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	<title>Art Explainer</title>
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	<description>Let me explain.</description>
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		<title>Art Explainer</title>
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	<item>
		<title>The Specter of Comparison</title>
		<link>https://artexplainer.wordpress.com/2018/03/04/the-specter-of-comparison/</link>
		<comments>https://artexplainer.wordpress.com/2018/03/04/the-specter-of-comparison/#respond</comments>
		<pubDate>Sun, 04 Mar 2018 07:30:25 +0000</pubDate>
		<dc:creator><![CDATA[GFC]]></dc:creator>
		
		<guid isPermaLink="false">http://artexplainer.wordpress.com/?p=1538</guid>
		<description><![CDATA[The Philippines at the Venice Biennale 2017 After returning to Venice in 2015 after over 50 years of absence, the country has already secured a place in the arsenal this year. It is the first position in the long series of national appearances following the grand main exhibition. Joselina Cruz presents works by Lani Maestro &#8230; <a href="https://artexplainer.wordpress.com/2018/03/04/the-specter-of-comparison/" class="more-link">Continue reading <span class="screen-reader-text">The Specter of&#160;Comparison</span></a>]]></description>
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			<media:title type="html">EIA</media:title>
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		<title>Propaganda at Lopez</title>
		<link>https://artexplainer.wordpress.com/2015/04/03/failure-of-frequent-recall/</link>
		<comments>https://artexplainer.wordpress.com/2015/04/03/failure-of-frequent-recall/#respond</comments>
		<pubDate>Fri, 03 Apr 2015 00:29:22 +0000</pubDate>
		<dc:creator><![CDATA[GFC]]></dc:creator>
				<category><![CDATA[Alvin Yapan]]></category>
		<category><![CDATA[BenCab]]></category>
		<category><![CDATA[Fernando Zobel]]></category>
		<category><![CDATA[Hidalgo]]></category>
		<category><![CDATA[Joey Cobcobo]]></category>
		<category><![CDATA[Jose Joya]]></category>
		<category><![CDATA[Kawayan De Guia]]></category>
		<category><![CDATA[Lee Aguinaldo]]></category>
		<category><![CDATA[Legaspi]]></category>
		<category><![CDATA[Lopez Museum]]></category>
		<category><![CDATA[Luna]]></category>
		<category><![CDATA[Manansala]]></category>
		<category><![CDATA[Modernity]]></category>
		<category><![CDATA[Napoleon Abueva]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[Propaganda]]></category>
		<category><![CDATA[Santiago Bose]]></category>

		<guid isPermaLink="false">http://artexplainer.wordpress.com/?p=1485</guid>
		<description><![CDATA[On Trauma, Postmemory, and Modernity in Propaganda at the Lopez Museum The beginning half of 2015 for the Manila art scene has marked itself with an endless parade of the second-rate, the trying hard, and the copycat such that when attending one art fair or a gallery exhibition– you’re always confronted by the fact that, &#8230; <a href="https://artexplainer.wordpress.com/2015/04/03/failure-of-frequent-recall/" class="more-link">Continue reading <span class="screen-reader-text">Propaganda at Lopez</span></a>]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Imelda Marcos in a regime publication</media:title>
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			<media:title type="html">Hidalgo study for his magnum opus &#034;The Assasination of Governor General Bustamante and his son&#034;</media:title>
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			<media:title type="html">Simoun by Vicente Manansala, an ink on paper piece used in textbooks of Philippine Literature</media:title>
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			<media:title type="html">An installation piece by Santiago Bose reconstructed by Kawayan De Guia</media:title>
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			<media:title type="html">Cesar Legaspi</media:title>
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		<title>The calm on this side of the border belies the scene on the other side</title>
		<link>https://artexplainer.wordpress.com/2015/03/03/the-calm-on-this-side-of-the-border-belies-the-scene-on-the-other-side/</link>
		<comments>https://artexplainer.wordpress.com/2015/03/03/the-calm-on-this-side-of-the-border-belies-the-scene-on-the-other-side/#respond</comments>
		<pubDate>Tue, 03 Mar 2015 18:35:23 +0000</pubDate>
		<dc:creator><![CDATA[GFC]]></dc:creator>
				<category><![CDATA[Jason Tecson]]></category>
		<category><![CDATA[Joseph Tecson]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Terrorism]]></category>
		<category><![CDATA[West Gallery]]></category>

		<guid isPermaLink="false">http://artexplainer.wordpress.com/?p=1438</guid>
		<description><![CDATA[In &#8220;The calm on this Side of the Border Belies the Scene on the Other Side,&#8221; brothers Jason and Joseph Tecson exhibit sculptures and oil paintings which mark a highlight in their individual careers. The paintings were started during Joseph&#8217;s stint as a resident artist at Whitespace Blackbox in Neuchatel, Switzerland while the sculptures are part of &#8230; <a href="https://artexplainer.wordpress.com/2015/03/03/the-calm-on-this-side-of-the-border-belies-the-scene-on-the-other-side/" class="more-link">Continue reading <span class="screen-reader-text">The calm on this side of the border belies the scene on the other&#160;side</span></a>]]></description>
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			<media:title type="html">EIA</media:title>
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			<media:title type="html">_MG_4535</media:title>
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		<title>The Princess and the Painter</title>
		<link>https://artexplainer.wordpress.com/2015/02/15/the-princess-and-the-painter/</link>
		<comments>https://artexplainer.wordpress.com/2015/02/15/the-princess-and-the-painter/#respond</comments>
		<pubDate>Sun, 15 Feb 2015 10:06:12 +0000</pubDate>
		<dc:creator><![CDATA[GFC]]></dc:creator>
				<category><![CDATA[Ireneo Miranda]]></category>
		<category><![CDATA[National Gallery of Art]]></category>
		<category><![CDATA[National Museum]]></category>
		<category><![CDATA[Oil on canvas]]></category>
		<category><![CDATA[Santanina Rasul]]></category>
		<category><![CDATA[Tausug Princess]]></category>
		<category><![CDATA[UP Fine Arts]]></category>

		<guid isPermaLink="false">http://artexplainer.wordpress.com/?p=1419</guid>
		<description><![CDATA[What separates this portrait from all the others though aside from its splendid bravura is that it was done for someone who at that time was yet to become great.]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">EIA</media:title>
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		<title>Jason Tecson/ Eroded Myths</title>
		<link>https://artexplainer.wordpress.com/2014/08/24/jason-tecon-eroded-myths/</link>
		<comments>https://artexplainer.wordpress.com/2014/08/24/jason-tecon-eroded-myths/#respond</comments>
		<pubDate>Sun, 24 Aug 2014 12:46:57 +0000</pubDate>
		<dc:creator><![CDATA[GFC]]></dc:creator>
		
		<guid isPermaLink="false">http://artexplainer.wordpress.com/2014/08/24/jason-tecon-eroded-myths/</guid>
		<description><![CDATA[This article I wrote in anticipation of Jason Tecson&#8217;s two man show with Syrian artist Thaer Maarouf at Sana Gallery &#8211; Singapore. The sculptures of Jason Tecson speaks about reality in the same way nightmares do: through concrete manifestation of symbols found in them. His works are not images but fabrications, which in an analogous &#8230; <a href="https://artexplainer.wordpress.com/2014/08/24/jason-tecon-eroded-myths/" class="more-link">Continue reading <span class="screen-reader-text">Jason Tecson/ Eroded&#160;Myths</span></a>]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">EIA</media:title>
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		<media:content url="http://artexplainer.files.wordpress.com/2014/08/10541430_725315470848968_5773020358913737313_o-1.jpg?w=224" medium="image">
			<media:title type="html">Foot by Jason Paul Tecson. Mixed media, 78 x 30 x 27 in, 2014 Sana G. Col. </media:title>
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		<title>Erratum: Jigger Cruz Superstar</title>
		<link>https://artexplainer.wordpress.com/2014/05/14/erratum-jigger-cruz-superstar/</link>
		<comments>https://artexplainer.wordpress.com/2014/05/14/erratum-jigger-cruz-superstar/#respond</comments>
		<pubDate>Wed, 14 May 2014 23:13:49 +0000</pubDate>
		<dc:creator><![CDATA[GFC]]></dc:creator>
		
		<guid isPermaLink="false">http://artexplainer.wordpress.com/?p=1407</guid>
		<description><![CDATA[An earlier version of the article included a paragraph on the sale of a painting by Jigger allegedly stolen and sold via auction by Salcedo Auctions. The paragraph reads: &#8220;Two years ago, Salcedo Auctions, sold another stolen painting of JC against his advice. It was a painting he initially submitted for a book that never &#8230; <a href="https://artexplainer.wordpress.com/2014/05/14/erratum-jigger-cruz-superstar/" class="more-link">Continue reading <span class="screen-reader-text">Erratum: Jigger Cruz&#160;Superstar</span></a>]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Jigger Cruz Superstar</title>
		<link>https://artexplainer.wordpress.com/2014/05/06/jigger-cruz-superstar/</link>
		<comments>https://artexplainer.wordpress.com/2014/05/06/jigger-cruz-superstar/#respond</comments>
		<pubDate>Tue, 06 May 2014 02:39:26 +0000</pubDate>
		<dc:creator><![CDATA[GFC]]></dc:creator>
				<category><![CDATA[ARNDT]]></category>
		<category><![CDATA[blanc]]></category>
		<category><![CDATA[DAGC]]></category>
		<category><![CDATA[FEU]]></category>
		<category><![CDATA[Jigger Cruz]]></category>
		<category><![CDATA[Light and Space]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[West Gallery]]></category>

		<guid isPermaLink="false">http://artexplainer.wordpress.com/?p=1384</guid>
		<description><![CDATA[Jigger Cruz was among the country&#8217;s under 30 superstars but can he live up to the hype? There are a number of reasons attributed to the success of Jigger Cruz, the most recent darling du jour of Philippine painting. The easy one is that he did something differently but not dumbfounding. He created a middle &#8230; <a href="https://artexplainer.wordpress.com/2014/05/06/jigger-cruz-superstar/" class="more-link">Continue reading <span class="screen-reader-text">Jigger Cruz Superstar</span></a>]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">EIA</media:title>
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		<media:content url="http://artexplainer.files.wordpress.com/2014/05/tumblr_ld3pwpvoct1qavn6so1_1280.jpg?w=625" medium="image">
			<media:title type="html">Jigger Cruz - “Obnoxiously Beautiful,” Oil on canvas, 12 x 9 inches, 2010 grabbed from West Gallery website</media:title>
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		<title>The Shift of Desires</title>
		<link>https://artexplainer.wordpress.com/2014/04/26/the-shift-of-desires/</link>
		<comments>https://artexplainer.wordpress.com/2014/04/26/the-shift-of-desires/#respond</comments>
		<pubDate>Sat, 26 Apr 2014 15:21:29 +0000</pubDate>
		<dc:creator><![CDATA[GFC]]></dc:creator>
				<category><![CDATA[desires]]></category>
		<category><![CDATA[jay ticar]]></category>
		<category><![CDATA[migrant]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[West Gallery]]></category>

		<guid isPermaLink="false">http://artexplainer.wordpress.com/?p=1369</guid>
		<description><![CDATA[Review of &#8216;It&#8217;s about the end that keeps on coming&#8217; by Jay Ticar at West Gallery It’s a distressing and shattered world, if you read into the paintings of Jay Ticar, but one that is not without hope or room for contemplation. In his paintings and drawings the Manila-born, Toronto-based artist unravels a surreal world of &#8230; <a href="https://artexplainer.wordpress.com/2014/04/26/the-shift-of-desires/" class="more-link">Continue reading <span class="screen-reader-text">The Shift of&#160;Desires</span></a>]]></description>
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			<media:title type="html">EIA</media:title>
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		<media:content url="http://artexplainer.files.wordpress.com/2014/04/jay-ticar-at-west-gallery.jpg?w=630" medium="image">
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		<title>Agnes Arellano eating a pizza</title>
		<link>https://artexplainer.wordpress.com/2014/04/20/agnes-arellano-eating-her-pizza/</link>
		<comments>https://artexplainer.wordpress.com/2014/04/20/agnes-arellano-eating-her-pizza/#respond</comments>
		<pubDate>Sun, 20 Apr 2014 05:43:56 +0000</pubDate>
		<dc:creator><![CDATA[GFC]]></dc:creator>
				<category><![CDATA[Agnes Arellano]]></category>
		<category><![CDATA[Chabet]]></category>
		<category><![CDATA[Dakini]]></category>
		<category><![CDATA[Mo_]]></category>
		<category><![CDATA[Pinaglabanan]]></category>
		<category><![CDATA[pow martinez]]></category>
		<category><![CDATA[Pygmalion]]></category>
		<category><![CDATA[Sculpture]]></category>

		<guid isPermaLink="false">http://artexplainer.wordpress.com/?p=1346</guid>
		<description><![CDATA[Agnes Arellano&#8217;s Flying Dakini at MO_Space Tonight was the opening of Agnes Arellano&#8217;s Flying Dakini at Mo_Space in the Fort. One of my favorite spaces for the reason that when I used to go there, you can get a doughnut downstairs at Krispy Kreme, sometimes for free. I had such fond memories of MO_Space, not &#8230; <a href="https://artexplainer.wordpress.com/2014/04/20/agnes-arellano-eating-her-pizza/" class="more-link">Continue reading <span class="screen-reader-text">Agnes Arellano eating a&#160;pizza</span></a>]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">EIA</media:title>
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			<media:title type="html">invite_1_</media:title>
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			<media:title type="html">OLYMPUS DIGITAL CAMERA</media:title>
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		<title>Don Dalmacio and the manual of painting</title>
		<link>https://artexplainer.wordpress.com/2014/04/12/don-dalmacio-and-the-manual-of-painting/</link>
		<comments>https://artexplainer.wordpress.com/2014/04/12/don-dalmacio-and-the-manual-of-painting/#respond</comments>
		<pubDate>Sat, 12 Apr 2014 01:49:48 +0000</pubDate>
		<dc:creator><![CDATA[GFC]]></dc:creator>
				<category><![CDATA[blanc]]></category>
		<category><![CDATA[don dalmacio]]></category>
		<category><![CDATA[landscape]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[portrait]]></category>
		<category><![CDATA[satiated]]></category>

		<guid isPermaLink="false">http://artexplainer.wordpress.com/?p=1340</guid>
		<description><![CDATA[Review of Don Dalmacio&#8217;s Condensed and Evaporated at BLANC I vividly remember going to the Cultural Center of the Philippines in July 2009 to see the works of the latest 13 Artists Awardees at that time. By now I have forgotten most of the works in that show but the paintings of Don Dalmacio are &#8230; <a href="https://artexplainer.wordpress.com/2014/04/12/don-dalmacio-and-the-manual-of-painting/" class="more-link">Continue reading <span class="screen-reader-text">Don Dalmacio and the manual of&#160;painting</span></a>]]></description>
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		<slash:comments>0</slash:comments>
	
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