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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2enclosuresfull.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:media="http://search.yahoo.com/mrss/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><title>selacapo.net</title><link>http://selacapo.net/new</link><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/selacapo" /><description>Laboratorio di giornalismo partecipativo!</description><language>it</language><lastBuildDate>Wed, 22 Feb 2012 09:01:37 PST</lastBuildDate><generator>http://wordpress.org/?v=3.3.1</generator><sy:updatePeriod xmlns:sy="http://purl.org/rss/1.0/modules/syndication/">hourly</sy:updatePeriod><sy:updateFrequency xmlns:sy="http://purl.org/rss/1.0/modules/syndication/">1</sy:updateFrequency><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/selacapo" /><feedburner:info uri="selacapo" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><itunes:explicit>no</itunes:explicit><itunes:subtitle>Laboratorio di giornalismo partecipativo!</itunes:subtitle><feedburner:emailServiceId>selacapo</feedburner:emailServiceId><feedburner:feedburnerHostname>http://feedburner.google.com</feedburner:feedburnerHostname><item><title>La “Soup” Opera di Andy Warhol. (di Marianna Matricardi)</title><link>http://feedproxy.google.com/~r/selacapo/~3/A3nADj1dYKE/</link><category>Arte&amp;Cultura</category><category>Consigliati</category><category>Prima Pagina</category><category>Andy Warhol</category><category>arte</category><category>Factory</category><category>icona</category><category>pop art</category><category>pubblicità</category><category>simbolo</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Marianna Matricardi</dc:creator><pubDate>Wed, 22 Feb 2012 08:58:08 PST</pubDate><guid isPermaLink="false">http://selacapo.net/new/?p=5744</guid><description>Il tempo di terminare Last Supper e la sua ultima cena si consuma il 22 febbraio 1987. A 25 anni dalla morte dell&amp;#8217;icona generatrice di icone, diventa paradossale pensare di poterlo riassumere in parole. Warhol è una zuppa di pomodoro, è una banana, è l&amp;#8217;umanizzazione di Mao Tse-tung. É più di ogni altra cosa la sua Factory, quella fucina di muse, artisti e pseudo tali che hanno nutrito il suo immaginario, spinto al parto delle sue idee, stabilito una cifra stilistica lontana [...]&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/selacapo/~4/A3nADj1dYKE" height="1" width="1"/&gt;</description><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://selacapo.net/new/prima-pagina/2012/02/22/la-soup-opera-di-andy-warhol-di-marianna-matricardi/feed/</wfw:commentRss><slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments><feedburner:origLink>http://selacapo.net/new/prima-pagina/2012/02/22/la-soup-opera-di-andy-warhol-di-marianna-matricardi/</feedburner:origLink></item><item><title>Toccata e fuga. Perché #raim***a non è solo un Trend Topic.</title><link>http://feedproxy.google.com/~r/selacapo/~3/E4RN1qaotoI/</link><category>La voce</category><category>Prima Pagina</category><category>Stai zitto per favore</category><category>#raimerda</category><category>canone</category><category>Mario Monti</category><category>prelievo fiscale</category><category>principe giovanni</category><category>Rai</category><category>tasse e imposte</category><category>twitter</category><category>usura</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Guido Ingenito</dc:creator><pubDate>Mon, 20 Feb 2012 07:10:16 PST</pubDate><guid isPermaLink="false">http://selacapo.net/new/?p=5740</guid><description>&amp;#8220;Chiunque detenga uno o più apparecchi atti od adattabili alla ricezione delle radioaudizioni è obbligato al pagamento del canone di abbonamento, giusta le norme di cui al presente decreto.&amp;#8221; (R.D.L. 21 febbraio 1938, n. 246 art. 1, in materia di &amp;#8220;Disciplina degli abbonamenti alle radioaudizioni.&amp;#8221;) Dell&amp;#8217;incipit da me proposto potete fare caso solo alla parte in grassetto. La novità, già ampiamente echeggiata su twitter, è che nel c.d.a. della Rai si è insidiato il Principe Giovanni Senza Terra (di corrente [...]&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/selacapo/~4/E4RN1qaotoI" height="1" width="1"/&gt;</description><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://selacapo.net/new/la-voce/2012/02/20/toccata-e-fuga-perche-raima-non-e-solo-un-trend-topic/feed/</wfw:commentRss><slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments><feedburner:origLink>http://selacapo.net/new/la-voce/2012/02/20/toccata-e-fuga-perche-raima-non-e-solo-un-trend-topic/</feedburner:origLink></item><item><title>War Horse: Spielbeg ritorna in sella. Recensione (di Jacopo Zonca)</title><link>http://feedproxy.google.com/~r/selacapo/~3/aB4zXZ6HMpw/</link><category>35mm</category><category>Prima Pagina</category><category>amicizia</category><category>cavallo</category><category>cinema</category><category>film</category><category>guerra</category><category>Irvine</category><category>Mullan</category><category>Spielberg</category><category>War Horse</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Jacopo Zonca</dc:creator><pubDate>Mon, 20 Feb 2012 05:21:26 PST</pubDate><guid isPermaLink="false">http://selacapo.net/new/?p=5722</guid><description>Un contadino della campagna inglese acquista un cavallo ad un’asta di paese. Il cavallo, di nome Joey, viene educato dal figlio Albert. Però scoppia la guerra e i due amici devono separarsi. Dopo l’esperimento animato fatto con TinTin, Spielberg decide di fare un passo indietro, tornando a girare un film dallo stile classico. Il cavallo è la metafora della vita, la vita difficile che tutti viviamo; il cavallo è la metafora della forza, quella che tutti dovremmo avere nei momenti [...]&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=aB4zXZ6HMpw:DSDxGcdsRto:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=aB4zXZ6HMpw:DSDxGcdsRto:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=aB4zXZ6HMpw:DSDxGcdsRto:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=aB4zXZ6HMpw:DSDxGcdsRto:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=aB4zXZ6HMpw:DSDxGcdsRto:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=aB4zXZ6HMpw:DSDxGcdsRto:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=aB4zXZ6HMpw:DSDxGcdsRto:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=aB4zXZ6HMpw:DSDxGcdsRto:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/selacapo/~4/aB4zXZ6HMpw" height="1" width="1"/&gt;</description><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://selacapo.net/new/mondo-cinema/2012/02/20/war-horse-spielbeg-ritorna-in-sella-recensione-di-jacopo-zonca/feed/</wfw:commentRss><slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments><feedburner:origLink>http://selacapo.net/new/mondo-cinema/2012/02/20/war-horse-spielbeg-ritorna-in-sella-recensione-di-jacopo-zonca/</feedburner:origLink></item><item><title>Jeremy Lin e il sogno americano. (di Pasquale Restaino)</title><link>http://feedproxy.google.com/~r/selacapo/~3/NJSjZ-3sxKs/</link><category>Bar sport</category><category>Prima Pagina</category><category>basket</category><category>Harvard</category><category>Jeremy Lin</category><category>Nba</category><category>New York Knicks</category><category>record</category><category>Taiwan</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Pasquale Restaino</dc:creator><pubDate>Sat, 18 Feb 2012 06:52:01 PST</pubDate><guid isPermaLink="false">http://selacapo.net/new/?p=5702</guid><description>Negli Stati Uniti da qualche giorno non si parla d&amp;#8217;altro: la favola del giocatore di basket Jeremy Lin. Per chi mastica poco il mondo della pallacanestro americana quel nome orientale non dice molto, eppure in tv come sui giornali (anche italiani) la parabola umana e sportiva di questo giovane ragazzo di origine taiwanesi, laureato ad Harvard, sta spopolando. Facciamo un passo indietro. Lin è un giocatore di basket, ha 23 anni e milita nella squadra dei New York Knicks. Fino [...]&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=NJSjZ-3sxKs:Ij3KMkPG20Q:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=NJSjZ-3sxKs:Ij3KMkPG20Q:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=NJSjZ-3sxKs:Ij3KMkPG20Q:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=NJSjZ-3sxKs:Ij3KMkPG20Q:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=NJSjZ-3sxKs:Ij3KMkPG20Q:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=NJSjZ-3sxKs:Ij3KMkPG20Q:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=NJSjZ-3sxKs:Ij3KMkPG20Q:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=NJSjZ-3sxKs:Ij3KMkPG20Q:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/selacapo/~4/NJSjZ-3sxKs" height="1" width="1"/&gt;</description><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://selacapo.net/new/sport/2012/02/18/jeremy-lin-e-il-sogno-americano-di-pasquale-restaino/feed/</wfw:commentRss><slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments><feedburner:origLink>http://selacapo.net/new/sport/2012/02/18/jeremy-lin-e-il-sogno-americano-di-pasquale-restaino/</feedburner:origLink></item><item><title>Meglio il turismo nostrano? Lucca. (di Ernesto Donatiello)</title><link>http://feedproxy.google.com/~r/selacapo/~3/zKbOmNNJRyo/</link><category>Prima Pagina</category><category>SelaTravel</category><category>anfiteatro</category><category>chiese</category><category>città</category><category>Lucca</category><category>medioevo</category><category>palazzo Pfanner</category><category>storia</category><category>strade</category><category>torre delle Ore</category><category>torre Guinigi</category><category>Toscana</category><category>turismo</category><category>viaggio</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Ernesto Donatiello</dc:creator><pubDate>Fri, 17 Feb 2012 06:03:14 PST</pubDate><guid isPermaLink="false">http://selacapo.net/new/?p=5652</guid><description>Troppe volte nello scorrazzare nel mondo andiamo a sottovalutare quello che ci circonda, accade con l&amp;#8217;Irpinia, ma soprattutto con l&amp;#8217;Italia. Prendere l&amp;#8217;aereo è emozionante, scendere in aeroporto e sentirsi estranei, diversi rispetto al contesto fa vibrare la pelle, il sentire un&amp;#8217;altra lingua è unico, la strana psicologia del viaggio che  ci spinge all&amp;#8217;estero è spesso in noi: è voglia di diverso. L&amp;#8217;Italia però riserva sorprese in Irpinia, ma le riserva sopratutto fuori dai grandi centri sovraffollati di giapponesi armati di [...]&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=zKbOmNNJRyo:8ubHOit9SyA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=zKbOmNNJRyo:8ubHOit9SyA:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=zKbOmNNJRyo:8ubHOit9SyA:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=zKbOmNNJRyo:8ubHOit9SyA:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=zKbOmNNJRyo:8ubHOit9SyA:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=zKbOmNNJRyo:8ubHOit9SyA:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=zKbOmNNJRyo:8ubHOit9SyA:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=zKbOmNNJRyo:8ubHOit9SyA:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/selacapo/~4/zKbOmNNJRyo" height="1" width="1"/&gt;</description><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://selacapo.net/new/prima-pagina/2012/02/17/meglio-il-turismo-nostrano-lucca-di-ernesto-donatiello/feed/</wfw:commentRss><slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments><feedburner:origLink>http://selacapo.net/new/prima-pagina/2012/02/17/meglio-il-turismo-nostrano-lucca-di-ernesto-donatiello/</feedburner:origLink></item><item><title>Mondo Movie: Figli di Jacopetti – I mondo “crudeli”. (di Emanuele Leotta)</title><link>http://feedproxy.google.com/~r/selacapo/~3/v2ejYchx24E/</link><category>35mm</category><category>Prima Pagina</category><category>Albertini</category><category>cinema</category><category>Claudio Racca</category><category>Crisanti</category><category>declino</category><category>dossier</category><category>film</category><category>genere cinematografico</category><category>macabro</category><category>mondo-movie</category><category>morte</category><category>Sergio Martino</category><category>sesso</category><category>shock</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Emanuele Leotta</dc:creator><pubDate>Wed, 15 Feb 2012 00:00:36 PST</pubDate><guid isPermaLink="false">http://selacapo.net/new/?p=5636</guid><description>Quinta puntata Sulla scia del successo cinematografico del prototipo jacopettiano, molti autori decidono di intraprendere la via del mondo. Alcuni, come Roberto Bianchi Montero, aggiornano le già collaudate inchieste sexy con la nuova tendenza shockumentaristica. Le flebili pruderie di stampo blasettiano sono così affiancate e non di rado soverchiate dall’ammiccante moda del bizzarro sensazionalismo. Già a partire dai titoli è chiara la voglia di Montero di voler emulare l’opera leader del genere. Nel biennio 1962 &amp;#8211; 1963 il regista assembla [...]&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=v2ejYchx24E:p3GpRWW4Kvw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=v2ejYchx24E:p3GpRWW4Kvw:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=v2ejYchx24E:p3GpRWW4Kvw:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=v2ejYchx24E:p3GpRWW4Kvw:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=v2ejYchx24E:p3GpRWW4Kvw:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=v2ejYchx24E:p3GpRWW4Kvw:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=v2ejYchx24E:p3GpRWW4Kvw:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=v2ejYchx24E:p3GpRWW4Kvw:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/selacapo/~4/v2ejYchx24E" height="1" width="1"/&gt;</description><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://selacapo.net/new/mondo-cinema/2012/02/15/mondo-movie-figli-di-jacopetti-i-mondo-crudeli-di-emanuele-leotta/feed/</wfw:commentRss><slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments><feedburner:origLink>http://selacapo.net/new/mondo-cinema/2012/02/15/mondo-movie-figli-di-jacopetti-i-mondo-crudeli-di-emanuele-leotta/</feedburner:origLink></item><item><title>Remembering Keith Haring. (di Marianna Matricardi)</title><link>http://feedproxy.google.com/~r/selacapo/~3/Y4me0GmDtP8/</link><category>Arte&amp;Cultura</category><category>Consigliati</category><category>Prima Pagina</category><category>AIDS</category><category>arte</category><category>cultura</category><category>cut-ups</category><category>denuncia</category><category>graffiti</category><category>Keith Haring</category><category>murale</category><category>opere</category><category>Tuttomondo</category><category>writer</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Marianna Matricardi</dc:creator><pubDate>Mon, 13 Feb 2012 08:15:05 PST</pubDate><guid isPermaLink="false">http://selacapo.net/new/?p=5612</guid><description>“Quand’ero piccolo pensavo che sarei morto giovane. Così ho praticamente vissuto come se me lo aspettassi. Ora lo so. Ho fatto tutto quello che volevo. Lo sto ancora facendo”. (Keith Haring). È il 1989 e un anno dopo, Il 16 febbraio del 1990, Keith Haring si congeda dal mondo lasciandoci “Tuttomondo”. La sua storia inizia nell&amp;#8217;America borghese della Pennsylvania, l&amp;#8217;indole timida di un nerd dell&amp;#8217;epoca, influenzata da Beatles, Led Zeppelin, Jean Dubuffet e dai fumetti del padre. Le nostre metropolitane, le [...]&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=Y4me0GmDtP8:FEyKlg2xIIk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=Y4me0GmDtP8:FEyKlg2xIIk:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=Y4me0GmDtP8:FEyKlg2xIIk:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=Y4me0GmDtP8:FEyKlg2xIIk:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=Y4me0GmDtP8:FEyKlg2xIIk:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=Y4me0GmDtP8:FEyKlg2xIIk:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=Y4me0GmDtP8:FEyKlg2xIIk:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=Y4me0GmDtP8:FEyKlg2xIIk:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/selacapo/~4/Y4me0GmDtP8" height="1" width="1"/&gt;</description><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://selacapo.net/new/prima-pagina/2012/02/13/remembering-keith-haring-di-marianna-matricardi/feed/</wfw:commentRss><slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments><feedburner:origLink>http://selacapo.net/new/prima-pagina/2012/02/13/remembering-keith-haring-di-marianna-matricardi/</feedburner:origLink></item><item><title>La passeggiata bianca. (di Franco Arminio)</title><link>http://feedproxy.google.com/~r/selacapo/~3/b4LZGzp8uJg/</link><category>La voce</category><category>Prima Pagina</category><category>foto</category><category>Mediterraneo</category><category>neve</category><category>paesaggio</category><category>paesi</category><category>piazza</category><category>terra</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Franco Arminio</dc:creator><pubDate>Sun, 12 Feb 2012 03:20:35 PST</pubDate><guid isPermaLink="false">http://selacapo.net/new/?p=5600</guid><description>Mi sono svegliato presto, le sei del mattino. Sentivo ancora nelle gambe i passi del giorno prima. Sono uscito per vedere il paese adagiato nel suo cucchiaio di neve. Con me due compagne, videocamera e macchina fotografica. Al paese vecchio a quest’ora non c’è nessuno. Nevica. Mi fermo a filmare il metro e mezzo di neve sul balcone di una casa abbandonata. Sono abbandonate quasi tutte, ma questa ha un bel balcone lungo e la neve che c’è sopra sembra [...]&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=b4LZGzp8uJg:IlWNCz8J2vA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=b4LZGzp8uJg:IlWNCz8J2vA:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=b4LZGzp8uJg:IlWNCz8J2vA:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=b4LZGzp8uJg:IlWNCz8J2vA:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=b4LZGzp8uJg:IlWNCz8J2vA:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=b4LZGzp8uJg:IlWNCz8J2vA:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=b4LZGzp8uJg:IlWNCz8J2vA:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=b4LZGzp8uJg:IlWNCz8J2vA:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/selacapo/~4/b4LZGzp8uJg" height="1" width="1"/&gt;</description><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://selacapo.net/new/la-voce/2012/02/12/la-passeggiata-bianca-di-franco-arminio/feed/</wfw:commentRss><slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments><feedburner:origLink>http://selacapo.net/new/la-voce/2012/02/12/la-passeggiata-bianca-di-franco-arminio/</feedburner:origLink></item><item><title>Benvenuti al nord. La fiera del “qualunquismo razziale”. (di Emanuele Leotta)</title><link>http://feedproxy.google.com/~r/selacapo/~3/-Ukfb2DRJd8/</link><category>35mm</category><category>Prima Pagina</category><category>Alessandro Siani</category><category>Benvenuti al nord</category><category>cinema</category><category>Claudio Bisio</category><category>commedia</category><category>film</category><category>Luca Miniero</category><category>luoghi comuni</category><category>materdomini</category><category>nord</category><category>regia</category><category>stereotipi</category><category>successo</category><category>sud</category><category>Valentina Lodovini</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Emanuele Leotta</dc:creator><pubDate>Fri, 10 Feb 2012 11:25:03 PST</pubDate><guid isPermaLink="false">http://selacapo.net/new/?p=5588</guid><description>Nel triste panorama della nostra cinematografia, quella del “ragazzo che cresce, cinquantenne in crisi e vacanza per minorato mentale” come da sintesi tarantiniana, quando viene fuori un prodotto come Benvenuti al Sud (2011) il pubblico italiota, che evidentemente si accontenta tra “Idioti”, “Zelighiani” e “Sketchisti”, grida subito al miracolo. Tanto che, a fronte di una certa qualità priva di volgarità ma anche di intrinseche santificazioni, e di uno strepitoso successo al botteghino, si è prevedibilmente deciso di realizzare il sequel. [...]&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=-Ukfb2DRJd8:uJKa6Hpw9bE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=-Ukfb2DRJd8:uJKa6Hpw9bE:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=-Ukfb2DRJd8:uJKa6Hpw9bE:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=-Ukfb2DRJd8:uJKa6Hpw9bE:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=-Ukfb2DRJd8:uJKa6Hpw9bE:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=-Ukfb2DRJd8:uJKa6Hpw9bE:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=-Ukfb2DRJd8:uJKa6Hpw9bE:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=-Ukfb2DRJd8:uJKa6Hpw9bE:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/selacapo/~4/-Ukfb2DRJd8" height="1" width="1"/&gt;</description><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://selacapo.net/new/mondo-cinema/2012/02/10/benvenuti-al-nord-la-fiera-del-qualunquismo-razziale-di-emanuele-leotta/feed/</wfw:commentRss><slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments><feedburner:origLink>http://selacapo.net/new/mondo-cinema/2012/02/10/benvenuti-al-nord-la-fiera-del-qualunquismo-razziale-di-emanuele-leotta/</feedburner:origLink></item><item><title>Mondo (cane) del lavoro. Analisi filmica di un’opera inesistente sui mali del mondo del lavoro attuale.(di Emanuele Leotta)</title><link>http://feedproxy.google.com/~r/selacapo/~3/klkIc8pN2VE/</link><category>35mm</category><category>cinema</category><category>film</category><category>finzione</category><category>genere cinematografico</category><category>lavoro</category><category>personaggio</category><category>provvigione</category><category>realtà</category><category>sceneggiatura</category><category>storia</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Emanuele Leotta</dc:creator><pubDate>Fri, 10 Feb 2012 05:42:12 PST</pubDate><guid isPermaLink="false">http://selacapo.net/new/?p=5578</guid><description>Il posto fisso è monotono? Ma no! Il posto fisso non esiste più. Fa parte di un’utopica biosfera perduta nei meandri della sempliciotta certezza. Proprio come quei bei film di una volta, melodrammoni ingenui e a lacrimona calcolata, nei quali però alla fine il bello e la bella coronavano il loro sogno d’amore, dopo una caterva di disgrazie, in un tripudio di scottex ammantati di emozione pluviale. Con la sua irrazionale sparata, l’esimio Professore ha dimostrato di non essere ferrato [...]&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=klkIc8pN2VE:Aoh9gSPJd44:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=klkIc8pN2VE:Aoh9gSPJd44:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=klkIc8pN2VE:Aoh9gSPJd44:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=klkIc8pN2VE:Aoh9gSPJd44:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=klkIc8pN2VE:Aoh9gSPJd44:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=klkIc8pN2VE:Aoh9gSPJd44:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=klkIc8pN2VE:Aoh9gSPJd44:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=klkIc8pN2VE:Aoh9gSPJd44:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/selacapo/~4/klkIc8pN2VE" height="1" width="1"/&gt;</description><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://selacapo.net/new/mondo-cinema/2012/02/10/mondo-cane-del-lavoro-analisi-filmica-di-unopera-inesistente-sui-mali-del-mondo-del-lavoro-attuale-di-emanuele-leotta/feed/</wfw:commentRss><slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments><feedburner:origLink>http://selacapo.net/new/mondo-cinema/2012/02/10/mondo-cane-del-lavoro-analisi-filmica-di-unopera-inesistente-sui-mali-del-mondo-del-lavoro-attuale-di-emanuele-leotta/</feedburner:origLink></item><item><title>Selacapo intervista la scrittrice Alessandra Di Pietro, autrice di Godete! (di Marina Donato)</title><link>http://feedproxy.google.com/~r/selacapo/~3/h-NnoUcwCyg/</link><category>L'intervista</category><category>Libri &amp; Letture</category><category>Prima Pagina</category><category>add editore</category><category>Alessandra di Pietro</category><category>donne</category><category>erotismo</category><category>femminismo</category><category>Godete</category><category>libro</category><category>piacere</category><category>scrittrice</category><category>sesso</category><category>sessualità</category><category>tabù</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Marina Donato</dc:creator><pubDate>Thu, 09 Feb 2012 07:21:55 PST</pubDate><guid isPermaLink="false">http://selacapo.net/new/?p=5512</guid><description>Protagonista di questa nuova intervista di Selacapo è Alessandra di Pietro, scrittrice, femminista convinta ed autrice di Godete! libro che cerca di fotografare il mondo femminile attraverso l&amp;#8217;analisi della sessualità. Un libro che parla di donne, sesso, piacere ed erotismo in maniera laica e leggera, senza la zavorra ideologica a cui certi libri sul tema ci hanno abituato in passato. L&amp;#8217;intervista è a cura di Marina Donato. 1) Cosa l’ha spinta a scrivere Godete? Godete!  raccoglie le inchieste sulla sessualità [...]&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=h-NnoUcwCyg:YUghQsMKgq0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=h-NnoUcwCyg:YUghQsMKgq0:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=h-NnoUcwCyg:YUghQsMKgq0:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=h-NnoUcwCyg:YUghQsMKgq0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=h-NnoUcwCyg:YUghQsMKgq0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=h-NnoUcwCyg:YUghQsMKgq0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=h-NnoUcwCyg:YUghQsMKgq0:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=h-NnoUcwCyg:YUghQsMKgq0:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/selacapo/~4/h-NnoUcwCyg" height="1" width="1"/&gt;</description><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://selacapo.net/new/prima-pagina/2012/02/09/selacapo-intervista-la-scrittrice-alessandra-di-pietro-autrice-di-godete-di-marina-donato/feed/</wfw:commentRss><slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments><feedburner:origLink>http://selacapo.net/new/prima-pagina/2012/02/09/selacapo-intervista-la-scrittrice-alessandra-di-pietro-autrice-di-godete-di-marina-donato/</feedburner:origLink></item><item><title>L’arca di Babele: Dardano Sacchetti risponde ai lettori.</title><link>http://feedproxy.google.com/~r/selacapo/~3/d_NvZTthGac/</link><category>35mm</category><category>L'arca di Babele</category><category>Prima Pagina</category><category>analisi</category><category>cinema</category><category>Dardano Sacchetti</category><category>domande</category><category>festival</category><category>film</category><category>film amatoriali</category><category>final cut</category><category>produttore</category><category>regia</category><category>risposte</category><category>sceneggiatura</category><category>società</category><category>Ugo Pirro</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Dardano Sacchetti</dc:creator><pubDate>Wed, 08 Feb 2012 03:44:21 PST</pubDate><guid isPermaLink="false">http://selacapo.net/new/?p=5500</guid><description>Ciao Dardano, come stai?  Una domanda a freddo, giusto per scaldarci: sceneggiatori ci si nasce o ci si può diventare? Esiste una struttura predeterminata che ogni sceneggiatura deve rispettare?  Chi è stato secondo te il più grande innovatore in fatto di sceneggiature? Hai mai avuto l&amp;#8217;occasione di conoscere i grandi Elio Petri e Ugo Pirro? E per finire, una spolverata di stalking: è possibile incontrarti di persona? Grazie dell&amp;#8217;attenzione,  Guido Ingenito, 25 anni, Milano, Studente, anzi disoccupato in sociologia. D. Sacchetti: [...]&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=d_NvZTthGac:rbmeWr0kYQg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=d_NvZTthGac:rbmeWr0kYQg:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=d_NvZTthGac:rbmeWr0kYQg:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=d_NvZTthGac:rbmeWr0kYQg:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=d_NvZTthGac:rbmeWr0kYQg:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=d_NvZTthGac:rbmeWr0kYQg:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=d_NvZTthGac:rbmeWr0kYQg:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=d_NvZTthGac:rbmeWr0kYQg:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/selacapo/~4/d_NvZTthGac" height="1" width="1"/&gt;</description><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://selacapo.net/new/mondo-cinema/2012/02/08/arca-di-babele-dardano-sacchetti-risponde/feed/</wfw:commentRss><slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments><feedburner:origLink>http://selacapo.net/new/mondo-cinema/2012/02/08/arca-di-babele-dardano-sacchetti-risponde/</feedburner:origLink></item><item><title>Mondo Movie: Le ultime grida dal mondo-Antonio Climati e Mario Morra. (di Emanuele Leotta)</title><link>http://feedproxy.google.com/~r/selacapo/~3/XYjLrwblN8s/</link><category>35mm</category><category>Prima Pagina</category><category>animali</category><category>Antonio Climati</category><category>cannibal</category><category>cinema</category><category>dossier</category><category>film</category><category>genere cinematografico</category><category>indigeni</category><category>Mario Morra</category><category>mondo-movie</category><category>natura</category><category>Savana selvaggia</category><category>shock</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Emanuele Leotta</dc:creator><pubDate>Tue, 07 Feb 2012 07:47:54 PST</pubDate><guid isPermaLink="false">http://selacapo.net/new/?p=5490</guid><description>«Uccidere un proprio simile è disumano. Torturarlo, violarlo e oltraggiarlo solo umano, godere delle sue sofferenze umanissimo!». (tratto dal commento parlato di Ultime grida dalla Savana, 1975) Quarta puntata                                                                            Il mondo movie anni Settanta si apre con Addio zio Tom di Gualtiero Jacopetti e [...]&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=XYjLrwblN8s:GbXda4ppqXI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=XYjLrwblN8s:GbXda4ppqXI:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=XYjLrwblN8s:GbXda4ppqXI:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=XYjLrwblN8s:GbXda4ppqXI:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=XYjLrwblN8s:GbXda4ppqXI:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=XYjLrwblN8s:GbXda4ppqXI:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=XYjLrwblN8s:GbXda4ppqXI:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=XYjLrwblN8s:GbXda4ppqXI:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/selacapo/~4/XYjLrwblN8s" height="1" width="1"/&gt;</description><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://selacapo.net/new/mondo-cinema/2012/02/07/mondo-movie-le-ultime-grida-dal-mondo-antonio-climati-e-mario-morra-di-emanuele-leotta/feed/</wfw:commentRss><slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments><feedburner:origLink>http://selacapo.net/new/mondo-cinema/2012/02/07/mondo-movie-le-ultime-grida-dal-mondo-antonio-climati-e-mario-morra-di-emanuele-leotta/</feedburner:origLink></item><item><title>L’ultima compilation annuale prima della fine del mondo. (di Andrea Broggi)</title><link>http://feedproxy.google.com/~r/selacapo/~3/Oj-Fv3AwEN0/</link><category>Musica</category><category>Prima Pagina</category><category>Buen Retiro</category><category>classifica</category><category>etichette indipendenti</category><category>Gualazzi</category><category>il meglio</category><category>Kama te ka ora</category><category>pop</category><category>rock</category><category>talenti emergenti</category><category>Verdena</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Andrea Broggi</dc:creator><pubDate>Mon, 06 Feb 2012 08:50:15 PST</pubDate><guid isPermaLink="false">http://selacapo.net/new/?p=5431</guid><description>Sembra che ci sia una sorta di appuntamento fisso nel creare un disco che abbia l’intento di racchiudere tematicamente la musica dell’anno appena trascorso, così per non farci mancare nulla abbiamo deciso di partecipare a questa corsa agli armamenti anche noi. L’idea non è originale, è evidente, ma forse possiamo provarci con gli intenti. L’unica perplessità è la nostra mancanza di onniscienza, ma a questa purtroppo non c’è modo di porre rimedio. Comunque questo elenco, che non è una classifica, [...]&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=Oj-Fv3AwEN0:-b30XYP0qqo:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=Oj-Fv3AwEN0:-b30XYP0qqo:-BTjWOF_DHI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=Oj-Fv3AwEN0:-b30XYP0qqo:-BTjWOF_DHI" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=Oj-Fv3AwEN0:-b30XYP0qqo:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=Oj-Fv3AwEN0:-b30XYP0qqo:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=Oj-Fv3AwEN0:-b30XYP0qqo:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/selacapo?a=Oj-Fv3AwEN0:-b30XYP0qqo:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/selacapo?i=Oj-Fv3AwEN0:-b30XYP0qqo:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/selacapo/~4/Oj-Fv3AwEN0" height="1" width="1"/&gt;</description><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://selacapo.net/new/musica/2012/02/06/lultima-compilation-annuale-prima-della-fine-del-mondo-di-andrea-broggi/feed/</wfw:commentRss><slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">1</slash:comments><feedburner:origLink>http://selacapo.net/new/musica/2012/02/06/lultima-compilation-annuale-prima-della-fine-del-mondo-di-andrea-broggi/</feedburner:origLink></item><item><title>“Echoes”. Abbandonare la realtà per 23 minuti ipnotizzandosi. (di Santo Castorina)</title><link>http://feedproxy.google.com/~r/selacapo/~3/aBCB1DlZO_c/</link><category>Musica</category><category>Prima Pagina</category><category>album</category><category>band</category><category>David Gilmour</category><category>Echoes</category><category>live</category><category>pink floyd</category><category>rock</category><category>Roger Waters</category><category>Syd Barrett</category><category>The Dark Side of the Moon</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Santo Castorina</dc:creator><pubDate>Mon, 06 Feb 2012 07:56:53 PST</pubDate><guid isPermaLink="false">http://selacapo.net/new/?p=5450</guid><description>Siamo nel 1971, il cd in questione è &amp;#8220;Meddle&amp;#8221;, uno dei capolavori dei Pink Floyd. Qui si scrive la storia della psichedelia anni &amp;#8217;60 e &amp;#8217;70, pagine e pagine che hanno portato il gruppo inglese verso l&amp;#8217;apice del successo. La mia, più che una recensione, è un omaggio a &amp;#8220;ECHOES&amp;#8221;, ultima traccia dell&amp;#8217;album, con i suoi 23 minuti di viaggio spaziale e sonorità uniche. Quei suoni da trip mentale, fatto di acidi, labirinti e pianeti mai esplorati. David Gilmour accompagna tutto [...]&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/selacapo/~4/aBCB1DlZO_c" height="1" width="1"/&gt;</description><wfw:commentRss xmlns:wfw="http://wellformedweb.org/CommentAPI/">http://selacapo.net/new/musica/2012/02/06/echoes-abbandonare-la-realta-per-23-minuti-ipnotizzandosi/feed/</wfw:commentRss><slash:comments xmlns:slash="http://purl.org/rss/1.0/modules/slash/">0</slash:comments><feedburner:origLink>http://selacapo.net/new/musica/2012/02/06/echoes-abbandonare-la-realta-per-23-minuti-ipnotizzandosi/</feedburner:origLink></item><media:rating>nonadult</media:rating></channel></rss>

