<?xml version="1.0" encoding="UTF-8" standalone="no"?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:gd="http://schemas.google.com/g/2005" xmlns:georss="http://www.georss.org/georss" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:thr="http://purl.org/syndication/thread/1.0"><id>tag:blogger.com,1999:blog-3884083117643488041</id><updated>2026-09-02T17:34:00.118+05:30</updated><category term="Quotes"/><category term="Dreams"/><category term="Kerala Temple Festival"/><category term="Daily Hindu Calendar"/><category term="Classic Topics"/><category term="Hindu Stories"/><category term="Interesting Facts"/><category term="Hinduism"/><category term="Hinduism Answers"/><category term="Shiva"/><category term="Ramayana"/><category term="Hindu Goddess"/><category term="Kerala"/><category term="helpful articles"/><category term="Hindu 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term="Joining Job"/><category term="Kazakhstan"/><category term="New Zealand"/><category term="Ravi Yog"/><category term="Rishikesh"/><category term="Sarvarta Siddhi Yog"/><category term="Solar Eclipse"/><category term="Vidyarambham Dates"/><category term="audio"/><category term="buying car"/><category term="car delivery"/><category term="cesarean"/><category term="cookie"/><category term="crossword"/><category term="delivery"/><category term="engage"/><category term="exam"/><category term="giving birth"/><category term="kumaryoga"/><category term="property registration"/><category term="raja yoga"/><category term="rented house"/><category term="travel dates"/><title type="text">Hindu Blog</title><subtitle type="html"/><link href="http://www.hindu-blog.com/feeds/posts/default" rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default?redirect=false&amp;orderby=published" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/" rel="alternate" type="text/html"/><link href="http://pubsubhubbub.appspot.com/" rel="hub"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;orderby=published" rel="next" type="application/atom+xml"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><generator uri="http://www.blogger.com" version="7.00">Blogger</generator><openSearch:totalResults>41193</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><xhtml:meta content="noindex" name="robots" xmlns:xhtml="http://www.w3.org/1999/xhtml"/><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-7891639715466071090</id><published>2026-09-02T17:34:00.000+05:30</published><updated>2026-09-02T17:34:00.115+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Mahabharat"/><title type="text">Utanka and the Test of Dharma in Mahabharata: A Lesson in Restraint</title><summary type="text">The Disciple Who Chose Righteousness Over Opportunity - Utanka In MahabharataThe Mahabharata, in the Poushya Parva section of the Adi
Parva, narrates the story of Utanka, a disciple of Rishi Veda. In the
guru-shishya tradition of ancient India, a disciple lived in his teacher's
household for years, serving him and learning the scriptures in return. This
relationship was built on trust, discipline</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/7891639715466071090" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/7891639715466071090" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/09/utanka-and-test-of-dharma-in.html" rel="alternate" title="Utanka and the Test of Dharma in Mahabharata: A Lesson in Restraint" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-5222889994529690440</id><published>2026-09-02T16:03:00.000+05:30</published><updated>2026-09-02T16:03:00.112+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Goddess"/><category scheme="http://www.blogger.com/atom/ns#" term="Hinduism"/><title type="text">Seven Stones, Sacred Presence: The Living Folk Worship Of Goddess In Hinduism</title><summary type="text">Beyond the Temple Walls: The Ancient Worship of the Seven Sacred Rocks as Goddess in HinduismIn countless villages and towns across India, a quiet and
ancient form of worship unfolds daily — seven rocks of varying sizes, smeared
with vermilion, resting beside a river, a pond, or a lake, sheltered under the
cool canopy of a neem, tamarind, or lemon tree. No priest officiates. No temple
wall </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/5222889994529690440" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/5222889994529690440" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/09/seven-stones-sacred-presence-living.html" rel="alternate" title="Seven Stones, Sacred Presence: The Living Folk Worship Of Goddess In Hinduism" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-6842856781791553997</id><published>2026-09-02T14:02:00.000+05:30</published><updated>2026-09-02T14:02:00.121+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Scriptures"/><title type="text">Parashurama Kalpasutra Chapter 4 – Lalitakramah – Content, Teachings And Importance</title><summary type="text">The Sacred Lalitakramah: Divine Worship Through Parashurama Kalpasutra Chapter 4
The Parashurama Kalpasutra stands as one of the most profound treatises on Srividya, the sacred system of Divine Mother worship that has guided countless devotees toward spiritual realization. This ancient text, compiled by the revered sage Parashurama, represents a comprehensive synthesis of divine knowledge drawn </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/6842856781791553997" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/6842856781791553997" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/09/parashurama-kalpasutra-chapter-4.html" rel="alternate" title="Parashurama Kalpasutra Chapter 4 – Lalitakramah – Content, Teachings And Importance" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-1850896143712487239</id><published>2026-09-02T09:59:00.000+05:30</published><updated>2026-09-02T09:59:00.112+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Goddess"/><category scheme="http://www.blogger.com/atom/ns#" term="Tamil Nadu"/><title type="text">Tamil Panguni Month Goddess — Form, Symbolism and Sacred Significance</title><summary type="text">Panguni Masam and Devi Meena — Form, Symbolism and the Grace of the Twelfth MonthIn the Tamil Shaiva tradition, the passage of time is never
merely astronomical. Each of the twelve Tamil months carries a living divine
presence, a goddess whose form, attributes, and energy mirror the spiritual and
seasonal qualities of that period. These twelve goddesses, collectively known
as the Dvadasa Masa </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1850896143712487239" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1850896143712487239" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/09/tamil-panguni-month-goddess-form.html" rel="alternate" title="Tamil Panguni Month Goddess — Form, Symbolism and Sacred Significance" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-5056610156760129131</id><published>2026-09-02T09:07:00.000+05:30</published><updated>2026-09-02T09:07:00.116+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Classic Topics"/><title type="text">Universal Self And Self In Hinduism – Brahman – Atman</title><summary type="text">The Advaita Vedanta holds the view that man is a complex
element of the spiritual element of consciousness which is attribute-less,
non-dual, and pure identity, and the material element of the subtle and gross
body. Of these, the subtle body consists of the five senses of knowledge, five
senses of action, the fivefold vital air, and the mind and the intellect – the two
phases of antahkarana (lit </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/5056610156760129131" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/5056610156760129131" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/09/universal-self-and-self-in-hinduism.html" rel="alternate" title="Universal Self And Self In Hinduism – Brahman – Atman" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-2939854187915935184</id><published>2026-09-02T07:03:00.000+05:30</published><updated>2026-09-02T07:03:00.112+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hinduism Answers"/><title type="text">True Enlightenment Is Seeing The Hidden Unity In All Animate And Inanimate</title><summary type="text">&amp;nbsp;Enlightenment Is Not a Trophy: Seeing the Thread That Ties Everything Together -&amp;nbsp;Wake Up, You're Already Enlightened (And Also, Please Don't Hug the Cobra)Somewhere along the way, enlightenment got a corporate
rebrand. It became a "product" you acquire after decades of sitting
cross-legged, breathing dramatically, and posting about it. Modern spiritual
influencers have turned it into a</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/2939854187915935184" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/2939854187915935184" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/09/true-enlightenment-is-seeing-hidden.html" rel="alternate" title="True Enlightenment Is Seeing The Hidden Unity In All Animate And Inanimate" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-7369346889087825564</id><published>2026-09-02T05:04:00.000+05:30</published><updated>2026-09-02T05:04:00.112+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Goddess"/><title type="text">Chitra – The Luminous Goddess of Purnima Tithi</title><summary type="text">Chitra Devi – The Nitya Goddess Who Presides Over the Full MoonIn the Srividya tradition, time itself is understood as
sacred and living. The lunar fortnight, known as the paksha, is not merely an
astronomical measure but a spiritual progression — each day, or tithi, is
governed by a distinct aspect of the Supreme Goddess. These fifteen aspects are
known as the Nitya Devis, the Eternal Ones, each</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/7369346889087825564" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/7369346889087825564" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/09/chitra-luminous-goddess-of-purnima-tithi.html" rel="alternate" title="Chitra – The Luminous Goddess of Purnima Tithi" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-529334382175179057</id><published>2026-09-02T04:03:00.000+05:30</published><updated>2026-09-02T08:13:31.178+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Sculptures"/><category scheme="http://www.blogger.com/atom/ns#" term="Surya"/><title type="text">Usha And Pratyusha Consorts Of Surya In Sculptures - Symbolism</title><summary type="text">The Solar Trinity: Surya, Usha and Pratyusha in Temple Sculpture and Sacred ThoughtAmong the Navagrahas and the great cosmic powers venerated
in Sanatana Dharma, Surya holds a position of singular importance. He is not
merely the physical sun that rises and sets but the very self-luminous
principle that sustains all creation. The Rig Veda opens its devotional vision
with hymns to Surya, </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/529334382175179057" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/529334382175179057" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/09/usha-and-pratyusha-consorts-of-surya-in.html" rel="alternate" title="Usha And Pratyusha Consorts Of Surya In Sculptures - Symbolism" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgza9dgSpNeso99fl4Ov_sZF-HKQfkFndmonqnavPCa6QeDeim-ArU_4N1Q3E_alrxEMt8XaxlwmMN9-_Xk4zBgaJ_N9lKfRMDtz-m1yeO3-BEo6ZjVQhIqHZNzecQMfvY_K9sythr_vTm7f3PjxcOn826krnEO-1xvVUb4ivUwZGlexgiAJ07aWnqeoYM/s72-c/Usha%20And%20Pratyusha%20Consorts%20Of%20Surya%20In%20Sculptures%20-%20Symbolism.jpg" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-1435986576623593733</id><published>2026-09-02T03:02:00.000+05:30</published><updated>2026-09-02T06:08:28.441+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Quotes"/><title type="text">The Sacred Journey to Brahmi Sthiti in Hinduism: Transcending the Ego to Realize the Self </title><summary type="text">Brahmi Sthiti: The Ultimate State of Divine Consciousness
In the vast ocean of Hindu spiritual philosophy, few concepts are as profound and transformative as Brahmi Sthiti - the divine state of consciousness where the individual soul merges with the universal consciousness. This sublime state represents the ultimate goal of human existence according to Hindu teachings, where the boundaries </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1435986576623593733" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1435986576623593733" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/09/the-sacred-journey-to-brahmi-sthiti-in.html" rel="alternate" title="The Sacred Journey to Brahmi Sthiti in Hinduism: Transcending the Ego to Realize the Self " type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ72EWr3O_WuelvMTUZgN6vhY0OHOJ29frPNHrjJ4Vp5yhgQL-jvEiQDJ0lJmm8q2cz5SRaLQAYuLxLZSM0-k0kcMxOMUZ2dTVdZCq_xR3-RRbNo4zpPwGR2DZs_amL6vHEeKobseuJj53UfToLvSf7HryfgEg8DFdhNbxbupzSceFxnumJOl0F10y7GA/s72-c/Yoga%20Ganapati%20Image.jpg" width="72"/></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-3821834421972085929</id><published>2026-09-02T00:05:00.000+05:30</published><updated>2026-09-02T00:05:00.114+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Daily Hindu Calendar"/><title type="text">September 9 2026 Tithi – Panchang – Hindu Calendar – Good Time – Nakshatra – Rashi</title><summary type="text">Tithi in Panchang – Hindu Calendar on Wednesday, September 9
2026 – It is Krishna Paksha Trayodashi
tithi or the thirteenth day during the waning or dark phase of moon in Hindu calendar and Panchang in most
regions. It is Krishna Paksha Trayodashi tithi or the thirteenth day during the
waning or dark phase of moon till 11:41
AM on September 9. Then onward it is Krishna Paksha Chaturdashi tithi or</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3821834421972085929" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3821834421972085929" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/09/september-9-2026-tithi-panchang-hindu.html" rel="alternate" title="September 9 2026 Tithi – Panchang – Hindu Calendar – Good Time – Nakshatra – Rashi" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-7515470875309927992</id><published>2026-09-01T19:24:00.000+05:30</published><updated>2026-09-02T06:27:04.038+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bengal"/><title type="text">Significance of the Shaluk Flower in Bengali Ranna Puja and Vishwakarma Puja</title><summary type="text">Shaluk: The Divine Water Lily of Faith and Prosperity in
Bengal’s Sacred Traditions

The Shaluk: A Symbol of Purity and Divine Grace

In the heart of Bengal’s spiritual traditions, the&amp;nbsp;shaluk—the
water lily—stands as a timeless emblem of purity, divinity, and faith. Floating
serenely upon still waters, untouched by impurity, the shaluk mirrors the
essence of the human soul that remains pure </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/7515470875309927992" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/7515470875309927992" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/09/the-sacred-bloom-of-water-lily.html" rel="alternate" title="Significance of the Shaluk Flower in Bengali Ranna Puja and Vishwakarma Puja" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-3461742751178482701</id><published>2026-09-01T17:31:00.000+05:30</published><updated>2026-09-01T17:31:00.109+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Mahabharat"/><title type="text">Mahabharata Story - Utanka and the Earrings of Queen Poushya: A Tale of Discipline and Devotion</title><summary type="text">The Guru Dakshina of Utanka in Mahabharata: Purity, Perseverance and PurposeUtanka was a disciple of Sage Veda, who himself was a
disciple of Ayoda Dhoumya. His story appears in the Poushya Parva of the Adi
Parva of the Mahabharata. Utanka served his preceptor and his household with
great devotion and diligence. Pleased with his dedicated service, Veda granted
him leave once his education was </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3461742751178482701" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/3461742751178482701" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/09/mahabharata-story-utanka-and-earrings.html" rel="alternate" title="Mahabharata Story - Utanka and the Earrings of Queen Poushya: A Tale of Discipline and Devotion" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-7439446273149852497</id><published>2026-09-01T16:03:00.000+05:30</published><updated>2026-09-01T16:03:00.109+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Navgrahas"/><title type="text">Why is Saturn (Shani) Associated with Impatience in Hinduism?</title><summary type="text">The Iron Discipline of Shani Dev: Saturn's True Lesson Is the Mastery of ImpatienceIn the Navagraha tradition of Hinduism, Shani — the
planetary deity governing Saturn — is widely feared, frequently misunderstood,
and rarely appreciated for the profound spiritual teaching embedded in his very
nature. Among the many qualities associated with Shani Dev, impatience stands
out as both a warning and a</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/7439446273149852497" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/7439446273149852497" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/09/why-is-saturn-shani-associated-with.html" rel="alternate" title="Why is Saturn (Shani) Associated with Impatience in Hinduism?" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-1942093722539492140</id><published>2026-09-01T14:02:00.000+05:30</published><updated>2026-09-01T14:02:00.114+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Interesting Facts"/><title type="text">Symbolism - Parrot Vehicle of Manmatha, Hindu God of Love</title><summary type="text">From Possibility to Fruition: The Vedic Wisdom Behind Manmatha's Parrot&amp;nbsp;Vehicle -&amp;nbsp;Wings of Desire: Decoding the Symbolism of Parrot VahanaManmatha, more widely known as Kamadeva, Kandarpa, or
Madana, is the Hindu deity who personifies kama, the universal force of desire,
attraction, and aesthetic delight. Puranic tradition traces his origin to the
mind of Brahma, the creator, which is </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1942093722539492140" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/1942093722539492140" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/09/symbolism-parrot-vehicle-of-manmatha.html" rel="alternate" title="Symbolism - Parrot Vehicle of Manmatha, Hindu God of Love" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-2778841820212382198</id><published>2026-09-01T10:02:00.000+05:30</published><updated>2026-09-01T10:02:00.115+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Goddess"/><category scheme="http://www.blogger.com/atom/ns#" term="Tamil Nadu"/><title type="text">Tamil Masi Month Goddess — Form, Symbolism and Sacred Significance</title><summary type="text">Goddess Panjika — The Sacred Devi of Tamil Masi Masam, Her Form, Symbolism and SignificanceIn the rich and ancient tradition of Tamil Shaivism, time
itself is sanctified. Each of the twelve Tamil months, known as masam, is
presided over by a specific goddess who embodies the spiritual and natural
qualities of that period. Together, these twelve divine presences are known as
the Dvadasa Masa Devis</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/2778841820212382198" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/2778841820212382198" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/09/tamil-masi-month-goddess-form-symbolism.html" rel="alternate" title="Tamil Masi Month Goddess — Form, Symbolism and Sacred Significance" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-4276624982961622414</id><published>2026-09-01T09:01:00.000+05:30</published><updated>2026-09-01T09:01:00.113+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Scriptures"/><title type="text">Parashurama Kalpasutra Chapter 3 – Shrikramah – Content, Teachings And Importance</title><summary type="text">Parashurama Kalpasutra Chapter 3 - Shrikramah: The Sacred Blueprint of Divine Mother Worship
The third chapter of Parashurama Kalpasutra, known as Shrikramah, represents one of the most profound expositions on the systematic worship of the Divine Mother in the Srividya tradition. Compiled by the sage Parashurama, this chapter serves as a comprehensive guide that bridges the theoretical </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/4276624982961622414" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/4276624982961622414" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/09/parashurama-kalpasutra-chapter-3.html" rel="alternate" title="Parashurama Kalpasutra Chapter 3 – Shrikramah – Content, Teachings And Importance" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-6710389880342576204</id><published>2026-09-01T07:02:00.000+05:30</published><updated>2026-09-01T07:02:00.122+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hinduism Answers"/><title type="text">The Hawk, the Meat, and the Crows: A Timeless Lesson on Letting Go</title><summary type="text">Freedom from Sorrow – What a Bird Taught the World About the SelfIn the Srimad Bhagavatam, among the teachings shared by the
great Avadhuta sage, there is a simple yet profound story about a hawk. This
hawk was flying high above, carrying a piece of meat in its beak. Almost
immediately, a large flock of crows spotted it and began to chase and attack it
from every direction, cawing and pecking </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/6710389880342576204" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/6710389880342576204" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/08/the-hawk-meat-and-crows-timeless-lesson.html" rel="alternate" title="The Hawk, the Meat, and the Crows: A Timeless Lesson on Letting Go" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-4309307963200364769</id><published>2026-09-01T05:02:00.000+05:30</published><updated>2026-09-01T05:02:00.111+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Goddess"/><title type="text">Jwalamalini Devi – Goddess Of Chaturdashi Tithi</title><summary type="text">In the vast and luminous tradition of Srividya in Hindu religion, the supreme
goddess Lalita Tripurasundari manifests in fifteen eternal forms known as the
Nitya Devis, each presiding over one tithi or lunar day of the fortnight.
Jwalamalini, whose name means She Who Wears a Garland of Flames, is the Nitya
Devi of Chaturdashi, the fourteenth tithi. She is not a lesser emanation but a
complete, </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/4309307963200364769" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/4309307963200364769" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/09/jwalamalini-devi-goddess-of-chaturdashi.html" rel="alternate" title="Jwalamalini Devi – Goddess Of Chaturdashi Tithi" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-2665395104450358947</id><published>2026-09-01T04:01:00.000+05:30</published><updated>2026-09-01T04:01:00.107+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Sculptures"/><title type="text">Royal Scepter Of Hindu Sculptures</title><summary type="text">Rajadanda or Sengol — The Divine Scepter or Staff: Symbol of Sacred Sovereignty in Hindu Art and ScriptureAmong the most dignified and philosophically laden objects
found in Hindu sculptural tradition is the royal scepter, known variously as
the Sengol, Chenkol, or Rajadanda. Classified as an emblematic attribute within
the category of regalia, the scepter belongs to a family of sacred objects </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/2665395104450358947" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/2665395104450358947" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/09/royal-scepter-of-hindu-sculptures.html" rel="alternate" title="Royal Scepter Of Hindu Sculptures" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-6659081730788192379</id><published>2026-09-01T03:04:00.003+05:30</published><updated>2026-09-01T03:04:00.162+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Quotes"/><title type="text">Prasada in Hinduism: The Divine Grace of Inner Peace in Hindu Philosophy</title><summary type="text">Prasada: The Divine Grace of Inner Peace in Hindu Philosophy
In the vast tapestry of Hindu spiritual wisdom, few concepts capture the essence of inner transformation as beautifully as Prasada. This Sanskrit term, often translated as "grace," "favor," or "tranquil clarity," represents a state of consciousness where the mind achieves perfect equilibrium amidst the constant flux of worldly </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/6659081730788192379" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/6659081730788192379" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/09/prasada-in-hinduism-divine-grace-of.html" rel="alternate" title="Prasada in Hinduism: The Divine Grace of Inner Peace in Hindu Philosophy" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-5296611198740719235</id><published>2026-09-01T00:02:00.000+05:30</published><updated>2026-09-01T00:02:00.176+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Daily Hindu Calendar"/><title type="text">September 8 2026 Tithi – Panchang – Hindu Calendar – Good Time – Nakshatra – Rashi</title><summary type="text">Tithi in Panchang – Hindu Calendar on Tuesday, September 8 2026
– It is Krishna Paksha Dwadashi tithi or
the twelfth day during the waning or dark phase of moon in Hindu calendar and Panchang in most
regions. It is Krishna Paksha Dwadashi tithi or the twelfth day during the
waning or dark phase of moon till 1:42
PM on September 8. Then onward it is Krishna Paksha Trayodashi tithi or the
</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/5296611198740719235" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/5296611198740719235" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/09/september-8-2026-tithi-panchang-hindu.html" rel="alternate" title="September 8 2026 Tithi – Panchang – Hindu Calendar – Good Time – Nakshatra – Rashi" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-6493572208198246998</id><published>2026-08-31T19:41:00.000+05:30</published><updated>2026-08-31T19:41:00.105+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Navgrahas"/><title type="text">Why is Venus (Shukra) Associated with Creativity in Hinduism?</title><summary type="text">Shukra and the Rational Mind: Venus as the Architect of Discernment in Hindu ThoughtAmong the Navagrahas, the nine celestial forces that govern
the rhythm of human life, Shukra occupies a place that is both luminous and
deeply intellectual. Known in Western astronomy as Venus, Shukra is the
brightest object in the night sky after the Moon, and in Hindu cosmology, that
brilliance is no coincidence</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/6493572208198246998" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/6493572208198246998" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/08/why-is-venus-shukra-associated-with.html" rel="alternate" title="Why is Venus (Shukra) Associated with Creativity in Hinduism?" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-18434861732659125</id><published>2026-08-31T17:36:00.000+05:30</published><updated>2026-08-31T17:36:00.110+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Mahabharat"/><title type="text">The story of Jarita in Mahabharata - A Mother Bird, a Forest on Fire, and the Lessons of Courage</title><summary type="text">In the vast Khandava Forest, on the banks of the Yamuna,
lived a Saranga bird named Jarita. Khandava was a magnificent wilderness filled with trees,
birds, animals, and countless forms of life. The Saranga birds were no ordinary birds. According to
ancient legends, they were a divine species said to possess the ability to
think, speak, and behave like human beings. They were regarded as wise,
</summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/18434861732659125" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/18434861732659125" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/08/the-story-of-jarita-in-mahabharata.html" rel="alternate" title="The story of Jarita in Mahabharata - A Mother Bird, a Forest on Fire, and the Lessons of Courage" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-9073460378828188145</id><published>2026-08-31T16:03:00.000+05:30</published><updated>2026-08-31T16:03:00.107+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Sculptures"/><title type="text">The Wheel of Knowing — Dharma Chakra Mudra</title><summary type="text">Turning the Wheel of Sacred Truth — The Dharma Chakra MudraIn the sacred grammar of sacred gesture, few mudras carry
the weight and luminosity of the Dharma Chakra Mudra. Translated literally as
the Gesture of the Wheel of Dharma, this hand configuration is not merely a
decorative pose found on temple walls and sacred sculpture. It is a living
transmission — a bodily encoding of the deepest </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/9073460378828188145" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/9073460378828188145" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/08/the-wheel-of-knowing-dharma-chakra-mudra.html" rel="alternate" title="The Wheel of Knowing — Dharma Chakra Mudra" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry><entry><id>tag:blogger.com,1999:blog-3884083117643488041.post-4638950166333469014</id><published>2026-08-31T14:00:00.000+05:30</published><updated>2026-08-31T14:00:00.116+05:30</updated><category scheme="http://www.blogger.com/atom/ns#" term="Hindu Stories"/><title type="text">Story Of Gods In Kanchipuram Temple Following Thirumalisai Alvar</title><summary type="text">When Deities Walked Away: The Kanchipururam Exodus of Perumal
In the ancient city of Kanchipuram, a saga unfolds that highlights the profound bond between a saintly devotee and the presiding deity of the land. This is the story of Thirumalisai Alvar, his loyal disciple Kanikannan, and how the very gods of Kanchipuram chose to abandon their temples and follow the divine will of a single devotee. </summary><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/4638950166333469014" rel="edit" type="application/atom+xml"/><link href="http://www.blogger.com/feeds/3884083117643488041/posts/default/4638950166333469014" rel="self" type="application/atom+xml"/><link href="http://www.hindu-blog.com/2026/08/story-of-gods-in-kanchipuram-temple.html" rel="alternate" title="Story Of Gods In Kanchipuram Temple Following Thirumalisai Alvar" type="text/html"/><author><name>Abhilash Rajendran</name><uri>http://www.blogger.com/profile/11529954044649159857</uri><email>noreply@blogger.com</email><gd:image height="16" rel="http://schemas.google.com/g/2005#thumbnail" src="https://img1.blogblog.com/img/b16-rounded.gif" width="16"/></author></entry></feed>