Skydance Sports, a division of Paramount Skydance, the media powerhouse formed through the landmark $8 billion merger of Skydance Media and Paramount Global completed in August 2025, is in early development of Are They Gone Yet?, the highly anticipated third installment in the beloved Are We There Yet? franchise, created by Todd Garner for his Broken Road film production company starring Ice Cube with Nia Long reprising her role as Suzanne Kingston, Nick’s love interest. And now, Nick faces his biggest challenge yet… grandkids.

The acquisition marks one of Skydance Sports’ most prominent comedy acquisitions to date and reunites one of Hollywood’s most reliably bankable family franchises with a studio now positioned as a vertically integrated entertainment giant spanning theatrical film, premium television, Paramount+, and live sports rights.

“We built something special with this franchise. Audiences grew up with Nick Persons, and now Nick’s got grandkids. Time flies. Partnering with Skydance to bring this story to a new generation is exactly the kind of move CubeVision was built for, and I am excited for the new partnership,” states Ice Cube.

The Are We There Yet? franchise has demonstrated remarkable staying power with audiences across two decades. The original 2005 film, distributed by Sony Pictures and produced by CubeVision and Revolution Studios, opened at #1 at the domestic box office and went on to gross $97.9 million worldwide against a production budget of just $20–32 million. Its 2007 sequel, Are We Done Yet?, added $58.3 million more, bringing the two-film theatrical total to more than $156 million worldwide.

The franchise was further extended into television with a sitcom spinoff, Are We There Yet?, which aired on TBS from 2010 to 2013, starring Terry Crews and running for 100 episodes across four seasons, a remarkable feat for a cable family comedy.

Skydance Sports is in early development on Are They Gone Yet?. The film is produced by Broken Road and CubeVision, with producers Ice Cube, Todd Garner and Jeff Kwatinetz, and is being written by Chris Hazzard & Mike Fontana. Executive producers are Ben Hurwitz and Lauren Gennawey.

In the Are We There Yet” franchise, Nick (Ice Cube) must adjust his bachelor life when he starts a relationship with Suzanne (Nia Long), who has two children of her own.

Ice Cube is represented by UTA and Johnson Shapiro Slewett & Kole. Todd Garner is represented by Patrick Knapp at Goodman, Genow, Schenkman, Smelkinson, & Christopher, LLP.

Additional casting, production details, and release information will be announced at a later date.

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Legendary music executive Clive Davis passed away peacefully at his Manhattan home from an age-related illness at the age of 94. Known as the “man with the golden ears”, he was instrumental in shaping the success of monumental hip-hop figures, launching Arista Records, and signing mega-acts like Whitney Houston.

A former head of Columbia and Arista Records, he signed and shaped the careers of artists including Aretha Franklin, Bruce Springsteen, Billy Joel, Whitney Houston, Santana, Janis Joplin, Christina Aguilera, Alicia Keys and so many others.

He had recently been in hospital with respiratory problems and was recovering at home in Manhattan, New York, when he died, his family said.

“To the world, our father was the iconic music legend whose vision, instincts, and relentless pursuit of excellence shaped the soundtrack of countless lives,” they said in a statement.

Clive Davis expanded hip-hop’s cultural reach by providing massive corporate funding, executive mentorship, and Top 40 radio validation at a time when major labels still viewed rap as a passing fad.

Davis’ impact on the hip-hop landscape was pretty big by recognizing its commercial potential early and backing pivotal artists and executives:

Bad Boy Records: He struck a landmark joint-venture distribution deal with Sean “Diddy” Combs in the 1990s, helping to catapult hip-hop and R&B into mainstream global dominance.

Co-Founding LaFace Records: In 1989, Davis partnered with L.A. Reid and Babyface to form LaFace Records. While heavily focused on R&B acts like TLC and Usher, this joint venture also became the launching pad for OutKast, injecting Southern hip-hop into the global mainstream.

Even into his later years, Davis used his final imprint, J Records, to continue pushing hip-hop boundaries:

Busta Rhymes: Davis signed Busta Rhymes to J Records in the 2000s, helping transition the veteran MC into a multi-platinum solo force with commercial hits like “Pass the Courvoisier, Part II”.

Alicia Keys: Through his J Records label, he discovered, mentored, and launched the career of the piano-playing R&B and hip-hop soul prodigy.

The Roots & Outkast: Davis fostered an environment that embraced the underground and alternative hip-hop scene, allowing artists pushing the envelope to reach a wider audience.

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Today, Roc Nation unveiled the first of a series of immersive New York City partnerships, activations and experiences honoring the 30th anniversary of Reasonable Doubt, the landmark debut album that introduced the world to JAŸ-Z and launched the career of one of music’s most influential artists.

From a nationwide radio broadcast to immersive experiences and a limited-edition commemorative library card, the JAŸ–Z 30 celebration spans partners, mediums, and boroughs — honoring JAŸ-Z’s debut album and career.

Immersive JAŸ-Z 30 pop-ups open June 25 at 11 AM ET in lower Manhattan and the Dumbo area of Brooklyn, offering limited edition bespoke JAŸ-Z 30 items.

iHeartRadio will commemorate the 30th anniversary with a powerful on-air retrospective nationwide. The campaign launches at midnight on June 22 with the nationwide broadcast of JAŸ–Z’s historic Rock & Roll Hall of Fame induction speech.

The campaign continues to June 25th, when iHeart partners with Roc Nation on a very special surprise for the city and culminates at midnight, when iHeartRadio broadcasts Reasonable Doubt in its entirety.

Brooklyn Public Library (BPL) and Roc Nation have partnered to release the JAŸ–Z 30 Limited Edition Library Card, a commemorative card honoring the 30th anniversary of Reasonable Doubt.

Beginning June 25th, the card will be available at all BPL locations systemwide on a first-come, first-served basis while supplies last.

At Marcy Library, visitors can browse and borrow titles from JAŸ–Z’s curated Booklist on a dedicated display shelf featuring volumes donated by Roc Nation.

Additional experiences across the city will feature immersive pop-ups, exclusive merchandise, music, and food, with more details to be announced.

JAŸ-Z 30 is a year-long celebration marking thirty years since the release of JAŸ-Z’s classic debut album, Reasonable Doubt. The initiative honors JAŸ-Z’s body of work as a living cultural archive through concerts, immersive experiences, exclusive products, and special events throughout 2026 and beyond.

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A powerful reflection on family, legacy, love, and the bond that connects generations. Like Father Like Daughter captures the lessons passed down, the memories shared, and the lasting impact of a father’s presence in his daughter’s life.

Produced by Cool & Dre and Travis Barker

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Minneapolis-based artist and producer student 1 puts a fun, groovy spin on vulnerability with experimental fourth album, truant, out now. Alongside its release is “idcicantbeherefortoolong” and its video. The latest work is an introspective, raw exploration of the difficult, messy parts–feeling absent, distracted and avoidant–while continuing the search for joy, freedom and hope.

Student 1 will embark on a U.S. tour this summer with Philadelphia-based rapper Ghais Guevara including Los Angeles, New York City, Nashville, three Texas dates and more. The official album release show is tonight at Chicago’s Bookclub with punk band Champions and support from hip-hop artist CRASHprez. See a full list of dates, with new dates added, below and find tickets here.

Entirely written, mixed and mastered by student 1, the twelve tracks on truant focus on personal, specific moments of aimlessness, feeling mentally absent, avoidance, and addiction, and how these moments inform who he’s become in both good and bad ways, while additionally feeling like the dysfunction these moments create is part of something bigger. Co-production credits include YUSF, LEEszn, and dog owner man.

It was during the making of the project that the artist dug himself out of a creative funk. Student 1 shares, “It’s inspired by the problems these moments create and have created (as well as the desire to solve them), the headspace I was in, drugs, and not being able to articulate important feelings and thoughts. There isn’t a substantial focus on this aspect outside of some subtle mentions, but I do mention the loss of a parent, as my father passed away during the making of the album.”

Out today with the album, “idcicantbeherefortoolong” is one of the artist’s favorite tracks on the project. Made with friends, it came together quickly, built around lines that were cheeky and unserious. Aiming to make one song a day without applying pressure to the challenge, student 1 adds, “It’s called ‘idcicantbeherefortoolong’ because this exercise was difficult for me, and I had to learn how to not care so much in order to complete the exercise.”

On the chaotic, color-changing video, student 1 says, “This is probably the video with the strongest narrative element, came up with it the day we started shooting. It’s basically a ‘day in the life’ style series of events, following me from morning until evening, with some shenanigans that happen by the end as a result of how I went about the day.” It includes a cameo from collaborator dog owner man, who plays his boss.

Director and editor Erik Astle adds, “Stu is so willing to do the craziest stuff for shots, and I try not to exploit that too much. Hanging him upside down (with the help of his manager) for the dangerous opening shot starts this chaotic video with a fall.”

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Wasting no time, Lil Gotit follows up with the release of “Woosah,” alongside its cinematic visual. “Woosah” is the latest offering from his forthcoming project via EON$tar Records / Broke Records.

Directed by Spicy Rico, the video for “Woosah” unfolds inside a vintage psychiatric hospital, where Gotit delivers performance shots from a padded room while wearing a straitjacket. Intercut with scenes of patients playing Uno and receiving medication from a nurse, the cinematic visual create a striking contrast with the song’s title and add another layer to one of the project’s standout records.

Kicked off by an introduction from Atlanta mixtape mainstay Swamp Izzo, “Woosah” finds Gotit balancing hard-earned wisdom with unwavering ambition. Over thunderous trap production, he revisits the lessons, losses, and experiences that shaped his journey, delivering a record that feels both introspective and triumphant.

Last week, Gotit unveiled the video for “Goin Solo,” a defining statement marking his return following the passing of his older brother, Lil Keed.

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Today, GRAMMY® Award-winning singer, songwriter, producer, engineer, and co-founder of beloved collective THE INTERNET – Syd – releases new single “2 Many Days” via Free Lunch/Warner Records.

2 Many Days” follows Beard’s lead single, the captivatingly upbeat and sultry “Callin” (feat. Blu June); a fitting first glimpse into Beard. Co-produced by Syd, and featuring friends and collaborators by the likes of Raphael Saadiq, Big Sean, Rodney Jerkins, James Fauntleroy, Van Hunt, Blu June, and Jordan Ward, Beard is a true coming-of-age album that documents the R&B innovator’s evolution as an artist and as a human. It is both a reminder of Syd’s massive contributions to the genre, while also pushing it forward – a dynamic she has always navigated with unmatched genius and finesse. After lending her skills to an impressive catalog of collaborations, including Beyoncé’s “Plastic Off the Sofa” from Renaissance, which she won a GRAMMY® for co-writing, Syd continues her massive ascent with each release better than the next. Beard is Syd’s most impressive, evolved album yet.

Beard is an album that is as layered as its name. Says Syd about the record – “Beard is a coming of age album for me. It’s a snapshot of what my life looks like right now. The title was inspired by the peach fuzz on my upper lip that society has always taught me to hate. I fell in love with my peach fuzz and it made me rethink everything that was supposed to make me feel insecure. It allowed me to take my confidence into my own hands, and own everything that I am and everything I love about myself, regardless of what anyone else thinks. The title also represents the way I see myself in relation to my peers, especially in music. ‘The bearded lady.’ Not so much a spectacle in my case, but an anomaly and an outlier. Hard to compare. I’m owning that too. Taking things that were once insecurities and flipping them on their head has been extremely empowering.”

To celebrate Beard’s release, Syd will embark on a European headlining tour this August, which will take her to cities including London, Paris, Amsterdam and more.

Beard Tour Dates
August 29, 2026 – London, UK @ All Points East
August 31, 2026 – Manchester, UK @ Albert Hall
September 1, 2026 – London, UK @ 02 Forum Kentish Town
September 3, 2026 – Glasgow, UK @ SWG3 Galvanizers
September 5, 2026 – Paris, FR @ La Cigale
September 6, 2026 – Brussels, BE @ Ancienne Belgique
September 7, 2026 – Amsterdam, NL @ Melkweg
September 9, 2026 – Copenhagen, DK @ Amager Bio

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Fresh off a breakout year and viral momentum that cemented him as one of the most exciting voices in rap, Los Angeles native AZ Chike returns today with his explosive new single, “Packed Up,” produced by multi-platinum hitmaker Hit-Boy. Out now via Warner Records, the song arrives with a cinematic music video as another statement from one of the leaders of rap’s new West Coast generation

Built on knocking drums, triumphant horns, and Hit-Boy’s signature blend of modern precision and California soul – with a hint of Houston’s chopped and screwed flavor – “Packed Up” feels tailor-made for summer in Los Angeles. AZ Chike glides through the production with the same confidence and sharp-tongued charisma that has made him a standout, delivering quotable flexes and unapologetic declarations that speak to years of grinding on his own terms.

On the hook, he sets the tone: “Packed up, picked up / Rollie on my wrist / Ima keep on talking ’bout my watches as long as time tick.”

Throughout the track, Chike reflects on independence, perseverance, and staying true to himself while navigating a rapidly changing industry. “Never checked for yo lane, always ran my own race / Always did my own shit,” he raps.

Directed by Stacking Memories, the cinematic visual blends scenes shot in Houston with live music and car culture. Featuring the iconic downtown Houston skyline, a classic slab low rider, a marching band on a football field, and an appearance from Houston rap legend, Trae Tha Truth, Chike pays homage to the culture that influences him.

The release marks Chike’s first solo offering since his acclaimed collaboration “All That Matters” alongside 6LACK and Leon Thomas, showcasing yet another side of his artistic range. Over the last year, he has become one of the most sought-after collaborators in hip-hop, appearing next to artists including Hit-Boy, Ray Vaughn, Rucci, Peysoh, and more.

Chike’s profile reached new heights following his signature lyrics on Kendrick Lamar’s GNX standout “peekaboo,” a performance that helped earn a GRAMMY® nomination and introduced his unmistakable style to audiences worldwide.

As anticipation builds for his forthcoming Warner Records debut album No Rest For The Wicked on July 24, “Packed Up” arrives as another reminder that AZ Chike isn’t simply participating in the West Coast renaissance — he’s helping lead it.

The momentum has been impossible to ignore. Chike entered 2026 landing on multiple “Artists to Watch” and “Most Anticipated” lists while continuing to earn praise from critics, tastemakers, and fans alike. Following a breakout performance at Camp Flog Gnaw and a string of high-profile releases, he has emerged as one of the defining voices of a new era in Los Angeles rap.

ABOUT AZ CHIKE:

For years, AZ Chike has been one of Los Angeles rap’s best-kept secrets. Today, he’s one of its most undeniable stars. Raised throughout South Central, Watts, Compton, and Long Beach, Chike’s music reflects the diversity, grit, and innovation of modern Los Angeles. He first broke through during the city’s street-rap resurgence with records like “Burn Rubber Again,” quickly building a devoted following through an endless stream of projects, collaborations, and viral moments. His ascent accelerated through a breakout appearance on ScHoolboy Q’s Blue Lips, a scene-stealing performance during Kendrick Lamar’s historic The Pop Out concert, and his unforgettable contribution to Lamar’s GNX standout “Peekaboo,” which later became part of the Super Bowl LIX halftime show conversation. Known for balancing razor-sharp street records with introspective storytelling, Chike now enters his biggest chapter yet with his forthcoming Warner Records debut album, No Rest For The Wicked. The project serves as both a culmination of nearly a decade of relentless work and the beginning of a bold new era. One thing remains unchanged: AZ Chike never stops working.

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Luther “Uncle Luke” Campbell, the pioneering 2 Live Crew rapper and community activist, is running as a Democrat for the U.S. House of Representatives in Florida’s 20th Congressional District. He is campaigning to unseat the incumbent, Representative Sheila Cherfilus-McCormick, for the heavily Democratic district covering parts of Broward and Palm Beach counties.

“I’m not running to be a career politician. I’m running because I’ve spent my life creating opportunities.”

“Long before I considered running for Congress, I was already serving my community. ​From helping young athletes earn college opportunities and mentoring future leaders, to building businesses that created jobs and defending free speech all the way to the Supreme Court, my life’s work has been about creating opportunities for others.”

“​Throughout my career, I’ve invested in young people, supported local communities, and helped bring resources where they were needed most. Those experiences taught me that leadership isn’t about titles—it’s about results.”

​”Today, I’m running for Congress because District 20 deserves a leader who listens, leads, and is committed to creating opportunities for every family.”

“Together, we can build a stronger future for Florida’s Congressional District 20.” – Luther “Uncle Luke” Campbell

Key Details of the Campaign

• The Platform: Campbell is focusing on local community needs, specifically job creation, affordable housing, access to healthcare, and investments in youth and trade programs.

• Prior Experience: He stepped down from his longtime position as head football coach at Miami Edison Senior High School to focus entirely on his congressional bid. This marks his second foray into politics, following a 2011 run for Miami-Dade County Mayor.

• The Opponent: He is running against incumbent Rep. Sheila Cherfilus-McCormick, who has faced federal indictments relating to campaign fraud and misuse of government funds.

• Track Record: Beyond music, Campbell is well-known for taking a landmark 1994 free speech case all the way to the U.S. Supreme Court (Campbell v. Acuff-Rose Music, Inc.), securing First Amendment protections for commercial parody.

Luther “Uncle Luke” Campbell is a coach, author, businessman, mentor, community leader, and cultural pioneer whose work has influenced music, sports, business, and public policy for more than four decades.

​A proud son of Miami with Bahamian and Jamaican roots, Campbell rose from humble beginnings to become one of the most influential figures in Southern culture. His parents came to America carrying the values of the Caribbean — hard work, community, faith, and dignity — and those values have driven everything Luther has built.

​As the creator and pioneer of Southern hip-hop and founder of Luke Records, he helped launch the careers of artists such as Pitbull, Trick Daddy, H-Town, and the groundbreaking group 2 Live Crew, helping build an industry that would eventually shape music around the world.

​Campbell made history when his fight for artistic freedom reached the Supreme Court of the United States, helping protect the First Amendment rights of artists, comedians, and creators across America.

​But beyond the music and the headlines, Campbell’s life has always been rooted in service. For more than twenty years, he has dedicated himself to mentoring young people, coaching youth and high school football, and helping guide hundreds of student-athletes toward college scholarships and professional careers — including Devonta Freeman, Amari Cooper, and Carlton Davis III.

​From humanitarian efforts helping Haitian refugees, to creating job programs for disadvantaged youth, to securing tens of millions of dollars in funding for parks and youth facilities in Miami neighborhoods — his life’s work has always been about one thing: creating opportunities for people who are too often overlooked.

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girlsweetvoiced announces her highly anticipated debut project, Lovesweet, due July 24th, and shares her new single “Energizer.”

Hailing from Ottawa, Canada, girlsweetvoiced first captured audiences through her distinct tone and refreshing blend of folk and pop genres. First posting short-form videos to tease her original songs, her March single “Tonight” has organically gained traction since its release, both for her striking voice and its notable sample of Joni Mitchell’s “California,” which was approved by Mitchell herself after girlsweetvoiced wrote her a letter asking for permission to use the sample.

Her name draws inspiration from the ancient Greek poet Sappho, who wrote nearly 10,000 lines of lyric poetry (though only fragments have survived), including the phrase “girl sweetvoiced.” Much like Sappho’s work, girlsweetvoiced’s music explores themes of the female experience, love, yearning, and loss. Her latest tracks, “Energizer,” paired with previously released offerings “spearmint” and “slowbird,” highlight her ear for production and ability to craft relatable yet remarkably crafted lyrics.

Despite having limited formal musical training, aside from childhood piano lessons, she has developed a raw, distinctive style through minimalistic, self-produced beats that showcase her signature sonic and visual palette. Under the guidance of collaborators such as Michael Uzowuru and Mike Furlong, she draws inspiration from artists including Joni Mitchell and Frank Ocean to create music that blends pop sensibilities with her singular perspective.

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Directed by: Andrew Makadsi & Derek Milton

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Tay Keith, the music producer known for his work on Travis Scott’s “Sicko Mode” and Drake’s “Nonstop,” has died. He was 29.

Keith, whose name is Brytavious Chambers, was found dead in his Nashville apartment by officers performing a welfare check, according to a statement from the Metro Nashville Police Department.

No foul play is suspected, police said, and Keith’s death is unclassified pending autopsy results.

Throughout his career, Keith also worked with Eminem, Future, 21 Savage, Lil Nas X, Jennifer Lopez, Sexyy Red, Lil Baby, BlocBoy JB and Beyoncé.

Keith was born in Memphis, Tenn., and met his future longtime collaborator BlocBoy JB when they were teenagers. They caught Drake’s attention and later worked with him on the 2018 hit “Look Alive.” That same year, he worked with Travis Scott on “Sicko Mode.”

Eventually, he worked with even more hip-hop and rap stars, including Eminem on “Not Alike,” Beyoncé on “Before I Let Go,” Lil Baby on “Never Recover,” Future on “Temptation,” 21 Savage on “Rover 2.0,” Lil Nas X on “HOLIDAY,” Jennifer Lopez on This Is Me… Now: The Album and Sexyy Red on “Pound Town.”

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