sublevel9 studios

How low (or infrequent) can you go...?

noreply@blogger.com (ty) — Wed, 20 Apr 2011 22:48:00 +0000

Time to record this blasted patch so that I can use my studio again!! It was a fun one to construct, however, so I'll share a bit about it with you.

The E-mu drum machine pictured spits out 24 ppq (pulses-per-quarter note) for syncing with other devices that speak that language. I wanted to see whether I could make use of those pulses in other ways... 24 ppq is a real barrage, let me tell you -- that's 96th notes, for the rhythmically inclined among you.

So I ran the pulse output to a 3-stage sequential switch, and took just one of the three stages for my output. 24 neatly divides by 3 to yield a more useful 8 ppq (32nd notes) which I then ran to an 8-stage trigger sequencer, allowing for further subdivisions.

The trigger sequencer has four separate rows, with each row sporting a toggle switch per stage, or step. By specifically setting the switches for each row, I now had at my disposal four useful subdivisions: 32nd notes, 16th notes (which I used for one aspect of the melody), 8th notes, and quarter notes.

Using other sequencers in my arsenal, I was able to achieve further subdivisions, including half-notes, whole notes (which I used for another aspect of the melody), 1 pulse every four bars (which I used for my bassline), and even 1 pulse every eight bars.

Really geeky, and really fun to figure out!

Something about time...

noreply@blogger.com (ty) — Fri, 08 Apr 2011 16:26:00 +0000

It's unbelievable to me that I announced the release of 'The Mesmer Eye' a year ago today! New and (I hope!) interesting things will be taking place here at sublevel9 studios this year. Please stay tuned!

New square_wave album: The Mesmer Eye

noreply@blogger.com (ty) — Thu, 08 Apr 2010 19:28:00 +0000

At last, I’m proud to announce a new square_wave album, 'The Mesmer Eye'. Three years in the making, this album returns to the short-form presentation begun with 'Aerodrome'. This album also marks the first time outside participation has crept in. One track includes sonic elements that resulted from a bad rip of a CD by Phil Western (aka Philth) (Download, platEAU, Beehatch) who was kind enough to sign off on my experiment. And a true highlight for me is the artwork provided by Chris McBeth (Beta-lactam Ring Records) whose gorgeous works grace the covers of many BLRR releases.

While working on this album I found myself thinking about stasis, detachment, and decay – that is, a sense of collective isolation that has receded to the background and become a deep-seated fabric upon which we continue to pile Meaningless upon Meaningless. I was also taken with the story of Henry Cavendish, an 18th century experimental scientist who discovered several laws and principles before anyone else – yet he didn’t publish any of them. The most significant was his discovery of Ohm’s Law before Ohm. He conducted his experiments, made important discoveries and took notes, but remained detached from the scientific community. Perhaps because of my fixation on Cavendish, I frequently found myself juxtaposing mental images of the promise of 18th and 19th century science against a future lost in material gain and the perpetuated despoiling of our world. "I'm really not at liberty to discuss this..."

Available now at CD Baby, iTunes, and Amazon.

Mach Ångström (excerpt)...

noreply@blogger.com (ty) — Tue, 23 Mar 2010 00:20:00 +0000

For those who require more than a 30 second preview of a 30+ minute long track:

Mach Ångström (excerpt) by square_wave

New square_wave album: Mach Ångström

noreply@blogger.com (ty) — Mon, 07 Dec 2009 21:41:00 +0000

Things don't always happen in the order they're supposed to, and that's alright. So the second of two new albums is ready first. It's available now at CD Baby and will soon be available at the usual digital sites. I'm excited about this one, as Mach Ångström is my first full-on drone release, and contrasts nicely with the other album-to-be.

This thirty-plus minute piece is comprised of Serge analog modular synthesizer drones coaxed into sumptuous other-worldliness by spectral layers of ensemble generators, cured in spring reverb baths, and aged inappropriately by delays of the bucket-brigade and magnetic tape categories; augmented by dusty, ethereal guitar motifs. Recorded over two late nights in December 2008.

bananaSLOTH ate my serge...

noreply@blogger.com (ty) — Thu, 19 Nov 2009 16:51:00 +0000

bananaSLOTH ate my serge by square_wave

sublevel9 gear pr0n...

noreply@blogger.com (ty) — Sun, 20 Sep 2009 01:12:00 +0000

Trust your senses...

noreply@blogger.com (ty) — Sat, 05 Sep 2009 23:09:00 +0000

After systematically turning everything off in the house, I finally discovered the source of an annoying hum that was most pronounced in the same spot as my favorite chair in front of the stereo/TV. I wasn't sure when it started, but it coincided (in retrospect) with another annoying phenomenon: cancellation of some low end frequency at head-height while seated in that same favorite chair. What rotten luck! I just couldn't believe I hadn't noticed this cancellation before, and until I had eliminated the annoying hum, I hadn't connected the two phenomena.

So what was it? It turns out the external USB hard drive sitting in my basement studio was the cause of the hum. Somehow the frequency of the hum from the spinning platters in the drive was sympathetically transferred upstairs via the surface the drive sat on, up the studio walls, through the living room floor boards and into the air... directly overhead to where my favorite chair sits. This hum's frequency (117 Hz, as I later determined) was loud enough to mix with the audio coming from the living room stereo, and caused destructive cancellation of that frequency -- a frequency well within the low end range that a subwoofer is concerned with, and very noticeable when it disappears. I was really pleased to find I had actually fixed two problems when I had only set out to isolate one. Make that three problems solved: sitting in my studio afterwards, I noticed that the room seemed quieter. I must have been subconsciously ignoring the hum down here. In any case, this was all a good reminder to listen to what your ears are telling you!

Shouldn't have said it...

noreply@blogger.com (ty) — Sat, 05 Sep 2009 06:18:00 +0000

TWO MONTHS AGO this day, I said I was in the final mix stages of this next album. I should have known better. That's precisely how one curses a project: divulging too much about it. As we speak, Fate's agents are ransacking the place, rewinding my clocks, burning my notes, leaving milk on the counter... Meanwhile, I'm listening to these tracks, teetering on that dangerous precipice of When To Stop Mucking With It. It's close. And I will say no more until it's done...

STG's Time Modules getting to know the Serge...

noreply@blogger.com (ty) — Mon, 13 Jul 2009 06:26:00 +0000

I should be mixing the new album, but I couldn't help spending time this weekend with a couple of the latest welcome additions to the studio: STG Soundlabs' Time Modules, and my second Serge "boat" (the lower of the two Serge rack units at left).

The Time Modules are unique in that they're designed to be clocked by the DIN sync output of a drum machine, rather than having an internal clock like most sequencers. The Time Modules utilize a bus on the backside to distribute clock and start/stop signals sent by the drum machine (they also have front panel jacks for interfacing with other trigger sources instead). There are separate modules for variable voltages and for triggers. A companion module allows you set the number of steps that each of the other modules will step through. So you can create some pretty complex rhythmic sequences really easily.

The Serge, ah... the Serge. Before now I only had one "M-odule": the Creature. This little beast is a most interesting module, capable of all sorts of controlled voltage mayhem. It's easy to spend hours building up the most bizarre percolating self-running patches. So I decided I needed to ground myself with some pure sound shaping capabilities, and went for the Dual Oscillator and Wave Processor modules. I've only begun to scratch the surface with these (or with the Creature, for that matter), but I can already tell I made the right decision. These modules are d..e..e..p...

Next album getting closer...

noreply@blogger.com (ty) — Sat, 04 Jul 2009 08:06:00 +0000

I'm in the final stages of mixing and mastering the next square_wave album, titled The Mesmer Eye. This album includes material spanning a three year period of explorations whose fruits manifested themselves in the first two albums. So there are definitely aspects that will seem familiar while hopefully pushing into some new areas as well. Another new album, an EP really, will follow possibly later this summer.

New square_wave video: '6 cycles 7'

noreply@blogger.com (ty) — Mon, 20 Apr 2009 00:30:00 +0000

New video for the track '6 cycles 7' from an upcoming album by square_wave. The audio is comprised of two tracks of dotcom modular synth (low frequency rumble and slowly modulating resonant drone), processed hand-held radio, TR-606, and Serge modular synth (the drip-drop ploppy sounds). All analog, of course. The track is inspired by early 'Back & Forth'-era Skinny Puppy and other minimal electronic music of the late 70s/early 80s. The video is very much an homage to the cut-up video work and visual stylings of Cabaret Voltaire's Doublevision period.

square_wave in upcoming DVD?

noreply@blogger.com (ty) — Sun, 19 Apr 2009 22:17:00 +0000

This video's been up for a while, but I didn't notice it until now. You can catch about three seconds of me from 1:18-1:21.

Korg joins the fold...

noreply@blogger.com (ty) — Fri, 17 Apr 2009 22:00:00 +0000

Pictured here is my first Korg (the MS-20 above), joining a recording-in-progress (top pic, far right). It's a cool little semi-patchable synth, and makes sounds that take my ears back to the late 70s/early 80s days when electronic music itself had matured, but synth pop was still on wobbly legs. Raw, quick to dial up what you want, but still highly tweakable. Of course, in the scene above what we have is not synth pop, but rather a nice, slowly modulating drone, heavily filtered and rich with peaks teetering on self-oscillation. [slurp...]

A new flat surface...

noreply@blogger.com (ty) — Sun, 12 Apr 2009 07:40:00 +0000

Today I flexed my basic geometry skills and built a new shelf over my workdesk. That seems to be the modus operandi here at sublevel9: Run out of space? Add a shelf. This will be the new home of a Korg MS-20 en route from Japan...

Tonight @ sublevel9...

noreply@blogger.com (ty) — Sun, 29 Mar 2009 09:10:00 +0000

(sent from my phone)

New home for sublevel9 studios

noreply@blogger.com (ty) — Sun, 29 Mar 2009 00:26:00 +0000

Greetings, and welcome to the new web 2.0 home of sublevel9 studios. Hopefully this will prod (poke?) me into keeping things up to date around here. We shall see...