Regularhands

The Messy Ending

Phillip — Tue, 29 Sep 2009 10:28:00 -0700

9-22-09

Phillip — Tue, 22 Sep 2009 07:50:00 -0700

9-21-09

Phillip — Mon, 21 Sep 2009 08:26:00 -0700

Tomkat: Parking Lot Attendant

Phillip — Thu, 11 Jun 2009 19:16:00 -0700

Here's a little animated character sketch. Tomkat is a generally good natured yet disgruntled parking lot attendant.

elsewhere

Phillip — Fri, 24 Apr 2009 09:28:00 -0700

Phillip — Mon, 23 Mar 2009 18:03:00 -0700

Field

Phillip — Mon, 23 Mar 2009 17:26:00 -0700

emotion

Phillip — Sat, 21 Mar 2009 12:22:00 -0700

A couple short sketches

Cockblocks

Phillip — Sat, 21 Mar 2009 12:10:00 -0700

If anyone knows where this book is with the original drawings in it, let me know. I left it in Meyer's office at Cal Poly in '08 and never saw it again.

SDHS Swimming Tee

Phillip — Tue, 29 Sep 2009 10:37:00 -0700

I had the recent pleasure of designing the team shirt for San Diego High School's Swim Team. Great people to work for. I think we're all pretty pleased with the outcome. Tried to capture the essence of speed and splashing water without resorting to silhouettes of actual swimmers on the shirt, ya know? Here's the final design. Real pics coming soon!

Save Your Seeds! - the website

Phillip — Sun, 12 Jul 2009 16:12:00 -0700

Illustrated, Flashed, Coded. Click here and Save'em

Habitat Architects Logo

Phillip — Tue, 09 Jun 2009 16:47:00 -0700

Identity design for a fictitious Architecture firm. I've been using this as a title block for school projects.

Graphic Garden Creative Services Website

Phillip — Tue, 09 Jun 2009 16:27:00 -0700

You might recognize the logo from an earlier entry. The eye & leaf was developed as a possible identity for a creative services firm I am dreaming of launching. I've been doing freelance design work for a while now and sometimes the idea of launching a full fledged studio seems like a definite possibility. The image below is a screenshot of a hosted site that may bring that dream closer to reality. Graphic Garden Creative Services is in beta. Check out the site here ( www.graphicgarden.info ), I put together a nice little flash presentation outlining the services we would provide too. Ah what the hell, I'll embed it here too.

"Squig" Toy Package

Phillip — Mon, 25 May 2009 07:29:00 -0700

Decided to try my hand at a little toy package design. Just a quick riff.

Focus Ad Campaign 2009

Phillip — Sun, 24 May 2009 19:51:00 -0700

Pez Logo

Phillip — Wed, 08 Apr 2009 15:41:00 -0700

This wasn't envisioned as a re-brand of the famous candy company. Just an idea that came from the spanish word pez.

Phillip — Wed, 25 Mar 2009 15:26:00 -0700

Phillip — Tue, 24 Mar 2009 06:19:00 -0700

Graphic Garden Creative Services

Phillip — Sat, 21 Mar 2009 14:21:00 -0700

Graphic Garden Creative Services™

This is sort of the project that is always in the back of my mind.

Phillip!

Phillip — Sat, 21 Mar 2009 11:36:00 -0700

A little narcissism.

Price List

Phillip — Sat, 21 Mar 2009 11:21:00 -0700

A promotional piece created a while ago for a university arcade that retailed tickets to local entertainment venues. The front side of the card was provided by a sponsor.. My job was to do the detailed work of setting 8 and 6 point type on a 4x6 card for the back side. Total fun.

Be Fit & Get Rec'd

Phillip — Sat, 21 Mar 2009 11:06:00 -0700

PY

Phillip — Sat, 21 Mar 2009 09:24:00 -0700

Designed for a pretty high profile client.

LA County Fair

Phillip — Sat, 21 Mar 2009 09:04:00 -0700

This was designed to help a friend working toward his MBA. It's a proposed logo for the Los Angeles County Fair. If I really wanted to perfect this, the strings on the balloons wouldn't be so straight. A little wind would do this logo some good.

Hybrid Parking

Phillip — Sat, 21 Mar 2009 08:38:00 -0700

Another one of those derivative logo designs I did for Cal Poly Pomona. The car shape, green color, and leaf were all existing designs being used by the university. My job was to use the modular elements to create a logo that would designate the special spaces for people with hybrid vehicles. Not too exciting, I know. But what the hell. I did this.

BEAT T-shirt

Phillip — Sat, 21 Mar 2009 08:34:00 -0700

I want your pics wearing this shirt!

Recyclemania

Phillip — Sat, 21 Mar 2009 07:50:00 -0700

Circle Girl

Phillip — Wed, 08 Jul 2009 08:14:00 -0700

Atlas

Phillip — Mon, 29 Jun 2009 08:57:00 -0700

XRAY GIRL

Phillip — Tue, 09 Jun 2009 04:13:00 -0700

Phillip — Mon, 20 Apr 2009 18:23:00 -0700

Phillip — Wed, 15 Apr 2009 16:47:00 -0700

Phillip — Sun, 05 Apr 2009 17:46:00 -0700

What Is A Place?

Phillip — Sun, 22 Mar 2009 16:40:00 -0700

I'll put the rest of the book up later.

Phillip — Sat, 21 Mar 2009 07:28:00 -0700

Phillip — Sat, 21 Mar 2009 07:03:00 -0700

Phillip — Sat, 21 Mar 2009 07:02:00 -0700

Phillip — Sat, 21 Mar 2009 07:01:00 -0700

Phillip — Sat, 21 Mar 2009 07:00:00 -0700

Phillip — Sat, 21 Mar 2009 06:59:00 -0700

Phillip — Sat, 21 Mar 2009 06:58:00 -0700

Phillip — Sat, 21 Mar 2009 06:57:00 -0700

B. Lawrence

Phillip — Sat, 21 Mar 2009 06:56:00 -0700

This was a commissioned portrait of Seattle based musician, Bruce Lawrence.

Phillip — Fri, 20 Mar 2009 06:35:00 -0700

regularhands: 2 beers and a train headed south

Thu, 16 Jul 2009 17:08:35 -0700

regularhands: 2 beers and a train headed south

regularhands: Everybody plant a seed today! Let's see what happens. http://www.grain.org/seedling/?id=607 http://www.phillipyniguez.com/saveyourseeds.html

Wed, 15 Jul 2009 21:12:09 -0700

regularhands: Everybody plant a seed today! Let's see what happens. http://www.grain.org/seedling/?id=607 http://www.phillipyniguez.com/saveyourseeds.html

regularhands: Officially moving to Encinitas. Its gonna be sexy.

Thu, 02 Jul 2009 00:02:33 -0700

regularhands: Officially moving to Encinitas. Its gonna be sexy.

regularhands: Mobile?

Tue, 30 Jun 2009 20:35:02 -0700

regularhands: Mobile?

regularhands: Thinking about seeds.

Tue, 30 Jun 2009 20:29:54 -0700

regularhands: Thinking about seeds.

regularhands: ?

Tue, 23 Jun 2009 21:54:03 -0700

regularhands: ?

Soviet

Phillip — Fri, 28 Aug 2009 03:52:00 -0700

Rusakov Workers' Club

Phillip — Wed, 26 Aug 2009 08:52:00 -0700

Office 3

Phillip — Wed, 10 Jun 2009 19:22:00 -0700

Game Room

Phillip — Wed, 22 Apr 2009 06:28:00 -0700

A 484 Sq. Ft. Game Room intended as a back yard addition.

Sketch

Phillip — Fri, 10 Apr 2009 01:06:00 -0700

Idea for a 2 story home with an open clerestory roof on the 2nd floor.

Phillip — Sun, 05 Apr 2009 18:00:00 -0700

Encinitas

Phillip — Sun, 05 Apr 2009 17:48:00 -0700

Observational sketch of one of those cliff side staircases in Encinitas, CA.

Sketch

Phillip — Thu, 26 Mar 2009 17:13:00 -0700

Some more elevation sketching.

Phillip — Sun, 22 Mar 2009 12:27:00 -0700

Casa de Obscura

Phillip — Sat, 21 Mar 2009 14:01:00 -0700

I tend to doodle buildings that don't make sense sometimes.

Phillip — Sat, 21 Mar 2009 13:57:00 -0700

T&R, still working on it...

Phillip — Sat, 21 Mar 2009 13:44:00 -0700

Phillip — Sat, 21 Mar 2009 13:41:00 -0700

Pecha Kucha

Phillip — Tue, 20 Oct 2009 16:42:00 -0700

Earlier tonight I decided to attend an event called Pecha Kucha, a gathering of architects where various speakers have 6 minutes, 40 seconds, and 20 slides at 20 seconds each to present an idea, a work in progress, or some kind of theory. The event was held at Woodsbury University's school of architecture in San Diego. I rode my bike down a long dark road under the Coronado bridge to get to there, and hoped for the best.

I was pleased by the variety of topics the presenters chose to discuss. There were presentations focused on the history of light, model building, "weak architecture," personal branding, "fuzzynyms," and the San Diego waterfront. There were some presentations that were concerned with some hardcore architectural stuff that went right over my head. For the most part though, these people were talking about things that should concern all sorts of artists and designers.

What I found particularly interesting was a presentation given by Christopher Puzio. Opening with the bold statement, "Models are Real," he showed how he had been compiling his simple sketches, and then making physical models of them--even the really abstract ones. He explained how seemingly meaningless doodles can begin to reveal patterns and repetition. Bringing those elements into the three dimensional realm further reveals their potential as structural solutions. It was a really cool look into another person's creative process. I didn't feel comfortable taking any photos at this thing, but you can see some of Christopher's work on his website, puzio.com. I didn't know anything about Pecha Kucha until today, but I guess they're going on all over. More info here.

Sequential September

Phillip — Fri, 02 Oct 2009 03:27:00 -0700

As part of my effort to live an academic, scholarly lifestyle in lieu of embarking on a costly MFA program, I've been focused on sequential art during September. The plan was to both read and produce some sequential artwork all month, and hopefully get better at it.

So that's what I did. I re-read Scott McCloud's "Understanding Comics" for a start, and as a result got really inspired toward the end of the month. I guess I read it kind of slowly this time.

The refresher course on all the elements of comics was great. McCloud's style is inspirational. His discussion of time, space, communication, color, and language opened my mind to the possibilities of creating comics again.

(This is beginning to sound like a book report.)
OK, simply stated, McCloud's book is awesome. He ties art, history, language, and communication theory into a package that can get you really excited about making comics. I had read it once before while I was a student at Cal Poly, and knew I could use that kind of motivation again.

This time around I decided to dig into McCloud's bibliography a little. He repeatedly recommends "Comics and Sequential Art" by Will Eisner. So I checked it out.

It turns out Eisner is a comics legend and creator of "The Spirit" comics of the 40's and 50's. He taught a course at SVA that the book was based on, and was among the first, if not the first, to analyze comics academically. His book is more serious, and a little less entertaining than McCloud's. But it's clear Eisner's writing heavily influenced McCloud, which McCloud readily admits.

So without re-writing either book, lets just say comics are a super complex, incredibly powerful form of communication that often go underrated. So it takes practice to produce them well. McCloud & Eisner can really inspire a person to just start drawing.

I'm less enthused about the actual amount of work I got done this month. If you were to click over to the cartoon section where this stuff can be found, there are two 3-panel strips, and a one page story of a teen suicide. I drew a couple other ideas during the month that I decided not to post. I'm happy that I was able to get something done, despite contending with a fairly steady flow of client work (which I'm also really happy about, and grateful for). This was a chance to do a new piece of work every day, because the strips get done pretty fast. I will definitely revisit this endeavor of writing comics soon.

This month, I'm going to really stick to a strict schedule of doing personal work. I mean, that was the plan in September too, but it just didn't happen. Similar scenario as in August where I planned to focus on architectural rendering. I got a few drawings done, and read a book about the old school hand rendering methods. But my output was nothing close to what I imagined I would accomplish before I got started. I'm getting more comfortable with falling short of the work that I imagine myself doing, which seems to happen often. The idea being that getting any work done at all is better than fantasizing about getting even better work done. This guy helped with that. But seriously, this month I'm sticking to the schedule!

September 21

Phillip — Sun, 20 Sep 2009 17:11:00 -0700

It's been over a month since I set up shop in San Diego. Running a design service on a shoestring budget hasn' t been easy. It's funny how you can start to believe you can get by being as cheap as possible. I could skimp on internet service and borrow low bandwidth wireless from a neighboring business, I could also rely only on a personal cell phone that is constantly running out of juice and thereby dying during every important conversation with a client. But the cost of actually paying for good bandwidth and a dedicated business line seems to be less than that of losing a client over technical negligence. Basic stuff, I know. But I am learning. I guess there are a few other areas that could use an upgrade, but we don't need to talk about that now.

Of course there are all the usual accounting and billing challenges, time management, and then the actual business of doing my work. One day, in a bright future, I'll have an office manager, an accountant, and an attorney. And life will be simple again.

Bye Pomona

Phillip — Tue, 28 Jul 2009 02:50:00 -0700

I moved to Pomona in '05 to go to school at Cal Poly. Graduated in '08. Stuck around for another year after that. And after 4 years, it's time to part ways.

But it was a great run, & I wanted to publicly thank everyone who contributed to a cool experience. So thanks to everyone at the Pomona Arts Colony and especially A.S. Ashley and Nate at Selkouth. You guys were the first people to exhibit my work; that means a lot.

Everyone at DBA256, Characters, and Aceragami, thanks for serving 'em cold. Couldn't have done it without money, so thanks to everyone who employed me all this time at I&IT, UHS, GAS, & Lake. And my biggest thanks go to Cal Poly Pomona, the College of Environmental Design, and the Art Faculty.

I'll be not far down the road at Encinitas, CA. My plan is to work, surf, create art, and spend more time with Erica. To all my friends, I'll definitely be seeing you around.

It was nice helping put the P in P-Town.

Save Your Seeds!

Phillip — Tue, 30 Jun 2009 14:37:00 -0700

Everyday in the United States, millions of families buy millions of pounds of fruits and vegetables. You could say we should be buying and eating even more fruits and vegetables, but that's not the focus here. I want to talk about the tremendous resource worth thousands of dollars that we all throw away everyday-- a resource that could eliminate some of the hunger in the world. Seeds.

Every piece of fruit we bring home contains within it the potential to produce thousands of pounds of more fruit. Yet we keep throwing our seeds away and buying more instead. I think this is crazy. Imagine if we all saved our seeds instead of throwing them away. They would add up fast.

If you lived by the old adage and ate an apple a day, and saved your seeds, you would have up to 105 apple seeds in a week. In a month, 420, and so on.

I'm not suggesting that we all plant every seed we obtain. That would be unnecessary, and expensive. We should all plant a few trees in whatever space we have available. Doing that would benefit us all in multiple ways. There would be a steady supply of free food when the trees become mature. That would bring prices down for those who don't have a space to plant trees, such as people who live in urban areas, like myself. The multitude of additional trees in our environment would have a measurable positive impact on our air supply.

What could we do with the thousands of extra seeds we saved? Check this out. I know there are charities who provide food to hungry nations; the work these people do is awesome. I imagine though that the cost of shipping ready to eat foods could be greatly reduced if we instead shipped barrels and barrels full of seeds. A little education about what to do with the seeds could go an incredibly long way.

I'm not saying this seed scheme will solve all of our problems, but I feel strongly that it's a terrible waste to just throw all those little seeds away. It's like throwing out thousands of dollars. Most of us have become so detached from the nature of growing food that we forget what these little seeds are capable of.

It's just an idea.

I have this fantasy of starting an organization that will accept seed donations from all over, build up large supplies of them, and then arrange to ship them to where they can be used by common people. It's time for us to take control of our own food supply don't you think?

Well there may be an organization doing that somewhere out there. Fill me in if you know of one. But until we find it, we can all start saving our seeds now. Keep a used coffee can in a cupboard and toss your apple seeds in it. Keep a couple and do apples, oranges, and peaches. I would think it would be good to keep each variety separated so someone doesn't have to do it later.

I think it's a good plan. I heard a woman talking about this on the radio a few months back and have been thinking about it ever since. I've been saving seeds. Hey, there's been talk of an impending food crisis in the western world. Maybe seeds will become currency. In my mind they are already more useful and precious than gold, which is just a shiny rock.

Think about it.

Threadless

Phillip — Sat, 02 May 2009 07:29:00 -0700

Threadless.com is an online t-shirt store. All the artwork printed on the tees is submitted by users and rated by the threadless community. The ratings largely determine which shirts are deemed to have market viability, and end up getting printed. The chosen artists are compensated with an upfront $2,000, and an additional $500 every time the shirt is reprinted and restocked. Threadless takes ownership of perpetual and exclusive reproduction rights to the artwork.

Selling exclusive reproduction rights, I suspect, is where many artists and designers would conclude that they're being scammed. I would argue, however, that for artist/designers that are relatively unknown, much like myself, Threadless.com is awesome. Here's why.

Let's suppose that you or I have a design that we're really pleased with. Because we are the artist, we love the image we made, and think it would look great as a t-shirt. It's a sort of narcissism that I think all us young artists have to a degree. We think everything we make is golden.

So lets say we take the next step and think, "I got some cash; I'm going to head to my local print shop and get 100 of these awesome t-shirts printed, and blow up." It sounds like a good idea. You have a great design and you're ready to go. Prices for screen printing vary, but I just grabbed a quote from a random printing company I found through Google.

So lets do the math. These guys will charge you $568.80 for 72 four color printed T-shirts. I know you can find a better price than this somewhere, but follow me on this. Now you have 72 units that you need to move to get your money back, let alone turn a profit. And you can do this. It's entirely possible. But remember we're comparing this process to dealing with Threadless, who will pay you $2,000 upfront for your artwork.

So, let's see. You think you can do better than selling out to Threadless.com and actually make more than 2 Grand at some point from this one design. Well, you've spent $568.80 already, so now these shirts (remember, there are only 72 of them) have to sell for $2,568.80. That's $35.68 per shirt if you want to get your money back and make a $2,000 profit. Alright, that's a pretty reasonable price for a custom, limited edition t-shirt. And granted, you only have to sell 16 shirts at this price just to break even. It's still sounding pretty good. But take in to account the fact that you're now putting a certain amount of labor time trying to sell & promote these things. Your time has value too, because, you are an artist right? And it takes time to make more art.

Furthermore, how realistic is it to assume that 72, let alone 16, people will conclude that your design is worth wearing on their chest? Like I mentioned before, us artists tend to have an emotional attachment to our own work. Often times other people out there just don't share the same feeling. It's kind of difficult to gauge whether a big group of people will decide your design is worth wearing. Remember, there are some pretty awesome alternatives out there going for $25 per unit. And you want to liquidate at $35? Better have an unquestionably awesome design.(Granted, you could do $25, and walk away with a $1,231.20 profit if you throw that $2,000 figure out the window. Keep reproduction rights, reprint at another $568.80 and start over with a new design. This strategy could be very successful potentially. But you're still putting in your own labor and assuming all the risk.)

This is where it becomes clear, in my opinion, that Threadless.com is awesome, or to say the least, they have a pretty smart business model. Why do I say this? It comes back to that user rating system. Having bona fide T-shirt enthusiasts rate a design before it ever gets printed is genius. It's just market research. Find out if anyone besides yourself even likes your design before spending any money. I don't think enough of these start up clothing companies do this. The beauty of it is that the people critiquing your work are not your friends, who will say they love everything you do because they like you. Your friends want you to succeed, and they don't want to be discouraging. This is dangerous because taking all your criticism from friends could lead to making that hasty investment in printing.These are the same people who will expect a free shirt when they do get printed.

Total strangers will be brutally honest, which is good. If enough people say, "hey, your design is not there yet, keep working on it," they could save you a lot of money.

I guess where I'm going with this is that if you want to keep all reproduction rights to your work (which honestly is really advisable, if you do great, marketable work), and want to finance your own printing and self promote and distribute because you love it, just find a way to test your market before you put money in to that one beloved design. Or just print 4 or 5 at first in your garage so you have less to lose.

I'm only writing about this because I've been tempted all year to just go for broke and print up some tees. I'm also speaking out of ignorance because I haven't done it yet. But I did submit a design to Threadless.com a little over a week ago for the first time. My design that I thought was a shoe-in was rated a 1.51 out of 5 by the Threadless community. So yeah, the crowd did not exactly go wild. It made me think.

This was a design that I really really like out of everything I've done in the past year. I love it. I would wear it. Like every day. I have that emotional attachment to it that other people don't have. What if I had dropped 6 bills on printing this thing and nobody wanted to wear it?

Out of a small failure came some insight. And it was free. Thanks threadless.

Reality

Phillip — Tue, 07 Apr 2009 05:31:00 -0700

Somewhere during my education in Graphic Design I started to feel distressed over whether the things I was making were real.

Being at a school that seemed dominated by its engineering department only aggravated my sense that people all around were designing real things–bridges, buildings, and solar powered cars, while I toiled with my page layouts, illustrations, and logo designs.

My growing concern was that while others were creating useful things that would actually benefit people, my graphic creations were at their core useless for any practical purpose. I never questioned the tremendous impact language and graphic communication have had on the world, but I constantly question my own ability to use these tools to create something worthwhile.

I've been interested in architecture for a couple years. And more so in the past year following graduation. I've moved from entertaining a benign curiosity to actually studying architecture in an academic setting. I should say here that I always tended to group architecture into that list of disciplines whose practitioners were at the work of creating "real" things. But lately I've begun to realize something.

When an architect finishes his work, he doesn't have a completed building. He only has a detailed set of drawings of a building with instructions for the builders. What he has created is merely an idea. It will take the work of possibly hundreds of other people to put the reality together. The people who work the lumber mills and steel refineries, the foundation builders, carpenters, plumbers, drywallers, roofers, electricians, painters, and acoustic t-bar installers will all contribute before the graphic idea of the building becomes a reality.

From this perspective, I appreciate the potential for graphic design to produce something real much more than I have in the past.

If we look at graphic communication as an opportunity to stimulate other people to action, it becomes a powerful tool compatible with any purpose. Sophisticated graphics are capable of motivating sales forces, encouraging self medical exams, teaching children to read, or creating order in mass transit. The list can go on forever.

The same way that architecture can show a crew of workers how to build something, good graphic design can provide instruction and education toward any worthwhile goal. The action taken by the viewer as a result of receiving the message is the reality. If my message (graphic or otherwise) encourages you to plant a tree, and you do it, and 100 other people do as well, and as a result someone's life is improved, then the work becomes worthwhile.

It's this line of thinking that has led me to conclude that my career as a graphic designer is limitless. My loose categorizations of illustration, graphic design, architecture, and cartoons are going to intersect boundaries. I may have felt in the past that my creative pursuits were limited by an academically delineated role written up for me by a board of trustees. But not any more. I think I'm starting to get it.

Website Redesign

Phillip — Sat, 21 Mar 2009 14:54:00 -0700

I spent the first half of this weekend redesigning my portfolio site. And there are a couple reasons why.

I'm pretty sure that when I launched the version of phillipyniguez.com that has been up for a little less than a year now, people who know me may have thought it was a little odd that after spending 5 years earning a BFA in Graphic Design I would launch an Illustration portfolio. In retrospect I see it as a little odd myself. I think in a way I was reacting to the exhausting process I had just undergone, and wanted to do something entirely different.

I realize the problem was not that I was doing a lot of drawing and wanting to show people. It was that I completely eliminated Graphics. Those things that I had spent so much time learning to design. At the same time I had taken a full time graphic design job and kind of concluded that the need for me to have a Graphics portfolio online was over. And now I have completely changed my mind about that.

So now I have a site that gives both disciplines their own place. Design and illustration share equal prominence here, and that's the way it should be. I don't expect anyone to fall out of their chairs when they see the design work that I hurriedly posted today. I know a lot of you have seen it before. I just didn't want to announce that my site is redesigned only for people to come look and find an empty "Graphic Design" section. How embarrassing. The simple format I've developed lends itself to frequent updating. So wish me luck on that.

There's some other new stuff that may seem just as conspicuous as my 2008 "Phillip Yniguez Illustration" fiasco. Yeah, there's an architecture section. "But Phillip isn't an architect!" That's right, I'm not. But I have been taking a few classes here and there and I'm getting more & more into it. Not claiming to have any groundbreaking work here, just created some motivation for myself to keep drawing. I don't know if I'll be posting many technical drawings here. I'll keep it to sketches & renderings because I think those are more fun to look at.

Another cool thing is that I added a place for cartoons. I've been creating cartoon characters since I was a baby and I'm going to continue to do so till the end. Haven't had much published, with the exception of a brief stint at the Poly Post. So what the hell. I'm going to self publish starting now. This is a place where I didn't want to fill the space with old work. The plan is to constantly update. Isn't it always?

Obviously you found the "theory" section. What's this section for? You guessed it—long winded self statements. I'm going to keep writing them but you don't have to read them. Hope you do though.

Regularhands

The Messy Ending

9-22-09

9-21-09

Tomkat: Parking Lot Attendant

elsewhere

Phillip — Mon, 23 Mar 2009 18:03:00 -0700

Field

emotion

Cockblocks

SDHS Swimming Tee

Save Your Seeds! - the website

Habitat Architects Logo

Graphic Garden Creative Services Website

"Squig" Toy Package

Focus Ad Campaign 2009

Pez Logo

Phillip — Wed, 25 Mar 2009 15:26:00 -0700

Phillip — Tue, 24 Mar 2009 06:19:00 -0700

Graphic Garden Creative Services

Phillip!

Price List

Be Fit & Get Rec'd

PY

LA County Fair

Hybrid Parking

BEAT T-shirt

Recyclemania

Circle Girl

Atlas

XRAY GIRL

Phillip — Mon, 20 Apr 2009 18:23:00 -0700

Phillip — Wed, 15 Apr 2009 16:47:00 -0700

Phillip — Sun, 05 Apr 2009 17:46:00 -0700

What Is A Place?

Phillip — Sat, 21 Mar 2009 07:28:00 -0700

Phillip — Sat, 21 Mar 2009 07:03:00 -0700

Phillip — Sat, 21 Mar 2009 07:02:00 -0700

Phillip — Sat, 21 Mar 2009 07:02:00 -0700

Phillip — Sat, 21 Mar 2009 07:02:00 -0700

Phillip — Sat, 21 Mar 2009 07:01:00 -0700

Phillip — Sat, 21 Mar 2009 07:01:00 -0700

Phillip — Sat, 21 Mar 2009 07:01:00 -0700

Phillip — Sat, 21 Mar 2009 07:00:00 -0700

Phillip — Sat, 21 Mar 2009 07:00:00 -0700

Phillip — Sat, 21 Mar 2009 06:59:00 -0700

Phillip — Sat, 21 Mar 2009 06:59:00 -0700

Phillip — Sat, 21 Mar 2009 06:58:00 -0700

Phillip — Sat, 21 Mar 2009 06:57:00 -0700

B. Lawrence

Phillip — Fri, 20 Mar 2009 06:35:00 -0700

regularhands: 2 beers and a train headed south

regularhands: Everybody plant a seed today! Let's see what happens. http://www.grain.org/seedling/?id=607 http://www.phillipyniguez.com/saveyourseeds.html

regularhands: Officially moving to Encinitas. Its gonna be sexy.

regularhands: Mobile?

regularhands: Thinking about seeds.

regularhands: ?

Soviet

Rusakov Workers' Club

Office 3

Game Room

Sketch

Phillip — Sun, 05 Apr 2009 18:00:00 -0700

Encinitas

Sketch

Phillip — Sun, 22 Mar 2009 12:27:00 -0700

Casa de Obscura

Phillip — Sat, 21 Mar 2009 13:57:00 -0700 T&R, still working on it...

Phillip — Sat, 21 Mar 2009 13:44:00 -0700

Phillip — Sat, 21 Mar 2009 13:41:00 -0700

Pecha Kucha

Sequential September

September 21

Bye Pomona

Save Your Seeds!

Threadless

Reality

Website Redesign

Phillip — Sat, 21 Mar 2009 13:57:00 -0700

T&R, still working on it...