<?xml version="1.0" encoding="UTF-8"?>
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<channel>


<title>Matt Wallace's KILL (the) FEED</title>
<description>Matt Wallace's KILL (the) FEED isn't a show for your children. It isn't for your parents. It sure as hell isn't 

for your grand-parents. It's not work safe. It's not home safe. Basically, tuning in to this show is the auditory equivalent 

of enjoying a breakfast of wheat toast with jellied gasoline, washing it down with a glass of freshly squeezed Sterno, then 

lighting a Cuban cigar with your insurance card...</description>
<link>http://www.matt-wallace.com</link>

<atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/kill-the-feed" /><feedburner:info xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" uri="kill-the-feed" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:explicit>yes</itunes:explicit><itunes:subtitle>Matt Wallace's KILL (the) FEED isn't a show for your children. It isn't for your parents. It sure as hell isn't for your grand-parents. It's not work safe. It's not home safe. Basically, tuning in to this show is the auditory equivalent of enjoying a brea</itunes:subtitle><itunes:summary>Matt Wallace's KILL (the) FEED isn't a show for your children. It isn't for your parents. It sure as hell isn't for your grand-parents. It's not work safe. It's not home safe. Basically, tuning in to this show is the auditory equivalent of enjoying a breakfast of wheat toast with jellied gasoline, washing it down with a glass of freshly squeezed Sterno, then lighting a Cuban cigar with your insurance card...</itunes:summary><item>
<title>If there's a party at the end of the universe, Matt Wallace's THE NEXT FIX will be the drug of choice</title>
<description><![CDATA[ 

<img src=http://www.apexbookcompany.com/secure/images/products/86.jpg align=left>Matt's highly anticipated debut short story 

collection is available now in both hardcover and paperback editions. Filled with the multi-award-winning stories that 

captivated the minds and ears of thousands of listeners when they were first made available as downloadable podcasts, THE 

NEXT FIX collects Matt's thrilling tales of horror, sci-fi, and tech-noir for the first time ever. 
<br><br>
From the Back Cover:
<br><br>
<i>Only one drug can bring the visceral and the sublime together in a single trip, where the best and worst of the human 

drive boils down to a tech-noir concoction that is part street-level Heaven and part fiery beauty of Hell. Consider these 

pages a controlled substance.</i>
<br><br>
<a href="http://www.amazon.com/Next-Fix-Matt-Wallace/dp/0981639011/ref=sr_1_1?ie=UTF8&s=books&qid=1233360669&sr=1-1" 

target="_blank">Buy THE NEXT FIX from Amazon</a>
<br><br>
<a href="http://search.barnesandnoble.com/The-Next-Fix/Matt-Wallace/e/9780981639017/?itm=1" target="_blank">Buy THE NEXT FIX 

from Barnes & Noble</a>
<br><br><br>

"<i>Matt Wallace serves up two-fisted action -if your fists are half-cybernetic, the size of hamhocks, and covered in broken 

glass.</i>"<br>
      --<b>Scott Sigler</b>, New York Times Best-Selling Author of <i><b>CONTAGIOUS</i></b>
<br><br>
"<i>Matt Wallace is the boogeyman in your closet. He's the monster under your bed. He's the shadow that slides along the 

walls. Matt Wallace's writing is so compelling and so terrifying that you'll keep turning the pages, addicted to his 

work.</i>"<br>
      --<b>J.C. Hutchins</b>, author of <b><i>7th SON: DESCENT</i></b> 
<br><br>
"<i>Matt Wallace possesses a supercharged hard boiled voice that rumbles and rocks as he delivers stories that rip the 

reader across landscapes of personal apocalypse.  The tales from his first collection, <b>The Next Fix</b>, range easily and 

effectively from the gritty to the surreal, the far reaches of space to individual hells, often in the space of a few pages. 

 With a storytelling style born from podcasting, he knows how to grab and hold a reader's attention - that crackle and hiss 

you hear isn't interference, but energy and joy as his love of language and story stretches bandwidth to accommodate his 

vision.</i>"<br>
      --<b>Gerard Houarner</b>, author of <b><i>ROAD FROM HELL</i></b>
<br><br>
"<i>Visceral and raw-Matt Wallace takes hold of you and doesn't let go!</i>"<br>
      --<b>R.D. Hall</b>, writer, <b><i>NBC's HEROES</i></b>
<br><br>
]]> </description>
<pubDate>Sun, 1 Feb 2009 00:00:00 EST</pubDate> 
<link>http://www.matt-wallace.com#001</link>
<guid>http://www.matt-wallace.com#001</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>Murky Depths Issue #7 Drops With Matt As Its Wingman</title>
<description><![CDATA[ 

<img src=http://murkydepths.com/covers/issue07-300.jpg width=150 height=232 align=right>Matt's DEPTH CHARGE column returns 

to Britain's best prose and comics quarterly in the newest issue of <a href="http://murkydepths.com/" target="_blank">Murky 

Depths</a>. In a piece entitled "Fucking Vampires" Matt takes aim at the whole <i>Twilight</i> phenomenon for those of us 

without eight-inch vertical bangs and razor-blade scars on our forearms, as well as other prevailing genre fiction trends. 
<br><br>
<a href="http://murkydepths.com/" target="_blank">Murky Depths</a> is available at fine retailers throughout the UK and 

ships worldwide to its international readers.
<br><br>
]]> </description>
<pubDate>Sun, 1 Feb 2009 00:00:00 EST</pubDate> 
<link>http://www.matt-wallace.com#002</link>
<guid>http://www.matt-wallace.com#002</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>Matt Enrolls In The Catholic Seminary? WHAT</title>
<description><![CDATA[ 

<img src=http://www.variantfrequencies.com/images/art/CoG-300.jpg align=left>No, but he does lend his vocal talents to the 

newest short story on the award-winning <a href="http://www.variantfrequencies.com/" target="_blank">Variant Frequencies</a> 

podcast. In "Creature of God" by Jack Mangan, Matt plays the role of Father Vitor, a priest with questionable motives and an 

even more questionable vocabulary.
<br><br>
Matt joins an all-star cast that includes a who's-who in podcasting and features Heather Welliver, Kreg Steppe, John Cmar, 

Matt Wallace, J.C. Hutchins, Chris Lester, Seth Harwood, Neil Stringer, and Scott Sigler.
<br><br>
<a href="http://www.variantfrequencies.com/" target="_blank">Variant Frequencies</a> is currently celebrating three years of 

excellence that has seen it receive numerous Parsec Awards, including the Best Fiction (Short Form) Parsec for Matt's 

stories "Absolution, Insured" and "No World for Warriors" as well as a 2008 nomination for Matt's "Delve"
<br><br>
]]> </description>
<pubDate>Sun, 1 Feb 2009 00:00:00 EST</pubDate> 
<link>http://www.matt-wallace.com#003</link>
<guid>http://www.matt-wallace.com#003</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>Matt-Wallace.com Launches -- Apollo Rocket Cowers in Fear</title>
<description><![CDATA[ 

<img src=http://www.matt-wallace.com/graphics/photos/original/004.gif width=250 height=187.5 align=right>Matt's official 

website has been retooled, redesigned, and redubbed by the sick and twisted minds at Hurdy Gur, Inc., and is now poised for 

its final assault on the websites of every other horror, thriller, and sci-fi author in the internet realm.
<br><br>
Matt's new website aims to keep his fans more up-to-date, more entertained, and more involved in all the exciting, bloody, 

mindwarping developments in the worlds of his fiction, screenplays, podcasts, columns, and every other media aspect 

currently under siege by the man's chameleon-like abilities.
<br><br>
New features are currently in the works that will make Matt-Wallace.com a full-on, balls out, wholly interactive experience 

for the legions of listeners, readers, and viewers out there who can't get enough of Matt's visceral and unique brand of 

storytelling. Keep checking back or you just might miss the last bus to digital nirvana . . . or oblivion.
<br><br>
]]> </description>
<pubDate>Sun, 1 Feb 2009 00:00:00 EST</pubDate> 
<link>http://www.matt-wallace.com#004</link>
<guid>http://www.matt-wallace.com#004</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>For the Record, Obama is a Retroactive Plagiarist</title>
<description><![CDATA[ 

<img src=http://www.matt-wallace.com/graphics/photos/enlarged/015.gif width=250 height=187.5 align=left>A new year, a new 

website, a new attitude, and coming February 28th, 2009 -- a brand new podcast feed that will bring an entirely original and 

bloody spectrum of exclusive content to Matt's readers, listeners, and avid detractors across the globe. It is Matt 

Wallace's KILL (the) FEED and its home on the web can only be found here at Matt-Wallace.com -- where angels don't fear to 

tread, they gladly offer themselves up for sacrifice.
<br><br>
We are launching the new feed with the premiere episode of an all-new video podcast that will be Matt's weekly address to 

the nation and will feature current news, essays, rants, and the live execution of those Matt feels have wronged either him 

or the mental/emotional health and/or growth of America and the world at large.
<br><br>
. . . verbal executions. Naturally.
<br><br>
<img src="http://www.matt-wallace.com/graphics/banners/killthefeed.gif" width="440"><br>Fire up your feed readers on 

Saturday, February 28th, and subscribe to get the first batch of content on KILL (the) FEED. Your aggregators are about to 

be made big with child -- the firstborn heir to the new awesome.
<br><br>
]]> </description>
<pubDate>Thu, 19 Feb 2009 23:02:00 EST</pubDate> 
<link>http://www.matt-wallace.com#005</link>
<guid>http://www.matt-wallace.com#005</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>KILL (the) FEED for February 28th, 2009 - Episode 001</title>
<enclosure url="http://www.archive.org/download/Ktf-001_359/Ktf-001_512kb.mp4" length="210" type="video/mp4" />
<description><![CDATA[ 

<center>
<img src="http://www.matt-wallace.com/rss/killthefeedpost.gif" width="415">
</center>
<br><FONT Face="Helvetica" size="3">
<b>In his first video address, Matt debuts your weekly "Gut Check" with several keynote items from his 2009 Hit List, then 

offers you an EXCLUSIVE WORLD PREMIRE sampler from his new novel LETHAL BORN.</b><br>
</font>
<br><br>
]]> </description>
<guid>http://www.archive.org/download/Ktf-001_359/Ktf-001_512kb.mp4</guid>
<pubDate>Wed, 4 Mar 2009 00:00:00 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/Ktf-001_359/Ktf-001_512kb.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> In his first video address, Matt debuts your weekly "Gut Check" with several keynote items from his 2009 Hit List, then offers you an EXCLUSIVE WORLD PREMIRE sampler from his new novel LETHAL BORN. </itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> In his first video address, Matt debuts your weekly "Gut Check" with several keynote items from his 2009 Hit List, then offers you an EXCLUSIVE WORLD PREMIRE sampler from his new novel LETHAL BORN. </itunes:summary></item>

<item>
<title>KILL (the) FEED for the week of March 1st, 2009 - Episode 002</title>
<enclosure url="http://www.archive.org/download/KtfForTheWeekOfMarch1st2009-Episode002/Ktf002_512kb.mp4" length="210" type="video/mp4" />
<description><![CDATA[

<center>
<img src="http://www.matt-wallace.com/rss/killthefeedpost.gif" width="415">
</center>
<br><FONT Face="Helvetica" size="3">
<b>In his second Weekly Video Address, Matt debuts HIP CHECK -- your rundown of what was hip enough in the world of the 

arts, media, and the internet to distract Matt from writing over the last seven days. He also takes aim at 

Twitter-in-the-Mainstream and the next generation of late night television in this week's GUT CHECK.</b>
</font>
<br><br><b>Show Notes:</b><br>
<a href="http://murverse.com/2009/02/27/fingertips-a-flash-experiment/" target="_blank">The Murverse - Fingertips Flash 

Experiment</a><br><br>
<a href="http://d-9.com/" target="_blank">D-9 Main Page</a><br>
<a href="http://www.mnuspreadslies.com/" target="_blank">MNU Spreads Lies</a><br>
<a href="http://www.mathsfromouterspace.com/" target="_blank">Maths from Outerspace</a><br><br>
<a href="http://theswivet.blogspot.com/2009/03/queryfail-day-on-twitter.html" target="_blank">The Swivet - Queryfail Day on 

Twitter</a><br>
<a href="http://search.twitter.com/search?q=%23queryfail" target="_blank">#queryfail on Twitter</a><br>
<a href="http://nathanbransford.blogspot.com/" target="_blank">Nathan Bransford - Writing Agent</a><br><br>
<a href="http://watchmenmovie.warnerbros.com/" target="_blank">The Watchmen</a><br>
<a href="http://watchmenmusic.com/shop/" target="_blank">Music from The Watchmen</a><br><br>
<a href="http://jchutchins.net/site/the-brink/" target="_blank">JC Hutchins - The Brink</a><br>
<a href="http://media.libsyn.com/media/jchutchins/CommitYourselfToTheBrink_Promo1.mp3" target="_blank">Audio Promo for 

Personal Effects: Dark Art</a><br>

]]> </description>
<guid>http://www.archive.org/download/KtfForTheWeekOfMarch1st2009-Episode002/Ktf002.mp4</guid>
<pubDate>Mon, 9 Mar 2009 00:00:00 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/KtfForTheWeekOfMarch1st2009-Episode002/Ktf002_512kb.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> In his second Weekly Video Address, Matt debuts HIP CHECK -- your rundown of what was hip enough in the world of the arts, media, and the internet to distract Matt from writing over the last seven days. He also takes aim at Twitter-in-the-Mainstream and </itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> In his second Weekly Video Address, Matt debuts HIP CHECK -- your rundown of what was hip enough in the world of the arts, media, and the internet to distract Matt from writing over the last seven days. He also takes aim at Twitter-in-the-Mainstream and the next generation of late night television in this week's GUT CHECK. Show Notes: The Murverse - Fingertips Flash Experiment D-9 Main Page MNU Spreads Lies Maths from Outerspace The Swivet - Queryfail Day on Twitter #queryfail on Twitter Nathan Bransford - Writing Agent The Watchmen Music from The Watchmen JC Hutchins - The Brink Audio Promo for Personal Effects: Dark Art </itunes:summary></item>

<item>
<title>Commit Yourself To The Brink</title>
<enclosure url="http://www.matt-wallace.com/audio/CommitYourselfToTheBrink_Promo1.mp3" length="210" type="audio/mp3" />
<description>
<![CDATA[ 

"A bloody puzzle. A bloodier mindtrip. <i>Personal Effects: Dark Art</i> is a journey that just might rip your cerebral 

cortex to shreds if you don't steel yourself before stepping on its maniacal path."<br>
--<b>Matt Wallace</b>, Parsec Award-winning author of <i>The Next Fix</i><br>

]]> </description>
<guid>http://www.matt-wallace.com/audio/CommitYourselfToTheBrink_Promo1.mp3</guid>
<pubDate>Sun, 15 Mar 2009 11:52:16 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.matt-wallace.com/audio/CommitYourselfToTheBrink_Promo1.mp3" fileSize="210" type="audio/mp3" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> "A bloody puzzle. A bloodier mindtrip. Personal Effects: Dark Art is a journey that just might rip your cerebral cortex to shreds if you don't steel yourself before stepping on its maniacal path." --Matt Wallace, Parsec Award-winning author of The Next F</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> "A bloody puzzle. A bloodier mindtrip. Personal Effects: Dark Art is a journey that just might rip your cerebral cortex to shreds if you don't steel yourself before stepping on its maniacal path." --Matt Wallace, Parsec Award-winning author of The Next Fix </itunes:summary></item>

<item>
<title>How to Carry Your NEXT FIX Wherever You Go</title>
<description>
<![CDATA[ 

<img src=http://kindlerama.com/wp-content/uploads/2008/04/kindless-idrinkbookshelf01.jpg width=300 height=400 

align=left>Just in time to mark the release of the *even* newer, *even* shinier <a 

href="http://www.amazon.com/Kindle-Amazons-Wireless-Reading-Generation/dp/B00154JDAI/ref=amb_link_83624371_1?pf_rd_m=ATVPDKI

KX0DER&pf_rd_s=center-1&pf_rd_r=1C4VVHFN8VGXMNM1TMMX&pf_rd_t=101&pf_rd_p=471681371&pf_rd_i=507846" target="_blank">Kindle 

2</a> (the latest generation of Amazon's new wireless reading device), Matt Wallace's award-winning, cortex-reaping short 

story collection <i>THE NEXT FIX</i> <a 

href="http://www.amazon.com/The-Next-Fix/dp/B001V5JJT6/ref=kinw_dp_ke?ie=UTF8&qid=1236981127&sr=1-1" target="_blank">is now 

available on the Kindle reader AND Kindle for iPhone.</a>
<br><br>
Even if you own <i>THE NEXT FIX</i> in old school hard copy form, this is without question the sleekest, sexiest, 

must-consume delivery system for Matt's addictive and mind-altering brand of hybrid thriller fiction.
<br><br>
Your eReader will never be able to kick after it has been exposed to its first shot of <i>THE NEXT FIX</i> by Matt Wallace.
<br><br>
<b><i>JOIN THE DIGITIZED PIMP LEGIONS</i></b>
<br><br>
To ensure that every tech-head bibliophile on the planet who owns a Kindle reader or has downloaded Kindle for their iPhone 

ALSO fills it with <i>THE NEXT FIX</i>, Matt has set out to create the single greatest multi-cultural promotion since The 

United Colors of Benetton. And the best part? He wants YOU to be a featured player in the video promo for the Kindle version 

of his first short story collection.
<br><br>
Do you own the following?
<br><br>
1) The print version of <i>THE NEXT FIX</i> by Matt Wallace (<a 

href="http://www.amazon.com/Next-Fix-Matt-Wallace/dp/0981639011/ref=sr_1_1?ie=UTF8&s=books&qid=1236991566&sr=1-1" 

target="_blank">order THE NEXT FIX from Amazon</a>)
<br><br>
2) A Kindle reader AND/OR iPhone.
<br><br>
3) A digital video camera.
<br><br>
4) Balls AND/OR ovaries of tempered steel.
<br><br>
If the answer is "yes" across the board, <A HREF="mailto:matt@matt-wallace.com">
E-mail Matt</A> with the subject line "<b><i>I WANT TO BE A VIDEO PROMO PLAYER</i></b>" and you just might become exactly 

that when you star in the trailer for <i>THE NEXT FIX</i> for the Kindle.
			
]]> </description>
<pubDate>Mon, 23 Mar 2009 10:58:15 EST</pubDate> 
<link>http://www.matt-wallace.com#008</link>
<guid>http://www.matt-wallace.com#008</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>KILL (the) FEED for the week of March 23rd, 2009 - Episode 003</title>
<enclosure url="http://www.archive.org/download/Ktf-Episode003/KtfEpisode003_512kb.mp4" length="210" type="video/mp4" />
<description><![CDATA[

<center>
<img src="http://www.matt-wallace.com/rss/killthefeedpost.gif" width="415">
</center>
<br><FONT Face="Helvetica" size="3">
<b>After a brief but unavoidable hiatus wrought by what was no doubt a government and/or corporate conspiracy, Matt is back 

with his third Weekly Video Address. In the wake of Battlestar Galactica's metaphysics-shoveling series finale, Matt has a 

TV-centric GUT CHECK for BSG sycophants and Whedonists/Jossphiles alike. On the less vitriolic side, Matt HIP CHECKS 

nostalgia, revolution, and a pack of authors much more talented and successful than him.</b>
</font> 
<br><br><b>Show Notes:</b><br>
<a href="http://www.henson.com/fantasy_scifi.php?content=farscape" target="_blank">Farscape 10th Anniversary T-Shirt</a><br>
<a href="http://search.twitter.com/search?q=shiningwizardwednesday" target="_blank">Shining Wizard Wednesday on 

Twitter</a><br>
<a href="http://jchutchins.net/site/2009/03/16/personal-effects-dark-art-book-trailer-1/" target="_blank">Personal 

Effects:Dark Art - Trailer #1</a><br>
<a 

href="http://ax.itunes.apple.com/WebObjects/MZStore.woa/wa/browserRedirect?url=itms%253A%252F%252Fax.itunes.apple.com%252FWe

bObjects%252FMZStore.woa%252Fwa%252FviewAlbum%253Fid%253D306065838%2526s%253D143441%2526v0%253DWWW-NAUS-ITUWEEKLY-OVERVIEW" 

target="_blank">The Decemberists on iTunes</a><br>
<a href="http://www.punisherwarzonemovie.com/" target="_blank">Punisher - War Zone</a><br>
<a href="http://neilgaiman.com/" target="_blank">Neil Gaiman</a><br>
<a href="http://www.scalzi.com/" target="_blank">John Scalzi</a><br>
<a href="http://www.antipope.org/charlie/" target="_blank">Charles Stross</a><br>
<a href="http://www.nealstephenson.com/" target="_blank">Neal Stephenson</a><br>
<a href="http://craphound.com/" target="_blank">Cory Doctorow</a><br>

]]> </description>
<guid>http://www.archive.org/download/Ktf-Episode003/KtfEpisode003_512kb.mp4</guid>
<pubDate>Mon, 23 Mar 2009 10:58:26 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/Ktf-Episode003/KtfEpisode003_512kb.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> After a brief but unavoidable hiatus wrought by what was no doubt a government and/or corporate conspiracy, Matt is back with his third Weekly Video Address. In the wake of Battlestar Galactica's metaphysics-shoveling series finale, Matt has a TV-centric</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> After a brief but unavoidable hiatus wrought by what was no doubt a government and/or corporate conspiracy, Matt is back with his third Weekly Video Address. In the wake of Battlestar Galactica's metaphysics-shoveling series finale, Matt has a TV-centric GUT CHECK for BSG sycophants and Whedonists/Jossphiles alike. On the less vitriolic side, Matt HIP CHECKS nostalgia, revolution, and a pack of authors much more talented and successful than him. Show Notes: Farscape 10th Anniversary T-Shirt Shining Wizard Wednesday on Twitter Personal Effects:Dark Art - Trailer #1 The Decemberists on iTunes Punisher - War Zone Neil Gaiman John Scalzi Charles Stross Neal Stephenson Cory Doctorow </itunes:summary></item>

<item>
<title>KILL (the) FEED for the week of March 29th, 2009 - Episode 004</title>
<enclosure url="http://www.archive.org/download/Ktf-Episode004/Ktf004_512kb.mp4" length="210" type="video/mp4" />
<description><![CDATA[

<center>
<img src="http://www.matt-wallace.com/rss/killthefeedpost.gif" width="415">
</center>
<br><FONT Face="Helvetica" size="3">
<b>In his fourth weekly video address Matt is live-on-tape from Durham, North Carolina and welcomes special guests to KILL 

(the) FEED: author, columnist, and podcasting pioneer Mur Lafferty, her husband and host of The Vintage Gamer Jim van Verth, 

and Dr. John Cmar. First up, Matt GUT CHECKS your world-view of profanity, then shares the OUTPUT spotlight with Mur, 

followed by a neo Algonquin Round Table on the subject of what was hip this week.
<br><br>
PLUS the world premiere of the first video promo for THE NEXT FIX on the Kindle reader and Kindle for your iPhone, featuring 

7th SON creator and author of PERSONAL EFFECTS: DARK ART, Mister J.C. Hutchins.</b>
</font> 
<br><br><b>Show Notes:</b><br>
<a href="http://amonamarth.com/" target="_blank">Amon Amarth</a><br>
<a href="http://www.amazingsuperpowers.com/" target="_blank">Amazing Super Powers</a><br>
<a href="http://coraline.com/" target="_blank">Coraline - Official Site</a><br>
<a href="http://gafferongames.com/" target="_blank">Gaffer on Games by Glenn Fiedler</a><br>
<a href="http://www.terrypratchettbooks.com/" target="_blank">Terry Pratchett</a><br>
<a href="http://www.heavennovel.com/" target="_blank">The Heaven Series by Mur Lafferty</a><br>
<a href="http://www.repo-opera.com/soundtrack/" target="_blank">Repo - The Genetic Opera Soundtrack</a><br>
<a href="http://www.essentialmath.com/" target="_blank">Essential Math for Games Programmers</a><br>

]]> </description>
<guid>http://www.archive.org/download/Ktf-Episode004/Ktf004_512kb.mp4</guid>
<pubDate>Sun, 29 Mar 2009 22:41:35 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/Ktf-Episode004/Ktf004_512kb.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> In his fourth weekly video address Matt is live-on-tape from Durham, North Carolina and welcomes special guests to KILL (the) FEED: author, columnist, and podcasting pioneer Mur Lafferty, her husband and host of The Vintage Gamer Jim van Verth, and Dr. J</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> In his fourth weekly video address Matt is live-on-tape from Durham, North Carolina and welcomes special guests to KILL (the) FEED: author, columnist, and podcasting pioneer Mur Lafferty, her husband and host of The Vintage Gamer Jim van Verth, and Dr. John Cmar. First up, Matt GUT CHECKS your world-view of profanity, then shares the OUTPUT spotlight with Mur, followed by a neo Algonquin Round Table on the subject of what was hip this week. PLUS the world premiere of the first video promo for THE NEXT FIX on the Kindle reader and Kindle for your iPhone, featuring 7th SON creator and author of PERSONAL EFFECTS: DARK ART, Mister J.C. Hutchins. Show Notes: Amon Amarth Amazing Super Powers Coraline - Official Site Gaffer on Games by Glenn Fiedler Terry Pratchett The Heaven Series by Mur Lafferty Repo - The Genetic Opera Soundtrack Essential Math for Games Programmers </itunes:summary></item>


<item>
<title>KILL (the) FEED for the week of April 5th, 2009 - Episode 005</title>
<enclosure url="http://www.archive.org/download/Ktf-Episode005/Ktf005_512kb.mp4" length="210" type="video/mp4" />
<description><![CDATA[

<center>
<img src="http://www.matt-wallace.com/rss/killthefeedpost.gif" width="415">
</center>
<br><FONT Face="Helvetica" size="3">
<b>This week sucked, and in his fifth Weekly Video Address on KILL (the) FEED Matt is going to explain exactly why it 

sucked. Also: Variant Frequencies, the multi-award-winning fiction podcast that broke Matt out to the world at large, is 

spotlighted in the HIP CHECK.
<br><br>
Plus the destined-for-infamy "Man Whore" promo for THE NEXT FIX for your Kindle featuring author and podcast pioneer Mur 

Lafferty and funny music superstar DevoSpice premieres.</b>
</font> 

]]> </description>
<guid>http://www.archive.org/download/Ktf-Episode005/Ktf005_512kb.mp4</guid>
<pubDate>Sun, 5 Apr 2009 12:54:35 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/Ktf-Episode005/Ktf005_512kb.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> This week sucked, and in his fifth Weekly Video Address on KILL (the) FEED Matt is going to explain exactly why it sucked. Also: Variant Frequencies, the multi-award-winning fiction podcast that broke Matt out to the world at large, is spotlighted in the</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> This week sucked, and in his fifth Weekly Video Address on KILL (the) FEED Matt is going to explain exactly why it sucked. Also: Variant Frequencies, the multi-award-winning fiction podcast that broke Matt out to the world at large, is spotlighted in the HIP CHECK. Plus the destined-for-infamy "Man Whore" promo for THE NEXT FIX for your Kindle featuring author and podcast pioneer Mur Lafferty and funny music superstar DevoSpice premieres. </itunes:summary></item>

<item>
<title>KILL (the) FEED for the week of April 13th, 2009 - Episode 006</title>
<enclosure url="http://www.archive.org/download/Ktf-Episode006/Ktf006_512kb.mp4" length="210" type="video/mp4" />
<description><![CDATA[

<center>
<img src="http://www.matt-wallace.com/rss/killthefeedpost.gif" width="415">
</center>
<br><FONT Face="Helvetica" size="3">
<b>Easter week on KILL (the) FEED brings brightly colored eggs and a GUT CHECK for mainstream marketing and PR on Matt's sixth Weekly Video Address. Also: Free fiction in support of our troops, and the world premiere of the newest vid promo for THE NEXT FIX for your Kindle reader and Kindle for your iPhone/iPod Touch featuring New York Times best-selling author and failed pimp, SCOTT SIGLER.</b>
</font> 
<br><br><b>Show Notes:</b><br>
<a href="http://jchutchins.net/site/trailers/" target="_blank">JC Hutchins Book Trailers - Personal Effects: Dark Art</a><br>
<a href="http://www.youtube.com/watch?v=RyyX1iN8gG0" target="_blank">Personal Effects: Dark Art Video Trailer #3 - Victor Miller</a><br>
<a href="http://charles-tan.blogspot.com/2009/04/feature-mini-directory-of-sf-on-twitter.html" target="_blank">Bibliophile Stalker Feature: Mini-Directory of SF&F on Twitter</a><br>
]]> </description>
<guid>http://www.archive.org/download/Ktf-Episode006/Ktf006_512kb.mp4</guid>
<pubDate>Mon, 13 Apr 2009 13:20:47 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/Ktf-Episode006/Ktf006_512kb.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> Easter week on KILL (the) FEED brings brightly colored eggs and a GUT CHECK for mainstream marketing and PR on Matt's sixth Weekly Video Address. Also: Free fiction in support of our troops, and the world premiere of the newest vid promo for THE NEXT FIX</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> Easter week on KILL (the) FEED brings brightly colored eggs and a GUT CHECK for mainstream marketing and PR on Matt's sixth Weekly Video Address. Also: Free fiction in support of our troops, and the world premiere of the newest vid promo for THE NEXT FIX for your Kindle reader and Kindle for your iPhone/iPod Touch featuring New York Times best-selling author and failed pimp, SCOTT SIGLER. Show Notes: JC Hutchins Book Trailers - Personal Effects: Dark Art Personal Effects: Dark Art Video Trailer #3 - Victor Miller Bibliophile Stalker Feature: Mini-Directory of SF&amp;F on Twitter </itunes:summary></item>

<item>
<title>No World for Warriors by Matt Wallace</title>
<description>Parsec award winning short story, as heard on Variant Frequencies, as seen in "The Next Fix", and now totally free in PDF format!</description>
<enclosure url="http://matt-wallace.com/fiction/noworldforwarriors.pdf" length="54264" type="application/pdf" />
<link>http://www.matt-wallace.com/fiction/noworldforwarriors.pdf</link>
<guid>http://www.matt-wallace.com/fiction/noworldforwarriors.pdf</guid>
<pubDate>Mon, 13 Apr 2009 13:12:24 EST</pubDate>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://matt-wallace.com/fiction/noworldforwarriors.pdf" fileSize="54264" type="application/pdf" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle>Parsec award winning short story, as heard on Variant Frequencies, as seen in "The Next Fix", and now totally free in PDF format!</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary>Parsec award winning short story, as heard on Variant Frequencies, as seen in "The Next Fix", and now totally free in PDF format!</itunes:summary></item>

<item>
<title>KILL (the) FEED for the week of April 19th, 2009 - Episode 007</title>
<enclosure url="http://www.archive.org/download/Ktf-Episode007/Ktf007_512kb.mp4" length="210" type="video/mp4" />
<description><![CDATA[

<center>
<img src="http://www.matt-wallace.com/rss/killthefeedpost.gif" width="415">
</center>
<br><FONT Face="Helvetica" size="3">
<b>In his historic seventh Weekly Video Address, Matt welcomes Amazon.com founder & CEO Jeff Bezos to KILL (the) FEED for an *EPIC* discourse on Derankgate '09. Matt also has several exciting projects to talk about in the OUTPUT. After a savage dry spell, prepare for a Great Deluge of equally new and equally free multi-media fiction content from the creator of THE FAILED CITIES MONOLOGUES and THE NEXT FIX. Much like Jesus and much more like The Terminator, He's back.</b>
</font> 
<br><br><b>Show Notes:</b><br>
<a href="http://murverse.com" target="_blank">Mur Lafferty - The Murverse</a><br>
<a href="http://www.heavennovel.com/inside-story/" target="_blank">The Inside Story</a><br>
<a href="http://twitter.com/heaventweet" target="_blank">HeavenTweet</a><br>
]]> </description>
<guid>http://www.archive.org/download/Ktf-Episode007/Ktf007_512kb.mp4</guid>
<pubDate>Mon, 20 Apr 2009 12:06:47 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/Ktf-Episode007/Ktf007_512kb.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> In his historic seventh Weekly Video Address, Matt welcomes Amazon.com founder &amp; CEO Jeff Bezos to KILL (the) FEED for an *EPIC* discourse on Derankgate '09. Matt also has several exciting projects to talk about in the OUTPUT. After a savage dry spell, p</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> In his historic seventh Weekly Video Address, Matt welcomes Amazon.com founder &amp; CEO Jeff Bezos to KILL (the) FEED for an *EPIC* discourse on Derankgate '09. Matt also has several exciting projects to talk about in the OUTPUT. After a savage dry spell, prepare for a Great Deluge of equally new and equally free multi-media fiction content from the creator of THE FAILED CITIES MONOLOGUES and THE NEXT FIX. Much like Jesus and much more like The Terminator, He's back. Show Notes: Mur Lafferty - The Murverse The Inside Story HeavenTweet </itunes:summary></item>

<item>
<title>KILL (the) FEED for the week of April 26th, 2009 - Episode 008</title>
<enclosure url="http://www.archive.org/download/Ktf-Episode008/Ktf-Episode008_512kb.mp4" length="210" type="video/mp4" />
<description><![CDATA[

<center>
<img src="http://www.matt-wallace.com/rss/killthefeedpost.gif" width="415">
</center>
<br><FONT Face="Helvetica" size="3">
<b>In his eighth Weekly Video Address, Matt enters the heart of the beast itself, Blockbuster Video, to GUT CHECK the inevitable fading glory that afflicts storytellers in every medium. He also heralds the coming of TITLE FIGHT, the first podfic written and released by Matt in 2009 (co-authored with none other than Scott Sigler and set in Scott's universe of THE ROOKIE). Finally, Matt welcomes indie band KILLING KARMA onto KILL (the) FEED and touts their hard-rockin' ways in the HIP CHECK.</b>
</font> 
<br><br><b>Show Notes:</b><br>
<a href="http://www.killingkarma.com" target="_blank">Killing Karma</a><br>
<a href="http://www.scottsigler.com/node/2814" target="_blank">TITLE FIGHT, Round #1 - ScottSigler.Com</a><br>
<a href="http://www.variantfrequencies.com/2009/04/24/title-fight-round-1/" target="_blank">TITLE FIGHT, Round #1 - Variant Frequencies</a><br>
<a href="http://strangerthings.tv/" target="_blank">Stranger Things</a><br>
<a href="http://media.libsyn.com/media/strangerthings/090418-update.m4v" target="_blank">Stranger Things - State of the Podcast (April 18th, 2009 Update)</a><br>
]]> </description>
<guid>http://www.archive.org/download/Ktf-Episode008/Ktf-Episode008_512kb.mp4</guid>
<pubDate>Mon, 27 Apr 2009 14:05:47 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/Ktf-Episode008/Ktf-Episode008_512kb.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> In his eighth Weekly Video Address, Matt enters the heart of the beast itself, Blockbuster Video, to GUT CHECK the inevitable fading glory that afflicts storytellers in every medium. He also heralds the coming of TITLE FIGHT, the first podfic written and</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> In his eighth Weekly Video Address, Matt enters the heart of the beast itself, Blockbuster Video, to GUT CHECK the inevitable fading glory that afflicts storytellers in every medium. He also heralds the coming of TITLE FIGHT, the first podfic written and released by Matt in 2009 (co-authored with none other than Scott Sigler and set in Scott's universe of THE ROOKIE). Finally, Matt welcomes indie band KILLING KARMA onto KILL (the) FEED and touts their hard-rockin' ways in the HIP CHECK. Show Notes: Killing Karma TITLE FIGHT, Round #1 - ScottSigler.Com TITLE FIGHT, Round #1 - Variant Frequencies Stranger Things Stranger Things - State of the Podcast (April 18th, 2009 Update) </itunes:summary></item>

<item>
<title>KILL (the) FEED for the week of May 4th, 2009 - Episode 009</title>
<enclosure url="http://www.archive.org/download/Ktf-Episode009/Ktf009_512kb.mp4" length="210" type="video/mp4" />
<description><![CDATA[

<center>
<img src="http://www.matt-wallace.com/rss/killthefeedpost.gif" width="415">
</center>
<br><FONT Face="Helvetica" size="3">
<b>In his ninth Weekly Video Address, Matt swallows a bottle of extra-strength aspirin in order to GUT CHECK the media's endless, mind-numbing fellating of swine flu. Plus, Matt joins the likes of Friday the 13th creator Victor Miller and Blair Witch Project director Daniel Myrick in praising J.C. Hutchins' upcoming novel/alternate reality experience PERSONAL EFFECTS: DARK ART (dropping like a nuclear bomb in June. Pre-order now from Amazon). And finally, are you ready for ROUND #2 of Matt Wallace and Scott Sigler's TITLE FIGHT?</b>
</font> 
<br><br><b>Show Notes:</b><br>
<a href="http://jchutchins.net/site/personal-effects/" target="_blank">JC Hutchins - Personal Effects:Dark Art</a><br>
]]> </description>
<guid>http://www.archive.org/download/Ktf-Episode009/Ktf009_512kb.mp4</guid>
<pubDate>Tue, 5 May 2009 23:45:47 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/Ktf-Episode009/Ktf009_512kb.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> In his ninth Weekly Video Address, Matt swallows a bottle of extra-strength aspirin in order to GUT CHECK the media's endless, mind-numbing fellating of swine flu. Plus, Matt joins the likes of Friday the 13th creator Victor Miller and Blair Witch Projec</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> In his ninth Weekly Video Address, Matt swallows a bottle of extra-strength aspirin in order to GUT CHECK the media's endless, mind-numbing fellating of swine flu. Plus, Matt joins the likes of Friday the 13th creator Victor Miller and Blair Witch Project director Daniel Myrick in praising J.C. Hutchins' upcoming novel/alternate reality experience PERSONAL EFFECTS: DARK ART (dropping like a nuclear bomb in June. Pre-order now from Amazon). And finally, are you ready for ROUND #2 of Matt Wallace and Scott Sigler's TITLE FIGHT? Show Notes: JC Hutchins - Personal Effects:Dark Art </itunes:summary></item>

<item>
<title>TITLE FIGHT - Round #2</title>
<enclosure url="http://www.archive.org/download/Ktf-Episode001-TitleFightRound2/Ktf-Episode001-TitleFightRound2.mp3" length="3257" type="audio/mp3" />
<description>
<![CDATA[ 

<img src="http://www.matt-wallace.com/rss/round002.gif" width="300" align="left">
<br>
<FONT Face="Helvetica" size="3"><b>
ROUND #2 -- Meet "The Heretic" Chaiyal North, the 6'9", 400 pound newly-crowned champion of the Galactic Fighting Association. Chai is the first Human competitor to capture the interspecies title in a thousand years, but as far as he's concerned crowns don't make kings. Chai may be sitting at the top of the GFA heap, but to truly call himself the best there's one more fighter he must face on the field of battle -- Quyth legend Korak the Cutter.
</font></b><br><br>
<FONT Face="Helvetica" size="2">
<i>TITLE FIGHT is a multi-part collaboration between Scott Siger and Matt Wallace, set in the universe created by Scott Sigler in his novel THE ROOKIE.</i>
</font>

]]> </description>
<guid>http://www.archive.org/download/Ktf-Episode001-TitleFightRound2/Ktf-Episode001-TitleFightRound2.mp3</guid>
<pubDate>Sat, 9 May 2009 03:04:16 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/Ktf-Episode001-TitleFightRound2/Ktf-Episode001-TitleFightRound2.mp3" fileSize="3257" type="audio/mp3" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> ROUND #2 -- Meet "The Heretic" Chaiyal North, the 6'9", 400 pound newly-crowned champion of the Galactic Fighting Association. Chai is the first Human competitor to capture the interspecies title in a thousand years, but as far as he's concerned crowns d</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> ROUND #2 -- Meet "The Heretic" Chaiyal North, the 6'9", 400 pound newly-crowned champion of the Galactic Fighting Association. Chai is the first Human competitor to capture the interspecies title in a thousand years, but as far as he's concerned crowns don't make kings. Chai may be sitting at the top of the GFA heap, but to truly call himself the best there's one more fighter he must face on the field of battle -- Quyth legend Korak the Cutter. TITLE FIGHT is a multi-part collaboration between Scott Siger and Matt Wallace, set in the universe created by Scott Sigler in his novel THE ROOKIE. </itunes:summary></item>

<item>
<title>KILL (the) FEED for the week of May 11th, 2009 - Episode 010</title>
<enclosure url="http://www.archive.org/download/Ktf-Episode010/Ktf-Episode10_512kb.mp4" length="210" type="video/mp4" />
<description><![CDATA[

<center>
<img src="http://www.matt-wallace.com/rss/killthefeedpost.gif" width="415">
</center>
<br><FONT Face="Helvetica" size="3">
<b>In his landmark TENTH Weekly Video Address, Matt shoots on Amazon's Kindle DX, paper obsolescence, the print news industry, and the Golden Age of Pulp. He also fills the Legion in on his summer plans for building a multi-media entertainment empire on the foundation of KILL (the) FEED, including a tantalizing preview of an upcoming and groundbreaking video webseries. Finally, on the HIP CHECK, Matt issues orders for every member of the Legion to pick up a copy of MURKY DEPTHS and dig his newest column.</b>
</font> 
<br><br><b>Show Notes:</b><br>
<a href="http://jchutchins.net/site/personal-effects/" target="_blank">JC Hutchins - Personal Effects:Dark Art</a><br>
<a href="http://murkydepths.com/" target="_blank">Murky Depths</a><br>
]]> </description>
<guid>http://www.archive.org/download/Ktf-Episode010/Ktf-Episode10_512kb.mp4</guid>
<pubDate>Tue, 12 May 2009 00:17:21 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/Ktf-Episode010/Ktf-Episode10_512kb.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> In his landmark TENTH Weekly Video Address, Matt shoots on Amazon's Kindle DX, paper obsolescence, the print news industry, and the Golden Age of Pulp. He also fills the Legion in on his summer plans for building a multi-media entertainment empire on the</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> In his landmark TENTH Weekly Video Address, Matt shoots on Amazon's Kindle DX, paper obsolescence, the print news industry, and the Golden Age of Pulp. He also fills the Legion in on his summer plans for building a multi-media entertainment empire on the foundation of KILL (the) FEED, including a tantalizing preview of an upcoming and groundbreaking video webseries. Finally, on the HIP CHECK, Matt issues orders for every member of the Legion to pick up a copy of MURKY DEPTHS and dig his newest column. Show Notes: JC Hutchins - Personal Effects:Dark Art Murky Depths </itunes:summary></item>

<item>
<title>KILL (the) FEED for the week of June 8th, 2009 - Episode 011</title>
<enclosure url="http://www.archive.org/download/Ktf-Episode011/Ktf-Episode011_512kb.mp4" length="210" type="video/mp4" />
<description><![CDATA[

<center>
<img src="http://www.matt-wallace.com/rss/killthefeedpost.gif" width="415">
</center>
<br><FONT Face="Helvetica" size="3">
<b>In a very special episode of KILL (the) FEED, Matt takes us inside Balticon 2009. From backstage at the jam-packed Stranger Things episode premiere to the scantily-clad women and fat suit-clad men of the late night con parties, it's all-access.</b>
</font> 
]]> </description>
<guid>http://www.archive.org/download/Ktf-Episode011/Ktf-Episode011_512kb.mp4</guid>
<pubDate>Tue, 09 Jun 2009 00:45:21 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/Ktf-Episode011/Ktf-Episode011_512kb.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> In a very special episode of KILL (the) FEED, Matt takes us inside Balticon 2009. From backstage at the jam-packed Stranger Things episode premiere to the scantily-clad women and fat suit-clad men of the late night con parties, it's all-access. </itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> In a very special episode of KILL (the) FEED, Matt takes us inside Balticon 2009. From backstage at the jam-packed Stranger Things episode premiere to the scantily-clad women and fat suit-clad men of the late night con parties, it's all-access. </itunes:summary></item>

<item>
<title>Let's face it. You're a great disappointment to the man who helped give you life.</title>
<enclosure url="http://www.matt-wallace.com/audio/tnf-fdp.mp3" length="88" type="audio/mp3" />
<description>
<![CDATA[ 

<FONT Face="Helvetica" size="3"><b>

<img src="http://matt-wallace.com/graphics/buttons/fathersday.gif" alt="Don't be that guy..." align="left" hspace="10" vspace="10"><font size="3">

At least on Father's Day. Those last three consecutive black ties you got for him? The wall-mounted singing bass? That five-year subscription to Mustache Aficionado? Lame, kids. Lame. Break the cycle this year on Father's Day by giving your loving patriarch the gift of THE NEXT FIX by Matt Wallace. Give him a passport to the most blood-pumping action, adventure, thrills, chills, and techno-utopian escapades anywhere in print or digital media. Put him on the cutting edge of fiction and literature and grant him hours of entertainment in the process. He'll thank you for it. At least until next year.
<br><br>
And help others amp it up this Father's Day by including our special FATHER'S DAY FIX promo (featuring the vocal stylings and full endorsement of proud parent and host of the Vintage Gamer, Jim Van Verth) in your podcast, blog, or other favorite social networking outlet.
<br><br>
Because there are precious few good fathers left out there, and they deserve the coolest swag out there on this, their one day of nationally recognized appreciation.
<br><br></font></b>

]]> </description>
<guid>http://www.matt-wallace.com/audio/tnf-fdp.mp3</guid>
<pubDate>Tue, 09 Jun 2009 00:47:21 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.matt-wallace.com/audio/tnf-fdp.mp3" fileSize="88" type="audio/mp3" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> At least on Father's Day. Those last three consecutive black ties you got for him? The wall-mounted singing bass? That five-year subscription to Mustache Aficionado? Lame, kids. Lame. Break the cycle this year on Father's Day by giving your loving patria</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> At least on Father's Day. Those last three consecutive black ties you got for him? The wall-mounted singing bass? That five-year subscription to Mustache Aficionado? Lame, kids. Lame. Break the cycle this year on Father's Day by giving your loving patriarch the gift of THE NEXT FIX by Matt Wallace. Give him a passport to the most blood-pumping action, adventure, thrills, chills, and techno-utopian escapades anywhere in print or digital media. Put him on the cutting edge of fiction and literature and grant him hours of entertainment in the process. He'll thank you for it. At least until next year. And help others amp it up this Father's Day by including our special FATHER'S DAY FIX promo (featuring the vocal stylings and full endorsement of proud parent and host of the Vintage Gamer, Jim Van Verth) in your podcast, blog, or other favorite social networking outlet. Because there are precious few good fathers left out there, and they deserve the coolest swag out there on this, their one day of nationally recognized appreciation. </itunes:summary></item>

<item>
<title>TITLE FIGHT - Round #3</title>
<enclosure url="http://www.archive.org/download/Ktf-Episode002-TitleFightRound3/Ktf-Episode002-TitleFightRound3.mp3" length="1117" type="audio/mp3" />
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<![CDATA[ 

<img src="http://www.matt-wallace.com/rss/round003.gif" width="300" align="left">
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<FONT Face="Helvetica" size="3"><b>
TITLE FIGHT is back, and so are Scott Sigler and Matt Wallace as they bring you ROUND #3 in their on-going collaborative intergalactic literary smackdown. In this round Sigler takes the reins and introduces a new and pivotal character to the mix. Meanwhile, Korak the Cutter, a living legend among Quyth warriors and interspecies fighters and fans alike, makes the biggest decision of his long, bloody, and storied career.
</font></b><br><br>
<FONT Face="Helvetica" size="2">
<i>TITLE FIGHT is a multi-part collaboration between Scott Siger and Matt Wallace, set in the universe created by Scott Sigler in his novel THE ROOKIE.</i>
</font>

]]> </description>
<guid>http://www.archive.org/download/Ktf-Episode002-TitleFightRound3/Ktf-Episode002-TitleFightRound3.mp3</guid>
<pubDate>Sun, 14 Jun 2009 10:30:48 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/Ktf-Episode002-TitleFightRound3/Ktf-Episode002-TitleFightRound3.mp3" fileSize="1117" type="audio/mp3" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> TITLE FIGHT is back, and so are Scott Sigler and Matt Wallace as they bring you ROUND #3 in their on-going collaborative intergalactic literary smackdown. In this round Sigler takes the reins and introduces a new and pivotal character to the mix. Meanwhi</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> TITLE FIGHT is back, and so are Scott Sigler and Matt Wallace as they bring you ROUND #3 in their on-going collaborative intergalactic literary smackdown. In this round Sigler takes the reins and introduces a new and pivotal character to the mix. Meanwhile, Korak the Cutter, a living legend among Quyth warriors and interspecies fighters and fans alike, makes the biggest decision of his long, bloody, and storied career. TITLE FIGHT is a multi-part collaboration between Scott Siger and Matt Wallace, set in the universe created by Scott Sigler in his novel THE ROOKIE. </itunes:summary></item>

<item>
<title>KILL (the) FEED for the week of June 22nd, 2009 - Episode 012</title>
<enclosure url="http://www.archive.org/download/Ktf-Episode012/Ktf-Episode012_512kb.mp4" length="210" type="video/mp4" />
<description><![CDATA[

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<b>The Weekly Video Address is back with Matt's twelfth installment, in which he returns to a natural state of being by stripping down and getting wet as he discusses the true meaning of social media. Matt also presents his live-on-tape report from behind the Apex table at Hypericon 2009 in Nashville, TN, and gives us the low-down on the state of his on-going projects TITLE FIGHT and LETHAL BORN. And finally, this week's episode of KILL (the) FEED is brought to you by horror author, Marvel Comics scribe, and Bram Stoker Award all-star, BRIAN KEENE.</b>
</font> 
]]> </description>
<guid>http://www.archive.org/download/Ktf-Episode012/Ktf-Episode012_512kb.mp4</guid>
<pubDate>Thu, 25 Jun 2009 10:07:21 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/Ktf-Episode012/Ktf-Episode012_512kb.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> The Weekly Video Address is back with Matt's twelfth installment, in which he returns to a natural state of being by stripping down and getting wet as he discusses the true meaning of social media. Matt also presents his live-on-tape report from behind t</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> The Weekly Video Address is back with Matt's twelfth installment, in which he returns to a natural state of being by stripping down and getting wet as he discusses the true meaning of social media. Matt also presents his live-on-tape report from behind the Apex table at Hypericon 2009 in Nashville, TN, and gives us the low-down on the state of his on-going projects TITLE FIGHT and LETHAL BORN. And finally, this week's episode of KILL (the) FEED is brought to you by horror author, Marvel Comics scribe, and Bram Stoker Award all-star, BRIAN KEENE. </itunes:summary></item>

<item>
<title>TITLE FIGHT - Round #4</title>
<enclosure url="http://www.archive.org/download/Ktf-Episode003-TitleFightRound4/Ktf-Episode003-TitleFightRound4.mp3" length="1141" type="audio/mp3" />
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<![CDATA[ 

<img src="http://www.matt-wallace.com/rss/round004.gif" width="300" align="left">
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FUTURE HISTORY returns with Round #4 of TITLE FIGHT, Matt's literary smackdown with New York Times best-selling novelist Scott Sigler. Matt is on the offensive this round. Controversial GFA champion "The Heretic" Chaiyal North is facing the firing squad as he goes before the Galactic Fighting Council. The fate of his newly-won title hangs in the balance. And whatever their decision, it's going to be a wild night in the heart of Ionath City. Booze will flow, fists will fly, and we may even run across some old friends, and enemies, from THE ROOKIE.
</font></b><br><br>
<FONT Face="Helvetica" size="2">
<i>TITLE FIGHT is a multi-part collaboration between Scott Siger and Matt Wallace, set in the universe created by Scott Sigler in his novel THE ROOKIE.</i>
</font>

]]> </description>
<guid>http://www.archive.org/download/Ktf-Episode003-TitleFightRound4/Ktf-Episode003-TitleFightRound4.mp3</guid>
<pubDate>Sun, 28 Jun 2009 12:32:15 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/Ktf-Episode003-TitleFightRound4/Ktf-Episode003-TitleFightRound4.mp3" fileSize="1141" type="audio/mp3" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> FUTURE HISTORY returns with Round #4 of TITLE FIGHT, Matt's literary smackdown with New York Times best-selling novelist Scott Sigler. Matt is on the offensive this round. Controversial GFA champion "The Heretic" Chaiyal North is facing the firing squad </itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> FUTURE HISTORY returns with Round #4 of TITLE FIGHT, Matt's literary smackdown with New York Times best-selling novelist Scott Sigler. Matt is on the offensive this round. Controversial GFA champion "The Heretic" Chaiyal North is facing the firing squad as he goes before the Galactic Fighting Council. The fate of his newly-won title hangs in the balance. And whatever their decision, it's going to be a wild night in the heart of Ionath City. Booze will flow, fists will fly, and we may even run across some old friends, and enemies, from THE ROOKIE. TITLE FIGHT is a multi-part collaboration between Scott Siger and Matt Wallace, set in the universe created by Scott Sigler in his novel THE ROOKIE. </itunes:summary></item>

<item>
<title>Spread the Word. Win the Sword.</title>
<enclosure url="http://www.archive.org/download/SpreadTheWord.WinTheSword/winthesword.mp4" length="210" type="video/mp4" />
<description><![CDATA[

<FONT Face="Helvetica" size="3">
<center><img src="http://jchutchins.net/site/wp-content/uploads/2009/05/sword_shout.jpg"></center><br><br>

<img src="http://jchutchins.net/site/wp-content/uploads/2009/05/blood_pbversion1.jpg" align="left" hspace="10" vspace="10"><a href="http://jchutchins.net" target="_blank">J.C. Hutchins</a> and award-winning horror/thriller writer <b>Matt Wallace</b> have teamed up to unleash the coolest promotion in the history of the mothereffin' multiverse. By evangelizing J.C.'s new novel <a href="http://jchutchins.net/personaleffects" target="_blank"><i>Personal Effects: Dark Art</i></a>, you have a shot at winning a unique, priceless sword ... THE Sword of Blood. 
<br><br>
This is a BATTLE READY, real-deal, no-messing-around REAL sword, from Matt Wallace's private collection. It is a replica of the sword wielded by Charles V of Spain. In 1519, Charles V was crowned "Roman Emperor"; at that time, no other leader had ruled such an inmense kingdom in human history. The sword's blade is forged in high carbon stainless steel, and is 40 inches long. It was crafted by Marto, the same company that created swords for the <i>Highlander</i> television series.
<br><br>
But it gets so much cooler. J.C. and Matt will write a flash fiction story, focused on the Sword of Blood ... and that story will be written <u>on the blade of the weapon</u>. This story will not appear <i>anywhere</i> else on the planet; it is written for an audience of one - the person who wins the Sword of Blood. And to make this a <i>true</i> Sword of Blood, both J.C. and Matt will sign their names upon the sword <i>in their own blood</i>.
<br><br>
This sword originally cost hundreds of dollars, and is now truly priceless. Only one will be worthy to wield it.
<br><br>
<b>How can you win THE Sword of Blood? Simple.</b><br><br>
<ul>
<li>You must own a copy of Personal Effects: Dark Art. (Order a copy <a href="http://jchutchins.net/order" target="_blank">here</a>.)</li>
<li>You must conduct a "show and tell" of the novel and its transmedia items (IDs, biz cards, documents, etc.) to several family members or co-workers.</li>
<li>Simply show off the book, and tell your pals about the novel and its "out of book" transmedia experience.</li>
<li><u>You must pass out copies of the Order Form PDF</u> (found below) to each person you chat with.</li>
<li>You can do this in your home, at a friend's house, or at your workplace.</li>
<li><u>You must document</u> this Show And Tell session with at least one photograph.</li>
<li>Email that photo to J.C. at <a href="mailto:7thSonNovel@gmail.com">7thSonNovel.com</a> by <b>July 31</b>.</li>
</ul><br><br>
One worthy participant will be selected at random, and will receive THE Sword of Blood, featuring a flash fiction story written upon its blade <u>and</u> signed by its authors in their blood. This sword ruled the Roman Empire. It is more than worthy of your effort. In fact, the real question is: Are <u>you</u> worthy to possess <u>it</u>?
<br><br>
The contest ends July 31, 2009, so there's no time to waste. Print out the Order Form PDF for your peeps (found below), and get showing and telling. Be sure to document your efforts, and send at least one photo to J.C. at <a href="mailto:7thSonNovel@gmail.com">7thSonNovel@gmail.com</a>.
<br><br>
<a href="http://media.libsyn.com/media/jchutchins/SwordOrderForm.pdf" target="_blank"><img src="http://jchutchins.net/site/wp-content/uploads/2009/05/sword_order.png" width="300"></a>
<br><br>
Click to download the PDF
</font> 
]]> </description>
<guid>http://www.archive.org/download/SpreadTheWord.WinTheSword/winthesword.mp4</guid>
<pubDate>Thu, 2 Jul 2009 08:36:21 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/SpreadTheWord.WinTheSword/winthesword.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> J.C. Hutchins and award-winning horror/thriller writer Matt Wallace have teamed up to unleash the coolest promotion in the history of the mothereffin' multiverse. By evangelizing J.C.'s new novel Personal Effects: Dark Art, you have a shot at winning a u</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> J.C. Hutchins and award-winning horror/thriller writer Matt Wallace have teamed up to unleash the coolest promotion in the history of the mothereffin' multiverse. By evangelizing J.C.'s new novel Personal Effects: Dark Art, you have a shot at winning a unique, priceless sword ... THE Sword of Blood. This is a BATTLE READY, real-deal, no-messing-around REAL sword, from Matt Wallace's private collection. It is a replica of the sword wielded by Charles V of Spain. In 1519, Charles V was crowned "Roman Emperor"; at that time, no other leader had ruled such an inmense kingdom in human history. The sword's blade is forged in high carbon stainless steel, and is 40 inches long. It was crafted by Marto, the same company that created swords for the Highlander television series. But it gets so much cooler. J.C. and Matt will write a flash fiction story, focused on the Sword of Blood ... and that story will be written on the blade of the weapon. This story will not appear anywhere else on the planet; it is written for an audience of one - the person who wins the Sword of Blood. And to make this a true Sword of Blood, both J.C. and Matt will sign their names upon the sword in their own blood. This sword originally cost hundreds of dollars, and is now truly priceless. Only one will be worthy to wield it. How can you win THE Sword of Blood? Simple. You must own a copy of Personal Effects: Dark Art. (Order a copy here.) You must conduct a "show and tell" of the novel and its transmedia items (IDs, biz cards, documents, etc.) to several family members or co-workers. Simply show off the book, and tell your pals about the novel and its "out of book" transmedia experience. You must pass out copies of the Order Form PDF (found below) to each person you chat with. You can do this in your home, at a friend's house, or at your workplace. You must document this Show And Tell session with at least one photograph. Email that photo to J.C. at 7thSonNovel.com by July 31. One worthy participant will be selected at random, and will receive THE Sword of Blood, featuring a flash fiction story written upon its blade and signed by its authors in their blood. This sword ruled the Roman Empire. It is more than worthy of your effort. In fact, the real question is: Are you worthy to possess it? The contest ends July 31, 2009, so there's no time to waste. Print out the Order Form PDF for your peeps (found below), and get showing and telling. Be sure to document your efforts, and send at least one photo to J.C. at 7thSonNovel@gmail.com. Click to download the PDF </itunes:summary></item>

<item>
<title>KILL (the) FEED for the week of July 5th, 2009 - Episode 013</title>
<enclosure url="http://www.archive.org/download/Ktf-Episode013/Ktf013_512kb.mp4" length="210" type="video/mp4" />
<description><![CDATA[

<center>
<img src="http://www.matt-wallace.com/rss/killthefeedpost.gif" width="415">
</center>
<br><FONT Face="Helvetica" size="3">
<b>In his thirteenth Weekly Video Address, Matt does some old school flag-wavin' on Indepedence Day weekend as he Gut Checks everything that will *NOT* be Gut Checked on KILL (the) FEED. You'll also get another up-close-and-personal perv of *THE* Motherf**king Sword of Blood, which you can win if you prove yourself worthy in Matt and author J.C. Hutchins' epic PERSONAL EFFECTS: DARK ART contest giveaway. Finally, auguries of things to come (next week, that is) peppered throughout the address. Can you read the signs?</b>
</font> 
]]> </description>
<guid>http://www.archive.org/download/Ktf-Episode013/Ktf013_512kb.mp4</guid>
<pubDate>Tue, 7 Jul 2009 12:34:51 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/Ktf-Episode013/Ktf013_512kb.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> In his thirteenth Weekly Video Address, Matt does some old school flag-wavin' on Indepedence Day weekend as he Gut Checks everything that will *NOT* be Gut Checked on KILL (the) FEED. You'll also get another up-close-and-personal perv of *THE* Motherf**k</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> In his thirteenth Weekly Video Address, Matt does some old school flag-wavin' on Indepedence Day weekend as he Gut Checks everything that will *NOT* be Gut Checked on KILL (the) FEED. You'll also get another up-close-and-personal perv of *THE* Motherf**king Sword of Blood, which you can win if you prove yourself worthy in Matt and author J.C. Hutchins' epic PERSONAL EFFECTS: DARK ART contest giveaway. Finally, auguries of things to come (next week, that is) peppered throughout the address. Can you read the signs? </itunes:summary></item>

<item>
<title>KILL (the) FEED for the week of July 13th, 2009 - Episode 014</title>
<enclosure url="http://www.archive.org/download/Ktf-Episode014/Ktf014_512kb.mp4" length="210" type="video/mp4" />
<description><![CDATA[

<center>
<img src="http://www.matt-wallace.com/rss/killthefeedpost.gif" width="415">
</center>
<br><FONT Face="Helvetica" size="3">
<b>

In his fourteenth Weekly Video Address, Matt is officially CHANGING THE GAME as he relaunches both the completely re-vamped and re-armored Matt-Wallace.com as well as the re-structured and re-infused-with-the-jizz-of-awesome KILL (the) FEED. You'll get a complete rundown of every new "channel" featured on the podcast, and details on their medium-crossing, genre-bending, multi-media content, including the epic webseries event that is MATT WALLACE'S WITCH/HUNTER, coming in December.
<br><br>
But first up, on GUT CHECK, Matt gets equally epic in his most topical and relevant rant to date. You are an unwitting cog in Facebook's world(wideweb) domination machine, Google will do anything to stop it, and Matt is the only one asking the right questions as he breaks down the players and pathology in the coldest war there is; the one for control of the User.
<br><br>
The future, as it usually does, is coming, and you're a more powerful weapon than a ray gun will ever be.
<br><br>
Would you like to know more?

</b>
</font> 
]]> </description>
<guid>http://www.archive.org/download/Ktf-Episode014/Ktf014_512kb.mp4</guid>
<pubDate>Wed, 15 Jul 2009 14:55:55 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/Ktf-Episode014/Ktf014_512kb.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> In his fourteenth Weekly Video Address, Matt is officially CHANGING THE GAME as he relaunches both the completely re-vamped and re-armored Matt-Wallace.com as well as the re-structured and re-infused-with-the-jizz-of-awesome KILL (the) FEED. You'll get a</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> In his fourteenth Weekly Video Address, Matt is officially CHANGING THE GAME as he relaunches both the completely re-vamped and re-armored Matt-Wallace.com as well as the re-structured and re-infused-with-the-jizz-of-awesome KILL (the) FEED. You'll get a complete rundown of every new "channel" featured on the podcast, and details on their medium-crossing, genre-bending, multi-media content, including the epic webseries event that is MATT WALLACE'S WITCH/HUNTER, coming in December. But first up, on GUT CHECK, Matt gets equally epic in his most topical and relevant rant to date. You are an unwitting cog in Facebook's world(wideweb) domination machine, Google will do anything to stop it, and Matt is the only one asking the right questions as he breaks down the players and pathology in the coldest war there is; the one for control of the User. The future, as it usually does, is coming, and you're a more powerful weapon than a ray gun will ever be. Would you like to know more? </itunes:summary></item>

<item>
<title>:50 Caliber Caviar - BLOG POST</title>
<description><![CDATA[

<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/08-03-09.htm"><img src="http://www.matt-wallace.com/rss/08-03-09-rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted August 3rd, 2009 at 01:42:18 EST</font></div>
<br>

<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
<i><a href="http://www.youtube.com/watch?v=QjMhfNXGiZk&feature=player_embedded" target="_blank">Watch the video here...</a></i><br><br>
Anyone who knows me is aware I'm a man of many passions. I am renowned for my collection of antique Icelandic kabuki masks. I enjoy freezing the blood of my enemies and carving their likeness in ice sculpture form. Which I then melt. By pissing on it. I vigorously perpetrated the first incident of meerkat luge and have facilitated its rise to becoming the national sport of Uzbekistan. Much like chicks and guns and fire trucks, these are all the things that make life worth living.
<br><br>
Add to the top of that list: cooking.
<br><br>
It's true. And it surprises some. Yet cooking is the ultimate manly skill, key to self-sufficiency and survivalist tenet. And fine dining is the ultimate expression of the ultimate manly skill. Because any asshole with a Bowie knife and either balls of steel or brains of shit can gut a bear and eat it. But it takes the ultimate alpha male to turn that bear into a petite citrus-ginger carpaccio. 
<br><br>
So it was no surprise that for my twenty-seventh birthday last weekend my mother treated me to the annual Taste of Rutherford. Over twenty of the county's finest vendors, most of them out of Murfreesboro, from high-end restaurants to caterers to those who desperately want to be counted among high-end restaurants and caterers (IN HELL, Publix) set up shop under a massive tent and gave away free eats. 
<br><br>
The entire shindig went down at the estate of Ronnie Barrett, founder and CEO of Barrett Firearms. I didn't realize this until we got there, and it presented a brief ethical dilemma for me. I'm not a gun guy. I know how to shoot (I've been to gun ranges in Texas, for fuck sake. That's practically the Muslin pilgrimage to Mecca of firearms), but I've always preferred to know how to take a pistol away from someone else rather than be the one brandishing. My thinking is if statistically most people are killed with their own handguns, then the same must be true for criminals.
<br><br>
Probability can't stop a bullet, but it can confuse it. 
<br><br>
Anyway. Then I remembered something. I'm not Jesus. I'm a starving freelance writer with two major fetishes: 1) Lady's beach volleyball. 2) Free food. 
<br><br>
Like I said, it was a brief ethical dilemma.
<br><br>
My mother even scored list status at the patron's party before the tasting officially kicked off. And so, in the Barrett mansion, among a mounted fifty-caliber machine gun and digital pix of Barrett chilling with Lou Ferrigno (seriously, man, it was like a right wing surrealist painting), I absorbed opulence and appetizers provided by Maple Street Grill so fucking good they could've been the whole show by themselves. Popcorn chicken with a wicked wing sauce, beef medallions in gravy, mashed potato cakes. They even rocked a full chocolate fondue bar with everything there for the dipping but a whole live midget.
<br><br>
Oh, and two magical, mystical, orgasmic words: Open bar.
<br><br>
Pretty soon the slop was on in the main tent for the rest of the attendees not as exclusive as I. They had a live lounge band (the front man of whom sounded like Nat King Cole, which means he did not sound like Otis Redding when they cued up "Dock of the Bay" later on), they had another open bar staffed by lip-ringed pixies, and the doors to the garage containing Barrett's classic car collection were flung open. Because WE WEREN'T FULLY GETTING JUST HOW GODDAMN RICH THIS MAN IS (no, seriously, they were incredibly gracious hosts). 
<br><br>
Kids, when I die this is what I envision Heaven's snack bar approximating. There was Cajun crab dip so good I wanted to stick my dick in it. There were chicken wings slow-smoked for twelve hours so good I wanted them to stick their dick in me. But the high-end trophy for the night had to go to Chef Palace by Julio for their elegant cups of shrimp ceviche (for the uninitiated, ceviche is generally a seafood salad in which the seafood marinates in citrus, and since it is technically cooking without fire I think that makes it from the Devil), and their miniature caviar ice cream cones. That's right. Tiny little cones filled with "ice cream" that was mostly Asiago and topped with caviar sprinkles. It was clever. It also tasted like a mouthful of cheese. 
<br><br>
Aesthetically it made me feel like I was back in NYC. Until I realized they hadn't cleaned the shrimp. They can call it a "vein" all they want. It's crap. It's shit. It is shrimp poopie. You are eating feces. You are eating several black threads of living waste. I should not have to bypass the shrimp's exoskeletal crap armor in order to enjoy it. Although I can sense the presence of ninjas (that's right, motherfuckers, I have ninja-dar), I am not a shadow warrior in matters of crustacean boom-boom defense.
<br><br>
In a way that was a metaphor for the evening (I have to finish on a poignant and philosophical note or this becomes just another blog, understand). It was quite literally a taste of the mythic "good life". Beautiful grounds, beautiful food, beautiful people (mostly). And hey, I am and always have been *all* about living beyond and above one's means. But instead of tapping on the glass it was a lot like licking it. And yes, the snozberries tasted like snozberries. But you don't get keys at the end of the day. I think you can take experiences like that and enjoy them for what they are, resent them for what they're not, or use them as fuel or something to aspire toward.
<br><br>
Personally, I make it my goal to convert all useable matter into energy.
<br><br>
Still and all, it was a fantastic birthday present, rivaling even the autographed Manami Toyota t-shirt Christa Faust sent me.
<br><br>
Maybe next year I'll host one in my own fucking mansion.
<br><br></font>

]]> </description>
<pubDate>Sat, 8 Aug 2009 11:51:41 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/08-03-09.htm</link>
<guid>http://www.matt-wallace.com/07-2009/pages/blog/08-03-09.htm</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>TITLE FIGHT - Round #5</title>
<enclosure url="http://www.archive.org/download/Ktf-Episode004-TitleFightRound5/Ktf-Episode004-TitleFightRound5.mp3" length="1338" type="audio/mp3" />
<description>
<![CDATA[ 

<img src="http://www.matt-wallace.com/rss/round005.gif" width="300" align="left">
<br>
<FONT Face="Helvetica" size="3"><b>
This time on FUTURE HISTORY we welcome back the gravelly tones and even rougher wordslinging of New York Times best-selling author Scott Sigler to KILL (the) FEED with the newest round of TITLE FIGHT -- Matt's episodic collaborative novella with Sigler set in his ROOKIE universe. This time around there are new characters, new intrigue, and new threats to the impending showdown between fading Quyth legend Korak the Cutter and the greatest Human champion in a thousand years, "The Heretic" Chaiyal North. Will these two interstellar titans fulfill their destinies by going head-to-head in the fight of an eon, or will a universe filled with corruption overwhelm the purity of their battle? 
<br><br>
Fucked if we know, but it is turning into one HELL of a ride. 
</font></b><br><br>
<FONT Face="Helvetica" size="2">
<i>TITLE FIGHT is a multi-part collaboration between Scott Siger and Matt Wallace, set in the universe created by Scott Sigler in his novel THE ROOKIE.</i>
</font>

]]> </description>
<guid>http://www.archive.org/download/Ktf-Episode004-TitleFightRound5/Ktf-Episode004-TitleFightRound5.mp3</guid>
<pubDate>Sun, 9 Aug 2009 13:20:24 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/Ktf-Episode004-TitleFightRound5/Ktf-Episode004-TitleFightRound5.mp3" fileSize="1338" type="audio/mp3" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> This time on FUTURE HISTORY we welcome back the gravelly tones and even rougher wordslinging of New York Times best-selling author Scott Sigler to KILL (the) FEED with the newest round of TITLE FIGHT -- Matt's episodic collaborative novella with Sigler s</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> This time on FUTURE HISTORY we welcome back the gravelly tones and even rougher wordslinging of New York Times best-selling author Scott Sigler to KILL (the) FEED with the newest round of TITLE FIGHT -- Matt's episodic collaborative novella with Sigler set in his ROOKIE universe. This time around there are new characters, new intrigue, and new threats to the impending showdown between fading Quyth legend Korak the Cutter and the greatest Human champion in a thousand years, "The Heretic" Chaiyal North. Will these two interstellar titans fulfill their destinies by going head-to-head in the fight of an eon, or will a universe filled with corruption overwhelm the purity of their battle? Fucked if we know, but it is turning into one HELL of a ride. TITLE FIGHT is a multi-part collaboration between Scott Siger and Matt Wallace, set in the universe created by Scott Sigler in his novel THE ROOKIE. </itunes:summary></item>

<item>
<title>TITLE FIGHT - Round #6</title>
<enclosure url="http://www.archive.org/download/Ktf-Episode005-TitleFightRound6/Ktf-Episode005-TitleFightRound6.mp3" length="1795" type="audio/mp3" />
<description>
<![CDATA[ 

<img src="http://www.matt-wallace.com/rss/round006.gif" width="300" align="left" hspace=15 vspace=15>
<FONT Face="Helvetica" size="3">
<br>It's the biggest intergalactic sports news item since Quentin Barnes led the Ionath Krakens to the title. "The Heretic" Chaiyal North has jumped ship from the GFA to the IFA. And what will his first contractual obligation be? Battling living legend Korak the Cutter for the IFA title (what's the name of the story, bitches?). But what didn't make the front page is the deal Chai had to cut to make the fight of his dreams and perhaps his destiny come to pass. As the former GFA champion and future IFA championship hopeful travels to Buddha City for the blockbuster weigh-in ceremony, Gredok the Split-head has his own dreams in the works, and Chaiyal's showdown with Korak are at the center of the Quyth crime lord's machinations. 
</font><br><br>
<FONT Face="Helvetica" size="2">
<i>TITLE FIGHT is a multi-part collaboration between Scott Siger and Matt Wallace, set in the universe created by Scott Sigler in his novel THE ROOKIE.</i>
</font>
<br><br>
<a href="http://www.matt-wallace.com/07-2009/graphics/photos/fanpic/titlefight.jpg" target="_blank"><img src="http://www.matt-wallace.com/07-2009/graphics/photos/fanpic/titlefight.jpg" width="200" align="right" hspace=10 vspace=10 border="0"></a><br>
<FONT Face="Helvetica" size="2" color="CCCCCC">
Check out this wicked piece of TITLE FIGHT fan art created by Adrian Bogart of Austin, Texas, depicting what a face-to-face stand-off between Korak the Cutter and "The Heretic" Chaiyal North might look like. We're floored by both the mad skillz on display here as well as Adrain's attention to detail. Chaiyal in particular is rendered exactly as he was written in his first fight, from his Mohawk-style warrior "do" to the inverse crosses painted on his skull to that slick spaulder armor piece (our only critique is that he could look *slightly* less like a Dick Tracy-ized Brock Lesnar. We hate that guy). Hardcore TITLE FIGHT fans will even notice the scars Chaiyal still wears after his bar brawl with Brockaa the Razor-barbed described in Round #2.
<br><br>
And yes, those are in fact yellow Adidas antennae socks that Korak the Cutter is sporting.
<br><br>
Thanks, Adrian! You have achieved pimp-level status in our eyes. And keep the fandom coming, kids. You might just becom a part of FUTURE HISTORY as well.
<br><br>

]]> </description>
<guid>http://www.archive.org/download/Ktf-Episode005-TitleFightRound6/Ktf-Episode005-TitleFightRound6.mp3</guid>
<pubDate>Mon, 17 Aug 2009 08:48:24 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/Ktf-Episode005-TitleFightRound6/Ktf-Episode005-TitleFightRound6.mp3" fileSize="1795" type="audio/mp3" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> It's the biggest intergalactic sports news item since Quentin Barnes led the Ionath Krakens to the title. "The Heretic" Chaiyal North has jumped ship from the GFA to the IFA. And what will his first contractual obligation be? Battling living legend Korak</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> It's the biggest intergalactic sports news item since Quentin Barnes led the Ionath Krakens to the title. "The Heretic" Chaiyal North has jumped ship from the GFA to the IFA. And what will his first contractual obligation be? Battling living legend Korak the Cutter for the IFA title (what's the name of the story, bitches?). But what didn't make the front page is the deal Chai had to cut to make the fight of his dreams and perhaps his destiny come to pass. As the former GFA champion and future IFA championship hopeful travels to Buddha City for the blockbuster weigh-in ceremony, Gredok the Split-head has his own dreams in the works, and Chaiyal's showdown with Korak are at the center of the Quyth crime lord's machinations. TITLE FIGHT is a multi-part collaboration between Scott Siger and Matt Wallace, set in the universe created by Scott Sigler in his novel THE ROOKIE. Check out this wicked piece of TITLE FIGHT fan art created by Adrian Bogart of Austin, Texas, depicting what a face-to-face stand-off between Korak the Cutter and "The Heretic" Chaiyal North might look like. We're floored by both the mad skillz on display here as well as Adrain's attention to detail. Chaiyal in particular is rendered exactly as he was written in his first fight, from his Mohawk-style warrior "do" to the inverse crosses painted on his skull to that slick spaulder armor piece (our only critique is that he could look *slightly* less like a Dick Tracy-ized Brock Lesnar. We hate that guy). Hardcore TITLE FIGHT fans will even notice the scars Chaiyal still wears after his bar brawl with Brockaa the Razor-barbed described in Round #2. And yes, those are in fact yellow Adidas antennae socks that Korak the Cutter is sporting. Thanks, Adrian! You have achieved pimp-level status in our eyes. And keep the fandom coming, kids. You might just becom a part of FUTURE HISTORY as well. </itunes:summary></item>

<item>
<title>KILL (the) FEED for the week of August 17th, 2009 - Episode 015</title>
<enclosure url="http://www.archive.org/download/Ktf-Episode015/Ktf-Episode015_512kb.mp4" length="210" type="video/mp4" />
<description><![CDATA[

<center>
<img src="http://www.matt-wallace.com/rss/killthefeedpost.gif" width="415">
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<br><FONT Face="Helvetica" size="3">
<b>

In his fifteenth Weekly Video Address Matt breaks us off a production update on MATT WALLACE'S WITCH/HUNTER, the phantasmagorically genre-busting multi-media webseries coming to KILL (the) FEED this December. Matt premieres ultra-exclusive clips, behind-the-scenes footage, and an on-set interview with its lead actor--one of the founding writer/performers of HANK AND JED MOVIE PICTURES and the titular star of the forthcoming LANCE STEEL: MONSTER HUNTER, Nate Panning.
<br><br>
Also, Matt picks up where he left off in his last GUT CHECK by throwing Microsoft back into the current world-wide web domination mix with his own special brand of dissection of Bing.com, Microsoft's newest and shiniest engine in the open source race.

</b>
</font> 
]]> </description>
<guid>http://www.archive.org/download/Ktf-Episode015/Ktf-Episode015_512kb.mp4</guid>
<pubDate>Fri, 21 Aug 2009 14:27:55 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/Ktf-Episode015/Ktf-Episode015_512kb.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> In his fifteenth Weekly Video Address Matt breaks us off a production update on MATT WALLACE'S WITCH/HUNTER, the phantasmagorically genre-busting multi-media webseries coming to KILL (the) FEED this December. Matt premieres ultra-exclusive clips, behind-</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> In his fifteenth Weekly Video Address Matt breaks us off a production update on MATT WALLACE'S WITCH/HUNTER, the phantasmagorically genre-busting multi-media webseries coming to KILL (the) FEED this December. Matt premieres ultra-exclusive clips, behind-the-scenes footage, and an on-set interview with its lead actor--one of the founding writer/performers of HANK AND JED MOVIE PICTURES and the titular star of the forthcoming LANCE STEEL: MONSTER HUNTER, Nate Panning. Also, Matt picks up where he left off in his last GUT CHECK by throwing Microsoft back into the current world-wide web domination mix with his own special brand of dissection of Bing.com, Microsoft's newest and shiniest engine in the open source race. </itunes:summary></item>

<item>
<title>WITCH/HUNTER In Production: Episode #001 - Interview with Nate Panning</title>
<description><![CDATA[

<object width="445" height="364"><param name="movie" value="http://www.youtube.com/v/UFJA5qzZwXM&hl=en&fs=1&rel=0&color1=0x3a3a3a&color2=0x999999&border=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/UFJA5qzZwXM&hl=en&fs=1&rel=0&color1=0x3a3a3a&color2=0x999999&border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="445" height="364"></embed></object> 
<br><FONT Face="Helvetica" size="3">
<b>
Matt presents the first in a series of WITCH/HUNTER video production diaries. In week one we take you onto the set for exclusive behind-the-scenes footage and world premiere clips from Matt's new webseries coming in December to KILL (the) FEED, as well as give you an illuminating interview with one of the stars of MATT WALLACE'S WITCH/HUNTER, Nate Panning.
<br><br>
Stay tuned for more weekly WITCH/HUNTER video content including trailers, original artwork, more behind-the-scenes action and interviews.
</font></b>
]]> </description>
<pubDate>Fri, 28 Aug 2009 14:32:04 EST</pubDate> 
<guid>http://www.youtube.com/watch?v=UFJA5qzZwXM</guid>
<link>http://www.youtube.com/watch?v=UFJA5qzZwXM</link>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><enclosure url="http://www.youtube.com/v/UFJA5qzZwXM&amp;hl=en&amp;fs=1&amp;rel=0&amp;color1=0x3a3a3a&amp;color2=0x999999&amp;border=1" length="1071" type="application/x-shockwave-flash" /><media:content url="http://www.youtube.com/v/UFJA5qzZwXM&amp;hl=en&amp;fs=1&amp;rel=0&amp;color1=0x3a3a3a&amp;color2=0x999999&amp;border=1" fileSize="1071" type="application/x-shockwave-flash" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> Matt presents the first in a series of WITCH/HUNTER video production diaries. In week one we take you onto the set for exclusive behind-the-scenes footage and world premiere clips from Matt's new webseries coming in December to KILL (the) FEED, as well a</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> Matt presents the first in a series of WITCH/HUNTER video production diaries. In week one we take you onto the set for exclusive behind-the-scenes footage and world premiere clips from Matt's new webseries coming in December to KILL (the) FEED, as well as give you an illuminating interview with one of the stars of MATT WALLACE'S WITCH/HUNTER, Nate Panning. Stay tuned for more weekly WITCH/HUNTER video content including trailers, original artwork, more behind-the-scenes action and interviews. </itunes:summary></item>

<item>
<title>THE ROOKIE - TAILGATE TOUR 2009</title>
<description><![CDATA[ 

<FONT Face="Helvetica" size="3" color="CCCCCC">
<img src="http://www.matt-wallace.com/07-2009/graphics/news/tailgate.gif" alt="" hspace=10 vspace=10 align="left"><br>
Matt will make two special guest appearances as part of New York Times best-selling author Scott Sigler's ROOKIE TAILGATE TOUR, a twenty-city event Sigler is hosting throughout September in support of THE ROOKIE--the first limited edition hardcover release from Sigler's newly launched Dark Overloard Media
<br><br>
From ScottSigler.com:
 <br><br>
"<i>It's time for the ROOKIE Tailgate Tour! Demand that General Siglerisimo visits your city and destroys all that you hold dear. "Demand it" to insure every city on the list of 20 potentials is graced with moist blessings from Pope Siglericus XXX. Launching at Dragon*Con in Atlanta, GA, on September 4-7, 2009. Get all your friends to vote, but only if they will attend the event -- should your city get 300 votes and only 3 people show up to the event, the General will launch nukes, anthrax, and air-drop auto-playing N'SYNC boomboxes that will shatter your will to live. 
 <br><br>
The game plan: We'll meet at an all-ages, family friendly sports bar in each town, read a little, have a bit of discussion, then grab a bite and a beer.
<br><br>
This will be a bad-ass joint event with Matt Wallace, author of The Next Fix, and my all around favorite writer.</i>"
 <br><br>
Matt will join Sigler in Nashville, TN and in Indianapolis IN on September 8th and 9th respectively. The Nashville stop will be sponsored by BUDWEISER with free beer, prizes, and giveaways. You can find out all the details in Matt's blog.
 <br><br>
This is a unique and rare event, as well as a unique and rare public appearance for Matt, who is sitting out the 2009 con season to focus on larger projects. If you're within driving, flying, or jetpacking distance, we recommend you make every attempt to catch it.
<br><br>
]]> </description>
<pubDate>Thu, 3 Sep 2009 03:10:16 EST</pubDate> 
<link>http://www.matt-wallace.com/news.htm</link>
<guid>http://www.matt-wallace.com/news.htm</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>Tailgating in Hell...Sponsored by Budweiser - BLOG POST</title>
<description><![CDATA[

<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/09-03-09.htm"><img src="http://www.matt-wallace.com/rss/09-03-09-rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted September 3rd, 2009 at 02:44:25 EST</font></div>
<br>

<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
<img src="http://www.matt-wallace.com/07-2009/graphics/news/tailgate.gif" alt="" hspace=10 vspace=10 align="left"><br>
Scott Sigler is many things. He's a pioneer in the field of podcasting. He's a New York Times best-selling author. He's a three-time runner-up in the Mr. Jewish Five O'Clock Shadow contest. 
<br><br>
But above all, he's a needy little bitch.
<br><br>
Seriously. Knowing of my turgid, rock-hard prowess as a writer coupled with my confirmed status as a combat sport enthusiast, Sigler approached me about laying down a little joint storytelling effort set in his ROOKIE universe. You've been enjoying the results -TITLE FIGHT- on Sigler's Bloodcast, Variant Frequencies, and as part of Future History here on KILL (the) FEED. 
<br><br>
"Coincidentally" our Rookie-centric novella comes just in time for the release of THE ROOKIE in limited edition hardcover. Sigler is hitting the road for a month-long book tour in support of that release, and in usual Sigler fashion he's making things as convoluted and punk rock as possible. Rather than a traditional book signing, he's doing this thing up tailgate style. Sigler will be hitting a different pub in a different city every night to meet-and-greet fans and drink the unfortunate town dry. 
<br><br>
It's THE ROOKIE TAILGATE TOUR.
<br><br>
And, also in his usual fashion, he's hit me up for yet more free help.
<br><br>
I'll be joining Sigler for two stops at the start of the tour, first in Nashville and then in Indianapolis (why he's chosen to blow his wad so early in this traveling freak show is beyond me, as all other stops after these two will obviously be weak sauce). I'll be there to booze it up with you common folk types, talk TITLE FIGHT, and generally underpin all the Sigler worship with a distinct note of hate/envy/sarcasm.
<br><br>
But WAIT. There's more.
<br><br>
Since this will be the start of the tour and one of my ultra-rare public appearances, I wanted to do the sumbitch up right. So I asked myself, "What is Scott Sigler *really* all about?" The answer, striking and obvious and immediate, came to me like a bolt of lightning from some bizarro Mount Olympus: Corporate sponsorship and beer.
<br><br>
With those themes in mind we have sought out none other than BUDWEISER to sponsor the Nashville stop of the Rookie Tailgate Tour. That's right, THE KING OF BEERS HIMSELF HAS BLESSED THIS EVENT AND BY PROXY SIGLER'S BOOK AND TOUR.
<br><br>
What does that mean? Simple. Lots of free booze, lots of free swag, and lots and lots of corporate branding.
<br><br>
It's win-win-win.
<br><br>
So here's the deal: If you show up to the gig with either a copy of THE ROOKIE or a copy of THE NEXT FIX you'll get a VIP wristband that entitles you to drink for free all night courtesy of Budweiser. If you buy a book at the gig itself you'll also get a wristband and free beer. Budweiser is also busting out free soft drinks for the kids and/or you clean-livin' types.
<br><br>
In addition, there will be free swag for all *AND* Budweiser will be sponsoring a raffle to benefit the Wounded Warriors Fund. Grand prize will be an iPod and an iPod docking station/speaker set-up. Tickets will be sold at the door for a buck apiece.
<br><br>
Just look for the Budweiser Avalanche. It'll be parked in front of the Crow's Nest in Nashville with its sonic system blaring and a huge banner draped from bumper-to-bumper proclaiming: SCOTT SIGLER'S ROOKIE TAILGATE TOUR.
<br><br>
There may even be a few Bud Girls on-site. Who knows?
<br><br>
This is an exclusive for the folks turning out to the Nashville stop, and I guaran-damn-tee you it will be the biggest blow-out of the whole tour. 
<br><br>
WHEN: Tuesday, September 8th, 5:30 p.m. - 8:00 p.m.
<br><br>
WHERE: <a href="http://www.crowsnestnashville.com/" target="_blank">Crow's Nest, 2221 Bandywood Drive, Nashville, TN 37215</a>
<br><br>
Budweiser won't be joining us in Indianapolis, but I'll still be there at the CROSSROADS OF MOTHERFUCKING AMERICA to blaze it up like a spliff rolled by Bob Marley's ghost and moistened shut by the carnal fluids of those hot elven chicks from Lord of the Rings.
<br><br>
WHEN: Wednesday, September 9th, 5:30 p.m. - 8:00 p.m.
<br><br>
WHERE: <a href="http://www.bluecrewsportsgrill.com/" target="_blank">Blue Crew Bar & Grill, 7035 East 96th Street, Indianapolis, IN 46250</a>
<br><br>
Be there or... well, you'll only get to hang out with Sigler. And that's just lame.
<br><br>
Trust me, I've done it.
<br><br></font>

]]> </description>
<pubDate>Thu, 3 Sep 2009 03:12:16 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/09-03-09.htm</link>
<guid>http://www.matt-wallace.com/07-2009/pages/blog/09-03-09.htm</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>KILL (the) FEED for the week of October 6th, 2009 - Episode 016</title>
<enclosure url="http://www.archive.org/download/Ktf-Episode016_463/Ktf-Episode016.mp4" length="210" type="video/mp4" />
<description><![CDATA[

<center>
<img src="http://www.matt-wallace.com/rss/killthefeedpost.gif" width="415">
</center>
<br><FONT Face="Helvetica" size="3">
<b>

In his sixteenth Weekly Video Address, Matt hits the road with New York Times best-selling author and TITLE FIGHT collaborator Scott Sigler for several stops on Scott's twenty-city ROOKIE TAILGATE TOUR. The two literary madmen met fans in Nashville, Tennessee and Indianapolis, Indiana for the drinking of beer, the signing of books, the answering of questions, and the [CENSORED] of [CENSORED] by [CENSORED] with [CENSORED] raspberry strudel. Along the way the pair also recorded a joint GUT CHECK concerning the fleeting nature of time and the timeless nature of the road (or something similarly profound).
<br><br>
Warning: Quantum Leap reference lurking within. 

</b>
</font> 
]]> </description>
<guid>http://www.archive.org/download/Ktf-Episode016_463/Ktf-Episode016.mp4</guid>
<pubDate>Tue, 6 Oct 2009 07:21:55 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/Ktf-Episode016_463/Ktf-Episode016.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> In his sixteenth Weekly Video Address, Matt hits the road with New York Times best-selling author and TITLE FIGHT collaborator Scott Sigler for several stops on Scott's twenty-city ROOKIE TAILGATE TOUR. The two literary madmen met fans in Nashville, Tenn</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> In his sixteenth Weekly Video Address, Matt hits the road with New York Times best-selling author and TITLE FIGHT collaborator Scott Sigler for several stops on Scott's twenty-city ROOKIE TAILGATE TOUR. The two literary madmen met fans in Nashville, Tennessee and Indianapolis, Indiana for the drinking of beer, the signing of books, the answering of questions, and the [CENSORED] of [CENSORED] by [CENSORED] with [CENSORED] raspberry strudel. Along the way the pair also recorded a joint GUT CHECK concerning the fleeting nature of time and the timeless nature of the road (or something similarly profound). Warning: Quantum Leap reference lurking within. </itunes:summary></item>

<item>
<title>Words and Time - BLOG POST</title>
<description><![CDATA[

<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/10-23-09.htm"><img src="http://www.matt-wallace.com/rss/10-23-09-rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted October 23rd, 2009 at 17:44:25 EST</font></div>
<br>

<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
After all the classes and workshops and seminars, after all the bullshit about craft and structure and the elements of style, here's what it boils down to: Words and time.
<BR><BR>
Words are your money. Words are your future. Time is roasting your ass on a spit and the clock literally never stops working against you. As such I find myself increasingly less motivated to write any kind essay or article unless someone is paying me for the time it takes away from my other projects to do it. It's just necessity, plain and simple.
<BR><BR>
I found myself moved, however, to bust out the following. 
<BR><BR>
By now you've all seen that live-action Halo: ODST commercial ("We Are ODST"). They're streaming it before and/or during every video on Hulu. At first I was just so taken by what a truly badass piece of filmmaking it is that I was inspired to revisit all the other live-action shorts the Halo marketing machine has produced in the last few years. I mainlined them in one shot, strictly for my own personal enjoyment.
<BR><BR>
Then they got me thinking...
<BR><BR>
You know what we don't see anymore? The original Alien franchise. You remember those flicks, don't you? They came before some very original concepts and ideas were reduced to who would win in an extra-terrestrial smackdown and entrusted to directors who couldn't hold the latter-day auteurs' jocks. Ridley Scott's survival horror masterpiece, one of the definitive genre films of all-time. James Cameron's military sci-fi classic, in virtually every way a perfect movie. Even the abortive effort that was Alien 3 had merit (it just didn't have a script). David Fincher should have, and could have been a worthy successor to Ridley and Cameron. 
<BR><BR>
Talented filmmakers lending their voice to an idea and using it as fuel to go on and create their own pieces of unmitigated awesome. That simply doesn't happen anymore. Consider directors like Sam Raimi and Christopher Nolan, two purely talented motherfuckers who cut their teeth and our minds making indie films in vastly different genres. Look where they've both found themselves. Raimi's on his third Spider-man sequel, and he's remaking Evil Dead YET AGAIN. He's shot one original screenplay this entire decade. Two Batman flicks deep, Nolan will eventually succumb to the pressure and the dump trucks of money they park along the curb in front of his house, re: another sequel. Ridley Scott made Blade Runner; Nolan had to settle for making Batman his version of Blade Runner.
<BR><BR>
Even Rob Zombie, to a lesser extent, has taken up residence in their gated community with the new Halloween franchise. The sad part is I can't blame him. The dude wants to make horror movies. Pure and simple. He's found a niche in that genre a studio is willing to put money behind and he's making the most of it.
<BR><BR>
It's happening to everybody. It seems like you either go big or you fall from grace. Carpenter fell from Grace, Gilliam seems to me to finally be breaking under the system he bucked for so many decades. The promising eyes can't seem to deliver and aren't even getting the chance to pick a direction to plummet. Aronofsky tried to make 2001 and ended up making The Fountain. Richard Kelly...fuck, I'm not even delving into that, as it would require an entirely separate blog post. 
<BR><BR>
You find a rare gem like my man Dave Deprave, but even he's lost something in the translation from cerebral blood and guts to cerebral drama. 
<BR><BR>
So, are big budget properties the only place these filmmakers can express themselves, and do they have to sacrifice any kind of original vision (yes, I'm using the word "vision". Fuck off) to do so?
<BR><BR>
No. As I bit into the live-action Halo shorts I realized there are still next-gen Ridley Scott's and James Cameron's finding there way in a similar fashion out there. 
<BR><BR>
Case in point: South African filmmaker Neill Blomkamp (the District 9 guy who isn't Peter Jackson) and Rupert Sanders.
<BR><BR>
Blomkamp, in addition to making the awesome short film that became District 9, directed the first canon live-action films based on Halo. He did three, "Arms Race", "Combat", and "Last One Standing". Dig them collected below into a single short feature, <a href="http://www.youtube.com/watch?v=BxdvGO1oOF0&feature=player_embedded">Landfall</a>.
<br><br>
Halo fans were creaming over the possibility of seeing this become the Halo movie, and rightfully so. I don't think up to that point anyone had done military sci-fi better since James Cameron, and Blomkamp brought a grit and a realism all his own to the table.
<BR><BR>
Then came Sanders, picking up where Blomkamp left off in this futuristic military landscape populated by fearsome aliens (remind you of anything?). I want you to check out the full-length version of the aforementioned Halo: ODST ad. If you've only seen the truncated television version, then you haven't seen it.
<BR><BR>
<i><a href="http://www.youtube.com/watch?v=XRMUYpH7bQk&feature=player_embedded">Watch the video here...</a></i>
<br><br>
Not only does it file down into a slick kinetic commercial for the viral video generation, it is a borderline brilliant piece of filmmaking. Look at the way it's end-capped by the funeral sequences, by the fresh-faced soldier looking on. Look at the way it tells this kid's entire life story without dialogue in little more than two minutes with richness and depth. The music, the flow, the singular imagery. It fucks me up every time I watch it. 
<BR><BR>
Sanders was also heavily involved the "Believe" campaign that sold Halo 3 and produced five live-action shorts, "<a href="http://www.youtube.com/watch?v=Zq2akuhFaB0&feature=player_embedded">Museum</a>", "<a href="http://www.youtube.com/watch?v=uLoJp3Jz7UI&feature=player_embedded">Hunted</a>", "<a href="http://www.youtube.com/watch?v=Rz_7WWO8lXE&feature=player_embedded">Enemy Weapon</a>", "<a href="http://www.youtube.com/watch?v=pOLR4WjJqIs&feature=player_embedded">Gravesite</a>", and "<a href="http://www.youtube.com/watch?v=2c958sNu03o&feature=player_embedded">Believe: The John 117 Monument</a>".
<BR><BR>
Check out the artistry, the music, the realism in the atmosphere and the acting, the high-production documentary style (as opposed to that jerky, camera-man-having-a-seizure cinema vitesse vibe). I feel like I'm watching that "Band of Brothers" special on The History Channel. 
<BR><BR>
You might say maybe it's easy when you're working in the short format. You don't have to deliver on most of the concepts and ideas you introduce. I guess a lot of that, at least in this case, depends on what you thought of Blomkamp's translation of District 9 from short film to feature.
<BR><BR>
The fact remains I so rarely see a feature film that moves me the way these short film/commercials have/do. I am seeing it more often in television (thanks to folks like "Sons of Anarchy" creator Kurt Sutter who are actually bringing some auteurism and balls to the medium), but the good storytelling is parceled out among such an overwhelming glut of absolute schlock the medium itself is still hard to get behind.
<BR><BR>
I see a culture where more creativity and more storytelling craft is being poured into video games than is being intravenously dripped into Hollywood feature films. You might make the argument that it's always been that way, but I think the modus operandi has become "sell" rather than "create". 
<BR><BR>
I want you to check out another video. <a href="http://www.youtube.com/watch?v=-aUyF_2SZtM&feature=player_embedded">This is a commentary on the actual video game itself Sanders "We Are ODST" short is pimping</a>.
<BR><BR>
And that's the rub. All of that ambition, all of that scope and execution, all of that talent, the sole purpose of it is consumer anal rape. It's all designed to sell you shit you don't need for a product you've already bought several times. The argument could be made that this concept destroys art, despite the artistic byproduct of it.
<BR><BR>
Hollywood has the same philosophy, only they're making bank on the actual movie. So the entire flick becomes one feature-length trailer for itself. If you have trouble wrapping your head around that concept, I have an easy way to abstract it for you: Transformers 2. It epitomizes everything I've been writing about. It's a two-hour sound-and-fury trailer for a Transformers movie rather than an actual feature film.
<BR><BR>
This is the mentality that has to be overcome, first by the directors themselves. Somebody needs to relearn what Ridley and Cameron figured out when they transitioned from schlock and commercials into making viable, important, and just plain fucking good works of art and entertainment. Somewhere along the way that disconnect got fried on the motherboard. Industry rewired our circuits to bypass it entirely, repurposing our creative impulses for itself rather than the filmmaker or film fan. 
<BR><BR>
Somebody, anybody, needs to dig into the guts of this fractured operating system and burn all of that away. And so I am, in essence, as I believe many of us are, waiting for the soldering gun of the gods.
<BR><BR>
I'm not arrogant or up my own ass far enough (yet) to believe it's me. I'll do my part. The only thing I'll sell is myself and my story. But it's going to take a lot more to shift our collective gears. 
<BR><BR>
It's definitely going to take you. 
<br><br></font>

]]> </description>
<pubDate>Fri, 23 Oct 2009 17:44:25 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/10-23-09.htm</link>
<guid>http://www.matt-wallace.com/07-2009/pages/blog/10-23-09.htm</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>

<title>KILL (the) FEED for the week of October 25th, 2009 - Episode 017</title>
<enclosure url="http://www.archive.org/download/KtfPresentsGutShots-Episode001/GutShots001_512kb.mp4" length="210" type="video/mp4" />
<description><![CDATA[

<center>
<img src="http://www.matt-wallace.com/rss/ktf-10-25-09.gif" width="415">
</center>
<br><FONT Face="Helvetica" size="3">
<b>

It's the debut of GUT SHOTS here at Matt-Wallace.com and on KILL (the) FEED. Featuring short, controlled bursts aimed at enemies of everything from arts and entertainment to every conceivable form of media. Fans of the regular GUT CHECK segment on Matt's Weekly Video Address will recognize the same verve/venom as he blitzes multiple topics in a totally new weekly podcast. Because there's just too much bullshit to choose a single topic from each week. And because Matt's just too damn busy to lay down more than five minutes of essayist video in any seven day cycle.
<br><br>
In the series premiere of GUT SHOTS: Matt riffs on the demographics of social networking in what has apparently become Jim Crow's internet, explains why Google should play the Tetsuo Mass in the American remake of AKIRA, and runs down how Hollywood studios are getting it wrong while video game marketing firms are getting it right for all the wrong reasons. Finally, Matt covers earthquake kit essentials with a gold shuriken recommendation for J.C. Hutchins' forthcoming novel 7th SON: DESCENT, dropping nationwide October 27th (and yes, the vintage "Little Americans" poster is diabolically subliminal).
<br><br>
Also, check out Matt's blog each week for an expanded essay on one of the above rants. Your comments will be used to judge your worth and ethereal future in the afterlife. 

</b>
</font> 
]]> </description>
<guid>http://www.archive.org/download/KtfPresentsGutShots-Episode001/GutShots001_512kb.mp4</guid>
<pubDate>Fri, 23 Oct 2009 08:47:29 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/KtfPresentsGutShots-Episode001/GutShots001_512kb.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> It's the debut of GUT SHOTS here at Matt-Wallace.com and on KILL (the) FEED. Featuring short, controlled bursts aimed at enemies of everything from arts and entertainment to every conceivable form of media. Fans of the regular GUT CHECK segment on Matt's</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> It's the debut of GUT SHOTS here at Matt-Wallace.com and on KILL (the) FEED. Featuring short, controlled bursts aimed at enemies of everything from arts and entertainment to every conceivable form of media. Fans of the regular GUT CHECK segment on Matt's Weekly Video Address will recognize the same verve/venom as he blitzes multiple topics in a totally new weekly podcast. Because there's just too much bullshit to choose a single topic from each week. And because Matt's just too damn busy to lay down more than five minutes of essayist video in any seven day cycle. In the series premiere of GUT SHOTS: Matt riffs on the demographics of social networking in what has apparently become Jim Crow's internet, explains why Google should play the Tetsuo Mass in the American remake of AKIRA, and runs down how Hollywood studios are getting it wrong while video game marketing firms are getting it right for all the wrong reasons. Finally, Matt covers earthquake kit essentials with a gold shuriken recommendation for J.C. Hutchins' forthcoming novel 7th SON: DESCENT, dropping nationwide October 27th (and yes, the vintage "Little Americans" poster is diabolically subliminal). Also, check out Matt's blog each week for an expanded essay on one of the above rants. Your comments will be used to judge your worth and ethereal future in the afterlife. </itunes:summary></item>

<item>
<title>7th Son - DESCENT</title>
<description><![CDATA[

<img src="http://jchutchins.net/site/wp-content/uploads/2009/10/7SDescent_cover.jpg" width="300" align="left" hspace=15 vspace=15>
<FONT Face="Helvetica" size="3">
Today, the day author J.C. Hutchins' techno-thriller 7TH SON: DESCENT becomes available in bookstores nationwide,  <a href="http://media.libsyn.com/media/jchutchins/7thSonDescent_SpecialEdition.pdf" target="_blank">Matt-Wallace.com and KILL (the) FEED are hosting a free .PDF of the novel's first ten chapters</a>. You are encouraged to download and freely share this file with any and everyone in the hopes that they (and you) will like what you read and want more.
<br><br>
The following dispatch was received from our ignoble benefactor and your humble narrator early this morning.
 <br><br>
"I'm not big on tenets, personally or professionally. Because they are largely bullshit. It's for that reason I've tried my best to institute the anti-tenet around here. A strict, unyielding ban against bullshit. It's my naive hope this anti-philosophy (more bullshit) will extend to my work and my life.
 <br><br>
So let's not bullshit. You've walked through Borders. You've enjoyed your half-caf double corporate semen with extra semen foam in the Barnes & Noble coffee bar. Two or three of you have roamed the stacks at your local library. You've seen it. Millions of books. Worlds of dead trees. Every asshole's opinion and life story and every fictionalized version of every asshole's opinion and life story. And every year it all gets done again and what the alpha consumer eats will not even be remembered as a particularly hearty bowel movement when the following year rolls around.
 <br><br>
So who gives a fuck about one more piece of pop fiction?
 <br><br>
I do. Because J.C. Hutchins isn't bullshit, nor is he full of it. He's full of sell, he's full of pimp, he's full of store brand diet cola, but he is quite possibly the least full of shit man I know. I choose my friends carefully. I choose them well. I loathe people. I revile writers. And J.C. Hutchins is a friend of mine.
 <br><br>
And his novel isn't bullshit, either. Yes, every asshole has a story and every third or fourth asshole has some writing talent (I'm somewhere around the fifth asshole, I think, although I'm not a statistics major). But rarely, increasingly so, will you be two hundred pages into a work of fiction and realize it takes seven versions of a man to reveal one basic truth. That's 7th Son. 
 <br><br>
Steampunk is a lie. Lovecraft is a lie. Bukowski is a fucking lie. Drop some coin today on a little bit of truth. Make my friend an obscene success.
 <br><br>
Because when a writer finds they can't make a living selling the truth, that's when they really start lying.
 <br><br>
That's when they become bullshit.
 <br><br>
And if that happens to Hutch I'll find every single one of you. 
 <br><br><br>
 
Matt Wallace<br>
(<i>dictated, not read</i>)"
<br><br>

]]> </description>
<enclosure url="http://media.libsyn.com/media/jchutchins/7thSonDescent_SpecialEdition.pdf" length="54264" type="application/pdf" />
<link>http://media.libsyn.com/media/jchutchins/7thSonDescent_SpecialEdition.pdf</link>
<guid>http://media.libsyn.com/media/jchutchins/7thSonDescent_SpecialEdition.pdf</guid>
<pubDate>Tue, 27 Oct 2009 06:23:19 EST</pubDate>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://media.libsyn.com/media/jchutchins/7thSonDescent_SpecialEdition.pdf" fileSize="54264" type="application/pdf" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> Today, the day author J.C. Hutchins' techno-thriller 7TH SON: DESCENT becomes available in bookstores nationwide, Matt-Wallace.com and KILL (the) FEED are hosting a free .PDF of the novel's first ten chapters. You are encouraged to download and freely sh</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> Today, the day author J.C. Hutchins' techno-thriller 7TH SON: DESCENT becomes available in bookstores nationwide, Matt-Wallace.com and KILL (the) FEED are hosting a free .PDF of the novel's first ten chapters. You are encouraged to download and freely share this file with any and everyone in the hopes that they (and you) will like what you read and want more. The following dispatch was received from our ignoble benefactor and your humble narrator early this morning. "I'm not big on tenets, personally or professionally. Because they are largely bullshit. It's for that reason I've tried my best to institute the anti-tenet around here. A strict, unyielding ban against bullshit. It's my naive hope this anti-philosophy (more bullshit) will extend to my work and my life. So let's not bullshit. You've walked through Borders. You've enjoyed your half-caf double corporate semen with extra semen foam in the Barnes &amp; Noble coffee bar. Two or three of you have roamed the stacks at your local library. You've seen it. Millions of books. Worlds of dead trees. Every asshole's opinion and life story and every fictionalized version of every asshole's opinion and life story. And every year it all gets done again and what the alpha consumer eats will not even be remembered as a particularly hearty bowel movement when the following year rolls around. So who gives a fuck about one more piece of pop fiction? I do. Because J.C. Hutchins isn't bullshit, nor is he full of it. He's full of sell, he's full of pimp, he's full of store brand diet cola, but he is quite possibly the least full of shit man I know. I choose my friends carefully. I choose them well. I loathe people. I revile writers. And J.C. Hutchins is a friend of mine. And his novel isn't bullshit, either. Yes, every asshole has a story and every third or fourth asshole has some writing talent (I'm somewhere around the fifth asshole, I think, although I'm not a statistics major). But rarely, increasingly so, will you be two hundred pages into a work of fiction and realize it takes seven versions of a man to reveal one basic truth. That's 7th Son. Steampunk is a lie. Lovecraft is a lie. Bukowski is a fucking lie. Drop some coin today on a little bit of truth. Make my friend an obscene success. Because when a writer finds they can't make a living selling the truth, that's when they really start lying. That's when they become bullshit. And if that happens to Hutch I'll find every single one of you. Matt Wallace (dictated, not read)" </itunes:summary></item>

<item>
<title>Letters to the UFC-104 - BLOG POST</title>
<description><![CDATA[

<center>
<img src="http://www.matt-wallace.com/rss/11-08-09-rssblog.jpg" alt=""><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted November 8th, 2009 at 02:24:25 EST</font><br><br>
<img src="http://www.matt-wallace.com/rss/11-08-09-001-rssblog.jpg" alt=""><br>
<img src="http://www.matt-wallace.com/rss/11-08-09-002-rssblog.jpg" alt=""><br>
<img src="http://www.matt-wallace.com/rss/11-08-09-003-rssblog.jpg" alt=""><br>
<img src="http://www.matt-wallace.com/rss/11-08-09-004-rssblog.jpg" alt=""><br>
<img src="http://www.matt-wallace.com/rss/11-08-09-005-rssblog.jpg" alt=""><br><br>
<img src="http://www.matt-wallace.com/rss/rssdisclaimer.gif" alt=""><br>

]]> </description>
<pubDate>Wed, 11 Nov 2009 02:24:25 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/11-08-09.htm</link>
<guid>http://www.matt-wallace.com/07-2009/pages/blog/11-08-09.htm</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>KILL (the) FEED for the week of November 19th, 2009 - Episode 018</title>
<enclosure url="http://www.archive.org/download/KilltheFeedPresentsGutShots-Episode002/GutShots002_512kb.mp4" length="210" type="video/mp4" />
<description><![CDATA[

<center>
<img src="http://www.matt-wallace.com/rss/ktf-11-19-09.gif" width="415">
</center>
<br><FONT Face="Helvetica" size="3">
<b>

It's been a time of chaos here at Matt-Wallace.com these past few weeks. Swine flu (yes, the genuine article) razed the walls of our digital fortress and felled our leader, your humble narrator himself. It has had a profound affect on Matt's output and your podcatchers, and for that we apologize. Rest assured KILL (the) FEED is back on-line and operating at full battle readiness. Matt has vowed to get his shit together and set a definitive weekly schedule for all of this largely pointless but shiny content, starting now.
<br><br>
In the long-awaited second edition of GUT SHOTS, Matt performs a verbal drive-by on several topical neighborhoods, including Motorola's newly-released Droid smartphone (and the self-fulfilling prophecy of the machine uprising to come) and the potential fall from grace of ALIEN/S alums Ridley Scott and James Cameron. Matt also shamelessly plugs the new issue of UK-based fiction and comics magazine MURKY DEPTHS, featuring his newest column, "Pussy Control" (it's an intense intellectual study of female typecasting. Seriously).
<br><br>
The issue is on stands now.

</b>
</font> 
]]> </description>
<guid>http://www.archive.org/download/KilltheFeedPresentsGutShots-Episode002/GutShots002_512kb.mp4</guid>
<pubDate>Thu, 19 Nov 2009 08:31:29 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/KilltheFeedPresentsGutShots-Episode002/GutShots002_512kb.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> It's been a time of chaos here at Matt-Wallace.com these past few weeks. Swine flu (yes, the genuine article) razed the walls of our digital fortress and felled our leader, your humble narrator himself. It has had a profound affect on Matt's output and y</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> It's been a time of chaos here at Matt-Wallace.com these past few weeks. Swine flu (yes, the genuine article) razed the walls of our digital fortress and felled our leader, your humble narrator himself. It has had a profound affect on Matt's output and your podcatchers, and for that we apologize. Rest assured KILL (the) FEED is back on-line and operating at full battle readiness. Matt has vowed to get his shit together and set a definitive weekly schedule for all of this largely pointless but shiny content, starting now. In the long-awaited second edition of GUT SHOTS, Matt performs a verbal drive-by on several topical neighborhoods, including Motorola's newly-released Droid smartphone (and the self-fulfilling prophecy of the machine uprising to come) and the potential fall from grace of ALIEN/S alums Ridley Scott and James Cameron. Matt also shamelessly plugs the new issue of UK-based fiction and comics magazine MURKY DEPTHS, featuring his newest column, "Pussy Control" (it's an intense intellectual study of female typecasting. Seriously). The issue is on stands now. </itunes:summary></item>

<item>
<title>December Darkness - BLOG POST</title>
<description><![CDATA[

<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/12-03-09.htm"><img src="http://www.matt-wallace.com/rss/12-03-09-rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted December 3rd, 2009 at 08:30:08 EST</font></div>
<BR>

<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
It's December, kids. It's the holidays. I love Christmas. I love Christmas stories, movies, and especially songs and the Christmas episode of TV shows. I've put more effort into my holiday playlists of both than most people do into raising their children. 
<br><br>
So I like hooking up something special each year around the holidays. Last year for December I did The F'n Advent over in my old, currently out-of-service LiveJournal. A blog post a day. Like any one-thing-a-day format it was hit and miss, but people seemed to enjoy it. 
<br><br>
This year kicks it squarely in the grapes. 
<BR><BR>
First, the exposition: The Failed Cities Monologues was my first novel released out into the wild (and it is a novel, at least to me), first on Variant Frequencies and then over at Podiobooks. It was different, it was experimental, it got me fans, praise, and a foot in the door at a few places. It has a special place in my otherwise black, black heart.
<br><br>
A few years ago I wrote a Christmas novella entitled <a href="http://www.variantfrequencies.com/2007/12/16/the-failed-cities-hath-a-darkness/" target="_blank">The Failed Cities: Hath a Darkness</a>. That's right, a Failed Cities Christmas story. It was told in the same narrative style and released as a free, special edition eBook. It takes place after the events of the original story. Ethan, Truck, Sterne, The Maven, Ferus, Detective Klimenko, all return. Joining them is a couple of surprises. Well, more than a couple. I hope.
<br><br>
So this year for the holidays Rick Stringer at the <a href="http://www.variantfrequencies.com/" target="_blank">Variant Frequencies podcast</a>, the original home of the Failed Cities and all of my short podfic, gathered all the original cast members together to record Hath a Darkness for release as an audio novella. It's like a Failed Cities reunion show and a holiday special all wrapped up like a fine sushi roll of pure spicy awesome.
<br><br>
The first episode has just been released over at Variant Frequencies and people are already digging the fuck out of it. Paul Elard Cooley has even posted an audio review over at his Shadow Publications site. There are seven more episodes to follow throughout December exclusively on the Variant Frequencies podcast. What can you expect? Blood, joy, betrayal, innocence, redemption, twists, turns, high-speed chases, carnage, chaos, pathos, presents...
<br><br>
All that good shit.
<br><br>
This is a very special presentation, into which a ton of effort was put forth by a ton of quality people, least among them me. We all hope you enjoy it. 
<br><br>
Merry Christmas, happy Kwanzaa, a blessed Solstice, and to all you non-denominational folk, come in out of the cold and listen to a good story. 
<br><br></font>

]]> </description>
<pubDate>Thu, 03 Dec 2009 08:30:08 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/12-03-09.htm</link>
<guid>http://www.matt-wallace.com/07-2009/pages/blog/12-03-09.htm</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>KILL (the) FEED for the week of December 13th, 2009 - Episode 019</title>
<enclosure url="http://www.archive.org/download/KilltheFeedPresentsGutShots-Episode003/KtfPresentsGutShots-Episode003_512kb.mp4" length="210" type="video/mp4" />
<description><![CDATA[

<center>
<img src="http://www.matt-wallace.com/rss/ktf-12-13-09.gif" width="415">
</center>
<br><FONT Face="Helvetica" size="3">
<b>

It's your first salvo of December GUT SHOTS here on KILL (the) FEED. In the spirit of seasonal reflection Matt touches on everything from nostalgia to entropy to hope in this week's installment. Topics covered include the skewed allocation of our news media resources, the continuing breakdown of network television programming, and a plea to the World Intellectual Property Organization to make the written works of people like Matt (and those with vastly more talent, of course) more accessible to the blind and disabled. Because Stevie Wonder has been hounding Matt relentlessly for a Braille copy of THE NEXT FIX for months, and the boss is sick of having to tiptoe everywhere in hospital slippers.
<br><br> 
We are also debuting a new feature here on KILL (the) FEED. For the first time ever Matt is not only interested in your feedback, he's providing an open forum for it. That's right. It's the GUT SHOTS CALL-IN LINE. It's your turn to rant and rave just like our resident malcontent. Dial (830) GUT-SHOT to leave a comment, ask a question, or, more importantly, go off on any topic you feel needs a good verbal blasting, Matt-style. If your auditory offering makes the cut, you could find it receiving the trademark GUT SHOTS graphic treatment when it is featured on a future episode.
<br><br>
That number again is (830) 488-7468. Make it loud, make it rude, make it offensive, make it a GUT SHOT.
<br><br>
<b>Show Notes:</b><br>
<a href="http://keionline.org/node/719" target="_blank">Writers Open Letter in Support of WIPO treaty for People who are Blind or have other Disabilities</a>
<br>


</b>
</font> 
]]> </description>
<guid>http://www.archive.org/download/KilltheFeedPresentsGutShots-Episode003/KtfPresentsGutShots-Episode003_512kb.mp4</guid>
<pubDate>Sat, 12 Dec 2009 15:34:35 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/KilltheFeedPresentsGutShots-Episode003/KtfPresentsGutShots-Episode003_512kb.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> It's your first salvo of December GUT SHOTS here on KILL (the) FEED. In the spirit of seasonal reflection Matt touches on everything from nostalgia to entropy to hope in this week's installment. Topics covered include the skewed allocation of our news me</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> It's your first salvo of December GUT SHOTS here on KILL (the) FEED. In the spirit of seasonal reflection Matt touches on everything from nostalgia to entropy to hope in this week's installment. Topics covered include the skewed allocation of our news media resources, the continuing breakdown of network television programming, and a plea to the World Intellectual Property Organization to make the written works of people like Matt (and those with vastly more talent, of course) more accessible to the blind and disabled. Because Stevie Wonder has been hounding Matt relentlessly for a Braille copy of THE NEXT FIX for months, and the boss is sick of having to tiptoe everywhere in hospital slippers. We are also debuting a new feature here on KILL (the) FEED. For the first time ever Matt is not only interested in your feedback, he's providing an open forum for it. That's right. It's the GUT SHOTS CALL-IN LINE. It's your turn to rant and rave just like our resident malcontent. Dial (830) GUT-SHOT to leave a comment, ask a question, or, more importantly, go off on any topic you feel needs a good verbal blasting, Matt-style. If your auditory offering makes the cut, you could find it receiving the trademark GUT SHOTS graphic treatment when it is featured on a future episode. That number again is (830) 488-7468. Make it loud, make it rude, make it offensive, make it a GUT SHOT. Show Notes: Writers Open Letter in Support of WIPO treaty for People who are Blind or have other Disabilities </itunes:summary></item>

<item>
<title>I Fux With This 2009 - BLOG POST</title>
<description><![CDATA[

<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/12-31-09.htm"><img src="http://www.matt-wallace.com/rss/12-31-09-rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted December 31st, 2009 at 08:45:52 EST</font></div>
<BR>

<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
One more page-turn. One more curled finger on the wish monkey's hand. One more dead soldier shattering against the curb. 
<br><br>
One more year.
<br><br>
You want every year to be epic. Very few truly are. Some are workhorse years. Some are banner years. Many are low-key. Most will contain events so seemingly benign you won't realize how monumental they were until you're too old and broken down to do anything with the knowledge. 
<br><br>
This year was largely about producing my next novel, LETHAL BORN (or: The One That Is Commercially Viable While Still Retaining My Own Sensibilities, Or Some Shit Like That). A few refinements and explosions aside, it's in the bag, 100k words of thrills and chills set in the modern, present-day world all you people seem to want to keep reading about so much. I'm not happy with how long it took me. I call vagina on the James Joyce epicists of the literary world. But while I'm a working writer, I'm not currently a working novelist. And thusly I busted on a lot of freelance work in the interim. I scripted a new indie feature. I wrote episodes for an animated series based on a retail toy line. I kept pumping out my regular print column. 
<br><br>
All of that meant shifting my focus from podfic (that's podcast fiction, or fiction that is podcast). However, Latter 2009 still gave you the podcast novellas TITLE FIGHT (w/ Scott Sigler) and THE FAILED CITIES: HATH A DARKNESS. You're welcome.
<br><br>
But that's all shit you do to pay bills or promote yourself. It doesn't mean there isn't love. I also started a new podcast called KILL (the) FEED this year that I'm still very jazzed about. It was much more about experimenting with multimedia content and formats than churning out One More Podcast. I made my directorial debut when we shot the first half of WITCH/HUNTER-a new webseries I'll finish shooting early next year and debut *on* KILL (the) FEED in the first half of 2010-and realized writing/producing/directing my own shit is in fact something I'm interested in after all. 
<br><br>
I didn't buy a new iPod. I didn't buy a new cell phone. I did not upgrade to a fucking Blu Ray player. I did not download Google Chrome (calling it "Chrome by Google" does not chic that bullshit up, by the way). I didn't watch a single episode of American Idol. I didn't see <i>Transformers 2</i>. I didn't download a single Lil Wayne, Lady GaGa, Black-Eyed Peas, or All-American Rejects track. 
<br><br>
There were things I did ingest and enjoy. Therefore I present the even-more-obligatory-than-the-rest-of-this-blog-post portion of the blog post.
<br><br>
My 2009 Best Of Highlights.
<br><br>
Best Movie-Going Experience: <i>Moon</i> (best science fiction film since <i>Children of Men</i>, written/directed by SON OF BOWIE)
<br><br>
Best & Worst Movie-Going Experience: <i>The Wrestler</i> (you ever see a flick that was simultaneously about who you were, who you wanted to be, and who you were afraid to become? Yeah, me either. Until...)
<br><br>
Best Indie Movie Not Released In A Theater Near Me: <i>Ink</i> (there is a stigma that low-budget independent movies aren't actually movies, but glorified demos. Bullshit. I love this one completely on its own merit)	
<br><br>
Best Act I Saw Live: <i>Seether</i> (they were the opener, but it was the best twenty-minute set I've ever seen)
<br><br>
Best Book I Read: The best novels I read this year were unreleased and therefore I am not at liberty to discuss them, beyond pointing out that I'm obviously cooler than you.
<br><br>
Best Published Book I Read: <i>The Red Tree</i> by Caitlin R. Kiernan, <i>Personal Effects: Dark Art</i> by J.C. Hutchins, <i>Patient Zero</i> by Jonathan Maberry, <i>The City & The City</i> by China Mieville, <i>Slammer</i> by Allan Guthrie
<br><br>
Best TV Show I Followed With Any Regularity: <i>Sons of Anarchy</i> (talk about putting up one of the best sophomore seasons of any television show ever. Kurt Sutter is the showrunner of the future)
<br><br>
Best Viral Video I Watched Ad Nauseum When I Should Have Been Writing: <a href="http://www.youtube.com/watch?v=R6H0i1RAdHk" target="_blank"><i>Freestyle Rap Battle: Translated</i></a>
<br><br>
Best Music Video Not Found On MTV or iTunes: <a href="http://www.youtube.com/watch?v=Oc7G5I0iVDA" target="_blank">Metal on Metal's "<i>Bastard</i>"</a>
<br><br>
Best New Rum I Tried Because The Bottle Looked Fucking Harsh: <a href="http://kilokai.com/" target=_blank"><i>Kilo Kai</i></a>
<br><br>
Best Writerly Experience: My first view of "THE END" writing LETHAL BORN.
<br><br>
Best Authorly Experience: Signing a copy of my short story collection <i>The Next Fix</i> for Jonathan Maberry at Hypericon and seeing him tweet that it's "a hell of a good read."
<br><br>
Best Line I Wrote: "Billions and billions of stars? Carl Sagan fucked them."
<br><br>
There were more highlights, probably many more, but if the point hasn't yet come where you've stopped giving a shit I fear it soon would.
<br><br>
Happy New Year.
<br><br>
Post-script: My decade isn't over yet. And neither is yours. I'm assuming you have both a calendar and a calculator app for your phone. Use them. 
<br><br></font>

]]> </description>
<pubDate>Thu, 31 Dec 2009 08:45:52 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/12-31-09.htm</link>
<guid>http://www.matt-wallace.com/07-2009/pages/blog/12-31-09.htm</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>The Blood of Douchebags, The Death of Heroes - BLOG POST</title>
<description><![CDATA[

<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/01-05-10.htm"><img src="http://www.matt-wallace.com/rss/01-05-10- rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted January 5th, 2010 at 09:32:05 EST</font></div>
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<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
<center><img src="http://www.matt-wallace.com/rss/01-05-10-001-rssblog.jpg"></center><br><br>
Seriously.
<br><br>
I'm not talking about two thousand years back. I'm talking about 1990. I'm talking about professional wrestlers. They were my friends, they were my comrades, and they were my heroes.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/01-05-10-001.gif" alt="" border="0" align="right" hspace=5 vspace=5>
"Gladiator" is a technical term. In mixed martial arts they like to throw the word "warrior" around a lot. Warriors fight wars. Gladiators fight to entertain the masses. Period. Gladiatorial sports were never about competition. They were competitive; life-or-death competitive; arms-raised-in-victory or meat-hooks-thru-your-dead-ass-dragging-you-out competitive; but their popularity, their purpose, were never based on wins or losses. They were based on the juice. It's all about the juice, baby. The juice is the emotional investment in the battle. In other competitive sports wins and losses are almost literally life and death. The gladiatorial arts have always been about the show, about the blood, about a high and beautiful adrenaline wave.
<br><br>
Over time we became more evolved, or at least developed a precept of evolution. We decided no one would die for the entertainment of the plebs or the ruling class. The desire to watch the Games, however, did not dissipate. We still sought it out. There was still a market for it. Boxing failed us, or rather the business of boxing failed us. Professional wrestlers, at least for a time, were the last gladiators. No more. What you watch on WWE programs, I do not consider that professional wrestling, let alone a gladiatorial sport. The entire product, from inception to presentation, has completely changed. The WWE now manufactures reality television, no different from <i>American Idol</i> or <i>Survivor</i>. 
<br><br>
I started to look to mixed martial arts (to clarify, mixed martial arts is the sport. "Ultimate Fighting" or The Ultimate Fighting Championship is the name of a company that promotes mixed martial arts bouts). I found a new fix there, originally. In that struggle to transition from an underground bruiser fest to a legitimate, nationally accepted pastime I found the new gladiatorial arena. There's purity in that struggle, at least for the fighters themselves. Because when there's no money, when there are no million-dollar endorsement deals or worldwide fame to be had, you fight for other reasons, reasons that, at least for a certain cross-section, inspire and captivate when put center stage in a cage. 
<br><br>
That purity is now thoroughly slathered in shit.
<br><br>
I put forth that 2009 was the worst year for mixed martial arts since it hit the mainstream. It was the year "The Iceman" Chuck Liddell danced with the stars. It was the year the DREAM promotion, lame duck successor to Japan's PRIDE (the once great company that the UFC bought/bankrupt and then strip-mined, basically ass-raping every pure MMA fan in the world), put on a tournament featuring every fight game freakshow in the books, including Jose Canseco (yes, *that* Jose Canseco). It was the year that gave us the tenth season of <i>The Ultimate Fighter</i>-the show that can legitimately lay claim to once launching the UFC and MMA into the mainstream with a true gladiatorial battle between first season combatants Forrest Griffin and Stephan Bonnar on live television. As a heavyweight I was fucking ashamed and embarrassed by every second of every episode of season ten. It was like a season full of latter-day Tim Sylvias. Speaking of which, this was the year a washed-up, middle-aged Ray Mercer knocked out former UFC heavyweight champion Tim Sylvia in a boxer vs. mixed martial artist smack down, validating every bad thing I ever said about Sylvia carrying that division.
<br><br>
But most importantly, at least for me, it was a full year with Brock Lesnar as UFC heavyweight champion. 
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/01-05-10-003.gif" alt="" border="0" align="left" hspace=5 vspace=5>
Brock Lesnar is the science experiment Josef Mengele used to whack his shriveled Nazi carrot to thoughts of. He was everything I hated about pro-wrestling, and he is now everything I hate about MMA. Lesnar is a horrible human being; not a great villain, just a horrible human being. He is an insecure, over-inflated, socially retarded albino ape. Asking him to display the basest sportsmanship is like asking an autistic child to write an essay explaining the emotional subtext of <i>Love Story</i>. He's an attraction. He always has been. Nobody booked him because he knew anything about pro-wrestling, let alone mixed martial arts. Nobody booked him because he understood the subtle or even the obvious psychology of gladiatorial combat. They booked him because he's a living comic book caricature. 
<br><br>
And now he's the cemented figurehead of the largest mixed martial arts promotion in the world. He is their chosen direction. And the business model of the UFC *is* the mainstream MMA business model. Their Vince McMahon-esque campaign of monopolization has seen to that. The only other company running significant game in America in 2009 was Affliction-an MMA promotion run by a clothing company for douchebags (seriously, studies conducted by me have shown that if you walk around in an Affliction t-shirt there's an 89.4% chance you're a douchebag). Affliction had the talent roster and exposure, but between show cancellations and erratic booking they're looking like a mini-Titanic. Easy prey. 
<br><br>
Someone will come along and knock Brock Lesnar down. That's the game. But I fear the damage has been done. The precedent has been set. I liken it to the transition between the Bret Hart era to the "Stone Cold" Steve Austin era in professional wrestling. It was a year, not just without a hero, but a year where the hero became obsolete. No more Randy Couture as a symbol of all that is good and right about MMA, no more Frank Mir on the comeback trail. Just a genetic freak talking trash and giving us the finger.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/01-05-10-002.gif" alt="" border="0" align="right" hspace=5 vspace=5>
When there are no more heroes, there are no more gladiators. 
<br><br>
Why does it matter? Gladiators are, and have always been, an important measure of a society. They're the ultimate expression of our collective base desires, our darker angels. Do we choose to elevate men and women of steel who cling to arcane concepts like honor and nobility, or do we just want to get smashed out of our fat fucking consumerist skulls and give market shares to an unskilled Aryan gorilla and his corporate puppet masters?
<br><br>
It may be a new year, but it looks like one more historical rewind to me. Maybe I'm alone, but I still want my heroes.
<br><br>
Hey, can we teach Obama jiu-jitsu? 
<br><br></font>

]]> </description>
<pubDate>Tue, 05 Jan 2010 09:32:05 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/01-05-10.htm</link>
<guid>http://www.matt-wallace.com/07-2009/pages/blog/01-05-10.htm</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>The Little Man in the Boat Sez... - BLOG POST</title>
<description><![CDATA[

<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/01-15-10.htm"><img src="http://www.matt-wallace.com/rss/01-15-10- rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted January 15th, 2010 at 13:24:55 EST</font></div>
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<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
Screenplays and the female orgasm: finding the happy median is key to both.
<br><br>
First, let's talk about too little. Let's talk about <i>Avatar</i> (it was inevitable, kids). I recently saw Avatar in two dimensions. I know. <b>CRAZY INSANE INEXPLICABLE WHAT THE FUCK IS WRONG WITH YOU DUMBASS.</b> You know what? Fuck you. Fuck you and your apologist Nazi fanboy bullshit. Let's forget the fact that in terms of story and conveying an engaging and cogent plot with characters I actually give a shit about, if I need to go to an IMAX theater, you've failed. If I need to put on special glasses, you've failed. I did not make the choice to see <i>Avatar</i> in 2-D strictly to piss off the fanatical message board Gestapo, although that would have been reason enough.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/01-15-10-001.gif" alt="" align="left" hspace=5 vspace=5>
Here's the thing. I knew the visuals would be stunning. I had no doubt he would make an amazing, immersive visual experience. I'm not arguing against or about any of that here. I'm only talking about the writing. What I didn't know is whether or not Cameron had *written* a good movie. I'm a screenwriter. I am interested in things like that. 
<br><br>
And you know what else? I was right. 
<br><br>
The script for <i>Avatar</i> sucks. It doesn't totally suck, but it more than kinda sucks (it's a very scientific scale). You can argue that doesn't matter, you can argue Cameron did it intentionally, but none of it changes the fact that the script for <i>Avatar</i> is on par with Lucas' best prequel efforts, writing-wise.  And even if Cameron has completely reinvented the way stories in motion pictures are told, and even if no traditional concept of what a movie is can be applied to <i>Avatar</i>, he still wrote a shitty, under-developed screenplay with ass dialogue. There is no way around that.
<br><br>
(Incidentally, you can now check out an unspecified draft of said screenplay. It's hosted by 20th Century Fox, but I recommend going through <a href="http://www.simplyscripts.com/2010/01/08/avatar-screenplay/" target="_blank">SimplyScripts.com</a> just because it's an awesome site that also features examples of my own stunning work)
<br><br>
There are far less controversial examples of an underwritten, underdeveloped screenplay than <i>Avatar</i>, but I like it as an example precisely because it does challenge you to ask how important a screenplay is to a movie. Now, if you're a movie fan you don't have to care about that (and probably don't). However, if you're a screenwriter with any serious ambition you fucking well better care, because you, my friend, are not going to make <i>Avatar</i>. Try walking into a producer or studio exec's office with an under-developed, numbingly simple script and say, "But it's okay, because this is a *visual* story." 
<br><br>
I don't believe in much, but I believe you can't make a good movie without a good screenplay. Actually, that's not fair or true. You can't tell a good story via film without a good screenplay. You can manufacture a great experience. You can immerse your audience in a very cool digitally crafted environment, but to tell a great sustainable story, between people floating out of stasis pods, characters still have to do and say things. If I don't understand what their motivation is for doing those things, don't give a shit about what those things are, and the words coming out of their mouths makes me cringe, it doesn't matter how many mountains are floating above my head.
<br><br>
Besides which, you have to remember that at one point and for a very long time in this process, there is <b>NOTHING BUT THE SCREENPLAY</b>. That's it. That's all anyone has to go on. They will not be reading your shit in 3-D. Cameron may have "changed the way movies are made forever" because he's Jesus in a motion capture suit, but he hasn't done fuck all for screenwriting. 
<br><br>
Even as a screenwriter you may patently disagree with me now. Talk to me about how awesome the story is when you see <i>Avatar</i> on DVD. 
<br><br>
But hey, my bias runs deep. I love my words. Anyone who has tried to produce and/or direct one of my scripts will attest to that fact. I do not, however, love them so much that I am willing to sacrifice the rest of my screenplay for their sake. Which brings us to the subject of too much.
<br><br>
I recently rented <i>Inglorious Basterds</i>, which I didn't catch during its theatrical run because you people have ruined movie theaters for me. <a href="http://www.youtube.com/watch?v=D7BQJfk2omE&feature=player_embedded">Now, I want you to watch this trailer</a>.
<br><br>
Then I want you to watch the movie. What you'll notice is they're not the same film. 
<br><br>
If you watch the trailers and see the movie, you'll also notice a lot of the footage you see of the Basterds isn't in the movie itself. The reason for it isn't pacing, it's that there was no time for them. There are amazingly few scenes in Basterds. Because every scene is two or three times longer than it needs to be. At least one scene didn't need to be there at all and was in effect cancelled out by the scene that immediately followed it. We meet eight Basterds, and later another is added. We never find out what happens to five of them. Before the third act, after exactly two scenes, they disappear. 
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/01-15-10-002.gif" alt="" align="right" hspace=5 vspace=5>
You named the movie after the Basterds. You sold it to me with a trailer about the Basterds. Then you showed me two scenes about the Basterds and chopped half of them out of the story with no explanation. 
<br><br>
A big problem with the script is that Tarantino tried to do with alternating narratives what he did in <i>Pulp Fiction</i>, only, and please take note of this, the structure of this movie is completely different than in <i>Pulp Fiction</i>. So all of those threads never had the chance to overlap or come together like they needed to for the overall flick to be successful. 
<br><br>
But an even bigger problem is that Tarantino loves conversation. That's what takes up the bulk of this film. Conversations about nothing related to the plot or the characters or to anything else even remotely interesting to anyone except Tarantino, who apparently really loves guessing games and strudel. The man simply cannot stop writing, and among other horrible choices, it ruined this flick for me. He overwrote the ever-lovin' shit out of nearly every single scene in the movie, which is why the original cut was so long and why so much of what I believe was probably vital material in terms of making a focused movie had to be cut out in the end.
<br><br>
A novel structure is great, but a movie is not a novel. You still have to make careful choices. You can't expound on every single exchange because of the time crunch. In a screenplay you need to say what needs to be said with as few words as possible, then embellish it as needed. Ask yourself why that scene is there and how it relates to every other scene you've written. Don't indulge your characters and don't indulge yourself. You are not that interesting. 
<br><br>
Now, you may ask yourselves: Why wouldn't I want to be James Cameron or Tarantino. They're wealthy, successful, influential filmmakers. The answer is simple: You aren't Cameron or Tarantino and you can't fucking get away with it. You are welcome to try it and prove me wrong. 
<br><br>
There's nothing wrong with emulation. We all emulate the writers we have loved in some way. But if you're a screenwriter trying to break into a market that buys increasingly fewer projects each year, emulating the work of creators who have (through hard work and immense talent, admittedly) achieved the carte blanche to write an underwritten or overwritten script and still be assured the freedom and financing to make their movie will leave your ass out in the cold.
<br><br>
Be hungrier. Be better. Find the happy median.
<br><br></font>

]]> </description>
<pubDate>Fri, 15 Jan 2010 13:24:55 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/01-05-10.htm</link>
<guid>http://www.matt-wallace.com/07-2009/pages/blog</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>La Ola es Mia, or: THE WAVE IS MINE - BLOG POST</title>
<description><![CDATA[

<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/01-22-10.htm"><img src="http://www.matt-wallace.com/rss/01-22-10- rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted January 22th, 2010 at 14:25:47 EST</font></div>
<BR>

<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
<a href="http://www.youtube.com/watch?v=LOQvsuJ5wIA&feature=player_embedded">You know that feeling, right?</a> You get it watching the news, facing yet another rejection, another closed door, waking up for the twenty thousandth morning in a row. It's that feeling of impotence, of legs filled with cement, of desperately pounding on them just to get them to work, to carry you through the mire. You can't move. You're bogged down in a world not of your making and you've been rendered motionless, powerless, unable to affect even the basest change. Some people get so fed up with that feeling they'll take a lifelong dead sprint on a hamster wheel in lieu of it. You never get anywhere on that wheel, but you get to feel like you're in constant motion. 
<br><br>
I haven't given a shit about late night television for years. In fact, I didn't really start paying attention to the Leno/Conan thing 'til last week when Kurt Sutter, creator of <i>Sons of Anarchy</i>, <a href="http://sutterink.blogspot.com/2010/01/my-open-invitation-to-conan-obrien.html" target="_blank">posted an open invitation in his blog to Conan O'Brien to join the cast of SOA as an Irish terrorist</a> (which I still think is an utterly fucking fantastic idea. It's not like Conan needs to do anything for the money at this point). Today I read that's it official: NBC is paying Conan O'Brien $45 million dollars to take a powder and reinstalling Jay Leno in his time slot. 
<br><br>
It's a mind-boggling clusterfuck from every angle. It is backwards thinking re-re-redefined. Here's the thing. NBC making a horrendous programming decision is nothing new. I also have no sympathy for Conan or animosity toward Jay Leno. They're both fairly-talented-to-mediocre multi-millionaires. They don't matter to me. Bill Hicks died before he got to do <i>Earls of the Underworld</i>, I've long given up on the idea that a stand-up comedian can change the world with a monologue. 
<br><br>
This situation, however, and the bludgeoning stupidity of it represent a larger revelation for me. That is this: The people in charge are just that. They're people. They're dumb, twitchy animals, 99.9% of them just terrified for their jobs. They make stupid, obvious, fear-based decisions. What's more, they make these decisions with little-to-no misdirection. They are bad street illusionists in five thousand dollar suits. There's no spin hive mind. There hasn't been for quite some time. They're operating autonomously, obliviously, and for a simple reason.
<br><br>
You're really just not going to do anything about it. Ever.
<br><br>
Artists, creators, fans, consumers. Your ignorance is the ultimate shade. And you've chosen it for yourself. You've pared your life down to the essentials, you've accepted that life is better in the Matrix, and you've stopped seeking.  Information, truth, accountability, even common sense are no longer sought by the masses. 
<br><br>
Every fact is on record. The essential fallacy of the media, the corruption of the government, the evil of corporations, none of it sealed or sequestered on microfilm hidden in secret bunkers. Royal Dutch Shell is still murdering Africans like it's going out of style. They don't try to hide this, they just don't put it in commercials between segments of <i>American Idol</i>. Do you think about it every time you pull into a Shell station, or at all? Can you afford to care? And when it comes to guns, drugs, and murder, the United States government is and ever has been the world-wide industry leader. These aren't the wild ravings of a conspiracy theorist. Again, they're just the facts on record. 
<br><br>
Entertainment and the news media are the same bag, albeit less destructive in an overt pain-and-suffering way.  But that's getting pretty broad, right? We were talking about late night television.  
<br><br>
NBC Universal is owned by General Electric, the world's largest company, with controlling stake held by Comcast, the world's largest cable company (it's worth noting that at a certain level, corporations and government become interchangeable).
There is nothing in which GE doesn't have its hand, no medium they don't have influence over. Whether you're trip is music, movies, books, broadcasting, or fucking Egyptian cabinet making, the decisions made by high-level executives in this organization directly affect, for the business-minded, your nut and/or your pursuit of that nut, and, for the creative-minded, your pursuit of higher art and/or ideas.
<br><br>
And these are the decisions they're making. This is the mentality with which they're shaping these industries. 
<br><br>
These are the jokes, folks. These are the fucking jokes.
<br><br>
Self-imposed ignorance and broken gatekeepers, that's what it boils down to. In the end scene of <i>Point Break</i> of life you can either be Keanu or you can be Patrick Swayze. You can decide the fifty-foot set is totally closed out, or you can grab your board and ride that wave to everlasting glory. You can take an attitude of nihilism and live in a state of perpetual bystander apathy, or you can recognize that the used rubbers holding the keys need to be discarded and, at their core, they don't have the brains or balls to stop you. You can choose to see their poor choices and fragile egos falling like the tumblers on a giant lock, and if you race across it at just the right time and in just the right sequence you can make it to the other side.
<br><br>
And once you're there, you have another choice. You can play their game, or you can change it.
<br><br>
Look, at base I just want to write my little stories and get them out to as many people as possible and live my life and maybe be able to buy myself something pretty every once and while. I'm not the guy who is going to affect major change doing that. You might be, though. Whether it's making policy, making music, making movies, writing books/columns/articles, if you can get past the idea the people in charge know so much more than you do and by proxy have the right to keep you out, you just might be a natural born world-shaker.
<br><br>
And who knows, one day I may want to write something that changes the world. I'd rather deal with you than them.
<br><br></font>

]]> </description>
<pubDate>Fri, 22 Jan 2010 14:25:47 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/01-22-10.htm</link>
<guid>http://www.matt-wallace.com/07-2009/pages/blog/01-22-10.htm</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>A Phallus by Any Other Name... - BLOG POST</title>
<description><![CDATA[

<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/01-31-10.htm"><img src="http://www.matt-wallace.com/rss/01-31-10- rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted January 31st, 2010 at 03:16:33 EST</font></div>
<BR>

<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
You might've read about Macmillan Publishers having all of their titles pulled (which include imprints such as Tor and Thomas Dunne Books) from Amazon.com over a price dispute. And if you didn't you might have noticed the sudden disappearance of thousands of popular titles from Amazon. Or maybe this is all new and irrelevant to you and you just want to know when new episodes of <i>American Idol</i> air, I don't fucking know.
<br><br>
Anyway, it's a big prick-measuring dick fight and the yard stick is made of dollar bills. That's just about par for the course when it comes to the publishing, or pretty much any other industry. I checked out the New York Times article, and then I hit up BoingBoing.net to read Cory Doctorow's commentary on the situation. After a brief summary of that situation, he segued into the post proper with this:
<br><br>
"<i>If the NYT's report is true, then this is a case of two corporate giants illustrating neatly exactly why market concentration is bad for the arts.</i>"
<br><br>
I had a hard time getting past that point, and past the reader-intensive focus of the post. I am well-versed enough in the issues and in Doctorow's position that I knew what pitch was coming. I even agree with much of his argument. Yet I had this taste in my mouth. This briny, metallic taste. I realized there was a central fallacy in his post, a fallacy that is prevalent throughout debates of this nature on the side of the authors/artists taking the offensive. I see it a lot these days, particularly from the more successful creators down for the digital cause.
<br><br>
Here's the fallacy: The "market" in question, any market, is bad for the arts. 
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/01-31-10-001.gif" alt="" align="left" hspace=5 vspace=5>
The publishing industry is not essential to creating art or even distributing it, not anymore. It is essential to us, the creators, getting paid for it. Cory Doctorow is a cool guy with a lot of good points who writes some pretty wicked fiction, but he also doesn't want to wear a Kinko's apron every day. None of us do. Look, lifers don't write as a business decision. We write because we are compelled. I was driven toward storytelling long before I had any concept of money at all.  But then we grow up and it's time to get an unrelated day job, and many of us decide we'd prefer not to. There's nothing wrong with that. We have a specialized, marketable skill producing content for a variety of viable mediums. We're the backbone and nerve center of the multi-multi-multi-billion-dollar entertainment industry. Movies, music, television, everything relies on writing. We should be getting paid competitive wages, at the very fucking least.
<br><br>
But none of that, absolutely no part of that equation, has anything to do with art or artistic appreciation by the masses. I find there are key phrases missing from the rallying cries of this whole movement, e.g. "I WANT MY CONTENT FREELY AVAILABLE TO THE MASSES [who will pay for it in one form if not in another]!"
<br><br>
A large audience appreciating your art does not affect the art itself. It just makes you feel really, really good and in the appropriate consumer context allows you to make fat, sweaty bank selling your artistic wares. In that context, I don't want to get screwed by a studio or a publisher or any other company that is going to profit from the sale of my work. I want my fair cut, and I want the freedom and flexibility to ply my trade and my wares without being limited by one entity's stranglehold control over the content in question. 
<br><br>
*That* is why I give a shit about DRM, about the huge gaping cracks in the professional and creative philosophies of the publishing industry, and about Amazon. The authors who were arbitrarily removed by Amazon and even more arbitrarily sacrificed as pawns by Macmillan in support of their bottom line haven't had their art assaulted, they've had their livelihoods fucked with. Their art itself hasn't been affected. The books, the work, has not been altered or censored or changed, their ability to generate revenue from that work has. Severely.
<br><br>
These are issues that should and need to be addressed by the author from a business standpoint of, "Hey, publisher/distributor, your huge-ass tower is built on and sustained by bricks of my creation and it's unfair to make decisions at the top of said tower that take a sledgehammer to those bricks."
<br><br>
In essence: No taxation without representation. Bitch.
<br><br>
Hey, I'm also a reader. I want control over my purchased content. But I am not the guy to advocate the position of the reader because I am a greedy, self-interested prick and the readers' choice equals my fucking dollars. Dollars I am actively chasing and for which I am scamming the readers' pocket. And Amazon has become desperately, obscenely important in terms of dollars, especially to publishers and by proxy novelists. We depend on Amazon for sales, for revenue, for inclusion in new and popular technologies. 
<br><br>
Amazon was a great idea upon its inception. But then MTV was a great idea once upon a time, as well. When great ideas become successful, when they become publicly traded companies, they cease to hold any expectation of artistic values. DRM sucks, but taking Amazon to task on some kind of artistic moral ground is absurd. They are like any other corporate entity in our capitalist, monopoly-tolerant society. They want to own the most toys. They want to win. They could give a diarrheic monkey crap about how their strategy to do that impinges art. Should they care? Fuck yes. Everyone should. But the point of this is that as we're trying to make a living from these artistic endeavors, we have to deal in practicality and realism. 
<br><br>
There's a lot be said about copyright law from myriad angles, but Amazon is not going to topple this mythic unspoken covenant between readers and authors with the Kindle. The internet aside, if you're a profitable author your books are being knocked off in Hong Kong and sold on the street right now. And frankly I think those guys are making a more meaningful contribution to the battle against market concentration than we ever could. But we're not getting our cut so it doesn't count (don't worry, Harlan Ellison just snorted eight pounds of Bolivian coke and is swimming across the ocean to chew on the Achilles tendons of those pirates right now).
<br><br>
You can't change the consumer relations policy of the publishing industry without taking a kerambit to the very fabric of corporate America, shredding it to pieces, and re-stitching the entire tapestry into something that is not looking to fuck the lower 99% of creators, inventors, workers, consumers, basically everyone not on the executive board. What is wrong with the publishing industry is what is wrong with business in a much broader sense. And while it's fine and logical to focus on our own industry, using the pretext of "art" and some illusory holistic bond between artists and humanity to sell your position is not only unrealistic, its ineffectual to what you're trying to accomplish.	
<br><br>
You don't get a pass in a business-oriented environment because you're a fucking artist. You can go create art in a basement without a contract. Henry Darger was a janitor for fifty years, and if he were alive today he could give a camel's hump about digital rights management. There's no art in selling. You're an artist when you're writing. When you're selling you're a barker. You're a pitchman. You've dressed your artistic creation in eight-inch clear heels and are forcing it to dance in a tent while sweaty coal miners throw nickels at it. It doesn't mean you can't have integrity or make integrity-based business decisions. No issue is black and white, save for child molestation and my belief that Michael Bay movies are cultural pollutants taking a higher psychic toll than we're aware.
<br><br>
But they will *always* be business decisions, not artistic choices.
<br><br>
When art and industry start fucking they make flipper babies. When you start arguing business from an artistic and/or altruistic point of view you are that flipper baby. You simply cannot fight for consumer rights when you're making your nut off the consumer. I can scarcely imagine a larger conflict of interest than that. To reiterate, you don't get exemption by flying the flag of an artist, or with the snazzy war cry of, "I will *SHOW* you how wrong you are, industry." Traditionally industry does not learn, and when/if it does it is not going to concede *any* type of control to you, the individual, upon showing them the error of their ways. 
<br><br>
It's cool to worry about your fanbase and their rights. You can't exist as a publishing entity without them. But shit like this is affecting their ability to purchase your work. It's affecting your sales. It's dishonest to bury that lead, regardless of how much you genuinely care about free market publishing. Besides which you're not doing the vast majority of readers any favors. Right now the mass consumer wants their shiny toy more than they want to read your story. It's that simple. You are not that significant.
<br><br>
If we really wanted to reverse the polarity of the publishing industry, if our basis was solely the preservation and distribution of art, our collective war cry would become, "It is wrong, therefore I will work at Jersey Mike's Subs and give *ALL* of my work away for free!" Money would not enter into it. Selling would not enter into it. But that's absurd, right? Not only is this model of selling books too deeply ingrained in the American consciousness to be overturned, no professional author would come along, leaving you with no leverage.
<br><br>
So we get authors, very vocal and very charismatic and very convincing, raising a symbolic torch of free fiction with one hand while jerking off their publisher for that sweet treasury-green jism with the other. As long as they're cashing a check, that torch is just that: symbolic. It can be dangerous and detrimental to take it literally. That cry of "GIVE US FREE!" can and does become intoxicating to the uninitiated and the unestablished who don't realize how much toil and obscurity it took to get a single author to that point, and how easy and usual it is to never reach that point yourself. It's a dangerous tightrope to encourage others still establishing their careers to walk, for a few reasons.
<br><br>
As long as dollars are involved, half-a-dozen corporate giants will rule the realm in any given artistically-driven industry. They're also not as dumb as everyone, including myself, make them out to be most of the time. Look at ventures like Hulu and Vevo and industry models like Amazon and the Google hive-mind. Everyone is consolidating for strength and control. DRM was just the beginning. More and more corporations have moved from fighting the digital distribution of content toward taking steps to own it. Because the spice must flow. Authors are the fucking Fremen in that analogy. The only rub is that Cory Doctorow is not the Kwisatz Haderach that's going to lead us on a universal Jihad against the evil empire. That mythic motherfucker does not exist.
<br><br>
The prevailing consciousness of the audience is and has ever been the only liberating force in these mediums. For that reason content creators should be integrating themselves into this process rather than blindly banging their skulls against its hard candy shell. I'm not going to fall back on retro-boomer bullshit like "Change the system from the INSIDE, man!" But while bringing down the mountain by chipping at its base with a pick-axe isn't impossible, it will take several thousand years and I need to afford rent, food, and heat now. Your terms are only negotiable once you have numbers to back them up.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/01-31-10-002.gif" alt="" align="right" hspace=5 vspace=5>
It's always easier to hard-line at the top. Authors like Cory Doctorow and Scott Sigler and John Scalzi are flashpoints for the digital medium, for Creative Commons and copyright liberalization. As authors with the same goals, our instinct is to rally behind them and their positions and ride the high and beautiful wave of their making to glory. But again, you have to be aware of the central fallacy. These are rare, singular cases. They are popular authors who are going to make money whether their altruistic battles are won or lost. Whatever work they've done (and it was hard fucking work, I take nothing away from how any successful author got to their current position) they now have the luxury of fighting the noble artist's fight while still carving out a living and a legacy with their work. I don't begrudge them that success or their ideals, but the package they're selling you, unintentionally or otherwise, comes with a simple disclaimer: Your Mileage May Vary. 
<br><br>
I got a little sidetracked from the main point, so let me bring it back home for you. There has to be a cut-off between the artist and the salesman, or rather you have to recognize that cut-off, because it's there whether you like it or not. Don't go into a battle of business wearing an artist's beret. You'll look like a full-of-shit douche nozzle and you'll be unprepared. 
<br><br>
Sun Tzu wouldn't approve, and neither do I.
<br><br></font>

]]> </description>
<pubDate>Sun, 31 Jan 2010 03:16:33 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/01-31-10.htm</link>
<guid>http://www.matt-wallace.com/07-2009/pages/blog/01-31-10.htm</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>KILL (the) FEED for the week of February 1st, 2010 - Episode 020</title>
<enclosure url="http://www.archive.org/download/KilltheFeedPresentsGutShots-Episode004/GutShots02-01-10_512kb.mp4" length="210" type="video/mp4" />
<description><![CDATA[

<center>
<img src="http://www.matt-wallace.com/rss/ktf-02-01-10.gif" width="415">
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<FONT Face="Helvetica" size="3" color="CCCCCC">
<br>

Fists of fury! Flying objects of razor-edged lethality! Special guest (bump) stars! That's right. It's the first new GUT SHOTS of 2010.
<br><br>
In this episode Matt runs down his yearly hit list, including the old white tribal leaders commonly known as CEO's and smart phones, a.k.a. anti-life accessories. Matt also rededicates himself to warning humanity of its future internment in the Google death camps, and tries to reconcile popular usage with simple addition. 
<br><br>
Also, shifting gears from his usual verbal and cut-away graphics assault, Matt delivers a gentle tribute to the enduring talent and wisdom of a fallen author, and makes a not-so-gentle plea for your continued attention and remembrance for a lot of other unfortunate souls who can still benefit from both.
<br><br>
And don't forget the GUT SHOTS CALL-IN LINE is currently open. Hit us up at (830) 488-7468 to leave your own rant, and if it's got enough verve you could see it on the next episode.
<br>
</font>
<br><br>
]]> </description>
<guid>http://www.archive.org/download/KilltheFeedPresentsGutShots-Episode004/GutShots02-01-10_512kb.mp4</guid>
<pubDate>Mon, 01 Feb 2010 12:47:07 EST</pubDate> 
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><media:content url="http://www.archive.org/download/KilltheFeedPresentsGutShots-Episode004/GutShots02-01-10_512kb.mp4" fileSize="210" type="video/mp4" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> Fists of fury! Flying objects of razor-edged lethality! Special guest (bump) stars! That's right. It's the first new GUT SHOTS of 2010. In this episode Matt runs down his yearly hit list, including the old white tribal leaders commonly known as CEO's and</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> Fists of fury! Flying objects of razor-edged lethality! Special guest (bump) stars! That's right. It's the first new GUT SHOTS of 2010. In this episode Matt runs down his yearly hit list, including the old white tribal leaders commonly known as CEO's and smart phones, a.k.a. anti-life accessories. Matt also rededicates himself to warning humanity of its future internment in the Google death camps, and tries to reconcile popular usage with simple addition. Also, shifting gears from his usual verbal and cut-away graphics assault, Matt delivers a gentle tribute to the enduring talent and wisdom of a fallen author, and makes a not-so-gentle plea for your continued attention and remembrance for a lot of other unfortunate souls who can still benefit from both. And don't forget the GUT SHOTS CALL-IN LINE is currently open. Hit us up at (830) 488-7468 to leave your own rant, and if it's got enough verve you could see it on the next episode. </itunes:summary></item>

<item>
<title>We Got Ninety-Nine Problems but an eBook Ain't One (Yet) - BLOG POST</title>
<description><![CDATA[

<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/02-16-10.htm"><img src="http://www.matt-wallace.com/rss/02-16-10-rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted February 16th, 2010 at 09:48:53 EST</font></div>
<BR>

<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
Angels scream for you. No, seriously. You, the compromised artist, are the highest target of a seraph's screeching, sobbing rage. Fuck displaced Haitians. Fuck crack babies. Fuck African AIDS statistics. Fuck the forgotten children of the Mujahideen caught between Taliban tyranny and NATO bullets. The banshee tears of every heavenly choir are spilt and sung and shrieked solely for your pain and pocket book. 
<br><br>
And if you buy that, I'll tell you another.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/02-16-10-001.jpg" alt="" align="left" hspace=5 vspace=5 width="375">
First, to recap: Macmillangate is over. Amazon caved like sun-warped flan. Buy buttons have been restored. <a href="http://whatever.scalzi.com/2010/02/02/a-call-for-author-support/" target="_blank">John Scalzi called for author support</a>. <a href="http://www.michaelastackpole.com/?p=1039" target="_blank">Michael Stackpole called for...I honestly don't know</a>. I think he wants you off his lawn. Maybe. Something. The only position I took was not using the occasion to push your own horseshit agenda. I also went out and bought a copy of <a href="http://www.amazon.com/7th-Son-Descent-J-C-Hutchins/dp/0312384378/ref=sr_1_1?ie=UTF8&s=books&qid=1266332227&sr=8-1" target="_blank">7th Son by J.C. Hutchins</a> because much like my friend Hutch I place more value on action than one more asshole author gas-bagging on either side of the fence. But now I'm broke, so gas is all I have left.
<br><br>
The issue is far from resolved. Lines are being drawn in the silicon. Publishers, booksellers, authors, all want their hands in the clay when it comes to setting prices on electronic/digital copies of novels and non-fiction works. We ride self-interest like junkies ride the white pony. But what I both dig and revile most is perhaps the biggest existential byproduct of this whole argument. Because when you take a blow torch to its fatty layers and scour them down to the bone what gleams back at you is a seemingly simple, utterly complex question. 
<br><br>
What's a good story worth?
<br><br>
The ardent eBook consumer wants it cheap. They feel that somehow they are a higher form of reader, a new evolutionary being that has shaken loose all corporeal constraints and transcended material concepts like money. Others are just products of their raising, as it were. They are children of the information age. "IT'S ON THE INTERNET. WHY IS IT NOT FREE?" the debutants of the digital cry. 
<br><br>
Arguing about the precise value of art is like arguing about the nature of God. But I do have a demand. Just one. It's a simple demand. It's non-negotiable. It is my gun-to-the-head-of-the-hostage, I've-got-Patty-Hearst's-fine-white-jailbat-ass-locked-in-my-closet, Dennis-Hopper-is-on-coke-again-and-he-has-a-pop-quiz-for-you-hotshot demand.
<br><br>
I demand you pay me for my time.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/02-16-10-002.jpg" alt="" align="right" hspace=5 vspace=5 width="275">
It's not about overhead. I can kill a hobo or a hooker and bind a book with their skin for pennies.  A novel represents months of work, in some cases years. More time is burnt shopping it, selling it, and preparing it for publication. And if you are publishing in the mainstream, as prolific as you may be, the most you can hope for is to see a new book in print once a year. That's it. You've got a few hundred pages to make your nut. If you get really lucky your books will keep selling past their "prime" and keep earning for you, but on the whole you will only be as liquid as your last advance. And if you don't show positive returns it very well may be your last advance.
<br><br>
I love books. I'll keep lugging my favorites around with me until the pages disintegrate. But they're going. It's not happening today, or tomorrow, or with the next shiny new toy Apple or Amazon comes out with. It may not happen within my career, or the career of the Albanian dwarf protege into whom I eventually pour all of my wisdom and experience and knowledge. 
<br><br>
But they are going.
<br><br>
It's inevitable. It's no different than stone tablets or parchment and quills. And that is when, upon the foundations lain today, we will either erect a golden palace of wisdom or a ten-dollar fucky/sucky whorehouse. Knowing American culture and the human race as I do, I'm banking on whorehouse. Imagine a marketplace where you have to sell six-to-seven times as many copies to make the same money. It's impossible.
<br><br>
I prophesize a great purging. If you can't move 100,000 digital copies out of the gate you will be of no use to the New York-based publishing industry. Only the author with the broadest mass appeal, with the most rabid, infectious, widespread fanbase will survive to make a living in this most possible of futures. That is scary, for the cream does not, in fact, always rise to the top. In this industry it's more often like shit floats. I'm willing to go head-to-head against any swinging dick packing Microsoft Word and a copy of The Elements of Style in terms of valid, marketable storytelling. But staking my future on the mass audience, the Michael Bay audience, is dicey. He who builds on the people builds on mud.
<br><br>
The beefy tops of this business will tell you if you can't hack it you hit the fucking bricks, regardless of what the market will bear, now or in the future. Personally, I see a distinct difference between popular authors and great authors. In fact, most authors are their own niche market and always have been. In a world gone mad, a novelist whose readership are willing to consume 10,000-20,000 copies of their new book won't be able to scrape out even the most modest living. That's when great work finally gets a seat on the train for that last ride.
<br><br>
The precedents set today will define an industry in the world of tomorrow (when giant iPads stalk the earth like Death displaying all your sins in an easily referenced touch-based index). When you get a reader used to the tit and then take it away they become extremely belligerent. They also make this excruciating high-pitched whine, much like a piglet; a greedy, entitled, obscenely cheap piglet. Whether we're hocking words on a page or on a screen, the time investment quotient remains a constant on the part of the author.
<br><br>
Don't devalue that. A good story is worth more than the sum of pages and ink and the gas to get you to a bookstore. A great story, a great work, something worth keeping for our core as a civilization, is worth feeding the author who writes it regardless of how it's published.
<br><br>
I'll see you in the future.
<br><br></font>

]]> </description>
<pubDate>Tue, 16 Feb 2010 09:48:53 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/02-16-10.htm</link>
<guid>http://www.matt-wallace.com/07-2009/pages/blog/02-16-10.htm</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>Six-Pack: The American Dream - BLOG POST</title>
<description><![CDATA[

<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/02-18-10.htm"><img src="http://www.matt-wallace.com/rss/02-18-10-rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted February 18th, 2010 at 10:41:56 EST</font></div>
<BR>

<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
So director Kevin Smith gets yanked off a Southwest Airlines flight because he's too fat. That's the condensed version. The unabridged version is much better told <a href="http://smodcast.com/" target="_blank">by the man himself</a>, and I recommend you catch up on it before proceeding. 
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/02-18-10-001.gif" alt="" align="left" hspace=5 vspace=5>
I have fallen out of respect with Kevin Smith over the years, pretty much since he became a half-crazed stoner in a state of perpetual arrested development creatively. But he still seems like a cool guy, I still dig his speaking gigs, and needless to say he didn't deserve to be singled out and humiliated by the Gypsy Cab of commercial airlines. There are a lot of perspectives from which I could write about the aftermath. I could rant about how we're a society of star fuckers, and how it took a somewhat-celebrity to shine the white hot light on bad practices and worse attitudes. I could compose a meditation on corporate greed and the shitty state of customer service in our industries. 
<br><br>
But I want to write about the incident itself and what motivated it. Because it caused me to feel something I don't often feel. 
<br><br>
I was disturbed.
<br><br>
It disturbed me, largely because I am very much that guy. If you're in the row with me on an airplane you're going to be a little crowded, but I fit just fine in a single seat with the armrests down and my seatbelt securely fastened. It disturbed me even more because I knew if I were in that situation, and there is a very real possibility I could be one day soon, I would not have gone quietly. The outcome would have involved a lot of air marshals and several pairs of handcuffs and possibly weapons-grade mace. An airport is one of the worst possible places to be arrested these days, and I am too pretty and too finicky about bathrooms to do serious time in jail. I was ultimately disturbed by the idea of being incarcerated because of some jetway monitor's apparent retardation. 
<br><br>
It didn't disturb me as a fat person, however.
<br><br>
In point of fact, pretty much nothing disturbs me as a fat person. Because I neither define nor perceive myself that way and I couldn't possibly give less of a syphilitic fuck whether or not you do and/or how you deal with it. In fact, it's kind of amazing how little I care about your opinion of me as a fat person, particular the opinion of the 58% of people who sided with Southwest Airlines in a CNN poll about Smith's humiliation. I don't care how I might be "inflicting" my bad habits on you in such an instance. I didn't build the fucking airplane. Take it up with management. 
<br><br>
So it didn't disturb me on that level, and for a very simple reason. I'll share that reason with you here now.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/02-18-10-002.gif" alt="" align="right" hspace=5 vspace=5>
I have the body of a young Dusty Rhodes. 
<br><br>
I flashed on this fact fairly early in life, and I grew up a better man for it. Because, you see, in the eighties and into the early nineties "The American Dream" Dusty Rhodes was the coolest motherfucker alive. He was thrice the NWA World Heavyweight Champion, at the time the most prestigious wrestling title in the entire world. In his hand a microphone became a stick of dynamite. His personality was bigger than his ass could ever hope to be. Many was the time he came to the ring in a silk robe with a feather boa and danced like a platinum blonde James Brown, funky like a honky monkey. He was a fat, lisping, homely Southerner who never tried to be anything but fat, lisping, and Southern.
<br><br>
He just owned it.
<br><br>
The American Dream taught me that a Dusty Rhodes body demands a Dusty Rhodes attitude. You have to own it. You have to have confidence in yourself and project it to all those around you. Dusty never played his weight or his body type for laughs, and every single fan took him seriously. I carried these ideals with me when I hit NYC in my teens to train as a wrestler myself at the legendary Doghouse in Queens, and I never had another bodily dysmorphic thought. Although unlike Dusty when I wrestled I opted out of wearing spandex briefs, a decision I stand by. 
<br><br>
It was wrestling and New York that taught me the lessons most fat guys never learn, sadly. They taught me that being fat does not preclude you from being a warrior, and thus does not relegate you to being anyone's victim. They taught me being fat and caring about your appearance is not a contradiction. I care about how I dress. I care about how my little fat guy beard is trimmed. I care about how I smell. I place far more importance on these details than on the circumference of my stomach or the size of my waistband, and it never once crossed my mind I couldn't get a member of the opposite sex to fuck me because they were too thin and/or too hot.
<br><br>
Roman gladiators were fat fucks. Some of the most gorgeous women ever immortalized on canvas were fat chicks. When I was in the best shape of my life, working out literally every day, wrestling every weekend, sometimes three shows at a clip, able to go for thirty minutes full-tilt in the ring and able to go all night on the town afterwards... I was still fat. When I lose weight to help alleviate my blood pressure concerns... I will still be fat. I am 6'4" with a ridiculous frame. I will never be lean. I can be husky and well-conditioned or I can be shredded and have my body resemble a gargantuan puckered anus.
<br><br>
I gladly choose the former.
<br><br>
That is what you'll call an adverse lifestyle choice. Because being fat is a lifestyle choice, which is why you don't defend fat people. Don't promote an unhealthy lifestyle. We want our country to be healthy. We don't want to be perceived as a nation of overfed gluttons. We care about public health. We want to protect our citizens, their bodies, and their global image.
<br><br>
Cut the bullshit, will you? When you see a morbidly obese person you're not concerned about their health, you're disgusted by them. They ruin your day, your good time, your innate sense of coolness. I have friends, awesome people, who were literally raised not to respect fat people, to see it as a sign of low class and low character. How dare they forcibly inject that into your eye-line and into your consciousness. You don't want to see a fat person on the beach. You want to see rock hard abs and big fake tits. No one wants to live in reality. They want to live in an old school beer commercial. They want to live in an MMORPG through a svelte avatar in a loin cloth. They want their life to mimic every slick, sexy media image whenever they can possibly manufacture a facsimile convincing enough.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/02-18-10-003.gif" alt="" align="left" hspace=5 vspace=5>
And you know what? That's fucking pathetic. You're pathetic. You're like a segregation-era redneck. You're a sad little fuck with power over nothing except those who it is socially acceptable to treat like third-class citizens. So you do. Because it makes you feel a little better about yourself and your station in life. It makes your dick hard. That's really what it comes down to. You despise a fat person's weakness. It reflects virtually every bad thing you feel or think or worry about yourself. And when the opportunity to rain down punishment on a fat celebrity presents itself? Goddamn, you have won the false empowerment, self-deluding lottery.
<br><br>
You know who else is pathetic? Anyone who actively works toward cultivating or maintaining six-pack abs. Seriously. There is no medical reason for it. You are simply a vain, probably obnoxious, self-worshipping narcissist. You've achieved nothing. The health and fitness community is a disturbingly masturbatory, self-congratulating culture. I liken it to Bill Hicks talking about fanatical anti-smokers when he said, "I'd quit smoking if I didn't think I'd become one of you."
<br><br>
Now, does all of that mean I advocate washing down your dinner with a fifty-piece McNugget trough every night? Obviously not. A lot of fat people are really unhealthy and need to make better choices, not for you, but for themselves. A lot of people are currently eating their fat asses to death because of very real and fucked up psychological issues and they need to be stopped and they need help. But there's also a fat guy out there right now throwing down and having a good time and maybe his heart suffers more strain than yours and maybe he's going to have more unnecessary health problems as he ages but for all intents and purposes he's just a guy carrying some extra entirely negligible weight. It's not his fucking problem how it damages your own fragile, Aryan perception of reality.
<br><br>
There are many, many reasons for all kinds of people to lose weight, but you are not among them.
<br><br>
And so, in summation, we don't need to boycott Southwest Airlines. You just need to stop being a prick.
<br><br></font>

]]> </description>
<pubDate>Thu, 18 Feb 2010 10:41:56 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/02-18-10.htm</link>
<guid>http://www.matt-wallace.com/07-2009/pages/blog/02-18-10.htm</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>Horace Greeley? I Fucked Him. - BLOG POST</title>
<description><![CDATA[

<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/02-22-10.htm"><img src="http://www.matt-wallace.com/rss/02-22-10-rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted February 22nd, 2010 at 09:25:36 EST</font></div>
<BR>

<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
Life, big picture life and everyday life, is composed almost entirely of revolutions. Some revolutions you fight, most you just complete, traveling along invisible rings that always seem to bring you right back around in the end; except there isn't one, not to the rings themselves. We don't see the curves, there are no markers, and rarely if ever does someone define the starting point for us. We just keep dancing our fucked up ghost dance of contracting circles, moving in towards the fire and back out again until the last ember turns to hash and we follow suit. 
<br><br>
The good news is, once you accept your revolutions, I think the ride becomes a lot more fun. 
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/02-22-10-001.gif" alt="" align="left" hspace=5 vspace=5>
Before thirty I've pretty much done the American landscape; the East Coast, the West Coast, and the Dirty South. I was born in Los Angeles, spending the bulk of my childhood in Bell Gardens. I lit out for New York City in my teens to become a professional wrestler. I drifted back across the Southwest working the independent circuit. After my pro-wrestling career ended I landed in Tennessee. If you're going to wind up in the south I recommend Nashville. It's about as metropolitan, or cosmopolitan, depending on your tastes, as it gets in this part of the country, with Memphis and Knoxville just close enough to experience every few weekends. 
<br><br>
Experience is often the prime directive. And I have. I've whipped myself across this country like an Aboriginal throwing stick and now the arc is about to be completed. It's time to return to the beginning. In a couple of weeks I'm going back to LA. 
<br><br>
It's a one-way trip. 
<br><br>
You see, I've done just about as much as I can do here, creatively, personally, and professionally. The majority of the money I've seen in the last three years has been from screenwriting. It didn't take me long after my first story was optioned for film to realize that even at its lowest level screenwriting beats the shit out of mid-list publishing. Calculating the income ratio of working screenwriters versus working literary authors doesn't take sophisticated technology. You don't need a fucking app for that. So I started paper chasing in two industries.
<br><br>
Like anything else, it has been a grind. I've done series work. I've dabbled in script doctoring. I've written half-a-dozen features in the Australian market that (thus far) have not seen cameras roll. Largely because of that fuck Hugo Weaving. Although I blame Hugo Weaving for pretty much everything that goes wrong in/with my writing career. And while we're on the subject, damn Leigh Whannell for taking good Australian jobs away from hard-working American writers. 
<br><br>
Through it all, waiting and grinding and hoping and grinding some more, in the back of my mind and quite often on the forefront I've been aware of one essential truth: Hollywood is still where the money is. 
<br><br>
For years I didn't want to be another asshole trying to make it as a writer in LA. Trust me, it's far worse to be an asshole not making it as a writer in LA. You hear your friends, your siblings, when they're young and idealistic say, "I'm going to go to New York and become a novelist." Or, "I'm going to go to LA and sell my screenplay." Then they graduate, they get real jobs, they start families, largely in the Midwest (I don't know why). They lead lives that are remarkable in a Capraesque way. But when you consider how few souls actually commit to that first ideal, you realize there's nobility in every aspiring screenwriter from Somewhere Else waiting tables on the Strip. There's also immense desperation and sadness, but I won't be waiting tables so we can agree to split the difference there.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/02-22-10-002.jpg" alt="" align="right" hspace=5 vspace=5>
I'll be sharing my first LA digs with filmmaker <a href="http://www.earlnewton.com" target="_blank">Earl Newton</a>. And just to be clear, we'll have separate bedrooms. So we have one to sleep in when the hot monkey stink of our raw, beard-scraping love fills the other to an overwhelming degree. No, really, we're just going to be housemates. Earl is a friend who has found himself at a similar place in life and in his career, so it only made sense for us to collectively establish a base of operations from which to strike at the retread heart of Hollywood. 
<br><br>
I'm boiling everything down to the essentials right now, selling off my worldly goods and material possessions like a crack addict Siddhartha. I'm trying to get my mind clear, my body sharp, and my portfolio looking supremely fuckable as I travel west to do better work than I yet have and achieve something beyond what I ever thought I would. I'm not sure what either of that will yet entail, but I've got a few numbers, I've got a few ideas, some of them even writ down on pieces of paper.
<br><br>
I don't know what's going to happen, but it's going to happen about a mile from where the sun sets, they make caramel corn from scratch at the Arclight, and every weekend some ordinary citizen has the chance to be FBI Agent Johnny Utah in <i>Point Break Live!</i>
<br><br>
If nothing else, the ride, it shall shake the teeth from my gums.
<br><br>
Welcome to the revolution.
<br>

]]> </description>
<pubDate>Mon, 22 Feb 2010 09:25:36 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/02-22-10.htm</link>
<guid>http://www.matt-wallace.com/07-2009/pages/blog/02-22-10.htm</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>Murky Depths: On the Back Page - BLOG POST</title>
<description><![CDATA[

<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/02-23-10.htm"><img src="http://www.matt-wallace.com/rss/02-23-10-rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted February 23rd, 2010 at 09:26:59 EST</font></div>
<BR>

<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
The new issue of Britain's number one fiction and comics periodical is now on the stands in the UK. Everywhere else in the world you can grab a copy from <a href="http://www.murkydepths.com" target="_blank">Murky Depths</a> on-line for a few pounds sterling or a few more dollars American (you can still blame Bush). 
<br><br>
Turn to the back page (the print real estate traditionally reserved for obituaries. Coincidence or providence, you decide) for "Dedicated Flesh," my latest Depth Charge column. This time around I went deep down another one of my personal rabbit holes on what it means to be a creature of skin and blood and bone and sticky, gooey gray matter in an increasingly less physical world. 
<br><br>
Here's a cocaine sprinkle excerpt:
<br><br>
<a href="http://www.murkydepths.com" target="_blank"><img src="http://www.matt-wallace.com/07-2009/graphics/blog/02-23-10-001.jpg" align="left" hspace=5 vspace=5 alt="" border="0"></a>
"I'm not advocating violence. I'm not a proponent of war. I'm simply not content to replace the ugliness of what we've done to each other's bodies in the past with the banality of what we're trying to do to our own minds with all of this manmade bullshit. I say it is no less savage. I look at a hyper-mature ten-year-old who has more gadgets on his belt than Batman and has already forgotten more about popular culture and cutting edge technology than I will ever know. Our children stop suckling at the tit and start suckling the internet. Their intellect is accelerated while their emotions and spirit are arrested, or even worse jaded beyond any and all repair. Meanwhile the physical wakes up every day to find itself less."
<br><br>
I highly recommend this issue. In addition to my soon-to-be-legendary ramblings, it re-teams two very talented cats that wrecked shit several issues ago. BSFA award-winning artist <a href="http://www.vincentchong-art.co.uk/" target="_blank">Vincent Chong</a> and award-nominated author <a href="http://dk-thompson.com/" target="_blank">DK Thompson</a> are back for another one of Dave's spiritual noir joints-this one entitled "Heart of Clay"-and the result is an endorphin double shot of the visual and the cerebral. I was still editor when Dave sent me "St. Darwin's Spirituals"-the first story in this series. It inspired Vinnie Chong to create some truly sick, luscious art, and the second time around is no different. Also just like last time, you can catch Dave's story <a href="http://www.variantfrequencies.com/2010/02/10/heart-of-clay-a-saint-darwins-spiritual/" target="_blank">in audio form over on Variant Frequencies</a>. It's a storytelling experience for every single one of your fragile senses. 
<br><br>
This issue is also about killer comics from usual suspects Luke Cooper and Richard Calder, slamming spacey poetry, and hot, talented Asian chicks. It's a fiery three-ring circus of artistic debauchery. It's the Murky Depths universe. 
<br><br>
To paraphrase the immortal words of The Ultimate Warrior, load the spaceship with the rocket fuel and go get it.
<br>

]]> </description>
<pubDate>Tue, 23 Feb 2010 09:26:59 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/02-23-10.htm</link>
<guid>http://www.matt-wallace.com/07-2009/pages/blog/02-23-10.htm</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>No Love For The Sensuality Redbelt - BLOG POST</title>
<description><![CDATA[

<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/02-24-10.htm"><img src="http://www.matt-wallace.com/rss/02-24-10-rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted February 24th, 2010 at 10:52:03 EST</font></div>
<BR>

<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
Geeks, like any other culture, fetishize everything; movies, music, books, clothing, accessories, toys, video games, anything even loosely related to the internet. But geeks possibly more than any other culture communalize their fetishes. Community is everything in the subsets of geekdom. It's what keeps conventions like Dragon*Con in yearly business. This characteristic isn't confined to the geek set, but I think they exemplify it, possibly because acceptance and belonging is so deeply encoded in their personal trip. Geeks seek community because the majority spend their early lives shunned by it. 
<br><br>
So their interests are more varied and the only thing geeks love more than their fetish properties is conglomerating with other geeks and talking about the merits and splendor and deficiencies of said properties. There is, however, one glaring, pulsating exception.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/02-24-10-001.jpg" alt="" align="left" hspace=5 vspace=5>
We don't talk about porn. 
<br><br>
Geeks per capita consume immense amounts of pornographic materials of all varieties, but it doesn't make it into their social networking updates. That seems normal to you. But it shouldn't. Not in the abstract, not when you take into account just how communal they are about virtually every other fetish property. It chokes your Twitter stream all day. Here's a hilarious internet meme. Here's a link to a song I'm listening to and enjoying. I just went to see this movie and here's what I think of it. I'm reading this book and I need to share how it makes me feel. I just bought new shoes. I'm salivating over this piece on Etsy.com. This new Playstation/Xbox/Wii game pwns all that exists or ever will. It's fucking endless and no consumer stone is unturned.
<br><br>
But you never see someone in your stream tweet about the hot new update on their subscription porn site of non-record.
<br><br>
People connect any discussion of porn to TMI. We don't want to know about the porn you watch because we don't want to know about your sexual habits or proclivities, despite how like-minded we're presumed to be. There's nothing wrong with that. There's also nothing wrong with saying, "Hey, I recently viewed this porn clip, it's very good, I think you might also enjoy it." End of discussion. It's not a come on. It doesn't mean you don't or can't respect personal boundaries (and the people with boundary issues have them regardless of this discussion). 
<br><br>
There's nothing wrong with having a private experience, but mandating that any experience is a solitary or taboo one pisses me off. Knee-jerking pisses me off. Perpetuating emotionally and psychologically arresting puritanical values and shame-based silence pisses me off.  It also marginalizes adult performers and adult filmmakers, many of whom are skilled and talented individuals. It denies them stature and credence and mastery of craft. It denies that such a craft even exists. It devalues what they do, how they do it, and who they are.
<br><br>
I find myself these days possessing increasingly less patience and tolerance for any social attitude that does shit like that, wherever it's aimed. 
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/02-24-10-002.jpg" alt="" align="right" hspace=5 vspace=5>
I was recently watching a scene produced by <a href="http://www.naughtyamerica.com/" target="_blank">Naughty America</a> starring Ginger Lynn Allen (or just Ginger Lynn). Ginger Lynn Allen is an old school porn star who came up in the 80's. She was the chick in Metallica's "Turn the Page" video (from wence pretty much the entire plot of <i>Boogie Nights</i> was ripped). She stopped doing porn for a long spell and transitioned fairly successfully to fabled legitimate media. The first time I ever saw her was in the live-action PC game <i>Wing Commander III: Heart of the Tiger</i> playing Chief Tech Rachel Coriolis. Which made the later realization she was a porn star way hotter. This is my own bit of geek cred.
<br><br>
She's now 47. She recently made a second comeback to the porn industry. She looks fabulous. She has that filled-out frame slimmer women get as they mature and a confidence and wisdom and gait to match it. In addition to all of that, I was struck by another observation. It was the kind of unexpected moment of beholding you have when you pass a prodigious street performer in a park, or really intuit what went into creating a particularly moving painting you find yourself admiring.
<br><br>
Ginger Lynn Allen? She really knows how to fuck.
<br><br>
Seriously, the woman has a talent for sex that goes beyond just watching two people get it on in an everyday fashion, even an everyday porn fashion. It's impressive. She's impressive. Hot, to be sure, but also just a plain impressive performer skilled in sensuality. She possesses practiced movement and technique and an innate sense of what pleases her partner as well as what is pleasing to the eye. She is committed to it, invested in it, and she conveys that in a way that draws intense empathy from the viewer. She transcends the cheap scamming of her physical attributes to create an intense experience for that viewer.
<br><br>
Most people have no ability to appreciate any of that. All they see, all they will ever see, is two people fucking. Whether they're turned on by it, repulsed by it, or indifferent to it, we are trained as a culture to respond to the surface level and only the surface level.
<br><br>
There's a distinct difference between sexuality and sensuality. Sensuality is a practice, a conscious intent. It is equal parts science and art. It has been a discipline perfected and taught through the ages. The Kama Sutra was every bit the serious doctrine as the bushido code of the samurai. It has also been inherently exploitive throughout history because women have been inherently exploited throughout history and still are in much of the world. So it's easy to write off the professional practice of it by a woman in particular as objectifying and therefore invalid.
<br><br>
But I'm talking about the modern porn industry in America. The mainstream smut industry has become quite possibly the least exploitive venue for women in this country. It's the one business arena where they do not make less than their male counterparts for doing the same job. In fact they earn many, many times more. They are shot-callers. There are more female porn producers and directors than there are women CEO's in corporate America. Women own the porn industry in this country and they fucking know it.
<br><br>
You can't fall back on exploitation when you talk about porn, not anymore. All that's left is your holdover aversion, your gag reflex or your moral dilemma or your radical feminist training. And I'm not going to sit here, a white American male, and argue feminism with any woman. You take issue freely as you please on that basis.
<br><br>
But invalidating what a woman like Ginger Lynn Allen does on that basis is bullshit.
<br><br>
The most illustrative and direct correlation I can think of is combat sports. Boxing, MMA, kickboxing, wrestling, and every other individual martial arts system with its own professional ring and tournament circuits. There is very real, very Siamese connective tissue between combat sports and porn. Like porn, it's a fan-driven billion-dollar industry based around paid appreciation of physical spectacle. And porn requires physical conditioning (a lot of which is centered on muscles professional fighters never have to fucking worry about, incidentally), so don't tell me being a skilled athlete is totally different.
<br><br>
I personally attach a great sense of pride and honor and nobility to professional martial artists. I'm not the only one. Boxing, wrestling, and martial arts are Olympic sports. We celebrate these people as champions and heroes. There's nothing noble about being a porn star, much less a talented porn star. The rub is that full contact combat sports and porn are both equally arbitrary. They're both driven by perhaps our most primal instincts, fighting and fucking. As institutions they both thrive on igniting those primal instincts in the masses that consume them. They're performance based, both intensely physical in nature, and both require a serious mental commitment. 
<br><br>
Of course, you can say there is no art, no practice, and no talent to a woman getting railed in a porno and in a lot of cases you'd be right. An adult film actress who just lies there and takes it is the equivalent of a brawler who overwhelms his opponent with arm punches. Both are bereft of technique, bereft of passion, and in it strictly for business. Which is exactly why true greatness and dedication is celebrated in combat sports and why it should be equally celebrated in porn. 
<br><br>
There is nothing detached about a Ginger Lynn Allen performance. This is not a woman closing her eyes and thinking about pretty flowers and trying not to remember how her stepfather had boundary issues or any stereotypical crap like that. That is a woman wholly committed to what she's doing, enjoying what she's doing, and mastering the craft of what she is doing, all in an effort to illicit the proscribed response from her audience on a level rarely seen.
<br><br>
And yet she's a whore, not a champion. 
<br><br>
There's no public pride in mastering sensuality. There's no organization like there is with combat sports, and that's really the key difference. You won't find a fucking dojo (in which "fucking" is a noun and a verb rather than an adjective) sandwiched between Papa John's and a CVS Pharmacy in your local strip mall. Classes that teach sensuality exist in living rooms and private parties and are largely held to be a novelty by most Americans.
<br><br>
Maybe if there were neighborhood schools and brand name training centers for the sensual aspects of human sexuality we'd all be more well adjusted and liberated for it. Think about that. Soft sterile mats and crotchless, nippleless sensuality training gis. "We can't have dinner with the Goldsteins on Thursday, honey, that's when I have my sensuality class. I'm testing for my pink belt." 
<br><br>
I would love to live in that world. It doesn't devalue sex and it doesn't preclude the concept of "making love" because that's based on emotional content. As long as you have the capacity to love someone, to be in love with them, or just feel a deep emotional connection to them, it doesn't matter how much purely physical sex you've had or will have or how abstractly you study sensuality. 
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/02-24-10-003.jpg" alt="" align="left" hspace=5 vspace=5>
Until then I still appreciate watching someone practice their chosen craft on a high level, no matter what it is. With the possible exception of poker. Because that is some boring shit. Ginger Lynn Allen will never be praised for her sensual talent, at least never on the level Muhammad Ali is praised as a boxer or Fedor Emelianenko is praised as a mixed martial artist. But from an empirical standpoint there's no difference, at least no difference that I recognize. I hold equal esteem. Hidehiko Yoshida is the greatest judoka of the modern era. Billy Robinson is the best catch wrestler the world has ever seen. And Ginger Lynn Allen is an unparalleled master of sensuality. 
<br><br>
It's okay to admit it and encourage others to check out her work and appreciate it on the same level, or any level at all. And I did it without mentioning masturbation or my penis once.
<br><br>
Well, almost.
<br>

]]> </description>
<pubDate>Wed, 24 Feb 2010 10:52:03 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/02-24-10.htm</link>
<guid>http://www.matt-wallace.com/07-2009/pages/blog/02-24-10.htm</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>After a Knockdown Your Career Must Answer a Ten-Count Or... - BLOG POST</title>
<description><![CDATA[

<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/02-26-10.htm"><img src="http://www.matt-wallace.com/rss/02-26-10-rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted February 26th, 2010 at 13:30:09 EST</font></div>
<BR>

<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
Texas death matches and your future as a professional writer; the former ends with a ten count, the latter begins with one. At least here and now it does. 
<br><br>
Author and podcasting pioneer J.C. Hutchins recently had to make <a href="http://jchutchins.net/site/2010/02/24/an-update-on-the-7th-son-sequels-2010-and-my-creative-plans/" target="_blank">several announcements over on his blog</a>. I recommend you take a moment to read them. What happened with Hutch fucks me up on many levels. First and foremost among them, Hutch is one of my best friends. Unlike a lot of people I don't just throw around phrases like that. It means quite a lot to me. If Hutch called me up and said, "Yo, Wallace, I got a dead hooker in the trunk and a pregnant one in the backseat," I would drive to Costco at 3:00 a.m. to buy shovels, lye, a stone grinder, intravenous drip, and a fistful of Morning After pills. Now, that's horrible and offensive, and *that* is how much I love Hutch.
<br><br>
So his personal defeat hurts me. But Hutch is going to be fine. In fact, he already is. I am much more concerned with how I'm dealing with it at this point, frankly. I have rage, on many levels and directed at many people and institutions. Because this situation is symptomatic of a lot of things that are wrong with the publishing industry and with purveying attitudes among both professional and aspiring authors.
<br><br>
Every asshole is going to defecate their opinion on why one book or business model or promotional tact succeeds and another fails. That's fine. But I know a couple of things to be absolutely true. Hutch wrote a great thriller. Certainly as good as any of the other crap that slops its way up the best-seller list these days. More than that, I have literally never seen or heard of anyone working as hard or as tirelessly or as creatively as Hutch did on the release of his last two books.
<br><br>
Ever. 
<br><br>
What I know to be true is that Hutch was out there on his own for this thing and he backed a horse, it came up lame, and about 50,000 people walked by and shot it in the fucking head. That's all. You don't grab that horse's reins and keep pulling. You unbuckle your saddle and move the fuck on.
<br><br>
I'm given to epic meditation, but I don't see the point in meditating on the subject with any more depth than Hutch did. I've decided, instead, to attempt something more practical and productive. So I've written a ten count. That's all. It's just a little ten count that bullet points everything I've seen and heard and learned and distilled over the last three or four years relating to writing on a professional level. It seemed like the appropriate time. 
<br><br>
This list is mostly for me, but I offer it to you for whatever you think it might be worth, even if its in pesos. 
<br><br>
<b>1)</b> Social media is 10% of your time/effort/energy as a writer at best. That's it. It's not a religion, it's not a profession, and it's not a genre. It's just a marketing tool; a limited, niche marketing tool. All it has done, all it has ever done, is get your foot in the door and give a glimpse of what is *possible* (key word). From that point on what it gets you is a few thousand sales out of the gate at most. That's it. Wil Wheaton and Neil Gaiman have fifty trillion followers on Twitter because they did the work first (well, Wheaton did... stuff, anyway). The @ShitMyDadSays guy sold an idea, not a novel. No one has the vaguest notion how to use Facebook beyond sending out those insanely annoying, murder-inspiring suggestions that you become their "fan." 
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/02-26-10-001.jpg" align="left" hspace=5 vspace=5 alt="" width="130">
<b>2)</b> Don't ascribe to the rock star theory. The rock star theory states that success in music is achievable only through becoming a rock star.  Writing is much the same way. Whether you want to be JK Rowling or Hemmingway, you visualize success in writing as becoming a best-selling author. The professional writing field is far more diverse. Every form of media and every facet of the entertainment industry employs legions of writers as its early architects, and all of it allows you to be creative and employ your craft to some degree. I know guys who sleep 'til noon, write some ad copy, and get paid exorbitantly for it. I've been that guy on rare occasions. It's awesome. The rest is ego. You can try and church that shit up by calling it artistic pursuit or integrity or whatever the fuck, but in the end all it means is you really need an audience and industry to like you and respect you. Fuck that, and fuck them. Make money and make art on your own time. 
<br><br>
<b>3)</b> To quote Dolph Lundgren, "A warrior who knows only one side leaves himself vulnerable to attack." You can believe in DIY. You can believe in the free podcast model. You can believe in your boutique publicist. You can believe your publisher is a loving parent who will champion you like the seed of their own skuzzy fruit. Hell, you can believe in secular rooster worship and the single condom theory. But don't become devout. Ever. Don't trust any one method, don't stick to any one avenue. Make like Minnesota Fats and play every angle available.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/02-26-10-002.jpg" align="left" hspace=5 vspace=5 alt="" width="125">
<b>4)</b> A community is not your career. This applies to writing groups, workshops, message boards, "tribes" of any stripe. Immersing yourself too deeply in any of these things is dangerous for a writer with serious professional aspirations. It can very quickly become a lifestyle, and then your life, period. And it's not. It's called a hobby. Hobbies are fine. This list is for professional writers and those aspiring to be professional writers. I've never understood the need for a major support system, anyway. Writing is not rape trauma. Get somebody or two bodies you trust and who aren't going to suck your cock or lady parts to do your beta reading, maybe catch whatever spellcheck missed, and you're good. The rest is group masturbation, and it leads to needing to be appreciated by others as a writer more than you need to actually write.
<br><br>
<b>5)</b> Mainstream media is God. Do whatever you can to get anyone in it to talk about you and/or your product and anyone who controls its commercial outlets to display your wares. A good review in Publisher's Weekly is a hell of an ego boost. And everybody who reads it is probably going to get your book for free. Every podcast you will ever record, every blog post you will ever write, every tweet you will ever tweet, it will all be consumed by an amount of people that couldn't fill a millimeter of Al Roker's shrunken stomach reservoir. And even that number is totally unreliable in terms of sales. Everybody is your friend until the check comes. If you can get 50,000 people to listen to your podcast you can count on less than 2% of them to turn out when the book actually drops. A shelf at the supermarket is more valuable than any of that bullshit will ever be.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/02-26-10-003.jpg" align="left" hspace=5 vspace=5 alt="" width="140">
<b>6)</b> Don't get caught up in the bullshit unless there's a percentage in it for you. I do this all the time. I do it in this blog. I'm doing it right now. I latch on to the hot topic of the moment and I rant like Dennis Miller before he became an old, grouchy Republican. I waste massive amounts of time and words on speculation and reprobation. Your goal should always remain to be the upper 99th percentile of author who could give less than a shit about eBook prices. Let John Scalzi do the ranting. He gets paid for it. Keep your head down and focus on yourself. 
<br><br>
<b>7)</b> Stop submitting short stories. Just stop.  It does nothing for you. The short fiction market is dead. It's absurd to even argue about it. I love short stories. I love writing them. You can too. But you're better off hoarding them until you have a marketable, profitable name and can release your own collection and see some legitimate return on your investment of time and energy. Six years of rejection may seem pious and noble and like a good paying-your-dues mantra, but it is horseshit. Same goes for awards. A best-selling book will get you an award faster than an award will ever get you a best-selling book. 
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/02-26-10-004.jpg" align="left" hspace=5 vspace=5 alt="" width="105">
<b>8)</b> Your fans are not your friends. This is probably going to be the most misconstrued joint on the list, so let me clarify that by saying I respect and appreciate my readership, my listeners, my fanbase, pretty much anybody who takes even the slightest interest. That is awesome. But I don't know you, you don't know me, and when push comes to shove in my career you don't get a vote until it's on the shelves. The level of accessibility I've seen around me has often had very adverse effects on my colleagues. I see authors worrying more about perception than their output, perception among a public that quite frankly can't even support them as a writer. You open this door and suddenly you're trying to be everyone's friend and give everyone their two-cents and placate everyone's aggressive assumed familiarity and opinions about you and your work. There's a wall, and on this side of it I'm going to do what I do and you'll choose to respond to it however it strikes you. You want to know what the most dangerous question a writer can ask their fans is sometimes? "Hey, what do you guys think?" 
<br><br>
<b>9)</b> Trends are made to be broken. Don't start writing a novel based on what's actually managing to sell books right now. By the time you're done, the vampire/zombie/shaman detective phase will be, too. At least until it comes back around again. The same is true for the style in which you write, the genre in which you write, and the way you deliver all of it. Don't try to be the Apple of novels. Steve Jobs decides it needs to be smaller and yet more powerful every time he takes a piss.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/02-26-10-005.jpg" align="left" hspace=5 vspace=5 alt="" width="160">
<b>10)</b> Ignore everything I just laid down. Don't manage your expectations. Don't be smart or hip or businesslike. Shoot the fucking moon. 99% of you will fail, but 99% of you are going to fail anyway. Don't let authors everyone lavishes with internet worship (and I'm not referring to myself) tell you what to do or how to do it. You know why? Because the most successful authors in the world right now didn't do it that way. That's why their books drop like atom bombs and your "popular" authors with all the good advice are a few notches above the mid-list. The literary mega-stars were literally... literally... no different than you and despite their success they still aren't. They don't know more, they are not better writers, and they don't have any secrets to impart. They were simply at the right place at the right time and lightning struck. So just write the book you want to write, make it as good as you can, and do whatever stupid, unrealistic thing you think you need to in order to get an editor behind it. Chances are it worked for somebody.
<br>

]]> </description>
<pubDate>Fri, 26 Feb 2010 13:30:09 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/02-26-10.htm</link>
<guid>http://www.matt-wallace.com/07-2009/pages/blog/02-26-10.htm</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>Meltdowns, Mystery, and the One-Percenters - BLOG POST</title>
<description><![CDATA[

<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/03-02-10.htm"><img src="http://www.matt-wallace.com/rss/03-02-10-rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted March 2nd, 2010 at 12:55:50 EST</font></div>
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<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
When I hit a new city, that city's third cousin it never even knew it had who was lost at sea at the age of two and who was subsequently raised as a Polynesian aristocrat, later rejected that upbringing, and now owns a head shop in Amsterdam just off the Redlight District feels it.
<br><br>
Yeah.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/03-02-10-002.jpg"  width="200" align="left" hspace=5 vspace=5 alt="">
I leave for LA on Friday. When word got out the phone started ringing off the hook. Because I still own a telephone from 1987, apparently. And yes, mostly it was collection agencies wanting their fucking money before I skipped town, but there were also more than a few excited calls wanting to know how fast and in what capacity they could exploit my presence. Being the ardent fan of exploitation that I am, I weighed the options carefully and slowly my dance card began to fill. 
<br><br>
This first number is going to be a doozey. 
<br><br>
On March 21st I'll be appearing at <a href="http://www.meltcomics.com/" target="_blank">Meltdown Comics</a> on Sunset Boulevard in Los Angeles as part of a monthly event hosted by the <a href="http://socalmwa.com/" target="_blank">Southern California Mystery Writers of America</a>. I'll be taking part in a round-table discussion entitled <b>GENRE OUTLAWS: FICTION WITHOUT BORDERS</b> (a rock star title if ever there was one. I want to take that shit on tour). We'll be talking about the action and the juice of writing stories that cross and combine genres and any and everything related to hybrid fiction. The round-table will include me, graphic novelist and 30 DAYS OF NIGHT creator <a href="http://steveniles.com/" target="_blank">Steve Niles</a>, Harlequin author <a href="http://lindaojohnston.com/" target="_blank">Linda O. Johnston</a>, and moderator, Edgar nominee and author of one of my all-time favorite novels, HOODTOWN, <a href="http://christafaust.com/" target="_blank">Christa Faust</a>.
<br><br>
That's about as legit and genre-crossing as it gets in this world, kids. 
<br><br>
This is a rare free event for both MWA members and non-members alike. Complimentary refreshments will be provided. I doubt that means open bar, and it would be irresponsible of me to advocate you sneak in alcohol, midnight show-style. So bring weed, it's healthier.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/03-02-10-003.jpg"  width="275" align="right" hspace=5 vspace=5 alt="">
It was an honor to be invited to take part in this discussion. Besides which, when the SoCal chapter, well-known to be the dirtiest and most krunk chapter around, of Mystery Writers of America calls you up and says, "We want you to come down to the largest comic book shop on the west coast and talk about your fucked up hybrid stories with Steve Niles, an upscale crime-and-paranormal-peppering porn slinger, and Christa Faust and her myriad tattoos," you tool up and hit the Strip, because that shit is going to be a party worth crashing.
<br><br>
It's going down 2 p.m.-4:00 p.m. on Sunday, March 21st, 2010. I'm also fully expecting since it is happening at the largest comic book shop on the west coast and it's Steve Niles that no one will give a fuck what I have to say, but my presence will be felt. So if you're going to be on the coast that weekend and want to feel my presence live and in person, hit up the granddaddy of west coast comic book emporiums, support the SoCal Mystery Writers of America, have a free drink, and get some knowledge dropped on you by a quartet of writers who treat rules like the condom machine at a truck stop. 
<br><br>
Welcome to LA.
<br>

]]> </description>
<pubDate>Tue, 02 Mar 2010 12:55:50 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/03-02-10.htm</link>
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<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>The Future of Fiction: The Definitive Post - BLOG POST</title>
<description><![CDATA[

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<FONT Face="Helvetica" size="1" color="#990000">Posted March 3rd, 2010 at 10:11:10 EST</font></div>
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<FONT Face="Helvetica" size="3" color="#990000"><div align="center">
I don't know what it is.<br><br>
And neither do you.<br><br>
So shut the fuck up already and get back to work.<br>
<br>
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]]> </description>
<pubDate>Wed, 3 Mar 2010 10:11:10 EST</pubDate> 
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<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>About Last Night... - BLOG POST</title>
<description><![CDATA[

<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/03-05-10.htm"><img src="http://www.matt-wallace.com/rss/03-05-10-rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted March 5th, 2010 at 11:52:35 EST</font></div>
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<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
<i>Last night. Countdown to absolute zero. Tonight the berg is blown. The ramparts fall to dust. Tonight that voice in the darkness gets lost, its owner gets gone, and the echo of our last frequency gets sucked into the vacuum, decimated, no longer to reverberate.</i>
<br><br>
I wrote that in 2006 to open a story about an interstellar radio jock's final broadcast on the last spaceborne outpost of humanity. It felt prophetic last night, which was literally my last night in the south. 
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/03-05-10-001.jpg" alt="" align="left" hspace=5 vspace=5>
Your last night in a city that's sheltered you for years always feels like being alone in space. It doesn't matter how many parties they throw you, how many friends or family members wish you fare-thee-well, how many old girlfriends you fuck, at the end of the night it's just you and a vast sightless future somewhere Out There. Because none of them know. How could they? They're stationary, rooted. They're dead sharks. You're the only one. You're the only one who is static. You're the only one who knows. You're the only one who EVER LEFT SOME PLACE FOR SOMEPLACE ELSE. 
<br><br>
In a few hours I'll be airborne for Los Angeles, two-thousand miles in four hours totally taking the technological achievements of my species for granted like every other fucking mung who fails to realize man was never meant to fly. I'm leaving almost four years on the table here. Four years in which I wrote my first novel, made my first "professional" fiction sale, realized the central fallacy of "professional" fiction markets, heard my first piece of fiction podcast, had my first story optioned for film, adapted my first story into a screenplay, got my first freelance screenwriting gig, saw my words on the screen for the first time, wrote dozens of columns, hundreds of blog posts, thousands of tweets, and even had a few moments for basic human interaction.
<br><br>
That's a lot. You don't feel it at the time. You're numb to most of the wins while feeling the losses entirely too deep. You're always waiting for what's next, what's expected, what's desired, all the while ignorant to the waves of each crashing around you. You're a man with his tibia protruding through the skin asking a bystander if your leg is broken. It's not 'til you're ready to leave that you finally feel the pain and all the wonderful and illusory endorphins it generates. Four years ago I was living in Dallas, I quit wrestling, put in an application at a Virgin Megastore in Mockingbird Station, realized they could call at any time, promptly packed all my shit and fled the state. I came here to put my head down and write, nothing more. I wasn't counting any of this as real life.
<br><br>
But of course it was. It always is. It all is.
<br><br>
I remember everything now. It's sharper than it ever could've been at the time it went down. I wish I'd enjoyed the ride more. I wish I'd had even a sliver of recognition in the moment. I wish I'd made different choices. I wish I'd made the right ones and occasionally the wrong ones. 
<br><br>
Tennessee was good for me, it was bad for me, it was indifferent towards me. It was like any other place at any other time in your life.
<br><br>
Now that time is over. 
<br><br>
So I'm gone. Goodbye Johnny Cash, and enjoy the sunglasses, wherever you are. Goodbye street buskers working their mojo on the tourists and every once and while flashing you that secret journeyman wink. Goodbye TPAC with its touring company productions of Spamalot, Avenue Q, and Rent, where I sat in the front row in my loud-ass floral print Dr. Gonzo shirt and watched Richard Thomas own in 12 Angry Men and then partied with John Boy Walton himself and the rest of the cast at the Sun Trust Building 'til 3:00 in the morning. Goodbye Ryman Auditorium, where I saw both Eddie Izzard and The Kids in the Hall perform live for the first time and felt truly blessed by the occasion. Goodbye to the bar at The Palm where I sat for many hours among the caricatures of celebrities and realized for the first time how celebrity is exactly that, a caricature of a human being and humanity itself. Goodbye LP Field and Titans tailgates and uncapping a thousand bottles of beer while never actually seeing a single game. 
<br><br>
Goodbye to my mother, whom I leave to care for all those besides me who love and respect and fear her. Goodbye roadside BBQ smokers. Goodbye weeping willows.
<br><br>
Goodbye.
<br>
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]]> </description>
<pubDate>Fri, 5 Mar 2010 11:52:35 EST</pubDate> 
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<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>Week One: Pied Piper - BLOG POST</title>
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<FONT Face="Helvetica" size="1" color="#990000">Posted March 16th, 2010 at 8:27:46 EST</font></div>
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<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
My first full week as a repatriated Angelino is in the books. Or will be when I write my inevitable memoirs. The ride started virtually the second I landed and didn't stop, hasn't stopped, and I am in fact writing this on the back of a Harley tearing ass down the Strip dodging jets of habanero sauce and hooker spit and the discharge of tinsel cannons. I've got stained clothes and split knuckles and psychic fractures and all of that good shit your imagination conjures when you think about some illusory thing called the LA Experience. It's all happening. It's all just as deserving of its own comic book as you think. I am already a legend, already a millionaire, already nominated for five Oscars and there will be full-frontal illustrations of it all to follow.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/03-16-10-001.jpg" alt="" align="left" hspace=5 vspace=5>
But first I have a maxim I'd like to share with you. Because we're tight, you and me. We've been in the shit together, right? We've fought back-to-back countless times and busted slobs on each other's sisters. So here it is: If during your first weekend in LA you meet "Rowdy" Roddy Piper and he soulfully grasps your hand in his and says, "May all your dreams come true." Brother, you are blessed. You wear the high-sign upon your brow and the path before you is golden. The rest will all work itself out.
<br><br>
Seriously, ignoring the irony that after wrestling professionally for a decade, thousands of shows and traversing several countries and ten times that number of states, I had to move to Los Angeles for the purpose of screenwriting to meet the Hot Rod, it was about as fortuitous and awesome as meetings get. 
<br><br>
So what's the craic, as my good friend David Kanter would ask? In my first seven days in Los Angeles I starred in and am writing a short film (in that order). I attended two birthday parties for people I'd never met before. I ate tacos. I've been welcomed, re-welcomed, and post-welcomed. I met and partied with the famous, the semi-famous, and the someday famous. It's more active than I've been in years. My knee, the fulcrum that's seen steel chairs and often been folded every way but the intended one, has been popping and locking like a circa-80's breakdancer on a flattened cardboard box at Grand Central Station.
<br><br>
Most of the past weeks craic owes its life to <a href="http://christafaust.com/" target="_blank">Christa Faust</a>, who has graciously taken me to her ample bosom based on little more than my ability to flash on references to bad wrestlers and worse movies. The day after I landed she and the unsinkable <a href="http://vintageninja.net/" target="_blank">Keith Rainville</a> treated me to Thai food and took me on an expedition to <a href="http://www.darkdel.com/" target="_blank">Dark Delicacies</a>, the renowned horror shop. I also had the honor of escorting Christa to several events, including the grand opening of the new location of <a href="http://www.gokor.com/" target="_blank">Gokor's MMA Academy in North Hollywood</a>. That's where I met Piper, legendary stuntman "Judo" Gene LeBell, and mixed martial arts champion and color commentator Bas Rutten among a host of other fighters, stuntmen, and assorted desperados. I also joined Christa for the opening ceremonies of <a href="http://www.leftcoastcrime.org/" target="_blank">Left Coast Crime</a> at the Omni Hotel. I met a plethora of mystery and crime writers, all of whom seemed inexplicably impressed with the dragon inlay shirt I was wearing, very few of whose names I will actually retain. Although I will remember screenwriter Robert Ward, who told me stories about William Friedkin that will make you laugh and check under your bed for the man at night.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/03-16-10-002.jpg" alt="" align="right" hspace=5 vspace=5>
On the professional tip, I didn't get much writing done. But I'm giving myself a pass on that, considering for a large portion of the week I didn't have a desk or a desk chair or even a bed. I did "network" on several occasions. I handed out business cards that at the very least will dice up lines of coke and/or be used as rolling paper by/for some very talented individuals. I had a few meetings, pitched some old ideas, had a few news ones, and just basically laid groundwork. I accomplished nothing, but felt like I accomplished a lot, and in that way I've already nailed the LA writer mindset. The rest should be cake.
<br><br>
My extra-curricular activities were far more rewarding and successful and were centered largely on tacos. After the opening ceremonies of Left Coast Crime, author <a href="http://www.ericstone.com/" target="_blank">Eric Stone</a> treated me and about a dozen crime authors to the Cadillac of street food. The habanero sauce was that morning's kill. I went ten deep on chorizo, suadero, cabeza, al pastor, and I believe I was the only one with the brass stomach to take on the tripita, or tripe. It was crispy and delicious and my colon did not eject itself. A couple of nights later Earl and I were out rambling and we came across Mojica Tacos, an oft-blogged taco truck. Proving himself to be a roommate you can trust in the field, Earl stopped, sampled the asada with me, and then waited while I got another ten to bring back home.
<br><br>
What's the final tally? I don't know, man. I watch Earl, my roommate. His enthusiasm for LA is boundless. Every day, every moment seems like an affirmation for him. He's made of hope and hustle and I dig his whole vibe. I remain ever the cynic, however. It's a city. I've lived in dozens of them. Every now and then some bit of sense memory jumps off and I catch a wave of nostalgia, like a brief, sharp high. But it's not a homecoming. It's a city and it is business and I'm here to wreck both without mercy, pity, or compromise.
<br><br>
But I am here, and for a purpose. I'm chasing down my first writing gig in LA. I'm connecting with producers and managers. If there's a picture it's slowly coming into focus, and sure, for all I know it'll turn out to be a crude drawing of a very large, veiny cock. But then I am five minutes from the porn capital of America. 
<br><br>
And much like porn, every stroke brings us closer to the money shot.
<br>
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]]> </description>
<pubDate>Tue, 16 Mar 2010 07:27:46 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/03-16-10.htm</link>
<guid>http://www.matt-wallace.com/07-2009/pages/blog/03-16-10.htm</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>Week Two: Bio-Commercial Meltdown - BLOG POST</title>
<description><![CDATA[

<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/03-26-10.htm"><img src="http://www.matt-wallace.com/rss/03-26-10-rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted March 26th, 2010 at 10:07:54 EST</font></div>
<BR>

<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
The vibrations of time are felt differently out here, and I'm not just talking about jet lag or the general precognition of experiencing every moment three times sooner than every New Yorker.
<BR><BR>
There are dual levels to the measure of time in Los Angeles. LA is a city of both trends and traditions; artistic traditions, ethnic traditions, neighborhood traditions, sidewalk traditions. Industry trends dictate trends of fashion and film and fortunes, each mutating hourly like some fucking government engineered super flu. If you choose to age with the trends your life will span roughly the length of an ADD thought. In the two weeks I've been here entire trending empires have risen and fell and become retro followed almost immediately by becoming passe. If you choose to age with the trends you have to develop super sanity, facing each new week with a new personality to match. If you choose to age with tradition you may never be hip, but you might become timeless. 
<BR><BR>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/03-26-10-001.jpg" align="left" hspace=5 vspace=5 alt="">
Which is all to say I feel old already and welcome to week two.
<BR><BR>
I'm still getting settled in. Boxes are still arriving from Nashville. The meth-mainlining UPS gorillas are still breaking half my shit. We got the gas changed over and experienced the pure caveman elation of making fire in our cave. I cooked my first meal in the new apartment; grilled garlic parsley chicken with a lime citrus salad of butter lettuce and capers. My roommate Earl was so stoked he took a picture of the dish and tweeted it, and I can't deny a certain milestone appreciation touched even the greased industrial valves of my own main pump.
<BR><BR>
A huge chunk of the week was also swallowed by illness. I was fighting it off as early as Tuesday, scrabbling down the back alleys of LA's darkest heart in search of elixirs and tonics and the blood cures of ancient Pacific Rim tribes. A curandero swore to me he couldn't save my body, but he could heal my soul sickness. I told him I needed that for work, and no, I would not also like to buy a rattlesnake belt. I'd hoped to get a new Ten-Count posted in this blog. I'd hoped to finish a script treatment. I'd hoped to raid more taco trucks, possibly find them all feeding at the same riverbank and strike en masse like a fucking two-ton croc snapping three gazelles at a time between its jaws.
<BR><BR>
Fortunately you can bank hope out here. Although there is a 50% karmic tax.
<BR><BR>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/03-26-10-002.jpg" align="right" hspace=5 vspace=5 alt="">
And fortunately by Saturday night I was on the mend. Earl and I hit Jerry's Famous Deli for dinner. I tried to tackle a New York Super Reuben and paid dearly for it in ways mortal man was never meant to blog about. The next day I had to be at Meltdown Comics on Sunset Boulevard for GENRE OUTLAWS: FICTION WITHOUT BORDERS, a panel put on by the SoCal chapter of Mystery Writers of America. It was me, Steve Niles, Harlequin author Linda O. Johnston, and our moderator, Christa Faust. The crew at Meltdown is aces. They gave my books insane frontage in their shop, under a huge gleaming bust of Thor no less ("Where can you find my books? UNDER THE HEAD OF THOR!" was my new tagline).
<BR><BR>
The turnout was somewhere between twenty and thirty people, which was stellar considering our little event was booked against the LA Marathon. We played a round of genre roulette. I drew "pulp adventure" and "cyber-thriller" and pitched a story about a night security guard at a circa 1930's medical supply company named Pap who is forced to go after the iron lung that was stolen on his watch or lose his job. Little does Pap know said iron lung has been converted into a Death Ray by the evil Dr. Prepesto. The people seemed to dig it and I've already pre-sold the film rights. The chair I was given also broke under the extreme weight of my genius as a result.
<BR><BR>
Seriously.
<BR><BR>
Afterward pizza and beverages were served. Because that's how the MWA rolls. We went out front to sign and generally be sociable, even me. Meltdown sold out of The Next Fix and every one wanted theirs signed. One guy tentatively admitted he'd never heard of me before, but my humble demeanor on the panel won him over. I was just as confused as you. I took the bank I made off the books and bought lunch and a bottle of warm sake for myself and my friend of fourteen years, fellow scribe, future purveyor of cutting-edge library arts, and award-winning playwright, Dolly Moehrle. It was the first chance I'd had to hang with Dolly since moving out here two weeks ago.
<BR><BR>
She taught me one very important lesson at lunch that day. Whatever you're looking for in LA, it's over there. Dolly is a swami.
<BR><BR>
I rounded out the week watching UFC Live: Vera vs. Jones with Christa, Keith Rainville, and what are rapidly becoming the regulars. Brandon Vera is a case study in broken dreams. That's really all I or anyone can say about that.
<BR><BR>
Summation? The universe is going to have to throw more at me than a fucking cold to harsh my current trip. My second week in LA and I'm on Sunset Boulevard, sitting shoulder-to-shoulder with Steve Niles in front of a room full of people talking about my work and the craft in the posh gallery of the largest comic book shop on the west coast which sold out my book in under five minutes.
<BR><BR>
I win.
<BR>
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]]> </description>
<pubDate>Fri, 26 Mar 2010 10:07:54 EST</pubDate> 
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<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>Weeks Three and Four: The End of the Beginning - BLOG POST</title>
<description><![CDATA[

<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/04-05-10.htm"><img src="http://www.matt-wallace.com/rss/04-05-10-rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted April 5th, 2010 at 13:36:42 EST</font></div>
<BR>

<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
I'm writing this on my one-month anniversary. It's been one month since I landed in Los Angeles. One month since I repatriated, became a born again Angeleno, forsaken by all civilized gods, embraced solely by the sunny freaks and ethnic tribes and brittle palm leaves. One month and I'm even more ready to sell out than when I arrived. I can hear them coming around the corner, gnashing and idea-pruned and speaking in tongues that jangle. I'm ready to take on all comers. Truly there has never been a more willing whore than I. There is no dream I'm not willing to cash in. If I could dream in the shape of casino chips I would.
<br><br>
The plague that spent a solid two weeks sweeping back and forth through our headquarters has finally seemed to dissipate. I'm finally settling in and getting down to business. I've got three spec projects I'm working to develop and a treatment I'm co-writing with a friend (one of those strange agented people). I'm also hearing chatter from overseas that longstanding, oft-delayed projects may finally, actually be moving forward. It is the ultimate irony that I hung around in Nashville for three years waiting for cameras to roll in Australia and when I finally make the jump to LA the green lights starts flashing.
<br><br>
It's possible that the universe just needs to know you're committed. 
<br><br>
In the meantime, Earl and I are putting the finishing touches on a short film he directed that I wrote and starred in called <i>In the Clutch</i>. I'm also working on a short fiction piece written around it. The plan is to podcast them both as soon as they're ready. I'm also cooking up a live event I hope to stage in the next couple of months. If I can bring it all together it could be something you've never seen before and possibly even pay the rent around here. Side projects keep blood, chi, and nitrous all flowing in the same direction.
<br><br>
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Recreational highlights. I hit a midnight screening of <i>The Room</i> (the notoriously and hilariously awful indie flick that's been running out here since 2004). Michael Cera and comedian Paul Scheer were hanging out a few people ahead of us in line. I had no enthusiasm for Cera, and neither will you if you ever knew a band and/or drama and/or AV geek in high school. Writer/director/producer/star Tommy Wiseau was in the house, wearing three belts and pants that defied both gravity and good taste, and every bit as fucking weird as you'd expect. He held a round of Q&A before the show and I took full advantage.
<br><br>
I also found time to grab dinner with author/editor DK Thompson. Dave is a cool guy with an amazing family who I've known for a while. I helped bring him along when his rejection card was still waiting to be filled. We had an unintentionally romantic evening at an Italian restaurant chosen at random. The only thing you can do in that situation is commit to it. Fortunately I'm secure enough in my masculinity to share a dessert of wild berries and passion fruit sorbet with another man.
<br><br>
I should probably go out tonight and abuse several substances en route to getting laid in celebration of my one-month milestone (not to mention toasting One More Month and saying a silent prayer that the rent got paid). I arrived at the conclusion I haven't dated nearly enough redheads the other day. But I may end up grinding straight through the evening. As lovely as they both are, I didn't come out here for the weather or for a bird's-eye view of Christa Faust's world-class feet (all right, the feet may have factored in. Slightly). I came out here to write and sell and see one through to the end.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/04-05-10-001.jpg" alt="" align="right" hspace=5 vspace=5>
When I've accomplished that I'll don a Zorro mask and eat sashimi off naked Asian women floating in sparkling pools of champagne until three in the morning. The party will be the stuff that causes cities to be turned to salt.
<br><br>
Summation? Last night Earl and I lined up shots and took inventory of the last month. Accomplishments, professional strides, movies watched, women romanced; everything even remotely relevant. Earl wrote it all down in his notebook. Despite rampant round robin illness he still managed to fill up several pages with highlights. It was a full thirty days, and I don't feel saccharine in saying we've made it just by being here.
<br><br>
Now it's time to get serious.
<br>
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<pubDate>Mon, 05 Apr 2010 12:36:42 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/04-05-10.htm</link>
<guid>http://www.matt-wallace.com/07-2009/pages/blog/04-05-10.htm</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator><enclosure url="http://www.youtube.com/v/8Db_gSvy3po&amp;hl=en_US&amp;fs=1&amp;color1=0x3a3a3a&amp;color2=0x999999&amp;border=1" length="1047" type="application/x-shockwave-flash" /><media:content url="http://www.youtube.com/v/8Db_gSvy3po&amp;hl=en_US&amp;fs=1&amp;color1=0x3a3a3a&amp;color2=0x999999&amp;border=1" fileSize="1047" type="application/x-shockwave-flash" /><itunes:explicit>yes</itunes:explicit><itunes:subtitle> Posted April 5th, 2010 at 13:36:42 EST I'm writing this on my one-month anniversary. It's been one month since I landed in Los Angeles. One month since I repatriated, became a born again Angeleno, forsaken by all civilized gods, embraced solely by the su</itunes:subtitle><itunes:author>The HellJack - HurdyGur Inc. </itunes:author><itunes:summary> Posted April 5th, 2010 at 13:36:42 EST I'm writing this on my one-month anniversary. It's been one month since I landed in Los Angeles. One month since I repatriated, became a born again Angeleno, forsaken by all civilized gods, embraced solely by the sunny freaks and ethnic tribes and brittle palm leaves. One month and I'm even more ready to sell out than when I arrived. I can hear them coming around the corner, gnashing and idea-pruned and speaking in tongues that jangle. I'm ready to take on all comers. Truly there has never been a more willing whore than I. There is no dream I'm not willing to cash in. If I could dream in the shape of casino chips I would. The plague that spent a solid two weeks sweeping back and forth through our headquarters has finally seemed to dissipate. I'm finally settling in and getting down to business. I've got three spec projects I'm working to develop and a treatment I'm co-writing with a friend (one of those strange agented people). I'm also hearing chatter from overseas that longstanding, oft-delayed projects may finally, actually be moving forward. It is the ultimate irony that I hung around in Nashville for three years waiting for cameras to roll in Australia and when I finally make the jump to LA the green lights starts flashing. It's possible that the universe just needs to know you're committed. In the meantime, Earl and I are putting the finishing touches on a short film he directed that I wrote and starred in called In the Clutch. I'm also working on a short fiction piece written around it. The plan is to podcast them both as soon as they're ready. I'm also cooking up a live event I hope to stage in the next couple of months. If I can bring it all together it could be something you've never seen before and possibly even pay the rent around here. Side projects keep blood, chi, and nitrous all flowing in the same direction. Recreational highlights. I hit a midnight screening of The Room (the notoriously and hilariously awful indie flick that's been running out here since 2004). Michael Cera and comedian Paul Scheer were hanging out a few people ahead of us in line. I had no enthusiasm for Cera, and neither will you if you ever knew a band and/or drama and/or AV geek in high school. Writer/director/producer/star Tommy Wiseau was in the house, wearing three belts and pants that defied both gravity and good taste, and every bit as fucking weird as you'd expect. He held a round of Q&amp;A before the show and I took full advantage. I also found time to grab dinner with author/editor DK Thompson. Dave is a cool guy with an amazing family who I've known for a while. I helped bring him along when his rejection card was still waiting to be filled. We had an unintentionally romantic evening at an Italian restaurant chosen at random. The only thing you can do in that situation is commit to it. Fortunately I'm secure enough in my masculinity to share a dessert of wild berries and passion fruit sorbet with another man. I should probably go out tonight and abuse several substances en route to getting laid in celebration of my one-month milestone (not to mention toasting One More Month and saying a silent prayer that the rent got paid). I arrived at the conclusion I haven't dated nearly enough redheads the other day. But I may end up grinding straight through the evening. As lovely as they both are, I didn't come out here for the weather or for a bird's-eye view of Christa Faust's world-class feet (all right, the feet may have factored in. Slightly). I came out here to write and sell and see one through to the end. When I've accomplished that I'll don a Zorro mask and eat sashimi off naked Asian women floating in sparkling pools of champagne until three in the morning. The party will be the stuff that causes cities to be turned to salt. Summation? Last night Earl and I lined up shots and took inventory of the last month. Accomplishments, professional strides, movies watched, women romanced; everything eve</itunes:summary></item>

<item>
<title>Week Five and Six: Down to a Grind - BLOG POST</title>
<description><![CDATA[

<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/04-24-10.htm"><img src="http://www.matt-wallace.com/rss/04-24-10-rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted April 24th, 2010 at 06:25:14 EST</font></div>
<BR>

<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
Someone recently described where I'm living as halfway between the mountains and the ocean which sounds a little too like psychedelia lyrics or Frostian poetry or an affirmation about Jesus except it's entirely apt in a way that reveals more than the desert cold that's been eating my bones every night. Which is all to say your second month in LA is obviously when you're issued intense introspection on how you ended up here from wherever the fuck it is you came from and what you're doing now that the dust is settling and your jaw's stopped rattling from impact. 
<br><br>
This dispatch is even later in posting than the last one. The past two weeks have been all about the grind. I'm finding a groove. I've pared it down to workhorse weekdays and wild weekends (or at least unwinding weekends). I've also been aching to get back into blogging regularly. I had a good roll going there before I hit the coast, and while I'm all about prioritizing I'm always liquored up and pissed off about something and venting on Twitter in 140 character pants of breath just doesn't shuck those mental/emotional exhaust fumes.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/04-24-10-001.jpg" vspace=5 hspace=5 align="left" alt="">
It's less an issue of time management and more an issue of maximizing my time, period. I'm on the clock in a way I haven't been in the past couple of years and I need to produce and I need to earn. Writing time is now at a higher premium than Gulf Coast gasoline.
<br><br>
Instead of blogging I banged out a 36-page treatment for a screenplay with a co-writer and a good friend of mine for a supernatural action blockbuster extravaganza that should probably remain nameless for now. It's currently making a path from agent to interested producer to who-the-fuck-knows. But so far it's being well received and that's progress. Meanwhile I've been busting my ass on a spec script of my own I started before I left Nashville. I'm hesitant, always hesitant, to call anything "sci-fi" these days, so I'll cop out and use prototypical "industry speak" and say it's somewhere between <i>The Four Feathers</i> and <i>The Matrix</i> IN SPACE.
<br><br>
Oh, and the story meetings. Which, despite only recently arriving in LA as an adult, are nothing new to me. Over the past few years I've spent a good amount of time in such meetings with producers who want to hear what you'll do with their brilliant idea before they actually hire you to write it. Of course, they never do. Because the project never materializes beyond the talking phase, when words have to turn to money for anything to happen and somehow no one ever seems to have any. It's frustrating, but necessary. You never know which project is going to pop so you have to dance like a monkey in Lederhosen on that fucking bubble until you're sure.
<br><br>
The goal, of course, is to stop slinging words for others and start getting paid and rewarded exorbitantly for your own original work. 
<br><br>
We're getting there.
<br><br>
Recreational accountability, the weekend before last: Saturday night I had dinner with Dave Grohl (he was five feet away from me, which counts) and then hooked up with an actual according to Hoyle fangirl of mine and her film school classmates. I was branded with my first LA club hand stamp. It was either a fucked up smiley face or just looked that way on my war-torn skin. I tried to end the night with some ice cream and ended up in an anti-climactic one-way slap fight with a pack of 99-percenters polishing their crotch rockets in front of Starbucks. Sunday I hit Griffith Park with my favorite weekend date Christa Faust and explored the actual Batcave.
<br><br>
That night I got to partake of an evening at Noir City, the noir film festival hosted yearly at the Egyptian Theater. It was a double bill featuring Mickey Rooney with some shockingly deft acting chops in <i>Drive a Crooked Mile</i> and the fantastically latently homoerotic atomic thriller <i>Walk a Crooked Road</i>. Leonard Maltin was in the house, looking like Santa Claus in a vintage baseball jacket. I wanted to tell him I loved him on <i>South Park</i>, but refrained. 
<br><br>
It was my first time at the Egyptian. It was a hell of a thing, walking the palm-and-sandstone courtyard, staring up at the opulence of the ceilings. It was something I'm going to remember for a very long time.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/04-24-10-002.jpg" vspace=5 hspace=5 align="right" alt="">
This past weekend I spent some quality time with my Hollywood co-conspirator and co-commander of HQ, Earl Newton, and our new Norwegian bodyguard. We've become so big so quickly out here it necessitated the hire. Like all Norwegians she is a socialist killing machine who, owing to that nation's healthcare system, is nigh-indestructible in battle. Which is good, because I'm getting too old and my body is too fucking broken down to defend this place myself. We saw <i>Kick Ass</i> in a theater that does not charge fourteen dollars a ticket. Matthew Vaughn has undeniable skill as a filmmaker, but I'm still waiting for him to make a flick that sings something other than "competent and amusing."
<br><br>
Summation: There are an endless number of words left to write and we're planning a throwdown for Earl's 29th birthday next week. I've been out of the party-throwing game for a while. The last time I hosted a shindig it ended in a bonfire on a rooftop in Brooklyn. Choppers were deployed. Fines were levied. Eviction notices were served. It was a good time.
<br>
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<pubDate>Sat, 24 Apr 2010 06:25:14 EST</pubDate> 
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<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>The Lost Tri-Force: Con, Fic, and Podcast - BLOG POST</title>
<description><![CDATA[

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<FONT Face="Helvetica" size="1" color="#990000">Posted April 28th, 2010 at 12:49:37 EST</font></div>
<BR>

<FONT Face="Helvetica" size="3" color="#990000"><div align="left">
In addition to screen tradecraft, I'm maintaining a slim tether to two things many people seem to think I've left behind: podcasting and fiction publishing. I have a short story featured in the new anthology <i>The Sovereign Era: Year One</i> set in the universe of author Matthew Wayne Selznick's novel <i>Brave Men Run</i> (Swarm Press, 2009). You can find it in print form and for the Kindle on Amazon, and Selznick is also making an eBook bundle available that plays for nine different formats. Because the only thing you fuckers love more than your shiny gadgets is having nine other shiny gadgets to turn up your hip haughty tech noses at.
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/04-28-10-001.jpg" align="left" hspace=5 vspace=5 alt="">
My contribution to the antho-a violent and semi-biographical crime piece with a fantastical edge called "Sangre del Surenos"-has never been previously published anywhere. It was read live once, and I'm at least 99% sure you weren't there to hear it. So if you've been scrolling through your aggregators looking for new fiction from me, there's a new bone from which to suck my sweet and savory marrow (take that metaphor as you will. Just don't tell me about it). And you even get to put a few ducats in my pocket in the process. We all win.
<br><br>
After many Bill Hicks-esque appearances (in my fucking dreams), I've also become a fixture on my total BFF Mur Lafferty's award-winning podcast I Should Be Writing. In a new segment called "Good Cop/Bad Cop" Mur and I answer your submitted writing queries from opposing viewpoints, those being that she is helpful and insightful while I think you're a fucking moron who shouldn't be allowed access to e-mail, much less word processing software. And I tell you so, for your own good. We've done two segments so far, and questions keep pouring in. 
<br><br>
<img src="http://www.matt-wallace.com/07-2009/graphics/blog/04-28-10-002-rssblog.jpg" align="right" hspace=5 vspace=5 alt="">
Which leads me in an awkward segue to the announcement that I will be attending Balticon 44 in Baltimore, Maryland next month. I have all but given up con life. I'll hit Comicon, but only when it's on the panel of a flick I wrote and/or directed. But Balticon offers me something unique. I like maybe five people in the entire fucked up world, none of whom live near me, and all of them attend this convention. I'm not on the guest roster this year. Which means I'm not officially on the clock. So leave me the fuck alone.
<br><br>
However, since I'm going to be in the house, Mur has mandated I appear on her ISBW panel for a live segment of Good Cop/Bad Cop. So show up, bring your questions, and prepare to sit in the hot seat.  I'll also be there for the final episode of Variant Frequencies, which is a bigger landmark in the field of speculative fiction podcasting and podcasting in general than I'm sure anyone will give it credit for. I wouldn't miss it, and neither should you.
<br><br>
I've wanted to talk at you guys about podcasting and about my fiction for a while, but I just haven't had the time to do the subject justice. The window between my decision to relocate to LA and actually moving was more like a porthole through which I had to rearrange my bones like a fucking snake to fit. Since then it's either been a kaleidoscopic freak show outside or a hardnosed grind inside. I still want to put out that dialogue, and I still intend to, but the moment has not come yet.
<br><br>
So if you're still out there, and you still give a shit, stick around. We'll get it all sorted. Eventually.
<br>
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<pubDate>Wed, 28 Apr 2010 12:49:37 EST</pubDate> 
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<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>Week Eight: Mystical Visions and Party Vibrations - BLOG POST</title>
<description><![CDATA[

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<FONT Face="Helvetica" size="1" color="#990000">Posted May 5th, 2010 at 08:48:47 EST</font></div>
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Where did week seven go? I drank it.
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<img src="http://www.matt-wallace.com/07-2009/graphics/blog/05-05-10-001.jpg" alt="" hspace=5 vspace=5 align="left">
It's too fucking bright here for a man with a history of detached retinas and high blood pressure. I wear my shades like a crusader's helm. The only time it should be this bright is the moment you're born and the moment you die, and you shouldn't remember either. I have learned, however, that with the right kind of shaded eyes the sun can induce holy and immaculate mental conceptions. Seriously. It makes every inch of concrete shine like nirvana here. These are epiphany sidewalks, kids. Yesterday I found myself lingering on the corner with upturned face and I realized with fleeting certainty that life is our most beautiful collective dream surrounded on all sides by our worst subconscious fears abstracted in nightmare manifestations like monsters lurking outside the firelight only the monsters are all those people who've forgotten their small piece of that mass dream and I knew if I could simply communicate this to the people who passed by we could spread the firelight to the four corners of the Earth and exist in a blissful and perpetual chimeric reverie for the length of a thought which of course spans time, space, and outer dimensions and never truly fades therefore creating its own eternity.
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I also solved a really complicated recipe for Drambuie Bolognese.
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What's the real craic? I've been writing, writing, writing. The frontrunner in my race to six or more zeroes is a treatment for a supernatural action epic that will have the eyes of a producer upon it when said producer is done wrapping up work on a ridiculously popular TV series. While waiting for word on that, I've been putting any and all paying work myself to bed early and with threats of Mississippi discipline and hammering on my spec script. I'm also developing a new project that's based on an idea I really dig and believe in. It's a single room concept with as much meat to it as popcorn (at least that's the goal). When it's ready I'll be approaching a fairly mainstream actor who has a penchant for and a history of championing strong indie material with the hopes of getting him attached to it. 
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I'm actually naive enough to believe if the material is strong and good and it actually gets read, no further luck or finagling or ass kissing will be required. At least not too much. All I need is someone to place it in front of the shot-caller in question and five minutes of their undiluted attention. If my shit can't stand on its own legs after that point I blame no one but myself.
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<a href="http://www.matt-wallace.com/07-2009/graphics/blog/05-05-10-004.jpg" target="_blank"><img src="http://www.matt-wallace.com/07-2009/graphics/blog/05-05-10-002.jpg" alt="" hspace=5 vspace=5 align="right" border="1"></a>
In extra-curricular news we hosted a massive throwdown for Earl's 29th birthday on Friday night (at which time the accompanying picture was taken, included here because that is how I end up staring at my housemate ALL THE TIME). Our event budget didn't exist, but I worked with what I had. I hand-rolled a hundred tortillas, inflated fifty silver helium balloons, shaved twenty pounds of ice, and hung a "Happy Birthday" sign my mother sent with Earl's birthday present. The rest was up to whichever dark hedonistic deity covers parties in the valley. Things actually started off slow with a few of Earl's friends eating tacos and asking me about pro-wrestling. I feared my efforts were too broad in scope and the evening's needle would bob gently in the mellow spectrum.
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About the time a trio of hot chicks made the scene bearing multiple, multiple bottles of booze things began to turn and the party ended up in a decently high orbit. In point of fact it was just this side of a barn-burning, orgy-inducing, alcohol-dripping blow-out and I was highly pleased. The final damage tally included a shelf ripped out of the wall, a broken toilet lid, and half-a-dozen zen rocks toppled. For no good reason.
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It's not a party until zen gets its ass kicked. 
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<pubDate>Wed, 05 May 2010 08:48:47 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/05-05-10.htm</link>
<guid>http://www.matt-wallace.com/07-2009/pages/blog/05-05-10.htm</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<item>
<title>Children of a Lesser Con - BLOG POST</title>
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<div align="right"><a href="http://www.matt-wallace.com/07-2009/pages/blog/06-05-10.htm"><img src="http://www.matt-wallace.com/rss/06-05-10-rssblog.jpg" alt="" border="0"></a><br>
<FONT Face="Helvetica" size="1" color="#990000">Posted June 5th, 2010 at 04:12:26 EST</font></div>
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I'm about three weeks behind on dispatches. I've been busy and sick and rivers have flooded and entire cities lain waste and reclaimed and fortunes made and spent and women loved and lost and loved some more, often with the aid of digital devices and strange composite materials specially imported from parts of New Guinea where white men are used as furniture and wall decoration exclusively. 
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But none of that is this story. This story is about a convention. 
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For all intents and purposes I'm out of the con business. I find them loud and annoying and largely counterproductive. Yet every year I say I'm too busy or too underfunded or too hip to make it to Balticon, and every year I pack my gear at the last minute and turn up. This year I didn't even register (I've got it down to a science), opting instead to go ninja. This led to many hilarious jokes about the guy in the Matt F'n Wallace costume and everyone leading introductions by telling me they thought I wasn't coming. I felt mythic, like John Wayne in <i>Big Jake</i> or Kurt Russel in <i>Escape from New York</i>, everybody presuming they were dead.
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<img src="http://www.matt-wallace.com/07-2009/graphics/blog/06-05-10-001.jpg" alt="" align="left" hspace=5 vspace=5>
For the last two Balticons I've been on-hand to help present The Singularity with Earl Newton (who couldn't make it this year, as he's even busier and on more deadlines than I am). But largely I go to hang out with four of my favorite all-time humans: <a href="http://murverse.com/" target="_blank">Mur Lafferty</a>, Jim van Verth, <a href="http://www.saintnickanuck.com/" target="_blank">Dr. John Cmar</a>, and <a href="http://twitter.com/moonrangerlaura" target="_blank">Laura Burns, otherwise known on Twitter as the wildly popular Moon Ranger Laura</a> (so named by yours truly). My goal was to avoid virtually everyone else. Although I spent a lot of time knocking around with my favorite duo of microbiologists, Jan, the ungodly talented artist behind <a href="http://www.indiefinable.com/" target="_blank">Indiefinable</a>, and her friend Diane. I was also accosted by a number of folk who wanted me to sign something or other. A fan from Texas forgot their copy of <i>The Next Fix</i> and asked me to sign a card that would then be taped to the title page. I inscribed it, "Next time remember the fucking book," and sent her on her way.  
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There was also a singular and sentimental reason for going this year: Recorded live at Balticon was the final episode of <a href="http://www.variantfrequencies.com/" target="_blank">Variant Frequencies</a>. Rick and Anne Stringer, in a rare appearance, were on hand to do the honors. Rick, with an assist from Michael Spence, narrated the last story. It was not written by me, but by Jonathan C. Gillespie. Afterwards Anne and I, the two wordslingers whose scribbles fed the beast in the beginning, stepped to the mic to thank the audience there and at home.
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I'll lay it down for you the same way. For four years Variant Frequencies was the single highest quality fiction podcast out there. It smoked everything in its category. There was bigger, there was more popular, well-publicized, more hyped, but none better.  Rick's production was landmark. It literally launched careers (like mine). Very few people will truly appreciate how it enhanced this weird thing call podcasting. 
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And now it's over. 
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I was also part of the live <a href="http://isbw.murlafferty.com/" target="_blank">I Should Be Writing with Mur Lafferty</a> and other special guests author <a href="http://www.gailcarriger.com/" target="_blank">Gail Carriger</a> and musician <a href="http://scifisongs.blogspot.com/" target="_blank">John Anealio</a>. Gail is the NYT best-selling scribe behind <i>Soulless</i> and <i>Changeless</i>. John's sci-fi/fantasy songs have been pimped by everyone and Neil Gaiman. This was fast company in which to be. John played live versions of an ISBW theme written exclusively for the event and "George R.R. Martin is Not Your Bitch." Mur and I called up audience members for a live version of our perversely popular "Good Cop/Bad Cop" segment, with Gail as referee. Mur and Gail were very insightful and informed. I mostly made blow job jokes. It was a good time.
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Sunday night was the parting night for me, the make-it-last night, the final salvo night. I said goodbye to Rick and Anne, whose kids I have literally watched grow from children into adults, both up close and from afar, I've been friends with these people that long. I traded dirty jokes with <a href="http://www.podiobooks.com/" target="_blank">Podiobooks</a> founder <a href="http://funanymore.com/" target="_blank">Evo Terra</a> and sexually gratified the lovely <a href="http://www.onthecreativeside.com/" target="_blank">Sheila Dee</a> by repeatedly pounding a wall with my fist (it's the simple pleasures for some, and I dig that). I lamented the fact I promised to pound shots with <a href="http://brickgrrl.blogspot.com/" target="_blank">Ms. Information</a> and missed all useable windows (next year, babe).
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I ended things by assembling with my favorite four in the shaggoth-shaped hot tub of Mur and Jim's palatial suite, with the addition of astronomer <a href="http://www.starstryder.com/" target="_blank">Pamela L. Gay</a>, who in my estimation earned her stripes the first night I met her. Cmar had discovered a brand of black spiced rum called Kraken. This elated us all. Because we're dorks. I killed the entire bottle straight up with my brother-from-another-mother while we all played a game of <a href="http://www.gamefest.com/display.asp?item=3338" target="_blank">Funny Friends</a>. I ended up born again and married to Pamela. We had two children. Which means I tapped that at least twice, thus making me Life's ultimate victor.
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The Moon Ranger was benevolent enough to stay sober and haul my wayward ass to the airport at some ridiculous hour of the morning while Cmar crashed in the backseat. I love these people in a way that defies even my faustian command of language. 
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<img src="http://www.matt-wallace.com/07-2009/graphics/blog/06-05-10-002.jpg" alt="" align="right" hspace=5 vspace=5>
At their core cons are meant to be a celebration, of art and artists, of media and media-makers, of cultures and subcultures, of fandom, of behavior both healthily expressive and compactly personally destructive. You can use them to whore, you can use them to pimp, you can use them to hook up. I've done all of these things in the past. Here and now I use them to celebrate the select group of people I don't actively loathe. I call these people my friends, and it's just fucking good to see them.
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I have also vowed next year to return in a private jet. Possibly with lasers.
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Who the fuck am I kidding? Of course it'll have lasers.
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]]> </description>
<pubDate>Sat, 05 Jun 2010 04:12:26 EST</pubDate> 
<link>http://www.matt-wallace.com/07-2009/pages/blog/06-05-10.htm</link>
<guid>http://www.matt-wallace.com/07-2009/pages/blog/06-05-10.htm</guid>
<dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">The HellJack - HurdyGur Inc. </dc:creator></item>

<language>en-us</language><media:credit role="author">The HellJack - HurdyGur Inc. </media:credit><media:rating>adult</media:rating></channel>
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