tag:blogger.com,1999:blog-140964862025-07-31T00:18:44.275-07:00TracksoundsThe Offical Blog of Tracksounds: Film, Television, and Video Game SoundtracksChristopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.comBlogger1322125tag:blogger.com,1999:blog-14096486.post-78601703573458270472019-02-21T18:15:00.002-08:002019-02-21T18:15:19.098-08:002018 IFMCA Award Winners Announcement<div align="center"> <a href="http://filmmusiccritics.org/2019/02/ifmca-award-winners-2018/"><img border="0" data-original-height="302" data-original-width="602" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCxzl2uRaEx7LEnRBacjVuHXtgi6s_Jpja5jXpfCA_yGa2L3Bi2Weu6_m33d8CH8TXEj4GwTyxyG6Nncm0vdD76r5vB2Kw2lEUfxOzhkcey47gdIaDcdaeyKPneKkFvW3Xxz5ycA/s1600/ifmca2018.png" /></a></div> <div style="text-align: center;"> <br /> <div style="text-align: left;"> INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION ANNOUNCES WINNERS OF 2018 IFMCA AWARDS; “SOLO” TAKES SCORE OF THE YEAR, MULTIPLE WINS FOR JOHN POWELL, JAMES NEWTON HOWARD</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> FEBRUARY 21, 2018 — The International Film Music Critics Association (IFMCA) announces its list of winners for excellence in musical scoring in 2018, in the 2018 IFMCA Awards.</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> <b>The award for Score of the Year goes to British composer John Powell for his score for the Star Wars spin-off story “Solo,” which looked at the early life of the legendary rogue and intergalactic smuggler Han Solo.</b> The film was directed by Ron Howard, and starred Alden Ehrenreich, Emilia Clarke, and Donald Glover. In describing the score, IFMCA members Asier Senarriaga and Óscar Giménez called Solo “a spectacular score that combines the classic ideas of Williams with the talent of Powell,” and proclaimed it “the score of the year,” while IFMCA member Jon Broxton – speaking about the score’s multitude of recurring character themes - said that the way Powell “incorporates all the thematic complexity into his score is masterful, but best of all is the way he allows them to develop organically; this is not just a rigid leitmotif score where mathematics trumps emotion. Instead, Powell engages in sensible and appropriate development, meaning that when the emotional outbursts do come, they pack a real wallop, and satisfy both the heart and the brain in equal measure.”</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> The score is also named Best Original Score for a Fantasy/Science Fiction/Horror Film, while John Williams’s contribution to the score, the standalone piece “The Adventures of Han,” is named Film Music Composition of the Year. These are the seventh and eighth IFMCA Award wins of Powell’s career; he previously won the Score of the Year award for “How to Train Your Dragon” in 2010.</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> <b>James Newton Howard is named Composer of the Year, and takes home the award for Best Original Score for an Action/Adventure/Thriller Film for his work on the controversial Jennifer Lawrence Cold War spy thriller “Red Sparrow,”</b> for which he wrote an astonishingly powerful classical overture for the film’s opening ballet sequence, as well as some intense action and suspense music. IFMCA member Mihnea Manduteanu described Red Sparrow as “beautiful and passionate” and “melodic and furious”.&nbsp;</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> Howard’s other work in 2018 was just as outstanding, and included the second Harry Potter spinoff film “Fantastic Beasts: The Crimes of Grindelwald,” and the lavish fantasy “The Nutcracker and the Four Realms,” which was inspired by Tchaikovsky’s seminal ballet. IFMCA member Christian Clemmensen called Fantastic Beasts an “accomplished and mature fantasy score” which “sits comfortably with Howard's accomplished genre works and competes favorably for a place amongst 2018's best scores.” These are the ninth and tenth IFMCA Awards of Howard’s career. He previously received IFMCA Score of the Year honors in 2006 for “The Lady in the Water”.&nbsp;</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> <b>British composer Amelia Warner is named Breakthrough Composer of the Year</b> for her enormously impressive mainstream debut work scoring the literary drama based on the life of the groundbreaking horror author “Mary Shelley”. IFMCA member Peter Simons said that Mary Shelley was “a wonderful score … mesmerizing … unlike anything I’ve heard in a long time, if ever. The use of synth and vocals over strings and piano is just exquisite. There is always something interesting going on, either melodically or aurally … it’s one of the most exciting scores of the year”.</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> The various other genre awards are won by <b>Max Richter</b> for his classically-inspired music for the historical drama “Mary Queen of Scots”; <b>Marc Shaiman</b> for his loving, nostalgic homage to Walt Disney and the Sherman Brothers on the comedy musical sequel “Mary Poppins Returns”; <b>Mark McKenzie </b>for his spectacularly beautiful, reverent score for the Mexican animated film “Max and Me”; and <b>Pinar Toprak</b> for her broad, adventurous, expansive orchestral score for the yacht-racing documentary “Tides of Fate”. With this win Toprak is now the only person with more than two IFMCA Award nominations to win every time she has been nominated – her previous wins were for “The Lightkeepers” (Comedy, 2010) and “The Wind Gods” (Documentary, 2011).</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> In the non-film categories, composer <b>Christopher Lennertz </b>wins the award for Best Original Score for a Television Series for his bold, exciting score for the rebooted version of the classic sci-fi series “Lost in Space,” while composer <b>Bear McCreary</b> wins the award for Best Original Score for a Video Game or Interactive Media for his thrilling score for the action adventure game “God of War”.</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> Burbank, California-based <b>La-La Land Records</b> is named Film Music Record Label of the Year in recognition of their ongoing excellence in restoring and releasing the most beloved film scores of the past. Acclaimed album producer Mike Matessino receives both Archival Awards: one for his work restoring and releasing John Williams’s classic score for the 1979 Frank Langella version of “Dracula” on the Varèse Sarabande label, and one for his work in putting together the lavish box set of John Williams’s three Harry Potter scores - “Harry Potter and the Sorcerer’s Stone,” “Harry Potter and the Chamber of Secrets,” and “Harry Potter and the Prisoner of Azkaban” – for La-La Land Records. Producer Robert Townson shares the award for Dracula, and album artist Jim Titus worked on both releases.</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> #######################################</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> FILM SCORE OF THE YEAR</div> <div style="text-align: left;"> • SOLO, music by John Powell</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> FILM COMPOSER OF THE YEAR</div> <div style="text-align: left;"> • JAMES NEWTON HOWARD</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> BREAKTHROUGH COMPOSER OF THE YEAR</div> <div style="text-align: left;"> • AMELIA WARNER</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> BEST ORIGINAL SCORE FOR A DRAMA FILM</div> <div style="text-align: left;"> • MARY, QUEEN OF SCOTS, music by Max Richter</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> BEST ORIGINAL SCORE FOR A COMEDY FILM</div> <div style="text-align: left;"> • MARY POPPINS RETURNS, music by Marc Shaiman</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM</div> <div style="text-align: left;"> • RED SPARROW, music by James Newton Howard</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM</div> <div style="text-align: left;"> • SOLO, music by John Powell</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> BEST ORIGINAL SCORE FOR AN ANIMATED FILM</div> <div style="text-align: left;"> • MAX AND ME, music by Mark McKenzie</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> BEST ORIGINAL SCORE FOR A DOCUMENTARY</div> <div style="text-align: left;"> • TIDES OF FATE, music by Pinar Toprak</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> BEST ORIGINAL SCORE FOR A TELEVISION SERIES</div> <div style="text-align: left;"> • LOST IN SPACE, music by Christopher Lennertz</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA</div> <div style="text-align: left;"> • GOD OF WAR, music by Bear McCreary</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> BEST ARCHIVAL RELEASE - NEW RELEASE OR NEW RECORDING OF AN EXISTING SCORE</div> <div style="text-align: left;"> • DRACULA, music by John Williams; album produced by Mike Matessino and Robert Townson; liner notes by Mike Matessino; art direction by Jim Titus (Varèse Sarabande)</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> BEST ARCHIVAL RELEASE – COMPILATION</div> <div style="text-align: left;"> • HARRY POTTER: THE JOHN WILLIAMS SOUNDTRACK COLLECTION; music by John Williams; album produced by Mike Matessino; liner notes by Mike Matessino; art direction by Jim Titus (La-La Land)</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> FILM MUSIC LABEL OF THE YEAR</div> <div style="text-align: left;"> • LA-LA LAND, MV Gerhard, Matt Verboys</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> FILM MUSIC COMPOSITION OF THE YEAR</div> <div style="text-align: left;"> • “The Adventures of Han” from SOLO, written by John Williams</div> <div style="text-align: left;"> <br /> #######################################<br /> <br /> <b><a href="http://filmmusiccritics.org/">Find out more about the IFMCA Awards and the IFMCA at the official site.</a></b></div> </div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-34543666283221444352018-02-22T16:12:00.001-08:002018-02-22T16:12:09.056-08:002017 IFMCA Award Winners Announcement<div align="center"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2qlfi3mDJ1WLtCCcGN7zZYkDYlAcD149dQcTMFzTEicZM_ZMeWGcQo9mLeIz7nZucYyobXAfGfrRY5q3L1O-wLW0qkRMd40pfACrxPVznax1xYfqU-7-0DGlXvvpF9zYYcG7UJA/s1600/ifmca2017.jpg"><img border="0" data-original-height="302" data-original-width="602" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2qlfi3mDJ1WLtCCcGN7zZYkDYlAcD149dQcTMFzTEicZM_ZMeWGcQo9mLeIz7nZucYyobXAfGfrRY5q3L1O-wLW0qkRMd40pfACrxPVznax1xYfqU-7-0DGlXvvpF9zYYcG7UJA/s1600/ifmca2017.jpg" /></a></div> <div style="text-align: center;"> <b><br /></b></div> <b><br /></b> <b>INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION ANNOUNCES WINNERS OF 2017 IFMCA AWARDS; “PHANTOM THREAD” TAKES SCORE OF THE YEAR, MULTIPLE WINS FOR MICHAEL GIACCHINO, BENJAMIN WALLFISCH</b><br /> <br /> FEBRUARY 22, 2018 — <a href="http://filmmusiccritics.org/2018/02/ifmca-award-winners-2017/">The International Film Music Critics Association (IFMCA)</a> announces its list of winners for excellence in musical scoring in 2017, in the 2017 IFMCA Awards.<br /> <br /> The award for Score of the Year goes to British composer Jonny Greenwood for his score for critically acclaimed period drama “Phantom Thread,” directed by Paul Thomas Anderson, and starring Daniel Day-Lewis. In describing the score, IFMCA member Jon Broxton wrote that it was a “quite masterful score from Greenwood, one which gets deeply under the skin of the damaged, potentially dangerous, but nevertheless mutually fulfilling relationship at the center of the story. The abstract, impressionistic, modernistic textures perfectly capture the torment that both characters at times feel, as well as their willful and often unpleasant personalities. Then, when he opens up his orchestra and performs the Phantom Thread theme with glorious melodrama, or when he writes elegant romantic music for what should be the dreadful finale, the whole thing simply soars”. The score was also named Best Original Score for Drama Film; these are the first IFMCA Award wins of Greenwood’s career, him having previously been nominated for Breakthrough Film Composer of the Year in 2007 and Best Original Score for an Action/Adventure/Thriller Film for “Inherent Vice” in 2014.<br /> <br /> Composer Alexandre Desplat is named Composer of the Year, him having written at least four outstanding works spanning multiple genres in the past year. His work in 2017 included director Guillermo del Toro’s critically acclaimed monster movie romance “The Shape of Water,” director Luc Besson’s epic space fantasy “Valerian and the City of a Thousand Planets,” director George Clooney’s satirical racial drama ‘”Suburbicon,” and the French-language comedy-drama “D”Après Une Histoire Vraie,” directed by Roman Polanski. IFMCA member James Southall said that The Shape of Water was “yet another from the top drawer of Desplat,” and went on to describe him as “one of the most consistently impressive film composers of the last couple of decades,” who has “managed to be so successful without having to water down his highly-distinctive musical voice at all”. IFMCA member Christian Clemmensen called Valerian and the City of a Thousand Planets a “sonic marvel of extremely intelligent rendering” and an “unparalleled execution of orchestral textures” featuring “composition of demanding complexity.” Desplat received IFMCA Score of the Year honors in 2008 for “The Curious Case of Benjamin Button”. This marks the third time Desplat has been named Composer of the Year, following his previous wins in 2017 and 2014.<br /> <br /> Composer Michael Giacchino wins two awards - Film Music Composition of the Year and Best Original Score for a Fantasy/Science Fiction/Horror Film – both for his work on the third film in the blockbuster Planet of the Apes trilogy, “War for the Planet of the Apes”. IFMCA member James Southall said that War for the Planet of the Apes was “not just the best film music [Giacchino has] ever written” but that “the manner of the score, the construction of the dramatic narrative, [and] the very deliberate emotional prods … make it stand out as a special achievement”.<br /> <br /> Composer Benjamin Wallfisch also wins two awards - Best Original Score for an Action/Adventure/Thriller Film and Best Original Score for a Documentary – for two very different works. Director Gore Verbinski’s “A Cure for Wellness” is a Gothic thriller which draws on European classical traditions to generate its creepy atmosphere, while “Mully” is an inspirational documentary about the life of Charles Mully, a Kenyan business tycoon who gave away his fortune to start the Mully Children's Family, the largest children's rescue, rehabilitation and development organization in Africa. Wallfisch’s score blends rich, beautiful orchestral themes with influences from traditional East African music. IFMCA member Ley Bricknell described “A Cure for Wellness” as “totally compelling” with “an overwhelming sense of fear and madness”.<br /> <br /> Cypriot composer George Kallis is named Breakthrough Composer of the Year for his stellar work writing three enormously impressive scores in 2017: the children’s fantasy “Albion: The Enchanted Stallion,” the historical drama “The Black Prince,” and the Russian fantasy epic “Posledni Bogatyr/The Last Warrior,” all of which impressed members of the IFMCA with their scope and creativity. The various other genre awards are won by Christopher Willis his Russian-inspired music for the satirical comedy “The Death of Stalin”; and Theodore Shapiro for his anarchic but wonderfully sincere score for the animated super hero parody “Captain Underpants: The First Epic Adventure”.<br /> <br /> In the non-film categories, composers Bruce Broughton, John Debney, Joel McNeely, and Andrew Cottee jointly win the award for Best Original Score for a Television Series for their magnificent work on the Fox sci-fi series “The Orville,” while Spanish composer David García Díaz wins the award for Best Original Score for a Video Game or Interactive Media for his moving score for the adventure–puzzle video game “Rime,” in which players are compelled to solve environmental puzzles across five large levels that represent the five stages of grief.<br /> <br /> Burbank, California-based La-La Land Records is named Film Music Record Label of the Year in recognition of their ongoing excellence in restoring and releasing the most beloved film scores of the past. British label Tadlow Records and producer James Fitzpatrick are honored with the award for Best New Release, Re-Release or Re-Recording of an Existing Score for their lavish new recording of Miklós Rózsa’s classic 1959 score “Ben-Hur,” which IFMCA member Craig Lysy described as “the most thematically complex and melodically rich film score ever penned by the hand of man” … “a superb recording and the crowning glory of the Golden Age”. Finally, Oakland, California-based Intrada Records and producer Douglass Fake wins the award for Best Film Music Compilation Album for their superb release “Captains Courageous: The Franz Waxman Collection”, a compilation of outstanding themes by the great German composer of the 1940s and 50s.<br /> <br /> =============================================<br /> <b><span style="font-size: large;"><br /></span></b> <b><span style="font-size: large;">COMPLETE LIST OF WINNERS</span></b><br /> <br /> SCORE OF THE YEAR - PHANTOM THREAD, music by Jonny Greenwood<br /> <br /> COMPOSER OF THE YEAR - ALEXANDRE DESPLAT<br /> <br /> BREAKTHROUGH COMPOSER OF THE YEAR - GEORGE KALLIS<br /> <br /> FILM MUSIC COMPOSITION OF THE YEAR - “End Credits” from WAR FOR THE PLANET OF THE APES, music by Michael Giacchino<br /> <br /> BEST ORIGINAL SCORE FOR A DRAMA FILM - PHANTOM THREAD, music by Jonny Greenwood<br /> <br /> BEST ORIGINAL SCORE FOR A COMEDY FILM - THE DEATH OF STALIN, music by Christopher Willis<br /> <br /> BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM - A CURE FOR WELLNESS, music by Benjamin Wallfisch<br /> <br /> BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM - WAR FOR THE PLANET OF THE APES, music by Michael Giacchino<br /> <br /> BEST ORIGINAL SCORE FOR AN ANIMATED FILM - CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE, music by Theodore Shapiro<br /> <br /> BEST ORIGINAL SCORE FOR A DOCUMENTARY - MULLY, music by Benjamin Wallfisch<br /> <br /> BEST ORIGINAL SCORE FOR TELEVISION - THE ORVILLE, music by Bruce Broughton, John Debney, Joel McNeely, and Andrew Cottee<br /> <br /> BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA - RIME, music by David García Díaz<br /> <br /> BEST NEW RELEASE, RE-RELEASE OR RE-RECORDING OF AN EXISTING SCORE -<br /> <br /> BEN-HUR, music by Miklós Rózsa; The City of Prague Philharmonic Orchestra &amp; Chorus conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. De Wald; album art direction by James Fitzpatrick, Gareth Bevan, and Nic Finch (Tadlow)<br /> <br /> BEST FILM MUSIC COMPILATION ALBUM -<br /> <br /> CAPTAINS COURAGEOUS: THE FRANZ WAXMAN COLLECTION, music by Franz Waxman; album produced by Douglass Fake; liner notes by Frank K. De Wald; album art direction by Kay Marshall and Joe Sikoryak (Intrada)<br /> <br /> FILM MUSIC RECORD LABEL OF THE YEAR - LA-LA LAND RECORDS, MV Gerhard and Matt Verboys<br /> <br /> #######################################<br /> <b><a href="http://filmmusiccritics.org/2018/02/ifmca-award-winners-2017/"><br /></a></b> <b><a href="http://filmmusiccritics.org/2018/02/ifmca-award-winners-2017/">The International Film Music Critics Association (IFMCA) </a></b>is an association of online, print and radio journalists who specialize in writing and broadcasting about original film, television and game music.<br /> <br /> Since its inception the IFMCA has grown to comprise over 65 members from countries such as Australia, Belgium, Canada, China, Denmark, France, Germany, Greece, Ireland, Italy, the Netherlands, Norway, Poland, Romania, Spain, Sweden, Switzerland, the United Kingdom, and the United States of America.<br /> <br /> Previous IFMCA Score of the Year Awards have been awarded to Jóhann Jóhannsson’s “Arrival” in 2016, John Williams’s “Star Wars: The Force Awakens” in 2015, Hans Zimmer’s “Interstellar” in 2014, Abel Korzeniowski’s “Romeo &amp; Juliet” in 2013, Mychael Danna’s “Life of Pi” in 2012, John Williams’s “War Horse” in 2011, John Powell’s “How to Train Your Dragon” in 2010, Michael Giacchino’s “Up” in 2009, Alexandre Desplat’s “The Curious Case of Benjamin Button” in 2008, Dario Marianelli’s “Atonement” in 2007, James Newton Howard’s “Lady in the Water” in 2006, John Williams’s “Memoirs of a Geisha” in 2005 and Michael Giacchino’s “The Incredibles” in 2004.<br /> <br /> For more information about the International Film Music Critics Association go to www.filmmusiccritics.org , visit our Facebook page, follow us on Twitter @ifmca, or contact us at press@filmmusiccritics.org.<br /> <div> <br /></div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-65908755977532931192017-06-13T18:31:00.001-07:002017-06-13T18:31:39.166-07:00New Podcast! The Annotator<div class="separator" style="clear: both; text-align: center;"> <a href="http://theannotator.net/"><img border="0" data-original-height="302" data-original-width="602" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkFq3B6MfkVoDu0_xa1_80nXivpbpUXH0pUIILFRigrNU6FZkQe1XKuNbUaEsHbmwyVNWjnt3s-0KZ1yut1IazVA19hIrs8VDPXhX8bnseddl2hf8_WMV2vtMPD9vG0rTVfItkIQ/s1600/annotatorblogl.png" /></a></div> <div style="text-align: center;"> <br /></div> Recently, we began a brand new podcast, THE ANNOTATOR, which is unlike any podcast we've done before. &nbsp;The Annotator focuses on the composer. &nbsp;No interviewer. &nbsp;No answering questions. &nbsp;It's simply the composer telling his or her story about and sharing insights into their original scores.<br /> <div> <br /></div> <div> We are two episodes in, but in case you haven't been able to catch them yet, here they are!</div> <div> <b><br /></b></div> <div> <b>Daniel Pemberton - King Arthur: Legend of the Sword</b></div> <div> <iframe scrolling="no" src="https://art19.com/shows/the-annotator/episodes/1de11ea1-c20d-4ee0-a62e-4ed63a392a5c/embed?theme=light-custom" style="border: 0 none; height: 200px; width: 100%;"></iframe></div> <div> <br /></div> <div> <br /> <b>Oliviere Derivere - Get Even</b></div> <div> <iframe scrolling="no" src="https://art19.com/shows/the-annotator/episodes/8f5e6895-d71f-408c-87f3-372ea1192583/embed?theme=light-gray-custom" style="border: 0 none; height: 200px; width: 100%;"></iframe></div> <div> <br /></div> <div> <br /></div> <div> Hope you will listen and if you enjoy what you hear, let us know and check things out on the official site, <a href="http://theannotator.net/"><b>TheAnnotator.Net.&nbsp;</b></a></div> <div> <br /></div> <div> <br /></div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-3244849545999388432017-06-04T15:55:00.001-07:002017-06-04T15:56:46.571-07:00Does the Wonder Woman Motif Work? Soundcast Stereo (Ep. 19)<div align="center"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBYBqgd5oSEPpVzMfF5bwj4y1-xORk9ZYF21M1K72qfvYPjFG5Scq2MGakKuZNrWy_zSANXm3gi51xJ3UARdH2kWEouWAxrTfhrW8vCGyWugFylOdY9itxjf8xM07MOZCiCuUH/s1600/soundcast_stereo_19.png"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBYBqgd5oSEPpVzMfF5bwj4y1-xORk9ZYF21M1K72qfvYPjFG5Scq2MGakKuZNrWy_zSANXm3gi51xJ3UARdH2kWEouWAxrTfhrW8vCGyWugFylOdY9itxjf8xM07MOZCiCuUH/s1600/soundcast_stereo_19.png" width="98%" /></a> </div> <div class="art19-web-player awp-medium awp-theme-dark-orange" data-episode-id="a6b382e5-b130-4549-9909-dbfbcba77013"> </div> <div style="text-align: center;"> <span style="font-weight: bold;"><br /></span></div> <b style="text-align: left;">Episode 19 - Does the Wonder Woman Motif Work?</b><br /> <b style="text-align: left;"><br /></b> <br /> <div style="text-align: left;"> <div style="text-align: left;"> Kristen Romanelli and Christopher Coleman tackle perhaps the biggest question surrounding the new "Wonder Woman" film score, "Does the Wonder Woman motif work?" &nbsp;Before doing so, they have a spoiler-laden discussion regarding their thoughts about the film, itself, as well as Rupert Gregson-Williams score, overall. &nbsp;You'll find out just where each of them rank the film and respective score in the DCEU and what their hopes and expectations are for the next film "Justice League."</div> </div> <br /> <div style="text-align: left;"> <b>Episode Highlights</b></div> <br /> <div style="text-align: left;"> 00:03 - Wonder Woman's Intro</div> 02:30 - Reaction to the film (Spoilers!)<br /> <div style="text-align: left;"> 12:11 - Reaction to the score (Spoilers!)</div> <div style="text-align: left;"> 18:46 - Did the Wonder Woman motif work? (Spoilers!)</div> <div style="text-align: left;"> 27:11 - Did its use in BvS Help or Hurt Wonder Woman? (Spoilers!)</div> <div style="text-align: left;"> 32:30 - Final thoughts and expectations for Justice League</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> <b>Music Selections</b></div> <br /> <div style="text-align: left;"> 00:00 - "Wonder Woman's Wrath" (Wonder Woman) by Rupert Gregson-Williams</div> 32:00 - "No Man's Land" (Wonder Woman) by Rupert Gregson-Williams<br /> <div> <div style="text-align: left;"> <br /></div> <b>Notes:</b><br /> <div style="text-align: left;"> <b><br /></b></div> </div> <div> <div style="text-align: left;"> </div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> <b>Find and Follow:</b><br /> <br /> <a href="https://twitter.com/kbfornow">Follow Kristen Romanelli on Twitter.</a></div> <div style="text-align: left;"> <a href="http://www.filmscoremonthly.com/">Film Score Monthly Online</a></div> <a href="http://twitter.com/tracksounds">Follow Tracksounds on Twitter.</a><br /> <div style="text-align: left;"> <a href="http://twitter.com/ccoleman">Follow Christopher Coleman on Twitter.</a><br /> <br /></div> <div style="text-align: left;"> <b>Spotify:</b></div> <div style="text-align: left;"> <a href="https://open.spotify.com/user/tracksounds/playlist/4y7SSy7HVfkj5DXKkPhNvM">Find our Spotify Companion Playlist here!</a></div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> <b>Support Tracksounds:</b></div> </div> <div> <div style="margin: 0px;"> <div style="text-align: left;"> <b><br /></b></div> </div> <div style="margin: 0px;"> <div style="text-align: left;"> Most of the soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!</div> </div> <div style="margin: 0px;"> <div style="text-align: left;"> <br /></div> </div> <div style="margin: 0px;"> <div style="text-align: left;"> <a href="http://bit.ly/amazonsoundtracks">Buy Soundtracks at Amazon.com</a></div> </div> <div> <div style="margin: 0px;"> <div style="text-align: left;"> <br /></div> </div> </div> <div style="margin: 0px;"> <div style="text-align: left;"> <br /></div> </div> <div style="margin: 0px;"> <div style="text-align: left;"> <b style="color: silver; font-size: x-large;"><a href="http://blog.tracksounds.com/p/the-soundcast-subscribe.html">Subscribe and More Info</a></b></div> </div> <div style="margin: 0px;"> <span style="font-size: medium;"><br /><a href="https://www.acast.com/thesoundcast">aCAST</a></span><br /> <a href="https://goo.gl/app/playmusic?ibi=com.google.PlayMusic&amp;isi=691797987&amp;ius=googleplaymusic&amp;link=https://play.google.com/music/m/Ivozex3blv63oxezyfs26g5r46i?t=The_SoundCast"><span style="font-size: medium;">GOOGLE PLAY</span></a><br /> <div style="text-align: left;"> <a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=309445061"><span style="font-size: medium;">iTUNES</span></a></div> <div style="text-align: left;"> <a href="http://feeds2.feedburner.com/blogspot/thesoundcast"><span style="font-size: medium;">RSS FEED</span></a></div> <div style="text-align: left;"> <a href="http://app.stitcher.com/browse/feed/23819/info"><span style="font-size: medium;">STITCHER RADIO</span></a></div> <div style="text-align: left;"> <span style="font-size: medium;"><a href="http://tunein.com/radio/The-SoundCast-p520071/">TUNEIN RADIO</a></span></div> <div style="text-align: left;"> <br /></div> <div> <div style="text-align: left;"> The official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals.</div> </div> <div> <div style="text-align: left;"> <br /></div> </div> <div> <div style="text-align: left;"> The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). &nbsp;Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.</div> </div> </div> </div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-65969078432694785802017-05-27T15:43:00.000-07:002017-06-04T15:53:25.981-07:00Star Trek: Discovery Trailer (Bonus Soundcast Episode)<div align="center"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxX8KOThj95_zI3T9T4JbihtC-ly45WYED7av3UqN5h7JIzLgakqK-0m_PpBq5OhyphenhyphentVkqh4mEP4gatvGR9g55xsVsWNhHtJVIANIRflWiYwrfIjH8_SKIOzktdfNuO02NKbnO4/s1600/soundcast_six_v3_BONUS.png"><img align="center" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxX8KOThj95_zI3T9T4JbihtC-ly45WYED7av3UqN5h7JIzLgakqK-0m_PpBq5OhyphenhyphentVkqh4mEP4gatvGR9g55xsVsWNhHtJVIANIRflWiYwrfIjH8_SKIOzktdfNuO02NKbnO4/s1600/soundcast_six_v3_BONUS.png" width="99%" /></a></div> <div class="art19-web-player awp-medium awp-theme-dark-orange" data-episode-id="f2dd2f89-e5c7-4352-a3c2-39957b19d075"> </div> <b style="text-align: left;"><br /></b> <b style="text-align: left;">Bonus Episode - Star Trek: Discovery Trailer</b><br /> Christopher Coleman, Kristen Romanelli and Erik Woods share their thoughts about the recently released trailer to STAR TREK: DISCOVERY. &nbsp;They discuss the look for show and what may be in store for our ears in the series' music. <br /> <div style="text-align: left;"> <b><br /></b> <b>Episode Highlights</b><br /> <br /> 00:00 - Intro ... and announcement about an announcement</div> 02:29 - A Uniform Reaction<br /> <div style="text-align: left;"> 05:00 - What Sort of Score?</div> <div style="text-align: left;"> 06:30 - Who Is Going to Watch This?</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> <b>Music Selections</b></div> <br /> <div style="text-align: left;"> 00:00 - "Star Trek: Deep Space Nine Epic Cover (Rock Mix)- &nbsp;by Heropoint</div> 02:00 - "Star Trek: Deep Space Nine Epic Cover (Rock Mix)- &nbsp;by Heropoint<br /> <div> <div style="text-align: left;"> 09:14 - "Sledgehammer from Star Trek: Beyond (8-Bit Jawns Vol. 3) by 8-Bit Universe</div> <div style="text-align: left;"> <br /></div> <b>Notes:</b><br /> <div style="text-align: left;"> <b><br /></b><a href="https://youtu.be/4dxe_ugmIVM">Star Trek: Discovery Trailer</a></div> </div> <div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> <b>Find and Follow:</b><br /> <br /> <a href="https://twitter.com/kbfornow">Follow Kristen Romanelli on Twitter.</a></div> <div style="text-align: left;"> <a href="http://www.filmscoremonthly.com/">Film Score Monthly Online</a></div> <a href="https://twitter.com/cinsoundradio">Follow Erik Woods on Twitter.</a><br /> <a href="http://www.cinematicsound.net/">Cinematic Sound Radio&nbsp;</a><br /> <div style="text-align: left;"> <a href="http://twitter.com/tracksounds">Follow Tracksounds on Twitter.</a></div> <div style="text-align: left;"> <a href="http://twitter.com/ccoleman">Follow Christopher Coleman on Twitter.</a><br /> <br /></div> <div style="text-align: left;"> <b>Spotify:</b></div> <div style="text-align: left;"> <a href="https://open.spotify.com/user/tracksounds/playlist/6xbi7x5MrZwnZUkwVk4LDj">Find our Spotify Companion Playlist here!</a></div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> <b>Support Tracksounds:</b><br /> <b><br /></b> <a href="http://amzn.to/2s23DbN">Buy&nbsp;Star Trek: Deep Space Nine Epic Cover (Rock Mix)- &nbsp;by Heropoint</a><br /> <a href="http://amzn.to/2s1K1Vn">Buy Sledgehammer from Star Trek: Beyond (8-Bit Jawns Vol. 3) by 8-Bit Universe</a></div> </div> <div> <div style="margin: 0px;"> <div style="text-align: left;"> <b><br /></b></div> </div> <div style="margin: 0px;"> <div style="text-align: left;"> Most of the soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!</div> </div> <div style="margin: 0px;"> <div style="text-align: left;"> <br /></div> </div> <div style="margin: 0px;"> <div style="text-align: left;"> <a href="http://bit.ly/amazonsoundtracks">Buy Soundtracks at Amazon.com</a></div> </div> <div> <div style="margin: 0px;"> <div style="text-align: left;"> <br /></div> </div> </div> <div style="margin: 0px;"> <div style="text-align: left;"> <br /></div> </div> <div style="margin: 0px;"> <div style="text-align: left;"> <b style="color: silver; font-size: x-large;"><a href="http://blog.tracksounds.com/p/the-soundcast-subscribe.html">Subscribe and More Info</a></b></div> </div> <div style="margin: 0px;"> <span style="font-size: medium;"><br /><a href="https://www.acast.com/thesoundcast">aCAST</a></span><br /> <a href="https://goo.gl/app/playmusic?ibi=com.google.PlayMusic&amp;isi=691797987&amp;ius=googleplaymusic&amp;link=https://play.google.com/music/m/Ivozex3blv63oxezyfs26g5r46i?t=The_SoundCast"><span style="font-size: medium;">GOOGLE PLAY</span></a><br /> <div style="text-align: left;"> <a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=309445061"><span style="font-size: medium;">iTUNES</span></a></div> <div style="text-align: left;"> <a href="http://feeds2.feedburner.com/blogspot/thesoundcast"><span style="font-size: medium;">RSS FEED</span></a></div> <div style="text-align: left;"> <a href="http://app.stitcher.com/browse/feed/23819/info"><span style="font-size: medium;">STITCHER RADIO</span></a></div> <div style="text-align: left;"> <span style="font-size: medium;"><a href="http://tunein.com/radio/The-SoundCast-p520071/">TUNEIN RADIO</a></span></div> <div style="text-align: left;"> <br /></div> <div> <div style="text-align: left;"> The official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals.</div> </div> <div> <div style="text-align: left;"> <br /></div> </div> <div> <div style="text-align: left;"> The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). &nbsp;Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.</div> </div> </div> </div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-67973736549545039862017-05-20T11:44:00.004-07:002017-05-20T11:46:05.707-07:00Soundcast (Ep. 90) The Soundcast Six Vol. 3<div align="center"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3Ep9xeWDzOo1sEB-g8u7W0nnTax2BSQiIoObNXHOOpp1W7Qz45Zc7qibu9lVVXffXVRtPAXJ8PkI-EyAqi_fBFVIiELrqQ3o8m65aFb4myH1j1YoWN1r6h1qyE_I34U06dzOj/s1600/soundcast_six_v3.png"><img border="0" height="402" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3Ep9xeWDzOo1sEB-g8u7W0nnTax2BSQiIoObNXHOOpp1W7Qz45Zc7qibu9lVVXffXVRtPAXJ8PkI-EyAqi_fBFVIiELrqQ3o8m65aFb4myH1j1YoWN1r6h1qyE_I34U06dzOj/s400/soundcast_six_v3.png" width="602" /></a> </div> <div class="art19-web-player awp-medium awp-theme-dark-orange" data-episode-id="ccd1c171-f8ff-4c5e-95ad-054ee9fb5755"> </div> <div style="text-align: center;"> <span style="font-weight: bold;"><br /></span></div> <b style="text-align: left;">Episode 90 - The Soundcast Six Vol. 3</b><br /> <div style="text-align: left;"> <div style="text-align: left;"> In this volume, Kristen Romanelli, Erik Woods, and Christopher Coleman a new set of six stories from the soundtrack world: &nbsp;The Guardians of the Galaxy Vol. 1 vs Vol. 2 twitter poll, The Orville with music by Bruce Broughton an Joel McNeely, The death of the MP3, The Star Trek; Legacy mashup, Henry Jackman on Jumanji and Jerry Goldsmith finally gettin his star on the Walk of Fame.</div> </div> <br /> <div style="text-align: left;"> <b>Episode Highlights</b></div> <br /> <div style="text-align: left;"> 00:00 - Burnin' the Six Mix - Intro</div> 03:29 - #1 - Guardians Volume-Off, Bro<br /> <div style="text-align: left;"> 24:13 - #2 - The Orville Crew: Broughton and McNeely</div> <div style="text-align: left;"> 34:36 - #3 - MP3: Dead of Alive?</div> <div style="text-align: left;"> 47:39 - #4 - Star Trek: Punked</div> <div style="text-align: left;"> 55:53 - #5 - Jackmanji</div> <div style="text-align: left;"> 62:19 - #6 - Jerry Goldstar<br /> 72:02 - Wrap up</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> <b>Music Selections</b></div> <br /> <div style="text-align: left;"> 00:00 - "Guardians Inferno - (Guardians of the Galaxy: Mixtape Vol 2) by The Sneepers</div> 23:22 - "Lost in Space" - (Lost in Space) by Bruce Broughton<br /> <div> <div style="text-align: left;"> 46:57 - "The Game Has Changed" (Tron: Legacy) by Daft Punk</div> <div style="text-align: left;"> 50:05 - "The Enterprise" (Star Trek: The Motion Picture) by Jerry Goldsmith</div> <div style="text-align: left;"> 55:21 - "The Exorcism of Jonah Hill" (This is the End by Henry Jackman</div> <div style="text-align: left;"> 61:29 - "It's a Long Road" (First Blood) by Jerry Goldsmith</div> <div style="text-align: left;"> 72:29 - "Mr. Blue Sky - 8-Bit Version" (8-Bit Chip Shwang) by 8-Bit Universe</div> <div style="text-align: left;"> <br /></div> <b><b>Notes:</b></b><br /> <div style="text-align: left;"> <b><b><br /></b></b> <a href="https://twitter.com/tracksounds/status/862656289930973184">Guardians of the Galaxy Vol. 1 vs Vol. 2 Twitter Poll</a></div> </div> <div> <div style="text-align: left;"> <a href="http://filmmusicreporter.com/2017/04/13/bruce-broughton-scoring-foxs-orville/">Broughton and McNeely on The Orvville</a></div> <div style="text-align: left;"> <span style="color: #0000ee;"><u><a href="http://www.npr.org/sections/therecord/2017/05/11/527829909/the-mp3-is-officially-dead-according-to-its-creators?utm_source=twitter.com&amp;utm_campaign=business&amp;utm_medium=social&amp;utm_term=nprnews">Is the MP3 Dead?</a></u></span></div> <div style="text-align: left;"> <span style="color: #0000ee;"><a href="https://www.theverge.com/2017/5/14/15638302/star-trek-motion-picture-recut-music-tron-legacy-daft-punk-watch">Star Trek: Legacy</a></span></div> <div style="text-align: left;"> <a href="http://filmmusicreporter.com/2017/05/15/henry-jackman-to-score-jumanji-welcome-to-the-jungle/">Henry Jackman on Jumanji</a></div> <div style="text-align: left;"> <a href="http://variety.com/2017/music/spotlight/jerry-goldsmith-star-walk-of-fame-1202421229/">Jerry Goldsmith - Walk of Fame</a></div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> <b>Find and Follow:</b><br /> <br /> <a href="https://twitter.com/kbfornow">Follow Kristen Romanelli on Twitter.</a></div> <div style="text-align: left;"> <a href="http://www.filmscoremonthly.com/">Film Score Monthly Online</a></div> <a href="https://twitter.com/cinsoundradio">Follow Erik Woods on Twitter.</a><br /> <a href="http://www.cinematicsound.net/">Cinematic Sound Radio&nbsp;</a><br /> <div style="text-align: left;"> <a href="http://twitter.com/tracksounds">Follow Tracksounds on Twitter.</a></div> <div style="text-align: left;"> <a href="http://twitter.com/ccoleman">Follow Christopher Coleman on Twitter.</a><br /> <br /></div> <div style="text-align: left;"> <b>Spotify:</b></div> <div style="text-align: left;"> <a href="https://open.spotify.com/user/tracksounds/playlist/6xbi7x5MrZwnZUkwVk4LDj">Find our Spotify Companion Playlist here!</a></div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> <b>Support Tracksounds:</b></div> </div> <div> <div style="margin: 0px;"> <div style="text-align: left;"> <b><br /></b></div> </div> <div style="margin: 0px;"> <div style="text-align: left;"> Most of the soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!</div> </div> <div style="margin: 0px;"> <div style="text-align: left;"> <br /></div> </div> <div style="margin: 0px;"> <div style="text-align: left;"> <a href="http://bit.ly/amazonsoundtracks">Buy Soundtracks at Amazon.com</a></div> </div> <div> <div style="margin: 0px;"> <div style="text-align: left;"> <br /></div> </div> </div> <div style="margin: 0px;"> <div style="text-align: left;"> <br /></div> </div> <div style="margin: 0px;"> <div style="text-align: left;"> <b style="color: silver; font-size: x-large;"><a href="http://blog.tracksounds.com/p/the-soundcast-subscribe.html">Subscribe and More Info</a></b></div> </div> <div style="margin: 0px;"> <span style="font-size: medium;"><br /><a href="https://www.acast.com/thesoundcast">aCAST</a></span><br /> <a href="https://goo.gl/app/playmusic?ibi=com.google.PlayMusic&amp;isi=691797987&amp;ius=googleplaymusic&amp;link=https://play.google.com/music/m/Ivozex3blv63oxezyfs26g5r46i?t=The_SoundCast"><span style="font-size: medium;">GOOGLE PLAY</span></a><br /> <div style="text-align: left;"> <a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=309445061"><span style="font-size: medium;">iTUNES</span></a></div> <div style="text-align: left;"> <a href="http://feeds2.feedburner.com/blogspot/thesoundcast"><span style="font-size: medium;">RSS FEED</span></a></div> <div style="text-align: left;"> <a href="http://app.stitcher.com/browse/feed/23819/info"><span style="font-size: medium;">STITCHER RADIO</span></a></div> <div style="text-align: left;"> <span style="font-size: medium;"><a href="http://tunein.com/radio/The-SoundCast-p520071/">TUNEIN RADIO</a></span></div> <div style="text-align: left;"> <br /></div> <div> <div style="text-align: left;"> The official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals.</div> </div> <div> <div style="text-align: left;"> <br /></div> </div> <div> <div style="text-align: left;"> The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). &nbsp;Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.</div> </div> </div> </div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-66669663595534535022017-05-06T11:30:00.000-07:002017-05-20T11:30:24.152-07:00Soundcast (Ep. 89) - The Soundcast Six Vol. 2<div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDgALcJznlbWa6pagmG4JJDoZJsW52q5Ott9EERSI3TdNsovn6U-45uONmGWO7teV44HbgpdbD1FctfYPQsbZ4RGPFiLzdKTq9WI_yzPURUMmWGDBV7GLM9cOfgz1_XpWrEvBBDw/s1600/soundcast_six_v2.png"><img border="0" height="402" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDgALcJznlbWa6pagmG4JJDoZJsW52q5Ott9EERSI3TdNsovn6U-45uONmGWO7teV44HbgpdbD1FctfYPQsbZ4RGPFiLzdKTq9WI_yzPURUMmWGDBV7GLM9cOfgz1_XpWrEvBBDw/s400/soundcast_six_v2.png" width="602" /></a></div> <div style="text-align: center;"> <div class="art19-web-player awp-medium awp-theme-dark-orange" data-episode-id="7bcb8cd0-b14b-4ee9-9acb-34e3bd7a27bd"> </div> </div> <b style="text-align: left;"><br /></b> <b style="text-align: left;">Episode 89 - The Soundcast Six Vol. 2</b><br /> <b style="text-align: left;"><br /></b>Erik Woods (Cinematic Sound Radio, Kristen Romanelli (Film Score Monthly Online) and Christopher Coleman return to tackle six hot-topics from the world of soundtracks. &nbsp;In volume 2, they talk about: John Williams internet "May the 4th be with You" greeting, the fall-out from the false revelation of Junkie XL (Tom Holkenborg) as "Godzilla: King of Monsters" composer, Junkie XL's recent Youtube video commenting on the disappearance of the "film theme," no CD release for "Guardians of the Galaxy Vol. 2's" original score, the news and speculation of Joe Johnston helming the next Narnia film and Robert Zemeckis joining "The Flash," and finally a discussion of the amazing reveal in M. Night Shyamalan's "Split."<br /> <br /> <br /> <br /> <br /> <b>Episode Highlights</b><br /> <b><br /></b>00:00 - May the 4th Be with You<br /> 02:40 - #1 - May the 4th be with You, John Williams<br /> 13:36 - #2 - Godzilla: King of Monster Mistakes<br /> 24:11 - #3 - Junkie XL - Where are the themes?<br /> 31:54 - #4 - No-CD-Time, A-Holes<br /> 47:02 - #5 - Narnia and The Flash<br /> 57:17 - #6 - Split<br /> <br /> <br /> <b>Music Selections</b><br /> <b><br /></b>00:00 - "Augies Great Municipal Band" - (The Best of Star Wars) by Interglactic Symphony Orchestra<br /> 00:07 - "Force" - (Star Wars Head Space) by Troyboi<br /> <div> 13:17 - "Godzilla's Victory" (Godzilla) by Alexandre Desplat<br /> 23:18 - "Capture the Flag" (Divergent) by Junkie XL<br /> 31:37 - "Showtime, A-Holes" (Guardians of the Galaxy Vol. 2) by Tyler Bates<br /> 46:29 - "Only the Beginning of the Adventure" (Narnia: &nbsp;The Lion, The Witch, and the Wardrobe) by Harry Gregson-Williams<br /> 59:32 - "Visions" (Unbreakable) by James Newton Howard<br /> 61:58 - "Visions" (Unbreakable) by James Newton Howard<br /> 64:40 - "Force" - (Star Wars Head Space) by Troyboi<br /> <br /> <b><br /></b><b>Notes:</b><br /> <b><br /></b></div> <div> <a href="https://twitter.com/Collider/status/860235406591262721">Rian Johnson and John Williams' "May the 4th be with You"</a><br /> <a href="http://www.gq.com/story/junkie-xl-hollywood-composer">GQ - "Junkie XL: The Secret Ingredient in the Best Soundtracks of the Past 15 Years"</a><br /> <span style="color: #0000ee;"><u><a href="https://youtu.be/LjYn1PhKqVQ">"Why Don't All Films Have Memorable Themes?" | Ask Me Anything</a></u></span><br /> <span style="color: #0000ee;"><a href="http://variety.com/2017/film/news/narnia-revival-silver-chair-director-joe-johnston-1202399920/">Joe Johnston on Narnia: The Silver Chair</a></span><br /> <a href="https://www.flickeringmyth.com/2017/04/rumour-robert-zemeckis-in-talks-to-direct-dcs-the-flash/">Robert Zemeckis in Talks to direct The Flash</a><br /> <a href="http://www.imdb.com/title/tt4972582/">Split</a><br /> <br /> <a href="https://twitter.com/kbfornow">Follow Kristen Romanelli on Twitter.</a><br /> <a href="http://www.filmscoremonthly.com/">Film Score Monthly Online</a><br /> <b><br /></b><a href="https://twitter.com/cinsoundradio">Follow Erik Woods on Twitter.</a><br /> <a href="http://www.cinematicsound.net/">Cinematic Sound Radio&nbsp;</a><br /> <br /> <a href="http://twitter.com/tracksounds">Follow Tracksounds on Twitter.</a><br /> <a href="http://twitter.com/ccoleman">Follow Christopher Coleman on Twitter.</a><br /> <br /> <br /> <b><a href="https://open.spotify.com/user/tracksounds/playlist/6xbi7x5MrZwnZUkwVk4LDj">Find our Spotify Companion Playlist here!</a></b><br /> <br /> <br /></div> <div> <div style="margin: 0px;"> <b>Support Tracksounds:</b><br /> <b><br /></b></div> <div style="margin: 0px;"> Most of the soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!</div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <a href="http://bit.ly/amazonsoundtracks">Buy Soundtracks at Amazon.com</a></div> <div> <div style="margin: 0px;"> <br /></div> </div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <b style="color: silver; font-size: x-large;"><a href="http://blog.tracksounds.com/p/the-soundcast-subscribe.html">Subscribe and More Info</a></b></div> <div style="margin: 0px;"> <span style="color: silver; font-size: large;"><b><br /></b></span><a href="https://www.acast.com/thesoundcast"><span style="font-size: medium;">aCAST</span></a><br /> <a href="https://goo.gl/app/playmusic?ibi=com.google.PlayMusic&amp;isi=691797987&amp;ius=googleplaymusic&amp;link=https://play.google.com/music/m/Ivozex3blv63oxezyfs26g5r46i?t=The_SoundCast"><span style="font-size: medium;">GOOGLE PLAY</span></a><br /> <a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=309445061"><span style="font-size: medium;">iTUNES</span></a><br /> <a href="http://feeds2.feedburner.com/blogspot/thesoundcast"><span style="font-size: medium;">RSS FEED</span></a><br /> <a href="http://app.stitcher.com/browse/feed/23819/info"><span style="font-size: medium;">STITCHER RADIO</span></a><br /> <span style="font-size: medium;"><a href="http://tunein.com/radio/The-SoundCast-p520071/">TUNEIN RADIO</a></span><br /> <br /> <div> The official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals.</div> <div> <br /></div> <div> The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). &nbsp;Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.</div> </div> </div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-48706721020655306792017-04-28T08:34:00.001-07:002017-05-22T18:08:13.852-07:00Soundcast (Ep. 88) - Herrmann, Williams or Zimmer?<div align="center"> <a alt="Soundcast (Ep. 88) - Herrmann, Williams or Zimmer?" href="https://www.blogger.com/null"> <img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifeIAzchFvGPtmtnQloDWUqcOU68Cyzo-SDe2aQmlel8YKMqIaNEsVai8ymGP4lsbV_C2NdcFdiBPndfYjI42n97nwASEXNnOOR-UqWvnDRoadEU2YCFr9qhoxPCnTyi8EQos-1w/s1600/soundcast_88.jpg" /></a></div> <div class="art19-web-player awp-medium awp-theme-dark-orange" data-episode-id="3d7ed06c-f042-4edb-840e-10d4b30fd63f"></div> <b style="text-align: left;">Episode 88 - Herrmann, Williams or Zimmer?</b><br /> <b style="text-align: left;"><br /></b>Marty and Will Brueggemann (Underscore Podcast) join Erik Woods and Christopher Coleman to discuss the results of the recent Tracksounds' Twitter polls which asked, "Which composer has had the most impact on film music: &nbsp;Bernard Herrmann, John Williams, or Hans Zimmer?" &nbsp;In addition to discussing the surprising poll results, they dive into the substantial merits of each composer for such a title. &nbsp;Lastly, each shares which composer they feel has truly made the largest impact upon the world of film music thus far.<br /> <br /> <br /> <b>Episode Highlights</b><br /> <b><br /></b>00:24 - Intro and Welcome to Marty and Will Brueggemann (Underscore Podcast)<br /> 07:21 - Defining "Impact"<br /> 11:33 - Surprising Poll Results?<br /> 20:30 - Recognizing Williams<br /> 24:44 - The Elegant Mantle of John Williams<br /> 32:50 - Herrmann's Undeniable Influence<br /> 39:59 - Which Composer Has Truly Had the Most Impact?<br /> 66:39 - Only Zimmer Could Go to Coachella<br /> 73:48 - The Last Word<br /> <br /> <br /> <br /> <b>Music Selections</b><br /> <b><br /></b>00:00 - "Marnie" - (Pyscho: &nbsp;The Essential Alfred Hitchcock Collection) by <br /> Bernard Herrmann<br /> 07:01 - "Super Mario Kart Theme" - (Super Mario Kart) by Soyo Oka<br /> <div> 20:49 - "End Credits" (E.T. The Extra-Terrestrial) by John Williams<br /> 32:18 - "North by Northwest" (Pyscho: &nbsp;The Essential Alfred Hitchcock Collection) by<br /> Bernard Herrmann37:18 - "Harry's Wonderous World" (Harry Potter &amp; The Sorcerer's Stone) by John Williams<br /> 66:13 - "A Watchful Guardian" (The Dark Knight) by Hans Zimmer<br /> 80:59 - "The End?" (Sherlock Holmes: &nbsp;A Game of Shadows) by Hans Zimmer<br /> <b><br /></b> <b>Notes:</b></div> <div> <b><br /></b> <a href="http://underscorepodcast.com/">UnderScore (Podcast)</a><br /> <a href="https://twitter.com/underscore_show">Follow Underscore on Twitter.</a><br /> <br /> <a href="https://twitter.com/cinsoundradio">Follow Erik Woods on Twitter.</a><br /> <a href="http://www.cinematicsound.net/">Cinematic Sound Radio&nbsp;</a><br /> <br /> <a href="http://twitter.com/tracksounds">Follow Tracksounds on Twitter.</a><br /> <a href="http://twitter.com/ccoleman">Follow Christopher Coleman on Twitter.</a><br /> <br /> <br /> <br /></div> <div> <div style="margin: 0px;"> <b>Support Tracksounds:</b><br /> <b><br /></b></div> <div style="margin: 0px;"> Most of the soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!</div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <a href="http://bit.ly/amazonsoundtracks">Buy Soundtracks at Amazon.com</a></div> <div> <div style="margin: 0px;"> <br /></div> </div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <span style="color: silver; font-size: medium;"><b><span style="font-size: x-large;"><a href="https://s3.amazonaws.com/tracksounds/soundcast/soundcast_88.mp3">DOWNLOAD THE EPISODE</a></span><span id="goog_286134130" style="font-size: large;"></span></b></span></div> <div style="margin: 0px;"> <br style="color: silver;" /></div> <div style="margin: 0px;"> <span style="color: silver; font-size: large;"><br /></span><span style="color: silver; font-size: large;"><b><a href="http://blog.tracksounds.com/p/the-soundcast-subscribe.html">Subscribe and More Info</a></b></span><br /> <span style="color: silver; font-size: large;"><b><br /></b></span><a href="https://www.acast.com/thesoundcast"><span style="font-size: medium;">aCAST</span></a><br /> <a href="https://goo.gl/app/playmusic?ibi=com.google.PlayMusic&amp;isi=691797987&amp;ius=googleplaymusic&amp;link=https://play.google.com/music/m/Ivozex3blv63oxezyfs26g5r46i?t=The_SoundCast"><span style="font-size: medium;">GOOGLE PLAY</span></a><br /> <a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=309445061"><span style="font-size: medium;">iTUNES</span></a><br /> <a href="http://feeds2.feedburner.com/blogspot/thesoundcast"><span style="font-size: medium;">RSS FEED</span></a><br /> <a href="http://app.stitcher.com/browse/feed/23819/info"><span style="font-size: medium;">STITCHER RADIO</span></a><br /> <span style="font-size: medium;"><a href="http://tunein.com/radio/The-SoundCast-p520071/">TUNEIN RADIO</a></span><br /> <br /> <div> The official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals.</div> <div> <br /></div> <div> The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). &nbsp;Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.</div> </div> </div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-49771128058273950132017-04-14T18:13:00.001-07:002017-06-04T17:44:34.387-07:00Soundcast (Ep. 87) - The Soundcast Six<div align="center"> <a alt="Soundcast (Ep. 87) The Soundcast Six" href="https://bit.ly/soundcast"> <img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8cydyW40dkyuoBJucFXJXGU5wEb7a0ZtntrPBOsdBvMiXDkzg9kVUJvFbAJdY71_yz3UiatoYstbk4Eb88Gl3oGRWO1a8A6bJwsUr2_9K3nXTTe3fBnidBS50Og1Q5yOipSoqZw/s1600/soundcast_87.jpg" /></a></div> <div class="art19-web-player awp-medium awp-theme-dark-orange" data-episode-id="4d7caa25-0a62-483b-91d5-45cf0d5946b2"> </div> <b style="text-align: left;"><br /></b> <b style="text-align: left;">Episode 87 - The Soundcast Six</b><br /> <b style="text-align: left;"><br /></b>Erik Woods, Kristen Romanelli (Film Score Monthly Online) and Christopher Coleman tackle six hot-topics from the world of soundtracks. &nbsp;In this soundcast-experiment, they talk about: the inclusion of Led Zeppelin in the recent "Thor: Ragnarok" trailer, Michael Giacchino's drum-teasy-video from the "Spider-Man Homecoming" recording session, Spin Magazines 2015 article listing their Top 30 Soundtracks from 1995, the recently "leaked" track "Alien: Covenant Theme" on Soundcloud, the replacement of composer Pinar Toprak on the upcoming film, "Geostorm" and the disappearing original score release for "Ghost in the Shell." &nbsp;This is a pilot episode, so your feedback is the key to seeing more episodes like this! &nbsp;Please, let us know what you think!<br /> <br /> <br /> <b>Episode Highlights</b><br /> <b><br /></b>00:16 - Intro and introducing The Soundcast Six<br /> 03:17 - #1 - Thor Zeppelin-rok<br /> 12:59 - #2 - Spider-Drums<br /> 19:16 - #3 - The "Best" of 1995?<br /> 30:09 - #4 - Alien: Covenant theme?<br /> 38:39 - #5 - Pinar Noir<br /> 58:04 - #6 - Ghost in the Jewel Case<br /> <br /> <br /> <b>Music Selections</b><br /> <b><br /></b>00:00 - "Immigrant Song" - (All Zeppelin) by The Hampton String Quartet<br /> 09:59 - "Whip It" - (Whip It Remastered Album) by Devo<br /> <div> 12:44 - "Improv" (Spider-Man Homecoming Recording Sessions) by Alex Acuna, Walter Rodriguez<br /> 29:44 - "Alien: Covenant Theme" by The Martian<br /> 37:18 - "Echoes of Battle" by Pinar Toprak<br /> 65:31 - "Immigrant Song" by Dread Zeppelin<br /> <br /> <b><br /></b> <b>Notes:</b></div> <div> <b><br /></b> <a href="https://twitter.com/m_giacchino/status/851829726041604096">Michael Giacchino Spider-Man Homecoming Tweet</a><br /> <a href="https://soundcloud.com/user-511882002/alien-covenant-theme">Alien: Covenant Theme by The Martian (Soundcloud)</a><br /> <a href="https://youtu.be/qaUqoegX4VU">"Echoes of Battle" by Pinar Toprak (Youtube)</a><br /> <br /> <br /> <a href="https://twitter.com/kbfornow">Follow Kristen Romanelli on Twitter.</a><br /> <a href="http://www.filmscoremonthly.com/">Film Score Monthly Online</a><br /> <b><br /></b><a href="https://twitter.com/cinsoundradio">Follow Erik Woods on Twitter.</a><br /> <a href="http://www.cinematicsound.net/">Cinematic Sound Radio&nbsp;</a><br /> <br /> <a href="http://twitter.com/tracksounds">Follow Tracksounds on Twitter.</a><br /> <a href="http://twitter.com/ccoleman">Follow Christopher Coleman on Twitter.</a><br /> <br /> <br /> <br /></div> <div> <div style="margin: 0px;"> <b>Support Tracksounds:</b><br /> <b><br /></b></div> <div style="margin: 0px;"> Most of the soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!</div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <a href="http://bit.ly/amazonsoundtracks">Buy Soundtracks at Amazon.com</a></div> <div> <div style="margin: 0px;"> <br /></div> </div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <div style="margin: 0px;"> <div style="text-align: left;"> <b style="color: silver; font-size: x-large;"><a href="http://blog.tracksounds.com/p/the-soundcast-subscribe.html">Subscribe and More Info</a></b></div> </div> <div style="margin: 0px;"> <span style="font-size: medium;"><br /><a href="https://www.acast.com/thesoundcast">aCAST</a></span><br /> <a href="https://goo.gl/app/playmusic?ibi=com.google.PlayMusic&amp;isi=691797987&amp;ius=googleplaymusic&amp;link=https://play.google.com/music/m/Ivozex3blv63oxezyfs26g5r46i?t=The_SoundCast"><span style="font-size: medium;">GOOGLE PLAY</span></a><br /> <div style="text-align: left;"> <a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=309445061"><span style="font-size: medium;">iTUNES</span></a></div> <div style="text-align: left;"> <a href="http://feeds2.feedburner.com/blogspot/thesoundcast"><span style="font-size: medium;">RSS FEED</span></a></div> <div style="text-align: left;"> <a href="http://app.stitcher.com/browse/feed/23819/info"><span style="font-size: medium;">STITCHER RADIO</span></a></div> <div style="text-align: left;"> <span style="font-size: medium;"><a href="http://tunein.com/radio/The-SoundCast-p520071/">TUNEIN RADIO</a></span></div> <div style="text-align: left;"> <br /></div> <div> <div style="text-align: left;"> The official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals.</div> </div> <div> <div style="text-align: left;"> <br /></div> </div> <div> <div style="text-align: left;"> The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). &nbsp;Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.</div> </div> </div> </div> </div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-8454957461564527632017-03-25T12:31:00.000-07:002017-06-04T17:46:35.793-07:00Soundcast Stereo (Ep. 18) Do Songs + Score Soundtracks Still Work, Today?<div align="center"> <a href="https://bit.ly/soundcast"><img alt="Soundcast Stereo (Ep. 18) Do Songs + Score Soundtracks Still Work, Today?" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM61tSWoMDR2LqZ3KuZcEoKjU6JQu9lgoY3_b5CTgkITNjdJpOKH8mNyzJxRAkj1U1A0AZsSWEqzCs-77PwtlSjbM6n0anDkTOncO5WVLkEGdR-mwTuJAGJyHOqwDQyvhYZCKNwA/s1600/soundcast_stereo_18.jpg" /></a> </div> <div class="art19-web-player awp-medium awp-theme-dark-orange" data-episode-id="4c931201-e184-4a25-abaf-2bf8603afa1c"> </div> <div style="text-align: left;"> <b><br /></b> <b style="text-align: left;">Episode 18 - Do Songs&nbsp;+ Score Soundtracks Still Work, Today?</b><br /> <b style="text-align: left;"><br /></b>Kristen Romanelli (Film Score Monthly Online) is back to, along with Christopher Coleman, examine the quasi-resurgence of the era-specific-song inclusions in big-budget-blockbuster-film soundtracks. &nbsp;Sometimes it works and sometimes it doesn't and they bat around examples of both. &nbsp;Lastly, they make a prediction on the future of such soundtracks in the near future.<br /> <br /> <br /> <b>Episode Highlights</b><br /> <b><br /></b>00:04 - Intro and It's because of Kong<br /> 03:34 - Songs&nbsp;+ Score combinations that work well together<br /> 18:10 - Not so good combinations<br /> 32:50 - Predicting the future ... and wrap up.<br /> <br /> <b>Music Selections</b><br /> <b><br /></b>00:00 - "Spirit in the Sky" - (Guardians of Galaxy - Awesome Mix Vol 1) by Norman Greenbaum<br /> 36:11 - "Come and Get Your Love" (Guardians of Galaxy - Awesome Mix Vol 1) by Redbone<br /> <div> <br /> <br /></div> <div> <b>Notes:</b><br /> <b><br /></b><a href="https://twitter.com/kbfornow">Follow Kristen Romanelli on Twitter.</a><br /> <a href="http://www.filmscoremonthly.com/">Film Score Monthly Online</a><br /> <b><br /></b><a href="https://twitter.com/cinsoundradio">Follow Erik Woods on Twitter.</a><br /> <a href="http://www.cinematicsound.net/">Cinematic Sound Radio&nbsp;</a><br /> <br /> <a href="http://twitter.com/tracksounds">Follow Tracksounds on Twitter.</a><br /> <a href="http://twitter.com/ccoleman">Follow Christopher Coleman on Twitter.</a><br /> <br /> <br /> <br /></div> <div> <div style="margin: 0px;"> <b>Support Tracksounds:</b><br /> <b><br /></b></div> <div style="margin: 0px;"> Most of the soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!</div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <a href="http://bit.ly/amazonsoundtracks">Buy Soundtracks at Amazon.com</a></div> <div> <div style="margin: 0px;"> <br /></div> </div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <br /> <div style="margin: 0px;"> <div style="text-align: left;"> <b style="color: silver; font-size: x-large;"><a href="http://blog.tracksounds.com/p/the-soundcast-subscribe.html">Subscribe and More Info</a></b></div> </div> <div style="margin: 0px;"> <span style="font-size: medium;"><br /><a href="https://www.acast.com/thesoundcast">aCAST</a></span><br /> <a href="https://goo.gl/app/playmusic?ibi=com.google.PlayMusic&amp;isi=691797987&amp;ius=googleplaymusic&amp;link=https://play.google.com/music/m/Ivozex3blv63oxezyfs26g5r46i?t=The_SoundCast"><span style="font-size: medium;">GOOGLE PLAY</span></a><br /> <div style="text-align: left;"> <a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=309445061"><span style="font-size: medium;">iTUNES</span></a></div> <div style="text-align: left;"> <a href="http://feeds2.feedburner.com/blogspot/thesoundcast"><span style="font-size: medium;">RSS FEED</span></a></div> <div style="text-align: left;"> <a href="http://app.stitcher.com/browse/feed/23819/info"><span style="font-size: medium;">STITCHER RADIO</span></a></div> <div style="text-align: left;"> <span style="font-size: medium;"><a href="http://tunein.com/radio/The-SoundCast-p520071/">TUNEIN RADIO</a></span></div> <div style="text-align: left;"> <br /></div> <div> <div style="text-align: left;"> The official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals.</div> </div> <div> <div style="text-align: left;"> <br /></div> </div> <div> <div style="text-align: left;"> The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). &nbsp;Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.</div> </div> </div> </div> </div> </div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-57523508687736925102017-03-20T11:54:00.001-07:002017-06-04T17:50:54.941-07:00Soundcast Stereo (Ep. 17) The Musical Possibilities of The Matrix Redooded<div align="center"> <a href="https://bit.ly/soundcast"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNR_w66pc68PIkNWpRZZChOxeXmyMUzOq5HlfRN7zAvOJFsT2UVXmC84werH56GMGwk-rTyuOAZUPzX2sFsA2WCkhoRsZYSMpanaAbdCK7v10X-GD288LveQ_F88QVWU33hvqUEg/s1600/soundcast_stereo_17.jpg" /></a></div> <div style="text-align: left;"> <div class="art19-web-player awp-medium awp-theme-dark-orange" data-episode-id="da7cc331-7a94-485a-b12c-b6297b7696f7"> </div> <b><br /></b> <b>Episode 17 - The Musical Possibilities for The Matrix: Redooded</b></div> <br /> Eric Woods and Christopher Coleman jack back in and talk over the musical possibilities of the apparently inevitable reboot of The Matrix franchise. &nbsp;Could composer Don Davis return? &nbsp;If not, they discuss who they'd like to see write the score and, lastly, we asked you Twitter, who YOU would like to write the score aside from Don Davis.<br /> <br /> <br /> <b>Episode Highlights</b><br /> 00:04 - Intro and What is The Matrix Redooded?<br /> 02:43 - Does Don Davis come back?<br /> 15:00 - Other Cover Art Atrocities<br /> 21:46 - If not Don Davis, then who?<br /> 25:16 - Twitter response - Who YOU want to score it.<br /> 29:18 - Closing thoughts<br /> <br /> <br /> <b>Music Selections</b><br /> <b><br /></b>00:00 - "Main Title" - (The Matrix: Reloaded) by Don Davis<br /> 41:50 - "Calm Like a Bomb" (The Matrix: Reloaded) by Rage Against the Machine<br /> <div> <br /> <br /></div> <div> <br /> <b>Notes:</b><br /> <b><br /></b> <a href="https://twitter.com/cinsoundradio">Follow Erik Woods on Twitter.</a><br /> <a href="http://www.cinematicsound.net/">Cinematic Sound Radio&nbsp;</a><br /> <br /> <a href="http://twitter.com/tracksounds">Follow Tracksounds on Twitter.</a><br /> <a href="http://twitter.com/ccoleman">Follow Christopher Coleman on Twitter.</a><br /> <br /> <br /> <br /></div> <div> <div style="margin: 0px;"> <b>Support Tracksounds:</b><br /> <b><br /></b></div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> Most of the soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!</div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <a href="http://bit.ly/amazonsoundtracks">Buy Soundtracks at Amazon.com</a></div> <div> <div style="margin: 0px;"> <br /></div> </div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <div style="margin: 0px;"> <div style="text-align: left;"> <b style="color: silver; font-size: x-large;"><a href="http://blog.tracksounds.com/p/the-soundcast-subscribe.html">Subscribe and More Info</a></b></div> </div> <div style="margin: 0px;"> <span style="font-size: medium;"><br /><a href="https://www.acast.com/thesoundcast">aCAST</a></span><br /> <a href="https://goo.gl/app/playmusic?ibi=com.google.PlayMusic&amp;isi=691797987&amp;ius=googleplaymusic&amp;link=https://play.google.com/music/m/Ivozex3blv63oxezyfs26g5r46i?t=The_SoundCast"><span style="font-size: medium;">GOOGLE PLAY</span></a><br /> <div style="text-align: left;"> <a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=309445061"><span style="font-size: medium;">iTUNES</span></a></div> <div style="text-align: left;"> <a href="http://feeds2.feedburner.com/blogspot/thesoundcast"><span style="font-size: medium;">RSS FEED</span></a></div> <div style="text-align: left;"> <a href="http://app.stitcher.com/browse/feed/23819/info"><span style="font-size: medium;">STITCHER RADIO</span></a></div> <div style="text-align: left;"> <span style="font-size: medium;"><a href="http://tunein.com/radio/The-SoundCast-p520071/">TUNEIN RADIO</a></span></div> <div style="text-align: left;"> <br /></div> <div> <div style="text-align: left;"> The official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals.</div> </div> <div> <div style="text-align: left;"> <br /></div> </div> <div> <div style="text-align: left;"> The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). &nbsp;Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.</div> </div> </div> </div> </div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-18949742048957430232017-02-26T13:52:00.000-08:002017-06-04T17:52:02.131-07:00Soundcast Stereo (Ep. 16) - Does Soundtrack Cover Art Matter?<div align="center"> <a href="https://bit.ly/soundcast"><img alt="Soundcast Stereo (Ep. 16) - Does Soundtrack Cover Art Matter?" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNOG-m9rEfJ02wMjcjeNAufyLhmOrAuvz-Mc8TgmTaxc2RAPmU-SycU9qWJ3OL9TbuEL0ymwiETedX1ToILOcev7B-UVS9fhyphenhyphenyRXf6mj_aTEFpiu5IuieJcRKW1LlrD5iHwVlDvg/s1600/soundcast_stereo_16.jpg" /></a></div> <br /> <div class="art19-web-player awp-medium awp-theme-dark-orange" data-episode-id="58b68089-214c-4f0e-b245-e1ee85e33970"> </div> <div style="text-align: center;"> <b><br /></b></div> <b>Episode 16 -&nbsp;Does Soundtrack Cover Art Matter?</b><br /> <br /> Kristen Romanelli of (Film Score Monthly Online) jumps into the "channel 2 seat" to discuss, with Christopher, just how important soundtrack cover art is today. &nbsp;It all starts with the apparent cover art for the upcoming release of "The John Williams - Steven Spielberg - The Ultimate Collection. &nbsp;The two also dive into other "artwork atrocities" from recent memory, discuss whether artwork remains important in this "digital age," and lastly whether there can be "too much" soundtrack artwork attached to a film.<br /> <br /> <br /> <b>Episode Highlights</b><br /> <b><br /></b> 00:04 - Intro &amp; Welcome Back, Kristen<br /> 02:49 - Birth of the Question and "Spielliams!"<br /> 07:32 - Other Cover Art Atrocities<br /> 22:38 - What role does Cover Art Play Today?<br /> 31:51 - Too much "Coverage?" - La La Land<br /> 40:27 - Wrap up<br /> <br /> <br /> <b>Music Selections</b><br /> <b><br /></b>00:00 - "Summer Montage - Madeline" (La La Land) by Justin Horwitz<br /> 41:50 - "Anything Goes" (Indiana Jones &amp; The Temple of Doom) by John Williams<br /> <div> <br /></div> <div> <br /> <br /> <div> <b>COVER ART -&nbsp;</b>You can find all of the cover art for the titles mentioned at Amazon.<br /> <a href="http://amzn.to/2lZwLk9"><br /></a> <br /> <ul> <li><a href="http://amzn.to/2lZwLk9">John Willliams - Steve Spielberg: The Ultimate Edition</a></li> <li><a href="http://amzn.to/2ldSS1B">Hours</a></li> <li><a href="http://amzn.to/2mkgdUt">50 Shades Darker</a></li> <li><a href="http://amzn.to/2lZx7Hb">Passengers</a></li> <li><a href="http://amzn.to/2l0Bq5E">Manchester by the Sea</a></li> <li><a href="http://amzn.to/2lKnZDR">Star Wars: &nbsp;The Phantom Menace - The Ultimate Edition</a></li> <li><a href="http://amzn.to/2l0x929">John Wick 2</a></li> </ul> </div> <div> <br /></div> <div> <br /> <br /> <b>ARTICLES ON COVER ART</b><br /> <br /> <br /> <ul> <li><a href="http://blog.symphonicdistribution.com/2015/08/the-importance-of-having-good-album-artwork/">"The Importance of Having Good Album Artwork"</a>&nbsp;(by Valerie Melina via The Symphonic Blog)</li> <li><a href="http://h%20umanhuman.com/articles/the-importance-of-album-artwork">"The Importance of Album Artwork"</a>&nbsp;(by Deep Shah via HumanHuman)</li> <li><a href="http://%22why%20album%20art%20is%20absolutely%20crucial%20for%20success%20in%202016%22/">"Why Album Art Is Absolutely Crucial For Success In 2016"</a>&nbsp;(via Landr)</li> </ul> </div> <br /> <br /> <b>Notes:</b><br /> <b><br /></b><a href="https://twitter.com/kbfornow">Follow Kristen Romanelli on Twitter.</a><br /> <a href="http://www.filmscoremonthly.com/daily/index.cfm?CFID=84300161&amp;CFTOKEN=20262342">Film Music Monthly&nbsp;</a><br /> <br /> <a href="https://twitter.com/cinsoundradio">Follow Erik Woods on Twitter.</a><br /> <a href="http://www.cinematicsound.net/">Cinematic Sound Radio&nbsp;</a><br /> <br /> <a href="http://twitter.com/tracksounds">Follow Tracksounds on Twitter.</a><br /> <a href="http://twitter.com/ccoleman">Follow Christopher Coleman on Twitter.</a><br /> <br /> <br /></div> <div> <br /></div> <div> </div> <b>Support Tracksounds:</b><br /> <div> <div style="margin: 0px;"> <b><br /></b></div> <div style="margin: 0px;"> Most of the soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!</div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <a href="http://bit.ly/amazonsoundtracks">Buy Soundtracks at Amazon.com</a></div> <div> <div style="margin: 0px;"> <br /></div> </div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <div style="margin: 0px;"> <div style="text-align: left;"> <b style="color: silver; font-size: x-large;"><a href="http://blog.tracksounds.com/p/the-soundcast-subscribe.html">Subscribe and More Info</a></b></div> </div> <div style="margin: 0px;"> <span style="font-size: medium;"><br /><a href="https://www.acast.com/thesoundcast">aCAST</a></span><br /> <a href="https://goo.gl/app/playmusic?ibi=com.google.PlayMusic&amp;isi=691797987&amp;ius=googleplaymusic&amp;link=https://play.google.com/music/m/Ivozex3blv63oxezyfs26g5r46i?t=The_SoundCast"><span style="font-size: medium;">GOOGLE PLAY</span></a><br /> <div style="text-align: left;"> <a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=309445061"><span style="font-size: medium;">iTUNES</span></a></div> <div style="text-align: left;"> <a href="http://feeds2.feedburner.com/blogspot/thesoundcast"><span style="font-size: medium;">RSS FEED</span></a></div> <div style="text-align: left;"> <a href="http://app.stitcher.com/browse/feed/23819/info"><span style="font-size: medium;">STITCHER RADIO</span></a></div> <div style="text-align: left;"> <span style="font-size: medium;"><a href="http://tunein.com/radio/The-SoundCast-p520071/">TUNEIN RADIO</a></span></div> <div style="text-align: left;"> <br /></div> <div> <div style="text-align: left;"> The official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals.</div> </div> <div> <div style="text-align: left;"> <br /></div> </div> <div> <div style="text-align: left;"> The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). &nbsp;Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.</div> </div> </div> </div> </div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-17568578854828679312017-02-23T13:00:00.000-08:002017-02-23T13:00:23.423-08:00International Film Music Critics Association Winners Announced!<div align="center"> <a href="https://www.filmmusiccritics.org/"><img alt="International Film Music Critics Association Winners Announced!" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcGUZGx0PNWkuJQniH7SWfcEI-BDJpLZZNxuaH0I0JjbhIr-hKxSrflJM9cPr99prerJToZCYiYokTw-DK0V8sjjcTgkG7let1LYVrKasGjHTGdwPRiLX3IuuRRsN8sbpIFs2YuQ/s1600/ifmca16.png" /></a></div> <div style="text-align: center;"> <br /></div> <br /> INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION ANNOUNCES WINNERS OF 2016<br /> IFMCA AWARDS; “ARRIVAL” TAKES SCORE OF THE YEAR, JUSTIN HURWITZ AND “LA<br /> LA LAND” WINS THREE OTHERS<br /> <br /> <br /> FEBRUARY 23, 2016 — The International Film Music Critics Association (IFMCA)<br /> announces its list of winners for excellence in musical scoring in 2016, in the 2016 IFMCA<br /> Awards.<br /> <br /> The award for Score of the Year goes to Icelandic composer Jóhann Jóhannsson for his work<br /> on the critically acclaimed science fiction drama “Arrival,” directed by Denis Villeneuve,<br /> starring Amy Adams and Jeremy Renner. IFMCA member Jon Broxton said that<br /> “Jóhannsson’s approach to solving the film’s musical problems [is] absolutely fascinating, and<br /> the way he was able to musically convey some of the film’s more challenging cerebral ideas<br /> involving language and communication is astonishingly accomplished,” while IFMCA member<br /> Daniel Schweiger said that Jóhannsson “brilliantly captures both a sense of wonder and fear<br /> with beholding the mind-boggling, verbally-scrambled unknown, as whale cry motifs join with<br /> alternately moaning and chattering voices, backed by a strong orchestral sound that serves as<br /> a powerful universal musical translator in a way that’s both harmonically understandable,<br /> and profoundly strange.” This is the first IFMCA Award win of Jóhannsson’s career, him<br /> having previously been nominated for Best Original Score for a Drama Film for “The Theory<br /> of Everything” in 2014.<br /> <br /> Composer Michael Giacchino is named Composer of the Year for the second year in a row,<br /> having written four outstanding works spanning multiple genres in the past year. His work<br /> in 2016 included the action-packed Marvel comic book fantasy film “Doctor Strange,” the<br /> socially aware Disney animated film “Zootopia,” the third installment of the rebooted Star<br /> Trek franchise “Star Trek Beyond,” and the score for the first of the Star Wars spinoff films,<br /> “Rogue One”. IFMCA member James Southall called “Rogue One” “a very impressive<br /> achievement indeed,” while IFMCA member Christian Clemmensen described “Doctor<br /> Strange” as “a mystical, optimistic, and smart superhero score with an alluring primary<br /> identity and generally excellent combination of electronic and ethnic accents with standard<br /> orchestral and choral elements.” This marks the fourth time Giacchino has been named<br /> Composer of the Year, following his previous wins in 2004, 2009, and 2015.<br /> <br /> Composer Justin Hurwitz won three awards – Breakthrough Composer of the Year, Best<br /> Original Score for a Comedy Film, and Film Music Composition of the Year – all for his work<br /> on the massively popular and critically acclaimed musical comedy-drama “La La Land”<br /> directed by Damian Chazelle, starring Ryan Gosling and Emma Stone. “La La Land” is only<br /> the second full theatrical score of Hurwitz’s career, and for it he wrote a jazz-inspired<br /> orchestral score, and half a dozen original songs (with songwriters Benj Pasek and Justin<br /> Paul), the melodies of which flow through the majority of the underscore. IFMCA member<br /> Mihnea Manduteanu called “La La Land” “delightful and playful” and claimed that it captures<br /> “what it means to fall in love, to play, to dream,” while IFMCA member Jon Broxton heralded<br /> the score as “a masterpiece”.<br /> <br /> The various other genre awards are won by Abel Korzeniowski for his music for the darkly<br /> stylish revenge drama “Nocturnal Animals”; Christopher Young for his wildly exciting action<br /> score for the Chinese historical adventure “Xi You Ji Zhi: Sun Wukong San Da Baigu Jing [The<br /> Monkey King 2]”; James Newton Howard for his score for lush and whimsical fantasy score<br /> for the Harry Potter prequel “Fantastic Beasts and Where to Find Them”; Laurent Perez del<br /> Mar for his evocative, emotional music for the French animated film “La Tortue Rouge [The<br /> Red Turtle]”; and Panu Aaltio for his wonderful music for the Finnish nature documentary<br /> “Järven Tarina [Tale of a Lake]”.<br /> <br /> In the non-film categories, composer Ramin Djawadi wins the award for Best Original Score<br /> for a Television Series for his magnificent work on the sixth series of the critically acclaimed<br /> HBO fantasy drama “Game of Thrones,” while composer Austin Wintory wins the award for<br /> Best Original Score for a Video Game or Interactive Media for the second year in a row, this<br /> time for his work on the meditative, dream-like undersea adventure game “Abzû”.<br /> <br /> Oakland, California-based Intrada Records is named Film Music Record Label of the Year in<br /> recognition of their ongoing excellence in restoring and releasing the most beloved film<br /> scores of the past. They were also honored with the award for Best New Archival Release -<br /> Re-Release or Re-Recording of an Existing Score for their lavish expanded release of Elmer<br /> Bernstein’s classic 1956 score “The Ten Commandments,” which IFMCA member Craig Lysy<br /> described as “one of the finest [scores] ever written and a glorious example of Golden Age film<br /> <br /> scores”. Finally, Burbank, California-based La La Land Record and producer Mike Matessino<br /> wins the award for Best New Archival Release – Compilation for their superb re-mastered<br /> release of “The John Williams Jurassic Park Collection”, a compilation of the timeless 1990s<br /> dinosaur adventure scores “Jurassic Park” and “The Lost World”.<br /> <br /> <br /> =============================================<br /> <br /> <br /> COMPLETE LIST OF WINNERS<br /> <br /> <br /> <b><span style="font-size: large;">FILM SCORE OF THE YEAR</span></b><br /> <span style="font-size: large;">Arrival, music by Jóhann Jóhannsson</span><br /> <span style="font-size: large;"><br /></span> <span style="font-size: large;"><br /></span> <b><span style="font-size: large;">COMPOSER OF THE YEAR</span></b><br /> <span style="font-size: large;">Michael Giacchino</span><br /> <span style="font-size: large;"><br /></span> <span style="font-size: large;"><br /></span> <b><span style="font-size: large;">BREAKTHROUGH COMPOSER OF THE YEAR</span></b><br /> <span style="font-size: large;">Justin Hurwitz</span><br /> <span style="font-size: large;"><br /></span> <span style="font-size: large;"><br /></span> <b><span style="font-size: large;">FILM MUSIC COMPOSITION OF THE YEAR</span></b><br /> <span style="font-size: large;">“Epilogu</span><span style="font-size: large;">e” from La La Land, music by Justin Hurwitz</span><br /> <span style="font-size: large;"><br /></span> <span style="font-size: large;"><br /></span> <b><span style="font-size: large;">BEST ORIGINAL SCORE FOR A DRAMA FILM</span></b><br /> <span style="font-size: large;">Nocturnal Animals, music by Abel Korzeniowski</span><br /> <span style="font-size: large;"><br /></span> <span style="font-size: large;"><br /></span> <span style="font-size: large;">BEST ORIGINAL SCORE FOR A COMEDY FILM</span><br /> <b><span style="font-size: large;">La La Land, music by Justin Hurwitz</span></b><br /> <span style="font-size: large;"><br /></span> <span style="font-size: large;"><br /></span> <b><span style="font-size: large;">BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM</span></b><br /> <span style="font-size: large;">Xi You Ji Zhi: Sun Wukong San Da Baigu Jing [The Monkey King 2], music by</span><br /> <span style="font-size: large;">Christopher Young</span><br /> <span style="font-size: large;"><br /></span> <span style="font-size: large;"><br /></span> <b><span style="font-size: large;">BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM</span></b><br /> <span style="font-size: large;">Fantastic Beasts and Where to Find Them, music by James Newton Howard</span><br /> <span style="font-size: large;"><br /></span> <b><span style="font-size: large;"><br />BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE</span></b><br /> <span style="font-size: large;">La Tortue Rouge [The Red Turtle], music by Laurent Perez del Mar</span><br /> <span style="font-size: large;"><br /></span> <br /> <b><span style="font-size: large;">BEST ORIGINAL SCORE FOR A DOCUMENTARY</span></b><br /> <span style="font-size: large;">Jarven Tarina [Tale of a Lake], music by Panu Aaltio</span><br /> <span style="font-size: large;"><br /></span> <br /> <b><span style="font-size: large;">BEST ORIGINAL SCORE FOR A TELEVISION SERIES</span></b><br /> <span style="font-size: large;">Game of Thrones, music by Ramin Djawadi</span><br /> <span style="font-size: large;"><br /></span> <br /> <b><span style="font-size: large;">BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA</span></b><br /> <span style="font-size: large;">Abzû, music by Austin Wintory</span><br /> <span style="font-size: large;"><br /></span> <span style="font-size: large;"><br /></span> <b><span style="font-size: large;">BEST NEW ARCHIVAL RELEASE - RE-RELEASE OR RE-RECORDING OF AN EXISTING SCORE</span></b><br /> <span style="font-size: large;">The Ten Commandments, music by Elmer Bernstein; album produced by Douglass&nbsp;</span><span style="font-size: large;">Fake and Roger Feigelson; liner notes by Frank K. De Wald; album art direction by Joe</span><br /> <span style="font-size: large;">Sikoryak (Intrada)</span><br /> <span style="font-size: large;"><br /></span> <br /> <b><span style="font-size: large;">BEST NEW ARCHIVAL RELEASE - COMPILATION</span></b><br /> <span style="font-size: large;">The John Williams Jurassic Park Collection, music by John Williams; album produced&nbsp;</span><span style="font-size: large;">by Mike Matessino; liner notes by Mike Matessino; album art direction by Jim Titus (La-La&nbsp;</span><span style="font-size: large;">Land)</span><br /> <span style="font-size: large;"><br /></span> <span style="font-size: large;"><br /></span> <b><span style="font-size: large;">FILM MUSIC RECORD LABEL OF THE YEAR</span></b><br /> <span style="font-size: large;">Intrada Records, Douglass Fake, Roger Feigelson</span><br /> <br /> <br /> <br /> #######################################<br /> <br /> <br /> <br /> The International Film Music Critics Association (IFMCA) is an association of online, print<br /> and radio journalists who specialize in writing and broadcasting about original film,<br /> television and game music.<br /> <br /> Since its inception the IFMCA has grown to comprise over 65 members from countries such<br /> as Australia, Belgium, Canada, Chile, China, France, Germany, Greece, Ireland, Italy, the<br /> Netherlands, Norway, Poland, Romania, Spain, Sweden, Switzerland, the United Kingdom,<br /> and the United States of America.<br /> <br /> Previous IFMCA Score of the Year Awards have been awarded to John Williams’s “Star<br /> Wars: The Force Awakens” in 2015, Hans Zimmer’s “Interstellar” in 2014, Abel<br /> Korzeniowski’s “Romeo &amp; Juliet” in 2013, Mychael Danna’s “Life of Pi” in 2012, John<br /> Williams’s “War Horse” in 2011, John Powell’s “How to Train Your Dragon” in 2010, Michael<br /> Giacchino’s “Up” in 2009, Alexandre Desplat’s “The Curious Case of Benjamin Button” in<br /> 2008, Dario Marianelli’s “Atonement” in 2007, James Newton Howard’s “Lady in the Water”<br /> in 2006, John Williams’s “Memoirs of a Geisha” in 2005 and Michael Giacchino’s “The<br /> Incredibles” in 2004.<br /> <br /> <br /> For more information about the International Film Music Critics Association go to<br /> www.filmmusiccritics.org , visit our Facebook page, follow us on Twitter @ifmca, or contact<br /> us at press@filmmusiccritics.org.Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-15444437804661620372017-02-11T10:49:00.001-08:002017-06-04T17:53:10.716-07:00Soundcast Stereo: Listener Reaction #3<div align="center"> <a href="http://blog.tracksounds.com/p/the-soundcast-subscribe.html"><img alt="Soundcast Stereo: Listener Reaction #3" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMhlNQQWIBoY_JxxgQUJQvUvds2MLxp9PmcfkIQFkB7Di365P0ScYW-GaDjyKLWhO94mIvsXsifD9Y8Eo7qS2BlGVH7EaKL6_FySw90-PFcptm_0w0GKP7JZJskRlH-MifMtX6HA/s1600/soundcast_stereo_re3.jpg" /></a></div> <div style="text-align: center;"> <div class="art19-web-player awp-medium awp-theme-dark-orange" data-episode-id="4ebbd45a-675e-4361-82e9-daab3844ee96"> </div> <b><br /></b></div> <b><br /></b> <b>Listener Reaction #3 - Composer Dominance</b><br /> <br /> When listeners turn into commentors, the Soundcast Stereo is at its best. &nbsp;In this third listener reaction show, Christopher and Eric take four recent responses to episode 15 "Composer Dominance." &nbsp;Don't miss out on these interesting takes on King Giacchino, the Mount Rushmore of Composers, Dominance or Prominence, and how Williams and Zimmer are the same!<br /> <br /> <br /> <b>Episode Highlights</b><br /> 00:08 - Intro and The Return of the Reaction<br /> 02:50 - The Crowing of Giacchino - Thomas Midena<br /> 10:55 - Your Mount Rushmore of Composers - IsaacAda1<br /> 16:00 - Dominance = Quantity or Prominence - Ben Whiting<br /> 20:28 - Williams? &nbsp;Zimmer? Overused? What about Desplat? - Tiffany Curley Cello Mama<br /> <br /> <br /> <b>Music Selections</b><br /> <b><br /></b>00:00 - "The Adventure Continues" (The Adventures of Tin Tin) by John Williams<br /> 59:04 - "It's a Helluva Chase" (Jupiter Ascending) by Michael Giacchino<br /> <div> <br /> <br /></div> <div> <br /> <b>Notes:</b><br /> <b><br /></b> Listeners are welcome to respond to ANY past episode by email (<a href="mailto:soundcast@tracksounds.com">soundcast@tracksounds.com</a>) on Twitter (@tracksounds&nbsp;@cinsoundradio) via voice mail (<a href="https://www.speakpipe.com/SoundCast">https://www.speakpipe.com/SoundCast</a>) or on our Facebook page (<a href="https://www.facebook.com/Tracksounds/">https://www.facebook.com/Tracksounds/</a>)<br /> <br /> <br /> <a href="http://www.thoroughmas.com/2017/02/michael-giacchino-king-of-composers.html?spref=tw"><b>"Michael Giacchino: King of Composers" by Thomas Midena</b></a><br /> <br /> <br /> <a href="https://twitter.com/cinsoundradio">Follow Erik Woods on Twitter.</a><br /> <a href="http://www.cinematicsound.net/">Cinematic Sound Radio&nbsp;</a><br /> <br /> <a href="http://twitter.com/tracksounds">Follow Tracksounds on Twitter.</a><br /> <a href="http://twitter.com/ccoleman">Follow Christopher Coleman on Twitter.</a></div> <div> <br /></div> <div> <br /></div> <div style="margin: 0px;"> <b>Support Tracksounds:</b></div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> Most of the soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!</div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <a href="http://bit.ly/amazonsoundtracks">Buy Soundtracks at Amazon.com</a></div> <div> <div style="margin: 0px;"> <br /></div> </div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <div style="margin: 0px;"> <div style="text-align: left;"> <b style="color: silver; font-size: x-large;"><a href="http://blog.tracksounds.com/p/the-soundcast-subscribe.html">Subscribe and More Info</a></b></div> </div> <div style="margin: 0px;"> <span style="font-size: medium;"><br /><a href="https://www.acast.com/thesoundcast">aCAST</a></span><br /> <a href="https://goo.gl/app/playmusic?ibi=com.google.PlayMusic&amp;isi=691797987&amp;ius=googleplaymusic&amp;link=https://play.google.com/music/m/Ivozex3blv63oxezyfs26g5r46i?t=The_SoundCast"><span style="font-size: medium;">GOOGLE PLAY</span></a><br /> <div style="text-align: left;"> <a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=309445061"><span style="font-size: medium;">iTUNES</span></a></div> <div style="text-align: left;"> <a href="http://feeds2.feedburner.com/blogspot/thesoundcast"><span style="font-size: medium;">RSS FEED</span></a></div> <div style="text-align: left;"> <a href="http://app.stitcher.com/browse/feed/23819/info"><span style="font-size: medium;">STITCHER RADIO</span></a></div> <div style="text-align: left;"> <span style="font-size: medium;"><a href="http://tunein.com/radio/The-SoundCast-p520071/">TUNEIN RADIO</a></span></div> <div style="text-align: left;"> <br /></div> <div> <div style="text-align: left;"> The official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals.</div> </div> <div> <div style="text-align: left;"> <br /></div> </div> <div> <div style="text-align: left;"> The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). &nbsp;Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.</div> </div> </div> </div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-23749560991100528052017-02-04T11:10:00.001-08:002017-06-04T17:56:05.234-07:00Soundcast Stereo (Ep. 15) Composer Dominance<div align="center"> <a href="https://thesoundcast.blogspot.com/"><img alt="Soundcast Stereo (Ep. 15) Composer Dominance" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHAVC_Vddab0mkgzYNwsY4m1hQQa1yPUQ6AlGF0mgZaGlKxMjbq8Gy82lydkeHRzTJYYR9xvc5msKgegAsohm2w1DHFQ93oTC6LHR0Dj4WrEHY_eLFMSym1NurWB7Gu2lukUaGzA/s1600/soundcast_stereo_15.jpg" /></a></div> <div style="text-align: center;"> <div class="art19-web-player awp-medium awp-theme-dark-orange" data-episode-id="2f3d24a6-e80d-4ec3-81bb-81d6d0c8b4e6"></div> <b><br /></b></div> <b><br /></b> <b>Episode 15 - Composer Dominance</b><br /> <br /> Will the director-change for the DCEU's upcoming "The Batman" mean a composer change? &nbsp;Could that composer change somehow be Michael Giacchino? &nbsp;Erik and Christopher discuss the possibilities and the potential repercussions. &nbsp;That discussion leads to a dive into some reflection on some of Hollywood's most dominant composers over the last 40+ years and those who may be poised to dominate in the near future!<br /> <br /> <br /> <b>Episode Highlights</b><br /> 00:04 - Intro &amp; Affleckting the DCEU ...<br /> 06:51 - Michael Giacchino dominance<br /> 08:46 - Is composer dominance a good or bad thing?<br /> 13:12 - Hans Zimmer dominance<br /> 20:48 - John Williams dominance<br /> 31:46 - Henry Jackman dominance<br /> <br /> <br /> <b>Music Selections</b><br /> <b><br /></b> 00:00 - "Bumper to Bumper. Rail to Rail" (Speed Racer) by Michael Giacchino<br /> <br /> 54:44 - "Romanian Wind" (Sherlock Holmes: A Game of Shadows) by Hans Zimmer<br /> <div> <br /> <b><br /></b> <b>COMPANION PLAYLIST (on Spotify)</b>&nbsp;- Soundcast Stereo Episode 14 Companion Playlist - <a href="https://bit.ly/sscp-15">https://bit.ly/sscp-15</a><br /> <br /> These are unique Spotify playlists where we list tracks from most of (if not all) of the soundtrack titles referenced in the episode! And be sure to follow us on Spotify while you're at it. https://open.spotify.com/user/tracksounds<br /> <br /> <br /></div> <div> <br /> <b>Notes:</b><br /> <br /> <a href="https://twitter.com/cinsoundradio">Follow Erik Woods on Twitter.</a><br /> <a href="http://www.cinematicsound.net/">Cinematic Sound Radio&nbsp;</a><br /> <br /> <a href="http://twitter.com/tracksounds">Follow Tracksounds on Twitter.</a><br /> <a href="http://twitter.com/ccoleman">Follow Christopher Coleman on Twitter.</a></div> <div> <br /></div> <div> <br /></div> <div> </div> <br /> <div style="margin: 0px;"> <b>Support Tracksounds:</b></div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> Most of the soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!</div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <a href="http://bit.ly/amazonsoundtracks">Buy Soundtracks at Amazon.com</a></div> <div> <div style="margin: 0px;"> <br /></div> </div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <br /></div> <div style="margin: 0px;"> <div style="margin: 0px;"> <div style="text-align: left;"> <b style="color: silver; font-size: x-large;"><a href="http://blog.tracksounds.com/p/the-soundcast-subscribe.html">Subscribe and More Info</a></b></div> </div> <div style="margin: 0px;"> <span style="font-size: medium;"><br /><a href="https://www.acast.com/thesoundcast">aCAST</a></span><br /> <a href="https://goo.gl/app/playmusic?ibi=com.google.PlayMusic&amp;isi=691797987&amp;ius=googleplaymusic&amp;link=https://play.google.com/music/m/Ivozex3blv63oxezyfs26g5r46i?t=The_SoundCast"><span style="font-size: medium;">GOOGLE PLAY</span></a><br /> <div style="text-align: left;"> <a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=309445061"><span style="font-size: medium;">iTUNES</span></a></div> <div style="text-align: left;"> <a href="http://feeds2.feedburner.com/blogspot/thesoundcast"><span style="font-size: medium;">RSS FEED</span></a></div> <div style="text-align: left;"> <a href="http://app.stitcher.com/browse/feed/23819/info"><span style="font-size: medium;">STITCHER RADIO</span></a></div> <div style="text-align: left;"> <span style="font-size: medium;"><a href="http://tunein.com/radio/The-SoundCast-p520071/">TUNEIN RADIO</a></span></div> <div style="text-align: left;"> <br /></div> <div> <div style="text-align: left;"> The official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals.</div> </div> <div> <div style="text-align: left;"> <br /></div> </div> <div> <div style="text-align: left;"> The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). &nbsp;Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.</div> </div> </div> </div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-73928503742002816292017-01-27T11:24:00.002-08:002017-01-27T11:24:27.880-08:00Soundcast Stereo (Ep. 14) Best Original Score Oscar Nominees<div align="center"> <a href="https://bit.ly/soundcast"><img alt="Soundcast Stereo (Ep. 14) Best Original Score Oscar Nominees" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsS1agsitbIL8sBs5QqG1NxZ1R-74CGK5ll6Wqy3HCwqclDs7UovgAFYHuPjcCMwL49cS_G1464mvVYBso8COjrdobt2ne7m6JhV21Q_xGqmsfBoTHayaNDX7WYkWk4RjkPXkEEg/s1600/soundcast_stereo_14.jpg" /></a></div> <div style="text-align: center;"> <b><br /></b></div> <b><br /></b> <b><br /></b> <b>Episode 14 - Best Original Score Oscar Nominees</b><br /> <br /> And the nominees for Best Original Score for the 89th Academy Awards are ... reacted to by Erik and Christopher! &nbsp;They discuss each nominee, discuss who, of the five noms, they think should win, but will win as well. &nbsp;Lastly, they chime in with their own five nominees. &nbsp;Some definite surprise nominees in their lists!<br /> <br /> <br /> <b>Episode Highlights</b><br /> 00:04 - Intro &amp; The Nominees Are ...<br /> 04:00 - The Official Noms<br /> 15:53 - Should Win/ Will Win<br /> 23:36 - Our Five Nominees<br /> <br /> 52:12 - Honorable Almost-nominees<br /> <b><br /></b><b>Music Selections</b><br /> <b><br /></b> 00:00 - "Snakes on a Plain" (God of Egypt) by Marco Beltrami<br /> 54:44 - "Night Drive" (Nerve) by Rob Simonson<br /> <div> <br /></div> <div> <br /> <b>COMPANION PLAYLIST (on Spotify)</b>&nbsp;- Soundcast Stereo Episode 14 Companion Playlist - https://bit.ly/2sscp-14<br /> <br /> Don't miss our experimental, new feature, where we list tracks from most of (if not all) of the soundtrack titles referenced in the episode! And be sure to follow us on Spotify while you're at it. https://open.spotify.com/user/tracksounds<br /> <br /> <br /></div> <div> <br /> <b>Notes:</b><br /> <br /> <a href="https://twitter.com/cinsoundradio">Follow Erik Woods on Twitter.</a><br /> <a href="http://www.cinematicsound.net/">Cinematic Sound Radio&nbsp;</a><br /> <br /> <a href="http://twitter.com/tracksounds">Follow Tracksounds on Twitter.</a><br /> <a href="http://twitter.com/ccoleman">Follow Christopher Coleman on Twitter.</a></div> <div> <br /></div> <div> <br /></div> <br /> <div> </div> <br /> <div> <b>Support Tracksounds:</b><br /> <br /> Most of the soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!<br /> <br /> <br /> <a href="http://bit.ly/amazonsoundtracks">Buy Soundtracks at Amazon.com</a><br /> <div> <br /></div> <br /> <br /> <span style="color: silver; font-size: medium;"><b><a href="https://s3.amazonaws.com/tracksounds/soundcast/stereo/soundcast_stereo_14.mp3"><span style="font-size: x-large;">DOWNLOAD THE EPISODE</span></a><span id="goog_286134130" style="font-size: large;"></span></b></span><br /> <br style="color: silver;" /> <span style="color: silver; font-size: large;"><b><a href="http://tracksounds.com/specialfeatures/soundcast/index.htm">Subscribe and More Info</a></b></span></div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-49682094241596747762017-01-20T12:13:00.001-08:002017-06-04T17:57:15.750-07:00Soundcast Stereo (Ep. 13) Most Anticipated Film Scores of 2017<div align="center"> <a href="https://bit.ly/soundcast"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvYURk8YBoRI91RVsrnjWEbZ6R87nVsd7P-s6LqWUVFMfoNSQHUnLXkvFDPAIndws5Uczyjga530fHfs2GVsRmCeKqHd3PmKI5aLtvcbQ617lg0VfwlGlzmelzRJWt43nAkmxI0Q/s1600/soundcast_stereo_13.jpg" /></a></div> <div style="text-align: center;"> <div class="art19-web-player awp-medium awp-theme-dark-orange" data-episode-id="6c54d68e-a2ed-4a85-ae38-8efa34b01752"> </div> <b><br /></b></div> <b><br /></b> <b>Episode 13 - Most Anticipated Film Scores of 2017</b><br /> <br /> Soundcast Stereo is back and peering into the future! &nbsp;Erik and Christopher run down just which original film scores they are most looking forward to in 2017. &nbsp;They hit all the biggies (well, mostly) but also serve up several film scores that may be flying under your radar. &nbsp;Dive into this double-sized episode for an early look at what 2017 holds for us.<br /> <br /> <br /> <b>Episode Highlights</b><br /> <b><br /></b>00:04 - Intro &amp; The Rules of Anticipation<br /> 03:45 - The "Big" Ones<br /> 28:29 - Sleeper scores<br /> 46:04 - Honorable Mentions<br /> 55:42 - What we are NOT Anticipating<br /> <b><br /></b><b><br /></b><b>Music Selections</b><br /> <b><br /></b>00:00 - "Fists of Glory" (Eddie the Eagle) by Matthew Margeson<br /> 60:00 - "Press Montage" (Eddie the Eagle) by Matthew Margeson<br /> <div> <br /></div> <div> <br /> <b>Notes:</b><br /> <br /> <a href="https://twitter.com/cinsoundradio">Follow Erik Woods on Twitter.</a><br /> <a href="http://www.cinematicsound.net/">Cinematic Sound Radio&nbsp;</a><br /> <br /> <a href="http://twitter.com/tracksounds">Follow Tracksounds on Twitter.</a><br /> <a href="http://twitter.com/ccoleman">Follow Christopher Coleman on Twitter.</a></div> <div> <br /></div> <div> <br /></div> <div> <b>Support Tracksounds:</b><br /> <br /> Most of the soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!<br /> <br /> <br /> <a href="http://bit.ly/amazonsoundtracks">Buy Soundtracks at Amazon.com</a><br /> <div> <br /></div> <br /> <br /> <div style="margin: 0px;"> <div style="text-align: left;"> <b style="color: silver; font-size: x-large;"><a href="http://blog.tracksounds.com/p/the-soundcast-subscribe.html">Subscribe and More Info</a></b></div> </div> <div style="margin: 0px;"> <span style="font-size: medium;"><br /><a href="https://www.acast.com/thesoundcast">aCAST</a></span><br /> <a href="https://goo.gl/app/playmusic?ibi=com.google.PlayMusic&amp;isi=691797987&amp;ius=googleplaymusic&amp;link=https://play.google.com/music/m/Ivozex3blv63oxezyfs26g5r46i?t=The_SoundCast"><span style="font-size: medium;">GOOGLE PLAY</span></a><br /> <div style="text-align: left;"> <a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=309445061"><span style="font-size: medium;">iTUNES</span></a></div> <div style="text-align: left;"> <a href="http://feeds2.feedburner.com/blogspot/thesoundcast"><span style="font-size: medium;">RSS FEED</span></a></div> <div style="text-align: left;"> <a href="http://app.stitcher.com/browse/feed/23819/info"><span style="font-size: medium;">STITCHER RADIO</span></a></div> <div style="text-align: left;"> <span style="font-size: medium;"><a href="http://tunein.com/radio/The-SoundCast-p520071/">TUNEIN RADIO</a></span></div> <div style="text-align: left;"> <br /></div> <div> <div style="text-align: left;"> The official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals.</div> </div> <div> <div style="text-align: left;"> <br /></div> </div> <div> <div style="text-align: left;"> The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). &nbsp;Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.</div> </div> </div> </div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-10205270119938956822016-12-21T18:26:00.000-08:002017-06-04T17:58:02.972-07:00Soundcast Ep. 86 - Rogue One: A Star Wars Story by Michael Giacchino<div align="center"> <a href="https://bit.ly/soundcast"><img -="" 86="" a="" alt="Soundcast" border="0" by="" ep.="" giacchino="" michael="" one:="" rogue="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0jlkhI-apfXRafyQsXSbGE9NkAmMlagPSd_H2QnqonqMGUj7l07KCFPaOS2c3kkxNViKv2r0fR7IVawM4JnT7fxy7KaL3r_yq5Z_VfSXMPqKDdfwEw-p_84Eedb8j6DOw7Qiu0w/s1600/soundcast_86.jpg" star="" story="" wars="" /></a></div> <div class="art19-web-player awp-medium awp-theme-dark-orange" data-episode-id="d3d883ea-d94c-4f79-823f-8708b8cbd8f7"> </div> <div style="text-align: center;"> <b><br /></b></div> <b><br /></b><b>Episode 86 -&nbsp;Rogue One: A Star Wars Story by Michael Giacchino</b><br /> <br /> Marius Masalar, Erik Woods and Christopher drop in from hyperspace to talk about ROGUE ONE: &nbsp;A STAR WARS STORY and its original score by Michael Giacchino. &nbsp;Following the latest edition of WHYBLT? (What have you been listening to?) the trio dive into Disney/Lucasfilm's prequel to Star Wars: A New Hope and break down their personal reactions to the film, itself, how the score operates in context and lastly how it works as a stand-alone listen.<br /> <div> <br /></div> <br /> <b>Episode Highlights</b><br /> <br /> 00:30 - "Together Again, huh?"<br /> 03:00 - What Have You Been Listening To?<br /> 22:30 - Rogue One - The Film (SPOILERS!)<br /> 44:40 - Rogue One - The Score in Context (SPOILERS!)<br /> 55:19 - Rogue One - The Score as stand-alone listen (SPOILERS!)<br /> 75:58 - "Now let's blow this thing and go home!"<br /> <br /> <b>Music Selections</b><br /> <br /> 00:00 - "Rogue One" (Rogue One) by Michael Giacchino<br /> 22:38 - "The Imperial Suite" (Rogue One) by Michael Giacchino<br /> 44:02 - "Jyn Erso &amp; Hope Suite" (Rogue One) by Michael Giacchino<br /> 75:21 - "Hope" (Rogue One) by Michael Giacchino<br /> 86:41 - "The Master Switch" (Rogue One) by Michael Giacchino<br /> <div> <br /> <br /> <b>Notes:</b><br /> <b><br /></b> <b>"Star Crash" by John Barry </b>-&nbsp;https://youtu.be/MxlHUgRNCoU<br /> <b><br /></b> Follow&nbsp;<a href="http://twitter.com/cinsoundradio">Erik Woods on Twitter.</a><br /> Follow&nbsp;<a href="http://twitter.com/mostlymarius">Marius Masalar on Twitter.</a><br /> Follow&nbsp;<a href="http://twitter.com/ccoleman">Christopher Coleman Twitter.</a><br /> <b><br /></b><b><br /></b><b><br /></b><b>Support Tracksounds:</b><br /> <br /> Most of the &nbsp;soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!<br /> <br /> <a href="http://bit.ly/amazonsoundtracks">Buy Soundtracks at Amazon.com</a><br /> <br /> <br /> <div style="margin: 0px;"> <div style="text-align: left;"> <b style="color: silver; font-size: x-large;"><a href="http://blog.tracksounds.com/p/the-soundcast-subscribe.html">Subscribe and More Info</a></b></div> </div> <div style="margin: 0px;"> <span style="font-size: medium;"><br /><a href="https://www.acast.com/thesoundcast">aCAST</a></span><br /> <a href="https://goo.gl/app/playmusic?ibi=com.google.PlayMusic&amp;isi=691797987&amp;ius=googleplaymusic&amp;link=https://play.google.com/music/m/Ivozex3blv63oxezyfs26g5r46i?t=The_SoundCast"><span style="font-size: medium;">GOOGLE PLAY</span></a><br /> <div style="text-align: left;"> <a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=309445061"><span style="font-size: medium;">iTUNES</span></a></div> <div style="text-align: left;"> <a href="http://feeds2.feedburner.com/blogspot/thesoundcast"><span style="font-size: medium;">RSS FEED</span></a></div> <div style="text-align: left;"> <a href="http://app.stitcher.com/browse/feed/23819/info"><span style="font-size: medium;">STITCHER RADIO</span></a></div> <div style="text-align: left;"> <span style="font-size: medium;"><a href="http://tunein.com/radio/The-SoundCast-p520071/">TUNEIN RADIO</a></span></div> <div style="text-align: left;"> <br /></div> <div> <div style="text-align: left;"> The official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals.</div> </div> <div> <div style="text-align: left;"> <br /></div> </div> <div> <div style="text-align: left;"> The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). &nbsp;Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.</div> </div> </div> </div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-57470847310230770132016-09-21T19:09:00.003-07:002017-06-04T17:59:28.297-07:00Soundcast Interview: Chad Seiter (Recore)<div align="center"> <a href="https://bit.ly/soundcast"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgY7ZenzFVu_C3cJ-OeOeaNHrUGZ0xUw1fbOpHL3woqR-OvMMzSLxj1VZvzioBdpsZSyPRHh8D7Xo-X9eWfOdUj58AZRKfoSCwCFEdBw0yL37WrkLhAlvLTKnTnOsxvtFgRiZr4wA/s1600/soundcast_interview_chadseiter.jpg" /></a><br /> <div class="art19-web-player awp-medium awp-theme-dark-orange" data-episode-id="179b6242-db3e-4456-8580-741f43184ec9"> </div> </div> <div style="text-align: center;"> <b><br /></b></div> <b><br /></b><b>Soundcast Interview -&nbsp;</b><b>Chad Seiter (Recore)</b><br /> <br /> Chad Seiter is a prolific composer, arranger and orchestrator for film, television, video games and symphonic concerts, Chad Seiter has composed and produced original music for major Hollywood franchises including Star Trek, Fringe and LOST. In this episode, he talks about his most recent video game project for the XBOX One and Windows 10, RECORE: how he came onto the project, his biggest challenges, working with vocalist Laura Intravia and cellist Tina Guo, what it's like turning music over to a program to decide how it is heard within the game and more!<br /> <br /> <br /> <b>Episode Highlights</b><br /> <b><br /></b>00:01 - Introducing Chad Seiter<br /> 02:16 - Working ona Keiji Inafune game<br /> 04:12 - The goal for the Recore score<br /> 07:10 - Working with Laura Intravia<br /> 09:10 - The Biggest Recore challenge<br /> 11:42 - Stems in the hands of programs<br /> 14:37 - How has the game industry changed for a composer<br /> 15:59 - Producing the official soundtrack album<br /> 19:28 - The Reprise with Tina Guo<br /> 21:43 - The legacy of the Female protagonist<br /> <div> <br /></div> <b><br /></b><b>Music Selections</b><br /> <b><br /></b>00:00 - "The Eden Tower" (Recore) by Chad Seiter<br /> 07:05 - "Main theme" (Recore) by Chad Seiter<br /> 19:30 - "Main Theme Reprise" (Recore) by Chad Seiter<br /> 35:59 - "Lonely Basin" (Recore) by Chad Seiter<br /> <div> <br /></div> <div> <br /> <b>Notes:</b><br /> <b><br /></b><a href="http://amzn.to/2cSSmT5">BUY RECORE ORIGINAL SOUNDTRACK BY CHAD SEITER</a><br /> <a href="http://amzn.to/2cP0PK6">BUY RECORE (XBOX ONE / WINDOWS 10)&nbsp;</a><br /> <div> <br /></div> <a href="http://www.chadseiter.com/">Chad Seiter - Official Website&nbsp;</a><br /> <a href="https://twitter.com/chadseiter">Follow Chad Seiter on Twitter&nbsp;</a><br /> <br /> <br /> <a href="http://twitter.com/tracksounds">Follow Tracksounds on Twitter.</a><br /> <a href="http://twitter.com/ccoleman">Follow Christopher Coleman on Twitter.</a></div> <div> <br /></div> <div> <br /></div> <b>Support Tracksounds:</b><br /> <br /> Most of the soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!<br /> <a href="http://bit.ly/amazonsoundtracks" style="font-family: &quot;times new roman&quot;;">Buy Soundtracks at Amazon.com</a><br /> <b><br /></b> <br /> <div style="margin: 0px;"> <div style="text-align: left;"> <b style="color: silver; font-size: x-large;"><a href="http://blog.tracksounds.com/p/the-soundcast-subscribe.html">Subscribe and More Info</a></b></div> </div> <div style="margin: 0px;"> <span style="font-size: medium;"><br /><a href="https://www.acast.com/thesoundcast">aCAST</a></span><br /> <a href="https://goo.gl/app/playmusic?ibi=com.google.PlayMusic&amp;isi=691797987&amp;ius=googleplaymusic&amp;link=https://play.google.com/music/m/Ivozex3blv63oxezyfs26g5r46i?t=The_SoundCast"><span style="font-size: medium;">GOOGLE PLAY</span></a><br /> <div style="text-align: left;"> <a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=309445061"><span style="font-size: medium;">iTUNES</span></a></div> <div style="text-align: left;"> <a href="http://feeds2.feedburner.com/blogspot/thesoundcast"><span style="font-size: medium;">RSS FEED</span></a></div> <div style="text-align: left;"> <a href="http://app.stitcher.com/browse/feed/23819/info"><span style="font-size: medium;">STITCHER RADIO</span></a></div> <div style="text-align: left;"> <span style="font-size: medium;"><a href="http://tunein.com/radio/The-SoundCast-p520071/">TUNEIN RADIO</a></span></div> <div style="text-align: left;"> <br /></div> <div> <div style="text-align: left;"> The official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals.</div> </div> <div> <div style="text-align: left;"> <br /></div> </div> <div> <div style="text-align: left;"> The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). &nbsp;Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.</div> </div> </div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-86083186186461107602016-09-16T09:20:00.000-07:002017-06-04T18:01:10.833-07:00Soundcast Stereo (Episode 12) Reacting to 'The Marvel Symphonic Universe"<div align="center"> <a href="https://bit.ly/soundcast"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg82_vzOjXddJj6_SNHgCjvWZJmqOfvrVE8h4VNO68gSAmBAYoG2dSEi4Z19X6Jb27z6oMrtES7QjRwc5hcy_t2fadxPv6TF4dheCa1LQbVvsiJvvfdm4sY6fuVrUjUrr1rNKGxsA/s1600/soundcast_stereo_12.jpg" /></a><br /> <div class="art19-web-player awp-medium awp-theme-dark-orange" data-episode-id="562abb12-032d-4cab-aa99-3b9f87120570"> </div> </div> <div align="center"> <b><br /></b></div> <b><br /></b> <b><br /></b> <b>Episode 12 - Reacting to "The Marvel Symphonic Universe"</b><br /> <br /> Tony Zhou's Youtube channel "Every Frame a Painting" recently posted one of their most viewed videos to date, "The Marvel Symphonic Universe" where the MCU's original scores are critiqued and demonstrated to be "forgettable" by the general public. &nbsp;Erik and Christopher react and discuss several of the key points made in the video essay ... some of which they agree with but several of which they do not. &nbsp;Is the music of the Marvel Cinematic Universe truly forgettable? &nbsp;If so, why? Soundcast Stereo episodes are two channel, 30 (ish) minute conversations about a single topic from the world of film, television and game soundtracks.<br /> <br /> <br /> <b>Episode Highlights</b><br /> <b><br /></b> 00:01 - The Marvel Symphonic Universe<br /> 03:35 - Initial Reactions<br /> 06:43 - No Emotional Response?<br /> 10:11 - Too High Strung<br /> 11:08 - Forgettable?<br /> 16:40 - Covering the music<br /> 19:52 - The Loss of Main Titles<br /> 22:03 - The Temp Problem<br /> 24:19 - Stay Safe and Sound Bland<br /> 33:21 - The Good of this Video<br /> 35:15 - Wrap Up<br /> <b><br /></b><b><br /></b><b>Music Selections</b><br /> <b><br /></b> 00:00 - "Can You Dig It?" (Iron May 3) by Brian Tyler<br /> 35:59 - "Captain America" (Captain America: The First Avenger) by Alan Silvestri<br /> <div> <br /></div> <div> <br /> <br /> <b>COMPANION PLAYLIST (on Spotify)&nbsp;</b>- Soundcast Stereo Episode 12 Companion Playlist -&nbsp;<a href="https://bit.ly/sscp-12">https://bit.ly/sscp-12</a><br /> <br /> Don't miss our experimental, new feature, where we list tracks from most of (if not all) of the soundtrack titles referenced in the episode! And be sure to follow us on Spotify while you're at it.&nbsp;<a href="https://open.spotify.com/user/tracksounds">https://open.spotify.com/user/tracksounds</a><br /> <div> <br /></div> <br /> <b>Notes:</b><br /> <b><br /></b> "The Marvel Symphonic Universe"&nbsp;<a href="https://youtu.be/7vfqkvwW2fs">https://youtu.be/7vfqkvwW2fs</a>&nbsp;by<br /> <br /> - Brian Satterwhite:&nbsp;<a href="https://twitter.com/bmsatter">https://twitter.com/bmsatter</a><br /> - Taylor Ramos:&nbsp;<a href="https://twitter.com/glassesattached">https://twitter.com/glassesattached</a><br /> - Tony Zhou:&nbsp;<a href="https://twitter.com/tonyszhou">https://twitter.com/tonyszhou</a><br /> <br /> <br /> <a href="https://twitter.com/cinsoundradio">Follow Erik Woods on Twitter.</a><br /> <a href="http://www.cinematicsound.net/">Cinematic Sound Radio&nbsp;</a><br /> <br /> <a href="http://twitter.com/tracksounds">Follow Tracksounds on Twitter.</a><br /> <a href="http://twitter.com/ccoleman">Follow Christopher Coleman on Twitter.</a></div> <div> <br /></div> <div> <br /></div> <div> <b>Support Tracksounds:</b><br /> <br /> Most of the soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!<br /> <br /> <br /> <a href="http://bit.ly/amazonsoundtracks">Buy Soundtracks at Amazon.com</a><br /> <div> <br /></div> <br /> <div style="margin: 0px;"> <div style="text-align: left;"> <b style="color: silver; font-size: x-large;"><a href="http://blog.tracksounds.com/p/the-soundcast-subscribe.html">Subscribe and More Info</a></b></div> </div> <div style="margin: 0px;"> <span style="font-size: medium;"><br /><a href="https://www.acast.com/thesoundcast">aCAST</a></span><br /> <a href="https://goo.gl/app/playmusic?ibi=com.google.PlayMusic&amp;isi=691797987&amp;ius=googleplaymusic&amp;link=https://play.google.com/music/m/Ivozex3blv63oxezyfs26g5r46i?t=The_SoundCast"><span style="font-size: medium;">GOOGLE PLAY</span></a><br /> <div style="text-align: left;"> <a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=309445061"><span style="font-size: medium;">iTUNES</span></a></div> <div style="text-align: left;"> <a href="http://feeds2.feedburner.com/blogspot/thesoundcast"><span style="font-size: medium;">RSS FEED</span></a></div> <div style="text-align: left;"> <a href="http://app.stitcher.com/browse/feed/23819/info"><span style="font-size: medium;">STITCHER RADIO</span></a></div> <div style="text-align: left;"> <span style="font-size: medium;"><a href="http://tunein.com/radio/The-SoundCast-p520071/">TUNEIN RADIO</a></span></div> <div style="text-align: left;"> <br /></div> <div> <div style="text-align: left;"> The official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals.</div> </div> <div> <div style="text-align: left;"> <br /></div> </div> <div> <div style="text-align: left;"> The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). &nbsp;Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.</div> </div> </div> </div> <div> <span style="color: silver; font-size: large;"><br /></span></div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-30537070006821728662016-09-02T05:42:00.000-07:002016-09-02T05:48:26.239-07:00Soundcast Stereo (Episode 11) - Unexpected Composer Assignments<div align="center"> <a href="https://bit.ly/soundcast"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcvjcavZ_XYDbJMjekFlTaW05XU_zHEesLlXaJZdbFB345wOV9WKGSAP8S5BaxxDe2-Nr9AD6aCtPIjpRdhf-_6N1vJGjoYUv9q-NoY2EilEiW8nFs_UYCL410dsWl4lI1M9r2Ow/s1600/soundcast_stereo_11.jpg" /></a> <br /> <div style="text-align: center;"> <b><br /></b></div> <div style="text-align: center;"> <b><br /></b></div> <div style="text-align: left;"> <b><br /></b></div> <div style="text-align: left;"> <b>Episode 11 - Unexpected Composer Assignments</b></div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> Erik and Christopher react and discuss the recent announcement of Mark Mothersbaugh as composer for the original score to the upcoming Thor: Ragnarok. &nbsp;They go on to have a lengthy discussion about Michael Giacchino for Doctor Strange and a firey discussion about Johan Johannsson for Blade Runner 2. &nbsp;Lastly, they take a quick dive into some of history's other "unexpected composer assignments" that would have rocked the Internet, had it existed. Soundcast Stereo episodes are two channel, 30 (ish) minute conversations about a single topic from the world of film, television and game soundtracks. This 11th episode includes 11 minutes of bonus-castiness.<br /> <br /></div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> <i><b>NEW! COMPANION PLAYLIST&nbsp;</b>(on Spotify) - Soundcast Stereo Episode 11 Companion Playlist -&nbsp;<a href="https://bit.ly/sscp11"><b>https://bit.ly/sscp11</b></a></i></div> <div style="text-align: left;"> <i><br /></i></div> <div style="text-align: left;"> <i>Don't miss our experimental, new feature, where we list tracks from most of (if not all) of the soundtrack titles referenced in the episode! &nbsp;And be sure to follow us on Spotify while you're at it.&nbsp;<b><a href="https://open.spotify.com/user/tracksounds">https://open.spotify.com/user/tracksounds</a>. &nbsp;</b></i></div> <br /> <div style="text-align: left;"> <span style="font-weight: bold;"><br /></span></div> <div style="text-align: left;"> <i>Let us know what you think about this feature! &nbsp;If we hear enough positive feedback, we'll continue to include them!</i></div> <br /><br /> <div> <div style="text-align: center;"> <iframe allowtransparency="true" frameborder="0" height="400" src="https://embed.spotify.com/?uri=spotify%3Auser%3Atracksounds%3Aplaylist%3A7I16VA3AAHy30tmZtH3sRj" width="600"></iframe></div> <br /></div> </div> <div> <div style="text-align: left;"> <br /></div> </div> <div style="text-align: left;"> <b><br />Episode Highlights</b></div> <br /> <div style="text-align: left;"> 00:04 - Intro + Channel Fact "Fav Mark Mothersbaugh Score?"</div> 01:05 - Reactarok!<br /> <div style="text-align: left;"> 10:00 - Doctor Giacchino</div> <div style="text-align: left;"> 17:33 - Blade Runnin' with Johannson</div> <div style="text-align: left;"> 30:22 - Historic Unexpected Announcements&nbsp;</div> <br /> <div style="text-align: left;"> <span style="font-weight: bold;"><br /></span></div> <div style="text-align: left;"> <b>Music Selections</b></div> <br /> 00:00 - "Powering Up" (Cloudy with a Chance of Meatbalss) by Mark Mothersbaugh<br /> <div style="text-align: left;"> 40:48 - "The Lastest Invention" (Cloudy with a Chance of Meatbalss) by Mark Mothersbaugh</div> <div> <div style="text-align: left;"> <br /></div> </div> <div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> <b>Notes:</b></div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> <a href="https://twitter.com/cinsoundradio">Follow Erik Woods on Twitter.</a></div> <div style="text-align: left;"> <a href="http://www.cinematicsound.net/">Cinematic Sound Radio&nbsp;</a></div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> <a href="http://twitter.com/tracksounds">Follow Tracksounds on Twitter.</a></div> <div style="text-align: left;"> <a href="http://twitter.com/ccoleman">Follow Christopher Coleman on Twitter.</a></div> </div> <div> <div style="text-align: left;"> <br /></div> </div> <div> <div style="text-align: left;"> <br /></div> </div> <div> <div style="text-align: left;"> <b>Support Tracksounds:</b></div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> Most of the soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!</div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> <a href="http://bit.ly/amazonsoundtracks">Buy Soundtracks at Amazon.com</a></div> <div> <div style="text-align: left;"> <br /></div> </div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> <span style="color: silver; font-size: medium;"><b><a href="https://s3.amazonaws.com/tracksounds/soundcast/stereo/soundcast_stereo_11.mp3"><span style="font-size: x-large;">DOWNLOAD THE EPISODE</span></a><span id="goog_286134130" style="font-size: large;"></span></b></span></div> <div style="text-align: left;"> <br style="color: silver;" /></div> <div style="text-align: left;"> <span style="color: silver; font-size: large;"><b><a href="http://tracksounds.com/specialfeatures/soundcast/index.htm">Subscribe and More Info</a></b></span></div> </div> <div style="text-align: left;"> <br /></div> <div style="text-align: left;"> <br /></div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-74750975290141712392016-08-26T09:14:00.000-07:002016-08-26T09:34:20.843-07:00Soundcast Stereo (Episode 10) - 21st Century Fav Scores (So Far)<div align="center"> <div class="separator" style="clear: both; text-align: center;"> <a href="https://bit.ly/soundcast"><img alt="(Episode 10) - 21st Century Fav Scores (So Far)" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiz5Hl0suhAE3ARO3qrQaIayUa4ztTZyBfLAVPiNnhKbWn8oZ965VWw8imQu8zd3c6J5M71Km4S5Xyf66_JZ89fN1GQvaITN2mul4KqQbDWqvDsOLtD1xVhN_C0hJgtZ0uNlazWYQ/s1600/soundcast_stereo_10.jpg" /></a></div> </div> <div class="separator" style="clear: both; text-align: center;"> <br /></div> <div style="text-align: center;"> <b><br /></b> <iframe allowfullscreen="true" height="60" mozallowfullscreen="true" src="http://files.podsnack.com/iframe/embed.html?hash=a1ufvsff&amp;t=1472227963" style="border: none;" webkitallowfullscreen="true" width="460"></iframe><br /> <b><br /></b> <b><br /></b></div> <b><br /></b> <b>Episode 10 - 21st Century Fav Scores (So Far)</b><br /> <br /> In reaction to The Playlist's recently published article "The Top 50 Film Scores of the 21st Century So Far," &nbsp;Erik and Chris share their own favorite ten scores of the century through 2015. &nbsp;Their lists contain a few expected titles, but certainly a number of surprise entries as well! Soundcast Stereo episodes are two channel, 30 minute conversations about a single topic from the world of film, television and game soundtracks. &nbsp;This episode includes 22 minutes of bonus-blah-blah-blah!<br /> <div> <br /></div> <div> <br /></div> <b>Episode Highlights</b><br /> <br /> 00:04 - Intro + Channel Fact "What is your fav film chase cue?" (via @IsaacCada1)<br /> 01:32 - Reacting to The Playlist's Top 50 Film Scores of the Century (so far)<br /> 07:50 - Guess "The Most Likely" (Our first five favs)<br /> 17:11 - The Surprise Five (Our second five favs)<br /> 50:12 - The Wrap Up and What are your 21st Century Favs?<br /> <div> <br /></div> <div> <br /></div> <b>Music Selections</b><br /> <br /> <br /> 00:00 - "Mona Lisa Overdrive" (The Matrix Reloaded) by Don Davis/ Juno Reactor<br /> 51:11 - "Burly Brawl" (The Matrix Reloaded) by Don Davis/ Juno Reactor<br /> <div> <br /> <br /> <b>Notes:</b><br /> <b><br /></b><b>The Playlist -&nbsp;<a href="http://theplaylist.net/50-best-film-scores-21st-century-far-20160818/">"Top 50 Film Scores of the 21st Century So Far" &nbsp;</a></b><br /> <br /> <br /> <b>HONORABLE MENTIONS LIST (In no particular order):</b><br /> <br /> <b>Eric Woods</b><br /> <br /> <i>The Force Awakens, The Greatest Miracle, The Shipping News, Memoirs of a Geisha, Tron Legacy, Lover's Prayer, On The Beach, Angel, Monster, &amp; Ladies in Lavender.</i><br /> <br /> <b>Christopher Coleman</b><br /> <br /> <i>The Dark Knight (2008), Road to Perdition (2002), The Theory of Everything (Johan Johanness) (2014), The Incredibles (2004), Spirited Away (2001), A.I. (2001), A Beautiful Mind (2001), House of Sand and Fog (2003), Master and Commander The Far Side of the World (2003), The Matrix Reloaded (2003), The Adventures of Tin Tin: The Secret of the Unicorn (2011), The Da Vinci Code (2006), X-Men The Last Stand (2006), Stardust (2007), Kung Fu Panda (2008), Straw Dogs (2011), Oblivion (2011), Jupiter Ascending (2015), John Carter (2013)</i><br /> <br /> <br /> <a href="https://twitter.com/cinsoundradio">Follow Erik Woods on Twitter.</a><br /> <a href="http://www.cinematicsound.net/">Cinematic Sound Radio&nbsp;</a><br /> <br /> <a href="http://twitter.com/tracksounds">Follow Tracksounds on Twitter.</a><br /> <a href="http://twitter.com/ccoleman">Follow Christopher Coleman on Twitter.</a></div> <div> <br /></div> <div> <br /></div> <div> <b>Support Tracksounds:</b><br /> <br /> Most of the soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!<br /> <br /> <br /> <a href="http://bit.ly/amazonsoundtracks">Buy Soundtracks at Amazon.com</a><br /> <div> <br /></div> <br /> <br /> <span style="color: silver; font-size: x-large;"><b><a href="https://s3.amazonaws.com/tracksounds/soundcast/stereo/soundcast_stereo_10.mp3">DOWNLOAD THE EPISODE</a><span id="goog_286134130"></span></b></span><br /> <span style="font-size: x-large;"><br style="color: silver;" /></span><span style="color: silver; font-size: x-large;"><b><a href="http://tracksounds.com/specialfeatures/soundcast/index.htm">Subscribe and More Info</a></b></span></div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-3748853280464532122016-08-18T19:17:00.000-07:002016-08-18T19:19:26.860-07:00Soundcast Stereo (Episode 9) Feedback - "China, Millennials and the Theme"<div class="separator" style="clear: both; text-align: center;"> <a href="https://bit.ly/soundcast"><img alt="Episode 9 - Listener Feedback #2 " and="" border="0" china="" millennials="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHnNduevS1FYSrV1Zoa4j-9yZ7uaA9W-7whyphenhyphenxJ8DlyT8b0U81NkS6LcPXf7qvbt7-a7lzAIRhZz0YDOwHnt93kKBS0jUeM61Q2UQ1nBWMOKCrncdh63AJCZTHS0SeQt-cmcWKv/s1600/soundcast_stereo_9.jpg" the="" theme="" /></a></div> <div style="text-align: center;"> <br /></div> <div style="text-align: center;"> <iframe allowfullscreen="true" height="60" mozallowfullscreen="true" src="http://files.podsnack.com/iframe/embed.html?hash=a1nqo9jj&amp;t=1471572631" style="border: none;" webkitallowfullscreen="true" width="460"></iframe></div> <b><br /></b> <b>Episode 9 - Listener Feedback #2 "China, Millennials and the Theme"</b><br /> <br /> It's time for listener feedback, so Christopher and Erik take one mega-voice-mail from a long-time listener who responds to the most popular Soundcast Stereo episode to date (Ep. 3 - The State of the Film Music Theme) &nbsp;Specifically, our listener discusses cultural differences over the "dumbing down" of Hollywood movies and why the film music tastes of the Millennials might be as they are - less appreciative of the classic film music theme. Soundcast Stereo episodes are two channel, 30 minute conversations about a single topic from the world of film, television and game soundtracks.<br /> <div> <br /></div> <div> <br /></div> <b>Episode Highlights</b><br /> <br /> 00:00 - Channel 1 and 2<br /> 00:57 - An episode with only one piece of feedback?<br /> 02:50 - T. Greer responds to "The State of Film Music" (Voice Mail)<br /> 14:52 - Feeding back on the feedback<br /> 43:46 - The Wrap Up and What should we say? Help us!<br /> <div> <br /></div> <div> <br /></div> <b>Music Selections</b><br /> <br /> <br /> 00:00 - "The Kraken" (Pirates of the Caribbean: Dead Man's Chest) by Hans Zimmer<br /> 13:50 - "DNS" (Man of Steel) by Hans Zimmer<br /> 45:35 - "Rjuken Sabotage" (Medal of Honor) by Michael Giacchino<br /> <div> <br /> <br /> <b>Notes:</b><br /> <br /> <a href="https://twitter.com/cinsoundradio">Follow Erik Woods on Twitter.</a><br /> <a href="http://www.cinematicsound.net/">Cinematic Sound Radio&nbsp;</a><br /> <br /> <a href="http://twitter.com/tracksounds">Follow Tracksounds on Twitter.</a><br /> <a href="http://twitter.com/ccoleman">Follow Christopher Coleman on Twitter.</a></div> <div> <br /></div> <div> <br /></div> <div> <b>Support Tracksounds:</b><br /> <br /> Most of the soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!<br /> <br /> <br /> <a href="http://bit.ly/amazonsoundtracks">Buy Soundtracks at Amazon.com</a><br /> <div> <br /></div> <br /> <br /> <span style="color: silver; font-size: large;"><b><a href="https://s3.amazonaws.com/tracksounds/soundcast/stereo/soundcast_stereo_9.mp3">Download the Episode</a><span id="goog_286134129"></span><span id="goog_286134130"></span></b></span><br /> <br style="color: silver;" /> <span style="color: silver; font-size: large;"><b><a href="http://tracksounds.com/specialfeatures/soundcast/index.htm">Subscribe and More Info</a></b></span></div> <b><br /></b> <b><br /></b>Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-63453187431909530172016-08-05T08:35:00.000-07:002016-08-05T09:22:24.343-07:00Soundcast Stereo (Episode 8) - Does the Stranger Things Score Work?<div class="separator" style="clear: both; text-align: center;"> <a href="http://bit.ly/soundcast"><img -="" 8="" alt="Soundcast" border="0" does="" pisode="" score="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc6R_MUBauDiWlx9F3fG-dd7U7ClULbNeenswmuu79cPzQJHF1tWUO7SCyNOHdQCG-xhrFD8sMPE6LTE88b79Ng2poA6BYQWDOFU-O2y1bsdmrM3zpAM7JV75jExVvgUDku2s3rw/s1600/soundcast_stereo_8.jpg" stereo="" stranger="" the="" things="" work="" /></a></div> <div style="text-align: center;"> <b><br /></b></div> <b><br /></b> <br /> <div style="text-align: center;"> <b><iframe allowfullscreen="true" height="60" mozallowfullscreen="true" src="http://files.podsnack.com/iframe/embed.html?hash=avciqjpp&amp;t=1470414003" style="border: none;" webkitallowfullscreen="true" width="460"></iframe></b></div> <br /> <b><br /></b> <b><br /></b> <b>Episode 8 -&nbsp;"Does the Stranger Things Score Work?"</b><br /> <br /> Co-hosts Christopher and Erik return to the 80s to discuss the strange things going on in the "Stranger Things" original score by Kyle Dixon and Michael Stein. &nbsp;They talk about how well (or not) the score works in the hit Netflix series, films and their scores in the same genre, and how alternate approaches to scoring the series may have faired. &nbsp;Soundcast Stereo episodes are two channel, 30 minute conversations about a single topic from the world of film, television and game soundtracks.<br /> <div> <br /></div> <div> <br /></div> <b>Episode Highlights</b><br /> <br /> 00:00 - The Intro<br /> 01:08 - What is Stranger Things?<br /> 03:06 - Did the score work?<br /> 11:29 - Was a more traditional composer needed?<br /> 18:41 - Alternative approaches<br /> 22:18 - Missed Opportunities<br /> 32:52 - Super 8 vs. Stranger Things<br /> 37:17 - The Wrap Up<br /> <div> <br /></div> <div> <br /></div> <b>Music Selections</b><br /> <br /> <br /> 00:00 - "The Way Home" (Earth to Echo) by Joseph Trapanese<br /> 19:19 - "Bat in the Hold" (Monster Squad) by Bruce Broughton<br /> 21:08 - "Main Titles" (E.T.) by John Williams<br /> 24:05 - "The Hand of Fate Part 1" (Signs) James Newton Howard<br /> 39:58 - "We'll Fix It in Post-Haste" (Super 8) by Michael Giacchino<br /> <div> <br /> <br /> <b>Notes:</b><br /> <br /> <a href="http://www.cinematicsound.net/hero-kids/">"Hero Kids" Episode - at the official Cinematic Sound Radio site.</a><br /> <br /> <a href="https://twitter.com/cinsoundradio">Follow Erik Woods on Twitter.</a><br /> <a href="http://twitter.com/tracksounds">Follow Tracksounds on Twitter.</a><br /> <a href="http://twitter.com/ccoleman">Follow Christopher Coleman on Twitter.</a></div> <div> <br /></div> <div> <br /></div> <div> <b>Support Tracksounds:</b><br /> <br /> Most of the &nbsp;soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!<br /> <br /> <br /> <a href="http://bit.ly/amazonsoundtracks">Buy Soundtracks at Amazon.com</a><br /> <div> <br /></div> <br /> <br /> <span style="color: silver; font-size: large;"><b><a href="https://s3.amazonaws.com/tracksounds/soundcast/stereo/soundcast_stereo_8.mp3">Download the Episode</a><span id="goog_286134129"></span><span id="goog_286134130"></span></b></span><br /> <br style="color: silver;" /> <span style="color: silver; font-size: large;"><b><a href="http://tracksounds.com/specialfeatures/soundcast/index.htm">Subscribe and More Info</a></b></span></div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0tag:blogger.com,1999:blog-14096486.post-61186323091427501452016-07-29T06:20:00.003-07:002016-07-29T13:08:37.492-07:00Soundcast Stereo (Episode 7) - Wonder Woman: Should a Female Composer be Hired to Score?<div align="center"> <a href="http://bit.ly/soundcast"><img alt="Soundcast Stereo (Episode 7) - Wonder Woman: Should a Female Composer be Hired to Score?" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5NsGmpvWVrLrloKIY2ji_disnXhyphenhyphenlpiMG8jaXstgFd1WpuZ9upmlEdP38kp5F7ij0EnNZD0kfnhTK0kLELkpxbcr8EpLbc3urtFSfRlymVN8rODuh5pkCDdR5s0QlWCC3K2u6ww/s1600/soundcast_stereo_7.jpg" /></a><br /> <br /> <b><br /></b> <b><iframe allowfullscreen="true" height="60" mozallowfullscreen="true" src="http://files.podsnack.com/iframe/embed.html?hash=avxcqpcc&amp;t=1469822857" style="border: none;" webkitallowfullscreen="true" width="460"></iframe></b><br /> <b><br /></b> <b><br /></b></div> <b>Episode 7 - "Should a Female Composer be Hired to Score Wonder Woman?"</b><br /> <br /> Chris and Erik discuss the potentially sensitive question of whether or not a female composer SHOULD be hired to score Patty Jenkin's upcoming WONDER WOMAN film. &nbsp;Is it mandatory, a good idea, or a bad idea? &nbsp;What could the repercussions be? &nbsp;Listener twitter thoughts and comments included! &nbsp;Soundcast Stereo episodes are two channel, 30 minute conversations about a single topic from the world of film, television and game soundtracks.<br /> <div> <br /></div> <div> <br /></div> <b>Episode Highlights</b><br /> <br /> 00:06 - The Intro<br /> 02:27 - Political? Proper? Spring-board?<br /> 08:05 - Listener Tweets: Hire the right person for the job, male or female.<br /> 20:32 - If a female composer was to be chosen, who would your top pick be?<br /> 24:16 - Listener Tweets: &nbsp;Top composer picks<br /> 26:18 - Given the director/producers, who do you THINK WILL be hired?<br /> 30:36 - The Wrap Up/ How to send us your thoughts<br /> <div> <br /></div> <br /> <b>Music Selections</b><br /> <br /> <br /> 00:00 - "Wonder Woman TV Series S3 Theme" (The Music Of DC Comics: Volume 2)by Charles Fox and Norman Gimble<br /> 33:28 - "Is She With You?" (Batman v Superman) by Junkie XL and Hans Zimmer<br /> 34:01 - "Wonder Woman" (The Music Of DC Comics: Volume 2) by Arthur Korb<br /> <div> <br /> <br /> <b>Notes:</b><br /> <br /> <br /> <a href="http://www.cinematicsound.net/">Listen to all of Cinematic Sound Radio episodes</a><br /> <a href="https://twitter.com/cinsoundradio">Follow Erik Woods on Twitter.</a><br /> <a href="http://twitter.com/tracksounds">Follow Tracksounds on Twitter.</a><br /> <a href="http://twitter.com/ccoleman">Follow Christopher Coleman on Twitter.</a></div> <div> <br /></div> <div> <br /></div> <div> <b>Support Tracksounds:</b><br /> <br /> Most of the &nbsp;soundtracks mentioned in this episode can be found at Amazon. &nbsp;Your purchases through these links help us to keep on keepin' on! &nbsp;Thank You!<br /> <br /> <br /> <a href="http://bit.ly/amazonsoundtracks">Buy Soundtracks at Amazon.com</a><br /> <div> <br /></div> <br /> <br /> <span style="color: silver; font-size: large;"><b><a href="https://s3.amazonaws.com/tracksounds/soundcast/stereo/soundcast_stereo_7.mp3">Download the Episode</a><span id="goog_286134129"></span><span id="goog_286134130"></span></b></span><br /> <br style="color: silver;" /> <span style="color: silver; font-size: large;"><b><a href="http://tracksounds.com/specialfeatures/soundcast/index.htm">Subscribe and More Info</a></b></span></div> Christopherhttp://www.blogger.com/profile/13262064593320109546noreply@blogger.com0