se lleva a cabo hasta este 20 de Mayo en NYC con una gran presencia de artistas y diseñadores internacionales, muchos de ellos Latin@s. Desde talleres hasta conversaciones con los diseñadores presentes y una gran muestra que toma las instalaciones del Terminal Stores de la Avenida 11 en Chelsea, WantedDesign comienza hoy, Mayo 17.&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-7ksJkGAOqCI/UZZPMlTCsTI/AAAAAAAARnY/QE-ji2wrVvY/s1600/3_Goma_luz_Flip_RGB_s.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-7ksJkGAOqCI/UZZPMlTCsTI/AAAAAAAARnY/QE-ji2wrVvY/s400/3_Goma_luz_Flip_RGB_s.jpg" width="270" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;WantedDesign is a creative destination for the design community with innovative installations, student workshops, engaging discourse and more. The third edition will feature a strongly curated exhibition of international designers (many latinos among them) along with a rich conversation series, design workshops, a pop-up store, convivial lounges and more.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;WantedDesign offers participants and visitors alike with a unique and dynamic international design experience. WantedDesign is the meeting point for designers, manufacturers, industrials, craftsmen, students, design institutions, the press and all design lovers. WantedDesign is also playing a strong role, with our partners, to make NYCxDESIGN more dynamic and transform New York into a real design destination.&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;The event is taking place at the landmark Terminal Stores building on 11th Avenue between 27th and 28th streets.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;For more info please visit / Para más información &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;a href="http://2013.wanteddesignnyc.com/" target="_blank"&gt;WantedDesign&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Photo: GOMA. Stool /Lamp by&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Renata Moura Studio, Brazil. Design&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;b&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;y Flip (Felipe Yung).&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/BfyyBDi53Cg" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/BfyyBDi53Cg/wanted-design-nyc-2013-is-on.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-7ksJkGAOqCI/UZZPMlTCsTI/AAAAAAAARnY/QE-ji2wrVvY/s72-c/3_Goma_luz_Flip_RGB_s.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/05/wanted-design-nyc-2013-is-on.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-9178535961253152196</guid><pubDate>Wed, 08 May 2013 18:28:00 +0000</pubDate><atom:updated>2013-05-08T14:29:32.500-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">COMUNIDAD</category><category domain="http://www.blogger.com/atom/ns#">mexico</category><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">central america</category><category domain="http://www.blogger.com/atom/ns#">barack obama</category><category domain="http://www.blogger.com/atom/ns#">latam</category><category domain="http://www.blogger.com/atom/ns#">USA</category><category domain="http://www.blogger.com/atom/ns#">chinchilla</category><category domain="http://www.blogger.com/atom/ns#">obama</category><category domain="http://www.blogger.com/atom/ns#">actualidad</category><category domain="http://www.blogger.com/atom/ns#">costa rica</category><category domain="http://www.blogger.com/atom/ns#">pena nieto</category><category domain="http://www.blogger.com/atom/ns#">politics</category><category domain="http://www.blogger.com/atom/ns#">sica</category><title>BARACK OBAMA: COMO MEJORAR NUESTRA ALIANZA CON AMERICA LATINA</title><description>&lt;span style="font-size: large;"&gt;El &lt;span style="font-size: large;"&gt;P&lt;/span&gt;residente Barack Obama acaba de terminar un corto pero significativo&amp;nbsp; viaje a México y Costa Rica. Además de las reuniones bilaterales sostenidas con los presidentes Chinchilla y Pe&lt;span style="font-size: large;"&gt;ña&lt;/span&gt; Nieto, el presidente Obama se reuni&lt;span style="font-size: large;"&gt;ó&lt;/span&gt; con los presidentes de los paises centroamericanos mie&lt;span style="font-size: large;"&gt;mbros de SICA&lt;span style="font-size: large;"&gt;, el &lt;span style="font-size: large;"&gt;ó&lt;/span&gt;rgano regional de integración.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-CWyhQA9BmY8/Sfj3Xg7iIeI/AAAAAAAADtU/C3b3Vxp5-WI/s1600/ap_obama_speech_071002_ms.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://4.bp.blogspot.com/-CWyhQA9BmY8/Sfj3Xg7iIeI/AAAAAAAADtU/C3b3Vxp5-WI/s400/ap_obama_speech_071002_ms.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;Visita significativa &lt;span style="font-size: large;"&gt;porque se lanza a comienzo&lt;span style="font-size: large;"&gt;s de su segunda presidencia y porque comienza a articularse una relación más estrecha a todo nivel en el continente, sobre todo a nivel económico y &lt;span style="font-size: large;"&gt;e&lt;/span&gt;duca&lt;span style="font-size: large;"&gt;tivo &lt;/span&gt;y no solo &lt;span style="font-size: large;"&gt;a nivel del&lt;/span&gt; tema narcot&lt;span style="font-size: large;"&gt;r&lt;span style="font-size: large;"&gt;á&lt;/span&gt;fico&lt;span style="font-size: large;"&gt;, tan dom&lt;span style="font-size: large;"&gt;inante en las relaciones bilaterales hasta el momento.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;Su visita fue un llamado a los jóve&lt;span style="font-size: large;"&gt;nes: '&lt;span style="font-size: large;"&gt;Tu eres el sueño' les dijo en Ciudad de México. Tamb&lt;span style="font-size: large;"&gt;ién fue un llamado a romper los estereotip&lt;span style="font-size: large;"&gt;os y a trabajar juntos: 'Hagamos más cosas juntos'.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;El comienzo de una verdadera visión de integración continental? Sería bueno y necesario.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;D&lt;/span&gt;espués de su viaje, e&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;l presidente ha publicado una pieza editorial en&lt;span style="font-size: large;"&gt; &lt;span style="font-size: large;"&gt;El Nuevo Herald&lt;span style="font-size: large;"&gt; que &lt;span style="font-size: large;"&gt;nos dá&lt;/span&gt;&lt;/span&gt; una relación concisa de su viaje y sus aspiraciones. A &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;continuación se encuentra el texto completo de la columna&lt;span style="font-size: large;"&gt;:&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt; Cómo mejorar nuestra alianza con América Latina &lt;br /&gt; Por Barack Obama &lt;/b&gt;&lt;br /&gt;   &lt;br /&gt;La semana pasada, tuve el gusto de visitar México por cuarta vez desde que soy Presidente y de reunirme con los líderes centroamericanos en Costa Rica. Tuve la oportunidad de reafirmar nuestra amistad con una región en la que decenas de millones de inmigrantes y de estadounidenses tienen sus raíces. &lt;br /&gt;&lt;br /&gt;También fue una oportunidad para destacar el progreso impresionante que se está logrando en América Latina, que es una de las regiones más dinámicas del mundo, y de forjar nuevas alianzas que contribuirán a mejorar las vidas de todos nuestros habitantes. &lt;br /&gt;&lt;br /&gt;Fui allí porque este es un momento de gran promesa para nuestro hemisferio. Actualmente, casi todos los pueblos de las Américas viven en democracias. América Latina tiene algunas de las economías de más rápido crecimiento en el mundo. Y, a través de toda la región, decenas de millones de gente han dejado atrás la pobreza y han llegado a la clase media. &lt;br /&gt;&lt;br /&gt;Esto representa una oportunidad increíble para todos nuestros países, especialmente en cuanto a mi prioridad principal, que es crear buenos empleos de clase media aquí en los Estados Unidos. Esto se debe a que, tal como lo presencié en mi visita al puerto de Miami en marzo, una de las mejores maneras de hacerlo es expandiendo el comercio que nos permita vender más productos alrededor del mundo. &lt;br /&gt;&lt;br /&gt;Ahora mismo, más del 40 por ciento de nuestras exportaciones van hacia México, América Central y del Sur, y dichas exportaciones están aumentando más rápido que nuestro comercio con el resto del mundo. Eso está creando más empleos aquí en los Estados Unidos, pero también está beneficiando a la gente de todo el hemisferio. Los Estados Unidos son la fuente mayor de inversión extranjera en las Américas. Y los tratados comerciales que he firmado con Colombia y con Panamá están creando nuevos mercados para las empresas en nuestros países. &lt;br /&gt;&lt;br /&gt;Una de las relaciones más significativas y más dinámicas es con México. Los Estados Unidos son el mayor cliente de México, ya que compramos la mayor parte de las exportaciones de México, y México es el segundo mercado mayor para las exportaciones de los EE.UU., pues compra más de $200 mil millones en productos Hechos en EE.UU. cada año. Nuestras compañías y trabajadores ensamblan productos juntos. Todo esto apoya millones más de empleos en ambos países. &lt;br /&gt;&lt;br /&gt;Yo creo que hay aun más que la gente de los Estados Unidos y de México pueden construir conjuntamente. Por eso es que el Presidente Peña Nieto y yo nos comprometimos a expandir el comercio y las inversiones y a crear aun más empleos para nuestra gente. &lt;br /&gt;&lt;br /&gt;Yo les expresé un mensaje similar a la Presidente Chinchilla de Costa Rica y a otros líderes centroamericanos. Durante los últimos seis años, las exportaciones de EE.UU. a las naciones centroamericanas han aumentado en más del 94 por ciento, y las importaciones de esos países han aumentado en cerca del 87 por ciento. El crecimiento económico en general está reforzando los logros políticos y sociales que tanto costaron conseguir en las últimas dos décadas. Y por eso es que yo reafirmé el apoyo y el compromiso sólidos de los Estados Unidos a crear una América Central más próspera. &lt;br /&gt;&lt;br /&gt;Eso es importante, porque el crecimiento económico en términos generales no solo crea más empleos y oportunidad en esos países, sino que también reduce la inmigración ilegal a los Estados Unidos. La reforma migratoria de sentido común es una de mis principales prioridades. El proyecto de ley que se presentó en el Senado no incluye todo lo que yo deseo, pero es mayormente consistente con los principios que yo he planteado, que son mejor seguridad en la frontera, un camino a la ciudadanía, y un sistema de inmigración legal que una a las familias y que atraiga a trabajadores sumamente capacitados. Y tengo la esperanza de que este año podamos hacer realidad la reforma migratoria general. &lt;br /&gt;&lt;br /&gt;Actualmente, decenas de millones de estadounidenses pueden rastrear sus orígenes a México y a América Central. Millones de trabajadores se ganan la vida en buenos empleos que han sido posibles dado el comercio entre nuestras naciones. Los Estados Unidos es un país más próspero y más diverso gracias a nuestras alianzas con nuestros vecinos hacia el sur. Y tengo la seguridad de que podemos aprovechar nuestra herencia común, nuestra relación económica y nuestros valores compartidos para enriquecer las vidas de toda nuestra gente. &lt;br /&gt;&lt;br /&gt;Barack Obama es el Presidente de los Estados Unidos.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/yVseZW4fGHs" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/yVseZW4fGHs/barack-obama-como-mejorar-nuestra.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-CWyhQA9BmY8/Sfj3Xg7iIeI/AAAAAAAADtU/C3b3Vxp5-WI/s72-c/ap_obama_speech_071002_ms.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/05/barack-obama-como-mejorar-nuestra.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-5718186429675827585</guid><pubDate>Wed, 08 May 2013 18:28:00 +0000</pubDate><atom:updated>2013-05-22T11:08:31.486-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">icp</category><category domain="http://www.blogger.com/atom/ns#">moma</category><category domain="http://www.blogger.com/atom/ns#">picasso</category><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">velasquez</category><category domain="http://www.blogger.com/atom/ns#">Solar</category><category domain="http://www.blogger.com/atom/ns#">art</category><category domain="http://www.blogger.com/atom/ns#">gutai</category><category domain="http://www.blogger.com/atom/ns#">MUSEO DEL BARRIO</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">piero della francesca</category><category domain="http://www.blogger.com/atom/ns#">ascoa</category><category domain="http://www.blogger.com/atom/ns#">GUGGENHEIM</category><category domain="http://www.blogger.com/atom/ns#">whitney museum</category><category domain="http://www.blogger.com/atom/ns#">calendario</category><category domain="http://www.blogger.com/atom/ns#">borges y solar</category><category domain="http://www.blogger.com/atom/ns#">CALENDARIOS</category><category domain="http://www.blogger.com/atom/ns#">arte</category><title>NY ESSENTIALS: TOP ART SPRING 2013 UPDATED!</title><description>&lt;br /&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;UPDATED!&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;PRIMAVERA!!!!!!!
 y Top Art es la perfecta combinación para una temporada plena en Nueva 
York. Aqui les tengo las recomendaciones actualizadas para el resto de 
la temporada: &lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;La Biblioteca Pública de NYC presenta Back Tomorrow en honor a Federico García Lorca y su Poeta en Nueva York&lt;span style="font-size: large;"&gt;; &lt;/span&gt;&lt;/span&gt;Velasquez en todo su gloria se presenta en el Museo 
Metropolitano; La relación entre Solar y Borges se analiza en la 
Americas Society y&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Superreal continua en&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;El Museo del Barrio&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;. &lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;El Museo del Bronx celebra sus 40 años de fundado con Honey, I Rearranged The Collection;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;American Legends: From Calder to O’Keeffe&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;sigue en&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;el Whitney&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt; y en el Frick veremos a Piero della 
Francesca, figura fundacional del Renacimiento. La Galería Magnan Metz 
presenta a Alexandre Arrechea al aire libre, en el Mall de la Park 
Avenue.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;También
 siguen:&amp;nbsp;Picasso Black and White, presentando una faceta poco conocida 
del maestro español, se encuentra ahora en Houston y Manolo Valdés sigue en el Jardín 
Botánico.&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;br /&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="text-align: center;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;LO NUEVO&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span style="font-size: large;"&gt;*&lt;b&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;Back Tomorrow: Federico García Lorca / Poet in New York &amp;gt; &lt;/b&gt;New York Public Library &amp;gt; Hasta Julio 20 &amp;gt; &lt;a href="http://www.nypl.org/events/exhibitions/back-tomorrow-federico-garc%C3%ADa-lorca-poet-new-york" target="_blank"&gt;Lorca&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-3KcFLLdHuW0/UYqYUJOxivI/AAAAAAAARZI/5mvXFUf6oUA/s1600/lorca.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-3KcFLLdHuW0/UYqYUJOxivI/AAAAAAAARZI/5mvXFUf6oUA/s400/lorca.jpg" width="311" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;br /&gt; &lt;/b&gt;In
 June 1929, at a time when young writers and painters dreamed of living 
in Paris, Federico García Lorca (1898–1936), Spain’s greatest modern 
poet and playwright, broke boldly with tradition and sailed for New 
York. His nine months here, followed by three months in Havana, changed 
his vision of poetry, the theater, and the social role of the artist. &lt;br /&gt;Lorca
 came to New York to study English but devoted himself instead to 
writing Poet in New York, a howl of protest against racial bigotry, 
mindless consumption, and the adoration of technology. “What we call 
civilization, he called slime and wire,” the critic V. S. Pritchett once
 wrote. But Lorca’s book reaches beyond New York—“this maddening, 
boisterous Babel”—into the depths of the psyche, in a search for 
wholeness and redemption. &lt;br /&gt;In 1936, the poet left the manuscript of 
Poet in New York on the desk of his Madrid publisher with a note saying 
he would be “back tomorrow,” probably to discuss final details. He never
 returned. Weeks later, at the outbreak of the Spanish Civil War, he was
 brutally murdered by fascist elements in Granada, his body thrown into 
an unmarked mass grave. The book was published posthumously in 1940, but
 the manuscript mysteriously disappeared, lost to scholars for decades. 
The Fundación Federico García Lorca in Madrid and The New York Public 
Library exhibit it now for the first time, together with drawings, 
photographs, letters, and mementos—traces of a Poet in New York . . . 
and of New York in a poet.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="caption"&gt;Foto: Federico García Lorca, Animal fabuloso 
dirigiéndose a una casa / Fabulous beast approaching a house, India ink 
and colored pencil on paper, 1929–30, Colección Gloria García Lorca, 
Madrid&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span style="font-size: large;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="caption"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&amp;nbsp;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;* &lt;b&gt;A Common Homeland: Delibes Illustrated&lt;/b&gt; &amp;gt; Hasta Mayo 23 &amp;gt; Instituto Cervantes &amp;gt; &lt;a href="http://nyork.cervantes.es/en/culture_spanish/activities_cultural_spanish.htm" target="_blank"&gt;Delibes&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-UMt6pJQ1XBg/UYmizh5lekI/AAAAAAAARYY/oNmb0AZ4fpM/s1600/DELIBES.bmp" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="353" src="http://2.bp.blogspot.com/-UMt6pJQ1XBg/UYmizh5lekI/AAAAAAAARYY/oNmb0AZ4fpM/s400/DELIBES.bmp" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;A
 Common Homeland: an Illustrated Delibes is a journey through the 
universe of Miguel Delibes, told through the gaze and voice of his child
 protagonists, memorable characters who offer us the purest and most 
intuitive vision of life. Fifteen sections in this exhibit reflect the 
constant themes of the author's life, a short of miniature "all men`s 
land" that together make up our "common homeland." The texts selected 
here have been taken from ten of Miguel Delibes' works written between 
1947 and 1989, and they introduce us to boys and girls of every age, 
origin, social class and character.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;ALEXANDRE ARRECHEA : NO LIMITS&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;&amp;gt; Park Avenue Malls &amp;gt; Hasta Junio 9.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Xo55dP3h-RM/UTJLBR0ATbI/AAAAAAAAQ2Q/xKv9PzgVnI0/s1600/arrechea.jpg" style="font-size: x-large; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-Xo55dP3h-RM/UTJLBR0ATbI/AAAAAAAAQ2Q/xKv9PzgVnI0/s400/arrechea.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Rendering of the Seagream Building in Alexandre Arrechea's&lt;br /&gt;2013 No Limits series for Park Avenue Malls.&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Playing
 on the idea of elastic architecture as a metaphor for the challenges 
and opportunities of shifting conditions and new realities, No Limits 
will present 10 massive sculptures embodying New York's most prominent 
buildings. Iconic landmarks represented will include: the Chrysler 
Building, Citicorp Center, Empire State Building, Flatiron building, 
Helmsley Building, MetLife Building, Metropolitan Life Insurance Company
 Tower, Seagram Building, Sherry Netherland, and US Courthouse. The 
sculptures, which will appear to roll, wind, and spin their way down 
Park Avenue from 53rd to 67th Street, will reach towering heights of up 
to 20 feet.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Throughout
 his work, artist Alexandre Arrechea uses sculpture, watercolor and 
video to ponder the idea of destabilizing traditional concepts held 
about icons and their function in society. The art is meant to create a 
dialogue with the public that raises questions of control, power, 
surveillance and one's role within these categories. Through iconic 
architectural buildings and urban spaces, Arrechea plays and entices the
 viewer to explore this concept.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;ALSO:&amp;nbsp;&lt;/span&gt;&amp;nbsp;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Sofia Maldonado :&amp;nbsp;World Crisis&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;gt; Magnan Metz Gallery &amp;gt; Abril 25 - Junio 1.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;b&gt;Velázquez's Portrait of Francesco I d'Este&amp;nbsp;&lt;/b&gt;&amp;gt; A Masterpiece from the Galleria Estense, Modena&lt;/span&gt;&amp;nbsp;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;gt; April 16–July 14 &amp;gt; Met Museum &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://metmuseum.org/" style="font-size: x-large;"&gt;Velazquez&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-wdkdtleB_vE/UTJVa-kIFNI/AAAAAAAAQ24/lglt4FtieR8/s1600/Velazquez_poster.jpg" style="font-size: x-large; margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-wdkdtleB_vE/UTJVa-kIFNI/AAAAAAAAQ24/lglt4FtieR8/s400/Velazquez_poster.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Velázquez
 (Diego Rodríguez de Silva y Velázquez) (Spanish, 1599–1660). Duke 
Francesco I d'Este, 1638. Oil on canvas. Galleria Estense, Modena © su 
concessione del Ministero per i Beni e le Attività Culturali.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Among
 the most distinctive portraits by Diego Velázquez is one he painted of 
Francesco I d'Este (1610–58), the Duke of Modena, during the duke's 
visit to Madrid in 1638 to secure the support of Philip IV. The duke is 
shown in armor, wearing a red sash, his head turned toward the viewer. 
It is a work that conveys a quality of arrogance and sensuality, and is a
 high watermark in the history of baroque portraiture, while also 
illustrating the importance of Velázquez's portraits to Spanish 
diplomacy. In 1843 the painting was acquired by the Galleria Estense—one
 of the most prestigious of Italy's regional museums—in Modena, Italy, 
and it has never before been lent to an institution in the United 
States. This special, three-month loan coincides with the 
re-installation of the Metropolitan's collection of Old Master 
paintings. It not only makes accessible to an American public one of the
 least known of Velázquez's works, but also calls attention to the 
severe damage suffered throughout the Italian region of Emilia Romagna 
after a devastating earthquake in May 2012. The Galleria Estense has 
been temporarily closed due to the damage it sustained.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;* &lt;b&gt;Xul Solar and Jorge Luis Borges: The Art of Friendship &lt;/b&gt;&amp;gt; Abril 18 - Julio 20 &amp;gt; Americas Society Gallery &amp;gt; &lt;a href="http://www.as-coa.org/xul-solar-and-jorge-luis-borges-art-friendship"&gt;ASG&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-lNn2taqX5is/UWcFggJO-rI/AAAAAAAARD4/RyYkok8WrBY/s1600/Xul.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="305" src="http://1.bp.blogspot.com/-lNn2taqX5is/UWcFggJO-rI/AAAAAAAARD4/RyYkok8WrBY/s400/Xul.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;This
 will be the first solo exhibition in New York dedicated to painter, 
writer, and occultist Xul Solar, born Oscar Agustín Alejandro Schulz 
Solari (1887-1963). The show will offer an in-depth examination of the 
public and private aspects of Solar's long friendship and vigorous 
exchange of ideas with famed writer and fellow Argentine Jorge Luis 
Borges. The central concept of the exhibition will explore how a 
friendship—a private, intimate affair—can affect public cultural and 
intellectual discourse. Solar and Borges' influences on each other led 
to groundbreaking artistic work produced by them individually and 
collaboratively. The exhibition will feature a selection of Xul Solar's 
exquisite early paintings as well as collaborative publications, 
translations, objects, and artistic interventions in books by the two 
friends. Public programs will include cross-disciplinary events and a 
panel discussion featuring Maria Kodama, Sergio Baur, Patricia Artundo, 
and Silvia Molloy, as well as poetry readings by Lila Zemborain and 
Cecilia Vicuña. Americas Society will also produce a fully illustrated 
publication to accompany the exhibition.&lt;br /&gt;Solar and Borges met in 1924
 after both had independently traveled throughout Europe where they 
spent a decade after World War I, and returned to Buenos Aires just when
 a literary and artistic avant-garde movement was beginning to take 
hold.  They were part of the circle of writers and artists associated 
with the avant-garde magazine Martin Fierro, which was active until 
1927. The martinfierristas were part of the Argentine generation whose 
artistic and political efforts were focused on defining and exploring 
their national identity through cosmopolitan means. They embraced a 
universal identity linked to Europe, but also sought to establish a 
uniquely Argentine national identity grounded in the rural mythology of 
the gauchos, the iconic Argentine cattlemen. These concepts are central 
to Borges' early work. Solar's paintings include a number of nationalist
 symbols dating back to pre-Hispanic times as well as words from two 
languages he invented to be Argentine, yet universal. Another major 
theme in Solar’s work is spiritualism and fantasy. He developed a method
 of painting with watercolors and crayons which he used to create 
colorful and fantastical works that blended metaphysical ideas about the
 invisible world with his interests in constructing a national identity 
and reinventing language.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;Darned Bodies :&amp;nbsp;Josefina Concha&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&amp;gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Hasta Mayo 11 &amp;gt; Galería Praxis Art &amp;gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;a href="http://www.praxis-art.com/index.php?lang=en" style="font-size: x-large;"&gt;&amp;nbsp;Concha.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;
&lt;/span&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;
&lt;/span&gt;
&lt;br /&gt;
&lt;div style="font-size: medium; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;a href="http://1.bp.blogspot.com/-rwBouZXjfg0/UWcC39oCGEI/AAAAAAAARDw/i_DJbNDQ4Is/s1600/praxis.png" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="298" src="http://1.bp.blogspot.com/-rwBouZXjfg0/UWcC39oCGEI/AAAAAAAARDw/i_DJbNDQ4Is/s400/praxis.png" style="cursor: move;" width="400" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;
&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Nature
 is the main source of inspiration: its resemblance to the human body, 
the exuberance of color and form, the vulnerability of live matter, the 
visual and symbolic richness of the elements, these are the subjects 
which inspire this body of work. By accumulation and saturation, the 
thread acquires volume, giving birth to tridimensional forms and 
infinite shades of color.&lt;br /&gt;The sowing hands don’t try to control the 
shapes that they create, they become guardians of their quiet growth 
through the darning, allowing chance to intervene in the process.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;/span&gt;&lt;b style="font-size: x-large;"&gt;superreal: alternative realities in photography and video&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;&amp;gt; Museo de El Barrio &amp;gt; Hasta Mayo 19 &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.elmuseo.org/en/event/superreal-alternative-realities-photography-and-video" style="font-size: x-large;"&gt;superrea&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;l.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;a href="http://2.bp.blogspot.com/-1bnihFnry-w/UTJQmwF23OI/AAAAAAAAQ2w/ca39GZMZvOg/s1600/ROMERO-Betsabee_2005-30-2_Ayate-con-Perro_main.png" style="font-size: x-large;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-1bnihFnry-w/UTJQmwF23OI/AAAAAAAAQ2w/ca39GZMZvOg/s400/ROMERO-Betsabee_2005-30-2_Ayate-con-Perro_main.png" style="cursor: move;" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;This
 exhibition explores the layered meanings and interpretations of the 
real as it is represented in photography and video art. Drawing on the 
presentation of the landscape, the human figure, the world of 
architecture, various objects and natural phenomena, these images 
explore alternative realities despite their use of the photographic or 
video image, traditionally understood as a reflection of actuality. 
superreal features works that challenge the notion of the camera’s lens 
as presenting visual accuracy and explores the subversion of narrative 
form, the creation of a parallel reality, surreal or super-real 
encounters with objects, people and environments. Partial, hidden, or 
enigmatic meanings are explored by the artists gathered here. Iconic 
works by significant photographers and video artists are included along 
with newer works by younger artists. The incisive points of view and 
varied methodologies seen here allow the artists to create works that 
explore the limits of narrative form and its relationship to reality. 
The works, ranging in dates from the early 1960s to the present, reveal 
the various ways in which the real is emphasized and subverted, revealed
 and obscured.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Foto:
 Betsabee Romero (Mexico, 1963)Ayate con Perro (Ayate fabric with dog), 
2005. Chromogenic print, 22 x 40 in. El Museo del Barrio, Gift of the 
artist and Ramis Barquet&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;b&gt;HONEY, I REARRANGED THE COLLECTION&amp;nbsp;&lt;/b&gt;&amp;gt; Celebrating 40 years &amp;gt; Hasta Junio 2 &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.bronxmuseum.org/index.php" style="font-size: x-large;"&gt;BRONX&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;a href="http://4.bp.blogspot.com/-rKmfzs3R1uM/UO4S3buZhtI/AAAAAAAAO38/yBm9P3sOKyw/s1600/Bronx+Museum+of+the+Arts.jpg" style="font-size: x-large;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-rKmfzs3R1uM/UO4S3buZhtI/AAAAAAAAO38/yBm9P3sOKyw/s400/Bronx+Museum+of+the+Arts.jpg" style="cursor: move;" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Created
 in 1986, the Bronx Museum Permanent Collection has assembled over the 
years a remarkable group of artworks that convey not only personal 
narratives but also incisive insights onto contemporary life. For this 
exhibition, we took inspiration from Allen Ruppersberg's ongoing series 
Honey, I rearranged the Collection initiated in 2000 and that puts in 
check the role of institutions, curators and collectors as the bearers 
of tradition and arbiters of taste. Overlaying different traditions, 
styles, and narratives, Honey, I rearranged the Collection presents an 
idea of museum as a restless play of combination.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Honey,
 I Rearranged the Collection features artworks from the 40th 
Anniversary's 40 Years, 40 Gifts campaign, which has received support 
from Ford Foundation and the Jacques and Natasha Gelman Trust, as well 
as individual funders.&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&lt;b&gt;&amp;nbsp;Piero della Francesca in America&lt;/b&gt;&amp;nbsp;&amp;gt; Hasta Mayo 19 &amp;gt; The Frick Collection &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.frick.org/" style="font-size: x-large;"&gt;PIERO&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;a href="http://4.bp.blogspot.com/-QWUj7A-gZHk/UO4lY6yybiI/AAAAAAAAO7E/SrXSIFRFEQ0/s1600/PIERO.jpg" style="font-size: x-large;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-QWUj7A-gZHk/UO4lY6yybiI/AAAAAAAAO7E/SrXSIFRFEQ0/s400/PIERO.jpg" style="cursor: move;" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Piero
 della Francesca (c. 1411/13–1492), Madonna and Child Attended by 
Angels, c. 1470s, oil (and tempera?) on wood transferred from panel, The
 Sterling and Francine Clark Art Institute&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Revered
 in his own time as a "monarch" of painting, Piero della Francesca 
(1411/13–1492) is acknowledged today as a founding figure of the Italian
 Renaissance. The Frick Collection will present the first monographic 
exhibition in the United States dedicated to the artist. It brings 
together seven works by Piero della Francesca, including six panels from
 the Sant'Agostino altarpiece — the largest number from this masterwork 
ever reassembled. They will be joined by the Virgin and Child Enthroned 
with Attendant Angels, his only intact altarpiece in this country. Piero
 della Francesca in America is organized by guest curator and former 
Andrew W. Mellon Fellow Nathaniel Silver. The related catalogue will 
include essays by James Banker, Professor Emeritus, North Carolina State
 University; Machtelt Israëls, Guest Researcher, University of 
Amsterdam; Elena Squillantini, masters candidate, Università degli Studi
 di Firenze; and Giacomo Guazzini, doctoral candidate, Scuola Normale 
Superiore di Pisa.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Exclusive
 to the Frick, where it will be shown in the Oval Room, this important 
exhibition will also be accompanied by a rich and varied schedule of 
lectures, gallery talks, and seminars.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;b&gt;American Legends: From Calder to O’Keeffe&lt;/b&gt;&amp;nbsp;&amp;gt; Ongoing &amp;gt; Whitney Museum &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://whitney.org/Exhibitions/AmericanLegends?utm_content=tespismag%40aol.com&amp;amp;utm_source=VerticalResponse&amp;amp;utm_medium=Email&amp;amp;utm_term=American%20Legends%3A%20From%20Calder%20to%20O%26%2339%3BKeeffe&amp;amp;utm_campaign=American%20Legends%3A%20From%20Calder%20to%20O%27Keeffe%2C%20Plus%20Last%20Chance%20to%20See%20Wade%20Guyton%20OScontent" style="font-size: x-large;"&gt;LEGENDS&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;a href="http://1.bp.blogspot.com/-vFg9JQHa1vI/UO36eX3I1JI/AAAAAAAAOzQ/lFZxZYuvP3w/s1600/whitney.jpg" style="font-size: x-large;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-vFg9JQHa1vI/UO36eX3I1JI/AAAAAAAAOzQ/lFZxZYuvP3w/s400/whitney.jpg" style="cursor: move;" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Stuart
 Davis (1894–1964), Owh! in San Paõ, 1951. Oil on canvas, 52 1/4 × 41 
3/4 in. (132.7 × 106 cm). Whitney Museum of American Art, New York; 
purchase 52.2. © Estate of Stuart Davis / Licensed by VAGA, New York, NY&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;American
 Legends: From Calder to O’Keeffe showcases the Whitney’s deep holdings 
of artwork from the first half of the twentieth century by the eighteen 
leading artists: Oscar Bluemner, Charles Burchfield, Paul Cadmus, 
Alexander Calder, Joseph Cornell, Ralston Crawford, Stuart Davis, Arthur
 Dove, Charles Demuth, Marsden Hartley, Edward Hopper, Gaston Lachaise, 
Jacob Lawrence, John Marin, Reginald Marsh, Elie Nadelman, Georgia 
O’Keeffe, and Joseph Stella. Organized as one- and two-artist 
presentations, this exhibition provides a survey of each artist’s work 
across a range of mediums.American Legends is organized by Barbara 
Haskell, Curator.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;ON VIEW NOW&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;As
 part of this rotating exhibition, works by these artists are on view at
 the Museum through May 2013: Oscar Bluemner, Charles Burchfield, Paul 
Cadmus, Alexander Calder, Joseph Cornell, Ralston Crawford, Stuart 
Davis, Charles Demuth, Marsden Hartley, Edward Hopper, Jacob Lawrence, 
Reginald Marsh, Elie Nadelman, Georgia O’Keeffe, and Joseph Stella.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;MORE EXHIBITS&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;b&gt;Manolo Valdés&lt;/b&gt;&amp;nbsp;: Monumental Sculptures &amp;gt; Hasta Mayo 23, 2013 &amp;gt;&amp;gt; The New York Botanical Garden &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.nybg.org/visit/exhibitions.php" style="font-size: x-large;"&gt;VALDES&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;a href="http://2.bp.blogspot.com/-FjnjMG0g1qc/UIwxFmhB7hI/AAAAAAAAMhc/M7dNOs8zg8I/s1600/ValdesButterflies.jpg" style="font-size: x-large;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-FjnjMG0g1qc/UIwxFmhB7hI/AAAAAAAAMhc/M7dNOs8zg8I/s400/ValdesButterflies.jpg" style="cursor: move;" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Drawing
 inspiration from the natural landscape of the Botanical Garden, seven 
towering sculptures by acclaimed Spanish artist Manolo Valdés showcase 
the relationship between art and nature. The sculptures have been sited 
to take maximum advantage of the Garden's dramatic views with special 
attention given to the visual impact of the changing seasons. The artist
 has designed the installation to include surprising changes in the 
visual character of the sculptures throughout the seasons.&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;b&gt;HISPANIC SOCIETY&lt;/b&gt;&amp;nbsp;&amp;gt;&amp;gt; Vision of Spain de Joaquín Sorolla &amp;gt; Permanent collection on view &amp;gt; Audubon Terrace &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.hispanicsociety.org/" style="font-size: x-large;"&gt;The Hispanic Society of America&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;a href="http://3.bp.blogspot.com/-4wOMuPaDEFw/T0QPe7rCS5I/AAAAAAAAIJw/ksDu_qLizc0/s1600/SOROLLA.jpg" style="font-size: x-large;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-4wOMuPaDEFw/T0QPe7rCS5I/AAAAAAAAIJw/ksDu_qLizc0/s400/SOROLLA.jpg" style="cursor: move;" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Vision of Spain. Detail. Joaquín Sorolla.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;* Picasso Black and White &amp;gt; Hasta Mayo 17 &amp;gt; Museum of Fine Arts, Houston, Texas. &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://web.guggenheim.org/exhibitions/picasso/" style="font-size: x-large;"&gt;B&amp;amp;W&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;a href="http://1.bp.blogspot.com/-X8-KC2utjZY/UGtcgqjowHI/AAAAAAAALz0/RPGsREHSfkE/s1600/MTFaceandProfile.jpg" style="font-size: x-large;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-X8-KC2utjZY/UGtcgqjowHI/AAAAAAAALz0/RPGsREHSfkE/s400/MTFaceandProfile.jpg" style="cursor: move;" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Marie-Thérèse, Face and Profile (Marie-Thérèse, face et profil)&lt;br /&gt;Paris, 1931&lt;br /&gt;Oil and charcoal on canvas, 111 x 81 cm&lt;br /&gt;Private collection © 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York&lt;br /&gt;Photo: Béatrice Hatala&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Picasso
 Black and White, the first major exhibition to focus on the artist’s 
lifelong exploration of a black-and-white palette throughout his career,
 will be presented at Museum of Fine Arts, Houston. The exhibition 
features 118 paintings, sculptures, and works on paper from 1904 to 
1971, and will offer new and striking insights into Picasso’s vision and
 working methods. This chronological presentation includes significant 
loans—many of which have not been exhibited or published before—drawn 
from museum, private, and public collections across Europe and the 
United States, including numerous works from the Picasso family.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;=====================================&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/NmxguzrNtkY" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/NmxguzrNtkY/ny-essentials-top-art-spring-2013.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-3KcFLLdHuW0/UYqYUJOxivI/AAAAAAAARZI/5mvXFUf6oUA/s72-c/lorca.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/05/ny-essentials-top-art-spring-2013.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-4684294747716664418</guid><pubDate>Wed, 08 May 2013 18:15:00 +0000</pubDate><atom:updated>2013-05-22T11:08:31.425-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">THEATER</category><category domain="http://www.blogger.com/atom/ns#">neon baby</category><category domain="http://www.blogger.com/atom/ns#">boleros</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">21</category><category domain="http://www.blogger.com/atom/ns#">danza</category><category domain="http://www.blogger.com/atom/ns#">teatro latino</category><category domain="http://www.blogger.com/atom/ns#">calendario</category><category domain="http://www.blogger.com/atom/ns#">CALENDARIOS</category><category domain="http://www.blogger.com/atom/ns#">repertorio</category><category domain="http://www.blogger.com/atom/ns#">thalia</category><category domain="http://www.blogger.com/atom/ns#">ballet hispanico</category><category domain="http://www.blogger.com/atom/ns#">teatro</category><category domain="http://www.blogger.com/atom/ns#">pregones</category><title>NY ESSENTIALS : TEATRO Y DANZA : SPRING 2013. UPDATED!</title><description>&lt;br /&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Les actualizamos &lt;span style="font-size: large;"&gt;el &lt;span style="font-size: large;"&gt;C&lt;/span&gt;alendario para el resto de la &lt;/span&gt;Primavera&lt;span style="font-size: large;"&gt;: &lt;/span&gt;Teatro y Danza con algunos estrenos a notar.&lt;br /&gt;&lt;br /&gt;LO NUEVO EN NYC&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="event-content"&gt;
&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;* &lt;b&gt;21 &lt;/b&gt;&amp;gt;
 De Vincet Toro &amp;gt; Dirigida por José Zayas &amp;gt; Estreno en el 
Repertorio Español &amp;gt; Mayo 16, 17, 18, 20, 24, 26 y 31 &amp;gt; &lt;a href="http://www.repertorio.org/" target="_blank"&gt;Repertorio Español&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-bHwvw1_JfOE/UVMlYxUNIkI/AAAAAAAARCU/q-5EQAs9iMw/s1600/21.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-bHwvw1_JfOE/UVMlYxUNIkI/AAAAAAAARCU/q-5EQAs9iMw/s1600/21.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Una
 mirada a la vida americana moderna desde la perspectiva de una familia 
puertorriqueña. Un joven recientemente graduado de la universidad que se
 siente alienado por su extravagante familia, hace planes para aceptar 
un trabajo de periodismo en Turquía. Sus padres, sin embargo, tienen 
planes diferentes para él, y durante un viaje a un casino al norte del 
estado de Nueva York para celebrar su graduación y su cumpleaños número 
21, se desata toda la controversia cuando miembros de la familia se 
encuentran en desacuerdo sobre si deben apoyar o no su decisión.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Obra ganadora de la Competencia de Obras Latinas Nuestras Voces 2011 auspiciada por la Fundación MetLife.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;* &lt;b&gt;NEON BABY&lt;/b&gt; &amp;gt; Pregones Theater &amp;gt;&lt;span style="font-size: large;"&gt; Hasta Junio 2 &amp;gt; &lt;a href="http://www.pregones.org/" target="_blank"&gt;Ne&lt;span style="font-size: large;"&gt;on&lt;/span&gt;&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span style="font-size: large;"&gt;&lt;a href="http://4.bp.blogspot.com/-XCwfaaoJDSE/UYqPaoes5OI/AAAAAAAARYo/y6PmzKwtZZQ/s1600/Neon+Baby.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="186" src="http://4.bp.blogspot.com/-XCwfaaoJDSE/UYqPaoes5OI/AAAAAAAARYo/y6PmzKwtZZQ/s400/Neon+Baby.jpg" width="400" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;Pregones
 is thrilled to announce a new world premiere musical play, born and 
bred by our award winning ensemble, right here in Da Bronx!&lt;br /&gt;Inspired 
by the life of b-boy and muse Juan Rivera and the book Queer Latino 
Testimonio, Keith Haring and Juanito Xtravaganza: Hard Tails by Arnaldo 
Cruz Malavé, NEON BABY is a funky new musical set in a mythical dance 
club called Paradise —inspired by the famed Paradise Garage— where 
runaway gay youths of color find the family and the courage to let their
 better selves shine through.&lt;br /&gt;Two passions take center stage in the 
story: First, the passion of a mother praying from a distance for her 
son's safety and well-being in the big city, amidst the AIDS crisis. 
Second, the furious bond between the runaway boy, the city that seduces 
him, the man that breaks his heart, and and the strangers who welcome 
and cherish him as one of their own.&lt;br /&gt;NEON BABY is a funkalicious 
story about the love of a mother for her son, a son for his mother, a 
boy for his sisters and brothers, blood family and chosen family, lovers
 and fighters — each and all hopeful and fierce and drunk with radiant 
music.&lt;br /&gt;A lifting remembrance of New York City at the turn of the last
 century, and a love letter to the children who made that era truly 
legendary! &lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
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&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="font-size: medium;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;* TU ARMA SECRETA CONTRA LA CELULITIS REBELDE &amp;gt;&amp;nbsp;May 10 - June 23 &amp;gt;&amp;nbsp;&lt;a href="http://www.thaliatheatre.org/pages/home.cfm" target="_blank"&gt;Thalia&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;/div&gt;
&lt;div style="font-size: medium;"&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-XTnzqLxul-4/UVMg5yq9eSI/AAAAAAAARCM/ihO1d42Eua0/s1600/thalia1.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-XTnzqLxul-4/UVMg5yq9eSI/AAAAAAAARCM/ihO1d42Eua0/s400/thalia1.jpg" width="270" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;BILINGUAL
 WORLD PREMIERE of a PROVOCATIVE COMEDY by celebrated Spanish author 
Iñigo Ramirez de Haro. Produced, designed and directed by Angel Gil 
Orrios.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-size: medium;"&gt;
&lt;br /&gt;
&lt;div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;* &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;Flamenco Vivo Carlota Santana &amp;gt;&lt;/b&gt; Mayo 29 - Junio 2 &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.joyce.org/" style="font-size: x-large;"&gt;Teatro Joyce&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
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&lt;a href="http://3.bp.blogspot.com/-5HPOeaRnEf0/UYqRkabngzI/AAAAAAAARY0/NJPk_hdcvWM/s1600/santana.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="220" src="http://3.bp.blogspot.com/-5HPOeaRnEf0/UYqRkabngzI/AAAAAAAARY0/NJPk_hdcvWM/s400/santana.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-size: medium;"&gt;
&lt;/div&gt;
&lt;div style="font-size: medium;"&gt;
&lt;span style="font-size: large;"&gt;In
 celebration of its 30th Anniversary season, Flamenco Vivo Carlota 
Santana, the only USA/NYC based flamenco company to reach such a 
milestone, comes to The Joyce with a program featuring the finest 
dancers and musicians from New York and Spain. The artists whose "gypsy 
voices...coiling wrists...angry feet and curving backs...never fail to 
entrance an audience" (Village Voice) perform company co-founder Roberto
 Lorca's signature work Luz y Sombra. Also on the program—new works by 
the vibrant flamenco dancer and choreographer Angel Muñoz. &lt;br /&gt; &lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Photo: Angelica Escoto Photography&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;ON BROADWAY&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;* The Book Of Mormon &amp;gt; by Trey Parker, Robert López y Matt Stone. Teatro Eugene O'Neill &amp;gt;&amp;gt;&amp;nbsp;&lt;a href="http://bit.ly/ghiEjF"&gt;MORMON.&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
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&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-TZ2wGfGBRpk/TynN8sN2O3I/AAAAAAAAIEk/PxXbSK2g0k0/s1600/MORMON.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-TZ2wGfGBRpk/TynN8sN2O3I/AAAAAAAAIEk/PxXbSK2g0k0/s400/MORMON.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;OFF-BROADWAY&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;*
 Bésame Mucho &amp;gt; Una antología musical de canciones compuestas por 
mujeres latinoamericanas &amp;gt; De Pablo Zinger &amp;gt; Mayo 4, 12 y 25 &amp;gt;&amp;nbsp;&lt;a href="http://www.repertorio.org/"&gt;Bésame&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
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&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-mdmNAs7EEds/UKJv5j6ZZSI/AAAAAAAANKw/r8mTOR9t_y4/s1600/BESAME.jpg" style="font-size: x-large; margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-mdmNAs7EEds/UKJv5j6ZZSI/AAAAAAAANKw/r8mTOR9t_y4/s400/BESAME.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Pablo
 Zinger, director musical de zarzuelas y antologías musicales de 
Repertorio Español, regresa a la compañía con un nuevo programa que 
celebra las contribuciones musicales de compositoras latinoamericanas. 
La antología incluye adoradas canciones tales como “Bésame mucho”, “Dos 
gardenias”, “Júrame”, “Cachito”, “Olas y arena” y “Gracias a la vida” 
interpretadas por extraordinarias voces con música en vivo.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
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&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Algunas
 de las compositoras cuyas canciones forman parte del programa, incluyen
 Sylvia Rexach (Puerto Rico), María Grever y Consuelo Velásquez 
(México), Isolina Carrillo y Ernestina Lecuona (Cuba), Chabuca Granda 
(Perú), Violeta Parra (Chile) y Eladia Blázquez y María Elena Walsh 
(Argentina).&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;* El Amor en los Tiempos del Cólera &amp;gt; &amp;nbsp;Obra basada en la afamada novela de GABRIEL GARCÍA MÁRQUEZ &amp;gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;Mayo 10 y 19 &amp;gt; Repertorio Español &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.repertorio.org/productions/index.php?area=ind&amp;amp;id=160" style="font-size: x-large;"&gt;AMOR&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
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&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-6zCYIc3wCY4/UKJwL9Ep6CI/AAAAAAAANK4/bPNaW7x_efY/s1600/AMOR.jpg" style="font-size: x-large; margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-6zCYIc3wCY4/UKJwL9Ep6CI/AAAAAAAANK4/bPNaW7x_efY/s400/AMOR.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Escrita
 por Caridad Svich y dirigida por José Zayas, el mismo dúo que nos trajo
 las adaptaciones de Julia Álvarez, "En el tiempo de las mariposas" e 
Isabel Allende, "La casa de los espíritus".&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Una
 lírica obra teatral repleta de imágenes dramáticas que se enfoca en la 
extraordinaria historia de amor entre un hombre con inclinaciones 
poéticas llamado Florentino Ariza y una mujer sensual, práctica y 
evasiva llamada Fermina Daza. La acción de la obra atraviesa cincuenta 
años y la historia se presenta en una serie de escenas repletas de 
movimiento, poesía, canciones y momentos de exuberante dramatismo. Un 
audaz tour-de-force teatral para cuatro actores.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;* En El Tiempo De Las Mariposas &amp;gt; &lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Mayo 1, 5 y 11&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://bit.ly/pDrAB" style="font-size: x-large;"&gt;En Repertorio Español.&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
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&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-6InXGuZ0JDI/Ton5lUGuKtI/AAAAAAAAGV4/5h8ifjBIHK0/s1600/MARIPOSAS.jpg" style="font-size: x-large; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-6InXGuZ0JDI/Ton5lUGuKtI/AAAAAAAAGV4/5h8ifjBIHK0/s400/MARIPOSAS.jpg" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;En el tiempo de las mariposas. Photo Michael Palma.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;“In
 The Time of the Butterflies” is the story of the courageous Mirabal 
sisters (Patria, Minerva and María Teresa) from the Dominican Republic. 
The sisters inspired resistance cells throughout the country against the
 dictatorial regime of Gen. Rafael Leónidas Trujillo. The ‘butterflies’,
 their secret code name, were brutally murdered by the regime in 1960.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Based
 on Julia Álvarez’s popular novel, the martyred butterflies come to 
vibrant life in a warm, brilliant, and dramatic production by the 
talented duo – playwright Caridad Svich and director José Zayas– that 
brought us the critically acclaimed production of Isabel Allende’s “The 
House of the Spirits” in 2009.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;* Entrada Gratis* &amp;gt; Gratis no hay nada &amp;gt; De Saulo García &amp;gt;&amp;nbsp; Junio 15, 16 &amp;gt; Repertorio Español &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.repertorio.org/" style="font-size: x-large;"&gt;Gratis&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-RdKUtxaZXgc/UKJuzk1g2VI/AAAAAAAANKo/dAo5-_A8JoA/s1600/GRATIS.jpg" style="font-size: x-large; margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-RdKUtxaZXgc/UKJuzk1g2VI/AAAAAAAANKo/dAo5-_A8JoA/s400/GRATIS.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Un
 hilarante monólogo de Saulo García el dotado comediante que nos trajo 
“La vida en los Esclavos Unidos” y “El insomnio americano”. En Entrada 
Gratis* Saulo se aventura a hablar de temas tabúes como la política, la 
muerte, la mentira conyugal y las relaciones entre padres e hijos para 
entregarnos un espectáculo que destaca tanto por una frecuencia 
vertiginosa de risas, como por una sabiduría que no acusa ni da 
lecciones, pero señala, reflexiona y termina por conmover.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/aBNmONyre30" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/aBNmONyre30/ny-essentials-teatro-y-danza-spring.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-bHwvw1_JfOE/UVMlYxUNIkI/AAAAAAAARCU/q-5EQAs9iMw/s72-c/21.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/05/ny-essentials-teatro-y-danza-spring.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-3498679241786468759</guid><pubDate>Mon, 06 May 2013 21:48:00 +0000</pubDate><atom:updated>2013-05-06T17:50:08.133-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">fotos</category><category domain="http://www.blogger.com/atom/ns#">1wtc</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">photography</category><category domain="http://www.blogger.com/atom/ns#">liberty tower</category><category domain="http://www.blogger.com/atom/ns#">fotografia</category><category domain="http://www.blogger.com/atom/ns#">pictures</category><category domain="http://www.blogger.com/atom/ns#">pics</category><category domain="http://www.blogger.com/atom/ns#">actualidad</category><category domain="http://www.blogger.com/atom/ns#">alex guerrero</category><category domain="http://www.blogger.com/atom/ns#">politics</category><title>NYC GOT THE TALLEST BUILDING IN THE WEST: LIBERTY TOWER RECENT PICS</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-Q85KjfaV5IM/UYf5MUkzmHI/AAAAAAAARWE/XroPzpKD4g4/s1600/IMG_7028.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-Q85KjfaV5IM/UYf5MUkzmHI/AAAAAAAARWE/XroPzpKD4g4/s400/IMG_7028.jpg" width="300" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;The final section of the spire is on top of One World Trade Center or Liberty Tower making it the tallest building in the Western Hemisphere.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-qcYq8G7HRpU/UYf5ezOsQtI/AAAAAAAARW0/eJJs6j55834/s1600/IMG_7050.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-qcYq8G7HRpU/UYf5ezOsQtI/AAAAAAAARW0/eJJs6j55834/s400/IMG_7050.jpg" width="300" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;The spire will help the skyscraper soar 1,776 feet into the sky as a patriotic reference to the year the Declaration of Independence was adopted by Congress.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-31I3EW-3w7I/UYf5jCIMI9I/AAAAAAAARXU/yW6R7_p3PWg/s1600/IMG_7063.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://2.bp.blogspot.com/-31I3EW-3w7I/UYf5jCIMI9I/AAAAAAAARXU/yW6R7_p3PWg/s400/IMG_7063.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Before the spire was put in place the tower stood at 1,368 feet above the lobby level (the height of the original World Trade Center’s North Tower).&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-S4GY2Z8H1cQ/UYf5RwD5EpI/AAAAAAAARWk/csMFS5JPPFA/s1600/IMG_7044.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-S4GY2Z8H1cQ/UYf5RwD5EpI/AAAAAAAARWk/csMFS5JPPFA/s400/IMG_7044.JPG" width="300" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;br /&gt;
&lt;div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;I have been documenting the rise of Liberty Tower and today I want to share the pictures I was able to take yesterday walking down the Hudson River Park and Battery Park.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-XalNtLP8Ktc/UYf5FjZQbzI/AAAAAAAARVk/H4XF5tBMoXg/s1600/IMG_7009.jpg" imageanchor="1"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-XalNtLP8Ktc/UYf5FjZQbzI/AAAAAAAARVk/H4XF5tBMoXg/s320/IMG_7009.jpg" width="300" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;See the pics below or visit the online gallery &amp;gt; &lt;a href="https://picasaweb.google.com/116495537112396712488/LIBERTYTOWERNOW?authuser=0&amp;amp;feat=directlink" target="_blank"&gt;1WTC&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;All pictures by AlexGuerrero ®2013. Enjoy!.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;embed flashvars="host=picasaweb.google.com&amp;amp;hl=en_US&amp;amp;feat=flashalbum&amp;amp;RGB=0x000000&amp;amp;feed=https%3A%2F%2Fpicasaweb.google.com%2Fdata%2Ffeed%2Fapi%2Fuser%2F116495537112396712488%2Falbumid%2F5874937964807349089%3Falt%3Drss%26kind%3Dphoto%26hl%3Den_US" height="267" pluginspage="http://www.macromedia.com/go/getflashplayer" src="https://picasaweb.google.com/s/c/bin/slideshow.swf" type="application/x-shockwave-flash" width="400"&gt;&lt;/embed&gt;
&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/vcntCZ05FCE" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/vcntCZ05FCE/nyc-got-tallest-building-in-west.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-Q85KjfaV5IM/UYf5MUkzmHI/AAAAAAAARWE/XroPzpKD4g4/s72-c/IMG_7028.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/05/nyc-got-tallest-building-in-west.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-8846475600393589507</guid><pubDate>Fri, 03 May 2013 19:37:00 +0000</pubDate><atom:updated>2013-05-07T12:59:45.164-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">galerias</category><category domain="http://www.blogger.com/atom/ns#">fotos</category><category domain="http://www.blogger.com/atom/ns#">art</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">photography</category><category domain="http://www.blogger.com/atom/ns#">chelsea</category><category domain="http://www.blogger.com/atom/ns#">fotografia</category><category domain="http://www.blogger.com/atom/ns#">pictures</category><category domain="http://www.blogger.com/atom/ns#">exhibits</category><category domain="http://www.blogger.com/atom/ns#">arte</category><category domain="http://www.blogger.com/atom/ns#">alex guerrero</category><title>NOCHE DE GALERIAS EN CHELSEA, NYC</title><description>&lt;br /&gt;
&lt;div class="separator" style="clear: both; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-uQpo6f-rwgU/UYPzQOqQDWI/AAAAAAAARR4/ue3o9L612-c/s1600/IMG_6957.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-uQpo6f-rwgU/UYPzQOqQDWI/AAAAAAAARR4/ue3o9L612-c/s400/IMG_6957.jpg" style="cursor: move;" width="300" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;El ritual ya se sabe: los jueves nos vamos de galerías en NYC. En lo personal nunca agoto los destinos de West Chelsea.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-LK3--LAkwxY/UYPzEsRTr3I/AAAAAAAARPw/U6zQ5snXA7I/s1600/IMG_6928.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-LK3--LAkwxY/UYPzEsRTr3I/AAAAAAAARPw/U6zQ5snXA7I/s400/IMG_6928.jpg" width="300" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Si me han seguido en twitter por un tiempo saben que siempre les muestro el arte que me encuentro en estos periplos de descubrimiento e inspiración.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-r03l_qlvI7o/UYPzRudjcoI/AAAAAAAARSI/WmqNtabbuDg/s1600/IMG_6961.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://3.bp.blogspot.com/-r03l_qlvI7o/UYPzRudjcoI/AAAAAAAARSI/WmqNtabbuDg/s400/IMG_6961.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Estas son algunas de las tomas que capté anoche, Mayo 2. Vean el slideshow debajo o sigan el enlace &amp;gt; &lt;a href="https://picasaweb.google.com/116495537112396712488/ONENIGHTINCHELSEA?authuser=0&amp;amp;feat=directlink" target="_blank"&gt;Galerias&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Enjoy!.&lt;/span&gt;&lt;/div&gt;
&lt;embed flashvars="host=picasaweb.google.com&amp;amp;hl=en_US&amp;amp;feat=flashalbum&amp;amp;RGB=0x000000&amp;amp;feed=https%3A%2F%2Fpicasaweb.google.com%2Fdata%2Ffeed%2Fapi%2Fuser%2F116495537112396712488%2Falbumid%2F5873805574034300785%3Falt%3Drss%26kind%3Dphoto%26hl%3Den_US" height="267" pluginspage="http://www.macromedia.com/go/getflashplayer" src="https://picasaweb.google.com/s/c/bin/slideshow.swf" type="application/x-shockwave-flash" width="400"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/Uvz2hUSbo8w" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/Uvz2hUSbo8w/noche-de-galerias-en-chelsea-nyc.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-uQpo6f-rwgU/UYPzQOqQDWI/AAAAAAAARR4/ue3o9L612-c/s72-c/IMG_6957.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/05/noche-de-galerias-en-chelsea-nyc.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-1515877731708008681</guid><pubDate>Fri, 03 May 2013 19:26:00 +0000</pubDate><atom:updated>2013-05-03T15:26:58.286-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">scotus</category><category domain="http://www.blogger.com/atom/ns#">politica</category><category domain="http://www.blogger.com/atom/ns#">COMUNIDAD</category><category domain="http://www.blogger.com/atom/ns#">PROTEST</category><category domain="http://www.blogger.com/atom/ns#">CLOSE GUANTANAMO</category><category domain="http://www.blogger.com/atom/ns#">actualidad</category><category domain="http://www.blogger.com/atom/ns#">washington D.C</category><category domain="http://www.blogger.com/atom/ns#">alex guerrero</category><category domain="http://www.blogger.com/atom/ns#">politics</category><category domain="http://www.blogger.com/atom/ns#">guantanamo</category><title>PICTURES: CLOSE GUANTANAMO PROTEST AT SCOTUS</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-wZubpU2TgVA/UYQAw57jMlI/AAAAAAAART8/6CGR8Soiv1k/s1600/IMG_7818.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-wZubpU2TgVA/UYQAw57jMlI/AAAAAAAART8/6CGR8Soiv1k/s400/IMG_7818.JPG" width="282" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;I took these shots while visiting Washington a year or so ago. Now that the country is talking about it again, it is the perfect time to share these pictures with you all.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-PyJR-OqBd2A/UYQAtVME6jI/AAAAAAAARTU/7LLu8jFTGj0/s1600/IMG_7813.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="256" src="http://1.bp.blogspot.com/-PyJR-OqBd2A/UYQAtVME6jI/AAAAAAAARTU/7LLu8jFTGj0/s400/IMG_7813.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Maybe this time around we are able to close Guantanamo for good. &amp;nbsp; Enjoy the slideshow below or follow the link &amp;gt; &lt;a href="https://picasaweb.google.com/116495537112396712488/CLOSEGUANTANAMO?authuser=0&amp;amp;feat=directlink" target="_blank"&gt;Guantanamo&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;embed flashvars="host=picasaweb.google.com&amp;amp;hl=en_US&amp;amp;feat=flashalbum&amp;amp;RGB=0x000000&amp;amp;feed=https%3A%2F%2Fpicasaweb.google.com%2Fdata%2Ffeed%2Fapi%2Fuser%2F116495537112396712488%2Falbumid%2F5873820552568518625%3Falt%3Drss%26kind%3Dphoto%26hl%3Den_US" height="267" pluginspage="http://www.macromedia.com/go/getflashplayer" src="https://picasaweb.google.com/s/c/bin/slideshow.swf" type="application/x-shockwave-flash" width="400"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/9dlgfp0tMSs" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/9dlgfp0tMSs/pictures-close-guantanamo-protest-at.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-wZubpU2TgVA/UYQAw57jMlI/AAAAAAAART8/6CGR8Soiv1k/s72-c/IMG_7818.JPG" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/05/pictures-close-guantanamo-protest-at.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-4525243117659126980</guid><pubDate>Wed, 01 May 2013 21:39:00 +0000</pubDate><atom:updated>2013-05-22T10:56:15.928-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">comando sb</category><category domain="http://www.blogger.com/atom/ns#">actualidad</category><category domain="http://www.blogger.com/atom/ns#">venezuela</category><category domain="http://www.blogger.com/atom/ns#">politics</category><title>MAYO 1: PROTESTA VENEZUELA LUCHA POR LA VERDAD EN TIMES SQUARE, NYC</title><description>&lt;span class="Apple-style-span" style="color: #6aa84f;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;LA COMUNIDAD VENEZOLANA EN EL EXTERIOR CONVOCA PROTESTA '&lt;b&gt;VENEZUELA LUCHA POR LA VERDAD&lt;/b&gt;' ESTE 1 DE MAYO PARA DESNUDAR ABUSOS DEL GOBIERNO ILEGITIMO VENEZOLANO CONTRA EL PUEBLO Y LA DEMOCRACIA, EN PARTICULAR, CONTRA LOS TRABAJADORES, LA LIBERTAD DE EXPRESION Y LA TRANSPARENCIA ELECTORAL.&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px; min-height: 25.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;La protesta '&lt;b&gt;VENEZUELA LUCHA POR LA VERDAD&lt;/b&gt;' se llevará a cabo en Times Square, calle 46 con Broadway&amp;nbsp;HOY Miércoles, Mayo 1 de 6 a 8 PM.&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;También la PROTESTA se transmitirá LIVE! &amp;gt; VENEZUELA LUCHA POR LA VERDAD a partir de las 6:45 PM LIVE &amp;gt; &lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, sans-serif; font-size: large; line-height: 18px; white-space: pre-wrap;"&gt;&lt;a class="twitter-timeline-link" data-expanded-url="http://ustre.am/dZmL" dir="ltr" href="http://t.co/FT1Ex7gHvc" rel="nofollow" style="text-decoration: none;" target="_blank" title="http://ustre.am/dZmL"&gt;&lt;span class="invisible" style="line-height: 0; text-decoration: none;"&gt;http://&lt;/span&gt;&lt;span class="js-display-url" style="text-decoration: none;"&gt;ustre.am/dZmL&lt;/span&gt;&lt;span class="Apple-style-span" style="text-decoration: none;"&gt;&lt;span class="invisible" style="line-height: 0; line-height: 0;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="tco-ellipsis" style="text-decoration: none;"&gt;&lt;span class="invisible" style="line-height: 0;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-family: 'Helvetica Neue', Arial, sans-serif; font-size: large; line-height: 18px; white-space: pre-wrap;"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-UwugnDsuYbY/UYGK-kS1TdI/AAAAAAAARO8/JkLfwJNxGvM/s1600/VZLALUCHAPORLAVERDAD.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-UwugnDsuYbY/UYGK-kS1TdI/AAAAAAAARO8/JkLfwJNxGvM/s320/VZLALUCHAPORLAVERDAD.jpg" width="290" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font: normal normal normal 21px/normal 'Times New Roman'; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 25px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: normal normal normal 21px/normal 'Times New Roman'; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;Atendiendo a la convocatoria hecha por Henrique Capriles para manifestarse este 1ero de Mayo, la comunidad venezolana en el exterior se une al país movilizado para reclamar una democracia plena y rechazar así al gobierno ilegítimo y sus reiterados abusos contra los trabajadores, la libertad de expresión y la transparencia electoral.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: normal normal normal 21px/normal 'Times New Roman'; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;Porque Venezuela está cansada de las mentiras y del maltrato del gobierno ilegitimo, queremos protestar en apoyo a los trabajadores públicos que han perdido sus trabajos por pensar distinto, a nuestros diputados a quienes les han quitado el derecho de palabra y todo venezolano que trabaja con miedo.&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: normal normal normal 21px/normal 'Times New Roman'; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 25px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;PUNTO CENTRAL DE LA PROTESTA SERÁ LA LECTURA EN PÚBLICO DE LOS MULTIPLES ABUSOS RECHAZADOS Y LA CEREMONIA POR LA LIBERTAD DE EXPRESION EN DONDE LOS PARTICIPANTES SE TAPARÁN LA BOCA POR 10 MINUTOS PARA DENUNCIAR LA GRAVEDAD DE LA SITUACIÓN VENEZOLANA.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px; min-height: 25.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;La lamentable situación venezolana puede resumirse así:&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;Abusos a los Trabajadores:&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;- Cientos de Contratos Colectivos (más de 400) de las empresas estatales no han sido renovados en varios años.&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;- Decenas de sindicalistas han sido asesinados en todo el país.&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;- El salario mínimo no alcanza ni siquiera para adquirir la canasta básica de alimentos.&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;- Han cerrado más de 170 mil empresas en la última década.&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;- Los despidos de trabajadores del sector público por razones políticas se han incrementado desde el pasado 14 de Abril. Trabajadores despedidos por votar por el candidato Capriles.&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px; min-height: 25.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;Libertad de Expresión:&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;- Dominio mediático del gobierno ilegítimo supera el 60%.&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;- Uso abusivo de la televisión y medios públicos como medios propagandísticos del régimen.&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;- Amedrantamiento a los canales privados que no se someten al régimen ( VV, Televen )&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;- Continuos ataques a Globovisión, único canal independiente ( Un % ya ha sido comprado por testaferros del gobierno).&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;- Amendrantamiento a los trabajadores del periodismo, la cultura y el entretenimiento que se oponen al régimen.&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;- Represión, encarcelamiento y abusos físicos y mentales (posibles actos de tortura) a los estudiantes que manifiestan pacíficamente y a disidentes políticos tales como el General retirado Antonio Rivero.&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;- Los parlamentarios opositores no tienen derecho de palabra y han sido violentamente atacados en la Asamblea Nacional. Esto es un golpe parlamentario.&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px; min-height: 25.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;Elecciones Fraudulentas:&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;-&amp;nbsp; El uso abusivo por parte del régimen de los recursos de la nación.&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;-&amp;nbsp; La coacción al voto tanto a los empleados públicos como a beneficiarios de subsidios del estado.&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;-&amp;nbsp; El abuso del voto asistido y el sufragio ejercido por multi-cedulados.&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;-&amp;nbsp; La actuación indebida de las milicias, algunos efectivos militares y funcionarios del CNE en los centros de votación.&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;-&amp;nbsp; Mas de 4500 irregularidades denunciadas.&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px;"&gt;
&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;-&amp;nbsp; El rechazo a una auditoria transparente según los términos acordados y la ley vigente.&lt;/span&gt;&lt;/div&gt;
&lt;div style="font: 21.0px 'Times New Roman'; margin: 0.0px 0.0px 0.0px 0.0px; min-height: 25.0px;"&gt;
&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;Se invita a los venezolanos del area de Nueva York y a todos los amantes de la libertad, la verdad y la democracia a acompañarnos. Porque los venezolanos no pararemos de Luchar por la Verdad, Únete!.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;LA DEMOCRACIA NO PUEDE EXISTIR SIN LIBERTAD, LA LIBERTAD NI PUEDE EXISTIR SIN LA VERDAD Y LA VERDAD NO PUEDE EXISTIR SIN TRANSPARENCIA.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;Para más información visitar en Facebook: '&lt;b&gt;VENEZUELA LUCHA POR LA VERDAD&lt;/b&gt;': &lt;span style="text-decoration: underline;"&gt;https://www.facebook.com/events/192809600867248/&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="color: #6aa84f; font-size: large;"&gt;IN BRIEF &lt;br /&gt;Que: Protesta 'VENEZUELA LUCHA POR LA VERDAD' &lt;br /&gt;Cuando: Miércoles, Mayo 1 &lt;br /&gt;Hora: 6-8 PM &lt;br /&gt;Donde: Times Square, calle 46 con Broadway&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/M_LjHMlzj9M" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/M_LjHMlzj9M/mayo-1-protesta-venezuela-lucha-por-la.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-UwugnDsuYbY/UYGK-kS1TdI/AAAAAAAARO8/JkLfwJNxGvM/s72-c/VZLALUCHAPORLAVERDAD.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/05/mayo-1-protesta-venezuela-lucha-por-la.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-9130295746278498476</guid><pubDate>Sun, 28 Apr 2013 20:29:00 +0000</pubDate><atom:updated>2013-04-28T16:29:31.001-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">spain</category><category domain="http://www.blogger.com/atom/ns#">THEATER</category><category domain="http://www.blogger.com/atom/ns#">dramaturgos espanoles</category><category domain="http://www.blogger.com/atom/ns#">latam</category><category domain="http://www.blogger.com/atom/ns#">NEW PLAYS FROM SPAIN</category><category domain="http://www.blogger.com/atom/ns#">latinos espana</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">plays</category><category domain="http://www.blogger.com/atom/ns#">PEN WORLD VOICES</category><category domain="http://www.blogger.com/atom/ns#">segal center</category><category domain="http://www.blogger.com/atom/ns#">actualidad</category><category domain="http://www.blogger.com/atom/ns#">literature</category><category domain="http://www.blogger.com/atom/ns#">teatro</category><category domain="http://www.blogger.com/atom/ns#">pen</category><title>NEW PLAYS FROM SPAIN at PEN WORLD VOICES </title><description>&lt;span class="Apple-style-span" style="font-size: large;"&gt;Siete de los más respetados dramaturgos españoles visitan Nueva York con motivo del Festival &lt;a href="http://worldvoices.pen.org/"&gt;PEN World Voices&lt;/a&gt; de Literatura Internacional para presentarse en el Segal Center. Los dramaturgos Ernesto Caballero, Guillem Clua, Cristina Colmena, Mar Gómez Glez, Borja Ortiz de Gondra, Alfredo Sanzol, y Emilio Williams presentarán las lecturas de sus trabajos traducidos al inglés, que a su vez serán representadas por actores y directores estadounidenses bajo la dirección de Julián Mesri (Fuenteovejuna/Repertorio Español) y Sarah Rose Leonard, miembro del programa de investigación Segal Center Next Generation. Este programa de lecturas se realiza el 29 y 30 de abril&amp;nbsp;en el CUNY Graduate Center, 365 de la Quinta Avenida.&amp;nbsp;&lt;/span&gt;&lt;div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;NEW PLAYS FROM SPAIN es patrocinado por el Segal Center, Spain Culture New York - Consulado General de España en Nueva York y la Fundación Autor de la SGAE. Dichos patrocinadores publicarán también una antología de las obras traducidas que se presentará oficialmente en el Instituto Cervantes de Nueva York el día 1 de mayo.&lt;br /&gt;&lt;br /&gt;NEW PLAYS FROM SPAIN&amp;nbsp;&lt;/span&gt;&lt;div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;El programa incluye:&lt;br /&gt;&lt;br /&gt;* Lunes 29 de Abril&lt;br /&gt;&lt;br /&gt;2:00 PM SMARTPHONES- A POCKET SIZE FARCE (Smartphones, una farsa de bolsillo) de Emilio Williams.&lt;br /&gt;Dirigido por Eric Mercado.&lt;br /&gt;&lt;br /&gt;4:00 PM PICASSO AND HIS BARBER (Picasso y su barbero) de Borja Ortiz&amp;nbsp;de Gondra.&amp;nbsp;Dirigido por Debbie Saivetz.&lt;br /&gt;&lt;br /&gt;6:30 PM PROMISED LAND (La tierra prometida) de Guillem Clua.&amp;nbsp;Dirigido por Melanie Sutherland.&lt;br /&gt;&lt;br /&gt;8:00 PM TYPING (Tecleando) y HAPPILY EVER AFTER (Fueron felices y comieron perdices) de Cristina Colmena.&lt;br /&gt;Dirigido Kimberly Faith Hickman&lt;br /&gt;&lt;br /&gt;9:00 PM Grupo de debate: La nueva Dramaturgia en la España Contemporánea.Con Guillem Clua, Cristina Colmena, Borja Ortiz de Gondra, y Emilio Williams. Moderado por Ángel Gil Orrios, Director Artístico/Ejecutivo del Teatro Español Thalia en Queens.&lt;br /&gt;&lt;br /&gt;* Martes 30 de Abril&lt;br /&gt;&lt;br /&gt; 2:00 PM NUMBERS (Números) de Mar Gómez Glez.&amp;nbsp;Dirigido por Tamilla Woodard.&lt;br /&gt;&lt;br /&gt;4:00 PM ON THE MOON (En la luna) de Alfredo Sanzol.&amp;nbsp;Dirigido por Oliver Butler&lt;br /&gt;&lt;br /&gt;6:30 PM PAKITA (Pakita) de Ernesto Caballero.&amp;nbsp;Dirigido por Shannon Sindelar&lt;br /&gt;&lt;br /&gt;8:00 PM Grupo de Debate: Dramaturgia, Globalización e identidades: ¿Existe una identidad nacional en la dramaturgia contemporánea española? Con Ernesto Caballero, Mar Gómez Glez, Alfredo Sanzol, Julian Mesri, Director de teatro, Frank Hentschker, Director Ejecutivo y Director de Programas en el Segal Center, el dramaturgo americano John Guare, y el Director Artístico/Ejecutivo del Teatro Español Thalia en Queens, Ángel Gil Orrios. Moderado por el dramaturgo y guionista español, y presidente de la Fundación Autor de la Sgae, Antonio Onetti.&lt;br /&gt;&lt;br /&gt;* NEW PLAYS FROM SPAIN &amp;gt; Abril 29-30 &amp;gt; The Segal Center &amp;gt; &lt;a href="http://www.thesegalcenter.org/"&gt;www.theSegalCenter.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/8WQ6rpcACLY" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/8WQ6rpcACLY/new-plays-from-spain-at-pen-world-voices.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-SiUU31QcP3k/UX2GUwsaxnI/AAAAAAAARNk/XfWDkoL_vJ4/s72-c/NewsPlays_int_01.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/04/new-plays-from-spain-at-pen-world-voices.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-6923366848864990543</guid><pubDate>Sun, 28 Apr 2013 19:30:00 +0000</pubDate><atom:updated>2013-04-28T15:30:08.921-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">spain</category><category domain="http://www.blogger.com/atom/ns#">velazquez</category><category domain="http://www.blogger.com/atom/ns#">italy</category><category domain="http://www.blogger.com/atom/ns#">italia</category><category domain="http://www.blogger.com/atom/ns#">art</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">francesco I</category><category domain="http://www.blogger.com/atom/ns#">pintura</category><category domain="http://www.blogger.com/atom/ns#">metropolitan museum</category><category domain="http://www.blogger.com/atom/ns#">met museum</category><category domain="http://www.blogger.com/atom/ns#">modena</category><category domain="http://www.blogger.com/atom/ns#">arte</category><title>VELAZQUEZ DE VISITA EN EL MET MUSEUM DE NYC</title><description>&lt;br /&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;El&amp;nbsp;&lt;b&gt;Retrato de Francisco I d'Este,&amp;nbsp;&lt;/b&gt;una de las pinturas menos conocida de&amp;nbsp;&lt;b&gt;Velázquez&lt;/b&gt;, estará por primera vez en los Estados Unidos en el Museo Metropolitano de Nueva York&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;hasta el 14 de Julio&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;. La pintura estará en exhibición como parte de la nueva re-instalación de la Colección de 'Old Masters' del museo.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, 1599–1660). Duke Francesco I d'Este, 1638. Oil on canvas. Galleria Estense, Modena © su concessione del Ministero per i Beni e le Attività Culturali.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Among the most distinctive portraits by Diego Velázquez is one he painted of Francesco I d'Este (1610–58), the Duke of Modena, during the duke's visit to Madrid in 1638 to secure the support of Philip IV. The duke is shown in armor, wearing a red sash, his head turned toward the viewer. It is a work that conveys a quality of arrogance and sensuality, and is a high watermark in the history of baroque portraiture, while also illustrating the importance of Velázquez's portraits to Spanish diplomacy. In 1843 the painting was acquired by the Galleria Estense—one of the most prestigious of Italy's regional museums—in Modena, Italy, and it has never before been lent to an institution in the United States. This special, three-month loan coincides with the re-installation of the Metropolitan's collection of Old Master paintings. It not only makes accessible to an American public one of the least known of Velázquez's works, but also calls attention to the severe damage suffered throughout the Italian region of Emilia Romagna after a devastating earthquake in May 2012. The Galleria Estense has been temporarily closed due to the damage it sustained.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;b&gt;Velázquez's Portrait of Francesco I d'Este&amp;nbsp;&lt;/b&gt;&amp;gt; A Masterpiece from the Galleria Estense, Modena&lt;/span&gt;&amp;nbsp;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;gt; Ends July 14 &amp;gt; Met Museum &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://METMUSEUM.ORG/" style="font-size: x-large;"&gt;Velazquez&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/2lJC4Qc2ePw" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/2lJC4Qc2ePw/velazquez-de-visita-en-el-met-museum-de.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-wdkdtleB_vE/UTJVa-kIFNI/AAAAAAAAQ24/lglt4FtieR8/s72-c/Velazquez_poster.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/04/velazquez-de-visita-en-el-met-museum-de.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-8610377792218188915</guid><pubDate>Sun, 28 Apr 2013 19:28:00 +0000</pubDate><atom:updated>2013-04-28T15:28:46.006-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">art</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">ascoa</category><category domain="http://www.blogger.com/atom/ns#">argentina</category><category domain="http://www.blogger.com/atom/ns#">the art of friendship</category><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">jorge luis borges</category><category domain="http://www.blogger.com/atom/ns#">latam</category><category domain="http://www.blogger.com/atom/ns#">xul solar</category><category domain="http://www.blogger.com/atom/ns#">arte</category><category domain="http://www.blogger.com/atom/ns#">americas Society</category><title>Xul Solar and Jorge Luis Borges: The Art of Friendship in NYC</title><description>&lt;br /&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;La muestra&amp;nbsp;&lt;b&gt;Xul Solar and Jorge Luis Borges: The Art of Friendship&amp;nbsp;&lt;/b&gt;examina la influencia mutua entre estos dos artistas argentinos y busca explorar cómo una amistad tal puede afectar el discurso tanto público como cultural e intelectual . La muestra está abierta hasta&amp;nbsp;el 20 de&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Julio&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;en la Galería de Americas Society.&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://1.bp.blogspot.com/-lNn2taqX5is/UWcFggJO-rI/AAAAAAAARD4/RyYkok8WrBY/s1600/Xul.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="305" src="http://1.bp.blogspot.com/-lNn2taqX5is/UWcFggJO-rI/AAAAAAAARD4/RyYkok8WrBY/s400/Xul.jpg" style="cursor: move;" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;This will be the first solo exhibition in New York dedicated to painter, writer, and occultist Xul Solar, born Oscar Agustín Alejandro Schulz Solari (1887-1963). The show will offer an in-depth examination of the public and private aspects of Solar's long friendship and vigorous exchange of ideas with famed writer and fellow Argentine Jorge Luis Borges. The central concept of the exhibition will explore how a friendship—a private, intimate affair—can affect public cultural and intellectual discourse. Solar and Borges' influences on each other led to groundbreaking artistic work produced by them individually and collaboratively. The exhibition will feature a selection of Xul Solar's exquisite early paintings as well as collaborative publications, translations, objects, and artistic interventions in books by the two friends. Public programs will include cross-disciplinary events and a panel discussion featuring Maria Kodama, Sergio Baur, Patricia Artundo, and Silvia Molloy, as well as poetry readings by Lila Zemborain and Cecilia Vicuña. Americas Society will also produce a fully illustrated publication to accompany the exhibition.&lt;br /&gt;Solar and Borges met in 1924 after both had independently traveled throughout Europe where they spent a decade after World War I, and returned to Buenos Aires just when a literary and artistic avant-garde movement was beginning to take hold. They were part of the circle of writers and artists associated with the avant-garde magazine Martin Fierro, which was active until 1927. The martinfierristas were part of the Argentine generation whose artistic and political efforts were focused on defining and exploring their national identity through cosmopolitan means. They embraced a universal identity linked to Europe, but also sought to establish a uniquely Argentine national identity grounded in the rural mythology of the gauchos, the iconic Argentine cattlemen. These concepts are central to Borges' early work. Solar's paintings include a number of nationalist symbols dating back to pre-Hispanic times as well as words from two languages he invented to be Argentine, yet universal. Another major theme in Solar’s work is spiritualism and fantasy. He developed a method of painting with watercolors and crayons which he used to create colorful and fantastical works that blended metaphysical ideas about the invisible world with his interests in constructing a national identity and reinventing language.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;b&gt;Xul Solar and Jorge Luis Borges: The Art of Friendship&amp;nbsp;&lt;/b&gt;&amp;gt; Abril 18 - Julio 20 &amp;gt; Americas Society Gallery &amp;gt;&amp;nbsp;&lt;a href="http://www.as-coa.org/xul-solar-and-jorge-luis-borges-art-friendship"&gt;ASG&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/1cQuG_OoR9w" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/1cQuG_OoR9w/xul-solar-and-jorge-luis-borges-art-of.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-lNn2taqX5is/UWcFggJO-rI/AAAAAAAARD4/RyYkok8WrBY/s72-c/Xul.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/04/xul-solar-and-jorge-luis-borges-art-of.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-3932890454435716842</guid><pubDate>Thu, 25 Apr 2013 16:07:00 +0000</pubDate><atom:updated>2013-04-25T13:37:56.607-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">COMUNIDAD</category><category domain="http://www.blogger.com/atom/ns#">auditoria ya</category><category domain="http://www.blogger.com/atom/ns#">capriles</category><category domain="http://www.blogger.com/atom/ns#">latam</category><category domain="http://www.blogger.com/atom/ns#">recuento total</category><category domain="http://www.blogger.com/atom/ns#">actualidad</category><category domain="http://www.blogger.com/atom/ns#">fraude</category><category domain="http://www.blogger.com/atom/ns#">votoavoto</category><category domain="http://www.blogger.com/atom/ns#">venezuela</category><category domain="http://www.blogger.com/atom/ns#">politics</category><category domain="http://www.blogger.com/atom/ns#">consulado nyc</category><category domain="http://www.blogger.com/atom/ns#">fraude electoral</category><title>HOY 3PM: PROTESTA LEGITIMIDAD PARA VENEZUELA FRENTE A LA ONU. TE ESPERAMOS!</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;
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&lt;a href="http://3.bp.blogspot.com/-KhdMf-bgOsU/UW3TZgn_nCI/AAAAAAAARJw/A--JxuaRVy0/s1600/IMG_6676.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span class="Apple-style-span" style="color: #38761d; font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-KhdMf-bgOsU/UW3TZgn_nCI/AAAAAAAARJw/A--JxuaRVy0/s400/IMG_6676.JPG" width="300" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="color: #38761d; font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;LA COMUNIDAD VENEZOLANA EN EL EXTERIOR CONVOCA PROTESTA FRENTE A NACIONES UNIDAS EXIGIENDO LEGITIMIDAD PARA VENEZUELA A TRAVES DE UNA AUDITORIA TRANSPARENTE DE LAS ELECCIONES DEL 14 ABRIL Y EL RESPETO A LA VOLUNTAD POPULAR.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="color: #38761d; font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;La protesta 'Legitimidad Para Venezuela' se concentrará frente a las Naciones Unidas en la Plaza Dag Hammarkjold (47th St &amp;amp; 1st Ave) hoy Jueves 25 de Abril, de 3 a 5 PM. Estamos invitando a los venezolanos del area de Nueva York y a todos los amantes de la libertad y la transparencia a acompañarnos. Para los que no nos puedan acompañar Tespis TV estará transmitiendo LIVE desde las Naciones Unidas a las 4 PM . Pueden verlo debajo o seguir este enlace:&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #183329; font-family: 'lucida grande', lucida, tahoma, helvetica, arial, sans-serif; line-height: 14px;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;a href="http://t.co/FT1Ex7gHvc" rel="nofollow" style="color: rgb(58, 171, 137) !important; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;" target="_blank" urlentities="[object Object]"&gt;ustre.am/dZmL&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;iframe frameborder="0" height="350" scrolling="no" src="http://www.ustream.tv/embed/3334159?ub=ff3d23&amp;amp;lc=ff3d23&amp;amp;oc=ffffff&amp;amp;uc=ffffff&amp;amp;v=3&amp;amp;wmode=direct" style="border: 0px none transparent;" width="450"&gt;    &lt;/iframe&gt;

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&lt;span class="Apple-style-span" style="color: #38761d; font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;PUNTO CENTRAL DE LA PROTESTA SERA LA&amp;nbsp; ENTREGA DE UN MANIFIESTO DIRIGIDO A BAN KI-MOON, SECRETARIO GENERAL DE LAS NACIONES UNIDAS, EN DONDE SE LE EXHORTA A EL Y A LA&amp;nbsp; COMUNIDAD INTERNACIONAL A PRONUNCIARSE PARA QUE LA AUDITORIA ACORDADA POR LAS PARTES SEA TRANSPARENTE Y SE RECONOZCA COMO EL UNICO CAMINO PARA RESTITUIR LA LEGITIMIDAD, AHORA EN ENTREDICHO, DEL ESTADO VENEZOLANO.&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://3.bp.blogspot.com/-SpcxpclnJmI/UWsaZHQ_blI/AAAAAAAARIM/37M8Wcju-sc/s1600/IMG_6636.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span class="Apple-style-span" style="color: #38761d; font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;&lt;img border="0" height="300" src="http://3.bp.blogspot.com/-SpcxpclnJmI/UWsaZHQ_blI/AAAAAAAARIM/37M8Wcju-sc/s400/IMG_6636.JPG" width="400" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="color: #38761d; font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;Es del mundo sabido que las recién celebradas elecciones presidenciales en Venezuela se distanciaron mucho de lo que se espera de una Democracia funcional.&amp;nbsp; Las más de 4000 denuncias de irregularidades y otras violaciones de la Ley de Procesos Electorales y sus reglamentos que recibió el Comando Simon Bolivar, además del estrecho margen de menos de 2% de diferencia de los resultados anunciados hace ineludible la realización de una auditoria como lo exige el artículo 156 de la Ley Orgánica de Procesos Electorales, el cual establece la auditoria como medio de verificación de todos los recursos electorales para garantizar la transparencia y confiabilidad del proceso.&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://2.bp.blogspot.com/-BngAw0YwXKU/UXlTvxjk5qI/AAAAAAAARLU/1kH4vlCa_dc/s1600/LEGITIMIDADVZLA.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span class="Apple-style-span" style="color: #38761d; font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-BngAw0YwXKU/UXlTvxjk5qI/AAAAAAAARLU/1kH4vlCa_dc/s400/LEGITIMIDADVZLA.jpg" width="247" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="color: #38761d; font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;Entre los abusos reportados y penados por las leyes vigentes venezolanas se encuentran: la utilización por parte del candidato del partido de gobierno de los recursos de la nación, la coacción tanto a los empleados públicos como a beneficiarios de subsidios del estado, el abuso del voto asistido y el sufragio ejercido por multi-cedulados y la actuación indebida de efectivos militares y funcionarios del CNE en los centros de votación, con la única finalidad de impedir el derecho al voto libre y secreto.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://2.bp.blogspot.com/-WJ2arMh9LZ8/UW3TUveFAwI/AAAAAAAARJQ/eTuP4Pt0a6s/s1600/IMG_6666.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span class="Apple-style-span" style="color: #38761d; font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;&lt;img border="0" height="271" src="http://2.bp.blogspot.com/-WJ2arMh9LZ8/UW3TUveFAwI/AAAAAAAARJQ/eTuP4Pt0a6s/s400/IMG_6666.jpg" width="400" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="color: #38761d; font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;Además de la violación de la Constitución y Leyes de Venezuela, las pasadas elecciones presidenciales violan el principio democrático consagrado en los artículos 21 de la Declaración Universal de Derechos Humanos, el artículo 25 del Pacto Internacional de Derechos Civiles y Políticos, el artículo 3 de la Carta Democrática Interamericana, los artículos 10 y 12 de la Declaración Universal de Democracia de 1997, y el artículo 23 de la Convención Americana sobre Derechos Humanos, los cuales establecen que el Estado venezolano está internacionalmente obligado a celebrar elecciones periódicas, libres, justas y basadas en el sufragio universal.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="color: #38761d; font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;Para más información visitar en Facebook: Legitimidad para Venezuela: &lt;a href="https://www.facebook.com/events/355826191196464/"&gt;&lt;span style="text-decoration: underline;"&gt;https://www.facebook.com/events/355826191196464/&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="color: #38761d; font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;&lt;span style="text-decoration: underline;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="color: #38761d; font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;Que: Protesta Legitimidad Para Venezuela&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="color: #38761d; font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;Cuando: Jueves, Abril 25&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="color: #38761d; font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;Hora: 3 - 5 PM&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="color: #38761d; font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;Donde: Plaza Dag Hammarkjold (47th St &amp;amp; 1st Ave)&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="color: #38761d; font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;Photos by Alex Guerrero ®2013&lt;/span&gt;&lt;/div&gt;
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&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/Xj4d9PYHGcY" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/Xj4d9PYHGcY/hoy-3pm-protesta-legitimidad-para.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-KhdMf-bgOsU/UW3TZgn_nCI/AAAAAAAARJw/A--JxuaRVy0/s72-c/IMG_6676.JPG" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/04/hoy-3pm-protesta-legitimidad-para.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-71944358627297906</guid><pubDate>Tue, 23 Apr 2013 14:49:00 +0000</pubDate><atom:updated>2013-04-23T10:49:40.528-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">vincet toro</category><category domain="http://www.blogger.com/atom/ns#">21</category><category domain="http://www.blogger.com/atom/ns#">plays</category><category domain="http://www.blogger.com/atom/ns#">THEATER</category><category domain="http://www.blogger.com/atom/ns#">repertorio español</category><category domain="http://www.blogger.com/atom/ns#">repertorio</category><category domain="http://www.blogger.com/atom/ns#">obras latinas nuestras voces</category><category domain="http://www.blogger.com/atom/ns#">jose zayas</category><category domain="http://www.blogger.com/atom/ns#">teatro</category><title>EL REPERTORIO ESTRENA LA OBRA '21'</title><description>&lt;br /&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;El próximo estreno en el Repertorio Español de Nueva York es&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;&lt;b&gt;21&lt;/b&gt;, una pieza teatral de&amp;nbsp;Vincet Toro, dirigida por José Zayas. &amp;nbsp;21 fue la o&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;bra ganadora en la Competencia de Obras Latinas Nuestras Voces 2011 auspiciada por la Fundación MetLife.&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://1.bp.blogspot.com/-bHwvw1_JfOE/UVMlYxUNIkI/AAAAAAAARCU/q-5EQAs9iMw/s1600/21.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-bHwvw1_JfOE/UVMlYxUNIkI/AAAAAAAARCU/q-5EQAs9iMw/s1600/21.jpg" style="cursor: move;" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Una mirada a la vida americana moderna desde la perspectiva de una familia puertorriqueña. Un joven recientemente graduado de la universidad que se siente alienado por su extravagante familia, hace planes para aceptar un trabajo de periodismo en Turquía. Sus padres, sin embargo, tienen planes diferentes para él, y durante un viaje a un casino al norte del estado de Nueva York para celebrar su graduación y su cumpleaños número 21, se desata toda la controversia cuando miembros de la familia se encuentran en desacuerdo sobre si deben apoyar o no su decisión.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;* 21 &amp;gt; De Vincet Toro &amp;gt; Dirigida por José Zayas &amp;gt; Estreno en el Repertorio Español &amp;gt; Mayo 16, 17, 18, 20, 24, 26 y 31 &amp;gt;&amp;nbsp;&lt;a href="http://www.repertorio.org/" target="_blank"&gt;Repertorio Español&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/p_SJHjS-nSk" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/p_SJHjS-nSk/el-repertorio-estrena-la-obra-21.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-bHwvw1_JfOE/UVMlYxUNIkI/AAAAAAAARCU/q-5EQAs9iMw/s72-c/21.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/04/el-repertorio-estrena-la-obra-21.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-5232071970153004358</guid><pubDate>Wed, 17 Apr 2013 01:09:00 +0000</pubDate><atom:updated>2013-04-25T11:57:33.758-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">COMUNIDAD</category><category domain="http://www.blogger.com/atom/ns#">auditoria ya</category><category domain="http://www.blogger.com/atom/ns#">capriles</category><category domain="http://www.blogger.com/atom/ns#">latam</category><category domain="http://www.blogger.com/atom/ns#">recuento total</category><category domain="http://www.blogger.com/atom/ns#">actualidad</category><category domain="http://www.blogger.com/atom/ns#">fraude</category><category domain="http://www.blogger.com/atom/ns#">votoavoto</category><category domain="http://www.blogger.com/atom/ns#">venezuela</category><category domain="http://www.blogger.com/atom/ns#">politics</category><category domain="http://www.blogger.com/atom/ns#">consulado nyc</category><category domain="http://www.blogger.com/atom/ns#">fraude electoral</category><title>VENEZOLAN@S EN NYC RECHAZAN FRAUDE ELECTORAL Y EXIGEN CONTEO VOTO A VOTO APOYANDO A CAPRILES</title><description>&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-KhdMf-bgOsU/UW3TZgn_nCI/AAAAAAAARJw/A--JxuaRVy0/s1600/IMG_6676.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-KhdMf-bgOsU/UW3TZgn_nCI/AAAAAAAARJw/A--JxuaRVy0/s400/IMG_6676.JPG" width="300" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;LOS VENEZOLANOS DEL MUNDO DESCONOCEMOS LOS RESULTADOS ELECTORALES Y HEMOS LLAMADO A PROTESTAR FRENTE AL CONSULADO EN NYC PARA EXIGIR CONTEO MANUAL DEL 100% DE LOS VOTOS O EL LLAMADO A NUEVAS ELECCIONES.&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://2.bp.blogspot.com/-NmXLsHTH3dI/UW3TcgS_YkI/AAAAAAAARKI/EXQ4BEv_S6U/s1600/IMG_6694.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="280" src="http://2.bp.blogspot.com/-NmXLsHTH3dI/UW3TcgS_YkI/AAAAAAAARKI/EXQ4BEv_S6U/s400/IMG_6694.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;LA PROTESTA COMENZO HOY 16 DE ABRIL A LAS 2 PM FRENTE AL CONSULADO DE VENEZUELA EN NYC UBICADO EN LA CALLE 51 ENTRE LAS AVENIDAS QUINTA Y MADISON Y SE EXTENDERA DURANTE LOS PROXIMOS DIAS SIGUIENDO LOS ACONTECIMIENTOS QUE SE PRODUZCAN EN VENEZUELA.&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://4.bp.blogspot.com/-_m97F6d0lr0/UW3TSS8n61I/AAAAAAAARJA/ngnJ8Je2YHE/s1600/IMG_6659.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://4.bp.blogspot.com/-_m97F6d0lr0/UW3TSS8n61I/AAAAAAAARJA/ngnJ8Je2YHE/s400/IMG_6659.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;LO ESTRECHO DE LA VICTORIA Y LA CANTIDAD DE DENUNCIAS DE ABUSOS Y DE IRREGULARIDADES LLAMAN A LA TRANSPARENCIA TOTAL DEL PROCESO. LOS VENEZOLANOS DE NUEVA YORK EXIGEN QUE SE CUENTE CADA VOTO O QUE SE LLAME A NUEVA ELECCION EN CASO DE COMPROBARSE IRREGULARIDADES.&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://3.bp.blogspot.com/-ZuzFeNm-2i8/UW3TgbjiL_I/AAAAAAAARKo/97eTnNGYgyY/s1600/IMG_6705.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="277" src="http://3.bp.blogspot.com/-ZuzFeNm-2i8/UW3TgbjiL_I/AAAAAAAARKo/97eTnNGYgyY/s400/IMG_6705.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Este es el primer paso en la agenda de la comunidad venezolana organizada por la democracia, la justicia y el progreso en Venezuela. La comunidad se declara activa en la defensa del voto y la derrota del fraude del gobierno de facto de Venezuela.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Venezuela ha sido sumida en una crisis de repercusiones inimaginables por los abusos de un régimen que ha secuestrado el aparato republicano y que pretende seguir dilapidando el patrimonio colectivo usurpando sus funciones. Esto debe acabar.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://2.bp.blogspot.com/-VRm28-BzwzU/UW3Tfq73WkI/AAAAAAAARKg/L4reBevIx5M/s1600/IMG_6702.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://2.bp.blogspot.com/-VRm28-BzwzU/UW3Tfq73WkI/AAAAAAAARKg/L4reBevIx5M/s400/IMG_6702.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;En las elecciones del 14 de abril el 94% de los venezolanos de la región servida por el Consulado de NYC ( 7 estados aledaños) votaron por Henrique Capriles y ahora esa comunidad le exige al consulado venezolano que les represente y que tramite esta demanda colectiva de conteo manual de los votos de las recién finalizadas elecciones presidenciales entre Henrique Capriles y Nicolas Maduro ante el CNE y los organismos competentes.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://4.bp.blogspot.com/-3OC_KeOYx6U/UW3TW_LhZbI/AAAAAAAARJg/trDDw1hJdZY/s1600/IMG_6672.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-3OC_KeOYx6U/UW3TW_LhZbI/AAAAAAAARJg/trDDw1hJdZY/s400/IMG_6672.jpg" width="300" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;También le hace un llamado a todos los venezolanos del mundo para que se organicen y convoquen manifestaciones ante los consulados Y embajadas de sus respectivos países y ante los organismos internacionales pertinentes.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Los venezolanos del mundo repudiamos el fraude y el abuso sistemático aplicado por el régimen para mantenerse en el poder desconociendo la voluntad popular expresada en el voto el pasado 14 de Abril.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Vean este video también tomado hoy durante la protesta en NYC.&lt;/span&gt;&lt;br /&gt;
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&lt;iframe allowfullscreen="" frameborder="0" height="253" src="http://www.youtube.com/embed/ZWB8QzpnERY" width="450"&gt;&lt;/iframe&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Para mas fotos visita la galería &amp;gt;&lt;a href="https://picasaweb.google.com/116495537112396712488/VENEZOLANSENNYCEXIGENAUDITORIAYCONTEOVOTOAVOTOAPOYANDOACAPRILES?authuser=0&amp;amp;feat=directlink" target="_blank"&gt; Venezolanos&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;FOTOGRAFIA Y VIDEO DE ALEX GUERRERO ®2013&lt;/span&gt;&lt;/div&gt;
&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/PcOYGby6RKM" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/PcOYGby6RKM/venezolans-en-nyc-rechazan-fraude.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-KhdMf-bgOsU/UW3TZgn_nCI/AAAAAAAARJw/A--JxuaRVy0/s72-c/IMG_6676.JPG" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/04/venezolans-en-nyc-rechazan-fraude.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-6975488317892415919</guid><pubDate>Sun, 14 Apr 2013 21:58:00 +0000</pubDate><atom:updated>2013-04-14T18:10:22.598-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">politica</category><category domain="http://www.blogger.com/atom/ns#">COMUNIDAD</category><category domain="http://www.blogger.com/atom/ns#">capriles</category><category domain="http://www.blogger.com/atom/ns#">14 abril</category><category domain="http://www.blogger.com/atom/ns#">presidenciales</category><category domain="http://www.blogger.com/atom/ns#">mud</category><category domain="http://www.blogger.com/atom/ns#">latam</category><category domain="http://www.blogger.com/atom/ns#">henrique capriles</category><category domain="http://www.blogger.com/atom/ns#">venezuela</category><category domain="http://www.blogger.com/atom/ns#">ve</category><category domain="http://www.blogger.com/atom/ns#">politics</category><title>VENEZUELA VOTA POR EL CAMBIO! </title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-SpcxpclnJmI/UWsaZHQ_blI/AAAAAAAARIM/37M8Wcju-sc/s1600/IMG_6636.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://3.bp.blogspot.com/-SpcxpclnJmI/UWsaZHQ_blI/AAAAAAAARIM/37M8Wcju-sc/s400/IMG_6636.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Hoy se elige nuevo presidente en Venezuela. Hoy comienza una nueva era que esperamos sea liderada por Henrique Capriles. Es lo menos que merece ese pedacito de tierra en el norte de América del Sur. Se reportan más de un millón de venezolanos viviendo fuera del país.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;
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&lt;a href="http://1.bp.blogspot.com/-Wwa4Fbdg2jo/UWsaR5cK9QI/AAAAAAAARHc/OHBFzrsjdMw/s1600/IMG_6602.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-Wwa4Fbdg2jo/UWsaR5cK9QI/AAAAAAAARHc/OHBFzrsjdMw/s400/IMG_6602.JPG" width="323" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;De ellos, un poco más cien mil están inscritos para ejercer el voto. Los venezolanos (as) están presentes en todos los paises del mundo pero Estados Unidos alberga a la comunidad más grande, seguido de España.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
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&lt;a href="http://1.bp.blogspot.com/-ivFofZK1ODs/UWsaV95tywI/AAAAAAAARH0/dOrFPQNELfY/s1600/IMG_6631.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="288" src="http://1.bp.blogspot.com/-ivFofZK1ODs/UWsaV95tywI/AAAAAAAARH0/dOrFPQNELfY/s400/IMG_6631.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Nueva York cuenta con unos 3,600 venezolanos registrados para votar. En las elecciones del pasado 7 de Octubre votaron unos 2.500 electores. Hoy, Abril 14, alrededor de las 2pm ya habían votado un poco más de 1.500 electores, con un flujo permanente pero no abultado de electores.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
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&lt;a href="http://2.bp.blogspot.com/-c9QGsALHcog/UWsaTCxd1cI/AAAAAAAARHk/cj5a-5TyDrk/s1600/IMG_6604.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-c9QGsALHcog/UWsaTCxd1cI/AAAAAAAARHk/cj5a-5TyDrk/s400/IMG_6604.JPG" width="300" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Los mayores canales Latinos estaban presentes cubriendo el evento y haciendo entrevistas. Estas son algunas de las fotos que tomé hace un par de horas. El apoyo a Capriles está presente. Esperamos celebrar y mostrarles más fotos mas tarde!. HOY GANA VENEZUELA. CAPRILES PRESIDENTE.&lt;/span&gt;&lt;br /&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;/span&gt;&lt;embed flashvars="host=picasaweb.google.com&amp;amp;hl=en_US&amp;amp;feat=flashalbum&amp;amp;RGB=0x000000&amp;amp;feed=https%3A%2F%2Fpicasaweb.google.com%2Fdata%2Ffeed%2Fapi%2Fuser%2F116495537112396712488%2Falbumid%2F5866811743408604497%3Falt%3Drss%26kind%3Dphoto%26hl%3Den_US" height="267" pluginspage="http://www.macromedia.com/go/getflashplayer" src="https://picasaweb.google.com/s/c/bin/slideshow.swf" type="application/x-shockwave-flash" width="400"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/zdkrFCVEtqs" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/zdkrFCVEtqs/venezuela-vota-por-el-cambio.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-SpcxpclnJmI/UWsaZHQ_blI/AAAAAAAARIM/37M8Wcju-sc/s72-c/IMG_6636.JPG" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/04/venezuela-vota-por-el-cambio.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-3791773061253952737</guid><pubDate>Sun, 14 Apr 2013 08:06:00 +0000</pubDate><atom:updated>2013-04-14T04:16:45.486-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">alternativa democratica</category><category domain="http://www.blogger.com/atom/ns#">COMUNIDAD</category><category domain="http://www.blogger.com/atom/ns#">capriles</category><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">latam</category><category domain="http://www.blogger.com/atom/ns#">venezuela</category><category domain="http://www.blogger.com/atom/ns#">politics</category><title>CUANDO VENEZUELA CAMBIO EL RUMBO DE LA HISTORIA</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-I4uFWoAkcjU/UWpdth-jLII/AAAAAAAARFg/rwzuAkGizr4/s1600/IMG_6586.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://1.bp.blogspot.com/-I4uFWoAkcjU/UWpdth-jLII/AAAAAAAARFg/rwzuAkGizr4/s400/IMG_6586.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Ha sido una temporada muy intensa para Venezuela. Este 14 de Abril se 'escoge' un nuevo presidente después de 14 años del régimen autocrático chavista. Si la avalancha de votos hace imposible otro fraude del castro-chavismo y si la alternativa democrática realmente se enfrenta al poder omnipresente del estado, Venezuela 'escogerá', de hecho, un nuevo presidente:&amp;nbsp;Henrique Capriles. Y un nuevo futuro. Así también, la historia del mundo ya no será la misma.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Estados Unidos alberga la más grande comunidad de venezolanos fuera del país y Nueva York concentra una de sus grupos más activos. Solo esta semana se organizó Una Luz para Venezuela, una vigilia mundial por las víctimas de la violencia en el país. Además, al Arepazo Mundial que unió a todos los venezolanos del mundo, un grupo de venezolanos de Nueva York se reunieron en Times Square para cantarle a Venezuela, invitar al voto y apoyar la propuesta de Henrique Capriles un día antes de las elecciones.&lt;/span&gt;&lt;br /&gt;
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&lt;a href="http://3.bp.blogspot.com/-MsF1XyVldxQ/UWpfkUto8ZI/AAAAAAAARGY/P7-kyUgOte4/s1600/IMG_6501.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-MsF1XyVldxQ/UWpfkUto8ZI/AAAAAAAARGY/P7-kyUgOte4/s400/IMG_6501.JPG" width="300" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Estas son algunas de las fotos y un video de la semana. Todos aqui desde Nueva York apoyamos la propuesta de Henrique Caporiles. La situación es difícil y exige medidas inmediatas, pero la energía democrática de Venezuela proveerá lo necesario para superar y recuperar tanto tiempo perdido. Venezuela merece esto y mucho más. Venezuela Gana!.  La Sexta República es una República Progresista!.&amp;nbsp;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/IZ5SAE8KIgA" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/IZ5SAE8KIgA/la-semana-cuando-venezuela-cambio-el.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-I4uFWoAkcjU/UWpdth-jLII/AAAAAAAARFg/rwzuAkGizr4/s72-c/IMG_6586.JPG" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/04/la-semana-cuando-venezuela-cambio-el.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-542426959031014214</guid><pubDate>Fri, 12 Apr 2013 19:47:00 +0000</pubDate><atom:updated>2013-04-12T15:47:37.386-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">COMUNIDAD</category><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">gun control now</category><category domain="http://www.blogger.com/atom/ns#">NRA</category><category domain="http://www.blogger.com/atom/ns#">gun control;</category><category domain="http://www.blogger.com/atom/ns#">armas</category><category domain="http://www.blogger.com/atom/ns#">actualidad</category><category domain="http://www.blogger.com/atom/ns#">control de armas</category><category domain="http://www.blogger.com/atom/ns#">politics</category><title>GONE CONTROL LEGISLATION MOVES FORWARD IN WASHINGTON</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-l0cb-2i7LJE/UPnu-WFLh5I/AAAAAAAAP0I/7FIdxa68e_o/s1600/photo-8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="266" src="http://3.bp.blogspot.com/-l0cb-2i7LJE/UPnu-WFLh5I/AAAAAAAAP0I/7FIdxa68e_o/s400/photo-8.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;They deserve a vote and they got one. The Senate voted (68 to 31)&amp;nbsp;to begin debating a bill of gun control. Despite being supported by more than 90 % of all Americans and nearly as many gun-owning Americans, the NRA's opposition to common sense solutions is making it harder for Congress to get some legislation done.&lt;br /&gt;The vote to proceed to the measure comes just one day after Sens. Joe Manchin (D-WV) and Pat Toomey (R-PA) announced a bipartisan agreement to require background checks for gun sales at gun shows and online websites. Under their amendment, sales of firearms in these venues will be treated in the same way as gun purchases at federally licensed gun shops: individuals will have to undergo background checks that will be recorded with a federal licensed dealer. “All personal transfers are not touched whatsoever,” Manchin said.&lt;br /&gt;As Congress considers the measure and conservatives led by Sens. Ted Cruz (R-TX), Mike Lee (R-UT), and Rand Paul (R-KY) try to slow down debate, ThinkProgress put together this guide to the myths and misinformation surrounding background checks. Take a look:&lt;br /&gt;&lt;br /&gt;MYTH&lt;br /&gt;Background checks are ineffective and restrictive. Checks “would significantly restrict the rights of law-abiding Americans while doing little or nothing to protect against further gun violence.” [Sen. Mike Lee, 4/9/2013]&lt;br /&gt;&lt;br /&gt;REALITY&lt;br /&gt;Ninety percent of background checks can be completed in less than two minutes and the Manchin-Toomey proposal would expedite the process. Under the amendment, if a background check at a gun show does not result in a definitive response within 48 hours, the sale may proceed. After four years, the background check would be required to be conducted in 24 hours. Background checks have already contributed to violence reduction. In the 14 states and Washington D.C. that require background checks for private handgun sales (including Toomey’s home state of Pennsylvania): 38 percent fewer women are shot to death by intimate partners, 17 percent fewer firearms are involved in aggravated assaults, and 48 percent less gun trafficking.&lt;br /&gt;&lt;br /&gt;MYTH&lt;br /&gt;Criminals will avoid background checks. “My problem with background checks is, you’re never going to get criminals to go through universal background checks.” [Wayne LaPierre, 1/30/2013]&lt;br /&gt;&lt;br /&gt;REALITY&lt;br /&gt;From 1999 to 2009, 1.8 million people were blocked from purchasing guns after failing a background check because they had criminal records or suffered from mental illness. In fact, Seung Hui Cho, the shooter at Virginia Tech and Jared Loughner, who targeted Gabby Giffords, both obtained their guns legally and slipped through the cracks of the existing background check system. The Manchin-Toomey bill addresses this by encouraging states to provide their available records into the federal database and directing future grant money towards creating systems to send records into the database. The bill will also reduce federal funds to states that do not comply.&lt;br /&gt;&lt;br /&gt;MYTH&lt;br /&gt;Background checks will lead to a gun registry. “The Democrats’ proposed legislation would require universal background checks for private sales between law-abiding citizens, which according to DOJ would be effective only if accompanied by a national gun registry. ” [Sen. Ted Cruz, 4/9/2013]&lt;br /&gt;&lt;br /&gt;REALITY&lt;br /&gt;Federally licensed gun dealers have conducted background checks for more than 40 years without ever creating a national gun registry, which federal law specifically prohibits. Under this agreement, federal dealers would conduct screenings for private sellers and keep the record; the federal government would not. When a gun is recovered at a violent crime, law enforcement can use the records to track down the perpetrator. All information identifying the buyer generated by the background check would be destroyed by law enforcement within 24 hours. The Manchin-Toomey amendment explicitly bans the federal government from creating a registry in three different places and treats the misuse of records for the pursue of creating a registry as a felony punishable by 15 years in prison.&lt;br /&gt;&lt;br /&gt;MYTH&lt;br /&gt;Background checks wouldn’t have prevented Newtown. “The reality is, when you look at the tragedy of Newtown, nothing that’s been proposed would have any effect on that at all.” [Sen. John Boozman, 4/10/2013]&lt;br /&gt;&lt;br /&gt;REALITY&lt;br /&gt;As Toomey admitted during a press conference announcing the measure, background checks will not prevent every gun crime, but they can keep hundreds of thousands of people who shouldn’t have weapons from obtaining them. For instance, it’s estimated that 62 percent of private gun sellers on the Internet and 63 percent of private sellers at gun shows have agreed to sell a firearm to buyers who said they probably couldn’t pass a background check. More than 6.6 million gun sales were transferred in 2012 without a criminal background check and a survey of prisoners who committed crimes with handguns found nearly 80 percent of them acquired their firearm from a person who was not a licensed dealer.&lt;br /&gt;&lt;br /&gt;MYTH&lt;br /&gt;Obama isn’t prosecuting people who fail background checks. “[T]he Obama Administration has failed to make this a priority — in 2010, out of more than 15,700 fugitives and felons who tried to illegally purchase a firearm, the Obama Justice Department prosecuted only 44.” [Sen. Ted Cruz, 3/28/2013]&lt;br /&gt;&lt;br /&gt;REALITY&lt;br /&gt;Federal firearm prosecutions has remained steady, varying by no more than 5 percent each year, data from the Department of Justice reveals. Republicans and the NRA specifically cherry pick prosecutions for background checks to imply that the Obama administration has stopped enforcing existing law, though it has gone after gun-related crimes at the same rate as its predecessors. Law enforcement officials often see these cases as a poor use of resources because prosecutors must prove that “the person knew they were lying when they tried to purchase the firearm” in order to secure a conviction which “usually carries a maximum sentence of just six months.”&lt;br /&gt;&lt;br /&gt;MYTH&lt;br /&gt;Obama isn’t enforcing the laws on the books. “It’s not about new gun laws; it’s about enforcing the ones we have.” [Rep. Mark Meadows (R-NC), 4/4/2013]&lt;br /&gt;&lt;br /&gt;REALITY&lt;br /&gt;The laws on the books are inadequate. Criminals and mentally ill individuals can buy guns at gun shows or online and many who go through a federally licensed dealer often slip through the cracks because states are not putting records into the NICS system. In fact, following the Newtown tragedy, the NRA successfully attached riders to the resolution funding the government through September that limited enforcement tools against crooked dealers and interfered with ATF gun trace reports. That’s why the Manchin-Toomey bill expands checks and improves the existing system.&lt;br /&gt;&lt;br /&gt;MYTH&lt;br /&gt;Background checks are an invasion of privacy. “You just worry that you’re going to see searches of the databases and an expansion for purposes that were not intended when the information was collected.” [ACLU, 4/4/2013]&lt;br /&gt;&lt;br /&gt;REALITY&lt;br /&gt;Federally licensed gun dealers have successfully performed millions of background checks without violating personal privacy and Americans disclose personal information to the DMV or the IRS and their data is successfully walled off from nefarious uses.&lt;/span&gt;&lt;br /&gt;&lt;div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;For more info, please visit &amp;gt; &amp;nbsp;&lt;a href="http://thinkprogress.org/politics/2013/04/10/1845721/your-essential-guide-to-the-background-check-debate/" target="_blank"&gt;Think Progress&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/PjoHJDMJEwM" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/PjoHJDMJEwM/gone-control-legislation-moves-forward.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-l0cb-2i7LJE/UPnu-WFLh5I/AAAAAAAAP0I/7FIdxa68e_o/s72-c/photo-8.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/04/gone-control-legislation-moves-forward.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-2762677417048419588</guid><pubDate>Fri, 12 Apr 2013 19:45:00 +0000</pubDate><atom:updated>2013-04-12T16:02:07.297-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">cinema</category><category domain="http://www.blogger.com/atom/ns#">cine</category><category domain="http://www.blogger.com/atom/ns#">cine latino</category><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">hnyff</category><category domain="http://www.blogger.com/atom/ns#">FILM FESTIVAL</category><category domain="http://www.blogger.com/atom/ns#">film</category><category domain="http://www.blogger.com/atom/ns#">hava new york</category><category domain="http://www.blogger.com/atom/ns#">cuna</category><title>19 PELICULAS BUSCAN EL HAVANA STAR PRIZE 2013 EN NYC</title><description>&lt;br /&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;Son diecinueve las películas que competirán por el Havana Star Prize por Mejor Película, Mejor Director, Mejor Guión y Mejor Documental durante en Havana New York Film Festival 2013 que comienza este Abril 12 en Nueva York y que se extiende hasta el próximo 19 del corriente.&lt;br /&gt;Las 19 películas seleccionadas, entre las más de 40 películas que participarán en el festival, provienen de Argentina, Brazil, Colombia, Costa Rica, Cuba, Chile, Mexico, Estados Unidos, España y Venezuela. Muchos de los directores viajarán a Nueva York para presentar sus funciones.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Las películas en competencia por el Havana Star Prize de Ficción son:&amp;nbsp;&lt;/b&gt;&lt;br /&gt;* PAISAJES DEVORADOS. &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;NY Premiere&lt;br /&gt;&lt;br /&gt;Dir. Eliseo Subiela. 2012. Argentina. Fiction. 75min. En este documental de ficción, tres estudiantes de cine investigan a un hombre internado en un manicomio que dice haber sido director de cine en los años 60s.&lt;br /&gt;&lt;br /&gt;* FEBRE DO RATO. &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;NY Premiere&lt;br /&gt;&lt;br /&gt;Dir. Claudio Assis. 2011. Brazil.Fiction.110min. Una historia de amor y libertad en la ciudad tropical de Recife, Brasil. Zizo, un poeta anarquista, se enamora de la sobria Eneida, mientras que sus amigos sucumben en drogas, sexo y otras actividades hedonistas.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;* A CADEIRA DO PAI. &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;NY Premiere&lt;br /&gt;&lt;br /&gt;Dir. Luciano Moura. 2012. Brazil. Fiction.93min. El fin de semana de su 15° cumpleaños, Pedro se va de viaje y desaparece. Su padre parte en su búsqueda, y en el proceso vive una transformación interna.&lt;br /&gt;&lt;br /&gt;* LAS COSAS COMO SON. &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; NY Premiere&lt;br /&gt;&lt;br /&gt;Dir. Fernando Lavanderos. 2012. Chile.Fiction.93min. Jerónimo es un chico antisocial que renta habitaciones a extranjeros. A su casa llega Sanna, una hermosa chica nórdica que le trae sentido a su vida. Cuando Jerónimo intenta conquistarla surgen sospechas al descubrir que esconde algo en la casa, despertando sus peores temores.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;* SANANDRESITO. &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;NY Premiere&lt;br /&gt;&lt;br /&gt;Dir. Alessandro Angulo Brandestini.2012.Colombia.Fiction.90min. Tenorio es un agente de policía que trabaja en Sanandresito. Su vida cambia abruptamente cuando se ve falsamente involucrado en el asesinato de una joven cuyo cadáver aparece en la camioneta policial que él conduce.&lt;br /&gt;&lt;br /&gt;* LA SIRGA. &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; NY Premiere&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Dir. William Vega. 2012. Colombia-Francia.Fiction.88min. Desplazada por el conflicto armado, Alicia trata de rehacer su vida en La Sirga, un hostal descuidado en las alturas de los Andes. Allí, en una playa lodosa, mientras trata de comenzar de nuevo su temor por la violencia resurge.&lt;br /&gt;&lt;br /&gt;* TR3S MARIAS. &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;NY Premiere&lt;br /&gt;&lt;br /&gt;Dir.Francisco González. 2012. Costa Rica. Fiction.92min. En un barrio cualquiera, que podría ser el de cualquier ciudad del mundo, conviven las personas con sus decisiones, tristezas, problemas y alegrías. Tres mujeres, con sus tres historias, definen un entramado de vidas que forman parte de una sola red.&lt;br /&gt;&lt;br /&gt;* UN MUNDO SECRETO. &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; NY Premiere&lt;br /&gt;&lt;br /&gt;Dir. Gabriel Mariño. 2012. Mexico.Fiction.87min. El último día de clases de María abandona Cudad de México para comenzar un viaje de descubrimiento.&lt;br /&gt;&lt;br /&gt;* TODO EL MUNDO TIENE A ALGUIEN MENOS YO. &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;NY Premiere&lt;br /&gt;&lt;br /&gt;Dir. Raúl Fuentes. 2012. Mexico.Fiction.100min. Alejandra es una ejecutiva exitosa. María es una adolescente llena de energía que vive su vida sin límites. Cuando los caminos de estas dos mujeres se Cruzan, se inicia una tormentosa relación.&lt;br /&gt;&lt;br /&gt;*BRECHA EN EL SILENCIO. &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;NY Premiere&lt;br /&gt;&lt;br /&gt;Dir. Luis &amp;amp; Andrés Rodríguez. 2012. Venezuela. Fiction.91min. Ana ha pasado sus años trabajando y soportando los abusos de su padrastro y una madre indiferente. Su discapacidad auditiva la ha marginado del mundo. Incapaz de resignarse a que sus hermanos sufran el mismo destino, Ana decide salvarlos.&lt;br /&gt;&lt;br /&gt;* IRREMEDIABLEMENTE JUNTOS. &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;NY Premiere&lt;br /&gt;Dir. Jose Luis Sánchez G. 2012.Cuba.Fiction.119min. A través de la música y el baile transcurre el drama de Liz y Alexander. Sus respectivas familias se oponen de manera implacable a su amor, lo cual los obligará a tomar una decisión tan radical que, sin proponérselo, pondrá en crisis los valores con los que han crecido.&amp;nbsp; &lt;br /&gt;&lt;br /&gt;* AMOR CRÓNICO. &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;NY Premiere&lt;br /&gt;&lt;br /&gt;Dir. Jorge Perugorría.2012.Cuba.Fiction.83min. Acompaña a CuCu Diamantes, la vibrante cantante cubana radicada en Nueva York, durante su gira por Cuba.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Las películas en competencia por el Havana Star Prize de Documental son:&amp;nbsp;&lt;/b&gt;* EL ETNÓGRAFO. &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;NY Premiere&lt;br /&gt;&lt;br /&gt;Ulises Rosell. 2012. Argentina. Documentary. 85min. Treinta años atrás, el Dr. John Palmer llegó desde Oxford con un doctorado en antropología a la comunidad de los Wichí en Argentina para estudiar su cultura. Hoy en día, convive con Tojueia, una joven mujer aborigen con la que ha tenido cinco hijos.&lt;br /&gt;&lt;br /&gt;* SIBILA. &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;NY Premiere&lt;br /&gt;&lt;br /&gt;Dir. Teresa Arredondo. 2012. Chile/Spain.Documentary.96min. Sibila es un viaje que construye el presente mirando al pasado. Es también el encuentro entre dos generaciones que buscan dialogar.&lt;br /&gt;&lt;br /&gt;* ERGONOMIA PARA DIANA. &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;NY Premiere&lt;br /&gt;&lt;br /&gt;Dir. Marcos Machado. 2012. Costa Rica. Documentary. 52min. Una niña llamada Diana hereda la sordera de los Monge. Ahora debe encontrar la manera de volver a escuchar, sin embargo encontrar el audífono mas adecuado no es tarea fácil.&lt;br /&gt;&lt;br /&gt;* HAVANA HAVANA!&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;NY Premiere&lt;br /&gt;Dir. David Grubin. 2012. Cuba/USA.Documentary.52min. El famoso músico cubano Raúl Paz reúne a las estrellas musicales Descemer Bueno, Kelvis Ochoa y David Torrens en un concierto en La Habana. Todos ellos dejaron Cuba años atrás y su decisión de regresar refleja el cambio de las relaciones de Cuba con el mundo.&lt;br /&gt;&lt;br /&gt;*A MI LADO&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;NY Premiere&lt;br /&gt;&lt;br /&gt;Dir. Jean-Cosme Delaloye. 2012. Nicaragua/USA.Documentary.95min. Algunas madres ponen a sus hijos primero, otras no. Para sobrevivir en el basural de la Chureca, tres jóvenes mujeres tendrán que determinar si sus madres son sus mejores aliadas o sus peores enemigas.&lt;br /&gt;&lt;br /&gt;*EL MISTERIO DE LAS LAGUNAS&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;NY Premiere&lt;br /&gt;&lt;br /&gt;Dir. Atahualpa Lichy. 2012. Venezuela. Documentary. 92min. Los llamados "pueblos del sur" en los Andes venezolanos resguardan comunidades que se han mantenido aisladas de la civilización permitiendo conservar sus tradiciones, pero esto se está viendo amenazado por los avances tecnológicos.&lt;br /&gt;&lt;br /&gt;Para más información sobre el Havana Film Festival New York visite &amp;gt;&amp;nbsp;&lt;a href="http://r20.rs6.net/tn.jsp?e=001Pa0dhYfUMR67JzI2qHlRoR4EzP4mF0c38A8HRaizOpDotqTF5vpWx4kDBkSiSI9oOxzqugp6D-xeNx98jf7pU68FnRB2-nlXbwlvaJNdpjY="&gt;www.HFFNY.com&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/ngdZBuxTUWg" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/ngdZBuxTUWg/19-peliculas-buscan-el-havana-star.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-Nrx_SPqb-WQ/UWd8W7bTaBI/AAAAAAAAREY/Aw4ScJ-uMpU/s72-c/hnyff.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/04/19-peliculas-buscan-el-havana-star.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-6143242784149490256</guid><pubDate>Thu, 11 Apr 2013 19:19:00 +0000</pubDate><atom:updated>2013-05-22T11:06:23.364-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">icp</category><category domain="http://www.blogger.com/atom/ns#">moma</category><category domain="http://www.blogger.com/atom/ns#">picasso</category><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">conciertos</category><category domain="http://www.blogger.com/atom/ns#">velasquez</category><category domain="http://www.blogger.com/atom/ns#">Solar</category><category domain="http://www.blogger.com/atom/ns#">art</category><category domain="http://www.blogger.com/atom/ns#">gutai</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">MUSEO DEL BARRIO</category><category domain="http://www.blogger.com/atom/ns#">piero della francesca</category><category domain="http://www.blogger.com/atom/ns#">ascoa</category><category domain="http://www.blogger.com/atom/ns#">GUGGENHEIM</category><category domain="http://www.blogger.com/atom/ns#">whitney museum</category><category domain="http://www.blogger.com/atom/ns#">calendario</category><category domain="http://www.blogger.com/atom/ns#">borges y solar</category><category domain="http://www.blogger.com/atom/ns#">CALENDARIOS</category><category domain="http://www.blogger.com/atom/ns#">arte</category><title>NY ESSENTIALS : TOP ART SPRING 2013</title><description>&lt;br /&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;PRIMAVERA!!!!!!! y Top Art es la perfecta combinación para una temporada plena en Nueva York. Aqui les tengo las recomendaciones actualizadas para el resto de la temporada: Velasquez en todo su gloria se presenta en el Museo Metropolitano; La relación entre Solar y Borges se analiza en la Americas Society y&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Superreal continua en&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;El Museo del Barrio&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;El Museo del Bronx celebra sus 40 años de fundado con Honey, I Rearranged The Collection;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;American Legends: From Calder to O’Keeffe&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;sigue en&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;el Whitney y las fotografías de CHIM aún se pueden ver&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;en el ICP&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;. En el Guggenheim sigue Gutai y en el Frick veremos a Piero della Francesca, figura fundacional del Renacimiento. La Galería Magnan Metz presenta a Alexandre Arrechea al aire libre, en el Mall de la Park Avenue.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;También siguen:&amp;nbsp;Picasso Black and White, presentando una faceta poco conocida del maestro español, se encuentra ahora en Houston; El icónico The Scream de Edvard Munch en el MoMA y Manolo Valdés sigue en el Jardín Botánico.&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;b&gt;Velázquez's Portrait of Francesco I d'Este&amp;nbsp;&lt;/b&gt;&amp;gt; A Masterpiece from the Galleria Estense, Modena&lt;/span&gt;&amp;nbsp;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;gt; April 16–July 14 &amp;gt; Met Museum &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://METMUSEUM.ORG/" style="font-size: x-large;"&gt;Velazquez&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://4.bp.blogspot.com/-wdkdtleB_vE/UTJVa-kIFNI/AAAAAAAAQ24/lglt4FtieR8/s1600/Velazquez_poster.jpg" style="font-size: x-large; margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-wdkdtleB_vE/UTJVa-kIFNI/AAAAAAAAQ24/lglt4FtieR8/s400/Velazquez_poster.jpg" style="cursor: move;" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, 1599–1660). Duke Francesco I d'Este, 1638. Oil on canvas. Galleria Estense, Modena © su concessione del Ministero per i Beni e le Attività Culturali.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Among the most distinctive portraits by Diego Velázquez is one he painted of Francesco I d'Este (1610–58), the Duke of Modena, during the duke's visit to Madrid in 1638 to secure the support of Philip IV. The duke is shown in armor, wearing a red sash, his head turned toward the viewer. It is a work that conveys a quality of arrogance and sensuality, and is a high watermark in the history of baroque portraiture, while also illustrating the importance of Velázquez's portraits to Spanish diplomacy. In 1843 the painting was acquired by the Galleria Estense—one of the most prestigious of Italy's regional museums—in Modena, Italy, and it has never before been lent to an institution in the United States. This special, three-month loan coincides with the re-installation of the Metropolitan's collection of Old Master paintings. It not only makes accessible to an American public one of the least known of Velázquez's works, but also calls attention to the severe damage suffered throughout the Italian region of Emilia Romagna after a devastating earthquake in May 2012. The Galleria Estense has been temporarily closed due to the damage it sustained.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;b&gt;Xul Solar and Jorge Luis Borges: The Art of Friendship&amp;nbsp;&lt;/b&gt;&amp;gt; Abril 18 - Julio 20 &amp;gt; Americas Society Gallery &amp;gt;&amp;nbsp;&lt;a href="http://www.as-coa.org/xul-solar-and-jorge-luis-borges-art-friendship"&gt;ASG&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
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&lt;a href="http://1.bp.blogspot.com/-lNn2taqX5is/UWcFggJO-rI/AAAAAAAARD4/RyYkok8WrBY/s1600/Xul.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="305" src="http://1.bp.blogspot.com/-lNn2taqX5is/UWcFggJO-rI/AAAAAAAARD4/RyYkok8WrBY/s400/Xul.jpg" style="cursor: move;" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;This will be the first solo exhibition in New York dedicated to painter, writer, and occultist Xul Solar, born Oscar Agustín Alejandro Schulz Solari (1887-1963). The show will offer an in-depth examination of the public and private aspects of Solar's long friendship and vigorous exchange of ideas with famed writer and fellow Argentine Jorge Luis Borges. The central concept of the exhibition will explore how a friendship—a private, intimate affair—can affect public cultural and intellectual discourse. Solar and Borges' influences on each other led to groundbreaking artistic work produced by them individually and collaboratively. The exhibition will feature a selection of Xul Solar's exquisite early paintings as well as collaborative publications, translations, objects, and artistic interventions in books by the two friends. Public programs will include cross-disciplinary events and a panel discussion featuring Maria Kodama, Sergio Baur, Patricia Artundo, and Silvia Molloy, as well as poetry readings by Lila Zemborain and Cecilia Vicuña. Americas Society will also produce a fully illustrated publication to accompany the exhibition.&lt;br /&gt;Solar and Borges met in 1924 after both had independently traveled throughout Europe where they spent a decade after World War I, and returned to Buenos Aires just when a literary and artistic avant-garde movement was beginning to take hold. They were part of the circle of writers and artists associated with the avant-garde magazine Martin Fierro, which was active until 1927. The martinfierristas were part of the Argentine generation whose artistic and political efforts were focused on defining and exploring their national identity through cosmopolitan means. They embraced a universal identity linked to Europe, but also sought to establish a uniquely Argentine national identity grounded in the rural mythology of the gauchos, the iconic Argentine cattlemen. These concepts are central to Borges' early work. Solar's paintings include a number of nationalist symbols dating back to pre-Hispanic times as well as words from two languages he invented to be Argentine, yet universal. Another major theme in Solar’s work is spiritualism and fantasy. He developed a method of painting with watercolors and crayons which he used to create colorful and fantastical works that blended metaphysical ideas about the invisible world with his interests in constructing a national identity and reinventing language.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;Darned Bodies :&amp;nbsp;Josefina Concha&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&amp;gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Hasta Mayo 11 &amp;gt; Galería Praxis Art &amp;gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;a href="http://www.praxis-art.com/index.php?lang=en" style="font-size: x-large;"&gt;&amp;nbsp;Concha.&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;Nature is the main source of inspiration: its resemblance to the human body, the exuberance of color and form, the vulnerability of live matter, the visual and symbolic richness of the elements, these are the subjects which inspire this body of work. By accumulation and saturation, the thread acquires volume, giving birth to tridimensional forms and infinite shades of color.&lt;br /&gt;The sowing hands don’t try to control the shapes that they create, they become guardians of their quiet growth through the darning, allowing chance to intervene in the process.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;/span&gt;&lt;b style="font-size: x-large;"&gt;superreal: alternative realities in photography and video&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;&amp;gt; Museo de El Barrio &amp;gt; Hasta Mayo 19 &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.elmuseo.org/en/event/superreal-alternative-realities-photography-and-video" style="font-size: x-large;"&gt;superrea&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;l.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;This exhibition explores the layered meanings and interpretations of the real as it is represented in photography and video art. Drawing on the presentation of the landscape, the human figure, the world of architecture, various objects and natural phenomena, these images explore alternative realities despite their use of the photographic or video image, traditionally understood as a reflection of actuality. superreal features works that challenge the notion of the camera’s lens as presenting visual accuracy and explores the subversion of narrative form, the creation of a parallel reality, surreal or super-real encounters with objects, people and environments. Partial, hidden, or enigmatic meanings are explored by the artists gathered here. Iconic works by significant photographers and video artists are included along with newer works by younger artists. The incisive points of view and varied methodologies seen here allow the artists to create works that explore the limits of narrative form and its relationship to reality. The works, ranging in dates from the early 1960s to the present, reveal the various ways in which the real is emphasized and subverted, revealed and obscured.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Foto: Betsabee Romero (Mexico, 1963)Ayate con Perro (Ayate fabric with dog), 2005. Chromogenic print, 22 x 40 in. El Museo del Barrio, Gift of the artist and Ramis Barquet&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;b&gt;200 Años de Identidad: Visión del Arte Iberoamericano&lt;/b&gt;&amp;nbsp;&amp;gt; Hasta Abril 24 &amp;gt; Instituto Cervantes &amp;gt;&amp;nbsp;&lt;a href="http://nyork.cervantes.es/en/culture_spanish/activities_cultural_spanish.htm" target="_blank"&gt;200&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;El presente proyecto expositivo tiene como finalidad integrar la Cultura Iberoamericana en un solo lenguaje, destacando la identidad cultural. Una integración de España y las diversas culturas Hispanoamericanas. La presente muestra de arte esta conformada por un representante de cada país que gozando de prestigio y trayectoria artística, representará en el Bicentenario del tribunal Supremo de España.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;ALEXANDRE ARRECHEA : NO LIMITS&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;&amp;gt; Park Avenue Malls &amp;gt; Hasta Junio 9.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Rendering of the Seagream Building in Alexandre Arrechea's&lt;br /&gt;2013 No Limits series for Park Avenue Malls.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Playing on the idea of elastic architecture as a metaphor for the challenges and opportunities of shifting conditions and new realities, No Limits will present 10 massive sculptures embodying New York's most prominent buildings. Iconic landmarks represented will include: the Chrysler Building, Citicorp Center, Empire State Building, Flatiron building, Helmsley Building, MetLife Building, Metropolitan Life Insurance Company Tower, Seagram Building, Sherry Netherland, and US Courthouse. The sculptures, which will appear to roll, wind, and spin their way down Park Avenue from 53rd to 67th Street, will reach towering heights of up to 20 feet.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Throughout his work, artist Alexandre Arrechea uses sculpture, watercolor and video to ponder the idea of destabilizing traditional concepts held about icons and their function in society. The art is meant to create a dialogue with the public that raises questions of control, power, surveillance and one's role within these categories. Through iconic architectural buildings and urban spaces, Arrechea plays and entices the viewer to explore this concept.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;ALSO:&amp;nbsp;&lt;/span&gt;&amp;nbsp;&lt;b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Sofia Maldonado :&amp;nbsp;World Crisis&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;gt; Magnan Metz Gallery &amp;gt; Abril 25 - Junio 1.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;b&gt;Raw/Cooked: Marela Zacarias&lt;/b&gt;&amp;nbsp;&amp;gt; Brooklyn Museum &amp;gt; Hasta Abril 28 &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.brooklynmuseum.org/exhibitions/raw_cooked_zacarias/" style="font-size: x-large;"&gt;Zacarias&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;The second season of Raw/Cooked presents a series of four exhibitions by under-the-radar Brooklyn artists who have been invited by the Brooklyn Museum with support from Bloomberg to show their first major museum exhibitions. The artists are given the opportunity to work with the Museum’s collection and to display in spaces of their choosing, however unconventional.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;The four artists in the series were recommended by an advisory board of well-known Brooklyn artists, including Michael Joo, Paul Ramírez Jonas, Amy Sillman, and Mickalene Thomas, each of whom proposed several promising artists. Brooklyn Museum curator Eugenie Tsai made the final selections.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;The seventh exhibition in the Raw/Cooked series, titledSupple Beat, presents the work of Gowanus-based artist Marela Zacarias. Recommended by Ramírez Jonas, Zacarias has created four site-specific sculptural works inspired by the&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.brooklynmuseum.org/exhibitions/williamsburg_murals/" style="font-size: x-large;"&gt;Williamsburg Murals&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;, uniting her interests in abstract forms, the history of objects, and urban renewal. Her large-scale pieces appear to be climbing the walls of the Museum’s first-floor lobby and Great Hall, interacting with the architecture as if they were murals come to life. Zacarias draws on the concept of resilience implied by the Williamsburg Murals and explores the idea of bouncing back from adversity, relating to the history of the public housing project for which the murals were commissioned and the history of the works themselves. She constructs her unique sculptural forms from window screens and joint compound, which she then paints with original patterns. In Supple Beat, Zacarias’s patterns are inspired by the related murals’ unique color palettes and geometric forms. Born and raised in Mexico City, Zacarias has painted more than thirty large-scale public murals. She holds an MFA from Hunter College.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Foto: Marela Zacarias at work on 163–213 Manhattan. Photo courtesy of Pierce Jackson, 2013&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;b&gt;HONEY, I REARRANGED THE COLLECTION&amp;nbsp;&lt;/b&gt;&amp;gt; Celebrating 40 years &amp;gt; Hasta Junio 2 &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.bronxmuseum.org/index.php" style="font-size: x-large;"&gt;BRONX&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Created in 1986, the Bronx Museum Permanent Collection has assembled over the years a remarkable group of artworks that convey not only personal narratives but also incisive insights onto contemporary life. For this exhibition, we took inspiration from Allen Ruppersberg's ongoing series Honey, I rearranged the Collection initiated in 2000 and that puts in check the role of institutions, curators and collectors as the bearers of tradition and arbiters of taste. Overlaying different traditions, styles, and narratives, Honey, I rearranged the Collection presents an idea of museum as a restless play of combination.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Honey, I Rearranged the Collection features artworks from the 40th Anniversary's 40 Years, 40 Gifts campaign, which has received support from Ford Foundation and the Jacques and Natasha Gelman Trust, as well as individual funders.&lt;/span&gt;&lt;/div&gt;
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&lt;iframe bordercolor="#000000" frameborder="0" height="320" hspace="0" marginheight="0" marginwidth="0" scrolling="no" src="http://ad.doubleclick.net/adi/N7433.148119.BLOGGEREN/B6695283.3320;sz=320x320;ord=[timestamp]?;lid=41000613802463973;pid=sku2854196;usg=AFHzDLtfB9vxsiu79aQda-RHl_D5TKEs7w;adurl=http%253A%252F%252Fwww.samsclub.com%252Fsams%252Fcanon-eos-7d-18-0mp-digital-slr-camera-body-only%252Fprod2450230.ip%253Fpid%253D_DoubleClick_Affiliates%2526ci_src%253D15781033%2526ci_sku%253Dsku2854196;pubid=542085;imgsrc=http%3A%2F%2Fs7d2.scene7.com%2Fis%2Fimage%2Fsamsclub%2Fs7product%2F0001380311749_A.jpg;width=320;height=320" vspace="0" width="320"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;b&gt;Gutai: Splendid Playground&lt;/b&gt;&amp;nbsp;&amp;gt; Hasta Mayo 8 &amp;gt; Guggenheim Museum &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.guggenheim.org/new-york/exhibitions/upcoming/gutai-splendid-playground" style="font-size: x-large;"&gt;GUTAI&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Yoshihara Jirō. Circle, 1971. Oil on canvas 182 x 182 cm.&lt;br /&gt;The Miyagi Prefectural Museum of Art, Sendai, Japan&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Gutai: Splendid Playground, a retrospective of the Gutai Art Association (1954–72), the radically inventive and influential Japanese artistic collective whose innovative and playful approaches to installation and performance yielded one of the most important international avant-garde movements to emerge after World War II. Based on fifteen years of research, Gutai: Splendid Playground provides a critical examination of both iconic and lesser-known examples of the collective's dynamic output over its two decade history and explores the full spectrum of Gutai’s creative production: painting, performance, installation art, sound art, experimental film, kinetic art, light art, and environment art. Gutai: Splendid Playground is the first North American museum exhibition devoted to the Gutai group and offers a comprehensive interpretation of the convention-defying movement.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;The exhibition also includes documentary films of the group’s historic outdoor exhibitions and stage events and offers a focus on their eponymous journal as a platform for international artistic exchange. A centerpiece of Gutai: Splendid Playground is a site-specific commission of Work (Water)(1956/2011) by the late Motonaga Sadamasa. Prior to his death in 2011, Motonaga reimagined his iconic early Gutai outdoor installation, made of plastic tubes filled with colored water, for the Guggenheim rotunda.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&lt;b&gt;&amp;nbsp;Piero della Francesca in America&lt;/b&gt;&amp;nbsp;&amp;gt; Hasta Mayo 19 &amp;gt; The Frick Collection &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.frick.org/" style="font-size: x-large;"&gt;PIERO&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Piero della Francesca (c. 1411/13–1492), Madonna and Child Attended by Angels, c. 1470s, oil (and tempera?) on wood transferred from panel, The Sterling and Francine Clark Art Institute&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Revered in his own time as a "monarch" of painting, Piero della Francesca (1411/13–1492) is acknowledged today as a founding figure of the Italian Renaissance. The Frick Collection will present the first monographic exhibition in the United States dedicated to the artist. It brings together seven works by Piero della Francesca, including six panels from the Sant'Agostino altarpiece — the largest number from this masterwork ever reassembled. They will be joined by the Virgin and Child Enthroned with Attendant Angels, his only intact altarpiece in this country. Piero della Francesca in America is organized by guest curator and former Andrew W. Mellon Fellow Nathaniel Silver. The related catalogue will include essays by James Banker, Professor Emeritus, North Carolina State University; Machtelt Israëls, Guest Researcher, University of Amsterdam; Elena Squillantini, masters candidate, Università degli Studi di Firenze; and Giacomo Guazzini, doctoral candidate, Scuola Normale Superiore di Pisa.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Exclusive to the Frick, where it will be shown in the Oval Room, this important exhibition will also be accompanied by a rich and varied schedule of lectures, gallery talks, and seminars.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;b&gt;We Went Back: Photographs from Europe 1933–1956&lt;/b&gt;&amp;nbsp;by&amp;nbsp;&lt;b&gt;Chim&lt;/b&gt;&amp;nbsp;&amp;gt; Hasta Mayo 5 &amp;gt; ICP &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.icp.org/museum/exhibitions/upcoming" style="font-size: x-large;"&gt;CHIM&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://1.bp.blogspot.com/-g_oy4HChQKE/UO2xlM9qVwI/AAAAAAAAOtA/Z0TEUamhUV8/s1600/chim.jpg" style="font-size: x-large;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-g_oy4HChQKE/UO2xlM9qVwI/AAAAAAAAOtA/Z0TEUamhUV8/s400/chim.jpg" style="cursor: move;" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Chim, [Children playing on Omaha Beach, Normandy, France], 1947.&lt;br /&gt;© Chim (David Seymour), Magnum Photos.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;This retrospective exhibition traces the development of Chim's career as an intellectually engaged photojournalist, placing his life and work in the broader context of 1930s–50s photography and European politics. Born Dawid Szymin in Warsaw, Chim (who after WWII published under the name David Seymour) began his career in 1933 photographing for leftist magazines in Paris. In 1936, along with his friends Robert Capa and Gerda Taro, Chim traveled to Spain to photograph the civil war in support of the Republican side, publishing regularly in all the major European and American picture magazines. Chim was an astute observer of 20th-century European political affairs, workers' rights, and culture, from the beginnings of the antifascist struggle to the rebuilding of countries ravaged by World War II. The exhibition will showcase over 120 mainly vintage black-and white and color prints, publications in which his work originally appeared, contact sheets, and personal material. The exhibition is organized by ICP Curator Cynthia Young.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;+ ALSO at ICP: Roman Vishniac Rediscovered.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Roman Vishniac Rediscovered brings together four decades of work by an extraordinarily versatile and innovative photographer for the first time. Vishniac (1897–1990) created the most widely recognized and reproduced photographic record of Jewish life in Eastern Europe between the two World Wars.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;b&gt;American Legends: From Calder to O’Keeffe&lt;/b&gt;&amp;nbsp;&amp;gt; Ongoing &amp;gt; Whitney Museum &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://whitney.org/Exhibitions/AmericanLegends?utm_content=tespismag%40aol.com&amp;amp;utm_source=VerticalResponse&amp;amp;utm_medium=Email&amp;amp;utm_term=American%20Legends%3A%20From%20Calder%20to%20O%26%2339%3BKeeffe&amp;amp;utm_campaign=American%20Legends%3A%20From%20Calder%20to%20O%27Keeffe%2C%20Plus%20Last%20Chance%20to%20See%20Wade%20Guyton%20OScontent" style="font-size: x-large;"&gt;LEGENDS&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Stuart Davis (1894–1964), Owh! in San Paõ, 1951. Oil on canvas, 52 1/4 × 41 3/4 in. (132.7 × 106 cm). Whitney Museum of American Art, New York; purchase 52.2. © Estate of Stuart Davis / Licensed by VAGA, New York, NY&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;American Legends: From Calder to O’Keeffe showcases the Whitney’s deep holdings of artwork from the first half of the twentieth century by the eighteen leading artists: Oscar Bluemner, Charles Burchfield, Paul Cadmus, Alexander Calder, Joseph Cornell, Ralston Crawford, Stuart Davis, Arthur Dove, Charles Demuth, Marsden Hartley, Edward Hopper, Gaston Lachaise, Jacob Lawrence, John Marin, Reginald Marsh, Elie Nadelman, Georgia O’Keeffe, and Joseph Stella. Organized as one- and two-artist presentations, this exhibition provides a survey of each artist’s work across a range of mediums.American Legends is organized by Barbara Haskell, Curator.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;As part of this rotating exhibition, works by these artists are on view at the Museum through May 2013: Oscar Bluemner, Charles Burchfield, Paul Cadmus, Alexander Calder, Joseph Cornell, Ralston Crawford, Stuart Davis, Charles Demuth, Marsden Hartley, Edward Hopper, Jacob Lawrence, Reginald Marsh, Elie Nadelman, Georgia O’Keeffe, and Joseph Stella.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;b&gt;MORE EXHIBITS&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;b&gt;Manolo Valdés&lt;/b&gt;&amp;nbsp;: Monumental Sculptures &amp;gt; Hasta Mayo 23, 2013 &amp;gt;&amp;gt; The New York Botanical Garden &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.nybg.org/visit/exhibitions.php" style="font-size: x-large;"&gt;VALDES&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://2.bp.blogspot.com/-FjnjMG0g1qc/UIwxFmhB7hI/AAAAAAAAMhc/M7dNOs8zg8I/s1600/ValdesButterflies.jpg" style="font-size: x-large;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-FjnjMG0g1qc/UIwxFmhB7hI/AAAAAAAAMhc/M7dNOs8zg8I/s400/ValdesButterflies.jpg" style="cursor: move;" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Drawing inspiration from the natural landscape of the Botanical Garden, seven towering sculptures by acclaimed Spanish artist Manolo Valdés showcase the relationship between art and nature. The sculptures have been sited to take maximum advantage of the Garden's dramatic views with special attention given to the visual impact of the changing seasons. The artist has designed the installation to include surprising changes in the visual character of the sculptures throughout the seasons.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;b&gt;The Scream de Edvard Munch&lt;/b&gt;&amp;nbsp;&amp;gt; MoMA &amp;gt; Hasta Abril 29 &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.moma.org/visit/calendar/exhibitions/1330" style="font-size: x-large;"&gt;Munch&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://3.bp.blogspot.com/-skTkYBo5fug/UJ58W0JLJMI/AAAAAAAAM1g/V5JlLrNyOps/s1600/THESCREAM.jpg" style="font-size: x-large;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-skTkYBo5fug/UJ58W0JLJMI/AAAAAAAAM1g/V5JlLrNyOps/s400/THESCREAM.jpg" style="cursor: move;" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Edvard Munch. The Scream. Pastel on board. 1895. © 2012 The Munch Museum/The Munch-Ellingsen Group/Artists Rights Society (ARS), New York.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Edvard Munch’s iconic The Scream (1895) is among the most celebrated and recognized images in art history. Of the four versions of The Scream made by Munch between 1893 and 1910, this pastel-on-board from 1895 is the only one remaining in private hands; the three other versions are in the collections of museums in Norway. The Scream is being lent by a private collector.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;A haunting rendition of a hairless figure on a bridge under a yellow-orange sky, The Scream has captured the popular imagination since the time of its making. The image was originally conceived by Munch as part of his epic Frieze of Life series, which explored the progression of modern life by focusing on the themes of love, angst, and death. Especially concerned with the expressive representation of emotions and personal relationships, Munch was associated with the international development of Symbolism during the 1890s and recognized as a precursor of 20th-century Expressionism.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;&lt;b&gt;HISPANIC SOCIETY&lt;/b&gt;&amp;nbsp;&amp;gt;&amp;gt; Vision of Spain de Joaquín Sorolla &amp;gt; Permanent collection on view &amp;gt; Audubon Terrace &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.hispanicsociety.org/" style="font-size: x-large;"&gt;The Hispanic Society of America&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://3.bp.blogspot.com/-4wOMuPaDEFw/T0QPe7rCS5I/AAAAAAAAIJw/ksDu_qLizc0/s1600/SOROLLA.jpg" style="font-size: x-large;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-4wOMuPaDEFw/T0QPe7rCS5I/AAAAAAAAIJw/ksDu_qLizc0/s400/SOROLLA.jpg" style="cursor: move;" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Vision of Spain. Detail. Joaquín Sorolla.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;* Picasso Black and White &amp;gt; Hasta Mayo 17 &amp;gt; Museum of Fine Arts, Houston, Texas. &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://web.guggenheim.org/exhibitions/picasso/" style="font-size: x-large;"&gt;B&amp;amp;W&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Marie-Thérèse, Face and Profile (Marie-Thérèse, face et profil)&lt;br /&gt;Paris, 1931&lt;br /&gt;Oil and charcoal on canvas, 111 x 81 cm&lt;br /&gt;Private collection © 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York&lt;br /&gt;Photo: Béatrice Hatala&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Picasso Black and White, the first major exhibition to focus on the artist’s lifelong exploration of a black-and-white palette throughout his career, will be presented at Museum of Fine Arts, Houston. The exhibition features 118 paintings, sculptures, and works on paper from 1904 to 1971, and will offer new and striking insights into Picasso’s vision and working methods. This chronological presentation includes significant loans—many of which have not been exhibited or published before—drawn from museum, private, and public collections across Europe and the United States, including numerous works from the Picasso family.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;iframe bordercolor="#000000" frameborder="0" height="400" hspace="0" marginheight="0" marginwidth="0" scrolling="no" src="http://ad.doubleclick.net/adi/N7433.148119.BLOGGEREN/B6535983.377;sz=400x400;ord=[timestamp]?;lid=41000613802464048;pid=23305905;usg=AFHzDLvRDmHLPbMM40UCAi5QPDAG1vTsYg;adurl=http%253A%252F%252Fwww.officemax.com%252Ftechnology%252Fdigital-cameras-camcorders-accessories%252Fdigital-cameras%252Fproduct-prod3940304%253Fcm_mmc%253DPerformics-_-Technology-_-Digital%252520Cameras%252C%252520Camcorders%252520and%252520Accessories-_-Digital%252520Cameras%2526ci_src%253D14110944%2526ci_sku%253D23305905;pubid=542085;imgsrc=http%3A%2F%2Fwww.officemax.com%2Fcatalog%2Fimages%2F397x353%2F23305905i_01.jpg;width=400;height=355" vspace="0" width="400"&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/UvH9awFAgnI" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/UvH9awFAgnI/ny-essentials-top-art-spring-2013.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-wdkdtleB_vE/UTJVa-kIFNI/AAAAAAAAQ24/lglt4FtieR8/s72-c/Velazquez_poster.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/04/ny-essentials-top-art-spring-2013.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-2580628341698598980</guid><pubDate>Wed, 10 Apr 2013 20:16:00 +0000</pubDate><atom:updated>2013-04-10T16:16:06.087-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">immigration</category><category domain="http://www.blogger.com/atom/ns#">A10</category><category domain="http://www.blogger.com/atom/ns#">cir</category><category domain="http://www.blogger.com/atom/ns#">politica</category><category domain="http://www.blogger.com/atom/ns#">COMUNIDAD</category><category domain="http://www.blogger.com/atom/ns#">washington</category><category domain="http://www.blogger.com/atom/ns#">immigration reform</category><category domain="http://www.blogger.com/atom/ns#">ir4a</category><category domain="http://www.blogger.com/atom/ns#">actualidad</category><category domain="http://www.blogger.com/atom/ns#">politics</category><title>#A10 : EL MOMENTO ES AHORA PARA LA REFORMA MIGRATORIA</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-Qe_CJZwjeS8/UWXGOTt-phI/AAAAAAAARDY/vtfyb8v8iPw/s1600/IR4A.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="158" src="http://4.bp.blogspot.com/-Qe_CJZwjeS8/UWXGOTt-phI/AAAAAAAARDY/vtfyb8v8iPw/s400/IR4A.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Miles y miles de personas estamos haciéndole un llamado al cuerpo político de la nación para que lleven adelante la reforma migratoria ahora en marcha. Muchos están en las calles de Washington y de las más importantes ciudades del país, otros estamos en las calles del activismo cibernético. El objetivo es lograr una reforma migratoria seria y justa que lleve a la ciudadanía plena a los 11 millones de inmigrantes que también hacen grande a este país.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;'La marcha de la ciudadanía' este 10 de Abril viene solo unos días antes del esperado anuncio del acuerdo de propuesta ley de reforma migratoria acordada por la 'Banda de 8'. El Momento Es Ahora. The Time Is Now.&lt;/span&gt;&lt;br /&gt;
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&lt;iframe allowfullscreen="" frameborder="0" height="253" src="http://www.youtube.com/embed/3459UwMemrY" width="450"&gt;&lt;/iframe&gt;&lt;br /&gt;
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For more info visit: &lt;a href="http://www.citizenship-now.org/april10/" target="_blank"&gt;THE TIME IS NOW&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/IOQ0N557qe8" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/IOQ0N557qe8/a10-el-momento-es-ahora-para-la-reforma.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-Qe_CJZwjeS8/UWXGOTt-phI/AAAAAAAARDY/vtfyb8v8iPw/s72-c/IR4A.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/04/a10-el-momento-es-ahora-para-la-reforma.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-5074233442297473989</guid><pubDate>Sat, 06 Apr 2013 18:48:00 +0000</pubDate><atom:updated>2013-04-06T14:48:47.155-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">violencia</category><category domain="http://www.blogger.com/atom/ns#">vzla</category><category domain="http://www.blogger.com/atom/ns#">COMUNIDAD</category><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">latam</category><category domain="http://www.blogger.com/atom/ns#">una luz para venezuela</category><category domain="http://www.blogger.com/atom/ns#">actualidad</category><category domain="http://www.blogger.com/atom/ns#">venezuela</category><category domain="http://www.blogger.com/atom/ns#">soy venezolano</category><category domain="http://www.blogger.com/atom/ns#">politics</category><title>UNA LUZ PARA VENEZUELA EN TIMES SQUARE, NYC</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-NXLyh7T8HU0/UWBtFrjAweI/AAAAAAAARCs/Mo7jJ4V3CCI/s1600/544415_413055672124818_691417165_n.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;img border="0" height="376" src="http://2.bp.blogspot.com/-NXLyh7T8HU0/UWBtFrjAweI/AAAAAAAARCs/Mo7jJ4V3CCI/s400/544415_413055672124818_691417165_n.png" width="400" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;br /&gt;'UNA LUZ PARA VENEZUELA' CONVOCA UNA VIGILIA MUNDIAL EN MEMORIA DE LOS MAS DE 100 MIL MUERTOS A MANOS DE LA VIOLENCIA EN LA ULTIMA DECADA. &lt;br /&gt;&lt;br /&gt;El evento se realizará en todo el mundo el 7 de Abril a las 7PM. Ya sea en reuniones públicas, plazas, iglesias, asociaciones de vecinos, en sus balcones o en sus ventanas, el llamado es a encender una vela (real o virtual) y unirse a la Vigila, exigiendo el cese de las muertes debido a la violencia desatada y la implementación de un plan serio y eficaz que afronte y controle este azote social.&amp;nbsp;&lt;/span&gt;&lt;div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Para promover la Vigilia Mundial, UNA LUZ PARA VENEZUELA ha lanzado una campaña en las redes sociales para invitar a la participación masiva aún antes de la Vigilia Mundial del 7 de Abril. Así, se ha creado una página en Facebook ( UNA LUZ PARA VENEZUELA ), incluyendo un MURO DEL RECUERDO de fotografías para que todos aquellos que han perdido un ser querido puedan crear un espacio para honrarlos y recordarlos. La campaña también es promocionada a través de @UNALUZPARAVZLA, cuenta Twitter oficial. &lt;br /&gt;&lt;br /&gt;Venezuela ocupa uno de los primeros lugares mundiales en las estadísticas de muertes violentas y Caracas, su capital, es una de las ciudades más peligrosas del mundo. La ONG Observatorio Venezolano para la Violencia estima que “han sido más de 170 mil muertes desde el año 2000”. Solo en el 2012 calculan más de 21 mil muertes debido a lo violencia, lo que representa una tasa de 73 muertes por cada cien mil habitantes, y un incremento del 12% con respecto al año 2012. * &lt;br /&gt;Caracas, ciudad de unos 5 millones de habitantes, reporta más de 400 muertes por violencia CADA MES. ( 420 muertes en Enero 2013 )** A forma de comparación, la ciudad de Nueva York con mas de 8 millones de habitantes reportó 414 muertes debido a la violencia en TODO el 2011. *** Este año 2013 se perfila aún peor. En los 3 primeros meses del 2013 ya se han registrado más de 3,400 muertes violentas, según fuente oficial. **** Y más de 4000 muertes según fuentes no-oficiales. &lt;br /&gt;&lt;/span&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-yYS9UvswZmY/UWBtPE53f_I/AAAAAAAARC0/FxU5VlnhjQw/s1600/562125_412389068858145_1542135781_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-yYS9UvswZmY/UWBtPE53f_I/AAAAAAAARC0/FxU5VlnhjQw/s400/562125_412389068858145_1542135781_n.jpg" width="400" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;UNA LUZ PARA VENEZUELA busca crear conciencia sobre la gravedad de la situación de laViolencia: Han muerto más venezolanos en esta década que los que murieron en la Guerra de Iraq, o en la escalada de violencia de los cárteles de la droga en México. Con una tasa de 73 muertes per 100.000 habitantes Venezuela es considerada uno de los lugares más peligrosos del mundo ***** &lt;br /&gt;&lt;br /&gt;La Vigilia Mundial UNA LUZ PARA VENEZUELA, busca sensibilizar a la ciudadanía sobre este flajelo y exigir políticas serias, adecuadas y urgentes para solucionarlo. &lt;br /&gt;La Vigilia Mundial UNA LUZ PARA VENEZUELA invita a todos los venezolanos y a todos aquellos que quieran participar en esta causa que se unan visitando la página de Facebook y Twitter, promoviendo la Vigilia y participando, finalmente, este 7 de Abril a las 7 PM desde donde estén, en cualquier parte del mundo. &lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;UNA LUZ PARA VENEZUELA ES UNA INICIATIVA DE UN GRUPO DE VENEZOLANOS AFECTADOS POR LA VIOLENCIA BUSCANDO HONRAR A SUS SERES AMADOS EXIGIENDO PAZ PARA VENEZUELA.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;NOS UNIMOS A ESTA VIGILIA POR UNA VENEZUELA LLENA DE VIDA&lt;br /&gt;&lt;br /&gt;ENLANCES DE IMPORTANCIA: &lt;br /&gt;&lt;br /&gt;FACEBOOK: &lt;a href="http://www.facebook.com/pages/Una-Luz-para%20Venezuela/412212552209130?ref=hl" target="_blank"&gt;http://www.facebook.com/pages/Una-Luz-para Venezuela/412212552209130?ref=hl&amp;nbsp;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;TWITTER &amp;amp; HASHTAG: @unaluzparavzla &amp;nbsp;&lt;/span&gt;&lt;div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;#UnaLuzParaVenezuela&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;#PrendeUnaVelaParaVenezuela &lt;br /&gt;&lt;br /&gt;QUE: Vigilia Una Luz Para Venezuela&amp;nbsp;&lt;/span&gt;&lt;div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;CUANDO: 7 de Abril&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;HORA: 7pm DONDE: Donde quiera que estés en Venezuela y en todo el mundo&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;EN NYC: : Times Square, 46 Street, Broadway con 7th ave father Duffy Square, PEDESTRIAN PLAZA.&lt;br /&gt;&lt;br /&gt;Para mayor información, escríbanos a: unaluzparavenezuela@gmail.com &lt;br /&gt;&lt;br /&gt;* http://www.observatoriodeviolencia.org.ve/site/ &lt;br /&gt;&lt;br /&gt;http://informe21.com/politica/mud-maduro-reconocio-el-record-de-la-violencia-que-afecta-al-pais &lt;br /&gt;&lt;br /&gt;** http://www.lapatilla.com/site/2013/02/03/mes-de-enero-cerro-con-420-muertes-en-el-area- metropolitana/ &lt;br /&gt;&lt;br /&gt;*** http://www.nydailynews.com/new-york/murders-fall-record-city-article-1.1229273 &lt;br /&gt;&lt;br /&gt;**** http://www.eluniversal.com/sucesos/130401/3400-homicidios-se-han-registrado-en-lo-que-va-de- 2013-en-todo-el-pais &lt;br /&gt;&lt;br /&gt;***** http://cnnespanol.cnn.com/2012/12/28/venezuela-el-pais-mas-violento-de-latinoamerica/&lt;/span&gt;&lt;/div&gt;
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&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/-nGJ5eAmLiU" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/-nGJ5eAmLiU/una-luz-para-venezuela-en-times-square.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-NXLyh7T8HU0/UWBtFrjAweI/AAAAAAAARCs/Mo7jJ4V3CCI/s72-c/544415_413055672124818_691417165_n.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/04/una-luz-para-venezuela-en-times-square.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-1486388954845739247</guid><pubDate>Tue, 02 Apr 2013 19:05:00 +0000</pubDate><atom:updated>2013-04-02T20:11:05.279-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">politica</category><category domain="http://www.blogger.com/atom/ns#">COMUNIDAD</category><category domain="http://www.blogger.com/atom/ns#">power summit</category><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">voto latino</category><category domain="http://www.blogger.com/atom/ns#">washington D.C</category><category domain="http://www.blogger.com/atom/ns#">vlps</category><category domain="http://www.blogger.com/atom/ns#">politics</category><title>VOTO LATINO POWER SUMMIT 2013 AND THE IMMIGRATION REFORM</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-Q6sEn3ut-pA/UVCmYsa6IpI/AAAAAAAARBE/uRmMDU25UMM/s1600/powesummit-banner.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="72" src="http://2.bp.blogspot.com/-Q6sEn3ut-pA/UVCmYsa6IpI/AAAAAAAARBE/uRmMDU25UMM/s400/powesummit-banner.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;Immigration Reform is a major cause for Voto Latino's Power Summit: Read on.&lt;/span&gt;&lt;br /&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;'Our immigration system will only be reformed if all of us demand it. That's why on April 12-15,&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Voto Latino will host its 2nd annual &lt;a href="http://links.votolatino.mkt4316.com/ctt?kn=8&amp;amp;ms=NTI5MzM2MQS2&amp;amp;r=MjA4ODQyNTc3NzQS1&amp;amp;b=0&amp;amp;j=MzE0NzIxMjAzS0&amp;amp;mt=1&amp;amp;rt=0"&gt;Power Summit leadership conference&lt;/a&gt; to educate, empower, and engage American youth to create positive change, in particular around the issue of immigration reform.&lt;br /&gt;Through the tracks of activism, leadership and media, participants will gain the skills necessary to influence change in their communities and beyond. Attendees from across the country will get the opportunity to network with organizers, social media and nonprofit leaders, other future civil leaders and activists, and more. Join us as we empower our communities!&lt;br /&gt;Something not commonly known about some of the most prominent civic leaders throughout history is that they started creating positive change in their local communities first. So, who should attend the 2013 Power Summit in Washington, DC?&lt;br /&gt;For one, those who are crazy enough to think they change the world. You'll be in good company as a member of the Voto Latino family.&lt;br /&gt;Anyone who wants to learn new skills that create positive social movements, including best practices for successful activism and advocacy, message building and delivery, how to effectively leverage social media, and more.&lt;br /&gt;Future community organizers, campaign staffers, candidates for public office, etc.&lt;br /&gt;Social media enthusiasts who want to leverage their skills for creating positive change.'&lt;/span&gt;&lt;br /&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;More info? &amp;gt; &lt;a href="http://www.votolatino.org/power-summit?utm_source=sp5293361&amp;amp;utm_medium=e&amp;amp;sc=sp5293361" target="_blank"&gt;LPS&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/Dgpp4NrUXzw" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/Dgpp4NrUXzw/voto-latino-power-summit-2013-and.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-Q6sEn3ut-pA/UVCmYsa6IpI/AAAAAAAARBE/uRmMDU25UMM/s72-c/powesummit-banner.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/04/voto-latino-power-summit-2013-and.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-8418975063223964457</guid><pubDate>Tue, 02 Apr 2013 18:59:00 +0000</pubDate><atom:updated>2013-05-08T14:18:53.775-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">THEATER</category><category domain="http://www.blogger.com/atom/ns#">fuenteovejuna</category><category domain="http://www.blogger.com/atom/ns#">boleros</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">21</category><category domain="http://www.blogger.com/atom/ns#">danza</category><category domain="http://www.blogger.com/atom/ns#">teatro latino</category><category domain="http://www.blogger.com/atom/ns#">calendario</category><category domain="http://www.blogger.com/atom/ns#">CALENDARIOS</category><category domain="http://www.blogger.com/atom/ns#">repertorio</category><category domain="http://www.blogger.com/atom/ns#">thalia</category><category domain="http://www.blogger.com/atom/ns#">ballet hispanico</category><category domain="http://www.blogger.com/atom/ns#">teatro</category><category domain="http://www.blogger.com/atom/ns#">pregones</category><title>NY ESSENTIALS : TEATRO Y DANZA : SPRING 2013</title><description>&lt;br /&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Llegó la Primavera con sus mil harmonías y un calendario de Teatro y Danza con algunos estrenos a notar.&lt;br /&gt;&lt;br /&gt;LO NUEVO EN NYC&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;* Ballet Hispánico &amp;gt; Abril 16—28 &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.joyce.org/" style="font-size: x-large;"&gt;Teatro Joyce&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/-dDms-oSkkOQ/UPRAM-rjVrI/AAAAAAAAPms/lSZBS6MDXO0/s1600/ballethispanico.jpg" style="font-size: x-large;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-dDms-oSkkOQ/UPRAM-rjVrI/AAAAAAAAPms/lSZBS6MDXO0/s400/ballethispanico.jpg" style="cursor: move;" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;"Dancing better than ever" (Backstage), Ballet Hispanico celebrates its 25th season at The Joyce with a vibrant snapshot of contemporary Spanish dance. Program highlights include a world premiere by Cayetano Soto, one of the most dynamic and ground-breaking Spanish choreographers of his generation, and the Joyce premiere of an homage to 1980s Europop created by the cutting-edge Spanish duo Inma García and Meritxell Barberá. The Joyce premiere of Danzónby Artistic Director Eduardo Vilaro and rousing repertory gems further showcase the multidimensional company. For more performances nationwide visit &amp;gt;&amp;nbsp;&lt;a href="http://www.ballethispanico.org/index"&gt;Hispanico&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;* 21 &amp;gt; De Vincet Toro &amp;gt; Dirigida por José Zayas &amp;gt; Estreno en el Repertorio Español &amp;gt; Mayo 16, 17, 18, 20, 24, 26 y 31 &amp;gt;&amp;nbsp;&lt;a href="http://www.repertorio.org/" target="_blank"&gt;Repertorio Español&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Una mirada a la vida americana moderna desde la perspectiva de una familia puertorriqueña. Un joven recientemente graduado de la universidad que se siente alienado por su extravagante familia, hace planes para aceptar un trabajo de periodismo en Turquía. Sus padres, sin embargo, tienen planes diferentes para él, y durante un viaje a un casino al norte del estado de Nueva York para celebrar su graduación y su cumpleaños número 21, se desata toda la controversia cuando miembros de la familia se encuentran en desacuerdo sobre si deben apoyar o no su decisión.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Obra ganadora de la Competencia de Obras Latinas Nuestras Voces 2011 auspiciada por la Fundación MetLife.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;* FUENTEOVEJUNA &amp;gt; De Lope de Vega &amp;gt; Abril 6, 18 | Mayo 3 &amp;gt;&amp;nbsp;&lt;a href="http://www.repertorio.org/productions/index.php?area=ind&amp;amp;id=171"&gt;Repertorio Español&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-JU1fBVL7iW0/UPQ_nztVAEI/AAAAAAAAPmM/Q3Ut4Vx9eQE/s1600/FUENTEOVEJUNA.jpg"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-JU1fBVL7iW0/UPQ_nztVAEI/AAAAAAAAPmM/Q3Ut4Vx9eQE/s1600/FUENTEOVEJUNA.jpg" style="cursor: move;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;La obra está basada en hechos reales ocurridos en la ciudad española de Fuenteovejuna (actualmente Fuente Obejuna) donde una población entera tomó la justicia en sus propias manos y asesinó a su cruel gobernante. Cuando un magistrado visitó la ciudad para investigar lo sucedido, los pobladores respondieron diciendo: “Fuenteovejuna lo hizo”. El director transportará la obra a la actualidad situándola en una corporación moderna.&lt;br /&gt;&lt;br /&gt;* BOLEROS A 3 VOCES &amp;amp; ROOTS OF FLAMENCO: GYPSY SOUL &amp;gt; Abril 7 - 21 &amp;gt; Thalia Theater &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;a href="http://www.thaliatheatre.org/pages/home.cfm" target="_blank"&gt;Thalia&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;ROMANTIC Latin songs remembering the most popular TRIOS of Latin America.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;*&amp;nbsp;LOS TITERES DE CACHIPORRA de Garcia Lorca &amp;gt;&amp;nbsp;April 14 &amp;gt;&amp;nbsp;&lt;a href="http://www.thaliatheatre.org/pages/home.cfm" target="_blank"&gt;Thalia&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Garcia Lorca's folkloric tale comes to life on stage in Teatro SEA's award-winning production!&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;* TU ARMA SECRETA CONTRA LA CELULITIS REBELDE &amp;gt;&amp;nbsp;May 10 - June 23 &amp;gt;&amp;nbsp;&lt;a href="http://www.thaliatheatre.org/pages/home.cfm" target="_blank"&gt;Thalia&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;BILINGUAL WORLD PREMIERE of a PROVOCATIVE COMEDY by celebrated Spanish author Iñigo Ramirez de Haro. Produced, designed and directed by Angel Gil Orrios.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;* The Book Of Mormon &amp;gt; by Trey Parker, Robert López y Matt Stone. Teatro Eugene O'Neill &amp;gt;&amp;gt;&amp;nbsp;&lt;a href="http://bit.ly/ghiEjF"&gt;MORMON.&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-TZ2wGfGBRpk/TynN8sN2O3I/AAAAAAAAIEk/PxXbSK2g0k0/s1600/MORMON.jpg"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-TZ2wGfGBRpk/TynN8sN2O3I/AAAAAAAAIEk/PxXbSK2g0k0/s400/MORMON.jpg" style="cursor: move;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;OFF-BROADWAY&lt;br /&gt;&lt;br /&gt;* Bésame Mucho &amp;gt; Una antología musical de canciones compuestas por mujeres latinoamericanas &amp;gt; De Pablo Zinger &amp;gt; Marzo 30, 31 | Abril 13-14 y 28 | Mayo 4, 12 y 25 &amp;gt;&amp;nbsp;&lt;a href="http://www.repertorio.org/"&gt;Bésame&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://1.bp.blogspot.com/-mdmNAs7EEds/UKJv5j6ZZSI/AAAAAAAANKw/r8mTOR9t_y4/s1600/BESAME.jpg" style="font-size: x-large;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-mdmNAs7EEds/UKJv5j6ZZSI/AAAAAAAANKw/r8mTOR9t_y4/s400/BESAME.jpg" style="cursor: move;" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Pablo Zinger, director musical de zarzuelas y antologías musicales de Repertorio Español, regresa a la compañía con un nuevo programa que celebra las contribuciones musicales de compositoras latinoamericanas. La antología incluye adoradas canciones tales como “Bésame mucho”, “Dos gardenias”, “Júrame”, “Cachito”, “Olas y arena” y “Gracias a la vida” interpretadas por extraordinarias voces con música en vivo.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Algunas de las compositoras cuyas canciones forman parte del programa, incluyen Sylvia Rexach (Puerto Rico), María Grever y Consuelo Velásquez (México), Isolina Carrillo y Ernestina Lecuona (Cuba), Chabuca Granda (Perú), Violeta Parra (Chile) y Eladia Blázquez y María Elena Walsh (Argentina).&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;* El Amor en los Tiempos del Cólera &amp;gt; &amp;nbsp;Obra basada en la afamada novela de GABRIEL GARCÍA MÁRQUEZ &amp;gt; Abril 5, 20 y 26 | Mayo 10 y 19 &amp;gt; Repertorio Español &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.repertorio.org/productions/index.php?area=ind&amp;amp;id=160" style="font-size: x-large;"&gt;AMOR&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://4.bp.blogspot.com/-6zCYIc3wCY4/UKJwL9Ep6CI/AAAAAAAANK4/bPNaW7x_efY/s1600/AMOR.jpg" style="font-size: x-large;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-6zCYIc3wCY4/UKJwL9Ep6CI/AAAAAAAANK4/bPNaW7x_efY/s400/AMOR.jpg" style="cursor: move;" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;a href="http://2.bp.blogspot.com/-EV56UdSvUKE/UGuZ6ADv7UI/AAAAAAAAL6c/f0WS2x6TrGY/s1600/GARCIAMARQUEZ.jpg"&gt;&lt;/a&gt;Escrita por Caridad Svich y dirigida por José Zayas, el mismo dúo que nos trajo las adaptaciones de Julia Álvarez, "En el tiempo de las mariposas" e Isabel Allende, "La casa de los espíritus".&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Una lírica obra teatral repleta de imágenes dramáticas que se enfoca en la extraordinaria historia de amor entre un hombre con inclinaciones poéticas llamado Florentino Ariza y una mujer sensual, práctica y evasiva llamada Fermina Daza. La acción de la obra atraviesa cincuenta años y la historia se presenta en una serie de escenas repletas de movimiento, poesía, canciones y momentos de exuberante dramatismo. Un audaz tour-de-force teatral para cuatro actores.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;* En El Tiempo De Las Mariposas &amp;gt; Abril 12, 18, 18, 21 y 27 |&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;Mayo 1, 5 y 11&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://bit.ly/pDrAB" style="font-size: x-large;"&gt;En Repertorio Español.&lt;/a&gt;&lt;/div&gt;
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&lt;a href="http://2.bp.blogspot.com/-6InXGuZ0JDI/Ton5lUGuKtI/AAAAAAAAGV4/5h8ifjBIHK0/s1600/MARIPOSAS.jpg" style="font-size: x-large;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-6InXGuZ0JDI/Ton5lUGuKtI/AAAAAAAAGV4/5h8ifjBIHK0/s400/MARIPOSAS.jpg" style="cursor: move;" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;En el tiempo de las mariposas. Photo Michael Palma.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;“In The Time of the Butterflies” is the story of the courageous Mirabal sisters (Patria, Minerva and María Teresa) from the Dominican Republic. The sisters inspired resistance cells throughout the country against the dictatorial regime of Gen. Rafael Leónidas Trujillo. The ‘butterflies’, their secret code name, were brutally murdered by the regime in 1960.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Based on Julia Álvarez’s popular novel, the martyred butterflies come to vibrant life in a warm, brilliant, and dramatic production by the talented duo – playwright Caridad Svich and director José Zayas– that brought us the critically acclaimed production of Isabel Allende’s “The House of the Spirits” in 2009.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;* Entrada Gratis* &amp;gt; Gratis no hay nada &amp;gt; De Saulo García &amp;gt; Abril 6, 7 - Junio 15, 16 &amp;gt; Repertorio Español &amp;gt;&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.repertorio.org/" style="font-size: x-large;"&gt;Gratis&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://3.bp.blogspot.com/-RdKUtxaZXgc/UKJuzk1g2VI/AAAAAAAANKo/dAo5-_A8JoA/s1600/GRATIS.jpg" style="font-size: x-large;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-RdKUtxaZXgc/UKJuzk1g2VI/AAAAAAAANKo/dAo5-_A8JoA/s400/GRATIS.jpg" style="cursor: move;" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;Un hilarante monólogo de Saulo García el dotado comediante que nos trajo “La vida en los Esclavos Unidos” y “El insomnio americano”. En Entrada Gratis* Saulo se aventura a hablar de temas tabúes como la política, la muerte, la mentira conyugal y las relaciones entre padres e hijos para entregarnos un espectáculo que destaca tanto por una frecuencia vertiginosa de risas, como por una sabiduría que no acusa ni da lecciones, pero señala, reflexiona y termina por conmover.&lt;/span&gt;&lt;/div&gt;
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&lt;iframe bordercolor="#000000" frameborder="0" height="400" hspace="0" marginheight="0" marginwidth="0" scrolling="no" src="http://ad.doubleclick.net/adi/N7433.148119.BLOGGEREN/B6695283.3319;sz=400x400;ord=[timestamp]?;lid=41000613802463973;pid=sku3324356;usg=AFHzDLu1Vw-Ndkp6kFZiTG_HsZgC1lJVEQ;adurl=http%253A%252F%252Fwww.samsclub.com%252Fsams%252Fcanon-t3i-18-0mp-digital-slr-camera-body-only%252Fprod2930353.ip%253Fpid%253D_DoubleClick_Affiliates%2526ci_src%253D15781033%2526ci_sku%253Dsku3324356;pubid=567163;imgsrc=http%3A%2F%2Fs7d2.scene7.com%2Fis%2Fimage%2Fsamsclub%2Fs7product%2F0001380313423_A.jpg;width=400;height=400" vspace="0" width="400"&gt;&lt;/iframe&gt;&lt;/div&gt;
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&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/uH4UvOvvZRA" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/uH4UvOvvZRA/ny-essentials-teatro-y-danza-spring-2013.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-dDms-oSkkOQ/UPRAM-rjVrI/AAAAAAAAPms/lSZBS6MDXO0/s72-c/ballethispanico.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/04/ny-essentials-teatro-y-danza-spring-2013.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-3385253984158812448</guid><pubDate>Wed, 27 Mar 2013 16:26:00 +0000</pubDate><atom:updated>2013-03-27T12:26:50.464-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">COMUNIDAD</category><category domain="http://www.blogger.com/atom/ns#">doma</category><category domain="http://www.blogger.com/atom/ns#">latinos</category><category domain="http://www.blogger.com/atom/ns#">equality</category><category domain="http://www.blogger.com/atom/ns#">prop8</category><category domain="http://www.blogger.com/atom/ns#">gay marriage</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">USA</category><category domain="http://www.blogger.com/atom/ns#">marriage equality</category><category domain="http://www.blogger.com/atom/ns#">scotus</category><category domain="http://www.blogger.com/atom/ns#">california</category><category domain="http://www.blogger.com/atom/ns#">lgbt</category><category domain="http://www.blogger.com/atom/ns#">politics</category><title>MARRIAGE EQUALITY AND SCOTUS MAKING HISTORY</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://4.bp.blogspot.com/-kv7x05M2JzU/T-X4677gzJI/AAAAAAAAKrQ/bCQU5HxvQ6s/s1600/GAYPRIDENYC2009-40.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/-kv7x05M2JzU/T-X4677gzJI/AAAAAAAAKrQ/bCQU5HxvQ6s/s400/GAYPRIDENYC2009-40.jpg" width="377" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;The Supreme Court is, for the first time ever, hearing arguments in two historic cases dealing with marriage equality. Yesterday was the day for Prop. 8 and today, the oral arguments will be about DOMA. No decision will be made until June so let's hold on the hope that equality and civil rights will gain the day. Equality for all. Simple as that.&lt;br /&gt;&lt;br /&gt;Our friends at Think Progress put this little brief for us on what you need to know about these two cases and how the High Court could come down. &lt;br /&gt;&lt;br /&gt;** &lt;b&gt;Case #1 &lt;/b&gt;(Tuesday): &lt;a href="http://www.scotusblog.com/case-files/cases/hollingsworth-v-perry/"&gt;Hollingsworth v. Perry&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;At issue&lt;/b&gt;: California’s Proposition 8, the same-sex marriage ban approved by California voters in 2008.&lt;br /&gt;&lt;br /&gt;Legal Questions:&lt;br /&gt;Is it unconstitutional under the 14th Amendment’s Equal Protection Clause for California to prohibit marriage equality?&lt;br /&gt;California’s governor and attorney general stopped defending the measure several years ago, so a group of cities and Prop. 8 proponents stepped in to defend the law in their place. The Supreme Court must decide if it was even proper for this group to have been allowed to do so in the first place.&lt;br /&gt;&lt;br /&gt;Possible Outcomes:&lt;br /&gt;* Marriage equality for everyone, everywhere.&lt;br /&gt;* Marriage equality in some places now, everywhere else later. One route proposed by the Obama administration would result in marriage equality right now in California and other states that have civil union laws that are essentially marriage in everything but name. Legally speaking, if California’s ban is deemed unconstitutional, bans in other states would then also be difficult to defend. As the president said recently, he can’t think of &lt;a href="http://thinkprogress.org/justice/2013/03/13/1710771/obama-evolves-even-further-denies-that-state-marriage-bans-are-constitutional/"&gt;any reason why any state’s ban should be valid&lt;/a&gt;.&lt;br /&gt;* Marriage equality just in California. The Court could tailor a narrow opinion that invalidates Prop. 8, but doesn’t really advance jurisprudence in a way that is particularly useful anywhere else.&lt;br /&gt;Marriage equality in California, probably. The Court could use the second question about legal standing to dodge making a decision on the merits, which would leave the district court decision invalidating Prop. 8 in place. There are some unresolved questions about how this particular approach would play out.&lt;br /&gt;* No marriage equality in California, at least for now. The Court could reverse the lower courts and leave Prop. 8 in place. The only way it could then be undone is by voters through yet another ballot measure or in a future Supreme Court case heard by a more progressive Court. A poll out last week found that &lt;a href="http://www.politico.com/story/2013/02/california-gay-marriage-poll-shows-61-percent-back-same-sex-couples-88230.html"&gt;61 percent of California’s now support marriage equality&lt;/a&gt;, making this route likely to succeed if also costly, time-consuming, and limited only to California.&lt;br /&gt;&lt;br /&gt;For more details on how the Court could strike down Prop. 8, check out ThinkProgress’ legal analysis &lt;a href="http://thinkprogress.org/justice/2013/03/19/1740321/four-ways-the-supreme-court-could-knock-out-proposition-8/"&gt;HERE&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;** &lt;b&gt;Case #2 &lt;/b&gt;(Wednesday): &lt;a href="http://www.scotusblog.com/case-files/cases/windsor-v-united-states-2/"&gt;United States v. Windsor&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;At Issue: The Defense of Marriage Act (DOMA), the 1996 law that bars federal recognition of same-sex marriages.&lt;br /&gt;&lt;br /&gt;Legal Questions:&lt;br /&gt;Whether Section 3 of DOMA, the part of the law that bars the federal government from recognizing same-sex couples for purposes of taxation, federal benefits, and more than 1,000 other rights or responsibilities, violates the legal married same couples’ guarantees of equal protection under the Fifth Amendment.&lt;br /&gt;As with the Prop. 8 case, there are technical legal questions about whether the Supreme Court is even allowed to hear the case. First, can the Court hear the case since the executive branch already agrees with lower courts that the law is unconstitutional? After the Department of Justice stopped defending the law, House Republicans took up the cause of defending discrimination and have spent millions of taxpayer dollars doing so. The Court must decide if House Republicans are allowed, legally speaking, to stand in for the executive branch.&lt;br /&gt;&lt;br /&gt;Possible Outcomes:&lt;br /&gt;* Marriage equality for everyone. The Court could simply rule that DOMA is unconstitutional because everyone has a constitutional right to marry the partner of their choice.&lt;br /&gt;* Marriage equality in some places. The Court could strike down DOMA and allow legally married same-sex couples to receive the same federal benefits as straight couples, but not rule on whether there is a broader constitutional right to marriage equality. Depending on how strongly worded such a decision is, it could make it difficult to defend other anti-gay laws and state marriage bans. Another version of this outcome could be &lt;a href="http://thinkprogress.org/justice/2013/03/25/1763211/how-marriage-equality-could-win-in-the-worst-possible-way-in-the-supreme-court/"&gt;decided on the basis of the Tenth Amendment&lt;/a&gt;, but this would establish a highly unfortunate precedent that could be dangerous for the social safety net.&lt;br /&gt;* Muddled mess. If the Court decides that it lacks jurisdiction for either or both of the reasons mentioned above, nobody is quite sure what exactly will happen. It’s possible that DOMA could remain valid everywhere but New York and New England (the federal circuit courts where the challenges were initiated). Another theory says the Obama administration could refuse to enforce the law, but then that still leaves open the possibility that a future anti-gay President Rubio could revive the law.&lt;br /&gt;* No change. The Court could disagree with the various lower courts that invalidated DOMA and find it to be constitutional. In this case, the only ways to get rid of DOMA would be a future case before a less conservative Supreme Court or Congressional repeal of DOMA. Senators and members of the House have already introduced a bill, &lt;a href="http://www.hrc.org/laws-and-legislation/federal-legislation/respect-for-marriage-act"&gt;the Respect for Marriage Act&lt;/a&gt;, to accomplish the latter.&lt;br /&gt;&lt;br /&gt;For more details on how the Court could dump DOMA, check out ThinkProgress’ legal analysis &lt;a href="http://thinkprogress.org/justice/2013/03/19/1733801/four-ways-the-supreme-court-could-knock-out-the-defense-of-marriage-act/"&gt;HERE&lt;/a&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;Visit us at TespisMagazine.com for the full picture!&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/tespismagazine/Vwgv/~4/cNPoVUYdE7k" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/tespismagazine/Vwgv/~3/cNPoVUYdE7k/marriage-equality-and-scotus-making.html</link><author>noreply@blogger.com (Alex Guerrero)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-kv7x05M2JzU/T-X4677gzJI/AAAAAAAAKrQ/bCQU5HxvQ6s/s72-c/GAYPRIDENYC2009-40.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.tespismagazine.com/2013/03/marriage-equality-and-scotus-making.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1848435569687678828.post-4443512985273288591</guid><pubDate>Tue, 26 Mar 2013 03:04:00 +0000</pubDate><atom:updated>2013-05-22T11:02:01.803-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">magos herrera</category><category domain="http://www.blogger.com/atom/ns#">fonseca</category><category domain="http://www.blogger.com/atom/ns#">oxomatli</category><category domain="http://www.blogger.com/atom/ns#">conciertos</category><category domain="http://www.blogger.com/atom/ns#">rodriguez</category><category domain="http://www.blogger.com/atom/ns#">cucu diamantes</category><category domain="http://www.blogger.com/atom/ns#">bajofondo</category><category domain="http://www.blogger.com/atom/ns#">bam</category><category domain="http://www.blogger.com/atom/ns#">bomba estereo</category><category domain="http://www.blogger.com/atom/ns#">musica</category><category domain="http://www.blogger.com/atom/ns#">Arturo Sandoval</category><category domain="http://www.blogger.com/atom/ns#">nyc</category><category domain="http://www.blogger.com/atom/ns#">Alejandro Sanz</category><category domain="http://www.blogger.com/atom/ns#">calendario</category><category domain="http://www.blogger.com/atom/ns#">bb king</category><category domain="http://www.blogger.com/atom/ns#">music</category><category domain="http://www.blogger.com/atom/ns#">thalia</category><title>NY ESSENTIALS : MUSICA : SPRING 2013</title><description>&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;Ooff! This is just a taste!. Plenty of music to go around in our first spring 2013 music listing. Enjoy and share!.&lt;/span&gt;&lt;br /&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;&lt;b&gt;                                  RECOMENDAMOS&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;* &lt;b&gt;At STAGE 48&lt;/b&gt;: &lt;br /&gt;&lt;br /&gt;- &lt;b&gt;BAJOFONDO &lt;/b&gt;&amp;gt; Gira Nacional:  NYC, Miami, Washington, San Juan &amp;gt; Marzo 28 en NYC  &amp;gt; &lt;a href="http://www.bajofondomusic.com/us/events"&gt;BAJO&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-y7u7EOwG8tA/UHcmsG1Xg0I/AAAAAAAAMKA/74nDO3DkyCw/s1600/Bajofondo.jpg"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-y7u7EOwG8tA/UHcmsG1Xg0I/AAAAAAAAMKA/74nDO3DkyCw/s400/Bajofondo.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Several years ago, Argentine musician and composer Gustavo Santaolalla, together with Uruguayan musician-producer Juan Campodónico, conceived of a group that would be a collective of Argentine and Uruguayan artists dedicated to creating "contemporary music of the Rio de la Plata," the body of water that separates the two countries. The project, which debuted under the name Bajofondo Tango Club, was an alliance of producers, musicians, and singers that took shape in the recording studio, resulting in an inimitable tango-fusion blend. The group's first album, the self-titled Bajofondo Tango Club (2002), won a Latin Grammy for Best Instrumental Pop Album in 2003 and sold more than 300,000 copies worldwide.&lt;br /&gt;&lt;br /&gt;- &lt;b&gt;Oscar D'León&lt;/b&gt; &amp;gt; Abril 3 &amp;gt; &lt;a href="https://stage48.com/event-category/events/"&gt;Stage&lt;/a&gt;48.&lt;br /&gt;&lt;br /&gt;- &lt;b&gt;OXOMATLI&lt;/b&gt; &amp;gt; Abril 6 &amp;gt;  &lt;a href="https://stage48.com/event-category/events/"&gt;Stage&lt;/a&gt;48.&lt;br /&gt;&lt;br /&gt;In their fifteen years together as a band, celebrated Los Angeles culture-mashers Ozomatli have gone from being hometown heroes to being named U.S. State Department Cultural Ambassadors. Their music — a notorious urban-Latino-and-beyond collision of hip hop and salsa, dancehall and cumbia, samba and funk, merengue and comparsa, East LA R&amp;amp;B and New Orleans second line, Jamaican ragga and Indian raga— has long followed a key mantra: it will take you around the world by taking you around L.A. Originally formed to play at a Los Angeles labor protest over a decade ago, Ozomatli spent some of their early days participating in everything from earthquake prep “hip hop ghetto plays” at inner-city elementary schools to community activist events, protests, and city fundraisers. Ever since, they have been synonymous with their city: their music has been taken up by both the Los Angeles Dodgers and Los Angeles Clippers, they recorded the street-view travelogue “City of Angels” as a new urban anthem, and they were featured as part of the prominent L.A. figures imaging campaign “We Are 4 L.A.” on NBC, and have the distinction of headlining the Hollywood Bowl twice in 2008 and 2010. Ozomatli has spent 15 years working diligently to spread its message of peace, communication and understanding through music, with a long standing tradition of performing for children all over the world, from the schools of North St. Louis to the orphanages of Southeast Asia. 2011 has the band focused on “oZoKidZ”, a special family friendly set geared towards performing for children and adults alike. The band are currently in the studio with acclaimed producer Tony Berg, recording a children’s album for release in 2011, followed by a book, DVD and tour.&lt;br /&gt;&lt;br /&gt;- &lt;b&gt;Bomba Estéreo&lt;/b&gt; &amp;gt; Abril 13&amp;gt;  &lt;a href="https://stage48.com/event-category/events/"&gt;Stage&lt;/a&gt;48.&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://3.bp.blogspot.com/-tT8HmfplmGQ/UVD2466pBfI/AAAAAAAARBU/P0ZeLq3mbUI/s1600/Bomba_Press.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;&lt;img border="0" height="256" src="http://3.bp.blogspot.com/-tT8HmfplmGQ/UVD2466pBfI/AAAAAAAARBU/P0ZeLq3mbUI/s400/Bomba_Press.jpg" width="400" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;&lt;br /&gt;Bomba Estéreo came together as a project organized by Simon Mejia in 2005, forming within the rich underground electronic scene that has become Bogota, Colombia. Recruiting fierce singer Liliana Saumet to join the group, Bomba Estéreo expanded its sound and captivating live show. The group plays an explosive dance-fusion of electronic dub and hip-hop, in a similar vein as M.I.A. and Santigold, mixed with Colombian rhythms like cumbia and champeta. &lt;br /&gt;Bomba made their U.S. debut at SXSW 2009, an experience that helped establish the group and their latest release, “Blow Up.” In the last several months, the group has toured everywhere from New York and Brazil out to London and Dublin. In the summer of 2009, they rocked the European festival circuit, with ecstatic crowds like the 10,000 at Denmark’s prestigious Roskilde Festival. &lt;br /&gt;The influence of Afro Colombian rhythms and the coastal sounds is especially important to Bomba Estereo’s music. Saumet grew up on the Colombian coast in a city called Santa Marta. “It’s a small city with a beautiful and mystical force,” she explains. “The indigenous people call it the ‘heart of the world.’ Ever since I was young, I had the opportunity to listen to such a wide variety of music, from local folk music to sounds arriving from Africa and the United States. I think that mix is reflected in our own music.”&lt;br /&gt;&lt;br /&gt;- &lt;b&gt;Sentidos Opuestos&lt;/b&gt;  &amp;gt; Abril 14 &amp;gt;  &lt;a href="https://stage48.com/event-category/events/"&gt;Stage&lt;/a&gt;48.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;&lt;br /&gt;Mexican Latin pop duet Sentidos Opuestos was formed by local producer Miguel Blasco in the early 1990s. Alessandra Rosaldo started singing at the age of 12, soon becoming a backup singer for Latin star Lucero. Joined by Chacho Gaytán, the act released a self-titled debut album in 1993, getting their songs "Historias De Amor" and "Escribeme En El Cielo" climbing on local charts. A year later, Sentidos Opuestos recorded Al Sol Que Mas Calienta, moving to Barcelona, Spain, to make Viviendo Del Futuro, produced by Eduardo Posada and released in 1996. After issuing Viento A Favor in 1998, Chacho Gaytán began working as a producer and arranger while Alessandra Rosaldo was making her debut as an actress in a soap opera called DKDA: Sueños de Juventud. In the year 2000, Sentidos Opuestos returned with Movimiento Perpetuo. Their last album was En Vivo (2001). It has been reported that on 2012 a duet reunion will occur. They are currently recording a new album, and will likely tour to promote it.&lt;br /&gt;&lt;br /&gt;* &lt;b&gt;OUR LATIN THING&lt;/b&gt; - Tribute to the Fania All Stars &amp;gt; BB King Blues Club &amp;gt; Marzo 28 &amp;gt; &lt;a href="http://www.bbkingblues.com/index.php"&gt;BBKing&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;August 26th, 1971, New York gives birth to a sound that would change the face of Latin Music forever. That evening at the reknown Cheetah Nightclub, Jerry Massucci, president of the legendary label FANIA, presented an ensemble of its best artists- THE FANIA ALL-STARS. The show was billed as "Our Latin Thing". In the decades ahead the FANIA ALL-STARS would become the ambassadors and juggernauts of Latin Music around the world. They became the musical reflection of the times, needs, and struggles of New York's Latino community. Their music was "Salsa Gorda", influenced by American Jazz, Soul, and Rock and Roll. Their music became part of Americana. &lt;br /&gt;Billed as "Our Latin Thing", the 17-piece group performs as an assortment of the FANIA ALL STARS' top hits. This Musical/Theatrical like revue, will take the audience on a musical poetic journey. "Our Latin Thing", in it's own right, is an All Star group, made up of lead singers and musicians of New York's top young bands.&lt;/span&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;* &lt;b&gt;At Americas Society&lt;/b&gt;: &lt;a href="http://www.as-coa.org/music/events" target="_blank"&gt;AS&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;- Tango with Pablo Mainetti. Abril 2.&lt;/span&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;- Codex I: International Contemporary Ensemble &amp;gt; Abril 7.&lt;br /&gt;- Codex II: The Bishop's Band &amp;gt; Abril 20.&lt;/span&gt;&lt;br /&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;- Bolivian Baroque in Concert &amp;gt; Abril 30.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;- Cuarteto Latinoamericano and Cuarteto Yaracuy &amp;gt; Mayo 13.&lt;/span&gt;&lt;br /&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;* &lt;b&gt;AT TERRAZA 7&lt;/b&gt;: &lt;a href="http://www.terrazacafe.org/terra/category/music/" target="_blank"&gt;T7&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;-&amp;nbsp;La Cumbiamba NY&amp;nbsp;&amp;gt;&amp;nbsp;March 30.&lt;/span&gt;&lt;br /&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;- Brahim Fribgane Andalus ensemble/ Moroccan Andalusian Music &amp;gt; Abril 5.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;-&amp;nbsp;Ricky Rodríguez Quintet &amp;gt; Abril 10.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;-&amp;nbsp;Manuel Valera &amp;amp; The New Cuban Express (2013 GRAMMY NOMINEE) &amp;gt; Abril 19.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-size: large;"&gt;-&amp;nbsp;Juan-Carlos Formell Trio &amp;gt; Mayo 2.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="font-size: large;"&gt;- Jazz Jam with John Benítez &amp;gt; Sunday nights.&lt;/span&gt;&lt;br /&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;* &lt;b&gt;Thalia&lt;/b&gt; &amp;gt; Gira Nacional &amp;gt; &amp;nbsp;En NYC at The Best Buy Theater &amp;gt; Abril 3.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;&lt;br /&gt;* &lt;b&gt;Los Amigos Invisibles&lt;/b&gt; &amp;gt; Gira Nacional: NYC, Boston, Filadelfia, San Francisco, Los Angeles + &amp;gt; Abril 6 en Webster Hall, NYC &amp;gt; &lt;a href="http://beta.amigosinvisibles.com/spanish/"&gt;Amigos&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;* &lt;b&gt;RODRIGUEZ&lt;/b&gt; &amp;gt; De Gira Nacional &amp;gt; En NYC Abril 7 y 10 &amp;gt; &lt;a href="http://www.ticketmaster.com/Rodriguez-tickets/artist/1300544?tm_link=tm_music_header_r6" target="_blank"&gt;Rodriguez&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;* &lt;b&gt;FONSECA&lt;/b&gt; &amp;gt; De Gira Mundial: Houston, Dallas, San Francisco, Orlando, Washington +&amp;nbsp;&amp;gt; En NYC Abril 17 &amp;gt; Irving Plaza &amp;gt; &lt;a href="http://www.ticketmaster.com/Fonseca-tickets/artist/1108359" target="_blank"&gt;Fonseca&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;*&lt;b&gt;&amp;nbsp;Gipsy Kings&lt;/b&gt; &amp;gt; De Gira Nacional: Boston, San Antonio, Houston, Atlantic City &amp;gt; En NYC Abril 20 &amp;gt; &lt;a href="http://www.ticketmaster.com/Gipsy-Kings-tickets/artist/734216" target="_blank"&gt;Gipsy&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;* &lt;b&gt;AT SOB'S &lt;/b&gt;&amp;gt; &lt;a href="http://sobs.com/content/page/calendar?page=1"&gt;SOB'S&lt;/a&gt;:&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;&lt;br /&gt;- THE BRAZIL SHOW FEAT. TIAGO &amp;amp; AFAMILIA &amp;gt; Marzo 30 &amp;gt; Plus Abril 20, 27.&lt;br /&gt;&lt;br /&gt;- GARIFUNA SURVIVAL DAY CELEBRATION WITH AURELIO MARTINEZ &amp;gt; Abril 12.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/-dTEICrZ8K2s/UVD-LoG2SLI/AAAAAAAARBs/ar9DQA4pwl0/s1600/garifuna-copy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="199" src="http://3.bp.blogspot.com/-dTEICrZ8K2s/UVD-LoG2SLI/AAAAAAAARBs/ar9DQA4pwl0/s320/garifuna-copy.jpg" style="cursor: move;" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;- AFTERWORK SALSA GOOVE FEAT: LA EXCELENCIA &amp;gt; Abril 19.&lt;br /&gt;&lt;br /&gt;- BACHATA AFTEROWRK FEAT. FRANCO OLIVO Y ALTO VOLTAJE &amp;gt; Abril 22.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;* &lt;b&gt;At BLUE NOTE&lt;/b&gt;:&lt;br /&gt;&lt;br /&gt;- &lt;b&gt;Al DiMeola &amp;amp; Gonzalo Rubalcaba Duo&lt;/b&gt; &amp;gt; Abril 9 - 14 &amp;gt; &lt;a href="http://www.bluenotejazz.com/newyork/index.shtml"&gt;BLUE NOTE&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;A bona fide guitar hero, perennial poll-winner and virtuoso of the highest order, Al Di Meola has also been recognized over the past 30 years as a prolific composer and respected artist with over 20 recordings as a leader. His creative output to date is staggering, whether it’s with his current World Sinfonia band or past musical endeavors like his electric Tour de Force group with Jan Hammer, Anthony Jackson, Steve Gadd and Mingo Lewis, the internationally acclaimed Trio with fellow guitar superstars John McLaughlin and Paco de Lucia, the Rite of Strings trio with Stanley Clarke and Jean-Luc Ponty or the ‘70s fusion supergroup Return To Forever with Chick Corea, Stanley Clarke and Lenny White. And while his dazzling technique on both acoustic and electric guitars has afforded him regal status among the hordes of fretboard aficionados who regularly flock to his concerts, the depth of Di Meola’s writing along with the soulfulness and his inherent lyricism of his guitaristic expression have won him legions of fans worldwide beyond the six-string set. &lt;br /&gt;&lt;br /&gt;* &lt;b&gt;Arturo Sandoval &lt;/b&gt;&amp;gt; Abril 26-28 &amp;gt; &lt;a href="http://www.bluenotejazz.com/newyork/index.shtml"&gt;BLUE NOTE&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-W-SPhr3HaYc/T8zP9f755BI/AAAAAAAAKNQ/GKjtmhD0hHU/s1600/BNJFArturo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="213" src="http://4.bp.blogspot.com/-W-SPhr3HaYc/T8zP9f755BI/AAAAAAAAKNQ/GKjtmhD0hHU/s320/BNJFArturo.jpg" style="cursor: move;" width="320" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;A protégé of the legendary jazz master Dizzy Gillespie, Sandoval was born in Artemisa, a small town in the outskirts of Havana, Cuba, on November 6, 1949, just two years after Gillespie became the first musician to bring Latin influences into American Jazz. Sandoval began studying classical trumpet at the age of twelve, but it didn’t take him long to catch the excitement of the jazz world. He has since evolved into one of the world’s most acknowledged guardians of jazz trumpet and flugel horn, as well as a renowned classical artist, pianist and composer. &lt;br /&gt;He is one of the most dynamic and vivacious live performers of our time, and has been seen by millions at the Oscars performing with Celine Dion, at the Grammy Awards with Justin Timberlake and as a leader, as well as on the Billboard Awards with Alicia Keys.&lt;br /&gt;&lt;br /&gt;* &lt;b&gt;Michel Camilo&lt;/b&gt; &amp;gt; Abril 30 - Mayo 5 &amp;gt; &lt;a href="http://www.bluenotejazz.com/newyork/index.shtml"&gt;BLUE NOTE&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;A pianist with a brilliant technique and a composer that flavors his tunes with Afro-Caribbean rhythms, Michel Camilo's musical language is an expressive combination of his Dominican Republic musical heritage and a rich, intelligent use of jazz harmonies and textures. Camilo composed his first piece at age five then studied at the National Conservatory for thirteen years. At age sixteen, he became a member of the National Symphony Orchestra of the Dominican Republic. &lt;br /&gt;In 1979, he moved to New York City where he furthered his education at Mannes and the Juilliard School of Music. Since his 1985 Carnegie Hall debut and his 1987 composer debut with the National Symphony Orchestra of the Dominican Republic, Camilo has become a leading figure in jazz in the US, Europe, Japan, and the Caribbean. November of 1988 marked his debut on a major record label with the release of his self- titled album, Michel Camilo (Sony). &lt;br /&gt;&lt;br /&gt;* &lt;b&gt;AT JOE'S PUB&lt;/b&gt;:&lt;br /&gt;&lt;br /&gt;- &lt;b&gt;Chicha Libre&lt;/b&gt; &amp;gt; Abril 11 &amp;gt; &lt;a href="http://www.joespub.com/component/option,com_shows/Itemid,40/"&gt;Joe's Pub&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;The Brooklyn-based collective which count members from Mexico, France, Venezuela and the US takes its inspiration from exotic strains of cumbia from the nether hemisphere. As a follow up to their mostly original material on 2012's Canibalismo, Chicha Libre turns its attention to some classic songs from the Anglophone world, applying its psychedelic chicha template to the Clash, Arthur Lee's Love, Los Shapis, and the Simpsons’ theme song.&lt;br /&gt;&lt;br /&gt;- &lt;b&gt;Cucu Diamantes&lt;/b&gt; &amp;gt; Abril 13 &amp;gt; &lt;a href="http://www.joespub.com/component/option,com_shows/Itemid,40/"&gt;Joe's Pub&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;Grammy nominated Cuban/New Yorker CuCu Diamantes celebrates the release of AMOR CRONICO's Film Sountrack with a very special live performance following the screening for the Havana New York Film Festival.&lt;br /&gt;Cucú Diamantes returns to her homeland in Cuba to perform her songs while becoming the first touring artist from outside the country in over 50 years. Along the way she realizes that she is “too much of a Cuban to live in New York, too much of a New Yorker to live in Havana”. This paradox, along with a new-found romance, sets her semi-fictional lead character on a whirlwind tour through the Cuban heartland. Cuban filmmaker Jorge Perugorría mixes live concert footage with an over-the-top fiction smorgasbord to create a love story and a road movie with a flashy musical twist.&lt;br /&gt;&lt;br /&gt;- &lt;b&gt;Giammaria Testa&lt;/b&gt; &amp;gt; Mayo 4 &amp;gt; &lt;a href="http://www.joespub.com/component/option,com_shows/Itemid,40/"&gt;Joe's Pub&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;&lt;br /&gt;In autumn 2011 his new album VITAMIA (My Life) was released and at Joe's Pub he will present it VITAMIA (“My Life”): Eleven tracks that embody personal and political reflections spanning some fifty years or “18 Thousands days” (to quote the title of one of the album’s songs). Like life itself, VITAMIA is a fresco of human emotions that draws on an immense diversity of musical colors and nuances.&lt;br /&gt;&lt;br /&gt;- &lt;b&gt;Villalobos Brothers&lt;/b&gt;  &amp;gt; Mayo 5 &amp;gt; &lt;a href="http://www.joespub.com/component/option,com_shows/Itemid,40/"&gt;Joe's Pub&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/-f0lN--rI8lE/UVD3cr-RX5I/AAAAAAAARBc/29TJoiyYgZo/s1600/Villalobos-Brothers-Dia-de-la-Candelaria31.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-f0lN--rI8lE/UVD3cr-RX5I/AAAAAAAARBc/29TJoiyYgZo/s1600/Villalobos-Brothers-Dia-de-la-Candelaria31.jpg" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;Masterfully blending the indigenous rhythms and melodies of their native Veracruz, Mexico with the intricate harmonies of jazz and classical music, the Villalobos Brothers deliver an intoxicating brew of musical brilliance, cadence and virtuosity that awakens the senses as it redefines the notions behind Latin music. The Villalobos Brothers have been acclaimed as one of today’s leading World Music and Classical Fusion ensembles. A trio of virtuoso violinists, singer-songwriters, composers, and arrangers, they have performed at the Latin Grammy Awards, Carnegie Hall, the Guggenheim Museum, Lincoln Center, the Metropolitan Museum of Art, the 60th Anniversary of the United Nations, Rockefeller Center, the New York Mets field at Shea Stadium, John F. Kennedy Center for the Performing Arts, New Victory Theatre, and Teatro Amadeo Roldán in Havana among other historic venues.&lt;br /&gt;&lt;br /&gt;- &lt;b&gt;Magos Herrera and Sofia Rei&lt;/b&gt; &amp;gt; Mayo 11 &amp;gt; &amp;gt; &lt;a href="http://www.joespub.com/component/option,com_shows/Itemid,40/"&gt;Joe's Pub&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;Magos Herrera (Mexico) and Sofia Rei (Argentina) present Sur 2 South, an evening of music that celebrates North and South America from different perspectives. Both ground-breaking artists are currently based in New York City and have captivated audiences internationally, being considered two of the most beautiful and charismatic voices of their generation.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;* &lt;b&gt;JARABE DE PALO&lt;/b&gt; &amp;gt; De Gira Nacional: Standford, NYC, Washington, Orlando, Mexico DF &amp;gt; En NYC at BB King Blues Club &amp;gt; Mayo 3 &amp;gt;&amp;nbsp;&lt;a href="http://www.bbkingblues.com/index.php"&gt;BBKing&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://1.bp.blogspot.com/-1q2pukiupr4/UVD4_XV3UpI/AAAAAAAARBk/YrqpHhZwmc4/s1600/jarabe.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;&lt;img border="0" height="179" src="http://1.bp.blogspot.com/-1q2pukiupr4/UVD4_XV3UpI/AAAAAAAARBk/YrqpHhZwmc4/s320/jarabe.jpg" width="320" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;&lt;br /&gt;Formed in Barcelona in the mid-'90s, Latin rock outfit Jarabe de Palo was the brainchild of guitarist and frontman Pau Dones, along with drummer Alex Tenas, bassist Joan Gene, and drummer Dani Forcada. The band made its first big splash with its 1996 album La Flaca, the title track from which became the song of the summer in Spain in 1997. Determined not to be a one-hit wonder, Dones led his band through a series of successful releases over the next decade, including Depende (1998), De Vuelta y Vuelta (2001), Grandes Exitos (2003), Un Metro Cuadrado 1m2 (2004), and Adelantando (2007). &lt;br /&gt;In 2008, Jarabe de Palo announced it was departing from its longtime record label, EMI Music Spain, and going independent. The band compressed the letters in its name and founded its own imprint, releasing a new album, Orquestra Reciclando, the following year. Featuring new versions of the band's own hits, the disc also featured a new song. Y Ahora Que Hacemos?, the band's latest album, came out last year.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;*&lt;b&gt;&amp;nbsp;Alejandro Sanz&lt;/b&gt; &amp;gt; De Gira Mundial: Los Angeles, Miami, Washington &amp;gt; En NYC Mayo 4 &amp;gt; Radio City Music Hall &amp;gt; &lt;a href="http://www.ticketmaster.com/Alejandro-Sanz-tickets/artist/755193" target="_blank"&gt;Sanz&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;a href="http://2.bp.blogspot.com/-_J-PKyI8Wvw/UVEG5n2vLtI/AAAAAAAARB0/OaI_Uqd19hU/s1600/sanz.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-_J-PKyI8Wvw/UVEG5n2vLtI/AAAAAAAARB0/OaI_Uqd19hU/s1600/sanz.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;* &lt;b&gt;Raphael &lt;/b&gt;&amp;gt; Gira Nacional: El Paso, Miami Beach, Los Angeles &amp;gt; En NYC Mayo 15 &amp;gt; Beacon Theater &amp;gt; &lt;a href="http://www.ticketmaster.com/Raphael-tickets/artist/733809" target="_blank"&gt;Raphael&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;
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&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif; font-size: large;"&gt;&lt;br /&gt;=============================&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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