Sanghyeok Lee’s work is nothing if not balanced. It is restrained and minimal. Playful and intellectually rigorous.

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The post Sanghyeok Lee on ARC, Emptiness, and the Spaces Between appeared first on IGNANT.

Berlin’s vibrant Torstraße in Mitte isn’t exactly a street you’d associate with the words “calm” or “retreat”. Yet, from the moment you step into the sports studio Hagius, housed in the historic former post office building, the noise of the city immediately fades away. There’s a sensitive and balanced feel to the space, which was founded in 2020 by brothers Nicolas and Timothy Hagius, who wanted it to be a little more than just a “gym.”

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The post Hagius: Architecture as a Medium for Wellbeing appeared first on IGNANT.

For over fifty years, ORFÈVRE has been a home for jewelry that values meaning as much as beauty. Among the artists it champions, the German sculptor and goldsmith Walter Wittek stands out for a radical clarity of design that unites minimalism, conceptual depth and technical mastery.

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The post Essential Forms in Modern Jewelry: ORFÈVRE Presents Walter Wittek appeared first on IGNANT.

On Berlin’s monumental Karl-Marx-Allee, one of the former GDR’s emblematic sites of Socialist Classicism has taken on a renewed role as the working home of one of the city’s leading design exports.

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The post Aeyde Haus by Gonzalez Haase AAS Marks a New Era for an East Berlin Landmark appeared first on IGNANT.

Hamburg’s growing TRADER constellation stems from founder Vincent von Thien’s wish to offer his city more than another café. TRADER Gallery in the Schanze set the first tone, uniting specialty coffee with art and design.

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The post TRADER HiFi Tunes Hamburg’s Coffee Culture to a New Frequency appeared first on IGNANT.

At Berlin’s Futurium museum for futures thinking, the exhibition Ocean Futures (on through 31 August 2026) navigates the planet’s vast expanses of water as infrastructure, archive and neighbour. At its centre stands Filipino artist Leeroy New’s installation Balangay Spacecraft—a colony of interlinked spheres forged from bamboo and recycled plastic—part mangrove, part artificial island, a future habitat taking root on shifting ground.

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The post Worlds Between Water and Waste: Leeroy New at Futurium’s Ocean Futures appeared first on IGNANT.

In Berlin’s diplomatic center, not far from Unter den Linden and the Brandenburg Gate, a new interior offers an unexpected lens onto domestic life in a district defined by ministries and embassies.

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The post House Zafari: Studio Penzlien and Maj van der Linden Reframe Berlin Living appeared first on IGNANT.

In stone, time turns tactile—a record of sediment, heat, and movement pressed into matter. At Marbledworks, that long geological story continues in contemporary form.

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The post Marbledworks: The Nature of Making appeared first on IGNANT.

The craft of KARST reveals itself first in a feeling. An ambience of warmth, polish and clarity. A closer look at—and feel of—the Berlin carpentry studio’s interior joinery and custom furniture reveals the details that build toward this impression.

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The post KARST: The New Craft of Space appeared first on IGNANT.

High on a ridge above Portugal’s Atlantic coast, Casa Plaj appears almost imagined: a red geometry in a green expanse, elemental yet precise. Designed by Lisbon-based extrastudio for a young family, the holiday house is both retreat and experiment – built slowly, iteratively, in high attunement to wind, light and time. Its creation captures a portrait of architecture as process: formed through exchange, grounded in the textures of place, and open to evolution.

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The post Time Softens at extrastudio’s Casa Plaj, a Coastal Retreat in Portugal appeared first on IGNANT.

When Berlin-based design duo Yellow Nose Studio first removed the K from ‘kindergarten’ to name their evolving collection of objects, they opened more than a typographic space.

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The post Child’s Play: With INDERGARTEN, Yellow Nose Studio Returns to First Principles appeared first on IGNANT.

For architect Seamus Kowarzik, the shift between a building and a bench is hardly a shift at all. The same questions persist – how materials meet, how light moves across a surface, how space feels when pared back to its essentials.

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The post Architect Seamus Kowarzik: In the Details, a Dialogue appeared first on IGNANT.

Contrasts verge on the extreme along Egypt’s eastern coastline, where the warm azure waters of the Red Sea are backdropped by husky mountain ranges. Their craggy peaks shift from fiery hues at dawn to purple shadows as the sun sets behind their jagged silhouettes. Beyond these elemental forces lies the parched expanse of the Eastern Desert, arid and vast. Amid the starkness of this landscape, Casa Cook El Gouna punctuates the horizon.

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The post Between Mountains and Sea, Casa Cook El Gouna Is An Altar to Light and Shadow appeared first on IGNANT.

On a small rise in Berlin-Mitte, a storefront with tall glass panes looks out onto the street. Blink, and you might miss it, but a second glance rewards the curious. Step inside, and the atmosphere reveals itself. Light moves across the room throughout the day, drawing out nuances of the objects it holds. The eponymous gallery of Berlin-based interior designer and curator MAJ VAN DER LINDEN reflects an ongoing engagement with contemporary craft and material culture. Connections build gradually, gathering momentum – evolving into new relationships and unanticipated forms. Maj came across the address by chance. “I spotted it through a shop window,” she says. “It had something of a doll’s house to it – completely open. As luck would have it, the owner came out. One thing led to another.” Since then, the space has become a framework for collaboration, hosting dialogues that reward close listening and ideas that unfold over time.

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The post Maj van der Linden: Space in Motion appeared first on IGNANT.

Zuzanna Czebatul is interested in the way monuments shape and perform power. Through her sculpture-based practice, she distorts architectural forms and cultural relics—columns, obelisks, busts—to reveal and complicate the narratives they once held. In the bucolic calm of her Brandenburg studio, and later among shrouded objects and scaffolding in Berlin’s long-closed Pergamon Museum, Czebatul spoke with Ignant about one of Europe’s most symbolically charged monuments—the Pergamon Altar. Her fragmented reimagining of the Hellenistic frieze takes centre stage in All the Charm of a Rotting Gum, which opened at DITTRICH & SCHLECHTRIEM on the occasion of Gallery Weekend Berlin.

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The post “History is a Battleground”: Zuzanna Czebatul and the Pergamon Altar appeared first on IGNANT.