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    <title>Chasing Dragons</title>
    
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    <id>tag:typepad.com,2003:weblog-1868791</id>
    <updated>2010-03-09T12:00:46+00:00</updated>
    <subtitle>security, politics, culture</subtitle>
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        <title>Call for Papers: 'Beauty Will Save The World': A Workshop on Art and Social Change</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/chasingdragons/~3/WHzl9bRSlQY/call-for-papers-beauty-will-save-the-world-a-workshop-on-art-and-social-change.html" />
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        <id>tag:typepad.com,2003:post-6a00e54ef1680988330120a91982b7970b</id>
        <published>2010-03-09T12:00:46+00:00</published>
        <updated>2010-03-09T12:00:46+00:00</updated>
        <summary>Are you currently working on a Masters or Ph.D. that explores aspects of how art and social change are related? Or are you really interested in the topic? If so, the following workshop organized by colleagues at the University of Bristol might just be for you. Please see the details below: ‘Beauty will save the world’*: An Interdisciplinary Postgraduate Workshop on Art and Social Change University of Bristol, 7-8 September 2010 Hosted by the Department of Politics and sponsored by the Institute for Advanced Studies and the Global Insecurities Centre, University of Bristol How does art construct, resist and contest...</summary>
        <author>
            <name>Denise</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Design" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Fashion" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Philosophy" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Politics" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Popular Culture" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Visual Politics" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="aesthetics" />
        <category scheme="http://sixapart.com/ns/types#tag" term="art" />
        <category scheme="http://sixapart.com/ns/types#tag" term="bristol university" />
        <category scheme="http://sixapart.com/ns/types#tag" term="politics" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.chasingdragons.org/"><div xmlns="http://www.w3.org/1999/xhtml"><div style="text-align: center;"><p><a href="http://www.theswellelife.com/.a/6a00e54ef16809883301310f80267d970c-pi" style="display: inline;"><img alt="Hope" class="asset asset-image at-xid-6a00e54ef16809883301310f80267d970c " src="http://www.theswellelife.com/.a/6a00e54ef16809883301310f80267d970c-400wi" style="width: 375px;" /></a> <br /> </p>

<p />

<p><a href="http://www.theswellelife.com/.a/6a00e54ef16809883301310f8021fc970c-pi" style="display: inline;"><img alt="Bristol" class="asset asset-image at-xid-6a00e54ef16809883301310f8021fc970c " src="http://www.theswellelife.com/.a/6a00e54ef16809883301310f8021fc970c-400wi" style="width: 375px;" /></a></p> </div><p> <span style="font-family: Trebuchet MS;">Are you currently working on a Masters or Ph.D. that explores aspects of how art and social change are related? Or are you really interested in the topic? If so, the following workshop organized by colleagues at the University of Bristol might just be for you. Please see the details below:</span></p>

<p style="font-family: Trebuchet MS;"><strong>‘Beauty will save the world’*: An Interdisciplinary Postgraduate Workshop on Art and Social Change</strong></p>

<p style="font-family: Trebuchet MS;"><strong>University of Bristol, 7-8 September 2010</strong></p>

<p style="font-family: Trebuchet MS;"><strong>Hosted by the Department of Politics and sponsored by the Institute for Advanced Studies and the Global Insecurities Centre, University of Bristol</strong></p>

<p style="font-family: Trebuchet MS;"><em>How does art construct, resist and contest dominant identities and social practices? How does art open up possibilities for (re)creating the world? What are the relationships between art, aesthetics, and politics?  What are the power relations involved in art? Whose art, and whose values are best placed to change the world? Can engaging with art help us develop new epistemologies and research methodologies? Can beauty ‘save’ the world?</em></p>

<p style="font-family: Trebuchet MS;">This two-day interdisciplinary postgraduate workshop is premised on the assumption that art actively constructs social ‘reality’, as opposed to merely reflecting it. Against dominant pronouncements privileging the centrality of rationalism and science as the legitimate avenues towards knowledge and social change, this workshop poses the question: what does the ‘serious’ pursuit of ‘progress’ miss out on when it disqualifies the artist’s imaginary as superfluous, lacking impact, unimportant?</p>

<p style="font-family: Trebuchet MS;">The workshop aims to bring together postgraduate students working in and across various disciplines to share research which looks at the contested meanings of art and aesthetics, explores art in different cultural and historical settings, and examines the ways in which art and its constructions of beauty, society, politics can help in understanding, and changing, the social world. The workshop will also enable postgraduate students to engage and network with more established scholars, who will be present at the workshop as keynote speakers, panel chairs and roundtable discussants.</p>

<p style="font-family: Trebuchet MS;">We welcome paper and panel proposals (2-3 presenters per panel) which engage specifically with the theme of art and social change, from various disciplines, including but not limited to: Archaeology, Anthropology, Classics, English, Modern Languages, History, History of Art, Visual and Performing Arts, Cultural Studies, Geography, Philosophy, Sociology and Politics.</p><span style="font-family: Trebuchet MS;">Ideas for papers might include:</span><br /><ul style="font-family: Trebuchet MS;">
<li>Art as nationalism;</li>
<li>The aesthetics of social movements, protest and revolution;</li>
<li>The envisioning of utopia(s);</li>
<li>‘The world as a stage’: playwrights, audiences and social change;</li>
<li>Art as methodology.</li>
</ul>
<p style="font-family: Trebuchet MS;">Papers can include think pieces or works in progress. We encourage a diversity of presentation styles, from ‘traditional’ papers to interactive sessions, involving short film screenings, musical and dramatic performances, and the display of paintings, sculpture, photographs, and installation art. Presenters will be assigned a 30-minute slot for their presentation, which can be used by the presenter as they wish, but must include at least 5 minutes for audience questions.</p>

<p style="font-family: Trebuchet MS;"><strong>Please email abstracts (maximum 300 words) of proposed presentations to both Cerelia Athanasiou (cerelia.athanasiou@bristol.ac.uk) and Shaira Kadir (shaira.kadir@bristol.ac.uk) by 31 May 2010.</strong></p>

<p style="font-family: Trebuchet MS;">Presenters will be able to make use of a digital data projector and DVD/CD player. However, we will not be able to provide musical instruments or any other specialist equipment.</p><p style="font-family: Trebuchet MS;">*From Fyodor Dostoyevsky’s <em>The Idiot</em>. </p><p style="font-family: Trebuchet MS;">Photo credit: <a href="http://www.flickr.com/photos/mafleen/3204150450/sizes/o/" target="_blank">mafleen</a></p>

<p style="font-family: Trebuchet MS;"><span class="asset asset-generic at-xid-6a00e54ef1680988330120a9198c24970b"><a href="http://www.theswellelife.com/files/beauty-will-save-the-world-call-for-papers.pdf">Download Beauty will save the world Call for Papers </a></span></p><p style="font-family: Trebuchet MS;"><span class="asset asset-generic at-xid-6a00e54ef1680988330120a9198c24970b"><a href="http://www.theswellelife.com/files/beauty-will-save-the-world-call-for-papers.pdf"><br /></a></span></p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/chasingdragons/~4/WHzl9bRSlQY" height="1" width="1" /></div></content>


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    <entry>
        <title>Weekend Reading Roundup v. 43</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/chasingdragons/~3/mPqhnpZkZKY/weekend-reading-roundup-v-43.html" />
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        <id>tag:typepad.com,2003:post-6a00e54ef16809883301310f74b704970c</id>
        <published>2010-03-07T15:30:00+00:00</published>
        <updated>2010-03-07T15:30:00+00:00</updated>
        <summary>This weekend in the reading roundup: 'The New Rules of War' by John Arquilla at foreignpolicy.com 'Social Networks and the War on Terror' by Martin Coward at martincoward.net 'The Year of the Drone' at newamerica.net [thanks to boingboing.net for the link] 'The Short-Term Influence of Free Digital Versions of Books on Print Sales' by John Hilton III and David Wiley at the Journal of Electronic Publishing [another find on boingboing.net] And congratulations to David Campbell and Sharron Lovell on being awarded the 'Online excellence in projects for mid-sized websites' by the Society of American Business Editors and Writers at the...</summary>
        <author>
            <name>Denise</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="assassination" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Current Affairs" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Military" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Politics" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Reading Roundup" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Security" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Terrorism" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Visual Politics" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Web 2.0" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="Amerrican foreign policy" />
        <category scheme="http://sixapart.com/ns/types#tag" term="digital publishing" />
        <category scheme="http://sixapart.com/ns/types#tag" term="multi-media" />
        <category scheme="http://sixapart.com/ns/types#tag" term="social networks" />
        <category scheme="http://sixapart.com/ns/types#tag" term="war on terror" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.chasingdragons.org/"><div xmlns="http://www.w3.org/1999/xhtml"><div style="text-align: center;"><a href="http://www.theswellelife.com/.a/6a00e54ef1680988330120a90e12f5970b-pi" style="display: inline;"><img alt="Twitternetwork" class="asset asset-image at-xid-6a00e54ef1680988330120a90e12f5970b " src="http://www.theswellelife.com/.a/6a00e54ef1680988330120a90e12f5970b-400wi" style="width: 375px;" /></a> <br /></div><p> This weekend in the reading roundup:</p><ul>
<li>'The New Rules of War' by John Arquilla at <a href="http://www.foreignpolicy.com/articles/2010/02/22/the_new_rules_of_war?page=0,0" target="_blank">foreignpolicy.com</a></li>
</ul>
<ul>
<li>'Social Networks and the War on Terror' by Martin Coward at <a href="http://www.martincoward.net/2010/03/social-networks-and-the-war-on-terror/" target="_blank">martincoward.net</a></li>
</ul>
<ul>
<li>'The Year of the Drone' at <a href="http://counterterrorism.newamerica.net/drones" target="_blank">newamerica.net</a> [thanks to <a href="http://www.boingboing.net">boingboing.net </a>for the link]</li>
</ul>
<ul>
<li>'The Short-Term Influence of Free Digital Versions of Books on Print Sales' by John Hilton III and David Wiley at the <a href="http://quod.lib.umich.edu/cgi/t/text/text-idx?c=jep;view=text;rgn=main;idno=3336451.0013.101" target="_blank">Journal of Electronic Publishing</a> [another find on <a href="http://www.boingboing.net" target="_blank">boingboing.net</a>]</li>
</ul>
<p>And congratulations to <a href="http://www.david-campbell.org/2010/03/05/living-in-the-shadows-wins-multimedia-journalism-award/" target="_blank">David Campbell</a> and Sharron Lovell on being awarded the 'Online excellence in projects for mid-sized websites' by the Society of American Business Editors and Writers at the 15th Annual Best in Journalism Competition for the multi-media project 'Living in the Shadows'.</p><p align="center" class="asset asset-video" style="margin: 0pt auto; display: block;"><object height="211" width="375"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=4273757&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1" /><embed allowfullscreen="true" allowscriptaccess="always" height="211" src="http://vimeo.com/moogaloop.swf?clip_id=4273757&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1" type="application/x-shockwave-flash" width="375" /></object></p><p><a href="http://vimeo.com/4273757">Living in the Shadows: China's Internal Migrants</a> from <a href="http://vimeo.com/user1061239">David Campbell</a> on <a href="http://vimeo.com">Vimeo</a>.</p>Have a good weekend.<br />

<p>Image of a personal twitter network: <a href="http://www.flickr.com/photos/dr/2048034334/" target="_blank">Nimages DR</a></p><p /><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/chasingdragons/~4/mPqhnpZkZKY" height="1" width="1" /></div></content>


    <feedburner:origLink>http://www.chasingdragons.org/2010/03/weekend-reading-roundup-v-43.html</feedburner:origLink></entry>
    <entry>
        <title>Political Studies Association's Best Political Songs: Mercy, Mercy, Me</title>
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        <id>tag:typepad.com,2003:post-6a00e54ef1680988330120a8ec8bf7970b</id>
        <published>2010-03-04T17:28:17+00:00</published>
        <updated>2010-03-04T17:31:07+00:00</updated>
        <summary>As part of its 60th Anniversary celebration, the UK's Political Studies Association is polling its membership to compile a list of the top 'political' songs of all time. They state that: the top ten songs voted by members and an additional ten chosen by a judging panel will be published by the New Statesman to coincide with the Association’s 60th Annual Conference, which is being held in Edinburgh from 29th March to 1st April. And here's the list of songs that they've chosen as being exemplary 'political': Annie Lennox &amp; Aretha Franklin: Sisters are doing it for themselves Anon.: Bella...</summary>
        <author>
            <name>Denise</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Music" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Politics" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Popular Culture" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="political music" />
        <category scheme="http://sixapart.com/ns/types#tag" term="political studies association" />
        <category scheme="http://sixapart.com/ns/types#tag" term="politics" />
        <category scheme="http://sixapart.com/ns/types#tag" term="popular culture" />
        
<content type="html" xml:lang="en-US" xml:base="http://www.chasingdragons.org/">
&lt;div xmlns="http://www.w3.org/1999/xhtml"&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.theswellelife.com/.a/6a00e54ef16809883301310f61e3f5970c-pi" style="display: inline;"&gt;&lt;img alt="Sing" class="asset asset-image at-xid-6a00e54ef16809883301310f61e3f5970c " src="http://www.theswellelife.com/.a/6a00e54ef16809883301310f61e3f5970c-400wi" style="width: 375px;" /&gt;&lt;/a&gt; &lt;br /&gt;&lt;/div&gt;&lt;p&gt; As part of its 60th Anniversary celebration, the UK&amp;#39;s Political Studies Association is polling its membership to compile a list of the top &amp;#39;political&amp;#39; songs of all time. &lt;/p&gt;

&lt;p&gt;&lt;span color="black" size="2;" style="font-family: Arial;"&gt;&lt;span style="font-size: 10pt;"&gt;They state that:&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;ul&gt;
&lt;li&gt;&lt;em&gt;&lt;font color="black" face="Arial" size="2"&gt;&lt;span style="font-size: 10pt;"&gt;the top ten 
songs voted by members and an additional ten chosen by a judging panel will be 
published by the &lt;/span&gt;&lt;/font&gt;&lt;span color="black" size="2;" style="font-family: Arial;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="font-style: italic;"&gt;New Statesman&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span color="black" size="2;" style="font-family: Arial;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span color="black" size="2;" style="font-family: Arial;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;em&gt;&lt;font color="black" face="Arial" size="2"&gt;&lt;span style="font-size: 10pt;"&gt; to 
coincide with the Association’s 60&lt;sup&gt;th&lt;/sup&gt; Annual Conference, which is 
being held in &lt;st1:city w:st="on"&gt;&lt;st1:place w:st="on"&gt;Edinburgh&lt;/st1:place&gt;&lt;/st1:city&gt; from 29&lt;sup&gt;th&lt;/sup&gt; March to 
1&lt;sup&gt;st&lt;/sup&gt; April.&lt;/span&gt;&lt;/font&gt;&lt;/em&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;And here&amp;#39;s the list of songs that they&amp;#39;ve chosen as being exemplary &amp;#39;political&amp;#39;:&lt;/p&gt;&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Annie 
Lennox &amp;amp; Aretha Franklin: Sisters are doing it for themselves &lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Anon.: Bella Ciao &lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Barry 
McGuire: Eve of Destruction&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Billie Holiday: Strange 
Fruit&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Billy 
Bragg: Which side are you on?&lt;span class="273523111-25022010"&gt; &lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Bob 
Dylan: The Times They Are a changing&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Bob 
Marley: Redemption Song&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Bruce 
Springsteen: Born in the &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;USA&lt;/st1:place&gt;&lt;/st1:country-region&gt;&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Carl 
Bean: I was born this way&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Cecil 
A. Spring-Rice: I vow to thee my country&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Charles A. Tindley: We 
Shall Overcome&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Charly García: Nos 
siguen pegando abajo&lt;span class="273523111-25022010"&gt;&amp;#0160;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Claude Joseph Rouget de 
Lisle: Le Marseillaise&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Donovan: Universal 
Soldier&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Edwin 
Starr: War&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Elvis 
Costello: Tramp The Dirt Down&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Enoch 
Sontonga: Nkosi Sikelel&amp;#39; iAfrika&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Eugène Pottier: The 
Internationale&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Fela 
Kuti: Zombie&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Gil 
Scott Heron: The Revolution Will Not Be Televised&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Horst 
Wessel: Die Fahne hoch&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Jim 
Connell: The Red Flag&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;John 
Lennon: Imagine&lt;span class="273523111-25022010"&gt;&amp;#0160;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Joni 
Mitchell: Big Yellow Taxi&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Leornard Cohen: The 
Partisan&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Li 
Youyuan: The East is Red&lt;span class="273523111-25022010"&gt;&amp;#0160;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Marvin Gaye: What&amp;#39;s 
Going On?&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Midnight Oil: Beds are 
Burning&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Nena: 
99 Luftaballons&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Nina 
Simone: &lt;st1:place w:st="on"&gt;&lt;st1:state w:st="on"&gt;Mississippi&lt;/st1:state&gt;&lt;/st1:place&gt; Goddam&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Pete 
Seeger: Where have all the flowers gone?&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Peter 
Gabriel: Biko&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Plastic Ono Band: Give 
Peace a Chance&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Public Enemy: Fight the 
Power&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Randy 
Newman: Political Science&lt;span class="273523111-25022010"&gt;&amp;#0160;&lt;em&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;RATM: 
Killing in the name&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Robert Wyatt: 
Shipbuilding&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Rolling Stones: Gimme 
Shelter&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Sex 
Pistols: God Save The Queen&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;The 
Beatles: Revolution&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;The 
Clash: Know Your Rights&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;The 
Cranberries: Zombie&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;The 
Jam: &lt;st1:place w:st="on"&gt;Eton&lt;/st1:place&gt; Rifles&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;The 
Police: Invisible Sun&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;The 
Specials AKA: Free Nelson Mandela&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;The 
Strawbs: Part of the &lt;st1:place w:st="on"&gt;Union&lt;/st1:place&gt;&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Tracy 
Chapman: Talkin&amp;#39; &amp;#39;bout a revolution&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;U2: 
Sunday Bloody Sunday&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;UB40: 
1 in 10&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Verdi: Chorus of Hebrew 
Slaves&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Victor Jara: Te Recuerdo 
Amanda&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;William Blake: &lt;st1:city w:st="on"&gt;&lt;st1:place w:st="on"&gt;Jerusalem&lt;/st1:place&gt;&lt;/st1:city&gt;&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Woody 
Guthrie: This Land is Your Land&lt;/p&gt;&lt;p&gt;Now to give credit where it is due, the list is not as lame as one might have feared, even if it is heavily skewed in favour of nostalgic boomer anthems and assumes that music stopped being political sometime in the mid 1990s. &lt;/p&gt;&lt;p&gt;But, it is an obvious collection, in part because it is underpinned by a very narrow assumption about what politics &amp;#39;is&amp;#39; and therefore what can properly count as &amp;#39;political&amp;#39;. These choices reveal that politics--at least for those who drafted this list--is defined by explicit representations of nationalism, street protest, conflict, inequality, support for--or opposition to--government policy, and perhaps alienation that have become associated with historical time periods or events. These are presented as songs that have responded to a politics that exists out there regardless of what we may think about it.&lt;/p&gt;&lt;p&gt;
It is the politics of recognized issues, institutions, and actors, that have been invested by the dominant socio-economic forces of the time with the importance and privileged status of being coded as &amp;#39;political&amp;#39; in political discourses. Moreover, it is a politics of direct intentions, intentions that the audience can supposedly discern from the lyrical content or title of the pieces.&lt;/p&gt;&lt;p&gt;To be clear, I am not arguing that these songs do not cover what we can consider to be political subjects. And it is not to say that these songs do not address important political issues. But there is more to music being political and to the politicization of music than a neat fit with events that are recorded in orthodox history books as being &amp;#39;of&amp;#39; the political sphere. &lt;/p&gt;&lt;p style="text-align: left;"&gt;For example, take the Rolling Stones&amp;#39; &lt;a href="http://www.lyricsfreak.com/r/rolling+stones/brown+sugar_20117857.html" target="_blank"&gt;&amp;#39;Brown Sugar&lt;/a&gt;&amp;#39;. Some might dismiss it as a cheeky song about lust--or maybe lines of prose from Strom Thurmond&amp;#39;s secret diary--that is devoid of any broad political significance. Yet, the narrative exposes the societal power-relations enabled by the privileging of the white heterosexual male gaze. More specifically, the song can be seen as an example of how that gaze&amp;#0160; eroticizes difference into an object of fetishistic corporeal desire while simultaneously denying the humanity of the eroticized other. This strikes me as incredibly political and as important to understanding gender and racial dynamics today as&amp;#0160; when it is was first performed.

&lt;/p&gt;&lt;p align="center" class="asset asset-video" style="margin: 0pt auto; display: block;"&gt;&lt;object height="305" width="375"&gt;&lt;param name="movie" value="http://www.youtube.com/v/vNkpykvYjRM&amp;amp;hl=en_GB&amp;amp;fs=1&amp;amp;" /&gt;&lt;param name="allowFullScreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" height="305" src="http://www.youtube.com/v/vNkpykvYjRM&amp;amp;hl=en_GB&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" width="375" /&gt;&lt;/object&gt;&lt;/p&gt;

&lt;br /&gt;
Similarly, this list does not take into account that aesthetics are in part about the shaping of what we can and/or are prepared to perceive as well as the value to be accorded to ways of representing our perceptions. And since perception itself shapes political possibility by forwarding a particular understanding of reality, then music that challenges aesthetic norms is also highly political. So pieces like John Cage&amp;#39;s 4&amp;#39;33 or genres like Noise Music are themselves constitutive of the limits of the political, transgressing boundaries that are supposed to separate art, profanity, the abject, or even the sublime. While I am unsure how these might relate to a specific praxis, that does not mean that they lack a political sensibility.&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;/p&gt;&lt;p align="center" class="asset asset-video" style="margin: 0pt auto; display: block;"&gt;&lt;object height="305" width="375"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Xz8GY2gifdc&amp;amp;hl=en_GB&amp;amp;fs=1&amp;amp;" /&gt;&lt;param name="allowFullScreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" height="305" src="http://www.youtube.com/v/Xz8GY2gifdc&amp;amp;hl=en_GB&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" width="375" /&gt;&lt;/object&gt;&lt;/p&gt;

&lt;br /&gt;

&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Furthermore, the limited conception of the political underpinning the PSA list completely misses the constitutive role of music in the creation and maintenance of particular relations of power. For example, the Barney the Dinosaur Theme Song or the Meow Mix Commercial Jingle were favoured by American interrogators as a means to &lt;a href="http://www.guardian.co.uk/music/musicblog/2008/feb/28/theusmilitarystorturetop1" target="_blank"&gt;torture&lt;/a&gt; detainees in Iraq. In my mind they have just as an important political significance as Pete Seeger lamenting the metaphorical absence of flowers.&lt;/p&gt;&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;/p&gt;&lt;p align="center" class="asset asset-video" style="margin: 0pt auto; display: block;"&gt;&lt;object height="305" width="375"&gt;&lt;param name="movie" value="http://www.youtube.com/v/LTunhRVyREU&amp;amp;hl=en_GB&amp;amp;fs=1&amp;amp;" /&gt;&lt;param name="allowFullScreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" height="305" src="http://www.youtube.com/v/LTunhRVyREU&amp;amp;hl=en_GB&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" width="375" /&gt;&lt;/object&gt;&lt;/p&gt;

&lt;br /&gt;

&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;So in the end, even with my reservations above, I&amp;#39;m not entirely sure how to read the PSA&amp;#39;s attempt to form links between the field of politics and popular culture. On the one hand, given how small-c conservative the disciplines of politics and international relations are in general, might this represent an opening--however small--to begin to get colleagues to take the popular culture-world politics continuum seriously? Or is this best seen as a shallow and gimmicky appropriation that just reinforces problematic understandings of politics and of popular culture?&lt;/p&gt;&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;Photo credit: &lt;a href="http://www.flickr.com/photos/ktylerconk/2394470300/" target="_blank"&gt;ktylerconk&lt;/a&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin: 0cm 0cm 0pt;"&gt;&lt;/p&gt;&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/chasingdragons/~4/hZGo2e0Ol8Y" height="1" width="1"/&gt;</content>


    <feedburner:origLink>http://www.chasingdragons.org/2010/03/political-studies-associations-best-political-songs.html</feedburner:origLink></entry>
    <entry>
        <title>Weekend Reading Roundup v. 42</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/chasingdragons/~3/2nxvH00y5l4/weekend-reading-roundup-v-42.html" />
        <link rel="replies" type="text/html" href="http://www.chasingdragons.org/2010/02/weekend-reading-roundup-v-42.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00e54ef1680988330120a8e07fce970b</id>
        <published>2010-02-28T12:33:41+00:00</published>
        <updated>2010-02-28T12:33:41+00:00</updated>
        <summary>This weekend in the reading roundup: 'Israel Reveals New Drone Fleet That Can Reach Iran' at nytimes.com 'Explaining Broadly Understood' by Patrick Thaddeus Jackson at duckof minerva [or why mainstreamers in the discipline of international relations struggle with the concept (popular) culture] 'Lethal T-Square: Architecture, Violence, Renewal' by Keith Eggener at designobserver.com 'Death Wears Aqua Green' by Pete Brook at the always amazing prisonphotography Have a good weekend! Photo credit: junhopark</summary>
        <author>
            <name>Denise</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="assassination" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Design" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Film" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Politics" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Popular Culture" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Reading Roundup" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Security" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Television" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Terrorism" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Visual Politics" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="architecture" />
        <category scheme="http://sixapart.com/ns/types#tag" term="international relations" />
        <category scheme="http://sixapart.com/ns/types#tag" term="middle east" />
        <category scheme="http://sixapart.com/ns/types#tag" term="political violence" />
        <category scheme="http://sixapart.com/ns/types#tag" term="popular culture" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.chasingdragons.org/"><div xmlns="http://www.w3.org/1999/xhtml"><div style="text-align: center;"><a href="http://www.theswellelife.com/.a/6a00e54ef16809883301310f474a5e970c-pi" style="display: inline;"><img alt="Landscape" class="asset asset-image at-xid-6a00e54ef16809883301310f474a5e970c " src="http://www.theswellelife.com/.a/6a00e54ef16809883301310f474a5e970c-400wi" style="width: 375px;" /></a> <br /></div><p> This weekend in the reading roundup:</p><ul>
<li>'Israel Reveals New Drone Fleet That Can Reach Iran' at <a href="http://www.nytimes.com/aponline/2010/02/21/world/AP-ML-Israel-Drones.html?_r=2" target="_blank">nytimes.com</a></li>
</ul>
<ul>
<li>'Explaining Broadly Understood' by Patrick Thaddeus Jackson at <a href="http://duckofminerva.blogspot.com/2010/02/explaining-broadly-understood.html" target="_blank">duckof minerva</a> [or why mainstreamers in the discipline of international relations struggle with the concept (popular) culture]</li>
</ul>
<ul>
<li>'Lethal T-Square: Architecture, Violence, Renewal' by Keith Eggener at <a href="http://places.designobserver.com/entry.html?entry=12680" target="_blank">designobserver.com</a></li>
</ul>
<ul>
<li>'Death Wears Aqua Green' by Pete Brook at the always amazing  <a href="http://prisonphotography.wordpress.com/2010/02/24/death-wears-aqua-green/" target="_blank">prisonphotography</a></li>
</ul>
Have a good weekend!<br /><p>Photo credit: <a href="http://www.flickr.com/photos/junhopark/4394096349/in/photostream/" target="_blank">junhopark </a></p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/chasingdragons/~4/2nxvH00y5l4" height="1" width="1" /></div></content>


    <feedburner:origLink>http://www.chasingdragons.org/2010/02/weekend-reading-roundup-v-42.html</feedburner:origLink></entry>
    <entry>
        <title>Final Call for Papers on Finance, World Politics, and Aesthetics</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/chasingdragons/~3/q7OESvQiWVY/final-call-for-papers-on-finance-world-politics-and-aesthetics.html" />
        <link rel="replies" type="text/html" href="http://www.chasingdragons.org/2010/02/final-call-for-papers-on-finance-world-politics-and-aesthetics.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00e54ef16809883301310f3e3062970c</id>
        <published>2010-02-26T13:33:04+00:00</published>
        <updated>2010-02-26T13:34:26+00:00</updated>
        <summary>Please see the message from Matt Davies below, in his capacity as the head convenor of 'The Critical Limits of the Financial Crisis: World, Politics, Aesthetics, and Re-politicization' section for the upcoming Standing Group on International Relations Conference in Stockholm. As an associate convenor, I'd just like to reiterate our desire to solicit as many interesting papers as possible! Call For Papers The SGIR 7th Pan-European Conference on IR will take place in Stockholm, Sweden, from September 9-11, 2010. The deadline for submitting paper or panel proposals is 28 February and proposals must be submitted on-line at here. There are...</summary>
        <author>
            <name>Denise</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Philosophy" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Politics" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Popular Culture" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Universities" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Visual Politics" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="financial crisis" />
        <category scheme="http://sixapart.com/ns/types#tag" term="popular culture" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.chasingdragons.org/"><div xmlns="http://www.w3.org/1999/xhtml"><div style="text-align: center;"><p><span style="text-decoration: underline;"><a href="http://www.theswellelife.com/.a/6a00e54ef16809883301310f3e2c2a970c-pi" style="display: inline;"><img alt="The bull" class="asset asset-image at-xid-6a00e54ef16809883301310f3e2c2a970c " src="http://www.theswellelife.com/.a/6a00e54ef16809883301310f3e2c2a970c-400wi" style="width: 375px;" /></a> <br /></span></p><p style="text-align: left;"><span style="text-decoration: underline;" />Please see the message from Matt Davies below, in his capacity as the head convenor of 'The Critical Limits of the Financial Crisis: World, Politics, Aesthetics, and Re-politicization' section for the upcoming Standing Group on International Relations Conference in Stockholm. As an associate convenor, I'd just like to reiterate our desire to solicit as many interesting papers as possible!</p></div><p style="font-family: Trebuchet MS;"><strong>Call For Papers</strong></p><p style="font-family: Trebuchet MS;">The <a href="http://www.gesellschaftswissenschaften.uni-frankfurt.de/index.pl/sgir2010" target="_blank">SGIR</a> 7th Pan-European Conference on IR will take place in Stockholm, Sweden, from September 9-11, 2010. The deadline for submitting paper or panel proposals is 28 February and proposals must be submitted on-line at <a href="http://www.gesellschaftswissenschaften.uni-frankfurt.de/sgir2010" target="_blank">here</a>. </p><span style="font-family: Trebuchet MS;">There are 43 sections for the conference, all dealing in different ways with the conference theme, “Politics in Hard Times.” Our section, number 9, “The Critical Limits to the Financial Crisis: World Politics, Aesthetics, and Re-politicization” especially invites panels that bring together both specialists in political economy and specialists in aesthetic or cultural theory for dialog about the contemporary crisis and how finance fits in it, or papers that could contribute to these kinds of panels. The section’s call for papers can be found <a href="http://www.gesellschaftswissenschaften.uni-frankfurt.de/index.pl/sgir2010/sections/9" target="_blank">here</a>.</span><br /><br /><p><span style="font-family: Trebuchet MS;">We have had several inquiries about what this might mean and just to be clear, we do not see these contributions as being limited to papers that examine “the aesthetics of finance” understood narrowly (though such proposals would be most welcome). The panels should bring together diverse approaches to common concerns: for example, a political economic analysis of the role of the housing bubble in the financial crisis could be brought into dialog with a paper on the aesthetics of housing in times of boom or bust. Finance and visuality have been brought together in very interesting ways in cultural political economy, and the notion of “financial architecture” provides another common meeting ground between political economy and aesthetics. </span><span style="font-family: Trebuchet MS;"><br /></span></p><p><span style="font-family: Trebuchet MS;">Please contact any of the section convenors, listed on the section’s call for papers, if you have any questions and please feel free to circulate this call to any interested colleagues across the Arts, Humanities, or Social Sciences.</span></p><div style="text-align: center;"><span style="font-family: Trebuchet MS;"><a href="http://www.theswellelife.com/.a/6a00e54ef1680988330120a8d76446970b-pi" style="display: inline;"><img alt="Capitalism" class="asset asset-image at-xid-6a00e54ef1680988330120a8d76446970b " src="http://www.theswellelife.com/.a/6a00e54ef1680988330120a8d76446970b-400wi" style="width: 375px;" /></a> </span><br /><span style="font-family: Trebuchet MS;" /></div><p><span style="font-family: Trebuchet MS;"> </span>Photo credits: <a href="http://www.flickr.com/photos/supercereal/2823199795/" target="_blank">TRAFFIK [US]</a> and  <a href="http://www.flickr.com/photos/calico_13/533867659/" target="_blank">calico_13</a><br /><span style="font-family: Trebuchet MS;" /></p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/chasingdragons/~4/q7OESvQiWVY" height="1" width="1" /></div></content>


    <feedburner:origLink>http://www.chasingdragons.org/2010/02/final-call-for-papers-on-finance-world-politics-and-aesthetics.html</feedburner:origLink></entry>
    <entry>
        <title>Homeland Guantanamos</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/chasingdragons/~3/ylDt8iFnQHU/homeland-guantanamos.html" />
        <link rel="replies" type="text/html" href="http://www.chasingdragons.org/2010/02/homeland-guantanamos.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00e54ef1680988330120a8d24ce2970b</id>
        <published>2010-02-25T14:22:51+00:00</published>
        <updated>2010-02-25T14:22:51+00:00</updated>
        <summary>Breakthrough, an international human rights advocacy group, has put together an excellent resource to draw attention to what can only be described as the appalling treatment of immigrants in American detention centers. Spearheading the campaign Homeland Guantanamos: The Untold Story of Immigrant Detention in the U.S. is a video game that is: designed to spotlight the inhumane conditions being faced by nearly 300,000 people in immigrant detention as a result of unfair Department of Homeland Security (DHS) policies. Visitors to the website assume the role of an undercover journalist doing an investigative series on Immigration Detention and the true story...</summary>
        <author>
            <name>Denise</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Militarization" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Politics" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Security" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Video Games" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Web 2.0" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="breakthrough" />
        <category scheme="http://sixapart.com/ns/types#tag" term="human rights" />
        <category scheme="http://sixapart.com/ns/types#tag" term="immigration" />
        <category scheme="http://sixapart.com/ns/types#tag" term="United States" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.chasingdragons.org/"><div xmlns="http://www.w3.org/1999/xhtml"><div style="text-align: center;"><a href="http://www.breakthrough.tv/" target="_blank"><a href="http://www.theswellelife.com/.a/6a00e54ef1680988330120a8d286ee970b-pi" style="display: inline;"><img alt="Noborders" class="asset asset-image at-xid-6a00e54ef1680988330120a8d286ee970b " src="http://www.theswellelife.com/.a/6a00e54ef1680988330120a8d286ee970b-400wi" style="width: 375px;" /></a> </a><br /></div><p style="font-family: Trebuchet MS;"><a href="http://www.breakthrough.tv/" target="_blank">Breakthrough</a>, an international human rights advocacy group, has put together an excellent resource to draw attention to what can only be described as the appalling treatment of immigrants in American detention centers.</p><p style="font-family: Trebuchet MS;">Spearheading the campaign <a href="http://www.homelandgitmo.com/" target="_blank">Homeland Guantanamos</a>: The Untold Story of Immigrant Detention in the U.S. is a video game that <span lang="EN-US" style="font-size: 10pt;">is:</span></p><ul>
<li><em><span lang="EN-US" style="font-size: 10pt; font-family: Trebuchet MS;">designed to spotlight the
inhumane conditions being faced by nearly 300,000 people in immigrant detention
as a result of unfair Department of Homeland Security (DHS) policies. Visitors
to the website assume the role of an undercover journalist doing an
investigative series on Immigration Detention and the true story of Boubacar
Bah, an immigrant who died in U.S. Immigrations and Customs Enforcement (ICE) custody
under questionable circumstances in 2007.</span></em> (find the full press release <a href="http://www.homelandgitmo.com/media/GitmoFactsheet.9-22-08.doc" target="_blank">here</a>)</li>
</ul>
<p>Having played the game, I was very impressed with the delicate balance achieved between the quality of the gaming experience and maintaining the gravitas that the subject deserves. </p><p>Moreover, the use of video first person testimonials from those who have been detained--or had family members detained--was extremely powerful without feeling exploitative. Hearing and seeing those--even if just a tiny portion-- who have been caught in the Kafkaesque world of ICE custody packs a real visceral punch than goes beyond reading lists or third party accounts of (alleged) violations. </p><p>And perhaps what is most admirable of all is that those who speak are given the opportunity to reveal their multiple and overlapping identities that demonstrate the violence inherent in defining someone simply as a 'migrant'. Yet,  none of the people profiled are represented as passive victims; their agency, forms of resistance while detained, and hopes that current practices can be overturned come through as they share their experiences.</p><p>Although, I'm not in a position to evaluate how successful the Homeland Guantanamos campaign has been, it certainly presents its message in an innovative way that communicates the message effectively. Thus, it will be interesting to see if the use of non-traditional mediums like video games and emerging forms of social networking are adopted by other organizations seeking to make the world a more humane and just place? What do you think?</p><p>Photo credit: <a href="http://www.flickr.com/photos/29964823@N03/4362385580/" target="_blank">Menner de Braker</a></p><p /><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/chasingdragons/~4/ylDt8iFnQHU" height="1" width="1" /></div></content>


    <feedburner:origLink>http://www.chasingdragons.org/2010/02/homeland-guantanamos.html</feedburner:origLink></entry>
    <entry>
        <title>Popular Culture and World Politics (PCWP III): Call for Papers</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/chasingdragons/~3/z0cKMHpytFM/popular-culture-and-world-politics-pcwp-iii-call-for-papers.html" />
        <link rel="replies" type="text/html" href="http://www.chasingdragons.org/2010/02/popular-culture-and-world-politics-pcwp-iii-call-for-papers.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00e54ef1680988330120a8ccdb64970b</id>
        <published>2010-02-24T11:21:20+00:00</published>
        <updated>2010-03-09T11:30:50+00:00</updated>
        <summary>Colleagues at the Centre for International and Security Studies at York University in Canada have announced a call for papers for the third annual Popular Culture and World Politics Conference (PCWP). Previous events have been hosted by Politics at Bristol University (2008) and Politics at Newcastle University (2009). Both both were fantastic. Given that a fair number of this blog's readers are artists and/or cultural producers, please note that we--that is academics studying world politics and popular culture--are particularly interested in finding out from you how political commitments--very broadly defined--may or may not influence the medium and messages of your...</summary>
        <author>
            <name>Denise</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Politics" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Popular Culture" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Universities" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Visual Politics" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="academic conferences" />
        <category scheme="http://sixapart.com/ns/types#tag" term="cultural studies" />
        <category scheme="http://sixapart.com/ns/types#tag" term="popular culture" />
        <category scheme="http://sixapart.com/ns/types#tag" term="york university" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.chasingdragons.org/"><div xmlns="http://www.w3.org/1999/xhtml"><div style="text-align: center;"><a href="http://www.theswellelife.com/.a/6a00e54ef16809883301310f33c089970c-pi" style="display: inline;"><img alt="Streetartprotestpolitics" class="asset asset-image at-xid-6a00e54ef16809883301310f33c089970c " src="http://www.theswellelife.com/.a/6a00e54ef16809883301310f33c089970c-400wi" style="width: 375px;" /></a> <br /></div><p> Colleagues at the <a href="http://www.yorku.ca/yciss" target="_blank">Centre for International and Security Studies</a> at York University in Canada have announced a call for papers for the third annual Popular Culture and World Politics Conference (PCWP). Previous events have been hosted by Politics at <a href="http://www.bristol.ac.uk/ias/events/2008/205" target="_blank">Bristol University</a> (2008) and Politics at <a href="http://www.ncl.ac.uk/niassh/WorldPolitics/WPPC%20-%20Conference%20Programme.pdf" target="_blank">Newcastle University</a> (2009). Both both were <a href="http://www.chasingdragons.org/2009/11/world-politics-and-popular-culture-roundup.html" target="_blank">fantastic</a>. </p><p>Given that a fair number of this blog's readers are artists and/or cultural producers, please note that we--that is academics studying world politics and popular culture--are particularly interested in finding out from you how political commitments--very broadly defined--may or may not influence the medium and messages of your work. Thus, I'd like to emphasize that PCWP III is really interested in 'receiving proposals for the performance,
presentation, screening or display of cultural works which seek to
produce a (world) politics in their practice.'  And I promise, we don't bite!</p><p>Anyhow, please see the call for papers below or click on the original link <a href="http://www.yorku.ca/yciss/conferences/pcwpIII.htm" target="_blank">here</a>.<em><br /></em></p><div style="text-align: center;"><a href="http://www.theswellelife.com/.a/6a00e54ef16809883301310f33b1c9970c-pi" style="display: inline;"><img alt="Yorklogo" class="asset asset-image at-xid-6a00e54ef16809883301310f33b1c9970c " src="http://www.theswellelife.com/.a/6a00e54ef16809883301310f33b1c9970c-400wi" style="width: 136px; height: 81px;" /></a> <br /></div><p> <em /><strong>Call for Paper</strong><strong>s:</strong></p><p><strong>Popular Culture and World Politics (PCWP III)</strong></p><p><strong>04-05 November 2010</strong></p><p><strong>York University, Toronto, Canada</strong></p><p style="margin-top: 0pt; font-family: Trebuchet MS;">There is a growing movement in and around
the study of international politics to think about the intersections of
world politics and the production, circulation, content and consumption
of various popular cultural forms.  This burgeoning scholarship has
reached a point in which it is possible to move well beyond the
important initial forays that emphasised the content of cultural
forms-as-text, seeking metaphorical connections between the cultural
and the political, to explore the interwoven possibilities and limits
of the cultural and political. </p>
  <p style="font-family: Trebuchet MS;">The York Centre for International and Security Studies is pleased to invite you to <em>Popular Culture and World Politics III</em>,
to be held in Toronto 4-5 November 2010. Following two successful
events, hosted by the University of Bristol in 2008 and the University
of Newcastle in 2009, <em>Popular Culture and World Politics III</em>
seeks to continue the growing conversation on the intersections of
various forms of popular culture and the study of world politics, from
a range of disciplines and practices in the social sciences, humanities
and the arts.</p>
  <p style="font-family: Trebuchet MS;">We welcome proposals for performances,
screenings, panels, or individual papers, on any aspect of world
politics and popular culture.  In particular, we seek proposals which
address any of the following themes or issues:</p>
  <ul style="font-family: Trebuchet MS;"><li><font style="margin-top: 0pt; margin-bottom: 0pt;">‘<em>Doing’ popular culture and world politics</em>: methods, practices and approaches</font></li>
<li><font style="margin-top: 0pt; margin-bottom: 0pt;"><em>Popular security</em>: exploring the intersections of popular culture and global security.</font></li>
<li><em>Using popular culture to span the disciplines</em>:
with a range of disciplines looking at both popular culture and issues
of world politics, how can the study of pop culture and world politic
work to foster inter-disciplinary conversations? </li>
<li>‘<em>Making’ popular culture and world politics</em>:
what is the politics that is emerging at the intersection of popular
cultural production, the culture industries, and governance?</li>
<li><em>Outside the West</em>: exploring the intersections of non-Western popular culture(s) and non-Western-centric world politics.</li>
<li><em>Is anybody watching</em>?  The problem of audience in the study of popular culture</li>
<li><em>Performing International Politics</em>:
rather than students of world politics reading popular culture how are
the producers of cultural forms making their politics?  We are
particularly interested in receiving proposals for the performance,
presentation, screening or display of cultural works which seek to
produce a (world) politics in their practice.</li>
</ul>
  
  
  <p style="margin-top: 0pt; margin-bottom: 0pt; font-family: Trebuchet MS;">If you are interested in attending the conference please  <a href="http://www.yorku.ca/yciss/forms/view.php?id=12">Click here</a> and submit a brief abstract of your paper (no more than 250 words) before 2 April 2010. </p><p style="margin-top: 0pt; margin-bottom: 0pt; font-family: Trebuchet MS;" /><p style="margin-top: 0pt; margin-bottom: 0pt; font-family: Trebuchet MS;">I hope to see many of you there!</p><p style="margin-top: 0pt; margin-bottom: 0pt; font-family: Trebuchet MS;" /><p style="margin-top: 0pt; margin-bottom: 0pt; font-family: Trebuchet MS;" /><p style="margin-top: 0pt; margin-bottom: 0pt; font-family: Trebuchet MS;">Photo credit: <a href="http://www.flickr.com/photos/lowfatbrains/316425729/" target="_blank">lowfatbrains</a></p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/chasingdragons/~4/z0cKMHpytFM" height="1" width="1" /></div></content>


    <feedburner:origLink>http://www.chasingdragons.org/2010/02/popular-culture-and-world-politics-pcwp-iii-call-for-papers.html</feedburner:origLink></entry>
    <entry>
        <title>Weekend Reading Roundup v. 41</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/chasingdragons/~3/zFRpiCSSCh0/weekend-reading-roundup-v-41.html" />
        <link rel="replies" type="text/html" href="http://www.chasingdragons.org/2010/02/weekend-reading-roundup-v-41.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00e54ef1680988330120a8be5792970b</id>
        <published>2010-02-21T14:03:20+00:00</published>
        <updated>2010-02-21T14:03:20+00:00</updated>
        <summary>This weekend in the reading roundup: Hannah Arendt's 'Reflections on Violence' 'Yarl's Wood [Immigration Detention Centre] Children Face "Extreme Distress" Report Reveals' by Karen McVeigh from guardian.co.uk 'Are You Better Off than Your Parents Were?' by Catherine Rampell from Economix at nytimes.com (originally linked from sociologicalimages) 'Tout Augmente, Meme La Misere' at globalsociology.com Johan Gultang's 'Cultural Violence' Some food for thought... Photo credit: jurvetson</summary>
        <author>
            <name>Denise</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Current Affairs" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Economy" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Militarization" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Politics" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Reading Roundup" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Security" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="global development" />
        <category scheme="http://sixapart.com/ns/types#tag" term="migrant rights" />
        <category scheme="http://sixapart.com/ns/types#tag" term="politics" />
        <category scheme="http://sixapart.com/ns/types#tag" term="violence" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.chasingdragons.org/"><div xmlns="http://www.w3.org/1999/xhtml"><div style="text-align: center;"><a href="http://www.theswellelife.com/.a/6a00e54ef16809883301310f254c38970c-pi" style="display: inline;"><img alt="Scream2" class="asset asset-image at-xid-6a00e54ef16809883301310f254c38970c " src="http://www.theswellelife.com/.a/6a00e54ef16809883301310f254c38970c-400wi" style="width: 375px;" /></a> <br /></div><p> This weekend in the reading roundup:</p><ul>
<li>Hannah Arendt's <a href="http://www.cooperativeindividualism.org/arendt-hanna_reflections-on-violence.html" target="_blank">'Reflections on Violence'</a></li>
</ul>
<ul>
<li>'Yarl's Wood [Immigration Detention Centre] Children Face "Extreme Distress" Report Reveals' by Karen McVeigh from <a href="http://www.guardian.co.uk/uk/2010/feb/17/yarls-wood-children-extreme-distress" target="_blank">guardian.co.uk</a></li>
</ul>
<ul>
<li>'Are You Better Off than Your Parents Were?' by Catherine Rampell from Economix at <a href="http://economix.blogs.nytimes.com/2010/02/10/are-you-better-off-than-your-parents-were/" target="_blank">nytimes.com</a> (originally linked from <a href="http://contexts.org/socimages/2010/02/18/comparing-socioeconomic-mobility-across-oecd-countries/" target="_blank">sociologicalimages</a>)</li>
</ul>
<ul>
<li>'Tout Augmente, Meme La Misere' at <a href="http://globalsociology.com/2010/02/19/tout-augmente-meme-la-misere/" target="_blank">globalsociology.com</a></li>
</ul>
<ul>
<li>Johan Gultang's <a href="http://www.okan.edu.tr/UserFiles/File/galtung.pdf" target="_blank">'Cultural Violence'</a></li>
</ul>
<p>Some food for thought...</p><p>Photo credit: <a href="http://www.flickr.com/photos/jurvetson/141059086/" target="_blank">jurvetson</a></p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/chasingdragons/~4/zFRpiCSSCh0" height="1" width="1" /></div></content>


    <feedburner:origLink>http://www.chasingdragons.org/2010/02/weekend-reading-roundup-v-41.html</feedburner:origLink></entry>
    <entry>
        <title>Some Thoughts on the Murder of Mahmoud al-Mabhouh </title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/chasingdragons/~3/cTfehARW1vA/some-thoughts-on-the-murder-of-mahmoud-almabhouh-.html" />
        <link rel="replies" type="text/html" href="http://www.chasingdragons.org/2010/02/some-thoughts-on-the-murder-of-mahmoud-almabhouh-.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00e54ef168098833012877b39806970c</id>
        <published>2010-02-18T11:49:27+00:00</published>
        <updated>2010-02-22T10:12:46+00:00</updated>
        <summary>The controversy surrounding the targeted killing of Mahmoud al-Mabhouh, (allegedly) by members of the Israeli Mossad continues to grow in the UK. While the focus has been on the use of UK and Irish passports to facilitate the entry of agents into Dubai, there are some other interesting issues brought forward by this case. The first is to keep in mind that targeted killings in the Israeli context are an adminstrative decision taken within the cabinet and office of the Prime Minister. And as administration decisions, they are shaped by a political-legal context. This context is one that has been...</summary>
        <author>
            <name>Denise</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="assassination" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Current Affairs" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Geopolitics" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Politics" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Security" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Terrorism" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="middle east" />
        <category scheme="http://sixapart.com/ns/types#tag" term="political violence" />
        <category scheme="http://sixapart.com/ns/types#tag" term="politics" />
        <category scheme="http://sixapart.com/ns/types#tag" term="terrorism" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.chasingdragons.org/"><div xmlns="http://www.w3.org/1999/xhtml"><div style="text-align: center;"><a href="http://www.theswellelife.com/.a/6a00e54ef168098833012877b39569970c-pi" style="display: inline;"><img alt="Target3" class="asset asset-image at-xid-6a00e54ef168098833012877b39569970c " src="http://www.theswellelife.com/.a/6a00e54ef168098833012877b39569970c-400wi" style="width: 375px;" /></a> <br /></div><p> The <a href="http://euobserver.com/9/29383?rk=1" target="_blank">controversy</a> surrounding the targeted killing of Mahmoud al-Mabhouh, (allegedly) by members of the Israeli Mossad continues to grow in the <a href="http://www.guardian.co.uk/world/2010/feb/17/avigdor-lieberman-israel-mossad-killing" target="_blank">UK</a>. While the focus has been on the use of <a href="http://www.guardian.co.uk/world/2010/feb/17/uk-israeli-ambassador-dubai-killing" target="_blank">UK and Irish passports</a> to facilitate the entry of agents into Dubai, there are some other interesting issues brought forward by this case.</p><p> </p><p><span style="font-size: 13px; font-family: Trebuchet MS;">The first is to keep in mind that targeted killings in the Israeli context are an adminstrative decision taken within the cabinet and office of the Prime Minister. And as administration decisions, they are shaped by a political-legal context. <br /></span></p><p><span style="font-size: 13px; font-family: Trebuchet MS;">This context is one that has been recently influenced by legal advice given to the Israeli government as well as two high profile constitutional challenges to legality of assassination under the Basic Law. A
2002
recommendation by the Judge Advocate General (JAG) of the Israel Defense
Forces
outlined four essential conditions that must be satisfied before
a targeted killing can take place. First, the Palestinian Authority must
ignore
appeals for arrests of persons of interest. Second, Israeli security
forces
must reach the conclusion through careful assessment that they cannot
arrest the
persons of interest themselves. Third, any attack must be proportional. Fourth, a targeted killing should only be
done
to prevent an imminent or future attack; retribution or revenge are not justifications. These conditions were supported in rulings given by the
Israeli
High Court in 2002 and 2006 affirming <a href="http://www.haaretz.com/hasen/spages/801083.html" target="_blank">the legality of targeted killing</a>,
with
the later decision adding the requirement of an independent investigation
following every instance.<em> </em></span></p><p><span style="font-size: 13px; font-family: Trebuchet MS;">Beyond the important issues of <a href="http://www.chasingdragons.org/2010/02/targeted-killing-extrajudicial-killing-and-the-law.html" target="_blank">legality</a> at both the national and international levels, I think it is also beneficial to analyse  how it has become possible for a tactical success to be both a strategic and political failure under the terms and calculations by which the Israel state governs its own conduct.<br /></span></p><p><span style="font-size: 13px; font-family: Trebuchet MS;" />Israeli standard operation procedure in intelligence matters is to neither confirm nor deny reports of tactical operations. Yet, according to a report in the <a href="http://www.jpost.com/Features/FrontLines/Article.aspx?id=168063" target="_blank">Jerusalem Post</a>, at least two Israeli cabinet members--Interior Minister Eli Yishai and Science and Technology Minister Daniel Herschkowitz--have already  pretty much come out and credited the Mossad with involvement. </p><p>If the Mossad was involved, as stated above, the decision to assassinate would have been made at the level of the Prime Minister with the involvement of members of the cabinet. However, it is not necessarily the case that Binyamin Netanyahu or other members of the cabinet would have been specifically briefed on the  logistical details of the operation (i.e., the use of foreign passports) though I would suspect that some indication that it might be taking place in a third party state would have been indicated given the potential political fallout. But since this operation was taking place outside of Israel or Palestine and Israeli citizens face travel restrictions in the region, the Prime Minister and others would have had to have been tacitly aware that entry into Dubai by agents was not going to be on Israeli passports. </p><p>In addition, while no government likes the idea of their passports being used--or forged-- to facilitate the intelligence operations of other states, what I think is qualitatively different in this case is that living British citizens have had their <a href="http://www.haaretz.com/hasen/spages/1150184.html" target="_blank">identities stolen</a>. Culturally, the fear of identity theft is quite profound. Thus, I suspect that many people who might not have been particularly bothered by the murder itself--or Israel's use of targeted killing more generally--find themselves very ill at ease at the idea that agents of a foreign government might decide to steal their identity in order to commit actions that could burden them with profound legal liabilities while having profound consequences for their ability to travel, earn a living, or live in the absence of fear of reprisal. </p><p>So beyond the usual concerns of conducting a targeted killing, this operation assumed additional risks. While hindsight is always 20-20, this indirect--and
non-consensual--involvement of additional state parties by using their
passports and, more importantly, stealing the identities of their citizens was diplomatically reckless. <span style="font-size: 13px; font-family: Trebuchet MS;"><em /></span></p><p><span style="font-size: 13px; font-family: Trebuchet MS;" />The imprudence becomes all the more apparent when the general consensus amongst analysts is that the killing of Mahmoud al-Mabhouh is not a substantial loss to Hamas. Reports on his life history emphasize that although he was heavily involved in bringing arms into Palestine, he was not a particularly high-profile or publicly charismatic member of the organization. Moreover, his function as an arms dealer and smuggler are easily replaceable. The risks taken in the commissioning of his assassination therefore seem well out of proportion to his strategic significance. Thus, one wonders if this was less a case of preventing an imminent or future attack (as advised under the JAG guidelines) and simply a case of retribution? If so, this operation would be at direct odds with the already <a href="http://www.alternativenews.org/index.php?option=com_content&amp;view=article&amp;id=2451:the-israeli-phoenix&amp;catid=119:english&amp;Itemid=878" target="_blank">lenient procedural rules</a> governing the use of <a href="http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1148841" target="_blank">targeted killing in Israel</a>. </p><p>The key question then is whether the death of al-Mabhouh will be framed this way within Israeli political discourses and if so, what the--if any-- longer range political consequences might be for the Likud government.</p><p><em><strong>Update:</strong></em></p><p><em>'Israel remains silent</em>...' from <a href="http://www.guardian.co.uk/uk/2010/feb/18/dubai-assassination-forged-british-passports" target="_blank">guardian.co.uk</a></p><p>Photo credit: <a href="http://www.flickr.com/photos/mrbill/528383305/" target="_blank">mrbill</a></p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/chasingdragons/~4/cTfehARW1vA" height="1" width="1" /></div></content>


    <feedburner:origLink>http://www.chasingdragons.org/2010/02/some-thoughts-on-the-murder-of-mahmoud-almabhouh-.html</feedburner:origLink></entry>
    <entry>
        <title>Weekend Reading Roundup v. 40</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/chasingdragons/~3/xW1oSCMvj_Y/weekend-reading-roundup-v-40.html" />
        <link rel="replies" type="text/html" href="http://www.chasingdragons.org/2010/02/weekend-reading-roundup-v-40.html" thr:count="0" />
        <id>tag:typepad.com,2003:post-6a00e54ef1680988330120a89b70a8970b</id>
        <published>2010-02-14T12:09:21+00:00</published>
        <updated>2010-02-14T12:09:58+00:00</updated>
        <summary>This weekend as a change of pace, we have a video roundup: Have a good weekend!</summary>
        <author>
            <name>Denise</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Humour" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Politics" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Popular Culture" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Racism" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Reading Roundup" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Television" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Web 2.0" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="africa" />
        <category scheme="http://sixapart.com/ns/types#tag" term="humour" />
        <category scheme="http://sixapart.com/ns/types#tag" term="media" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.chasingdragons.org/"><div xmlns="http://www.w3.org/1999/xhtml"><p>This weekend as a change of pace, we have a video roundup:</p><p /><br /><p align="center" class="asset asset-video" style="margin: 0pt auto; display: block;"><object height="305" width="375"><param name="movie" value="http://www.youtube.com/v/c-jSQD5FVxE&amp;hl=en_GB&amp;fs=1&amp;rel=0" /><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><embed allowfullscreen="true" allowscriptaccess="always" height="305" src="http://www.youtube.com/v/c-jSQD5FVxE&amp;hl=en_GB&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" width="375" /></object></p><br />

<p /><p /><p align="center" class="asset asset-video" style="margin: 0pt auto; display: block;"><object height="340" width="560"><param name="movie" value="http://www.youtube.com/v/aHun58mz3vI&amp;hl=en_GB&amp;fs=1&amp;rel=0" /><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><embed allowfullscreen="true" allowscriptaccess="always" height="305" src="http://www.youtube.com/v/aHun58mz3vI&amp;hl=en_GB&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" width="375" /></object></p>

<p /><br /><p align="center" class="asset asset-video" style="margin: 0pt auto; display: block;"><object height="340" width="560"><param name="movie" value="http://www.youtube.com/v/67QsrpNH96Q&amp;hl=en_GB&amp;fs=1&amp;rel=0" /><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><embed allowfullscreen="true" allowscriptaccess="always" height="305" src="http://www.youtube.com/v/67QsrpNH96Q&amp;hl=en_GB&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" width="375" /></object></p><br />

<p>Have a good weekend!</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/chasingdragons/~4/xW1oSCMvj_Y" height="1" width="1" /></div></content>


    <feedburner:origLink>http://www.chasingdragons.org/2010/02/weekend-reading-roundup-v-40.html</feedburner:origLink></entry>
 
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