The best camera, and all that.

It’s an interesting kind of cover. In arrangement it stays very close to Billy Joel’s recording of the song, yet it manages to still be quite different in feel. There’s a little more space in the production, with a slightly more live feel to it. The rawer piano tone and the singer-songwriter vocal style combine to give the song a much more contemporary feel than Joel’s original.

I’ve listened to the two versions back to back several times now, and I’m having trouble getting my head ’round how they can be so similar and so different, all at once. If I had to pick one, I’d say that Dangerfield’s cut is the one I prefer — and I’m something if a closet Billy Joel fan. (Don’t worry. I didn’t have any credibility left to lose.)

This song interested me enough to buy Fly Yellow Moon. The album’s a grower. Lots of gentle pianos, mixed with some more Brit-poppy moments, and a vocal that reminds me a little of Damien Rice, only much better. The opening track, “When You Walk In The Room”, is a blinder, with “High On The Tide” and “Livewire” other standouts. Definitely worth picking up.

On a sunny day while I’m waiting on someone to come and open the office, this could definitely be worse.

One side of the tape was a set of demos from 2001, five from Iain Archer and a few from The Amazing Pilots. The Archer tracks are from before Flood The Tanks, and include a couple of songs in very different forms to the ones that made the album.

The best of them is “Mirrorball Moon”, which I remember hearing first at a small acoustic gig in Edinburgh at what must has been roughly around the time these were recorded.

Archer’s music has changed quite a lot over the years, and you wouldn’t thin, listening to more recent albums, that this was the same guy who recorded the lightweigt “Wishing” not that long ago. These demos are probably the most recent recordings I have from him that I genuinely enjoy. The tale in “Mirrorball Moon” of an old dance hall’s changing character over time reflects the change in Archer’s music — not necessarily for better or worse, but definitely changing in character. Sadly, that change has left me behind.

We watched (500) Days of Summer one evening last week. It was pretty good: easy-going, interesting, a little bit different. Maybe a bit too self-aware, but aren’t a lot of movies, these days?

It turns out that the female lead, Zooey Deschanel, appeared on the soundtrack and sings with the band She & Him. I grabbed their two albums, and have had them on repeat pretty much the whole time I’ve been at my desk since. The music is cheerful, easy, confectionary for the ear, and there’s nothing at all wrong with that.

“Over It Over Again” is from the second album, imaginatively titled Volume Two.

“Over It Over Again” [YouTube]

Moira Demesne + sunshine + camera phone + cheesy post-processing.

Our son is just shy of a year old. He’s not walking yet, and his crawl is more of a leisurely commando scramble. You’d think it would be easy for me to keep ahead of him. Not so.

Yesterday he started choking. He’d found a coin that had fallen out of my pocket and decided it looked tasty. Kid’s going to love the chocolate money when he gets bigger, I guess.

I occasionally do some training and examining for my dad’s business. Yesterday morning I was very glad. Part of the idea of a first aid course is to get the really important stuff locked into your brain so tightly that when you need to do it doesn’t actually need much thinking. When Reuben started choking I had him flipped over and the coin out of there before I’d fully registered what was going on. He was fine.

Of course, I then needed someone else to come along and get my heart going again.

Would you know what to do? Think about it. The more people who know some first aid, the better for everyone. There’s courses all over the place, all the time. Ask your local community centre, or FE college; check out St. John’s or the Red Cross; youth groups and community groups often have courses going. Get together with some friends and colleagues and go in on a course.

Odds are it’ll never matter. But maybe it will.

The kid’s getting big. He’s one in a few weeks.

• Funky visualisations of the lives of code projects. The twitter one is amazing.
• The third-tallest Jesus in the world. All together, now: whut? (There’s some great photography on that site, but watch where you click as some of it isn’t work-safe.
• The physics of R2-D2′s flight.
• ffffl*ckr is a delightful way to explore Flickr and turn up new things to look at.
• Finally, the best of this bunch: the Big Picture set from Vancouver 2010. Wow, wow and wow.

‘Night, all.

All from 5 by 5:

• The EE Podcast keeps it short, since it focuses on goings on around the ExpressionEngine content management system (which I use a lot). I’ve been pleasantly surprised at how the show keeps being worthwhile and enjoyable to listen to.
• The Dev Show talks around more general software development happenings. I’m finding it good to here about technologies outside of those I use myself. It makes me curious.
• The Conversation is more of a general talk-show type thing, with guests coming and going from the chat with the host. Easy going.

I’ve also recently discovered Huffduffer, which lets you collate audio from around the web and have it sucked into iTunes as a podcast — potentially very handy.

I spend less time in the car, these days, but when I am driving it’s usually with a podcast on the stereo. Lately I’ve been saving the music for while I’m working.