DSLR CAMERAS ONLINE

Olympus E-600

2009-08-31T19:33:00.000-07:00

OLYMPUS E-600 GIVES HOLIDAY SHOPPERS HIGH-QUALITY DSLR PERFORMANCE WITHOUT THE HIGH PRICE

Special Holiday Package Offers Swivel Live View LCD, Art Filters, Fast Burst Speed, In-body Image Stabilization and a High-Resolution Image Sensor

CENTER VALLEY, Pa., August 31, 2009 – The new Olympus E-600 is a digital single lens reflex (DSLR) camera with everything you need to start enjoying the benefits of DSLR-quality photography today. It’s simple to use, so moving up from a basic point-and-shoot is an enjoyable and affordable experience, and packed with features to meet all of your still photography needs.

The E-600’s high-performance swivel 2.7-inch HyperCrystal™ LCD screen helps you compose from virtually any angle; in-camera Art Filters add more pizzazz to your pictures; its four-frames-per-second burst speed won’t miss a moment of the action, and In-body Image Stabilization removes blur caused by camera shake when you’re on the go. The 12.3-megapixel image sensor and TruePic III+ captures detailed, crisp images and accurate color.

“With the E-600, Olympus has answered the call for a more affordable and creative camera that has everything you could need to get great results,” said John Knaur, senior marketing manager, Digital SLR, Olympus Imaging America Inc. “The new entry-level SLR camera offers something for everyone to enjoy, including in-camera Art Filters for expanded creative freedom.”

Exceptional Image Quality
Whether you’re shooting a high school basketball game or capturing a city streetscape, the E-600’s high-performance 12.3-megapixel Live MOS image sensor delivers excellent dynamic range, accurate color fidelity, and a state-of-the-art amplifier circuit to reduce noise and capture fine image details in both highlight and shadow areas.

Its Live MOS image sensor is complemented by Olympus’ TruePic III+ Image Processor, which produces clear and colorful photos using all the pixel information for each image to provide the best digital images possible. The new image processor is noted for accurate natural color, true-to-life flesh tones, brilliant blue skies, and precise tonal expression; it also lowers image noise in photos shot at higher ISO settings, enabling great results in low-light situations.

Swivel Live View LCD Swings into Action
The E-600’s 100 percent accurate 270 degree swivel 2.7-inch Live View HyperCrystal III LCD can be rotated freely so photographers can compose at any angle, including overhead and down low, without getting bent out of shape. This makes it easier to photograph young children on their own level or shoot high above a crowd. E-600 photographers can compose a subject right on the Live View LCD and see the results of the various creative features – live as they’re happening, before the shot is taken.

With Live View, settings like white balance and image brightness can be selected, and the result can be seen instantly on the LCD display. Real-time Live View offers amazing versatility and creative control. The LCD displays 230,000 pixels in vivid color and includes HyperCrystal technology, which offers many times the contrast of conventional LCD monitors for easier viewing in both preview and playback. It also provides a wide viewing angle of 176 degrees, which ensures images can be composed from even the most obscure angles. The 2.7-inch LCD makes icons and text on the camera’s menu easy to view.

Fast Autofocus
Life moves fast, so it’s important to have a camera that locks focus accurately and quickly. Whether you choose to use the super fast autofocus technology or focus the lens manually, the E-600 offers the same sophisticated focusing options as higher-end DSLRs. Use the optical viewfinder to track movement like birds or wildlife or your favorite team on the field, or use the large Live View LCD to frame up a flower or a group of friends at the family gathering. Consumers accustomed to composing and focusing using a point-and-shoot camera’s LCD will appreciate that the E-600 offers the same easy, seamless experience (what you see on its LCD is what you get!). Either way, the focus is quick, precise and easy.

Art Filters for Expanded Creative Control
If you’re hoping to get more out of your camera than simply capturing and documenting a scene, and enjoy enhancing or customizing an image to make it your own, then you will value the camera’s Art Filters. The filters, which are built into the camera, provide incredible individual artistic control over an image, so that you can spend more time shooting and less time computing.

Let your inner artist shine through and make a statement with these in-camera Art Filters:

* Pop Art: Enhances colors, making them more saturated and vivid, creating high-impact pictures that express the joyful, lighthearted feeling of the Pop Art style of the 1960s;
* Soft Focus: Creates an ethereal, dreamlike atmosphere that renders subjects in a heavenly light without obscuring details; and
* Pin Hole: Adds a nostalgic look and feel to the image with a darkened vignette around the subject connecting the viewer intimately with the subject at the center of the picture.

Art Filters are easily activated with the mode dial on the right side of the camera body, and the fun part is that you can see and experiment with the effects on the subject live, on the LCD, before you take the shot!

In-Body Image Stabilization for Sharp Images on the Go
The E-600 travels with you to more places, thanks to its compact size and light body. Capture sharp images on the go with the camera’s in-body Image Stabilization (IS), which virtually eliminates blur with any lens attached. Three IS modes handle any situation. The IS-1 mode is for general shooting and adjusts the sensor on both the horizontal and vertical planes to compensate for movement by the photographer so images stay sharp in low light even at slow shutter speeds. To capture the motion of moving subjects, the E-600 offers two specialized modes: IS-2 mode is ideal for capturing a runner or cyclist traveling by in the horizontal mode, preserving the sense of motion while panning; IS-3 mode achieves the same effect when the camera is held vertically. In either mode, the artistic effects of panning enhance the shot and render the subject in sharp detail with blurred background. Moreover, the E-600 is the world’s smallest DSLR with built-in Image Stabilization, so you’ll feel comfortable taking it on the road with you to capture the action.

Always Find a Face in the Crowd
The new camera’s Face Detection technology reduces the chance of blurred subjects in photography by distinguishing between people’s faces and the background. It tracks up to eight faces within the image area, even if people are moving, and automatically focuses and optimizes exposure for sharp, brilliant portrait pictures (ideal for large family or party group photos).

Fast Sequential Shooting
The E-600 can capture images at the highest image-quality setting at a rate of four frames per second. Whether you’re capturing a soccer game, children playing or a bird swooping through the yard, the E-600 ensures that you won’t miss a frame.

Preview a Multitude of Possibilities
Perfect Shot Preview enables users to easily preview and select from four thumbnail previews of the photographic effects of white balance and exposure compensation adjustments live on the LCD before taking the photograph. It is an ideal way for novice users to learn about the effects of different photography techniques, visually, without having to scroll through menu options. With 13 preset scene-select modes for every imaginable shooting scenario, automatic modes and full manual controls, the E-600 offers a world of possibilities to photographers.

Versatile Memory
Accepting both CompactFlash Type I & II, UDMA, Microdrives and xD-Picture Cards, the camera provides a choice of data storage options for enhanced flexibility, and it is possible to transfer image files from one card to the other right inside the camera.

Dust Reduction System for Spot-Free Images
Life moves too fast to spend time worrying about dust ruining the perfect image. Olympus’ proven Dust Reduction System produces spot-free photos with the exclusive Supersonic Wave Filter™. The patented ultrasonic technology vibrates to remove dust and other particles from the front of the image sensor and captures it on a special adhesive membrane every time the camera is turned on. These spot-free photos liberate users from hours spent retouching photographs at the computer or sending their cameras back to the manufacturer to remove dust trapped inside. With Dust Reduction and the new creative features, Olympus continues to liberate users from the computer and editing software, and enables them to have fun capturing it all while on the go.

Accessories
The HLD-5 Power Battery Holder can hold up to two Lithium Ion BLS-1 batteries to extend the performance life of the E-600 and its existing BLS-1 battery. It also enables effortless vertical shooting with its own separate shutter button and control dial.

Availability
The Olympus E-600 DSLR will be available in early November 2009. It includes the E-600 Body, USB Cable, Video Cable, Li-Ion Battery Pack (BLS-1), Li-Ion Battery Charger (BCS-1), Shoulder Strap, OLYMPUS Master 2 Software CD-ROM, Manuals and Registration card.

U.S. Pricing / Product Configurations
E-600 Body with ED 14-42mm f3.5/5.6 Zuiko Digital Zoom Lens Estimated Street Price: $599.99

SONY ADDS UNIQUE DESIGN TO NEW DIGITAL PHOTO FRAME

2009-08-31T19:24:00.000-07:00

SAN DIEGO, August 27, 2009-

•Sony Electronics is launching a stylish holiday limited edition S-Frame® digital photo frame (model DPF-D72N/BQ) made with CRYSTALLIZED™ - Swarovski Elements.

•Embellished with beautiful CRYSTALLIZED™ - Swarovski Elements, loose cut crystal glass manufactured by Swarovski, the frame’s elegant design is sure to accent any space.

•Share your favorite photos in vibrant color and crisp detail on a 7-inch (measured diagonally) wide (16:10) LCD display with WVGA (800 x 480) resolution.

•The frame features about one gigabyte of internal storage capacity, with an auto-resizing adjustment that downsizes photos, to let you store up to 2,000 photos.

•Image transfer is a snap with direct USB input from your PC, as well as support for most memory cards, including Memory Stick PRO™, Memory Stick PRO Duo™, Secure Digital (SD), Multi-Media Card (MMC), Compact Flash®, xD-Picture Card™ media and SDHC.

•Set the frame vertically or horizontally and the model’s Auto Orientation sensor automatically rotates your photos into portrait or landscape format according to the placement. For added versatility, the frame can even be mounted on a wall.

•Clock and calendar modes provide added convenience for your home or office.

•The frame has a wide range of view modes, along with many other functions that can be managed from the included remote control.

•Multiple playback options offer flexibility to display photos as single images, as thumbnails for easy searching or as a slideshow with 10 built-in transitions.

•The new S-Frame model supports JPEG and RAW (SRF, SR2, ARW) image file formats.

•The DPF-D72N/BQ digital photo frame will be available for about $150 in October and can be purchased online at http://www.sonystyle.com, at Sony Style® retail stores and at authorized dealers nationwide.

Contact Info

Rachelle Arcebido

PR Strategist, Sony Electronics

Phone: 858.942.4155

Email: rachelle.arcebido@am.sony.com

Related Links

•www.SonyElectronicsCommunity.com (additional product information)

•www.Flickr.com/SonyElectronics (product images)

Sony Alpha DSLR-A850

2009-08-31T19:22:00.001-07:00

SAN DIEGO, August 27, 2009 — Aimed at experienced shooters looking for value and sophisticated SLR performance, Sony today introduced the full-frame α (alpha) DSLR-A850 camera and a new 28-75mm F2.8 lens.

The α850 model shares the same 24.6 megapixel sensor and most features of the flagship α900 camera, introduced last year, but will be available for just under $2000 (body only).

“Sony is bringing the benefits of a full-frame digital SLR camera to a broader group of consumers,” said Kristen Elder, director of the Digital Imaging business at Sony Electronics. “The α850 strengthens Sony’s alpha DSLR line, which now offers models in each step from high-end professional down to the amateur enthusiast.”

The α850 camera is designed to deliver ultra-fine picture quality with a high resolution, 24.6-megapixel, 35-mm full-frame Exmor™ CMOS sensor and fast image processing with dual BIONZ™ processing engines. It also offers high-speed continuous shooting of 24.6 megapixel images at up to three frames per second.

Ultra-Fine Images

The camera’s Exmor CMOS sensor delivers the photographic expressive power of wide angles and perspective that only a 35 mm full-frame sensor can offer, and is designed to take advantage of the resolving power of high-precision alpha lenses. Its high pixel count and large size provide enhanced image detail and a wider dynamic range for natural color reproduction and subtle tonal gradations.

Image processing gets a boost in speed and power from two BIONZ processing engines. Large amounts of data captured by the 24.6-megapixel sensor can be quickly processed to achieve a fast shooting response. Additionally, this dual BIONZ system applies advanced noise reduction algorithms producing images of exceptional quality and detail, especially at high ISO sensitivities.

The camera’s innovative intelligent preview function takes the guesswork out of setting up a shot and the hassle of taking multiple shots to achieve a desired effect.

After pressing the depth of field preview button, the camera “grabs” a RAW

preview image which is processed and displayed on the LCD screen. You can then fine tune white balance, determine the best level and effect of dynamic range optimization, adjust exposure compensation and check histogram data, all before you actually take the picture. Preview images are not recorded on the camera’s memory card, thus saving capacity.

The camera’s autofocus system features nine sensors with 10 assist points for improved tracking of moving subjects. A center dual cross sensor comprised of two horizontal and two vertical line sensors as well as a dedicated f/2.8 sensor are included to achieve greater precision, especially when using fast-aperture lenses.

Ultra-Bright Viewfinder with 98 Percent Coverage

The ultra-bright viewfinder with 98 percent field of view coverage and 0.74x magnification enables accurate framing and preview. It features a high-power condenser lens, an eyepiece with high reflective-index glass, and a multi-layer, anti-reflective coating on optical surfaces to deliver its extraordinarily bright view.

A mirror box features a parallel-link mirror mechanism that moves on two horizontal axes to accommodate both the large full frame mirror and the body-integrated image stabilization system without increasing the camera’s size.

Anti-Shake System for a Full-Frame Sensor

With its body-integrated SteadyShot INSIDE™ image stabilization, the camera achieves an anti-shake effect equivalent to shutter speeds faster by 2.5 to 4 stops. The anti-shake system stabilizes all Sony, Minolta and Konica-Minolta compatible lenses even wide angle or large aperture lenses.

Versatility to Unleash Creative Possibilities

Other key features aimed to expand creative options include the Dynamic Range Optimizer (DRO) with five levels of user-selectable correction as well as DRO bracketing for enhanced scene analysis and graduation optimization. EV bracketing with ±2EV range makes it easy to create high dynamic range composite images.

With the camera’s HDMI™ output and Photo TV HD mode, your creative output can be enjoyed on a compatible HD television. This mode brings the look of actual printed photography to the television, by fine-tuning such image parameters as sharpness, gradation, and color reproduction.

The a850 model features a 3-inch (diagonally), Xtra Fine LCD™ screen (921K) making it possible to check focus and image quality with accuracy. It incorporates an easy-to-see display with a quick navigation menu to easily access common functions without interrupting your creative flow. A backlit LCD panel sits on top of the camera and displays key settings.

The camera includes dedicated slots for high-capacity Memory Stick PRO Duo™, Memory Stick PRO-HG Duo™, HX series and CompactFlash® media.

Bright Lens

The choice of full-frame lenses to complement the α850 model is enhanced with the new SAL2875 28-75mm F2.8 SAM lens. This compact, easy-to-carry lens is ideal for photo enthusiasts looking to add a bright, general purpose zoom to their collection of full-frame optics.

Delivering excellent imaging quality at an accessible price, it offers a wide F2.8 aperture over its entire zoom range. Ideal for day-to-day shooting tasks, its bright constant aperture makes the 28-75mm F2.8 SAM particularly valuable for depth-of-field control and available-light portraits.

Pricing and Availability

The a850 (model DSLR-A850) will be available in September for about $2,000 (body only) along with related accessories. All a900 accessories are compatible with the a850 camera, including the dedicated vertical grip (model VG-C90AM). The SAL2875 lens will be available in November for about $800. All will be available at authorized dealers, at military base exchanges, Sony Style retail stores (www.sonystyle.com/retail) and at sonystyle.com.

Sony Alpha DSLR-A500 / DSLR-A550

2009-08-31T19:14:00.000-07:00

SAN DIEGO, Aug. 27, 2009 – Sony today introduced two α (alpha) DSLR cameras with a new generation of Exmor™ CMOS sensors and BIONZ™ image processors, which make it easy for active shooters to get the best shot and capture clearer images—without missing their favorite moments.

The α550 (14.2 megapixels) and α500 (12.3 megapixels) cameras provide excellent picture quality, particularly in low-light scenarios. A new generation of Sony® Exmor CMOS image sensors employ new low-noise processing for high-quality pictures. The BIONZ image processor has color-noise reduction that helps achieve low noise up to ISO 12800, without sacrificing fine detail.

“We are bringing performance of a higher class of cameras within the reach of a broader group of consumers,” said Mark Weir, senior manager of the Digital Imaging business at Sony Electronics. “Not only do these cameras provide great value, but they also bring faster shooting speeds and new technologies like in-camera High Dynamic Range and new Live View features to mainstream photo enthusiasts.”

Fast Shooting Speeds

With its unique sensor-processor combination, the α550 camera is the first DSLR in its class with seven frames per second shooting speed for under $1,000. Using the optical viewfinder on both models, you can shoot up to five frames per second and up to four frames per second with Quick Auto Focus Live View. This helps you capture the decisive moment when shooting fast moving subjects like in sports.

In-Camera High Dynamic Range

These are Sony’s first DSLR cameras that offer an in-camera High Dynamic Range (HDR) feature for capturing highlights and shadows, which processes the image within two seconds. Unlike HDR features in other DSLR cameras, Sony’s unique positional interpolation technology can overcome slight changes in camera position and align individual shots so that a tripod is not required.

The feature handles severe backlighting and other high-contrast scenes like looking out a window into bright daylight. The in-camera auto HDR technology combines the highlight and shadow detail of two separate captures into one remarkably natural looking image.

Improved Live View

Because composing shots on the LCD monitor is becoming increasingly important to DSLR users, Sony has equipped these cameras with two Live View functions and a 3-inch (measured diagonally) LCD screen that tilts 90 degrees up or down. The α500 has a 230,400 dot Clear Photo LCD Plus™ screen, and the α550 has a 921,600 dot Xtra Fine LCD™ display.

Sony’s Quick AF Live View uses two sensors to maintain the same focusing speed as with the optical viewfinder. While the speed of Quick AF Live View is ideal for every day shooting, Manual Focus Check Live View enables critical framing and magnification for setting precise manual focus in macro and tripod shooting. Temporary 7x and 14x zoom views enable you to focus on extremely fine detail while the 1x view shows 100 percent framing in the LCD.

The Quick Auto Focus Live View has been developed with Face Detection technology to help you get the best shot by recognizing and adjusting for faces. It is the world’s first Face Detection system to work with fast, high-precision “phase detection” Auto Focus. By tracking up to eight faces, this system can prioritize auto focus points on a face, and optimize exposure and white balance for beautiful portraits.

These are Sony’s first DSLR cameras that include Smile ShutterTM technology in Live View, which takes the shot when your subject smiles. It works with Quick Auto Focus Live View to capture spontaneous moments.

Image stabilization helps take blur-free shots by compensating for camera shake. Typical DSLR systems build image stabilization into selected lenses only. SteadyShot INSIDE™ image stabilization is built into the camera body itself. Blur will also be reduced with every A-mount lens, including macro and wide aperture standard zoom lenses, with an effect equivalent to shutter speeds faster by 2.5 to 4 stops

To make the benefits of macro photography easier and more accessible, Sony is making available at retail the DT 30mm F/2.8 (model SAL30M28) macro lens. It captures intricate close-ups, which is difficult to achieve with standard lenses and is only compatible with APS-C format DSLRs.

Memory Cards

For higher capacity storage with greater connectivity and faster transfer speeds, the new DSLRs are compatible with Sony’s newest 32GB Memory Stick PRO-HG Duo™ HX media. The HX series card is designed to deliver optimal read and write speeds for a growing number of products that require high-bandwidth memory in order to capture and store large data files.

Using the HX series media, Sony α (alpha) DSLR users can confidently enjoy advanced features such as continuous-shooting photography and realize higher transfer rates of large capacity files to their compatible PC (via supplied USB adapter). For example with the α550 model, approximately 1500 14-megapixel photos shot in the JPEG+RAW mode can be transferred to a compatible PC in approximately 26 minutes (HX series media sold separately).

The new cameras include dedicated slots for high-capacity Memory Stick PRO Duo™, Memory Stick PRO-HG Duo™, HX series and SD/SDHC media (all sold separately).

Pricing and Availability

The α550 (model DSLR-A550) and α500 (model DSLR-A500), which come with the camera body only, will cost about $950 and $750 respectively. The α550L and α500L, which come with the camera body and 18-55 kit lens, will cost about $1050 and $850, respectively. The SAL30M28 macro lens will be available for about $200.

The cameras, lens and a range of accessories will be available in October at Sony Style® retail stores (www.sonystyle.com/retail), at military base exchanges and at authorized dealers nationwide.

EOS 50D Firmware Update Version 1.0.7

2009-08-04T11:37:00.000-07:00

Firmware changes

Firmware Version 1.0.7 incorporates the following changes.

1. Corrects a phenomenon where captured images may tend to appear somewhat magenta depending on the shooting scene.
2. Fixes incorrect indications on the Arabic, Romanian, Spanish, and Ukrainian menu screens.

Firmware Version 1.0.7 is for cameras with firmware up to Version 1.0.6. If the camera's firmware is already Version 1.0.7, it is not necessary to update the firmware.

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Nikon launches the AF-S DX NIKKOR 18-200MM F/3.5-5.6G ED VR II

2009-08-04T11:33:00.001-07:00

Nikon UK announces the introduction of the AF-S DX NIKKOR 18-200MM F/3.5-5.6G ED VR II lens. This flexible 11.1x Vibration Reduction ‘superzoom’ NIKKOR lens replaces the popular AF-S DX VR Zoom NIKKOR 18-200MM F/3.5-5.6G IF-ED to offer improved functionality and image quality.

Robert Cristina, Manager Professional Products, Nikon Europe says: “The 11.1x zoom ratio and beautifully balanced design make it ideal for anyone on the move and travelling light. The latest modifications in the new 18-200 come as a result of valuable feedback from customers.”

More practical, more quality

The AF-S DX NIKKOR 18-200MM F/3.5-5.6G ED VR II incorporates an all new zoom mechanism to prevent what is sometimes referred to as ‘zoom creep’ (the lens moves under its own weight when tilted). A new zoom lock switch keeps the lens compact when being carried as well. The AF-S DX NIKKOR 18-200MM F/3.5-5.6G ED VR II also features an improved Super Integrated Coating, an exclusive multi-layer lens element coating which reduces ghost and flare, ensuring improved image quality and contrast.

The lens features Nikon’s exclusive Vibration Reduction (VRII), giving users the ability to shoot at shutter speeds up to four stops* slower than would otherwise be possible, thereby minimizing image blur caused by camera shake. The optical VR system also stabilises the viewfinder image enabling more accurate autofocus acquisition and framing to make it ideal for shooting in low light conditions without a tripod.

*As determined in Nikon performance tests

Specifications

Focal length: 18-200 mm
Max/min aperture: f/3.5-5.6G
Lens construction: ED glass and aspherical lens elements
Picture angle: 76°-8°
No. diaphragm blades: 7 (rounded)
Closest focusing distance: 0.5 m/1.6 ft.
Filter/attachment size: 72mm
Diameter x length: Approximately 77 x 96.5 mm/3.0 x 3.8 in.
Weight: Approximately 565 g/19.9oz

Nikon launches the AF-S NIKKOR 70-200MM F/2.8G ED VR II

2009-08-04T11:32:00.001-07:00

Nikon UK today unveils the AF-S NIKKOR 70-200MM F/2.8G ED VR II lens which features a brand new optical design for class leading levels of image quality and extended Vibration Reduction capability.

Robert Cristina, Manager Professional Products at Nikon Europe, says: “The optical design has been completely re-mastered to meet the demands of today’s image sensors. It also works better at slow shutter speeds and is adapted to complement the latest autofocus technologies too.”

Improved low light shooting

The AF-S NIKKOR 70-200MM F/2.8G ED VR II lens features the last word in Vibration Reduction (VRII) stabilisation technology to provide users with the ability to shoot at shutter speeds up to four stops* slower than would otherwise be possible. Two modes are available; Normal for everyday shooting and Active to minimise the vibrations caused when shooting from moving vehicles, such as motorcycles or aircraft. Both modes offer a stable viewfinder image, which ultimately makes focus point acquisition and framing far more comfortable and precise.

Brilliant image quality

The new lens is designed to deliver the best image quality in its class with excellent edge to corner quality on today’s FX format cameras. Nikon’s exclusive anti-reflection Nano Crystal coat, and no less than seven ED glass elements work to minimise internal reflections and aberrations to deliver rich, high contrast images even under the most challenging lighting conditions.

The new lens features three focus modes; A/M; M/A and M. The new A/M switch enables autofocus priority even if the focus ring is being handled during shooting.

The new optical design also enables shorter dimensions than the current version, without compromising the durability that professional photographers rely upon to get the job done. The tough magnesium body is extensively sealed to withstand the affects of dust and moisture to enable you to keep shooting whatever the conditions.

* As determined in Nikon performance tests

Specifications

Focal length: 70-200 mm
Max/min aperture: f/2.8G
Lens construction: 7 ED glass elements
Picture angle: 34°20’ - 12°20’ (22°50’ - 8° with Nikon DX format)
Minimum focus distance: 1.4 m/4.6 ft. (throughout entire zoom range)
No. diaphragm blades: 9 (rounded)
Filter/attachment size: 77mm
Diameter x length: Approximately 87 x 209 mm/3.4 x 8.2 in.
Weight: Approximately 1,540 g/3.4 lb.

Nikon D300S

2009-08-04T11:30:00.001-07:00

Nikon UK announces the D300S, a camera to broaden the possibilities for today’s creative image makers. The D300S brings HD movie capability, a faster frame advance rate of 7fps and dual CF and SD memory card slots to offer new opportunities to explore creative imaging.

Built upon the widely acclaimed D300, the D300S incorporates the same DX-format 12.3 megapixel CMOS sensor, professional 51-point autofocus system and commended EXPEED image processing in a discrete compact body.

Robert Cristina, Manager, Professional Products for Nikon Europe, comments: “The D300S is designed for today’s generation of creative image makers who will benefit from a combination of brilliant stills and the creative potential of video capture. The DX format has the advantage of lens magnification, compact size and affordability making the D300S a really exciting package for anyone looking to take their photography to another level”.

Capture and Edit HD Movies in stereo

The D300S comprehensively extends DSLR HD movie capture by adding external stereo sound input, autofocus capability and premieres in-camera movie editing. External stereo microphone support adds more realistic sound when shooting movie clips, and a new dedicated LV button makes switching between stills and movies easier than ever. In-camera movie clips can be edited by simply selecting the start and stop points during playback. Also, the new Type C HDMI interface enables editing to be carried out on an HD display if desired.

Dual slot storage media

For the first time in this class, the D300S offers the choice of dual storage media standards; CF (Compact Flash™) and SD (Secure Digital™) with options to manage how the camera records data to them. For example, one can elect to store stills to one format and movie clips to another.

Faster shooting, outstanding quality

The D300S captures images up to a blistering 7 frames per second without requiring any additional battery pack. The optional MB-D10 pack makes 8fps possible as well as improved vertical shooting ergonomics.

The camera inherits the groundbreaking imaging technologies from the D300 such as Scene Recognition System with 1005 pixel RGB colour metering, and class-leading autofocus performance from the 51-Point Multi-CAM3500 autofocus system, which together deliver accurate autofocus, auto exposure and auto white balance control. The EXPEED image processing system delivers Nikon’s acclaimed image quality criteria of rich accurate colours, smooth skin gradations, exceptional detail with the minimum of noise, with all of the flexibility of Nikon’s exclusive Picture Control system to manage the ‘look and feel’ of your work.

Intuitive ergonomics

Significant improvements have been made to Nikon’s renowned ergonomics with the adoption of the same multi-selector to that used on the D3 series and D700 with the centre button ideally located for triggering movie start and stop. The D300S also features a Quiet release mode for discrete photography by allowing the user to manage the mirror return manually. The dedicated Info button simplifies displays and short cuts to commonly used settings, and the built-in pop-up flash diffuser covers 16mm wide-angle field of view.

Practical performance

The 3 inch 920K dot high definition TFT monitor offers excellent image playback and movie composition support. One can also display the Virtual Horizon level during movie shooting if desired. A variety of in-camera processing tools now includes an image resize function to process RAW files to one of four pre-set dimensions to enable to do more in camera, and less on the PC.

More than just an ‘S’

The D300S comprehensive feature set is designed for anyone who is serious about the future of their photography. It proposes much more than the simple ‘S’ suffix might suggest to cement a unique position in Nikon’s comprehensive DSLR range with a practical blend of creative options, professional technologies, compact size and affordability.

Nikon D3000

2009-08-04T11:27:00.000-07:00

Nikon UK is pleased to announce its simplest, most accessible DSLR to date, the D3000. The new model is packed with user friendly, intuitive features which have been designed to guide DSLR first timers towards capturing professional looking images at the click of a button.

Jordi Brinkman, Product Manager for Nikon Europe says: “The D3000 dispels the view that DSLR cameras are complicated and makes taking great pictures simpler than ever before. You can really concentrate on having fun with photography and the Guide mode helps you to get the best results with the minimum of fuss.”

DSLR, pure and simple

The D3000 is designed for anyone who wants to take pictures without worrying about settings. You can select the type of subject or scene and the camera will do the rest, ensuring the correct parameters are set for the perfect shot, and the instant response time means you never miss a moment. The 11-point autofocus system ensures everyone is in focus, and the bright viewfinder means you get what you want, when you want it.

Great pictures, automatically

The 10.2 megapixel sensor, powerful EXPEED processing system and brilliant NIKKOR lenses ensure excellent pictures wherever you are, whatever you or your subject is doing. The comprehensive exposure metering system, ISO 1600 sensitivity and built-in pop up flash make light work of dark places.

Guide the way

The new intelligent Guide mode demystifies the often complex world of digital SLR photography by helping DSLR first timers to get the most from their images by recommending the appropriate settings for their subject or scene. The visual demonstrations help you to pre-visualise the end result and teach you how to improve your photography skills by clearly identifying the settings used to achieve the image. Once you have mastered the basic skills you can take your photography to the next level by testing out the more creative options within the guide mode

3-inch LCD screen

The 3-inch LCD screen means you can share your efforts with family and friends and makes retouching your pictures in-camera great fun. Beyond the Guide mode, the GUI menus are larger and simpler to use thanks to extensive use of visuals instead of text. The wide variety of exciting in-camera processing effects means you can get really creative with your pictures and share them with friends and family.

Anytime and anywhere

Whatever you do, wherever you go, the D3000 is a must have for any family event or day out. The camera’s comprehensive technologies and tough exterior are ready to handle whatever your free time can throw at it. The exclusive dust reduction system with Airflow control minimises the impact of dust on the image sensor and its compact size and weight – and tough housing – on both body and lens make the D3000 impossible to leave behind.

Key features

- 10.2megapixel CCD sensor. Even in low light the image resolution makes easy work of big prints and sharp enlargements.
- 11-point autofocus system. Keeps even the fastest moving subjects in focus, often the biggest challenge for compact cameras
- Fast response. The start up time and shutter lag means you can capture the shot almost instantly, without the delayed response time common of compact cameras
- Guide mode. Simply the easiest way to get great pictures, without having to read the manual
- 3-inch TFT. With pictures this good, you will need a great screen to share them with friends and family
- EXPEED image processing. Exclusive system to deliver rich, bright results close to what you saw with your own eyes
- Picture Controls. Lets you set the look and mood of your images before you shoot
- 3 fps continuous shooting allows you to capture fast-moving action at 3 frames per second
- Intuitive ergonomics. We challenge anyone to pick up a D3000 and it not to feel part of your hand
- Stylish discrete appearance. The D3000 does not become a barrier between you and your subject, resulting in natural looking expressions
- Compact, light and durable. It won’t fit in your pocket, but with pictures this good you will find a shoulder to hang it on

Olympus E-P1 Review

2009-07-14T08:34:00.000-07:00

The Olympus E-P1 is a new kind of digital camera that promises to offer DSLR image quality in an ultra-compact format. The first Micro Four Thirds model from Olympus, the EP1 has a retro design based on the Olympus Pen series of compact film cameras from 1959. The Olympus EP1 features a 12.3 megapixel DSLR sensor in a mirror-less, metal body complete with interchangeable lenses and built-in image stabilisation. It’s compatible with all Micro Four Thirds lenses and, via adapters, existing Four Thirds and OM lenses. The new TruePic V image processor at the heart of the E-P1 provides fast operation, ISO speeds up to 6400, RAW format support, and the same Art Filters found on the Olympus E-30 and E-620 DSLRs. The EP1 can also record HD 720p quality video with continuous auto-focus and control over depth of field. A 3 inch LCD screen, 3fps continuous shooting, Supersonic Wave Filter dust reduction system, a level gauge to ensure straight horizons, and auto gradation adjustment to prevent blown highlights and blocked-in shadows complete the E-P1’s headline specs. Available in silver and white, the Olympus E-P1 is priced at £699.99 / $799 with the new 14-42mm lens, and is also available in a range of other kits.

Mark Goldstein

Read more : photographyblog

Canon Digital Rebel T1i (EOS 500D) Review

2009-07-14T08:32:00.000-07:00

The Digital Rebel T1i is certainly the most fully featured "Digital Rebel" to date, and comes very close to equaling the performance of the EOS 50D in many respects. It has the same sized sensor and shares many firmware features such as Peripheral Illumination Control, Highlight Tone Priority, High ISO noise reduction, Auto Illumination Optimization and the usual array of exposure, metering and Picture Style options. The T1i is the first DSLR in the Rebel series which offers an ISO setting over 1600 and Canon went all the way and added not only ISO 3200, but 6400 and 12800 as well, again equaling the specifications of the EOS 50D. Canon even gave the T1i the new high resolution 3" LCD screen found on the 50D. The Digital Rebel T1i actually goes one step further than the EOS 50D in one respect and incorporates many of the video recording features only found elsewhere in the Canon lineup on the EOS 5D MkII.

Of course all these added features wouldn't be so attractive if the image quality of previous models hadn't been maintained, but it has. Despite the increased pixel count (and consequently smaller pixels), noise is well controlled (at least up to ISO 3200) and image quality is very similar to that of the EOS 50D.

For anyone who wants to shoot HD video, the T1i at a current price of around $800 (including the 18-55 IS lens) is a real bargain, especially when the only other alternative in the Canon lineup is the $2700 Canon EOS 5D MkII. Of course the 5D MkII is a full frame camera and has more video controls and a higher 1080p frame rate, but then for almost $2000 more, it should have!

Overall I think the Digital Rebel T1i is one of the best bargains in Canon's (or anyone else's) DSLR lineup. You get a high resolution sensor, ISO capabilities up to 12,800, HD video and most of the "bells and whistles" that the average photographer will ever need.

Read more : bobatkins

Olympus E-620 Review

2009-07-09T11:06:00.001-07:00

Olympus continues to improve their advanced amateur dSLR offering, with the latest E-620 for 2009. Replacing the E-520 from last year, the E-620 includes a host of improvements and changes over its predecessor. It also shares many features with its big brother, the E-30 we reviewed earlier in the year. These include the same 12-megapixel Live MOS image sensor, Supersonic Wave Filter dust reduction system, built-in Image Stabilizer system, TruePic III+ image processor, dual memory card slot (CF2/xD), USB 2.0 High-speed connectivity, sensitivity range from ISO 100-3200, sRGB and Adobe RGB color space choices, Li-ion battery pack (BLM-1), 49-point Digital ESP metering system, 2.7" swiveling Hypercrystal II LCD screen, and Live View capture. The E-620 also offers improved burst rates (4fps compared to 3.5fps on the E-520), adds 6 new Art Filter exposure modes, and a new 7-point TTL contrast/phase-difference AF system (11-point on the E-520).

Like past models, the E-620 offers a great deal of versatility, whether you are an amateur to professional photographer, or simply a novice. With 18 pre-programmed scene modes, 6 Art modes as well as full Auto, the most inexperienced user can pick this camera up and start capturing pleasing shots. Those with a little more experience with also appreciate Program AE mode, which is fully automatic (the camera selects the aperture and shutter values), however now they have access to controls like ISO, White Balance, AF mode, Metering, Color Space, etc. Portrait, Landscape, Macro, Sport and Night+Portrait can be accessed directly via the Mode dial, and offer advanced exposure options like those found in Program mode. These same exposure options are not available when you select the Scene or Art positions on the mode dial. The E-620 still retains all of the advanced controls that advanced photographers desire, such as Aperture priority, Shutter speed priority and full Manual exposure modes as well as a slew of custom functions.

The dimensions of the E-620 have only changed slightly from the previous model, measuring 5.1 in. x 3.7in. x 2.4 in. (130 mm x 94 mm x 61 mm) and weighing in at 16.6 oz. (472 g, body only). The overall body design is very similar to past and current E-system models. I found the E-620 was comfortable to hold, thanks in part to the nice "fat" hand-grip, and rubber accents. The camera also offers a nice well-built feel in your hands, adding to the scene of "professionalizm" that it presents. Once you attach all of your accessories (memory card, 14-42mm f3.5/5.6 Zuiko lens, battery, flash unit, etc.), the weight does increase a bit. However, I still feel the camera has a good weight to it. The control layout is similar to E-520's, however because of the new swiveling LCD, all of the buttons that use to line the left hand side of the screen have been relocated. Overall, I found the control/button placement was done well, all arranged in a comfortable manner over the top and back of the camera. For those who have used or owned an E-series dSLR in the past, you will notice that the menu system hasn't changed much. All of the exposure/camera options are logically organized, allowing for easy menu navigation.

Read more : steves-digicams

Olympus E-P1 Review

2009-07-09T11:04:00.000-07:00

Olympus has finally released their first Micro 4/3 model, the E-P1 Digital PEN. With a retro look that comes from it's PEN family history, the E-P1 is a powerful and sophisticated digital camera. Many feel that these new Micro 4/3 cameras are not truly dSLRs, because they do not have an automatic moving mirror system. However, the E-P1, along with the Panasonic Lumix DMC-G1 and DMC-GH1, are still interchangeable lens cameras that offer almost all of the same features/options one would find on true dSLR.

The E-P1 boasts some very appealing features, including a 12.3-Megapixel Live MOS image sensor, TruePic V image processor, Supersonic Wave Filter dust reduction system, 3.0-inch LCD screen, 324-area TTL ESP metering system, 11-area Contrast Detection AF system, sensor-shift Image Stabilization, built-in digital leveling, 720p HD video capture, JPEG and RAW image formats (RAW + JPEG available), sensitivity settings from ISO 100 - 6400 (in 1/3 or 1EV steps), hot shoe for external flash units or Optical Viewfinder, sRGB or Adobe RGB color space options, and burst mode shooting at up to 3fps.

While the E-P1 is loaded with advanced settings and options that you would find on other E-series models, like the E-620, it also shares some similarities with Olympus' consumer point-n-shoots. First being, the iAuto or "intelligent" Auto exposure mode. Just like with their consumer models, the E-P1 will gather information about the scene you are currently shooting, and automatically select the best Scene mode settings to ensure you get the best possible photos. Users can also choose from the typical Program AE, Aperture priority, Shutter speed priority, and full Manual exposure modes, that will give you as much control over the exposure process as you can handle. There are also 13 pre-programmed Scene modes to choose from (like Portrait, Landscape, or Sports) as well as 6 new Art filter modes that allow you to explore your creative side.

Read more : steves-digicams

Sony DSLR A380 Review

2009-07-09T10:57:00.000-07:00

Sony's DSLR A380 is the top model in a suite of three Alpha DSLR cameras that were announced in late May. Ninety-two grams lighter than its predecessor, the 14.2-megapixel A380 replaces the DSLR-A350 in Sony's line-up. The new camera has been designed for newcomers to SLR photography and boasts a 2.7-inch Clear Photo LCD screen, SteadyShot INSIDE in-camera image stabilisation and dual slots that accommodate Memory Stick PRO Duo and SD/SDHC memory cards (Full functionality is not guaranteed with Memory Stick Duo cards).

Many of the specifications of the new model replicate those of its predecessor - which was reviewed by Photo Review in February 2008 - and the RRPs of both cameras appear to be the same. Both models feature the same sensor resolution, dust reduction system and body-integrated image stabiliser.

The AF system, sensitivity, exposure compensation and white balance presets are unchanged, although the A380 lacks the Kelvin adjustments of its predecessor. Shutter speeds are the same in both models. Both models offer Sony's Quick Autofocus (AF) Live View technology, so users can frame shots on the camera's LCD screen as well as in the optical viewfinder and enjoy fast autofocusing when shooting in Live View mode.

One noteworthy feature that makes the A380 a camera that novice buyers can 'grow' with is the A380's new graphical user interface (GUI). As well as being easy to read, it includes a built-in on-screen Help Guide that shows users the effect of changing aperture and shutter speed settings when the camera is set to the OVF (optical viewfinder) mode.

Margaret Brown

Read more : photoreview

Olympus E-620 Review

2009-07-07T02:20:00.000-07:00

Olympus has established a tradition of offering very well specified cameras at the entry-level, and was one of the first to offer two cameras in this bracket - the little E-410 and its image-stabilized big brother, the E-510 (later upgraded to the 420 and 520 respectively). Now it has introduced the E-620, a model that will 'sell alongside' the E-420 and E-520 (in the sense that we suspect it will eventually replace the E-520) as the company's attempt at a '500D-killer'.

And, even by Olympus's standards of entry-level generosity, it's not short on toys - including an articulated screen to make full use of its live view system, which itself is one of the better implementations of this feature (from the company that got there first). It's also got 'Art' modes and the ability to shoot in four different aspect ratios - adapted from the features of the more expensive E-30. There's also in-body Image Stabilization and a level of configurability that is unparalleled in this class. In fact it's astonishing how much Olympus has crammed into its small dimensions - it's nearer to the size of the E-4X0 than the E-5X0 series (due in part to use of the small BLS-1 battery), and the E-420 was famously the smallest DSLR in the world.

Of course, since the E-620 was announced, Olympus has launched the E-P1 mirrorless interchangeable lens camera, which shares many features with the E-620 and is still smaller. However, the through-the-lens optical viewfinder and fast, phase-detection autofocus system mean that the E-620 shouldn't face too much of a threat from its more compact sibling (despite the degree of shared componentry, they're different cameras that fulfil rather different needs).

More importantly, perhaps, the E-620 seems to address some of the main shortcomings of the E-520 - the viewfinder is slightly larger and has been reworked so that the information panel appears below the view screen, rather than tucked-away off to the right. It also moves on from the old three-point AF system with the introduction of a seven-point version, which includes five cross-type sensors. In fact, the specification of the E-620 is so high that it makes as much sense for us to compare it to Olympus's semi-pro body, the E-30, as to the company's existing entry-level models.

Richard Butler and Lars Rehm

Read more : dpreview

Canon EOS Rebel T1i / 500D Review

2009-07-07T02:14:00.000-07:00

The EOS Rebel T1i (also known as the EOS-500D) is the replacement of Canon's very successful Rebel XSi (EOS-450D). It takes everything that made the XSi such a hit and adds these improvements:

* 15.1 Megapixel CMOS sensor (up from 12.2)
* Uses DIGIC 4 image processor (XSi used DIGIC III)
* Higher resolution, 920,000 pixel LCD display (versus 230k on the XSi)
* Wider ISO range
* Records movies in Full HD (the XSi had no movie mode)
* HDMI output

That's not too bad of an upgrade! There are two things that got worse on the new Rebel T1i: battery life is down 20%, and the burst rate is slightly slower, though the latter isn't entirely surprising.

Everything else remains the same. The Rebel T1i is compact, supports both EF and EF-S lenses, and offers both automatic and full manual controls. And, as you'd expect from a digital SLR, it's quite expandable.

Jeff Keller

Read more : dcresource

SIGMA Photo Pro Software 3.5.2 for Windows and SIGMA Photo Pro 3.3 for Macintosh (build 1019) download.

2009-07-07T02:11:00.000-07:00

Sigma Corporation is pleased to announce that SIGMA Photo Pro Software 3.5.2 for Windows and SIGMA Photo Pro 3.3 for Macintosh (build 1019) is available for download.

Users of DP series and Sigma SD series cameras can now download the latest Sigma PhotoPro software.

Benefits of the Sigma PhotoPro software update

SIGMA Photo Pro 3.5.2 for Windows

* Improved processing performance in highlight areas of RAW images
* Exposure Warning is displayed to each RGB channels of the histogram
* Addition of “ProPhoto RGB” to the Color Space in “Save Image As”.

SIGMA Photo Pro 3.3 for Macintosh (build 1019)

* Improved processing performance in highlight areas of RAW images
* Addition of “ProPhoto RGB” to the Color Space in “Save Image As”.

SIGMA Photo Pro Software 3.5.2 for Windows and SIGMA Photo Pro 3.3 (build 1019) for Macintosh is available for download at the following site.

For DP2 users

* http://www.sigma-dp.com/DP2/photopro.html

For DP1 users

* http://www.sigma-dp1.com/software/spp/

For SD series (SD9, SD10 and SD14) uses

* http://www.sigma-sd14.com/software/spp/

Nikon Launches D5000 Cashback Scheme

2009-07-01T15:23:00.001-07:00

Nikon UK is celebrating 50 years of its pioneering F-Mount lens system by offering up to £75/€90 cashback on D5000 and lens combination purchases, until 31st August 2009.

Customers are entitled to claim £50/€60 cashback on purchases of a D5000 single lens kit (camera body plus any single AF-S NIKKOR lens) and £75/€90 on a D5000 twin lens kit (camera body plus any two AF-S NIKKOR lenses).

Details about kit combinations, cashback values and claim deadlines are outlined below:

D5000 single lens kit (any single AF-S NIKKOR lens) - £50/€60 cashback
D5000 twin lens kit (any two AF-S NIKKOR lenses) - £75/€90

The promotion will run from the 1st July 2009 until the 31st August 2009 (inclusive), and all claims must arrive by 30th September in order to qualify.

For more information on the promotion, and how to submit your claim, please visit: www.nikon.co.uk/cashback.

Terms and conditions apply. Offer is subject to availability.

Micron Introduces New 34-Nanometer High-Density NAND Products, Increasing Performance And Reducing Die Size

2009-07-01T15:21:00.000-07:00

Lexar Media Announces New Flash Memory Cards Using Micron’s New High-Capacity 34nm NAND

BOISE, Idaho and Fremont, CA., June 30, 2009 – Micron Technology, Inc. today announced mass production of new NAND flash memory products using its award-winning 34-nanometer (nm) process technology. As consumers demand increased capacity to store more music, videos, photos, and applications in ever smaller portable electronic devices, manufacturers need a storage solution that delivers on capacity, performance, and size. Micron’s new 16- and 32-gigabit (Gb) NAND chips pair large capacity with performance, providing a compelling solution for today’s demanding portable storage requirements that are tailored to end-customer product dimensions.

The newly architected 32Gb multi-level cell (MLC) NAND chip is 17 percent smaller than Micron’s first-generation 32Gb chip. The 16Gb MLC NAND chip, at just 84mm², provides high-capacity in an ultra tiny package. Micron is also now sampling 8- and 16Gb single-level cell (SLC) NAND chips using the 34nm process.

Additionally, Lexar Media, Inc. – a subsidiary of Micron and a leading provider of consumer memory products for digital devices – is taking advantage of Micron’s new 34nm NAND products by delivering a wide range of flash memory cards and USB flash drives utilizing this technology.

“Our industry-leading NAND products are opening new possibilities for some of the world’s most popular consumer electronic devices,” said Brian Shirley, vice president of Micron’s memory group. “With our new 16- and 32Gb NAND chips in mass production, we are enabling customers to design cost-effective, high-capacity storage in their small-form factor products, using less space and fewer die. In addition, the high-speed interface is ideal in the industry’s quest to continue to increase throughput performance for SSDs.”

Both products feature an ONFI 2.1 synchronous interface that delivers transfer speeds of up to 200 megabytes per second (MB/s). In comparison, traditional SLC NAND is limited to 40 MB/s. With this improved transfer speed, the interface delivers the fastest read and write throughputs offered in today’s NAND devices. And with solid state drives (SSDs) trending toward a SATA 6 Gb/second interface, the high-speed NAND interface enables manufacturers to design products that deliver twice the throughput of today’s existing SATA 3Gb/s solutions. Customers can expect this high-speed interface designed into all future high-density Micron® NAND products.

Micron 34nm NAND Enabling New High-Capacity Memory Cards from Lexar Media

Lexar Media is utilizing Micron’s high-capacity 34nm technology in its high-performance memory cards, including the new Lexar® Platinum II 32GB Secure Digital High Capacity (SDHC™) memory card and the Lexar 16GB microSDHC™ mobile memory card. By the end of September, Micron’s new 34nm NAND will also be used in a wide range of Lexar microSD™ and microSDHC cards, Memory Stick Micro™ (M2™) cards, and various capacities of Secure Digital, SDHC, CompactFlash®, and Memory Stick PRO Duo™ cards. Additionally, Micron 34nm NAND will be used in Lexar’s JumpDrive® USB flash drives, including JumpDrive Retrax, JumpDrive TwistTurn, JumpDrive FireFly, and JumpDrive Secure II Plus.

“By integrating the increased capacity and performance of Micron’s new 34nm NAND into Lexar’s flash memory products, we are giving our customers the ability to take full advantage of their digital cameras, phones and devices,” said Greg Rhine, vice president of sales and product marketing at Lexar Media. “With Lexar’s cost-effective, high-capacity, and high-speed memory cards and USB flash drives, consumers can capture more pictures and videos, listen to more music, and transfer data between their devices even faster than before.”

The first Lexar memory card to feature Micron’s new 32Gb NAND chip is the new 32GB Lexar Platinum II SDHC memory card. With the ability to store up to 12 hours of high-definition (HD) video or more than 20,000 5-megapixel images, the increased capacity enables photographers to capture important events and memories with photos and HD video. Beyond video and photography, the Lexar Platinum II 32GB SDHC memory card can be used as a convenient way to expand the available storage in today’s emerging, ultra-portable notebook computer applications, such as netbooks and mobile Internet devices (MIDs).

In addition to its high capacity, the new Lexar Platinum II SDHC card is speed-rated at 60x (Class 4), offering a minimum-sustained write speed of 9MB per second that enables photo enthusiasts to take advantage of their camera’s burst-mode setting to capture many images in rapid succession. In addition, a minimum-sustained read speed of 12MB per second ensures fast transfers of images from the card to a host computer.

Micron’s tiny 16Gb, 34nm NAND chip, which is approximately one-third the size of a keyboard key, is ideal for ultra-small, high-capacity microSD cards, such as the Lexar 16GB microSDHC mobile memory card. The Lexar 16GB microSDHC card allows consumers to expand the capabilities of their digital devices, such as mobile phones with photo and video capture capabilities, MP3 players, and smartphones. Consumers can store up to 48,000 2-megapixel JPEG photos, 4,000 songs, or 80 hours of standard-definition video content on the Lexar 16GB microSDHC card when used in a digital device.*

*For test parameters, visit the Lexar mobile memory capacity chart, here: http://www.lexar.com/digfilm/mobile_cap_chart.html

Relevant Links
There are other ways to stay up-to-date on Micron and Lexar news:

* Micron Innovations Blog: www.micronblogs.com
* Micron on Twitter: http://twitter.com/microntechpr
* Lexar on Twitter: http://twitter.com/lexarmedia

About Lexar Media
Lexar Media is a leading designer, manufacturer, and marketer of NAND flash and DRAM memory products under the Lexar® and Crucial® brand names. Lexar offers products in all major flash and DRAM memory categories, including consumer and enterprise-level USB flash drives, industry-leading memory cards for photography, and all popular form factors of memory cards for mobile devices. For computers, Lexar also offers a full range of DRAM computer memory upgrades for PCs and Mac® systems, and solid state drives (SSDs). An industry leader in innovative, patented flash memory technology, Lexar is vertically integrated with Micron Technology, Inc., one of the largest semiconductor manufacturers worldwide.

For more information about Lexar, visit www.lexar.com. For more information about Crucial products, visit www.crucial.com, www.crucial.com/uk or www.crucial.com/eu. Lexar Media, Inc. is a subsidiary of Micron Technology, Inc. Lexar Media is a division of Micron Europe Limited, a division of Micron Semiconductor Asia Pte. Ltd., and a division of Micron Japan, Ltd.

Lexar. When Memory Matters.™

About Micron
Micron Technology, Inc., is one of the world's leading providers of advanced semiconductor solutions. Through its worldwide operations, Micron manufactures and markets DRAM, NAND flash memory, CMOS image sensors, other semiconductor components, and memory modules for use in leading-edge computing, consumer, networking, and mobile products. Micron's common stock is traded on the New York Stock Exchange (NYSE) under the MU symbol. To learn more about Micron Technology, Inc., visit www.micron.com.

©2009 Lexar Media, Inc. All rights reserved. Information is subject to change without notice. Lexar, the Lexar logo, and When Memory Matters are trademarks of Lexar Media, Inc. Micron, Crucial, and the Crucial logo are trademarks of Micron Technology, Inc. All other brand or product names are trademarks or registered trademarks of their respective holders.

OLYMPUS Master 2.2 and OLYMPUS Studio 2.3

2009-07-01T15:18:00.000-07:00

Enhanced performance for creative photography

Software updates for Olympus cameras

Hamburg, 1 July 2009 – The E-P1 was introduced with a bang in mid June and it is now time for Olympus to follow up with new software releases to ensure all cameras are in top form. OLYMPUS Master 2.2 and OLYMPUS Studio 2.3 enhance the already impressive selection of artistic features as well as adding new functionality to RAW format photography.

New improvements provided by the latest software updates include:

• The ability to develop RAW images shot with the E-P1.
• Enhanced art filter options with the possibility of testing the filters at home rather than when shooting.
• Improved use of e-Portrait and Beauty Fix through possible function and level selection later on a computer.
• A novel Video Editor allowing for movie creation, including HD videos created with the E-P1.

It is easy to get the software for OLYMPUS Master 2.2 and OLYMPUS Studio 2.3. An up-to-date software CD is included with every E-P1 camera while the new versions are also downloadable online for other users at:
http://www.olympus-consumer.com/en/consumer/download.html.

If you are already using OLYMPUS Master 2 or a registered version of Studio 2, you can simply use the built-in “Update Software” function to benefit from the improvements.

For questions or additional information, please contact:

Franziska Jorke
Olympus Europa Holding GmbH
Tel.: +49-40-237 73-4759
Email: Franziska.Jorke@Olympus-europa.com

SANDISK UNVEILS WORLD’S FASTEST 32GB SDHC CARD

2009-06-29T18:49:00.000-07:00

30MB/s Read & Write Speeds and 32GB Storage Capacity Help Photography and Video Enthusiasts Do More With Their DSLRs

PMA, Sydney, June 25, 2009 – SanDisk Corporation (NASDAQ:SNDK), the global leader in flash memory cards, today introduced the fastest 32-gigabyte (GB)1 SDHC™ card on the market.The 32GB SanDisk Extreme® SDHC™ card at up to 30 megabytes per second (MB/s)2 read and write speeds combines industry-leading performance with massive storage capacity, helping digital photography enthusiasts utilize the advanced features of today’s DSLR cameras.

“The market for entry to mid-level DSLR cameras is growing, and SDHC is becoming the de-facto card format for these devices,” said Susan Park, director, retail product marketing, SanDisk.“Our card’s 32GB of storage and up to 30MB/s read & write speeds enable DSLR users to shoot without worrying about storage or speed limitations. SanDisk Extreme SDHC cards provide consumers with a more enjoyable user experience, letting them focus on what is really important – the images that they are capturing.”

Lightning-Fast Write Speed Captures Images Quickly
A memory card’s write speed plays a crucial role in the overall system of the camera when taking pictures in rapid succession. If a card cannot process data quickly enough then the burst mode shooting may pause unexpectedly as the card catches up to the camera. Burst mode bottlenecks can lead to missing “the” shot, especially at sporting or other fast-motion events. The SanDisk Extreme SDHC card offers maximum data-transfer rates, giving consumers a memory card fast enough to unlock the full capabilities of their DSLRs.

The 32GB SanDisk Extreme SDHC card adheres to the SD Association’s new Class 10 specification, which exceeds requirement for today’s high definition (AVCHD) video recording. The card offers a sustained write speed fast enough to ensure high-definition video recording and capacity capable of storing 160 minutes of full HD 1920x1080 pixels at 24Mb/s data transfer rate.

Big Files Require Big Storage
Recently-released DSLR camera models like the Nikon D90 and D5000 offer consumers the ability to record HD videos, producing large files that can fill lesser-capacity cards quickly. Today’s high-megapixel DSLRs also can generate massive still images like those produced in the RAW format used by professional photographers who want to take advantage of the enhanced picture quality and flexibility that RAW allows during post production.

RAW images demand up to ten times as much storage space as regular JPEG images, and when taken in rapid succession during burst mode can quickly fill smaller storage cards. The 32GB SanDisk Extreme SDHC card can store up to 2500 RAW3 images, providing photographers with piece of mind and confidence that they will not run out of space for their images.

Renowned for their world-class durability, SanDisk Extreme SDHC cards guarantee operation at extended temperatures ranging from minus 13 F (minus 25 C) to 185 F (85 C). SanDisk Extreme SDHC cards are fully compatible with any camera, card reader or other device that supports SDHC cards.

When placed in SanDisk’s new ImageMate® Multi-Card USB 2.0 reader/writer, the SanDisk Extreme SDHC card transfers images and video to a computer at rates of up to 30MB/s. The card’s fast data transfer rates enable photographers operating under tight deadlines to maximize critical workflow and enter post production as quickly as possible.

Class 10 Performance Sets a New Standard
An SD™ card’s speed Class is based on its minimum data-transfer rate, and is used to ensure high-quality video recording standards. The SD Association added Class 10 as part of the SD 3.0 specification released earlier this year. The SanDisk Extreme SDHC card’s performance exceeds the requirements of even the highest-quality AVCHD video recording device, and is currently the fastest Class 10 card in the world.

Availability:
The SanDisk Extreme SDHC 32GB cards will be shipping worldwide to major retailers in August. Also in August, the current 4, 8 and16GB capacity SanDisk Extreme SDHC cards will be upgraded from Class 6 to Class 104.

About SanDisk
SanDisk Corporation is the global leader in flash memory cards – from research, manufacturing and product design to consumer branding and retail distribution. SanDisk’s product portfolio includes flash memory cards for mobile phones, digital cameras and camcorders; digital audio/video players; USB flash drives for consumers and the enterprise; embedded memory for mobile devices; and solid state drives for computers. SanDisk (www.sandisk.com/corporate) is a Silicon Valley-based S&P 500 company with more than half its sales outside of the United States.

Pentax K-7 Review

2009-06-29T18:43:00.000-07:00

The Pentax K-7 is one of the more exciting new DSLR cameras of 2009, signalling Pentax’s entry into the super-competitive semi-pro category. Going up against the likes of the Canon EOS 50D and Nikon D300, the 14.6 megapixel K7 certainly has a lot to offer on paper, surpassing its main rivals in many ways. The Pentax K-7 joins the growing list of DSLR cameras that can record video, with a best quality setting of 1536x1024 pixels at 30fps. In-camera High Dynamic Range is another up-to-the-minute feature, combining three differently exposed images on-the-fly to create a single photo with expanded dynamic range. Autofocus, traditionally one of the weaker points of Pentax SLRs, has been significantly upgraded to a new 11-point wide-frame AF module with 9 cross sensors and 2 line sensors. The dust-, weather- and freeze-proof Pentax K-7 has 77 weather / dustproof seals, a stainless-steel alloy chassis, a shutter designed for 100,000 releases, a top shutter speed of 1/8000th second, a through-the-lens optical viewfinder with 100% frame coverage and 0.92x magnification, and a new 77-segment matrix meter. With barely a pause for breath, the K7 boasts a high-resolution 3-inch LCD monitor with 920k dots, built-in dust removal and shake-reduction systems, continuous shooting rate of 5.2fps, improved Live View with Face Recognition AF, and automatic compensation of lens distortion and lateral chromatic aberrations with DA and DFA lenses. In the UK the Pentax K-7 costs £1199.99 body only, £1229.99 with the 18-55mm kit lens, and £1329.99 with the 18-55mm + 50-200mm double kit lens. In the US, the K-7 body only costs $1299.95 and the new lenses are priced at $199.95 for the 18-55mm and $249.95 for the 50-200mm.

Mark Goldstein

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Hasselblad Debuts CFV-39 Digital Back

2009-06-29T02:08:00.000-07:00

New Back Turns V System Cameras into Digital Workhorses

The new Hasselblad CFV-39 digital back, custom built to match the design and functionality of Hasselblad V cameras, turns every V camera into an easy-to-use digital workhorse.

The 39-megapixel back, with a sensor twice the size of premier DSLRs, features two capture modes and a new digital lens correction technology for Carl Zeiss lenses, powered by Mac- and Windows-compatible Phocus image processing software.

“Quickly and easily, the Hasselblad CFV-39 can transform a V System film camera into a high-performance digital camera,” says product manager Peter Stig. “Just snap on a charged battery, insert a CF card, add the back, and you’re ready to shoot.”

Among the CFV-39’s features and capabilities:
~ The Hasselblad Natural Color Solution offers a generic profile that delivers true colors right out of the box.
~ All V System cameras operate cable-free. The 202 FA, 203 FE, and 205 FCC are fully supported. Other 200 and 2000 series models can be used with C-type lenses only.
~ All F and FE lenses work seamlessly with the CFV-39 using 202FA, 203FE and 205TCC/FCC (camera requires slight modification).
~ There are two selectable image formats: square (29 megapixel, 5412x5412) and rectangular (39 megapixel, 5412x7212 pixels).
~ The sensor is 100 percent larger than a full-frame 35mm DSLR sensor.
~ Image storage options include using a CF card for untethered operation or computer hard drive for tethered operation.
~ A Hasselblad raw file format, 3F RAW (3FR), ensure that images captured with Hasselblad digital products are quickly, effectively, and safely stored on the available media.
~ The 3FR files can be opened directly in Adobe Photoshop CS4, in Aperture on Mac OS-X, and converted directly into Adobe’s DNG (Digital NeGative).
~ Hasselblad image files carry a full set of metadata, including capture conditions, keywords and copyright, facilitating image asset management solutions.
~ Fits traditional view cameras: with the V camera interface plate for mechanical attachment and the flash sync connection to trigger digital capture.
~ Capture rate of 1.4 sec per capture with 39 captures per minute.
~ ISO speeds range from 50 to 800.
~ H camera owners can gain full access to V lens DAC correction by using the CF lens adapter.

“The Hasselblad CFV-39 brings an ultra-high level of integration, flexibility, and image quality to the professional photographer who needs the best for mobile and studio shooting,” says Peter Stig.

For more information on the CFV-39, click here.

Text by Alice B. Miller

Canon Rebel T1i Review

2009-06-23T12:47:00.000-07:00

The Canon Rebel T1i is both a great camera for the photographer looking to move up from compacts and advanced amateurs who want total control and excellent image quality. Most Canon Rebel generations only slightly evolve in terms of features – and mostly in subtle areas like resolution and more automatic control. The T1i has evolved much farther, making it the first Rebel with HD video. With a lot of pro and semi-pro features borrowed from the rest of Canon's line, the T1i is a good second entry into the DSLR/HD video camera hybrid category shared with the pro EOS 5D Mark II.

Not only do you get some of the trickle down technology from the mid-level 50D, you get it for less than its sticker price. Like most Canons that come off the assembly line, the T1i is great in low-light, has a respectable AF system, shoots great video and show impressive dynamic and tonal range in the images it produces. Best of all, you get the whole kit for $899. This is one of the better DSLRs I have shot with in the past few years, and by far the best Rebel yet to hit the market.

Pros:

* HD video quality is excellent
* Exceptional ISO performance
* Accurate color and dynamic range
* Great kit lens

Cons:

* Slow to focus in low light
* Smudge-proof screen isn't smudge proof
* Massive image files out of the camera
* Slow AF in video mode

Adam Crawford

Read more : digitalcamerareview

Nikon D5000 Review

2009-06-23T12:45:00.000-07:00

The Nikon D5000 is a successful crossbreed of the D90 and the D60. The new DSLR combines the imaging assembly, AF module, Live View and HD video recording capabilities of the former with the beginner-friendly infopanel-based operation of the latter, in a form factor that lies somewhere in the middle between the two.

It also adds its own to the mix, in the form of an articulated rear LCD, though this is sadly compromised by the lack of proper anti-glare coating, which causes the otherwise versatile screen to be very hard to see in strong daylight. Also specific to the Nikon D5000 is the extremely well-dampened, therefore surprisingly quiet mirror that, along with the relatively small size and unobtrusive appearance of the camera, makes it ideal for applications like candid street photography.

Those who require dual control wheels, more dedicated buttons, a large viewfinder and greater compatibility with older AF lenses will still be better served by a D90 and are therefore advised to save up for the higher specified model. For everybody else, the Nikon D5000 provides much the same functionality and image quality in a smaller, lighter and quieter edition.

Obviously, the competition hasn't stood still either since the introduction of the D90, and these days there are remarkable offerings in the market that can potentially lure you away from the Nikon D5000. The Canon EOS 500D, the Olympus E-620 and the Panasonic Lumix DMC-GH1 each have their own sets of strengths and weaknesses, therefore we recommend that you check out our reviews of those cameras too, before making a purchase.

Zoltan Arva-Toth

Read more : photographyblog