Audience word of mouth is decent at least and that’s generally good enough to help a film grow reasonably well over the weekend. The collections so far are decent but then one would expect growth to come today. Also, it’s now very much required that the weekdays are stable as well and the drop is not more than 50% on Monday.

The offers are there for the film and by the look of it they would continue into the weekdays as well. Moreover, Blockbuster Tuesday offer would be taken for sure which means there would be a spike in collections seen. There is a plethora of new releases next Friday and though we are not talking about biggies here, each one of them would require screens at least. The David Dhawan film does have ingredients of being a wholesome entertainer and one just hopes that the buzz spreads faster amongst the audiences to give it a dekko in days to come.

On Friday, Shehzad played to a sold-out main room as Pakistanis packed in for a night full of laughs. Host and content creator Shazia Nawaz shared her thoughts after the show: “It was definitely an amazing show. I feel fortunate to have been there. We still remember when Shehzad Ghias started his career and to not even be 40 and be performing on Broadway, that’s something!”

Shehzad, who holds an MA in Theatre from Brooklyn College, began performing stand-up comedy in Pakistan in 2009. Over the last 17 years, he has built a remarkable name for himself in both stand-up comedy and podcasting.

Brooklyn-based attendee Ferva Abidi summed up the evening perfectly: “Is there anything Shehzad Ghias Shaikh can’t do?”

With a sold-out show at one of New York City’s most celebrated comedy venues, Shehzad Ghias Shaikh continues to break new ground for Pakistani performers on the world stage. As his career reaches new heights, one thing is certain — this is only the beginning.

During the 2026 Cannes Film Festival and Marche du Film, Box Office Guru Media collaborated with RecDek, South Stack Studios, Lotus Visual Productions, RASA Film Group, and Khan & Kumar Media to host a vibrant Bollywood Happy Hour activation that brought together filmmakers, executives, artists, producers, and creatives from across the international film community.

Plus at the Women in Film x Box Office Guru Media breakfast, BOGM announced the launch of its new vertical production arm, focused on developing and producing short-form vertical content designed for the next generation of digital entertainment platforms and audiences.

The Cannes programming also included networking events, a pitch session at The Impact Lounge, industry conversations, and strategic meetings focused on expanding South Asian storytelling and collaboration opportunities across film, television, and emerging media formats.

Building on the momentum from Cannes, Box Office Guru Media is now preparing a slate of activations for the 2026 Tribeca Festival under the “South Asians at Tribeca” banner with more partners including Sundaram Tagore Gallery, Epicenter, Islamic Scholarship Fund and the South Asian House.

Upcoming Tribeca events include a collaborative mixer hosted at Sundaram Tagore Gallery, bringing together filmmakers, creatives, executives, and emerging voices for an evening of networking and community building where filmmakers Sneha Mehta and Teddy Stern of Sneddy, will show a teaser of their short film, Getar Hero, premiering at Tribeca. Also there will be a breakfast with Epicenter celebrating the South Asian documentary filmmakers, Habiba Nosheen and Mo Naqvi in the festival.

“Cannes was an incredible opportunity to bring together so many different parts of the South Asian creative community in one space,” said Rohi Mirza Pandya. “We’re excited to continue building that momentum at Tribeca through meaningful conversations, collaborations, and new opportunities for creators.”

Additionally, Gitesh Pandya will moderate a featured panel at the Tribeca Untold Stories Lounge, highlighting conversations around representation, audience engagement, and the evolving future of multicultural storytelling and media marketing:

June 10, 1-2pm, AT+T Untold Stories Lounge (Spring Street Studios, 50 Varick Street)

Unfiltered Truths: South Asian Voices in Documentary Film

South Asian documentary filmmakers premiering at Tribeca Festival share how they bring personal, political and cultural stories to life on screen. The panel explores their creative journeys, challenges and the power of authentic storytelling in shaping global narratives.

Mohammed Ali Naqvi, director of Hanging By a Wire, and Habiba Nosheen, director of The Gymnasts of Fisherman Colony

Box Office Guru Media plans to continue expanding its festival and market presence through curated events, branded activations, strategic partnerships, and creator-focused programming aimed at amplifying South Asian voices in entertainment worldwide.

A lone cowboy arrives at a crowded train platform in Bombay only to find his guitar and wallet gone. With his livelihood in jeopardy, he navigates the neon streets of a maximum city that waits for no one – bargaining, scrambling, and trading even his dignity. Chance encounters reveal the stakes behind his journey, coming to a head with an electrifying performance that could decide it all.

Watch the new teaser trailer here:

Known for creating his own successful space in the family comedy genre with films like Badhaai Ho, Dream Girl, Bala and Shubh Mangal Saavdhan, Ayushmann says some of his biggest inspirations in situational comedy have always been Aamir Khan’s cult entertainers.

Speaking about his love for this genre and the accidental yet special Aamir Khan connection in the film, Ayushmann shares, “I’m a big fan of Aamir Khan, and I particularly love his comedies and the way he dabbles in this genre of situational comedy! I feel Aamir is a true master of the genre, along with everything that he does on screen. So, I love that there is an Aamir Khan connection in my film PPAWD! It happened by chance, and I’m glad it did.”

He adds, “When we were making Pati Patni Aur Woh Do, we wanted a song that fit seamlessly into the hilarious world and theme of the film. We found ‘Aaj Na Chhodunga Tujhe Dum Duma Dum’ from Aamir sir’s film Dil and it just felt perfect for the situation my character goes through in the movie. PPAWD is a situational comedy much like Aamir’s films Andaz Apna Apna, Ishq, Hum Hain Rahi Pyar Ke to name a few. These are films I loved watching growing up and honestly, I can still watch them any number of times even today!”

“I love that I get to do a film that is essentially a hat-tip to the iconic comedies that we have all grown up watching. I hope PPAWD entertains everyone with its clean, brilliant comedy that every family can come and enjoy together in theatres”, he shares.

Directed by Mudassar Aziz, Pati Patni Aur Woh Do aims to bring back the charm of wholesome laughter for audiences of all ages, PPAWD aims to bring back the joy of classic family entertainers to the big screen once again.

Speaking after her appearance before the commission, Nora told ANI, “It was just a situation that I was put in, and there was no intention to offend anybody, but of course I have to be responsible as an artist. I definitely apologise, we have done everything in writing. They have been so kind and helpful. It’s really important for us to give back to society. So, I decided that we should sponsor a few orphan girls, their education, so that is the goal after this matter.”

The controversy dates back to March 2026 when the NCW had taken suo motu cognizance of media reports alleging obscenity and vulgarity in the song ‘Sarke Chunar Teri Sarke’. The commission had then shared an official statement on social media expressing concern over the content of the track.

The statement read, “The National Commission for Women, in exercise of its powers under the NCW Act, 1990, has taken suo motu cognizance of media reports alleging obscenity and vulgarity in the song “Sarke Chunar Teri Sarke.” Observing that the content prima facie appears to be sexually suggestive, objectionable, and violative of provisions under the Bharatiya Nyaya Sanhita, IT Act, and POCSO Act, the Commission has taken serious note of the matter. Summons have been issued to Actress Nora Fatehi, Raqueeb Alam, Actor Sanjay Dutt, Venkat K. Narayana (Producer, KVN Group), and Kiran Kumar (Director) directing them to appear before the Commission.”

The summons asking Nora to appear before the commission was issued on May 6. And, the actress eventually appeared on May 7 to clarify her stance and respond to the concerns raised by the statutory body.

The development has once again brought discussions around creative freedom, censorship, and accountability in entertainment content into focus. Meanwhile, KD – The Devil continues to remain one of the talked-about upcoming projects owing to its ensemble cast and ongoing controversies surrounding the film’s promotional material.

Everyone’s favorite cops are back with the third installment of the cult comedy classic from the Broken Lizard crew: Super Troopers 3. When Farva’s wildly over-the-top Indian engagement to Thorny’s sister spirals into chaos, the Super Troopers must navigate Thorny’s schemes to break up the relationship, while trying to crack a pernicious new drug ring — all to save the day and maybe the wedding itself.

Watch the outrageous new trailer for SUPER TROOPERS 3 (viewer discretion is advised):

However, sources close to the production have firmly dismissed these claims. According to an insider, the reports are “completely baseless” and that Ranveer Singh remains fully committed to the project.

Pralay is currently deep in its pre-production phase. The screenplay was developed over several months by Jai Mehta and his co-writer Vishal Kapoor. After Ranveer agreed to the project, it underwent further rounds of development, concept-proofing, and pre-visualization.

“Reports suggesting any uncertainty around Pralay are completely baseless,” a source told Republic World. “Ranveer and Jai have been in continuous discussions and have firmly locked the script.”

The film, backed by acclaimed filmmaker Hansal Mehta (father of director Jai Mehta), is set to be a massive spectacle of Indian cinema. “When Ranveer saw his directorial work, he was impressed. Then Jai pitched the idea to him. Once Ranveer said he liked the idea, we invested in developing it—helping Jai create the world he wants to present in the film. Ranveer’s conviction and commitment towards both the script and Jai has enabled Pralay,” Hansal Mehta told The Hollywood Reporter.

Pralay is on track to go on floors by August 2026, with the team actively gearing up for production.

The news came on Wednesday, just about an hour after Yash confirmed that his film Toxic had been pushed from its June 4 slot. The KGF and Salaar star shared the update on social media, stating that the film needed more time and that some stories require patience.

With the major June clash now off the calendar, the makers of Varun Dhawan’s film have decided to go back to their initial release plan. The David Dhawan-directed romantic comedy, which also stars Mrunal Thakur and Pooja Hegde, had previously been moved from June 5 to June 12 to avoid clashing with Toxic, and was then brought forward to May 22. Now, with the latest adjustment, it has come full circle to its original June 5 date.

This makes Hai Jawani Toh Ishq Hona Hai the first major Bollywood release after the IPL season concludes, giving it a relatively clear window at the box office.

Varun Dhawan took to social media to share the update, expressing his gratitude towards Yash and producer Dinesh Vijan of Maddock Films for their cooperation in adjusting the release calendar. In his post, Varun wrote that he is thankful to both Yash and the production house for helping reset the schedule, allowing his film to release on its original date as the first Bollywood film post-IPL.

The announcement has been welcomed by fans and trade analysts alike, who believe that the June 5 slot will provide the film with a much-needed clear run at the box office. The romantic comedy genre has been relatively quiet in recent months, and the timing could work in the film’s favour.

Toxic: A Fairy Tale for Grown-Ups, directed by Prashanth Varma, stars Yash in a role that marks his first foray into a dark comedy-drama. The film was earlier scheduled to release on June 4 but has now been postponed indefinitely, with the makers citing the need for additional time to polish the final product.

Fans of both films will now have to wait a little longer, but the reshuffle could mean bigger box office numbers for both movies when they eventually hit the theatres.

According to reports, Neetu decided to teach Ranbir the hook step of her upcoming film’s song ‘Senti’. The mother-son duo performed the steps together as the paparazzi cheered them on. The video, shared by @viralbhayani, quickly went viral across social media platforms.

Ranbir, dressed in a casual lime green shirt paired with blue denims, danced alongside his mother, who wore a blue polka dot shirt, blue denims, and a brown blazer. After the dance, Neetu was seen pulling Ranbir into a warm hug and planting a sweet kiss on his cheek, a gesture that perfectly captures their close bond.

Fans flooded the comments section with messages such as “Sweet mommy and son” and “Ranbir is so mumma’s boy,” praising the beautiful relationship between the two. Many called them one of Bollywood’s most loved mother-son pairs, noting how their candid, affectionate moments never fail to melt hearts.

Neetu Kapoor’s upcoming film, Daadi Ki Shaadi, is directed by Ashish R. Mohan and stars Kapil Sharma, Sadia Khateeb, and marks the acting debut of Riddhima Kapoor Sahni. The film is set to release on May 8.

Meanwhile, Ranbir Kapoor continues to be one of the most in-demand actors in the industry, with multiple high-profile projects in his pipeline. This heartwarming video serves as yet another reminder of why audiences adore the Kapoors and their genuine, unfiltered family moments.