<?xml version="1.0" encoding="UTF-8" standalone="no"?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:gd="http://schemas.google.com/g/2005" xmlns:georss="http://www.georss.org/georss" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:thr="http://purl.org/syndication/thread/1.0"><id>tag:blogger.com,1999:blog-3884083117643488041</id><updated>2026-11-14T05:18:37.617+05:30</updated><category term="Quotes"/><category term="Dreams"/><category term="Kerala Temple Festival"/><category term="Daily Hindu Calendar"/><category term="Classic Topics"/><category term="Hindu Stories"/><category term="Interesting Facts"/><category term="Hinduism"/><category term="Hinduism Answers"/><category term="Hindu Goddess"/><category term="Shiva"/><category term="Ramayana"/><category term="Kerala"/><category term="Hindu Symbols"/><category term="helpful 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Zealand"/><category term="Ravi Yog"/><category term="Rishikesh"/><category term="Sarvarta Siddhi Yog"/><category term="Solar Eclipse"/><category term="Vidyarambham Dates"/><category term="audio"/><category term="buying car"/><category term="car delivery"/><category term="cesarean"/><category term="cookie"/><category term="crossword"/><category term="delivery"/><category term="engage"/><category term="exam"/><category term="giving birth"/><category term="kumaryoga"/><category term="property registration"/><category term="raja yoga"/><category term="rented house"/><category term="travel dates"/><title type="text">Hindu Blog</title><subtitle type="html"/><link href="http://www.hindu-blog.com/feeds/posts/default" rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default?redirect=false&amp;orderby=published" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/" rel="alternate" type="text/html"/><link href="http://pubsubhubbub.appspot.com/" rel="hub"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;orderby=published" rel="next" type="application/atom+xml"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><generator uri="http://www.blogger.com" version="7.00">Blogger</generator><openSearch:totalResults>42095</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><xhtml:meta content="noindex" name="robots" xmlns:xhtml="http://www.w3.org/1999/xhtml"/><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-6596268786337938038</id><published>2026-11-14T05:03:00.000+05:30</published><updated>2026-11-14T05:03:00.195+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Goddess"/><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Sculptures"/><category scheme="http://www.blogger.com/atom/ns#" term="idols"/><title type="text">Dasa Mahavidya Dhumavati Idol Form – Iconography - The Goddess Of Emptiness</title><summary type="text">Dhumavati Iconography: The Sacred Meaning of Emptiness, Detachment and TransformationDhumavati is one of the Dasa Mahavidyas, the ten profound
forms of Shakti described within the Shakta and Tantric traditions of Hinduism.
Her visual form is deliberately unlike the graceful and youthful
representations commonly associated with divine feminine imagery. She embodies
the sacred dimensions of absence</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/6596268786337938038" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/6596268786337938038" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/dasa-mahavidya-dhumavati-idol-form.html" rel="alternate" title="Dasa Mahavidya Dhumavati Idol Form – Iconography - The Goddess Of Emptiness" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-2398210988776428914</id><published>2026-11-14T04:02:00.000+05:30</published><updated>2026-11-14T04:02:00.265+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hinduism"/><title type="text">Prana Devatas In Man And Woman As Per Mantrika Shastra</title><summary type="text">The Five Prana Devatas in Mantrika Shastra: A Hindu View of Vital Energy and Human InfluenceIn the Hindu understanding of human existence, life is
sustained not merely by the physical body but by subtle forces known
collectively as prana. Prana is the vital power that animates the body,
supports the senses, influences the mind and enables the various functions
necessary for life. The teachings of</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/2398210988776428914" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/2398210988776428914" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/prana-devatas-in-man-and-woman-as-per.html" rel="alternate" title="Prana Devatas In Man And Woman As Per Mantrika Shastra" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-1820549283948196533</id><published>2026-11-14T03:01:00.001+05:30</published><updated>2026-11-14T03:01:00.211+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Quotes"/><title type="text">Beyond Appearances: The Hidden Reality in Hindu Teachings</title><summary type="text">“Everything is not what it seems” conveys a profound truth at the heart of Hindu philosophy. From ancient sages to contemporary spiritual teachers, Hinduism has consistently taught that the world experienced through our senses is a projection of a deeper reality. In everyday life, we assume that the objects, emotions, and events we perceive are fixed and absolute. Yet Hindu scriptures and the </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1820549283948196533" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1820549283948196533" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/beyond-appearances-hidden-reality-in.html" rel="alternate" title="Beyond Appearances: The Hidden Reality in Hindu Teachings" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-1362503113812374210</id><published>2026-11-14T00:05:00.000+05:30</published><updated>2026-11-14T00:05:00.213+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Daily Hindu Calendar"/><title type="text">November 21 2026 Tithi – Panchang – Hindu Calendar – Good Time – Nakshatra – Rashi</title><summary type="text">Tithi in Panchang – Hindu Calendar on Saturday, November 21 2026
– It is Shukla Paksha Dwadashi tithi or
the twelfth day during the waxing or light phase of moon in Hindu calendar and Panchang in most
regions. It is Shukla Paksha Ekadashi tithi or the eleventh day during the
waxing or light phase of moon till 2:18
AM on November 21. Then onward it is Shukla Paksha Dwadashi tithi or the
twelfth </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1362503113812374210" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1362503113812374210" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/november-21-2026-tithi-panchang-hindu.html" rel="alternate" title="November 21 2026 Tithi – Panchang – Hindu Calendar – Good Time – Nakshatra – Rashi" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-780358861494771615</id><published>2026-11-13T19:34:00.000+05:30</published><updated>2026-11-13T19:34:00.236+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Symbols"/><title type="text">When Balarama Drew Yamuna Near: Symbolism, Dharma and the Limits of Human Power</title><summary type="text">Balarama Dragging Yamuna: A Timeless Lesson on Humanity's Struggle with NatureAmong the many profound episodes associated with Balarama in
the Harivamsa and the Bhagavata Purana, the incident of Balarama drawing the
river Yamuna towards Himself with His plough stands out for its deep symbolic
meaning. At first glance, it appears to be an extraordinary display of divine
strength. However, beneath </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/780358861494771615" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/780358861494771615" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/when-balarama-drew-yamuna-near.html" rel="alternate" title="When Balarama Drew Yamuna Near: Symbolism, Dharma and the Limits of Human Power" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-8264654813891319855</id><published>2026-11-13T17:28:00.000+05:30</published><updated>2026-11-13T17:28:00.184+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Mahabharat"/><title type="text">Praise as a Weapon: How Astika Saved the Nagas in Mahabharata</title><summary type="text">The Power of Praise: Astika and Janamejaya’s Snake Sacrifice -&amp;nbsp;Flattery and Intention: The Lesson from Astika Parva of MahabharataIn the Astika Parva of the Adi Parva of Mahabharata, we read
about the great snake sacrifice of King Janamejaya. In Chapter 49 of Astika Parva, Astika’s
mother tells him about his destiny. He was born to stop this sacrifice and to
save the naga clan from </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/8264654813891319855" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/8264654813891319855" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/praise-as-weapon-how-astika-saved-nagas.html" rel="alternate" title="Praise as a Weapon: How Astika Saved the Nagas in Mahabharata" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-2198310317468062572</id><published>2026-11-13T16:03:00.000+05:30</published><updated>2026-11-13T16:03:00.222+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Goddess"/><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Sculptures"/><title type="text">When Kartikeya Rests on Varahi's Lap: A Rare Symbol of Compassion, Protection and Shakti</title><summary type="text">Goddess Varahi and Kartikeya: The Forgotten Symbol of Divine Motherhood in Eastern Hindu TraditionAmong the many fascinating iconographic traditions preserved
in eastern Bharat, one of the rarest is the depiction of Goddess Varahi seated
with Kartikeya resting on her left lap. Ancient sculptures discovered in
Odisha, particularly from the rich temple traditions of the region, reveal this
</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/2198310317468062572" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/2198310317468062572" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/when-kartikeya-rests-on-varahis-lap.html" rel="alternate" title="When Kartikeya Rests on Varahi's Lap: A Rare Symbol of Compassion, Protection and Shakti" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-316046937529296727</id><published>2026-11-13T14:05:00.000+05:30</published><updated>2026-11-13T14:05:00.235+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Scriptures"/><title type="text">Prapanchasara Tantra Chapter 1 – Contents – Teachings – Importance</title><summary type="text">Prapanchasara Tantra Chapter 1: The Divine Dialogue on Creation and Cosmic Time
The Prapanchasara Tantra stands as one of the profound tantric texts attributed to Adi Shankaracharya, the great 8th-century philosopher and saint who revitalized Hindu spiritual traditions. This ancient work delves deep into the mystical dimensions of mantras, yantras (sacred diagrams), and the fundamental principles</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/316046937529296727" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/316046937529296727" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/prapanchasara-tantra-chapter-1-contents.html" rel="alternate" title="Prapanchasara Tantra Chapter 1 – Contents – Teachings – Importance" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-8144266338864393095</id><published>2026-11-13T10:02:00.000+05:30</published><updated>2026-11-13T10:02:00.186+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hanuman"/><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Sculptures"/><category scheme="http://www.blogger.com/atom/ns#" term="idols"/><title type="text">Veera Hanuman Idol Form: Symbolism, Sacred Sculpture and Spiritual Meaning</title><summary type="text">Veera Hanuman Sculpture and Iconography: The Dynamic Form of Courage, Protection and DevotionThe Veera Hanuman form is among the most revered and
recognizable representations of Hanuman in Hindu temple sculpture and sacred
art. Depicted in a powerful standing or striding posture, this icon embodies
unwavering courage, complete devotion to Bhagavan Rama, and the readiness to
protect Dharma at all </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/8144266338864393095" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/8144266338864393095" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/veera-hanuman-idol-form-symbolism.html" rel="alternate" title="Veera Hanuman Idol Form: Symbolism, Sacred Sculpture and Spiritual Meaning" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-8419062130104573085</id><published>2026-11-13T09:02:00.001+05:30</published><updated>2026-11-13T09:02:00.250+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Vedas"/><title type="text">Pranita Pranayana: The Sacred Water Fetching Ritual in Vedic Sacrifices</title><summary type="text">&amp;nbsp;Bringing the Sacred Waters: Understanding Pranita Pranayana in Hindu Yajna Tradition
In the intricate tapestry of Vedic rituals, every action carries profound spiritual significance. Among the many preliminary rites performed before offerings are made to the sacred fire, Pranita Pranayana stands as a beautiful example of how even the simplest act of fetching water becomes a sacred communion</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/8419062130104573085" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/8419062130104573085" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/pranita-pranayana-sacred-water-fetching.html" rel="alternate" title="Pranita Pranayana: The Sacred Water Fetching Ritual in Vedic Sacrifices" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-5863187000199080296</id><published>2026-11-13T07:02:00.000+05:30</published><updated>2026-11-13T07:02:00.116+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ramayana"/><title type="text">Dasharatha’s Attachment To Rama: An Early Warning In Bala Kanda</title><summary type="text">Early Warning for Dasharatha: When Love For Sons Becomes Attachment - Separated From Rama, I Cannot Live: The Forewarning In Bala KandaWhen people discuss the Ramayana, they speak about the exile
of Rama, the promise to Kaikeyi and the death of Dasharatha. But the seed of
the whole tragedy is already present in Bala Kanda, in Chapters 18 and 19. This
episode is not given much attention, but it is</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/5863187000199080296" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/5863187000199080296" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/dasharathas-attachment-to-rama-early.html" rel="alternate" title="Dasharatha’s Attachment To Rama: An Early Warning In Bala Kanda" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-3740339686465795104</id><published>2026-11-13T05:01:00.000+05:30</published><updated>2026-11-13T05:01:00.114+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Sculptures"/><category scheme="http://www.blogger.com/atom/ns#" term="idols"/><title type="text">Chinnamasta Idol Form – Iconography</title><summary type="text">Chinnamasta Idol Iconography: Symbolism, Sculpture Tradition and Spiritual SignificanceChinnamasta, one of the ten Mahavidyas, presents one of the
most profound and spiritually charged forms in Hindu Dharma. At first glance,
Her self-decapitated form appears fierce and unconventional, yet every aspect
of Her iconography conveys deep philosophical truths rooted in Shakta Tantra,
the wisdom of the </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3740339686465795104" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3740339686465795104" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/chinnamasta-idol-form-iconography.html" rel="alternate" title="Chinnamasta Idol Form – Iconography" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-41373480106096024</id><published>2026-11-13T04:02:00.000+05:30</published><updated>2026-11-13T05:20:23.053+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hinduism Answers"/><title type="text">Everything Will Disappear in Due Course of Time: Hinduism Insights</title><summary type="text">From Form to the Formless: What Hinduism Teaches About the Disappearance of All ThingsJust as ice turns into water, water becomes vapor, vapor mixes with air, and air becomes indistinguishable in the vastness of space, everything that appears in a particular form eventually loses that form. This is one of the profound truths repeatedly reflected upon in Hindu teachings. The human body is </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/41373480106096024" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/41373480106096024" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/everything-will-disappear-in-due-course.html" rel="alternate" title="Everything Will Disappear in Due Course of Time: Hinduism Insights" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-1855379541143883267</id><published>2026-11-13T03:00:00.002+05:30</published><updated>2026-11-13T03:00:00.201+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Quotes"/><title type="text">To Be An Unaffected Witness Of Even Our Own Mind And Intellect Is The Goal – Hinduism</title><summary type="text">
The Witness Consciousness: Becoming the Observer of Mind and Intellect in Hindu Philosophy
Hindu spiritual teachings emphasize a profound truth: the highest achievement lies not in controlling the mind but in witnessing it. This state of being an unaffected observer—known as Sakshi Bhava—represents one of the most transformative concepts in Hindu philosophy. When we learn to watch our own </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1855379541143883267" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1855379541143883267" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/to-be-unaffected-witness-of-even-our.html" rel="alternate" title="To Be An Unaffected Witness Of Even Our Own Mind And Intellect Is The Goal – Hinduism" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-2233220859922433754</id><published>2026-11-13T00:07:00.000+05:30</published><updated>2026-11-13T00:07:00.204+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Daily Hindu Calendar"/><title type="text">November 20 2026 Tithi – Panchang – Hindu Calendar – Good Time – Nakshatra – Rashi</title><summary type="text">Tithi in Panchang – Hindu Calendar on Friday, November 20 2026
– It is Shukla Paksha Ekadashi tithi or
the eleventh day during the waxing or light phase of moon in Hindu calendar and Panchang in most
regions. It is Shukla Paksha Dashami tithi or the tenth day during the waxing
or light phase of moon till 2:30 AM
on November 20. Then onward it is Shukla Paksha Ekadashi tithi or the
eleventh day </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/2233220859922433754" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/2233220859922433754" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/november-20-2026-tithi-panchang-hindu.html" rel="alternate" title="November 20 2026 Tithi – Panchang – Hindu Calendar – Good Time – Nakshatra – Rashi" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-579822553190535792</id><published>2026-11-12T19:38:00.000+05:30</published><updated>2026-11-12T19:38:00.120+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hanuman"/><category scheme="http://www.blogger.com/atom/ns#" term="Ramayana"/><title type="text">The Forgotten Power Within: What Hanuman Teaches Every Human Being</title><summary type="text">Awakening the Hanuman Within: Self-Realization and the Myth of LimitationIn the Ramayana, Sri Hanuman was blessed since childhood
with immense strength, the ability to fly, to grow as large as a mountain or as
small as an ant, and to cross oceans in a single leap. Yet as a boy, in his
playfulness, he used his powers to play tricks on Sages. To
protect him from misusing his gifts before he was </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/579822553190535792" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/579822553190535792" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/the-forgotten-power-within-what-hanuman.html" rel="alternate" title="The Forgotten Power Within: What Hanuman Teaches Every Human Being" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-4908422800239025987</id><published>2026-11-12T17:30:00.000+05:30</published><updated>2026-11-12T17:30:00.189+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Interesting Facts"/><category scheme="http://www.blogger.com/atom/ns#" term="Mahabharat"/><title type="text">Sulabha of Mahabharata: Freedom of Women in the Path of Renunciation</title><summary type="text">Sulabha and King Janaka: A Woman Sanyasini Who Tested a Knower of Brahman in MahabharataIn Hinduism, the path of spiritual knowledge was never
closed for women. The story of Sulabha, told in the Mahabharata, is one good
example of this. Bhishma narrated this story to Yudhishthira in the Shanti
Parva, Chapter 320. In this chapter, Bhishma is teaching Yudhishthira about
moksha dharma, the duties </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/4908422800239025987" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/4908422800239025987" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/sulabha-of-mahabharata-freedom-of-women.html" rel="alternate" title="Sulabha of Mahabharata: Freedom of Women in the Path of Renunciation" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-6940945813993386359</id><published>2026-11-12T16:03:00.000+05:30</published><updated>2026-11-12T16:03:00.120+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Sculptures"/><category scheme="http://www.blogger.com/atom/ns#" term="idols"/><title type="text">Kaupina: The Sacred Simplicity of Renunciation in Hindu Sculpture</title><summary type="text">Kaupina of Hindu Sculpture - Symbol of Detachment and AusterityAmong the many garments described in Hindu iconographic
literature, the kaupina stands apart for its sheer austerity. A narrow
loincloth passed between the legs and secured at the waist by a cord or simple
band, it represents the most minimal form of covering prescribed in temple
sculpture and bronze imagery. Unlike the flowing </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/6940945813993386359" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/6940945813993386359" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/kaupina-sacred-simplicity-of.html" rel="alternate" title="Kaupina: The Sacred Simplicity of Renunciation in Hindu Sculpture" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-7614943286307399420</id><published>2026-11-12T14:03:00.001+05:30</published><updated>2026-11-12T14:03:00.124+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hinduism"/><title type="text">Om – The Divine Source of All Names of God In Hinduism</title><summary type="text">Om: The Eternal Sound and the Supreme Name of God in Hinduism
The Primordial Sound of Creation
In the vast and profound philosophy of Hinduism, Om (also spelled Aum) is regarded as the most sacred syllable — the very sound from which the universe itself emerged. It is described not merely as a symbol or a chant, but as the vibration of the Supreme Reality, representing the origin, sustenance, and</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/7614943286307399420" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/7614943286307399420" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/om-divine-source-of-all-names-of-god-in.html" rel="alternate" title="Om – The Divine Source of All Names of God In Hinduism" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-1935475669270748864</id><published>2026-11-12T10:02:00.000+05:30</published><updated>2026-11-12T10:02:00.169+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hanuman"/><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Sculptures"/><title type="text">Bhakta Hanuman Idol: Iconography, Symbolism and Spiritual Significance</title><summary type="text">Understanding the Bhakta Hanuman Idol in Hindu Temple Tradition -&amp;nbsp;Expression of Devotion in Hindu Sculpture -&amp;nbsp;The Ideal of Humility, Strength and Eternal BhaktiThe Bhakta Hanuman form is one of the most revered and
spiritually inspiring representations in Hindu iconography. Unlike heroic or
warrior depictions that emphasize immense strength and valor, this form
celebrates Hanuman as the</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1935475669270748864" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1935475669270748864" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/bhakta-hanuman-idol-iconography.html" rel="alternate" title="Bhakta Hanuman Idol: Iconography, Symbolism and Spiritual Significance" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-352716599354422218</id><published>2026-11-12T09:03:00.006+05:30</published><updated>2026-11-12T09:03:00.214+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ramayana"/><title type="text">Ramayana Story Of Sage Mandavya Cursing Ravana To Get Slapped By Vanara</title><summary type="text">The Curse of Sage Mandavya and the Humbling of Ravana
In the ancient tradition of Hindu history, forests were not merely places of nature but sacred spaces where sages performed intense penance for the welfare of the world. Sage Mandavya was one such revered ascetic, known for his austerity, restraint, and spiritual power. His chosen forest was sanctified by years of meditation, discipline, and </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/352716599354422218" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/352716599354422218" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/ramayana-story-of-sage-mandavya-cursing.html" rel="alternate" title="Ramayana Story Of Sage Mandavya Cursing Ravana To Get Slapped By Vanara" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-4032455762182926941</id><published>2026-11-12T06:59:00.000+05:30</published><updated>2026-11-12T06:59:00.110+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ramayana"/><title type="text">Ramayana - Why Vishwamitra Did Not Destroy Maricha and Subahu Himself</title><summary type="text">The Sage Who Chose Patience: Vishwamitra and the Rakshasas - Anger and the Yajna: A Lesson from Bala Kanda of RamayanaIn the Bala Kanda of the Valmiki Ramayana, chapters 17 and
18 tell us about the arrival of Sage Vishwamitra in the kingdom of Ayodhya.
King Dasharatha welcomed him with great respect and honour. Then Vishwamitra
explained the reason for his visit. He was conducting a yajna, but </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/4032455762182926941" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/4032455762182926941" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/ramayana-why-vishwamitra-did-not.html" rel="alternate" title="Ramayana - Why Vishwamitra Did Not Destroy Maricha and Subahu Himself" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-50945523020093994</id><published>2026-11-12T05:02:00.000+05:30</published><updated>2026-11-12T05:02:00.112+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Sculptures"/><category scheme="http://www.blogger.com/atom/ns#" term="idols"/><title type="text">Dasa Mahavidya Bhairavi Idol Form – Iconography</title><summary type="text">Bhairavi Devi: The Fierce Radiance of Tripura-bhairavi in Hindu IconographyAmong the ten Mahavidyas, the great wisdom forms of the
Devi, Bhairavi occupies a place of profound significance. Known also as
Tripura-bhairavi, she embodies the fierce, transformative aspect of the Divine
Feminine who governs destruction as a necessary prelude to renewal. She is
worshipped through related manifestations </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/50945523020093994" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/50945523020093994" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/dasa-mahavidya-bhairavi-idol-form.html" rel="alternate" title="Dasa Mahavidya Bhairavi Idol Form – Iconography" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-3279222458500579872</id><published>2026-11-12T04:01:00.000+05:30</published><updated>2026-11-12T04:01:00.224+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ramayana"/><category scheme="http://www.blogger.com/atom/ns#" term="Vedanta"/><title type="text">Bharata of Ramayana as Taijasa: The Inner Dreamer Who Rules Without Touching the World</title><summary type="text">The Silent Regent: Understanding Bharata as the Awareness WithinIn the Adhyatma Ramayana composed by Thunchaththu
Ezhuthachan in Malayalam, the story of the Ramayana is read not merely as
history of a royal family but as a map of the human inner world. The four
brothers of Ayodhya are seen as representing the four states of consciousness
described in Vedanta: waking (jagrat), dream (svapna), deep</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3279222458500579872" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3279222458500579872" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/bharata-of-ramayana-as-taijasa-inner.html" rel="alternate" title="Bharata of Ramayana as Taijasa: The Inner Dreamer Who Rules Without Touching the World" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-8429425374493472619</id><published>2026-11-12T03:00:00.001+05:30</published><updated>2026-11-12T03:00:00.181+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Quotes"/><title type="text">Charity Is Not All About Donating Money – Hinduism Reflections</title><summary type="text">The Sacred Art of Giving: Understanding Charity Through the Lens of Hindu Philosophy
In contemporary society, charity has become synonymous with monetary donations. Wealthy individuals write checks to charitable organizations, believing they have fulfilled their moral obligations, while those with limited financial resources often feel excluded from acts of benevolence. However, this narrow </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/8429425374493472619" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/8429425374493472619" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/11/charity-is-not-all-about-donating-money.html" rel="alternate" title="Charity Is Not All About Donating Money – Hinduism Reflections" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry></feed>