Leo and Felipe let us in on what they are getting up to in their time off – from finding the best food spots in Rio to summer music festivals and the films on their watch list!
Unadorned and unstylised, the photographer is framing images of athletes that are rarely seen yet deeply familiar to those in the sporting world.
Whether it’s made for electronic tracks, album covers, posters or just for fun, this easy-to-use generative tool makes the visualisers more fun than ever to make.
The global creative studio has expanded into the letterforms landscape with a backdrop of bespoke type systems for brands under their belt and one debut release: CC Timeline.
In Dorset, UK, there are two girls who practice the art of falconry: rearing, flying and caring for birds of prey. Lauren Maccabee visited them with her camera to uncover the day-to-day requirements of this unique interspecies relationship.
This new visual language is inspired by the “rhythm and spontaneity of jazz” – type, image and colour dance across a new digital world for the venue.
In House is a new column from It’s Nice That where we go inside the workings of major brands, agencies and companies shaping the future of the creative industry.
Based between LA and Montreal, Wedge Studio joined Nicer Tuesdays in one of its home cities to present its “seemingly unsexy” projects – such as designing the visual identities for dental floss, beans and protein powder – arguing that “everything can be special”. Co-founders Justin Lortie and Sarah Di Domenico took the audience through “the Wedge way”, the 12 steps the studio takes when approaching its idiosyncratic creative projects.
]]>A-Corps promise to prioritise IP protection and creative mission over corporate profit – but they’re not a quick fix for a creative industry in turmoil.
Pitchfork Selects is a weekly playlist made up of the most exciting new music drops, so its visuals have to match its audible freshness. Enter Chris Panicker, and the Cavalry app.
With a preference for still lifes and foodie scenes, the artists Matisse-inspired works are a delicate celebration of colour and form.
The cult favourite Swiss brand is built on inventive ideas and a healthy dose of Dada-esque humour. To find out more about why its marketing has never missed, we talk to creative director, Thomas Wakeford, about what makes Freitag’s visual world as unique as its bags.
Work from home or hybrid setups have become the norm, especially since the pandemic. So, when the experience of getting started IRL has been diminished, how do you learn from your colleagues and seniors? In this week’s Creative Career Conundrums, Katie Cadwell has some thoughts.
How do you visually represent something that’s been around for over seven centuries? Bob Design teamed up with the young creatives of Croydon School of Art to make the titanic task possible.
Break out the sweet, sweet memories of spirographs, stencils and felt tip pens with Stanley Plowman’s inventive pen plotter typeface and zine.
The weekend guide you didn’t know you needed – have a peek at what Rene Matić is getting up to and what you could be too!
Spanning the hidden Polish design pioneers of modern history, to the next generation of visual innovators, we report back from our visit to this expansive event dedicated to the humble but mighty medium of posters.
After almost a decade returning to Venezuela, the Silvana’s long-term series is now published as a book – a home for a beautiful project that’s helped the photographer reconnect with home.
Cyberfeminism Index creator, designer, researcher and educator Mindy Seu joined us on the Nicer Tuesdays stage in Los Angeles to introduce us to A Sexual History of the Internet, a compendium-cum-performance-piece of our erotic relationship with the visual history of sex. Her talk came along with a slideshow interactive via Are.na all about teledildonics, cybersex and new ways of sharing profit between creatives.
]]>Artist and designer Ben Sanders joined us on the Nicer Tuesdays stage in Los Angeles to talk about his absurdist airbrush paintings with frames made out of salt, pool noodles and art objects of enlarged metal bottle caps. Breaking from reality and travelling into a bizarro visual world for clients such as Nike, Louis Vuitton and Bloomberg, the artist argues for self-publishing, learning techniques on the fly and the importance of constant experimentation.
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