Devereaux, the November man, is promoted by the operations chief of R section to an investigation that frightens and activates a KGB sleeper agent within R section itself.

Code named ‘The November Man’; Peter Devereaux (Pierce Brosnan) is an extremely dangerous and highly trained ex-CIA agent, who is lured out of quiet retirement on a very personal mission. He must protect valuable witness, Alice Fournier, (Olga Kurylenko) who could expose the truth behind a decades old conspiracy. He soon discovers this assignment makes him a target of his former friend and CIA protégé David Mason (Luke Bracey). With growing suspicions of a mole in the agency, there is no one Devereaux can trust, no rules and no holds barred.
With a screenplay by Michael Finch & Karl Gajdusek based on Bill Granger’s novel “There are No Spies” from the bestselling November Man book series, THE NOVEMBER MAN is the ultimate cat and mouse game set in the world of international espionage. Directed by Roger Donaldson (The Bank Job, No Way Out, Thirteen Days), the film is produced by Beau St. Clair of Irish DreamTime and Sriram Das of Das Films.

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Bruce Willis, John Cusack and Jason Patric face off in this action-packed thriller. A mechanic – and retired assassin – with ties to the underworld is drawn back into the life he gave up when his daughter is kidnapped. To rescue her, he must confront his former rival.

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Michael King (Shane Johnson) doesn’t believe in God or The Devil. Following the sudden death of his wife, the documentary filmmaker decides to make his next film about the search for the existence of the supernatural. Michael decides to make himself the center of the experiment – allowing demonologists, necromancers, and various practitioners of the occult to try the deepest and darkest spells and rituals they can find on him – in the hopes that when they fail, he’ll once and for all have proof that religion, spiritualism, and the paranormal are nothing more than myth. But something does happen. An evil and horrifying force has taken over Michael King. And it will not let him go. Dale Dickey (IRON MAN 3), Tomas Arana (GLADIATOR), and Julie McNiven (“Mad Men”) co-star in this intense supernatural spine-tingler from the producers of WHITE NOISE and THE HAUNTING IN CONNECTICUT.

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Frank Stirn (Eric Stoltz) moves with his family to become a barber for the American Army and POW camp at Fort McCoy, Wisconsin, in the summer of 1944. Embittered that he cannot fight, Frank must take a stand when a Nazi SS Officer threatens his wife (Kate Connor, playing her real-life grandmother). Her Catholic sister (Lyndsy Fonseca) falls for a Jewish soldier (Andy Hirsch) haunted by the battle of Monte Cassino and the death of his best friend (Matthew Lawrence). Their audacious friend (Camryn Manheim) encourages the couple, while the local priest (Seymour Cassel) cannot. Frank’s daughter befriends a German prisoner boy during this magical summer, but war still finds its victims even thousands of miles from the battlefields in rural America. Written by monterey media inc.

Kate Connor’s award-winning debut Fort McCoy is a wholesome, heartfelt labour of love reflecting the true story of her family’s memories of life at a Wisconsin military base during the Second World War. Frank and Ruby Stirn arrive at the base in May 1944 with their two children and Ruby’s younger sister Anna. Unable to fight in the war, a guilty Frank makes use of his skills as a barber on a base that also serves as a POW camp for interned and often unrepentant Germans. The pressures and challenges for the family are played out in the shadow of an enemy who is rarely seen and seldom understood. A notable cast includes Eric Stoltz as Frank and the multi-talented Kate Connor as Ruby.

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THE BOOK OF LIFE is comedic adventure with an epic mythology set in visually spectacular worlds never seen before.

A vibrant fantasy-adventure, tells the legend of Manolo, a conflicted hero anddreamer who sets off on an epic quest through magical, mythical and wondrous worlds in order to rescue his one true love and defend his village.

From producer Guillermo del Toro and director Jorge Gutierrez comes an animated comedy with a unique visual style. THE BOOK OF LIFE is the journey of Manolo, a young man who is torn between fulfilling the expectations of his family and following his heart. Before choosing which path to follow, he embarks on an incredible adventure that spans three fantastical worlds where he must face his greatest fears. Rich with a fresh take on pop music favorites, THE BOOK OF LIFE encourages us to celebrate the past while looking forward to the future. Written by 20th Century Fox

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Longtime couple Ethan (Mark Duplass) and Sophie (Elisabeth Moss) are still in love, but a mean streak has started to color all of their interactions and squabbling has replaced sex. Dedicated to salvaging what was once a healthy and loving relationship, the pair start seeing a therapist (Ted Danson) who suggests that they spend a weekend at an idyllic country property with a 100% success rate at mending ailing relationships. Ethan and Sophie eagerly sign up, and the house is even more gorgeous than the marriage counselor described—rolling greenery, a swimming pool, even a small cottage behind the main house. Almost immediately, Ethan and Sophie are more affectionate, flirty and fun than they’ve been in years. Something must be wrong here. Working from Justin Lader’s clear-headed script, first-time director Charlie McDowell’s deft direction navigates twists and turns that would trip up a lesser helmsman. Calling to mind early collaborations between Spike Jonze and Charlie Kaufman, The One I Love is anchored by clever and acrobatic performances by Moss and Duplass. —Mike Keegan

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On the recommendation of their therapist, a married couple spends a weekend away at a vacation home, where their romantic rekindling takes a turn for the surreal. This sophisticated blend of relationship drama and “Twilight Zone” twists features outstanding performances from Mark Duplass (Safety Not Guaranteed) and Elisabeth Moss (“Mad Men”).

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We all have a good wife, or a good husband, inside of us—but sometimes we lose touch. Love and physical attraction fade, and soon we’re harping on our mate not to eat the foods they love. Elizabeth Moss and triple-threat Mark Duplass give near perfect performances as a married couple on the brink of separation in Charlie McDowell’s wholly original, funny, and remarkably clever exploration of marriage. Things get a little bit “Twilight Zone” when the couple begins exploring the beautiful weekend getaway house suggested by their marriage counselor (Ted Danson). Forced by a series of bizarre experiences to confront their better and worse selves, McDowell’s comedic, uncanny exploration of troubled human partnerships has wholly unpredictable results that you’ll be discussing after the film ends.

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On the brink of separation, Ethan and Sophie escape to a beautiful vacation house for a weekend getaway in an attempt to save their marriage. What begins as a romantic and fun retreat soon becomes surreal when an unexpected discovery forces the two to examine themselves, their relationship, and their future.

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Jersey Shore Massacre is a blood-drenched horror comedy that does for guidos and guidettes what Zombieland did for zombies. After losing their Seaside Heights beach rental, Teresa and her girlfriends wind up at her Uncle Vito’s hideaway in the New Jersey Pine Barrens along with five obnoxious fist pumpers. Unbeknownst to the group, a mentally deranged killer is single-handedly slaughtering them one by one in the most horrific ways imaginable, assisted only by the group’s arrogance and ignorance.

When Teresa and the girls leave the salon for a weekend of “Sun-and-sin” down the Shore, The devine hand of fate brings them, and five obnoxious “fist-pumpers”, deep into the New Jersey Pine Barrens where they become the oblivious targets of a sadistic psychopath who’s Down To …Kill.

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The film revolves around the fallout from a will that leaves his father’s entire estate to Ben (Galifianakis) and nothing to his sister Terri (Poehler). Ben calls on his childhood friend Steve (Wilson) to support him through both his grief and the ensuing legal battle. Steve’s working to get off of drugs and Ben’s struggling with an unspecified mental illness. There’s a road trip in a red convertible, a “slutty wicked stepmother,” and a shirtless, squawking Galifianakis cavorting into the sunset.

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Wilson plays Steve Dallas, an Annapolis, Md., weatherman whose job involves predicting the near future, but whose life is stuck chasing instant gratification in the present. Steve is one of those comfortably numb characters Cameron Crowe and other American screenwriters like so much: guys who’ve lost their passion and fallen into an effortless routine of womanizing, drugs and other vices designed to keep them from making meaningful connections to other people. Steve’s only real friend is a bipolar eccentric named Ben Baker (Galifianakis) who lives in a trailer and would probably pose a danger to others, if he weren’t such a hermit.

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A com­edy cen­tered on two child­hood best friends who embark on a road trip back to their home­town after one of them learns he has inher­ited a large sum of money from his recently deceased estranged father.

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Based on the novel One for Sorrow by Christopher Barzak, Jamie Marks Is Dead is a love story, infused with elements of horror and the supernatural.

In a wintry small town, the body of a teenager named Jamie Marks is found by the river. Adam, the star of his cross-country team, becomes fascinated with Jamie—a boy nobody really knew or interacted with, except occasionally to bully him. When Jamie’s ghost begins to appear both to Adam and Gracie, the classmate who discovered the body, Adam is caught between two worlds. He has a budding romance with Gracie, but he also feels a deep connection to Jamie, who brings him closer to the world of the undead.

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One for Sorrow by Christopher Barzak

Part thriller, part ghost tale, part love story, One for Sorrow is a novel as timeless as The Catcher in the Rye and as hauntingly lyrical as The Lovely Bones. Christopher Barzak’s stunning debut tells of a teenage boy’s coming-of-age that begins with a shocking murder and ends with a reason to hope.

Adam McCormick had just turned fifteen when the body was found in the woods. It is the beginning of an autumn that will change his life forever. Jamie Marks was a boy a lot like Adam, a boy no one paid much attention to—a boy almost no one would truly miss. And for the first time, Adam feels he has a purpose. Now, more than ever, Jamie needs a friend.

But the longer Adam holds on to Jamie’s ghost, the longer he keeps his friend tethered to a world where he no longer belongs . . . and the weaker Adam’s own ties to the living become. Now, to find his way back, Adam must learn for himself what it truly means to be alive.

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In a wintry small town, the body of a teenager named Jamie Marks is found by the river. Adam, the star of his cross-country team, becomes fascinated with Jamie-a boy nobody really knew or interacted with, except occasionally to bully him. When Jamie’s ghost begins to appear both to Adam and Gracie, the classmate who discovered the body, Adam is caught between two worlds. He has a budding romance with Gracie, but he also feels a deep connection to Jamie, who brings him closer to the world of the undead.

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Gayle Forman’s best-selling novel comes to the screen in New Line Cinema’s and Metro-Goldwyn-Mayer Pictures’ drama “If I Stay,” starring Chloë Grace Moretz (“Carrie,” the “Kick-Ass” films), Mireille Enos (TV’s “The Killing,” “World War Z”), Joshua Leonard (“Higher Ground”), Jamie Blackley (“Snow White and the Huntsmen”) and Stacy Keach (“Nebraska”).

Mia Hall (Moretz) thought the hardest decision she would ever face would be whether to pursue her musical dreams at Juilliard or follow a different path to be with the love of her life, Adam (Blackley). But what should have been a carefree family drive changes everything in an instant, and now her own life hangs in the balance. Caught between life and death for one revealing day, Mia has only one decision left, which will not only decide her future but her ultimate fate.

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