After 20 minutes wandering through the hutong area around Lingjing it was pretty clear that we were lost. The darkened alleyways were offering absolutely no clue as to the place we were looking for. Turning a corner, like a beacon of relief was a sign, directing us toward an unassuming little siheyuan (courtyard house) close to Zhongnanhai.

Entering the archway and delving into the ocean of plastic beads that leads to the little hutong, a vivacious “Hey, nihao!”resounds off all corners of the house, marking the beginning of a vibrant feast of dinner, drinks and imagery, all thanks to a group of performance artists.

This was perhaps a fitting start for the evening, as walking in to the Overseas, Close By project, we didn’t really know what to expect, much to our benefit.

These artists, in a collaboration between Switzerland and China, thanks to the Pro Helvetia, Swiss arts council are Elaine W. Ho, Monika Truong and Simone Truong, who were kind enough to give us an invite to one of their unusual nights.

“I think one of the main concepts that we’re all revolving around is human relations and social relations and because of how we all have to work we sort of divided it,”said Ho, one of the founders of the evening of controlled impulse. And “we all”certainly involves lively and diverse bunch. Swiss, French and locals are all visibly involved and that’s before you even get behind the scenes.

“We all knew each other before and talked about working together. Having a house and also living together and working together in the same space is creating a history,”she added. And thanks to that history, each of the artists can work to their own strengths, be they theater, film or art.

The project started out with a name (which is kept in Chinese) that many non-locals might not be familiar with: “Inside 9 outside 7, was the initial project we started with. Individual and collectivity, individual artists working together toward something,”said Ho, referencing the use of the phrase as a description of the old city gates, but also the significance of inside (close by) and outside (overseas). Hence the English translation.

Despite the light hearted atmosphere, the trio has managed to cover some interesting themes through their work: “The two of us [sisters] came in April/May to Beijing for the first part, for the research and interviewed local Beijing women, none of them I knew,”said Monika, providing a tantalizing insight into one of the topics they cover.

Leaving the hutong to a briefly enthusiastic “Hey zaijian!”You’re likely to feel a bit confused, perhaps a similar experience to reading this article. Nevertheless dear reader that’s the way it’s going to stay. To put it simply, the less you know what you’re in for, the more you’ll get from the experience as all forms of art, and people come together.

Ho left a comment describing it that I couldn’t resist: “You should open yourself up to explore, investigate and discover something and ways to move around and maybe get people to talk to other people.”

Overseas, Close By is running until October 24. To make a reservation to experience an informal night of social spatial madness, check out their website at www. overseasproject.net.

- by Matthew Jukes at Global Times, 23 October 2009

- Carolee Schneemann, More Than Meat Joy, p. 9

the beijing run of the overseas project has finished, we all thank all of you who visited, helped out, and supported!

《OVERSEAS：里九外七》北京系列的活动结素了，非常感谢所有观众，参与者，来帮忙的朋友和你们的支持！

congratulations to Xiao He on his mid-run wedding, and special thanks to happy four-time repeat visitor, josh!

还有，祝小河兄弟和美子嫂子，恭喜恭喜！

必须提前预订 reservations only | 139 1108 8640, overseas_china@sina.com

and thank you, samantha… | http://review.redboxstudio.cn/2009/10/overseas-close-by-overseas%EF%BC%9A%E9%87%8C%E4%B9%9D%E5%A4%96%E4%B8%83/

and thank you, sylvie!  |  http://weliveinbeijing.com/GroupNews/news2.rails?Nid=1000001049

and thank you laura at city weekend… |  http://www.cityweekend.com.cn/beijing/articles/blogs-beijing/art-attack/creatively-spontaneous/

thank you, 粒米! |  http://www.bookismore.cn/article-21.html

thank you, 储扬! |  http://www.douban.com/group/topic/8226829/
http://www.douban.com/event/11128330/

thank you, 方丹敏! | http://blog.sina.com.cn/s/blog_543c54b00100fjj8.html

thank you, time out beijing | http://www.timeout.com/cn/en/beijing/aroundtown/feature/8875/overseas-close-by-oct-10-12-17-19-22-24.html

and yes, 梁槊… | http://blog.sina.com.cn/s/blog_4e51dffc0100erzh.html

10 October 2009 – 10 January 2010

Kutluğ Ataman, Isaac Mendes Belisario, Iñaki Bonillas, Gerard Byrne, Jay Chung & Q Takeki Maeda, Rodney Graham, Hilary Lloyd, Kirsten Pieroth, Susanne M. Winterling featuring a selection of works from the collection of the Kunstmuseum Basel by James Ensor, Bruce Nauman, Francis Picabia among others

MALMÖ KONSTHALL
S:t Johannesgatan 7
Box 17127
200 10 Malmö

The exhibition Little Theatre of Gestures is about changes. Small changes. Changes that we do to ourselves or to our surroundings. The exhibition attempts to examine and look at how we display these changes, the theatricality of objects and bodies, staged and in daily life. We pose continuously, and depending upon the situation our gestures and poses change accordingly. We practise small scenarios—movements of power and powerlessness—even though we may not know how these movements and gestures can be used, and in which situations they might be appropriate. At times, ”we turn up the volume” of our gestures and poses, or our surroundings become the stage for part of our daily theatre.

The twenty-first century has seen the introduction of many new tools for self-representation. On diverse social www-platforms (such as Facebook, MySpace, etc.), opinions and images of our self are exchanged, and our own private theatre of images from our daily life is staged. Faster than ever, we can be anyone we want, and can create different personas in different media.

Little Theatre of Gestures is not aiming to give an overview on the formal and informal codes that constitute our communication in daily life, but instead to gather artistic positions for a mutual play on smaller or larger deeds. The focus is concentrated on a few artists who deal with gestures on a rather conceptual level, and who present and mirror each other’s interests and approaches: from documentary-like staging to self-staged personas, from staged objects to daily abstractions.