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	<title>Greater New Orleans Foundation» Blog - Greater New Orleans Foundation</title>
	
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		<title>Claiborne Avenue: Past, Present, and Future</title>
		<link>http://www.gnof.org/claiborne-avenue-past-present-future/</link>
		<comments>http://www.gnof.org/claiborne-avenue-past-present-future/#comments</comments>
		<pubDate>Thu, 24 May 2012 19:24:22 +0000</pubDate>
		<dc:creator>julia</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.gnof.org/?p=9645</guid>
		<description><![CDATA[This video is a look at what once was along Claiborne Avenue, what exists today, and what hope there is for the future. The goal of this work is not only to take down the overpass [...]]]></description>
			<content:encoded><![CDATA[<p>This video is a look at what once was along Claiborne Avenue, what exists today, and what hope there is for the future. The goal of this work is not only to take down the overpass, but to ensure that economic opportunity is provided to residents of historic Tremé, the 7th Ward, and other neighborhoods along the Claiborne corridor before the teardown occurs.</p>
<p>The following video was produced by the <a title="CNU" href="http://www.cnu.org/" target="_blank">Congress for the New Urbanism</a> with funding from the Greater New Orleans Foundation&#8217;s <a title="Met Ops" href="http://www.gnof.org/programs/metropolitan-opportunities-initiative/">Metropolitan Opportunities</a> Initiative:</p>
<p><iframe src="http://www.youtube.com/embed/lw-kuORzF4M" frameborder="0" width="560" height="315"></iframe></p>
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		<title>Understanding New Orleans One Issue at a Time</title>
		<link>http://www.gnof.org/understanding-new-orleans-one-issue-at-a-time/</link>
		<comments>http://www.gnof.org/understanding-new-orleans-one-issue-at-a-time/#comments</comments>
		<pubDate>Wed, 16 May 2012 21:09:14 +0000</pubDate>
		<dc:creator>julia</dc:creator>
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		<guid isPermaLink="false">http://www.gnof.org/?p=9573</guid>
		<description><![CDATA[Inside is a recap of our 2012 bus tour series where we explored issues such as education, criminal justice, and the arts—as well as learning more about the Greater New Orleans Foundation [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><a href="/content/uploads/2012/02/understanding-one-issue-hea.jpg"><img class="size-full image-9528 aligncenter" title="understanding-one-issue-hea" src="/content/uploads/2012/02/understanding-one-issue-hea.jpg" alt="" width="400" height="201" /></a></p>
<h3><strong>Greater New Orleans Foundation 2012 Series Recap</strong></h3>
<p>Here&#8217;s a recap of our 2012 bus tour series where we explored issues such as education, criminal justice, and the arts—as well as learned more about the Greater New Orleans Foundation. Below you’ll find a description of each tour, with links to the nonprofits and people we met. If you liked what you saw on these tours, please consider making a <a title="Become a Partner in Philanthropy" href="http://www.gnof.org/pip/">donation</a> to the Greater New Orleans Foundation to support our work.</p>
<div>
<h3><strong>EDUCATION</strong></h3>
<p><a href="/content/uploads/2012/02/education-panel.jpg"><img class="alignright size-thumbnail image-9532" title="education-panel" src="/content/uploads/2012/02/education-panel-150x150.jpg" alt="" width="150" height="150" /></a>Our tour exploring the complex issue of education in New Orleans began with a <a title="PowerPoint Presentation" href="/content/uploads/2012/02/Leslie-Jacobs_RSD-TFA.pptx" target="_blank">presentation</a> [powerpoint] by Leslie Jacobs, who provided an overview of public education reform in New Orleans—both its successes and its challenges. After an informative discussion, we headed to <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-c/">Langston Hughes Academy</a>, the first new public school built in New Orleans after Katrina. While on the bus, we  heard from nonprofit leaders Jane Wholey, founder/director of <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-q/">Kids Rethink New Orleans Schools</a>, and Rhonda Kalifey-Aluise, executive director of <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-a/">KIPP New Orleans Schools</a>. Mark Martin, director of the school, greeted us and provided a brief history of the school.</p>
<p>Michael Stone of <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-f/">New Schools for New Orleans</a> moderated a panel discussion, which included Makiyah Moody, executive director of <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-g/">Leading Educators New Orleans</a>; Dr. Andre Perry, of the <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-w/">Institute for Quality and Equity in Education at Loyola University</a>; Dr. Michael Ripski, executive director of the <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-yd/">Louisiana Achievement Network</a>; and Stevona Rogers, Manager of Teacher Leadership and Development for <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-yh/">Teach for America New Orleans</a>. It was encouraging to hear the gains being made in education reform from these tireless leaders.</p>
<p><a href="/content/uploads/2012/02/Edible-garden.jpg"><img class="alignleft size-thumbnail image-9533" title="Edible-garden" src="/content/uploads/2012/02/Edible-garden-150x149.jpg" alt="" width="150" height="149" /></a>Bus captains Karin Giger and Cathy Pierson talked about their involvement with the <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-yk/">Edible Schoolyard</a>’s gardens in five of New Orleans’ <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-yu/">Firstline Charter Schools</a>. We then had an opportunity to view one for ourselves and were given a tour of the <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-jl/">Dreamkeeper Garden</a> by some of the school’s young gardeners.</p>
<h3><strong>CRIMINAL JUSTICE</strong></h3>
<p><a href="/content/uploads/2012/02/Luceia-LeDoux.jpg"><img class="alignright size-thumbnail image-9535" title="Luceia-LeDoux" src="/content/uploads/2012/02/Luceia-LeDoux-150x150.jpg" alt="" width="150" height="150" /></a>Our tour exploring the issue of Criminal Justice began with Luceia LeDoux, vice president for public safety and governmental oversight at <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-jr/">Baptist Community Ministries</a>, who presented an eye-opening <a title="PowerPoint Presentation" href="/content/uploads/2012/02/GNOF-Criminal-Justice-Presentation.pptx" target="_blank">presentation</a> [powerpoint] about the pathways many juveniles follow before becoming involved in the criminal justice system. The data was astounding. Luceia’s presentation provided a framework of understanding that laid the groundwork for what was to come next.</p>
<p>As we made our way to the Criminal District Courthouse, Ann Rabin, founding member of <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-jy/">Citizens for 1 Greater New Orleans</a>, discussed the organization&#8217;s volunteer-driven work with criminal justice reform in New Orleans post-Katrina. Upon getting settled in a beautiful and historic courtroom, we were welcomed by Chief Judge Camille Buras. Judge Calvin Johnson then moderated a panel discussion with speakers Seung Hong, director of the <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-jj/">Department of Human Services for the City of New Orleans</a>; Dana Kaplan, executive director of the <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-jt/">Juvenile Justice Project of Louisiana</a>; and Melissa Sawyer, executive director of the <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-ji/">Youth Empowerment Project</a>. We could not but help but be inspired by the stories they told about the challenges their clients face on a daily basis.</p>
<p><a href="/content/uploads/2012/02/criminal-justice-panel.jpg"><img class="alignleft size-thumbnail image-9534" title="criminal-justice-panel" src="/content/uploads/2012/02/criminal-justice-panel-150x150.jpg" alt="" width="150" height="150" /></a>We also met John Thompson, executive director of <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-jd/">Resurrection After Exoneration</a>, and Norris Henderson, founder of <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-jh/">Voice of the Ex-Offender (VOTE)</a> and co-director of <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-jk/">Safe Streets/Strong Communities</a>. John Thompson spent 18 years in prison (14 on death row) for a crime he didn’t commit and now is dedicated to helping other exonerees. Norris Henderson was wrongfully incarcerated for 27 years and works to end discrimination against ex-offenders. We were awed by their experiences and inspired by their efforts in criminal justice reform.</p>
<h3><strong>ARTS &amp; CULTURE</strong></h3>
<p><a href="/content/uploads/2012/02/music-box-village.jpg"><img class="alignright size-thumbnail image-9536" title="music-box-village" src="/content/uploads/2012/02/music-box-village-150x150.jpg" alt="" width="150" height="150" /></a>Jay Weigel, executive director of the <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-ju/">Contemporary Arts Center</a>, kicked off our arts tour with an overview of the cultural landscape in New Orleans, post-Katrina. On the bus we met Greer Mendy, founder and director of the <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-tl/">Tekrema Center for Arts and Culture</a>, a unique art/community center in the Lower Ninth Ward. We then arrived in the Bywater and entered the unique art/sound installation known as the <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-tr/">Music Box</a>. While there, we were treated to the amazing sounds of the musical “instruments” demonstrated by creative director/curator Delaney Martin and associate curator, Theo Eliezer. We even got to play some of them ourselves!</p>
<p>From the Music Box, we headed over to the <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-ty/">New Orleans Healing Center</a>, where we met the developer Pres Kabacoff, who gave us a warm welcome and a brief history of the center. We heard from Sue Mobley, executive director of <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-tj/">Sweet Home New Orleans</a>, a nonprofit that helps support local musicians, Mardi Gras Indians, and members of social aid and pleasure clubs. Spy Boy Honey Bannister, a member of the Creole Wild West Mardi Gras Indians, led us to Café Istanbul for the next part of our tour.</p>
<p><a href="/content/uploads/2012/02/mardi-gras-indian-honey.jpg"><img class="alignleft size-thumbnail image-9537" title="mardi-gras-indian-honey" src="/content/uploads/2012/02/mardi-gras-indian-honey-150x150.jpg" alt="" width="150" height="150" /></a>After Honey sang a few songs onstage, local performer <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-ti/">Chuck Perkins</a> performed a poem for us and told us a bit of the history behind the Mardi Gras Indians’ traditions. We then met Alison Fensterstock, a local music journalist and music consultant for the show <em>Tremé</em>, and photographer Aubrey Edwards. Alison and Aubrey created the <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-td/">Where They At</a> archive/exhibit, which has chronicled the Bounce music scene in New Orleans. They explained the history of New Orleans Bounce music, tracing its roots back to the Mardi Gras Indians’ call-and-response chants.</p>
<p>Alison then brought a very special guest on stage, <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-th/">Big Freedia</a>, one of the most well-known Bounce artists who spoke about her personal experiences performing as a trans-gendered Bounce rap artist in New Orleans. We were then treated to a performance by Big Freedia and her backup dancer, which showed the group the real meaning of the word “bounce.”</p>
<p><iframe src="http://www.youtube.com/embed/YNlX8dYvDIk" frameborder="0" width="560" height="315"></iframe></p>
<h3><strong>Understanding the Greater New Orleans Foundation</strong></h3>
<p>Our final tour culminated at the Greater New Orleans Foundation, where we explored how we help individuals and families with their philanthropy. We were welcomed by GNOF’s President and CEO Dr. Albert Ruesga who introduced us to our panelists: Diana Lewis, who spoke of her family’s legacy of giving; Debby Kuhner, who told us about the history of the Maison Hospitaliere; Denis McDonald, who told us about the Selley Foundation’s philanthropy; Marie Gould, who explained how philanthropy is for everybody; and Beth Shapiro Lavin, who told us about the <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-tu/">Emerging Philanthropists of New Orleans</a>.</p>
<p>After we heard from our panelists, we broke into groups for an exercise in strategic grantmaking. We then heard from GNOF’s board vice chair Dr. Ludovico Feoli who discussed GNOF’s <a href="http://greaterneworleansfoundation.createsend4.com/t/r-i-hltynl-l-il/">IMPACT grantmaking program</a>, and we wrapped up the final tour of the series with a light lunch and conversation with many of the new friends we made along the way.</p>
<p><a href="/content/uploads/2012/02/Understanding-GNOF.jpg"><img class="aligncenter size-medium image-9538" title="Understanding-GNOF" src="/content/uploads/2012/02/Understanding-GNOF-300x114.jpg" alt="" width="300" height="114" /></a></p>
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		<title>Just Say New Orleans</title>
		<link>http://www.gnof.org/just-say-new-orleans/</link>
		<comments>http://www.gnof.org/just-say-new-orleans/#comments</comments>
		<pubDate>Mon, 07 May 2012 18:27:50 +0000</pubDate>
		<dc:creator>julia</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.gnof.org/?p=9498</guid>
		<description><![CDATA[While dining at the Riverbend bistro, Dante’s Kitchen, you may be surprised to see at the bottom of the menu – Just Say New Orleans – a giving option created by Chef Eman Loubier [...]]]></description>
			<content:encoded><![CDATA[<p><img class="size-full image-9500 alignleft" title="Dantes-Kitchen" src="/content/uploads/2012/05/Dantes-Kitchen.jpg" alt="" width="136" height="106" />While dining at the Riverbend bistro, <a title="Dante's Kitchen" href="http://danteskitchen.com/" target="_blank">Dante’s Kitchen</a>, you may be surprised to see at the bottom of the menu – Just Say New Orleans – a giving option created by Chef Eman Loubier. Originally from the northeast, Loubier jokes that he moved to New Orleans because “it wasn’t New Jersey.” He took a shine to the Crescent City’s culinary flavors and began his career as a fry cook, worked his way up at Commander’s Palace, and eventually opened a place of his own in 2000.</p>
<p>With meats cured in-house, Louisiana produce, and years measured in pickle jars lining Dante’s walls, Loubier felt it was time to start giving back to the community he loved. He began by using local charities that directly benefited the restaurant’s day to day operations. “We pay <a title="NOLA Green Roots" href="http://nolagreenroots.org/" target="_blank">NOLA Green Roots</a> to come collect our compost which fertilizes their sustainable urban gardens,” explains Loubier. Soon Dante’s causes began to accumulate and Loubier decided to open a fund at the Greater New Orleans Foundation. “I noticed that some of my causes, like NOLA Green Roots, were already grantees of the Foundation’s <a title="IMPACT" href="http://www.gnof.org/programs/impact/">IMPACT program</a>. IMPACT allowed me to streamline my giving and pool my money into one large fund,” says Loubier.</p>
<p>Over the past three years, the Foundation’s highly-competitive IMPACT fund has granted to roughly 100 best of the best nonprofit organizations in arts &amp; culture; youth development; education; and health &amp; human services. IMPACT’s ultimate goal is to create a resilient, sustainable, vibrant, and equitable region in which individuals and families flourish.</p>
<p>“I enjoy being able to offer my patrons the opportunity to give back to this community we all love,” says the Chef, “and giving is always in season.”</p>
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		<title>Connecting Donors to Community Needs</title>
		<link>http://www.gnof.org/connecting-donors-to-community-needs/</link>
		<comments>http://www.gnof.org/connecting-donors-to-community-needs/#comments</comments>
		<pubDate>Sun, 22 Apr 2012 14:16:37 +0000</pubDate>
		<dc:creator>julia</dc:creator>
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		<guid isPermaLink="false">http://www.gnof.org/?p=9413</guid>
		<description><![CDATA[Imagine spending 27 years in prison for a crime you didn’t commit. Imagine spending 14 years on death row for a murder you didn’t commit. Meet Norris Henderson and John Thompson, two men who were exonerated after spending decades in Angola [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/content/uploads/2012/04/RAE-logo.jpg"><img class="size-full image-9415 alignleft" title="RAE-logo" src="/content/uploads/2012/04/RAE-logo.jpg" alt="" width="136" height="106" /></a>Imagine spending 27 years in prison for a crime you didn’t commit. Imagine spending 14 years on death row for a murder you didn’t commit. Meet Norris Henderson and John Thompson, two men who were exonerated after spending decades in Angola. Upon completing a prison release program, together they launched a nonprofit organization called <a title="Resurrection After Exoneration" href="http://www.r-a-e.org/home" target="_blank">Resurrection After Exoneration</a> (RAE) which advocates for criminal justice reform nationwide. The revenue stream to support RAE comes from their successful screen-printing business which exclusively employs exonerees.</p>
<p>Thompson and Henderson participated in a recent event sponsored by the Greater New Orleans Foundation. The occasion was to inform donors and friends of the Foundation about challenges within New Orleans’ criminal justice system. They spoke in the courtroom where Thompson was sentenced for the first time and exonerated nearly 30 year later. “I kept staring at the portrait of Judge Patrick Quinlan because he was the judge who put me away the first time and freed me the second,” said Thompson.</p>
<p>Henderson explained that their next venture was to launch a lawn care company. “One thing you learn in Angola is how to cut grass,” says Thompson with a smile. Thanks to GNOF grantee Good Work Network, a business plan is in the works and they’re currently looking for a truck and equipment. In response to hearing their story that day in the courtroom, an anonymous donor stepped in and pledged half of the cost of the truck.</p>
<p>We’re grateful for the generosity of New Orleans’ donor community. We’re pleased to play a part in connecting donors to community needs.</p>
<p>To hear the NPR segment on the case against John Thompson, <a href="http://www.npr.org/2011/04/02/135053529/man-wrongly-convicted-are-prosecutors-liable">click here</a>.</p>
<p>To read the New York Times article, <a href="http://www.nytimes.com/2011/04/10/opinion/10thompson.html?pagewanted=all">click here</a>.</p>
<p>To watch their stories, a project produced by Resurrection After Exoneration, <a title="RAE Stories" href="http://r-a-e.org/stories" target="_blank">click here</a>.</p>
<p>To read the <em>Understanding New Orleans One Issue at a Time: Criminal Justice</em> program of events, <a title="Understanding New Orleans One Issue at a Time: Criminal Justice" href="/content/uploads/2012/04/CRIMINAL_JUSTICE-March21-GNOF.pdf" target="_blank">click here</a> [PDF].</p>
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		<title>The Lens Wins Award for Story About 9th Ward Homeowner</title>
		<link>http://www.gnof.org/the-lens-wins-award-on-story-about-9th-ward-homeowner/</link>
		<comments>http://www.gnof.org/the-lens-wins-award-on-story-about-9th-ward-homeowner/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 19:24:29 +0000</pubDate>
		<dc:creator>julia</dc:creator>
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		<guid isPermaLink="false">http://www.gnof.org/?p=9373</guid>
		<description><![CDATA[IMPACT grantee The Lens was honored as the best regional online news operation for audio investigative reporting by the Radio Television Digital News Association. The regional award considers entries from radio, TV, and online news operations in Louisiana, Arkansas, Mississippi, &#8230;]]></description>
			<content:encoded><![CDATA[<p class="size-full image-9374 alignleft" title="the-Lens-Edward-award"><a href="/content/uploads/2012/04/the-Lens-Edward-award.jpg"><img class="size-full image-9374 alignleft" title="the-Lens-Edward-award" src="/content/uploads/2012/04/the-Lens-Edward-award.jpg" alt="" width="136" height="150" /></a> IMPACT grantee The Lens was honored as the best regional online news operation for audio investigative reporting by the <a title="Edward R. Murrow Award" href="http://www.rtdna.org/pages/media_items/2012-regional-edward-r.-murrow-award-winners2081.php?id=2081#region9" target="_blank">Radio Television Digital News Association</a>. The regional award considers entries from radio, TV, and online news operations in Louisiana, Arkansas, Mississippi, and Alabama, The Lens&#8217; article, <a title="Kisa Holmes Six Years Later" href="http://thelensnola.org/2011/12/23/kisa-holmes-six-years-later/" target="_blank"><em>One homeowner’s travails: Even after more than six years, family can’t move back into “new” house</em></a>, was recognized as one of the 2012 Edward R. Murrow award winners and moves on to the next round. <a title="The Lens Wins Murrow Award" href="http://thelensnola.org/2012/04/12/lens-wins-murrow-award/" target="_blank">Click here to read more</a>&#8230;</p>
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		<title>Q&amp;A with Carla Major – Site Director for New Orleans Works</title>
		<link>http://www.gnof.org/qa-with-carla-major-site-director-for-new-orleans-works/</link>
		<comments>http://www.gnof.org/qa-with-carla-major-site-director-for-new-orleans-works/#comments</comments>
		<pubDate>Thu, 29 Mar 2012 16:00:39 +0000</pubDate>
		<dc:creator>julia</dc:creator>
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		<guid isPermaLink="false">http://www.gnof.org/?p=9206</guid>
		<description><![CDATA[Meet Carla L. Major, the Foundation's newest employee. We have asked her some questions about the program formerly known as the "New Orleans Regional Workforce Funders Collaborative." [...]]]></description>
			<content:encoded><![CDATA[<p><em><a href="/content/uploads/2012/03/Carla-Major-web1.jpg"><img class="size-full image-9208 alignleft" title="8 Bit Retouched Master" src="/content/uploads/2012/03/Carla-Major-web1.jpg" alt="" width="136" height="106" /></a>1)   </em><em>What is your job at GNOF? </em></p>
<p>I am responsible for the start-up, implementation, and management of a new collaborative workforce initiative in the healthcare and bioscience industries.</p>
<p><strong></strong><br />
<strong></strong></p>
<p><em>2)  What did you do on day one?</em></p>
<p>I made a major decision to change the name of the initiative! It was called, <em>New Orleans Regional Workforce Funders Collaborative</em>.  After saying it several times, I felt we needed a new name that was shorter, reflective, and active: <em>New Orleans Works – N.O.W</em>.  is it.</p>
<p><em>3)   </em><em>How will you define success?  </em></p>
<p>Success is when healthcare and bioscience employers hire low-skilled workers for jobs that turn into careers &#8212; careers that pay decent enough wages to support a family.  We’re going to help employers provide the necessary trainings so their employees have more than a job, they have a career.</p>
<p><em>4)  What will be the work of the collaboration?</em></p>
<p>There are three goals.  The first is identifying what employment opportunities are available in the healthcare and bioscience industries.  The second is to determine the skills necessary for these positions.  The third is to help fill vacancies by connecting newly trained, newly skilled workers with healthcare employers.</p>
<p><em>5)  What’s your favorite restaurant, and why?<br />
</em></p>
<p>As a New Orleans native, it’s like Lays potato chips – you can’t have just one!  But if I had to choose, my most favorite is Munch Factory. It’s a new restaurant in Gentilly and the food is excellent. Since Gentilly is still rebuilding, it’s nice to see another business doing well.</p>
<p>New Orleans Works <em>is in collaboration with the following organizations: </em><em>Ford Foundation, JPMorgan Chase, City of New Orleans, BioDistrict, Urban Strategies, Baptist Community Ministries, W.K. Kellogg Foundation, United Way, Surdna Foundation, and GNOF. To learn more about the N.O.W. Initiative, contact Carla Major at 504-598-4663 or <a href="mailto:Carla@gnof.org">Carla@gnof.org</a>.</em></p>
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		<title>Getting It Right at the GEO Conference in Seattle</title>
		<link>http://www.gnof.org/getting-it-right-at-the-geo-conference-in-seattle/</link>
		<comments>http://www.gnof.org/getting-it-right-at-the-geo-conference-in-seattle/#comments</comments>
		<pubDate>Tue, 13 Mar 2012 20:31:31 +0000</pubDate>
		<dc:creator>julia</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.gnof.org/?p=9115</guid>
		<description><![CDATA[Is grantmaking getting smarter?  According to a survey recently released by Grantmakers for Effective Organizations, the answer appears to be ‘not by much’ or at least not fast enough.  Last conducted in 2008 [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/content/uploads/2012/03/Albert-Ruesga-blog.jpg"><img class="size-full image-9116 alignleft" title="Albert-Ruesga-blog" src="/content/uploads/2012/03/Albert-Ruesga-blog.jpg" alt="" width="136" height="106" /></a>Is grantmaking getting smarter?  According to a <a href="http://www.geofunders.org/storage/documents/is_grantmaking_getting_smarter_study.pdf">survey recently released</a> by Grantmakers for Effective Organizations, the answer appears to be ‘not by much’ or at least not fast enough.  Last conducted in 2008, this study of primarily US foundations found that there was little to no change in the degree to which grantmakers incorporated practices deemed important to the success of grantees.  The survey will be one of the centerpieces of discussion at this year’s <a title="GEO 2012 Conference" href="http://www.geonationalconference.org/" target="_blank">GEO conference</a> being held in Seattle, March 12-14.</p>
<p>Some of us will take comfort in the fact that the field, represented by the 755 grantmakers who responded to the survey, did not backslide significantly into bad habits.  Unrestricted and capacity-building support held steady, and foundations even reduced grant approval times from an average of 90 to 60 days.  Multiyear grants, however, took a sharp downward turn over the past three years: close to 30 percent of funders reported that due to the sour economy and other factors, they had decreased dollars for multiyear support.</p>
<p>While the survey holds some interest as a mirror held up to the nature of US grantmaking, foundation staff might use it most effectively to reflect on their own practices.  The survey can help convince trustees who, for example, still object to the idea of making grants for general operating support.  When so many grantmakers have adopted the practice, and for so many good reasons, there’s strong motivation for detractors to reexamine the basis for their resistance.</p>
<p>What’s missing from the survey are the robust debates behind the various grantmaking practices probed in the study. These exchanges are common in the GEO community, many of whose members pride themselves on their attention to matters of craft.  These debates are rooted in some telling assumptions about the evolving field of philanthropy.  First, there’s the assumption that there are better and worse ways of making grants, ranging from the awful to the inspired.  Inspired philanthropy, after a hundred years or so of professionalized grantmaking, is coming ever more clearly into view.  It can be codified and learned.  Second, there is, I believe, a growing sense that the argument for perfecting the craft of grantmaking has a moral as well as a practical dimension.  Not only can bad grantmaking practices set back social change efforts, they can also do them irreparable harm.</p>
<p>&#8212;&#8211;</p>
<p><em>Albert Ruesga is president &amp; CEO of the <a href="../">Greater New Orleans Foundation</a> and a member of the GEO board of directors.  He’s the managing editor of the <a href="http://postcards.typepad.com/">White Courtesy Telephone</a> blog.</em></p>
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		<title>Remembering Japan: One Year Later</title>
		<link>http://www.gnof.org/remembering-japan-one-year-later/</link>
		<comments>http://www.gnof.org/remembering-japan-one-year-later/#comments</comments>
		<pubDate>Sat, 10 Mar 2012 06:20:28 +0000</pubDate>
		<dc:creator>julia</dc:creator>
				<category><![CDATA[Blog]]></category>
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		<guid isPermaLink="false">http://www.gnof.org/?p=9086</guid>
		<description><![CDATA[It’s an image that’s impossible to forget: a massive black wall of water looming over a seaside city. Within seconds, everything is swept [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/content/uploads/2012/03/nola-japan_quake_logo-2.jpg"><img class="size-full image-9088 alignleft" title="nola-japan_quake_logo-2" src="/content/uploads/2012/03/nola-japan_quake_logo-2.jpg" alt="" width="136" height="72" /></a>It’s an image that’s impossible to forget: a massive black wall of water looming over a seaside city. Within seconds, everything is swept away by the inky mass—houses, cars, boats, and infrastructure. The damage abrupt; the destruction unprecedented. The horrifying footage of the massive earthquake and tsunami that hit eastern Japan on March 11, 2011 rippled through the international community, especially hitting home here in New Orleans, where we know disaster all too well.</p>
<p>Immediately following the catastrophe, the Japanese community of New Orleans sprang into action, partnering with the Greater New Orleans Foundation to establish the <strong>NOLA Japan Quake Fund. </strong>The fund was created as a way to give back to Japan, a country that collectively donated more than $44 million to New Orleans after Katrina.“Both the Japanese government and individuals gave and asked for nothing in return,” says Hiroko Kusuda, a law professor at Loyola University and member of the Japan Club of New Orleans who has been instrumental in the fund. “We wanted to reciprocate their generosity on a small scale.”</p>
<p>Through mostly grassroots efforts, the NOLA Japan Quake Fund has raised nearly $300,000 in donations from individuals, local businesses, and corporations. “It was a very successful fundraising effort,” says Dr. Masako Wakabayashi, the oldest member of the Japan Club of New Orleans and an active advisor to the fund. “The general population of New Orleans could identify with the victims.”</p>
<p>But the question of what to do with these funds remained. Both Mrs. Kusuda and Dr. Wakabayashi went on a fact-finding mission to the affected regions in Japan to identify the areas of greatest need. “We went on our own because we were concerned about large organizations and their ability to distribute the funds effectively,” says Mrs. Kusuda. She describes the trip as being “very emotionally demanding” and recounted seeing a school that had flooded up to its fourth floor, where crayons, pens, and books remained, and the day’s assignment was still written on a blackboard.</p>
<p>Dr. Wakabayashi and Mrs. Kusuda have identified two very different funding areas through the research they conducted in Japan. One grant will support a government fund for orphans, which will directly aid school-age children who have lost their parents in the disaster; a second grant will fund Life Supporters of Miyako, a grassroots nonprofit that provides much-needed mental health services and legal aid to victims in one of the hardest-hit areas.</p>
<p>While great strides in recovery have been made, not all of Japan’s wounds have healed. “The victims are confused, and not optimistic,” says Dr. Wakabayashi. “Because of the nuclear threat, they are displaced. They do not know if they can go back to their homes.” Because there are still so many needs, the NOLA Japan Quake Fund will keep seeking donations. “We will continue our effort,” says Mrs. Kusuda. “We do not want to stop.”</p>
<p><em>To donate to the NOLA Japan Quake Fund, visit </em><a href="http://www.nolajapanquakefund.org/index.html"><em>http://www.nolajapanquakefund.org/index.html</em></a><em>.</em></p>
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		<title>Creating Coastal Culture</title>
		<link>http://www.gnof.org/creating-coastal-culture/</link>
		<comments>http://www.gnof.org/creating-coastal-culture/#comments</comments>
		<pubDate>Wed, 07 Mar 2012 15:51:43 +0000</pubDate>
		<dc:creator>julia</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.gnof.org/?p=9079</guid>
		<description><![CDATA[The art scene is flourishing in Louisiana’s coastal parishes. On any given day, in almost every small community there are  classes being offered in duck decoy carving, quilting, drawing, storytelling, photography, and much more [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/content/uploads/2012/03/Houma-Arts-Duck-Decoy.jpg"><img class="size-full image-9080 alignleft" title="Houma-Arts-Duck-Decoy" src="/content/uploads/2012/03/Houma-Arts-Duck-Decoy.jpg" alt="" width="136" height="106" /></a>The art scene is flourishing in Louisiana’s coastal parishes. On any given day, in almost every small community there are  classes being offered in duck decoy carving, quilting, drawing, storytelling, photography, and much more. The organizer of all this activity is the <a title="HRAC" href="http://www.houmaterrebonne.org/" target="_blank">Houma Regional Arts Council</a> (HRAC).</p>
<p>“The art classes we offer bring joy,” says director Glenda Toups, “because our residents have weathered countless bad fishing seasons and an oil spill, they look forward to these classes to bring stability. Creating art together brings companionship, pride, and a sense of achievement.” Last year alone, HRAC provided 152 programs in libraries, schools, and community centers across six parishes.</p>
<p>While programming for adults is strong, HRAC’s programming for youth is weak. However, a recent grant from the Greater New Orleans Foundation will enhance its Coastal Communities Youth Arts Program. Now, the organization will have an artists’ residents program in every elementary school, middle school, branch library, and community center within the region. “We believe that opportunities like this will have a lasting impact on the area’s youth,” says Toups.</p>
<p>And, enhance the already rich cultural scene.</p>
<p><em>The Houma Regional Arts Council is one of 21 organizations receiving a grant through the <a title="Coastal Communities Fund" href="/press-releases/gnof-announces-final-round-of-grants-from-ccf/" target="_blank">Coastal Communities Fund.</a></em></p>
<p><em>To see HRAC in action, watch the below video:</em> <em></em></p>
<p><iframe src="http://www.youtube.com/embed/_iipGp4d2c4" frameborder="0" width="560" height="315"></iframe></p>
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		<title>The Greater New Orleans Foundation Goes to Washington (Mardi Gras)</title>
		<link>http://www.gnof.org/the-greater-new-orleans-foundation-goes-to-washington-mardi-gras/</link>
		<comments>http://www.gnof.org/the-greater-new-orleans-foundation-goes-to-washington-mardi-gras/#comments</comments>
		<pubDate>Fri, 24 Feb 2012 22:09:57 +0000</pubDate>
		<dc:creator>julia</dc:creator>
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		<guid isPermaLink="false">http://www.gnof.org/?p=9017</guid>
		<description><![CDATA[What do community foundations, oysters, beer, parades, and economic development have in common? This was the question a delegation from the Greater New Orleans Foundation set out to answer as it attended the 2012 Washington Mardi Gras celebrations [...]]]></description>
			<content:encoded><![CDATA[<p><a href="/content/uploads/2012/02/washing-mardi-gras.gif"><img class="size-full image-9018 alignleft" title="washing-mardi-gras" src="/content/uploads/2012/02/washing-mardi-gras.gif" alt="" width="136" height="139" /></a>What do community foundations, oysters, beer, parades, and economic development have in common?  This was the question a delegation from the Greater New Orleans Foundation set out to answer as it attended the 2012 Washington Mardi Gras celebrations. Created in 1944 and attended by over 3,000 businessmen, civic leaders, and Congressional leaders, Washington Mardi Gras is a series of events including an economic development luncheon, breakfasts, dinners, and receptions, culminating with the Mystick Krewe of Louisianians Ball and indoor parade. The purpose of this convergence of business and pleasure – <em>une tradition particulière en Louisiane</em> – is to focus on building economic development for Louisiana.</p>
<p>Our goal in attending these events was to raise awareness about philanthropy’s role in the recovery and renaissance of Southeastern Louisiana. Since Hurricane Katrina in 2005, GNOF has expanded its role beyond that of a traditional community foundation to include leading projects in affordable housing, workforce development, and the environment. In this expanded role, the Foundation has gained key insights into the best and most innovative nonprofits serving our region.  We have also established ourselves as an anchor institution and economic driver.</p>
<p>To spotlight our work, particularly <a href="http://www.youtube.com/watch?v=_iipGp4d2c4&amp;context=C3e7e403ADOEgsToPDskIHJhUqZCAUlWMZOo4gQTB_&amp;noredirect=1">our recent work</a> in the coastal communities, the Foundation helped sponsor the annual Economic Development Luncheon, attended by nearly 500 top business and political leaders. We also conducted face-to-face meetings with our Congressional delegation and representatives from key agencies including The U. S. Department of Housing and Urban Development and Department of Labor.</p>
<p>As we reflect on our time in Washington, we acknowledge the importance of reaching out and establishing new relationships to celebrate the generosity of our donors and address the needs of our region.</p>
<p><em>To see pictures of the event, go to our <a title="Greater New Orleans Foundation" href="http://www.facebook.com/pages/Greater-New-Orleans-Foundation/200124173059" target="_blank">Facebook page</a> (Greater New Orleans Foundation) and view the album, &#8220;Mardi Gras in Washington D.C.&#8221;</em></p>
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