Av: F/2.7; Tv:1/160s; f:7.2mm(35mm-equiv:46mm)

This was shot in a park in Salzburg, Austria. The sun was out but it was really cold. I liked the geometry of the scene (parallel lines of trees and the parallel shadows being cast).

I think however that this snap could have done with some cropping to remove the irrelevant portions to the extreme left; I did try it once but then decided to stick to the original. Secondly, I reproduced the original picture here; although in hindsight I think some post-processing might have helped in beautifying it up a little.

I did try desaturating this snap and the results were good; but again, I wanted to showcase the vibrant greens of the lawn and hence decided to put up this one instead.

Glow of Hope

Tv: 1/250s; Av:F/2.7; f:6mm (35mm-equiv:134mm); Post-processing: GIMP2

The main intention of this post was to try and capture the spirit of Diwali and the “Tamaso Ma Jyotir Gamaya” concept. I think I was somewhat successful in portraying this soul – the photo shows a gradual increase in luminosity from as one progresses from the lower right to the upper left.

Of course, there are several things I’d want to keep in mind the next time I attempt such a shot:

• The flame itself is very fuzzy. I think even a faster shutter speed would not have been able to sharpen the flame. I should have taken proper care while setting the diya itself.
• You observe the lower left side of the lamp itself is much sharper and in better focus then the upper right. This is because I used Super-Macro mode and Manual Focus. I did consider setting this right by increasing the DOF. But that would have meant closing the aperture. I decided against this because I wanted to capture this one with the lights off – and that wouldn’t allow me the luxury of a narrow aperture opening.
• Maybe I should’ve tried this on table-top instead of the floor? Or does the floor design pattern add some variety to this snap? Well – I can’t decide!

Av: F/5.6; Tv: 0.02s (1/50); f: 47 mm; ISO: 200

I shot this photo during a “Mosaru Kudike” (Dahi Handi) parade during Krishna Janmashtami this year in Mangalore. This was a show put up on one of the tableau – the famous “Hulivesha” (Tiger Dance). The troop here was playing with the fire. It made for some wonderful photographs & photogenic moments.
The night parades are both a boon and a bane for taking photos. On one hand, the whole setting looks wonderful at night, with the main show catching our attention. But, there is the problem of inadequate light making it tough to capture the moment, especially so when there is a lot of movement happening on the scene. On many occasions, you can’t use the flash as the subject is far away and the flash-light won’t reach it. Hence, it becomes important to use higher ISOs like 400 or 800. Of course, if it is very dark, you’ll end up getting a lot grains on the image.
In this photo, I love the towering and menacing fire and the stunt put up by the tiger dancers. I always wanted to catch the Tiger Dacers in action; with this photo, I have just started at that job.
I would have loved to get a closer shot of the person in action with more of his face showing as the source of the fire.
I would also have loved to make away with the disturbing ad boards in the background.

Tv: 1/160s; Av: F/3.2; f:8.1mm (35m-equiv:52mm)

I took this pic at my native village. What you see here are trunks of betelnut trees stacked up. These trunks are used in the betelnut “harvesting” season to build temporary one-storey high structures on which the betel-nuts are dried after coloring them. These structures are called “atta” in Kannada, and are a common sight in rural Karnataka during the season.

• I liked the 45-degree angle as it gives the photo its character.
• This photo was shot in B&W (as against shooting in color and then converting to B&W later). I liked the fact that the B&W effect has come out much better than my other attempts!
• There has been minimal post-processing in this snap (just minor adjustments for brightness and contrast)

How this snap could have been improved?

• It would have been nice if I could get some other aspect of village life into the frame – the house itself was right next to this shed – and I could have tried to include it as well.
• The time of say when this snap was taken was not optimal. Had I taken it during brighter daylight – the effect might have been drastically better!

Well, whats your opinion?

This photo was taken in Scotland, while on a cruise hunting for the Loch Ness Monster. The cruise boat had lots of bread crumbs to attract these birds. Using that as a bait, I lured this seagull towards the boat and took a lot of snaps. This was the result of that exercise.

I cropped the image to bring the bird in focus. How I wish I had a telephoto lens. (Any well wishers out there, now you know what to give me for my birthday!) That would have given a crisp image. I then adjusted levels in Photoshop, added a Lightroom preset to make it more gloomy and added the borders.

How did you find this? Do let me know!

Av: F/7.1; Tv: 0.01s (1/100); f: 55 mm; ISO: 200

I clicked this photo as I was walking through a busy market street in Bengaluru. The shops were just opening and the vendors were just starting to set up shop as I saw this old vendor laying out his stuff across the road from me. I clicked a couple of photos of his, across the street; throwing my camera settings to Black and White with increased Sharpness, for the effect.
I did play around a little with this photo in Adobe Lightroom and used a very nice preset for the White Balance and Lens Corrections. I switched over to Photoshop for the borders.

What I like about this photo is obviously the whole emotion of the photo and the varied graduated shades which are on display. The extra dark areas in this photo give a lot of depth to this photo. The textures on the door behind the vendor is one of my favorites & I’m glad this image has captured the different shades in the background alone.

Improvements I would like in this photo include a better visualization of the face and a closer look capture of the facial expressions. I should have made better use of the opportunity to try a few more shots from closer quarters.

Bird Park, Kuala Lumpur

Av: F/3.5; Tv:1/250; f:72mm (35mm-equiv: 454mm)

I have not done much post-editing for this – save for the cropping. And of course, the minor color and lighting adjustments with GIMP2 (and frankly, I think I should have left the lighting and color untouched – it would have given the snap a more authentic feel!)

What I like about this photo:

• The subject, which looks like it is in rapt attention (this was easier than it seems – birds of this particular species stand very still; and hardly move)
• I also like the sharpness in this photo, especially the eye and the beak.

What I’d like to improve?

• The framing for one – Although this negative effect has been reduced a bit after cropping. What I’d prefer to do was, have something interesting in the background.
• As a consequence of the previous point; I’d also increase the depth of field – so that the background is more visible.

Av: F/8; Tv: 0.001s (1/1000); f: 6mm; ISO: 80

This is actually an old photo I took with my friend’s Sony DSC-H2 camera during a trip to the wonderful temple at Somanathpur. The sky was brilliant that day with very well-defined clouds and the sun was out.
As I looked up to the sky that time, I saw this brilliant ray of sunlight coming out of the clouds. I tried to capture it as a backdrop to the wonderful architecture of the temple. This photo had to be in Black and White because of the amazing shades of gray in the sky offering differing levels of contrast, which B & W portrays so majestically.
Because I was shooting directly at the sun, I preferred very minimal exposure with very short shutter speed and a low ISO.

To get the silhouette effect of the temple with that camera (in which I could not adjust the area of focus and the level of focus) I aimed the centre of the field to a bright area (like the sky) while keeping the click button half-pressed and then changed the camera position to aim at the temple. (This is a method to get great silhouettes with any basic camera, actually)
The different levels of gray in the sky offer a great amount of dynamism. Infact, it does offer an intimidating and scary image; like that of an impending disaster (as shown in the movies :p)

I could have tried to follow the Rule of Thirds here; but that would mean zooming out and I feared if the effect of the Ray of light would be dampened and lose prominence.
The Lens Glare in the photo can be both a boon and a bane. I guess, in this case, it isn’t so bad (position-wise). So, it does make the photo look better.

Av: F/5.6; Tv: 1/60(0.017)s; f: 55mm(35mm equivalent – 338mm); ISO: 200; Metering mode : Matrix

One would think this photo was taken in a remote village; while actually, it was taken in a fun park I visited recently. Pot making was offered as one of the attractions at that place & as I was passing by the place, I just flicked my camera into the Black and White setting and took a couple of shots; one a telephoto and this one I zoomed in to focus on the work going on. I did not have to resort to too much Post Processing – just a little a minute tweak to the levels and a frame did the job.
What I like about this photo -

• The centre pot and the pot-making process in focus; with the wheel in a motion-blur grabs the attention in a very nice way.

• The sharpness and the cripness of the photo is another point in favour.

Improvements I would like -

• To take the photo to another level, the photo must capture the natural pottery with the pot-maker in the frame.

• In this photo, a clearer or plain background without the people would have been better.

• With regards to angling, I would also like to try another shot with a flatter angle – ie. sitting at the level of the photo and taking a shot.

Av: F/3.5; Tv: 1/60s; f: 29.5mm; ISO: 100; Metering mode : Matrix

I had taken this picture when I had been to my Grand Father’s house in Kasargod. The fruit which is in focus is called Nakshatra Nerale in Kannada language. Here the background is made black and white and only the colors of the fruit are retained. By doing this, I have actually tried to emphasize more on the fruit and its rich red color. By making the background B&W, it gives the photo a sense that it is an old picture and reminds me of my childhood days when we used to go to the farm and eat the fruit.

Further Improvements:

Care should be taken while selecting the fruit, meaning here in this picture even though the color of the fruit is brilliant and rich, the fruit looks is a little damaged and infected. A uninfected fruit would have been more pleasing.