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		<title>DailyBLE on Hiatus</title>
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		<pubDate>Mon, 09 Nov 2009 04:15:05 +0000</pubDate>
		<dc:creator>DailyBLE</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://dailyble.com/?p=1430</guid>
		<description>DailyBLE is taking a short hiatus.  Please check back soon for new daily articles.
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		<title>Moses</title>
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		<pubDate>Sun, 08 Nov 2009 04:15:39 +0000</pubDate>
		<dc:creator>DailyBLE</dc:creator>
				<category><![CDATA[Religion]]></category>

		<guid isPermaLink="false">http://dailyble.com/?p=1428</guid>
		<description>&lt;p&gt;&lt;strong&gt;&lt;em&gt;This article is adapted from &lt;a href="http://en.wikipedia.org/wiki/Moses"&gt;Wikipedia: Moses&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Moses"&gt;http://en.wikipedia.org/wiki/Moses&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Moses&lt;/strong&gt; was, according to biblical texts, a religious leader, lawgiver, and prophet, to whom the authorship of the Torah is traditionally attributed. Also called &lt;em&gt;Moshe Rabbeinu&lt;/em&gt; in Hebrew (Lit. "Moses our Teacher"), he is the most important prophet in Judaism, and also considered an important prophet by Christianity, Islam, the Bahá'í Faith, Rastafari, and many other faiths.&lt;/p&gt;

&lt;p&gt;According to the Book of Exodus, Moses was born in a time when war threatened and the large increase in the number of his people concerned the Egyptian Pharaoh who was worried that they might help Egypt's enemies. Moses' Hebrew mother, Jochebed, hid him when the Pharaoh ordered all newborn Hebrew boys to be killed, and he ended up being adopted into the Egyptian royal family. After killing an Egyptian slave-master, Moses fled across the Red Sea to Midian where he tended the flocks of Jethro, a priest of Midian on the slopes of Mt. Horeb. After the Ten Plagues were unleashed on Egypt, Moses led the Hebrew people out of Egypt, across the Red Sea, where they based themselves at Horeb and compassed the borders of Edom. It was at this time, that according to the Bible, Moses received the Ten Commandments. Despite living to 120, according to Exodus, Moses died before reaching the Land of Israel.&lt;/p&gt; &lt;a href="http://dailyble.com/religion/moses/"&gt;Continue reading&lt;/a&gt;
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		<title>Stoicism</title>
		<link>http://feedproxy.google.com/~r/dailyble/~3/oVjnY-rW9eQ/</link>
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		<pubDate>Sat, 07 Nov 2009 04:15:49 +0000</pubDate>
		<dc:creator>DailyBLE</dc:creator>
				<category><![CDATA[Philosophy]]></category>

		<guid isPermaLink="false">http://dailyble.com/?p=1426</guid>
		<description>&lt;p&gt;&lt;strong&gt;&lt;em&gt;This article is adapted from &lt;a href="http://en.wikipedia.org/wiki/Stoicism"&gt;Wikipedia: Stoicism&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Stoicism"&gt;http://en.wikipedia.org/wiki/Stoicism&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;strong&gt;Stoicism&lt;/strong&gt; was a school of Hellenistic philosophy founded in Athens by Zeno of Citium in the early 3rd century BC. The stoics considered destructive emotions to be the result of errors in judgment, and that a sage, or person of "moral and intellectual perfection," would not undergo such emotions. Stoics were concerned with the active relationship between cosmic determinism and human freedom, and the belief that it is virtuous to maintain a will (called &lt;em&gt;prohairesis&lt;/em&gt;) that is in accord with nature. Because of this, the Stoics presented their philosophy as a way of life, and they thought that the best indication of an individual's philosophy was not what a person said but how he or she behaved. Later Roman Stoics, such as Seneca and Epictetus, emphasized that because "virtue is sufficient for happiness," a sage was immune to misfortune. This belief is similar to the meaning of the phrase 'stoic calm', though the phrase does not include the "radical ethical" Stoic views that only a sage can be considered truly free, and that all moral corruptions are equally vicious.

Stoicism teaches the development of self-control and fortitude as a means of overcoming destructive emotions; the philosophy holds that becoming a clear and unbiased thinker allows one to understand the universal reason (&lt;em&gt;logos&lt;/em&gt;). A primary aspect of Stoicism involves improving the individual’s ethical and moral well-being: "Virtue consists in a will which is in agreement with Nature." This principle also applies to the realm of interpersonal relationships; "to be free from anger, envy, and jealousy", and to accept even slaves as "equals of other men, because all alike are sons of God."

Stoic doctrine was a popular and durable philosophy, with a following throughout Greece and the Roman Empire, from its founding until the closing of all philosophy schools in 529 AD by order of the Emperor Justinian I, who perceived their pagan character to be at odds with his Christian faith. &lt;a href="http://dailyble.com/philosophy/stoicism/"&gt;Continue reading&lt;/a&gt;
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		<title>Spread of Islam</title>
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		<pubDate>Fri, 06 Nov 2009 04:15:39 +0000</pubDate>
		<dc:creator>DailyBLE</dc:creator>
				<category><![CDATA[History]]></category>

		<guid isPermaLink="false">http://dailyble.com/?p=1424</guid>
		<description>&lt;p&gt;&lt;strong&gt;&lt;em&gt;This article is adapted from &lt;a href="http://en.wikipedia.org/wiki/Spread_of_Islam"&gt;Wikipedia: Spread of Islam&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Spread_of_Islam"&gt;http://en.wikipedia.org/wiki/Spread_of_Islam&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;The &lt;strong&gt;Spread of Islam&lt;/strong&gt; started shortly after the death of the Islamic prophet Muhammad in 632. Trade networks connected many regions which helped the spread of Islam. During his lifetime, the community of Muslims, the &lt;em&gt;ummah&lt;/em&gt;, was established in the Arabian Peninsula by means of conversion to Islam. In the first centuries conversion to Islam followed the rapid growth of the Muslim world under the Rashidun and Umayyad Caliphs. Muslim dynasties were soon established and subsequent empires such as those of the Abbasids, Almoravids, Seljuk Turks, Mughals in India and Safavids in Persia and Ottomans were among the largest and most powerful in the world. The Islamic world was composed of numerous sophisticated centers of culture and science with far-reaching mercantile networks, travelers, scientists, astronomers, mathematicians, doctors and philosophers, all of whom contributed to the Golden Age of Islam. The activities of this quasi-political early ummah resulted in the spread of Islam as far from Mecca as China and Indonesia, the latter containing the world's largest Muslim population. Today there are between 1.1 billion and 1.8 billion Muslims, making Islam the second-largest religion in the world.&lt;/p&gt;

&lt;p&gt;Increasing conversion to Islam paralleled the rapid growth of the Arab Empire in the first centuries after the Islamic prophet Muhammad's death. Muslim dynasties were soon established in North Africa, West Africa, throughout the Middle East and in Iran. Non-Muslims were not excluded from the economic elite during the Caliphate; but non-Muslims were subject to some restrictions on participation in political life.&lt;/p&gt; &lt;a href="http://dailyble.com/history/spread-of-islam/"&gt;Continue reading&lt;/a&gt;
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		<title>Solar Flare</title>
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		<pubDate>Thu, 05 Nov 2009 04:15:41 +0000</pubDate>
		<dc:creator>DailyBLE</dc:creator>
				<category><![CDATA[Science]]></category>

		<guid isPermaLink="false">http://dailyble.com/?p=1422</guid>
		<description>&lt;p&gt;&lt;strong&gt;&lt;em&gt;This article is adapted from &lt;a href="http://en.wikipedia.org/wiki/Solar_flare"&gt;Wikipedia: Solar Flare&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Solar_flare"&gt;http://en.wikipedia.org/wiki/Solar_flare&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;A &lt;strong&gt;solar flare&lt;/strong&gt; is a large explosion in the Sun's atmosphere that can release as much as 6 × 1025 joules of energy. The term is also used to refer to similar phenomena in other stars, where the more accurate term &lt;strong&gt;stellar flare&lt;/strong&gt; applies.&lt;/p&gt;

&lt;p&gt;Solar flares affect all layers of the solar atmosphere (photosphere, corona, and chromosphere), heating plasma to tens of millions of kelvins and accelerating electrons, protons, and heavier ions to near the speed of light. They produce radiation across the electromagnetic spectrum at all wavelengths, from radio waves to gamma rays. Most flares occur in active regions around sunspots, where intense magnetic fields penetrate the photosphere to link the corona to the solar interior. Flares are powered by the sudden (timescales of minutes to tens of minutes) release of magnetic energy stored in the corona. If a solar flare is exceptionally powerful, it can cause coronal mass ejections.&lt;/p&gt;

&lt;p&gt;X-rays and UV radiation emitted by solar flares can affect Earth's ionosphere and disrupt long-range radio communications. Direct radio emission at decimetric wavelengths may disturb operation of radars and other devices operating at these frequencies.&lt;/p&gt;

&lt;p&gt;Solar flares were first observed on the Sun by Richard Christopher Carrington and independently by Richard Hodgson in 1859 as localized visible brightenings of small areas within a sunspot group. Stellar flares have also been observed on a variety of other stars.&lt;/p&gt;

&lt;p&gt;The frequency of occurrence of solar flares varies, from several per day when the Sun is particularly "active" to less than one each week when the Sun is "quiet". Large flares are less frequent than smaller ones. Solar activity varies with an 11-year cycle (the solar cycle). At the peak of the cycle there are typically more sunspots on the Sun, and hence more solar flares.&lt;/p&gt; &lt;a href="http://dailyble.com/science/solar-flare/"&gt;Continue reading&lt;/a&gt;
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		<title>Gothic Architecture</title>
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		<pubDate>Wed, 04 Nov 2009 04:15:54 +0000</pubDate>
		<dc:creator>DailyBLE</dc:creator>
				<category><![CDATA[Art]]></category>

		<guid isPermaLink="false">http://dailyble.com/?p=1420</guid>
		<description>&lt;p&gt;&lt;strong&gt;&lt;em&gt;This article is adapted from &lt;a href="http://en.wikipedia.org/wiki/Gothic_architecture"&gt;Wikipedia: Gothic Architecture&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Gothic_architecture"&gt;http://en.wikipedia.org/wiki/Gothic_architecture&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Gothic architecture&lt;/strong&gt; is a style of architecture which flourished during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture.&lt;/p&gt;

&lt;p&gt;Originating in 12th-century France and lasting into the 16th century, Gothic architecture was known during the period as "the French Style" (&lt;em&gt;Opus Francigenum&lt;/em&gt;), with the term &lt;em&gt;Gothic&lt;/em&gt; first appearing during the latter part of the Renaissance as a stylistic insult. Its characteristic features include the pointed arch, the ribbed vault and the flying buttress.&lt;/p&gt;

&lt;p&gt;Gothic architecture is most familiar as the architecture of many of the great cathedrals, abbeys and parish churches of Europe. It is also the architecture of many castles, palaces, town halls, guild halls, universities, and to a less prominent extent, private dwellings.&lt;/p&gt;

&lt;p&gt;It is in the great churches and cathedrals and in a number of civic buildings that the Gothic style was expressed most powerfully, its characteristics lending themselves to appeal to the emotions. A great number of ecclesiastical buildings remain from this period, of which even the smallest are often structures of architectural distinction while many of the larger churches are considered priceless works of art and are listed with UNESCO as World Heritage Sites. For this reason a study of Gothic architecture is largely a study of cathedrals and churches.&lt;/p&gt;

&lt;p&gt;A series of Gothic revivals began in mid-18th century England, spread through 19th-century Europe and continued, largely for ecclesiastical and university structures, into the 20th century.&lt;/p&gt; &lt;a href="http://dailyble.com/art/gothic-architecture/"&gt;Continue reading&lt;/a&gt;
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		<title>Gabriel García Márquez</title>
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		<pubDate>Tue, 03 Nov 2009 04:15:54 +0000</pubDate>
		<dc:creator>DailyBLE</dc:creator>
				<category><![CDATA[Literature]]></category>

		<guid isPermaLink="false">http://dailyble.com/?p=1415</guid>
		<description>&lt;p&gt;&lt;strong&gt;&lt;em&gt;This article is adapted from &lt;a href="http://en.wikipedia.org/wiki/Gabriel_Garc%C3%ADa_M%C3%A1rquez"&gt;Wikipedia: Gabriel García Márquez&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Gabriel_Garc%C3%ADa_M%C3%A1rquez"&gt;http://en.wikipedia.org/wiki/Gabriel_Garc%C3%ADa_M%C3%A1rquez&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Gabriel José de la Concordia García Márquez&lt;/strong&gt; (born March 6, 1927) is a Colombian novelist, short-story writer, screenwriter and journalist. García Márquez, affectionately known as "Gabo" throughout Latin America, is considered one of the most significant authors of the 20th century. In 1982, he was awarded the Nobel Prize in Literature. He pursued a self-directed education that resulted in his leaving law school for a career in journalism. From early on, he showed no inhibitions in his criticism of Colombian and foreign politics. In 1958, he married Mercedes Barcha; they have two sons, Rodrigo and Gonzalo.&lt;/p&gt;

&lt;p&gt;He started as a journalist, and has written many acclaimed non-fiction works and short stories, but is best-known for his novels, such as &lt;em&gt;One Hundred Years of Solitude&lt;/em&gt; (1967) and &lt;em&gt;Love in the Time of Cholera&lt;/em&gt; (1985). His works have achieved significant critical acclaim and widespread commercial success, most notably for popularizing a literary style labeled as magical realism, which uses magical elements and events in otherwise ordinary and realistic situations. Some of his works are set in a fictional village called Macondo, and most of them express the theme of solitude.&lt;/p&gt;

&lt;p&gt;García Márquez is an important part of the Latin American Boom of literature. His work has challenged critics of Colombian literature to step out of the conservative criticism that had been dominant before the success of &lt;em&gt;One Hundred Years of Solitude&lt;/em&gt;.&lt;/p&gt;

&lt;p&gt;In 1982,García Márquez received the Nobel Prize in Literature "for his novels and short stories, in which the fantastic and the realistic are combined in a richly composed world of imagination, reflecting a continent's life and conflicts". His acceptance speech was entitled "Solitude of Latin America". García Márquez was the first Colombian and fourth Latin American to win a Nobel Prize for Literature. After becoming a Nobel laureate, García Márquez told a correspondent: "I have the impression that in giving me the prize they have taken into account the literature of the sub-continent and have awarded me as a way of awarding all of this literature."&lt;/p&gt; &lt;a href="http://dailyble.com/literature/gabriel-garcia-marquez/"&gt;Continue reading&lt;/a&gt;
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		<title>Renaissance Music</title>
		<link>http://feedproxy.google.com/~r/dailyble/~3/RNUbA9Eei_k/</link>
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		<pubDate>Mon, 02 Nov 2009 04:15:20 +0000</pubDate>
		<dc:creator>DailyBLE</dc:creator>
				<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://dailyble.com/?p=1413</guid>
		<description>&lt;p&gt;&lt;strong&gt;&lt;em&gt;This article is adapted from &lt;a href="http://en.wikipedia.org/wiki/Renaissance_music"&gt;Wikipedia: Renaissance Music&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Renaissance_music"&gt;http://en.wikipedia.org/wiki/Renaissance_music&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Renaissance music&lt;/strong&gt; is European music written during the Renaissance. Defining the beginning of the musical era is difficult, given the gradually adopted "Renaissance" characteristics: musicologists have placed its beginnings from as early as 1300 to as late as the 1470s.&lt;/p&gt;

&lt;p&gt;The increasing reliance on the interval of the third as a consonance is one of the most pronounced features of early Renaissance European art music (in the Middle Ages, thirds had been considered dissonances: see interval). Polyphony, in use since the 12th century, became increasingly elaborate with highly independent voices throughout the 14th century: the beginning of the 15th century showed simplification, with the voices often striving for smoothness. This was possible because of a greatly increased vocal range in music – in the Middle Ages, the narrow range made necessary frequent crossing of parts, thus requiring a greater contrast between them.&lt;/p&gt;

&lt;p&gt;The modal (as opposed to tonal) characteristics of Renaissance music began to break down towards the end of the period with the increased use of root motions of fifths. This later developed into one of the defining characteristics of tonality.&lt;/p&gt;

&lt;p&gt;Principal liturgical forms which endured throughout the entire Renaissance period were masses and motets, with some other developments towards the end, especially as composers of sacred music began to adopt secular forms (such as the madrigal) for their own designs. Common sacred genres were the mass, the motet, the madrigale spirituale, and the laude.&lt;/p&gt;

&lt;p&gt;During the period, secular music had an increasing distribution and included songs for one or many voices; forms such as the frottola, chanson and madrigal. Secular vocal genres included the madrigal, the frottola, the caccia, the chanson in several forms (rondeau, virelai, bergerette, ballade, musique mesurée), the canzonetta, the villancico, the villanella, the villotta, and the lute song. Mixed forms such as the motet-chanson and the secular motet also appeared.&lt;/p&gt;

&lt;p&gt;Purely instrumental music included consort music for recorder or viol and other instruments, and dances for various ensembles. Common genres were the toccata, the prelude, the ricercar, the canzona, and intabulation (intavolatura, intabulierung). Instrumental ensembles for dances might play a basse danse (or bassedanza), a pavane, a galliard, an allemande, or a courante.&lt;/p&gt;

&lt;p&gt;Toward the end of the period, the early dramatic precursors of opera such as monody, the madrigal comedy, and the intermedio are seen.&lt;/p&gt; &lt;a href="http://dailyble.com/music/renaissance-music/"&gt;Continue reading&lt;/a&gt;
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		<title>Joseph (Hebrew Bible)</title>
		<link>http://feedproxy.google.com/~r/dailyble/~3/xYZcSE71_SU/</link>
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		<pubDate>Sun, 01 Nov 2009 04:15:28 +0000</pubDate>
		<dc:creator>DailyBLE</dc:creator>
				<category><![CDATA[Religion]]></category>

		<guid isPermaLink="false">http://dailyble.com/?p=1411</guid>
		<description>&lt;p&gt;&lt;strong&gt;&lt;em&gt;This article is adapted from &lt;a href="http://en.wikipedia.org/wiki/Joseph_(Hebrew_Bible)"&gt;Wikipedia: Joseph (Hebrew Bible)&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Joseph_(Hebrew_Bible)"&gt;http://en.wikipedia.org/wiki/Joseph_(Hebrew_Bible)&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Joseph, or Yosef ("He (The Lord) increases/may add"), was the eleventh son of Jacob and first son of Rachel according to the Hebrew Bible (Old Testament). He is also mentioned in the Qur'an as a Prophet of Islam.&lt;/p&gt;

&lt;p&gt;The story of Joseph is told in Genesis, chapters 37-50 (making it one of the longest continuous narratives in the Bible). The favourite son of his father Jacob, Joseph is sold into slavery in Egypt by his jealous brothers, but rises to become Pharaoh's viceroy, and brings the Children of Israel (i.e., of Jacob) down to Egypt to live in the land of Goshen.&lt;/p&gt;

&lt;p&gt;Joseph is one of the best-known figures in the Torah, famous for his coat of many colors (although this is a possible mistranslation of the Hebrew phrase "kethoneth passim" which means a "striped shirt") and for his ability to interpret dreams. The shrine called Joseph's Tomb in Nablus is traditionally considered to be his tomb.&lt;/p&gt;

&lt;p&gt;Thomas Mann retells the Genesis stories surrounding Joseph in his four novel omnibus, &lt;em&gt;Joseph and His Brothers&lt;/em&gt;, identifying Joseph with the figure of Osarseph known from Josephus, and the pharaoh with Akhenaten.&lt;/p&gt;

&lt;p&gt;The long-running musical &lt;em&gt;Joseph and the Amazing Technicolor Dreamcoat&lt;/em&gt; by Andrew Lloyd Webber and Tim Rice is based upon the biblical narrative of Joseph.&lt;/p&gt; &lt;a href="http://dailyble.com/religion/joseph-hebrew-bible/"&gt;Continue reading&lt;/a&gt;
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		<title>Hylomorphism</title>
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		<pubDate>Sat, 31 Oct 2009 04:15:13 +0000</pubDate>
		<dc:creator>DailyBLE</dc:creator>
				<category><![CDATA[Philosophy]]></category>

		<guid isPermaLink="false">http://dailyble.com/?p=1409</guid>
		<description>&lt;p&gt;&lt;strong&gt;&lt;em&gt;This article is adapted from &lt;a href="http://en.wikipedia.org/wiki/Hylomorphism_(Aristotelian)"&gt;Wikipedia: Hylomorphism (Aristotelian)&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Hylomorphism_(Aristotelian)"&gt;http://en.wikipedia.org/wiki/Hylomorphism_(Aristotelian)&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;strong&gt;Hylomorphism&lt;/strong&gt; (Greek &lt;em&gt;hylo-&lt;/em&gt;, "wood, matter" + -morphism &lt; Greek &lt;em&gt;morphē&lt;/em&gt;, "form") is a philosophical theory developed by Aristotle, which analyzes substance into matter and form. More precisely, substances are conceived of as forms inhering in matter.&lt;/p&gt;

&lt;p&gt;In Aristotle's writings, the term "matter" (hyle) has a somewhat different meaning than the term "matter" in modern English. In modern English, the term "matter" often refers to a specific kind of substance, namely physical substance. In contrast, for Aristotle, "matter" is a relative term. For Aristotle, the question is not "Is X matter?" but, rather, "What is the matter of X?" Aristotle defines X's matter as the "constituents" of X, as "that out of which" X is made. Thus, in Aristotle's scheme, something can be matter without being physical. For example, letters are the matter of syllables. Aristotle even calls the parts of a geometrical shape (that is, of a pure geometrical shape, considered apart from any physical object having that shape) "intelligible matter".&lt;/p&gt;

&lt;p&gt;When some X is produced, X's matter is what undergoes the change into X and remains constant throughout the process. Aristotle says that bronze is the matter of both a bronze statue and a bronze sphere. Bronze has the potential to be either a bronze statue or a bronze sphere. When a bronze object changes into a bronze statue or a bronze sphere, the bronze remains constant throughout the change. Thus, matter is "potentiality": M is X's matter if and only if M has the potential to be X.&lt;/p&gt;

&lt;p&gt;Given this definition of matter, we can distinguish between what Aristotle calls "proximate matter" and what he calls "non-proximate matter". X can both have matter and also be matter. Clay is the matter of bricks, but bricks in turn are the matter of a house. So bricks both have matter (clay) and are matter (for a house). The house's proximate matter is the bricks, and its non-proximate matter is the clay, because the bricks are closer to being a house than is the clay.&lt;/p&gt;

&lt;p&gt;Whereas matter is potentiality, form is actuality. According to Aristotle, if bronze is a bronze sphere’s matter, then roundness is its form. Bronze is potentially a bronze sphere. It becomes actually a bronze sphere when given roundness. Thus, roundness is an "actuality" of the bronze sphere—or, rather, part of the bronze sphere's actuality: it is the shape that a thing needs in order to actually be a bronze sphere. Forms need not be shapes. According to Aristotle's theory of perception, the senses perceive an object by receiving its form. The senses receive such things as colors and flavors. Thus, forms include such properties as colors and flavors, not just shapes.&lt;/p&gt;

&lt;p&gt;Medieval theologians, newly exposed to Aristotle's philosophy, applied hylomorphism to Christian doctrines such as the transubstantiation of the Eucharist's bread and wine to the body and blood of Jesus. Theologians such as Duns Scotus developed Christian applications of hylomorphism.&lt;/p&gt; &lt;a href="http://dailyble.com/philosophy/hylomorphism/"&gt;Continue reading&lt;/a&gt;
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		<title>Constantine I</title>
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		<pubDate>Fri, 30 Oct 2009 04:15:56 +0000</pubDate>
		<dc:creator>DailyBLE</dc:creator>
				<category><![CDATA[History]]></category>

		<guid isPermaLink="false">http://dailyble.com/?p=1407</guid>
		<description>&lt;p&gt;&lt;strong&gt;&lt;em&gt;This article is adapted from &lt;a href="http://en.wikipedia.org/wiki/Constantine_I"&gt;Wikipedia: Constantine I&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Constantine_I"&gt;http://en.wikipedia.org/wiki/Constantine_I&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Caesar Flavius Valerius Aurelius Constantinus Augustus&lt;/strong&gt; (27 February c. 272 – 22 May 337), commonly known in English as Constantine I, Constantine the Great, or (among Eastern Orthodox, Coptic Orthodox, Oriental Orthodox and Byzantine Catholic Christians) Saint Constantine, was Roman emperor from 306, and the sole holder of that office from 324 until his death in 337. Best known for being the first Christian Roman emperor, Constantine reversed the persecutions of his predecessor, Diocletian, and issued (with his co-emperor Licinius) the Edict of Milan in 313, which proclaimed religious toleration throughout the empire.&lt;/p&gt;

&lt;p&gt;The Byzantine liturgical calendar, observed by the Eastern Orthodox Church and Eastern Catholic Churches of Byzantine rite, lists both Constantine and his mother Helena as saints. Although he is not included in the Latin Church's list of saints, which does recognize several other Constantines as saints, he is revered under the title "The Great" for his contributions to Christianity.&lt;/p&gt;

&lt;p&gt;Constantine also transformed the ancient Greek colony of Byzantium into a new imperial residence, Constantinople, which would remain the capital of the Byzantine Empire for over one thousand years.&lt;/p&gt; &lt;a href="http://dailyble.com/history/constantine-i/"&gt;Continue reading&lt;/a&gt;
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		<title>Earthquake</title>
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		<pubDate>Thu, 29 Oct 2009 04:15:51 +0000</pubDate>
		<dc:creator>DailyBLE</dc:creator>
				<category><![CDATA[Science]]></category>

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		<description>&lt;p&gt;&lt;strong&gt;&lt;em&gt;This article is adapted from &lt;a href="http://en.wikipedia.org/wiki/Earthquake"&gt;Wikipedia: Earthquake&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Earthquake"&gt;http://en.wikipedia.org/wiki/Earthquake&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;An &lt;strong&gt;earthquake&lt;/strong&gt; (also known as a &lt;strong&gt;tremor&lt;/strong&gt; or &lt;strong&gt;temblor&lt;/strong&gt;) is the result of a sudden release of energy in the Earth's crust that creates seismic waves. Earthquakes are recorded with a seismometer, also known as a seismograph. The moment magnitude (or the related and mostly obsolete Richter magnitude) of an earthquake is conventionally reported, with magnitude 3 or lower earthquakes being mostly imperceptible and magnitude 7 causing serious damage over large areas. Intensity of shaking is measured on the modified Mercalli scale.&lt;/p&gt;

&lt;p&gt;At the Earth's surface, earthquakes manifest themselves by shaking and sometimes displacing the ground. When a large earthquake epicenter is located offshore, the seabed sometimes suffers sufficient displacement to cause a tsunami. The shaking in earthquakes can also trigger landslides and occasionally volcanic activity.&lt;/p&gt;

&lt;p&gt;In its most generic sense, the word &lt;em&gt;earthquake&lt;/em&gt; is used to describe any seismic event — whether a natural phenomenon or an event caused by humans — that generates seismic waves. Earthquakes are caused mostly by rupture of geological faults, but also by volcanic activity, landslides, mine blasts, and nuclear experiments. An earthquake's point of initial rupture is called its focus or hypocenter. The term epicenter refers to the point at ground level directly above the hypocenter.&lt;/p&gt; &lt;a href="http://dailyble.com/science/earthquake/"&gt;Continue reading&lt;/a&gt;
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		<title>Gothic Art</title>
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		<pubDate>Wed, 28 Oct 2009 04:15:40 +0000</pubDate>
		<dc:creator>DailyBLE</dc:creator>
				<category><![CDATA[Art]]></category>

		<guid isPermaLink="false">http://dailyble.com/?p=1403</guid>
		<description>&lt;p&gt;&lt;strong&gt;&lt;em&gt;This article is adapted from &lt;a href="http://en.wikipedia.org/wiki/Gothic_art"&gt;Wikipedia: Gothic Art&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Gothic_art"&gt;http://en.wikipedia.org/wiki/Gothic_art&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Gothic art&lt;/strong&gt; was a Medieval art movement that developed in France out of Romanesque art in the mid-12th century, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, but took over art more completely north of the Alps, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscript.&lt;/p&gt;

&lt;p&gt;The earliest Gothic art was monumental sculpture, on the walls of Cathedrals and abbeys. Christian art was often typological in nature (see Medieval allegory), showing the stories of the New Testament and the Old Testament side by side. Saints' lives were often depicted. Images of the Virgin Mary changed from the Byzantine iconic form to a more human and affectionate mother, cuddling her infant, swaying from her hip, and showing the refined manners of a well-born aristocratic courtly lady.&lt;/p&gt;

&lt;p&gt;Secular art came in to its own during this period with the rise of cities, foundation of universities, increase in trade, the establishment of a money-based economy and the creation of a bourgeois class who could afford to patronize the arts and commission works resulting in a proliferation of paintings and illuminated manuscripts. Increased literacy and a growing body of secular vernacular literature encouraged the representation of secular themes in art. With the growth of cities, trade guilds were formed and artists were often required to be members of a painters' guild—as a result, because of better record keeping, more artists are known to us by name in this period than any previous, some artists were even so bold as to sign their names.&lt;/p&gt; &lt;a href="http://dailyble.com/art/gothic-art/"&gt;Continue reading&lt;/a&gt;
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		<title>Catch-22</title>
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		<pubDate>Tue, 27 Oct 2009 04:15:47 +0000</pubDate>
		<dc:creator>DailyBLE</dc:creator>
				<category><![CDATA[Literature]]></category>

		<guid isPermaLink="false">http://dailyble.com/?p=1401</guid>
		<description>&lt;p&gt;&lt;strong&gt;&lt;em&gt;This article is adapted from &lt;a href="http://en.wikipedia.org/wiki/Catch-22"&gt;Wikipedia: Catch-22&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Catch-22"&gt;http://en.wikipedia.org/wiki/Catch-22&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;em&gt;Catch-22&lt;/em&gt;&lt;/strong&gt; is a satirical, historical novel by the American author Joseph Heller, first published in 1961. The novel, set during the later stages of World War II from 1943 onwards, is frequently cited as one of the great literary works of the twentieth century. It has a distinctive non-chronological style where events are described from different characters' points of view and out of sequence so that the time line develops along with the plot.&lt;/p&gt;

&lt;p&gt;The novel follows Yossarian, a U.S. Army Air Forces B-25 bombardier, and a number of other characters. Most events occur while the airmen of the fictional Fighting 256th (or "two to the fighting eighth power") Squadron are based on the island of Pianosa, in the Mediterranean Sea west of Italy.&lt;/p&gt;

&lt;p&gt;Among other things, &lt;em&gt;Catch-22&lt;/em&gt; is a general critique of bureaucratic operation and reasoning. Resulting from its specific use in the book, the phrase "Catch-22" is common idiomatic usage meaning "a no-win situation" or "a double bind" of any type. Within the book, "Catch-22" is a military rule, the self-contradictory circular logic that, for example, prevents anyone from avoiding combat missions.&lt;/p&gt; &lt;a href="http://dailyble.com/literature/catch-22/"&gt;Continue reading&lt;/a&gt;
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		<title>Musical Ensemble</title>
		<link>http://feedproxy.google.com/~r/dailyble/~3/o-XCFeChPW8/</link>
		<comments>http://dailyble.com/music/musical-ensemble/#comments</comments>
		<pubDate>Mon, 26 Oct 2009 04:15:57 +0000</pubDate>
		<dc:creator>DailyBLE</dc:creator>
				<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://dailyble.com/?p=1399</guid>
		<description>&lt;p&gt;&lt;strong&gt;&lt;em&gt;This article is adapted from &lt;a href="http://en.wikipedia.org/wiki/Musical_ensemble"&gt;Wikipedia: Musical Ensemble&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Musical_ensemble"&gt;http://en.wikipedia.org/wiki/Musical_ensemble&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;A &lt;strong&gt;musical ensemble&lt;/strong&gt; is a group of two or more musicians who perform instrumental or vocal music. In each musical style different norms have developed for the sizes and composition of different ensembles, and for the repertoire of songs or musical works that these ensembles perform.&lt;/p&gt;

&lt;p&gt;A &lt;strong&gt;choir&lt;/strong&gt; is a group of voices. By analogy, sometimes a group of similar instruments in a symphony orchestra are referred to as a choir. For example, the woodwind instruments of a symphony orchestra could be called the woodwind choir.&lt;/p&gt;

&lt;p&gt;In &lt;strong&gt;classical music&lt;/strong&gt;, trios or quartets either blend the sounds of instrument families (e.g., piano, strings, and winds) or group together instruments from the same instrument family, such as string ensembles or wind ensembles. In &lt;strong&gt;jazz ensembles&lt;/strong&gt;, the instruments typically include wind instruments (one or more saxophones, trumpets, etc.) one or two chordal "comping" instruments (electric guitar, piano, or organ), a bass instrument (electric bass guitar or double bass), and a drummer or percussionist. In &lt;strong&gt;rock ensembles&lt;/strong&gt;, usually called &lt;strong&gt;rock bands&lt;/strong&gt;, there are usually guitars and keyboards (piano, electric piano, Hammond organ and synthesizers) and a rhythm section made up of a bass guitar and drum kit.&lt;/p&gt; &lt;a href="http://dailyble.com/music/musical-ensemble/"&gt;Continue reading&lt;/a&gt;
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		<title>Sodom and Gomorrah</title>
		<link>http://feedproxy.google.com/~r/dailyble/~3/R7m818oE3rs/</link>
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		<pubDate>Sun, 25 Oct 2009 04:15:03 +0000</pubDate>
		<dc:creator>DailyBLE</dc:creator>
				<category><![CDATA[Religion]]></category>

		<guid isPermaLink="false">http://dailyble.com/?p=1397</guid>
		<description>&lt;p&gt;&lt;strong&gt;&lt;em&gt;This article is adapted from &lt;a href="http://en.wikipedia.org/wiki/Sodom_and_Gomorrah"&gt;Wikipedia: Sodom and Gomorrah&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Sodom_and_Gomorrah"&gt;http://en.wikipedia.org/wiki/Sodom_and_Gomorrah&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Sodom and Gomorrah&lt;/strong&gt; were two cities which the Bible says were destroyed by God. The historical existence of Sodom and Gomorrah is still in dispute by archaeologists. The Bible indicates they were located near the Dead Sea.&lt;/p&gt;

&lt;p&gt;In Genesis 18, God sends two angels, appearing as men, to Abraham in the plains of Mamre. After receiving the hospitality of Abraham and Sarah, his wife, God reveals to Abraham that he will investigate Sodom and Gomorrah, because their cry is great, "and because their sin is very grievous." (vs. 20-21) In response, Abraham reverently inquires of God if he would spare the city if 50 righteous people were found in it, then 45, then 30, then 20, or even ten, with God affirming he would not destroy it after each request, for the sake of the righteous yet dwelling therein. The two angels of God proceed to Sodom and are met by Abraham's righteous nephew Lot, who constrains the angels to lodge with him, and they eat with his family.&lt;/p&gt;

&lt;p&gt;In the Tanach version, Genesis 19:4-5, describes what followed, which confirms the verdict as to the sin of Sodom and its end:&lt;/p&gt;

&lt;blockquote&gt;When they had not yet retired, and the men of the city, the men of Sodom, surrounded the house, both young and old from every end of the city. And they called to Lot and said to him, "Where are the men who came to you tonight? Bring them out to us, and let us know them."&lt;/blockquote&gt;

&lt;p&gt;In response, Lot refuses to give his guests to the inhabitants of Sodom, and instead offers them his two unmarried daughters, "who have not known man", to do with as they please. However, they refuse this offer, and threaten to do worse to Lot than they would have done to his guests, and press sore upon him. Lot's angelic guests rescue him, and strike the men with blindness. They then command Lot to gather his family and leave, revealing that they were sent to destroy Sodom and Gomorrah. As they make their escape the angels command Lot and his family not to look back under any circumstance. However as Sodom and Gomorrah were destroyed with fire and brimstone by God, Lot's wife looks back longingly at the city, and becomes a pillar of salt.&lt;/p&gt;

&lt;p&gt;For the sins of their inhabitants Sodom, Gomorrah, Admah, and Zeboim were destroyed by "brimstone and fire from the Lord out of heaven" (Genesis 19:24-25). In Christianity and Islam, their names have become synonymous with impenitent sin, and their fall with a proverbial manifestation of God's wrath (Jude 1:7, Qur'an(S15)Al-Hijr:72-73).&lt;/p&gt; &lt;a href="http://dailyble.com/religion/sodom-and-gomorrah/"&gt;Continue reading&lt;/a&gt;
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		<title>Theory of Forms</title>
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		<pubDate>Sat, 24 Oct 2009 04:15:00 +0000</pubDate>
		<dc:creator>DailyBLE</dc:creator>
				<category><![CDATA[Philosophy]]></category>

		<guid isPermaLink="false">http://dailyble.com/?p=1395</guid>
		<description>&lt;p&gt;&lt;strong&gt;&lt;em&gt;This article is adapted from &lt;a href="http://en.wikipedia.org/wiki/Theory_of_Forms"&gt;Wikipedia: Theory of Forms&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Theory_of_Forms"&gt;http://en.wikipedia.org/wiki/Theory_of_Forms&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Plato's &lt;strong&gt;Theory of Forms&lt;/strong&gt;, or Theory of Ideas, asserts that non-material abstract (but substantial) forms (or ideas), and not the material world of change known to us through sensation, possess the highest and most fundamental kind of reality. When used in this sense, the word form is often capitalized. Plato says that these Forms are the only true objects of study that can provide us with genuine knowledge. Plato spoke of Forms in formulating his solution to the problem of universals.&lt;/p&gt;

&lt;p&gt;The forms that we see, according to Plato, are not real, but literally mimic the real Forms. In the allegory of the cave expressed in &lt;em&gt;Republic&lt;/em&gt;, the things we ordinarily perceive in the world are characterized as shadows of the real things, which we do not perceive directly. That which the observer understands when he views the world mimics the archetypes of the many types and properties (that is, of universals) of things we see all around us.&lt;/p&gt; &lt;a href="http://dailyble.com/philosophy/theory-of-forms/"&gt;Continue reading&lt;/a&gt;
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		<title>Peloponnesian War</title>
		<link>http://feedproxy.google.com/~r/dailyble/~3/0pHyDir0KrI/</link>
		<comments>http://dailyble.com/history/peloponnesian-war/#comments</comments>
		<pubDate>Fri, 23 Oct 2009 04:15:58 +0000</pubDate>
		<dc:creator>DailyBLE</dc:creator>
				<category><![CDATA[History]]></category>

		<guid isPermaLink="false">http://dailyble.com/?p=1393</guid>
		<description>&lt;p&gt;&lt;strong&gt;&lt;em&gt;This article is adapted from &lt;a href="http://en.wikipedia.org/wiki/Peloponnesian_War"&gt;Wikipedia: Peloponnesian War&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Peloponnesian_War"&gt;http://en.wikipedia.org/wiki/Peloponnesian_War&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;The &lt;strong&gt;Peloponnesian War&lt;/strong&gt;, 431 to 404 B.C., was an Ancient Greek war, fought by Athens and its empire against the Peloponnesian League, led by Sparta. Historians have traditionally divided the war into three phases. In the first, the Archidamian War, Sparta launched repeated invasions of Attica, while Athens took advantage of its naval supremacy to raid the coast of the Peloponnese attempting to suppress signs of unrest in its empire. This period of the war was concluded in 421 BC, with the signing of the Peace of Nicias. That treaty, however, was soon undermined by renewed fighting in the Peloponnese. In 415 BC, Athens dispatched a massive expeditionary force to attack Syracuse in Sicily; the attack failed disastrously, with the destruction of the entire force, in 413 BC. This ushered in the final phase of the war, generally referred to either as the Decelean War, or the Ionian War. In this phase, Sparta, now receiving support from Persia, supported rebellions in Athens' subject states in the Aegean Sea and Ionia, undermining Athens' empire, and, eventually, depriving the city of naval supremacy. The destruction of Athens' fleet at Aegospotami effectively ended the war, and Athens surrendered in the following year.&lt;/p&gt;

&lt;p&gt;The Peloponnesian War reshaped the Ancient Greek world. On the level of international relations, Athens, the strongest city-state in Greece prior to the war's beginning, was reduced to a state of near-complete subjection, while Sparta was established as the leading power of Greece. The economic costs of the war were felt all across Greece; poverty became widespread in the Peloponnese, while Athens found itself completely devastated, and never regained its pre-war prosperity. The war also wrought subtler changes to Greek society; the conflict between democratic Athens and oligarchic Sparta, each of which supported friendly political factions within other states, made civil war a common occurrence in the Greek world.&lt;/p&gt;

&lt;p&gt;Greek warfare, meanwhile, originally a limited and formalized form of conflict, transformed into an all-out struggle between city-states, complete with atrocities on a large scale. Shattering religious and cultural taboos, devastating vast swathes of countryside, and destroying whole cities, the Peloponnesian War marked the dramatic end to the fifth-century-B.C. golden age of Greece.&lt;/p&gt; &lt;a href="http://dailyble.com/history/peloponnesian-war/"&gt;Continue reading&lt;/a&gt;
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		<title>Surface Tension</title>
		<link>http://feedproxy.google.com/~r/dailyble/~3/HUSrSINM528/</link>
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		<pubDate>Thu, 22 Oct 2009 04:15:14 +0000</pubDate>
		<dc:creator>DailyBLE</dc:creator>
				<category><![CDATA[Science]]></category>

		<guid isPermaLink="false">http://dailyble.com/?p=1391</guid>
		<description>&lt;p&gt;&lt;strong&gt;&lt;em&gt;This article is adapted from &lt;a href="http://en.wikipedia.org/wiki/Surface_tension"&gt;Wikipedia: Surface Tension&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Surface_tension"&gt;http://en.wikipedia.org/wiki/Surface_tension&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Surface tension&lt;/strong&gt; is a property of the surface of a liquid. It is what causes the surface portion of liquid to be attracted to another surface, such as that of another portion of liquid (as in connecting bits of water or as in a drop of mercury that forms a cohesive ball).&lt;/p&gt;

&lt;p&gt;Applying Newtonian physics to the forces that arise due to surface tension accurately predicts many liquid behaviors that are so commonplace that most people take them for granted. Applying thermodynamics to those same forces further predicts other more subtle liquid behaviors.&lt;/p&gt;

&lt;p&gt;Surface tension has the dimension of force per unit length, or of energy per unit area. The two are equivalent — but when referring to energy per unit of area, people use the term surface energy — which is a more general term in the sense that it applies also to solids and not just liquids.&lt;/p&gt;

&lt;p&gt;In materials science, surface tension is used for either surface stress or surface free energy.&lt;/p&gt; &lt;a href="http://dailyble.com/science/surface-tension/"&gt;Continue reading&lt;/a&gt;
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		<title>Byzantine Art</title>
		<link>http://feedproxy.google.com/~r/dailyble/~3/t6cJv2LAom8/</link>
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		<pubDate>Wed, 21 Oct 2009 04:15:15 +0000</pubDate>
		<dc:creator>DailyBLE</dc:creator>
				<category><![CDATA[Art]]></category>

		<guid isPermaLink="false">http://dailyble.com/?p=1389</guid>
		<description>&lt;p&gt;&lt;strong&gt;&lt;em&gt;This article is adapted from &lt;a href="http://en.wikipedia.org/wiki/Byzantine_art"&gt;Wikipedia: Byzantine Art&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Byzantine_art"&gt;http://en.wikipedia.org/wiki/Byzantine_art&lt;/a&gt;)&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Byzantine art&lt;/strong&gt; is the term commonly used to describe the artistic products of the Byzantine Empire from about the 4th century until the Fall of Constantinople in 1453.&lt;/p&gt;

&lt;p&gt;The term can also be used for the art of Eastern Orthodox states which were contemporary with the Byzantine Empire and were culturally influenced by it, without actually being part of it (the "Byzantine commonwealth"), such as Bulgaria, Serbia, or Rus; and also for the art of the Republic of Venice and Kingdom of Sicily, which had close ties to the Byzantine Empire despite being in other respects part of western European culture. Art produced by Eastern Orthodox Christians living in the Ottoman Empire is often called "post-Byzantine." Certain artistic traditions that originated in the Byzantine Empire, particularly in regard to icon painting and church architecture, are maintained in Greece, Bulgaria, Russia and other Eastern Orthodox countries to the present day.&lt;/p&gt;

&lt;p&gt;The Byzantine era properly defined came to an end with the fall of Constantinople to the Ottoman Turks in 1453, but by this time the Byzantine cultural heritage had been widely diffused, carried by the spread of Orthodox Christianity, to Bulgaria, Serbia, Romania and, most importantly, to Russia, which became the centre of the Orthodox world following the Ottoman conquest of the Balkans. Even under Ottoman rule, Byzantine traditions in icon-painting and other small-scale arts survived, especially in the Venetian-ruled Crete and Rhodes, where a "post-Byzantine" style under increasing Western influence survived for a further two centuries, producing El Greco and other significant artists.&lt;/p&gt;

&lt;p&gt;The influence of Byzantine art in western Europe, particularly Italy was seen in ecclesiastical architecture, through the development of the Romanesque style in the 10th century and 11th centuries. This influence was transmitted through the Frankish and Salic emperors, primarily Charlemagne, who had close relations with Byzantium. The contribution of the migrated Byzantine scholars in the Renaissance is also very important.&lt;/p&gt; &lt;a href="http://dailyble.com/art/byzantine-art/"&gt;Continue reading&lt;/a&gt;
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