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Hovering via electromagnets, the key innovation is the laser-guided stabilization system that keeps it floating in one place rather than tilting one way, tipping another or flying off entirely … a definite upgrade from those childhood hovercraft toys that were always impossible to remote control correctly.

While not a direct duplicate of the movie classic version, the zig-zag pattern and use of pink and other atrociously 1980s-era colors clearly makes this a direct homage to the original – but perhaps the next version can look a little more timeless.

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So it’s no surprise to find all sorts of creations providing shade and solar power more efficiently through the study of sunflowers. The “Sunflower” umbrella by Shadecraft is just the latest object to follow the sun as it arcs across the sky each day. Extending the “internet of things” smart home system to the outdoors, this umbrella does a lot more than you might imagine. For starters, the shade it provides moves to keep you cool all day long, so you’ll never have to get up and move yourself.

In addition to tracking the sun, the Sunflower harvests solar energy via photovoltaic panels and stores it to power itself. It fully charges within two hours, and thanks to its incredible battery capacity, it can function for 72 hours without sunlight. The Sunflower connects to Bluetooth, Wi-Fi, and cellular data to offer users a strong internet connection outdoors.

You can use the Sunflower as a charging hub for your devices, and it’s got built-in lighting and speakers, too. That’s definitely a bonus for those of us who tend to lug a lot of stuff outside when we want to spend some time reading and relaxing. An integrated 360-degree high-definition camera captures security footage in the form of video and still images, so you can connect it to indoor security systems and keep an eye on your yard when no one’s home.

An accompanying app allows you to control all of the Sunflower’s functions right from your smartphone, or you can use voice control to deliver verbal commands. Talk directly to the Sunflower to control its movement, lighting, speakers, and other features. You can even use it to video chat with friends or livestream your activity. To top it all off, the Sunflower also functions as a weather station. Embedded sensors and motion detectors allow it to monitor weather conditions like humidity, wind, and even air pollution levels, sending alerts to your phone to keep you updated.

“Through the SmartShade app and integrated Wi-Fi, Cellular, or Bluetooth connectivity, you can play your iTunes library or jump to your favorite music app and stream directly through your SUNFLOWER,” explains Shadecraft. “Audio books, podcasts, live events, all at the touch of a button or via simple voice commands. SmartShade also controls SUNFLOWER’s lighting system. Four powerful LEDs with intensity settings you can control and schedule for optimum outdoor experiences.”

“With SmartShade, you can access insights into your outdoor world, and set up notifications & alerts — so you’ll know when to seek shade or ‘step outside’ and experience a perfect day.”

Winner of the IDA Gold Award 2017 and nominee of the Twice VIP Awards in outdoor automated devices, the Shadecraft Sunflower made its public debut at CES 2017. The company has already raised $2 million from private investors to fund production, and the Sunflower is set to be available for pre-order this fall for around $2,700, with orders expected to start shipping sometime next year.

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“We hope this will be a really empowering experience for people to start to see their world differently, see themselves differently, and understand how the types of skills that spies use can be relevant to their daily lives,” says Shelby Prichard, SPYSCAPE’s Chief of Staff. “We show how the world of espionage is all around you.”

Adjaye Associates consulted former members of renowned hacking collectives, station chiefs, and intelligence directors when designing the museum. The goal was to have visitors catch on to its mysterious atmosphere as soon as they walked through the door. The resulting space boasts a highly futuristic aesthetic, as characterized by dark concrete walls, polished concrete floors, dim rooms illuminated by LED lighting, and high-tech information displays. Smaller interior features like weathering steel drums, smoked glass, gray acoustic paneling, and mirror-polished steel only serve to further connect patrons with their inner undercover agents as they explore the various exhibits.

The museum has been open to the public since February 17th, 2018. Upon arrival, visitors are handed “identity bands,” digital wristbands that allow patrons to take part in a series of interactive, multisensory challenges meant to put their spy skills to the test. Once the tour is complete, the crowd is moved to the debriefing room, where everyone is given an assessment on which of ten total spy roles they would be best suited for.
“We worked for a couple of years on our profiling system with [a] former head of training for British intelligence, as well as some top industrial psychologists,” explains Prichard. “So it really is a very authentic look at how the spy world thinks about what it takes to be different types of spies.”

Before players are given their respective spy roles, they’ll watch a briefing on secret intelligence in the central theater. From there, they’ll move to an interrogation booth, where they’ll “learn the art and science of spotting lies,” and a room filled with 360-degree projections of both live and pre-recorded CCTV footage, which itself is meant to mimic a surveillance mission. Later on, the visitors’ agility and reaction times will be tested as they creep through a laser tunnel.

Apart from participating in the spy games themselves, guests are also encouraged to peruse a selection of spy gadgets and smart tech in the gift shop. If you’re feeling hungry, you might stop by the museum’s café, where you can enjoy a cup of coffee and a bookshop with over 1,000 rare and first-edition spy books. There are also multiple event spaces on-site, where organizations can host private parties for as many as 600 guests.

Admission currently costs $39 for adults and $32 dollars for children. If you’re planning on visiting, head on over to SPYSCAPE’s official website for more information.

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The ancient Etruscans thrived for some 500 years in central Italy before the Roman Republic was established in 509 BCE. The Roman-Etruscan wars resulted in the overthrowing of the last Etruscan king of Rome and the assimilation of Etruscan culture into the new Roman Empire. The statues make it clear that the Romans and Etruscans were not only co-mingling, but worshipping together at this sacred site. The Italian Culture Ministry describes it as a “unique multicultural and multilingual haven of peace” during a time when the civilizations were mostly at war.

A team of Italian archaeologists unearthed the bronze statues of human figures in September and October from the mud and waters of an ancient pool in San Casciano dei Bagni’s hot springs. Over 2,000 years old and almost perfectly preserved by the unique site conditions, the statues represent the largest deposit of bronze statues of the Etruscan and Roman age ever discovered in Italy.

They date back to between the second century BCE and the first century CE, yet their features are still sharp, and the inscriptions (in both Etruscan and Latin) are still legible. Among the statues are representations of the gods Apollo, his son Asclepius, and Asclepius’ daughter Hygeia, from whose name we get the English word “hygiene.” Back in 2020, when the dig first began, archaeologists discovered a large marble pool of an ancient sanctuary decorated with fountains and altars to these same deities.

Other findings include about 5,000 coins, small votive offerings representing body parts in need of healing, and bronze depictions of internal organs that are shockingly accurate. The findings indicate that Etruscan and Roman families prayed together at the sacred sanctuary of the thermal baths.

“The pool was a sacred place, only the religious custodians could bathe there,” says Ludovico Salerno, a member of the local archaeological association that participated in the work. “Sick people came to the sanctuary in the hopes of being cured and would offer gifts to the gods. It was a place of suffering, and it was a place of hope.”

Researchers have determined that Romans dismantled the sanctuary piece by piece around the year 500 CE, about two centuries after Christianity became the official religion of the Roman Empire. The statues were then laid at the bottom of the pool and covered with columns and slabs of marble in what archaeologists describe as a reverent and respectful burial.

Together, the findings provide an unusual amount of context for what life was like in that particular place at that particular time, potentially allowing scholars to rewrite the history of the transition from the Etruscan to Roman civilizations. “We can describe all the life, day by day here, through four or five centuries, so this is incredible,” says archaeologist Emanuele Mariotti.

Excavations will resume next spring, and the statues will be displayed in a new museum planned for the site.

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The winners of this year’s British Ecological Society Photography Competition captured animals interacting with the world around them in bold and breathtaking ways.The annual contest aims to showcase the wonder of ecology across six categories. The 2022 entrants focused on everything from prey-predator relationships and wildlife affected by human changes to the beauty of biology on a microscopic scale.

Overall Winner: A Light in the Shadows by Roberto García Roa

“Like two beacons in the dark, the striking eyes of a Helena’s treefrog seem to glow in the darkness of the night,” says García Roa, a conservation photographer and evolutionary biologist at Sweden’s Lund University.

“This image reveals the beauty of nature hidden in Tambopata, [Peru,] a region that is currently threatened by gold mining. It is paradoxical to see the eyes of this frog as small golden pearls, because in reality, the true treasure lies in ensuring the protection of this area and its inhabitants.”

Student Winner: Takeout by Sam Eberhard

Shot on the shores of Oregon’s Cannon Beach, this image depicts of a group of western gulls surrounding and squawking at a bald eagle trying to carry off its latest meal, a common murre.

“’Takeout’ is a frozen moment of intense action at Haystack Rock in Cannon Beach…,” says Sam Eberhard, an environmental studies and biology student at the University of California, Santa Cruz. “While photographically documenting tufted puffins at Cannon Beach, I did not hesitate to capture a few shots of this bald eagle.”

Up Close and Personal Winner: Wild Pearls by Javier Lobon-Rovira

Javier Lobon-Rovira, a Ph.D student in biodiversity, genetics, and evolution at the University of Porto and CIBIO-InBIO, zoomed in on an endangered gold-striped salamander working its way through a nursery of eggs, their color and luminescence reminiscent of precious pearls.

Dynamic Ecosystems Winner: Invasive Battle-Fire Fierce by Javier Lobon-Rovira

Lobon-Rovira also took top honors in this category demonstrating interactions between different species within an ecosystem. “Isn’t it utopian that two invasive species cross paths in the race for survival?’ the photographer notes. “That is the case that crossed my lens when I found an army of fire ants immobilizing, killing, and causing the disappearance of a house gecko in my backyard in Florida…Eat or be eaten is the only mission in the struggle for survival.”

Individuals and Populations Student Winner: The Shrike Strikes Again! by Jennifer Holguin

“A round-tailed Horn Lizard impaled by a yucca stalk in the Chihuahuan Desert, New Mexico, USA. The culprit? A gray, medium-sized songbird known as the Loggerhead Shrike or Butcherbird,” says winner Jennifer Holguin, a student at the University of Texas at El Paso.

Ecology in Action Winner: Bruma by Roberto García Roa

García Roa picked up another award for his image of a dead female eagle lying face down after flying into overhead power lines. The GPS that Bruma the eagle was fitted with at birth helped scientists and authorities determine which power line caused her demise and allowed them to fix it to keep other birds from meeting the same fate.

People and Nature Winner: A New Plastic Home by Andreas Eich

The terrestrial hermit crab in this image shows its adaptability by claiming a discarded plastic bottle cap as its new shell. The scene contrasts with the idyllic beach scene in the background, according to winner Andreas Eich.

The Art of Ecology Student Winner: Diwali in the Forest by Naitik Patel

The light from a congregation of fireflies near India’s Kaziranga National Park reminded student winner Naitik Patel of the joyful feel of Diwali. He explains: “Diwali is a festival of lights. These adorable little fireflies were creating their own festival of lights by gently glowing green and creating undulating trails of light on the forest floor.”

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Users simply upload 10 to 20 photos of their faces, and the app’s AI-powered image generating tool does the rest. It may seem like harmless fun, but some artists say the AI is stealing their work. Even worse, the app is generating sexualized images of minors, and users are unwittingly signing away the rights to their own images.

Fantasy Portraits Ignite Ethical Concerns

Artificial intelligence often learns by scraping the internet for content. The Lensa app’s Magic Avatar function draws from sites where real artists upload their work, like DeviantArt, Behance, and ArtStation. Lensa runs on Stable Diffusion, a text-to-image app trained to learn patterns through an online database of images called LAION-5B.

Some artists are recognizing their distinctive styles and even the remnants of their signatures in the AI portraits, like Kim Leutwyler, a Sydney-based artist who told The Guardian she saw almost every portrait she’s ever shared on the internet in the Lensa results.

In an interview with The Daily Beast, Spanish illustrator Amy Stelladia says she learned her art was being used by AI apps after discovering a website called haveibeentrained.com, which allows artists to search the LAION dataset for their work. The tool also provides an easy way for artists to request that their art be removed from the AI-training network.

For artists, the problem is twofold. First, the AI is flooding the market with cheap art that exploits and devalues human creativity. “They are meant to compete with our own work, using pieces and conscious decisions made by artists but purged from all that context and meaning,” Stelladia says. “It just feels wrong to use people’s life work without consent, to build something that can take work opportunities away.”

Second, AI photo apps like Lensa are making bank while the human artists they draw from barely scrape by. By some estimates, Lensa is drawing in $1 million USD per day, and the artists seeing their work in its results aren’t even getting credited, let alone compensated.

Portrait Results are More Than a Little Problematic

Some users have found that even when they submit source images that are fully clothed and show no skin at all, the results are often semi-nude and sexually suggestive. At MIT Technology Review, Melissa Heikkilä writes that out of 100 avatars she generated, 16 were topless and another 14 were barely clad. Heikkilä notes that she and another colleague of Asian descent seemed to get more images like these than their white colleagues who tried the app.

Lensa’s Magic Avatar has also generated nude art based on photographs of children, lightened black skin, and made users significantly thinner than they appear in the source images they uploaded.

AI training data like LAION is full of racist stereotypes, pornography, and even explicit images of rape. Of course, AI training data reflects the biases and prejudices of human artists and other content producers, but there doesn’t appear to be any attempt on the app creators’ part to moderate that data. While Stable Diffusion offers a filter on its dataset to limit graphic results, Lensa doesn’t appear to use it.

Lensa also doesn’t seem to enforce its policies prohibiting nudity and minors, and it doesn’t prevent users from uploading source images of people other than themselves. That makes it easy for anyone to exploit Magic Avatar and produce sexualized images of anyone they want, including children.

Signing Away the Rights to Your Own Image

When users upload their own images to Magic Avatar and similar apps, they’re essentially selling their personal information for a very low price. Lensa’s privacy policy allows them to “collect and store your Face Data for online processing function.”

Though the images are supposedly automatically deleted within 24 hours after being processed by Lensa, they’re used to train the AI to produce more portraits. Users aren’t compensated when the company uses their images for that purpose. The app thus becomes just another way to give corporations more control over our identities — and that doesn’t seem worth the four bucks.

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