Art Alive

WORKSHOP CHANGES

noreply@blogger.com (marge) — Wed, 28 Feb 2018 15:30:00 +0000

CHANGE OF PLAN

On February 2 Marge tripped and broke a wrist. It is healing well but made
it necessary to change the dates for the planned mini workshops. A revised
flyer is printed below. SO SORRY.

Terraskin

noreply@blogger.com (marge) — Mon, 22 Jan 2018 15:18:00 +0000

Hello Terraskin Painters

We are planning to do a couple of Terraskin mini Workshops in March at the Elizabeth Stevens
Gallery in Towles Court. This is an announcement and an invitation to join.

Please let me know if you have other time preferences or suggestions. I look forward to hearing
from you.

This is the site we plan to use for continuing contact about Terraskin. Happy Painting

Our Annual Artists Retreat

noreply@blogger.com (marge) — Sat, 25 Oct 2014 21:10:00 +0000

Try it, you will love it...

Last week I traveled to a retreat center to spend four days with a group of creative women to do art. We have been doing this since 1994. We don't cook or clean or answer the phone. We learn from doing and we learn from each other. This year there were 27 of us and it was glorious.

During the week we usually have a workshop or two led by one of our members. Participants are free to do their own work or play with the projects proposed. This year we made paper puppets and we did a still life "My Way".

I have included some images of the paper puppets. We strung them up on a clothes line in the front of our work room. At the end of the day we had a show and tell.

Here are a few pictures of our efforts. They all have movable parts and are somewhat self portraits. The live lady in the last photo is Judy Lyons Schneider, our fearless leader for this creative experience.

Someone always misses the directions. This time I was the one not paying attention.

The dragon is not really a self portrait. But she is pretty

More about our Artist Retreat next week.

Digital Plein Air

noreply@blogger.com (marge) — Sun, 19 Oct 2014 02:55:00 +0000

After a very long pause...

in blogging that is. Painting has never stopped. More about the interim later.

Here is what's new at the moment. I am playing with digital plein air painting on my iPad mini. I use Photoshop Touch and then Painter for Fine Artists.What a fun thing to do. Here are a few examples of my very first efforts.

All of this has happened because I got an iPad mini and joined a group called Light Chasers. What a super group of outdoor painters. We go our together once a week to paint our neighborhood. "Two birds with one stone." I get out with nature and I paint.

The group just put up a Web Site http://lightchasersinc.org and they let me put up a member page. Check us out. Hopefully I will get permission to post some of their work.

This is brief but heck it's my first day back.

Those Tree Images

noreply@blogger.com (marge) — Tue, 03 May 2011 01:26:00 +0000

A Year of Trees
Back to the blog again. It has been a long while. The eBay experiment went well, Over 30 small original images are out there in the possession of auction winners. Plans are to get back to eBay selling very soon...with a new twist or two..

Meantime some images are posted above. They are from Out On A Limb. my show at Pastry Art Cafe on Main Street.It was fun and different.

The Title painting (Above) was a large acrylic on canvas titled, believe it or not, Out On A Limb.

Experimenting With eBay

noreply@blogger.com (marge) — Sun, 18 Apr 2010 16:28:00 +0000

Trees 3 5X7" Acrylic on Paper

At last! The small images are going out to world view. The two tree paintings shown in the previous post are for auction on eBay and #3 will be added today. The process is amazingly simple. However, I was holding back because it was "season" in Sarasota. shows were coming up, meetings were happening too often...and mostly I was being timid about trying something new.

Want to bid? Go on line to eBay If you are not a member you can join (Free and Easy). Then type Marge Bennett in the empty space, choose Art as a category, and hit Search. You can be the first.

There are two images from the Tree Series showing at Elizabeth Stevens Gallery in Towles Court, Sarasota, FL. These are matted to 11X14" and look really handsome. They are shown here.

Trees 5 Acrylic on Paper 5X7"

Goals for 2010 and Other Stuff

noreply@blogger.com (marge) — Mon, 25 Jan 2010 18:38:00 +0000

One of my goals for 2010 is to create 100 paintings. Another is to paint at least five minis (image size of 8X10 or less) each week. I have posted a couple of these small works here. They 5x7 acrylic on paper and are part of a Tree Series. They are VERY colorful (even for me) and are more abstract than past work.

The next two minis are 7x5" acrylic on paper and are part of a Vase and Flower series.

Comments and suggestions will be greatly appreciated.

Thanks for looking. I must get back to those goals...

Marge

Happy Holidays 2009

noreply@blogger.com (marge) — Mon, 21 Dec 2009 19:16:00 +0000

Celebration by Marge Bennett

Promoting A Show

noreply@blogger.com (marge) — Mon, 16 Nov 2009 19:49:00 +0000

My Friend Carolyn Ritter and I have been working on a joint show at ArtCenter Manatee. Our paintings are ready (wellll, almost ready) so it is time to think about having somebody actually come to SEE the results of all our work. The art center is doing a fine job of spreading the word but we decided a personal e-mail invitation to special friends and contacts might bring in more viewers or at least more "partiers" to the reception.

Here is my my effort. I intend to send it after December 3.

I am exploring the possibilities of using e-mail and social networks to promote my art. I would like to pique interest, inform and entertain without annoying viewers. Will this work?

Artist Retreat This Time Around

noreply@blogger.com (marge) — Sun, 01 Nov 2009 00:31:00 +0000

At times you could hear a pin drop. At other times laughter and hilarity reigned. It was once again a wonderful retreat.

We arrived with an incredible amount of "stuff" and produced an equally incredible amount of art.

I have tried to capture a corner of our work room in the photo above.

Many of us participated in two creativity challenges.

Artist Trading Cards

We used any medium to create 2.5X3.5" cards. Each card is signed and numbered on the back and gives the artist's contact information. The cards are given to or traded with other artists.

Here are some samples of our efforts and a picture of part of the clothes lines of cards produced. We had a fun card exchange at the end of the day.

The Shoe As Art

Our shoes had varied histories. One thing they seemed to have in common was that they were worthless in their present state. Sorry, I did not think to do before and after shots.

Here are some of the final products. They are now Priceless.

We left on Thursday afternoon with these treasures, lots of memories and some fine art started, finished or just in mind. A great time. Thanks to all the 26 great artists friends who made it happen.

A Time For Art

noreply@blogger.com (marge) — Thu, 22 Oct 2009 15:34:00 +0000

Off To My Artists Retreat

Monday will begin a special time with 26 fellow members of Women Contemporary Artists. We will be at Day Spring Center in Palmetto Florida for our annual “retreat”.

Our cars, loaded with art making gear will arrive at our big, windowed, workroom at or around 10 am. Yours truly will be early.

The first order of business is meet and greet: lots of hugs and talk as we stake out a table and set up for some serious work and fun. Fueled by muffins and coffee we cover tables and chairs, don aprons, fill water containers and make the space “ours”. We get keys, find cabins and unpack tooth brushes and paint wear, and some of us will even get to work before lunch.

Ah, lunch. All meals appear without cooking, planning, shopping or cleaning up! Only a woman can fully appreciate it. And we do

This year we have two special workshops for those who wish to participate: “Shoes As Art” and “Artist Trading Cards”. I will arrive with two large brown bags of stuff carefully gathered for said projects. (With luck there will be pictures next week). For those who have other projects and can resist the hilarity and mayhem that usually accompanies these workshops, it is perfectly acceptable to work on ones own

Some things we have done in the past.

Day Spring is a beautiful, wooded property ideal for walks, reflection, or plein air painting. I am sure there are many ways for artists to “retreat”. Ours has been happening for many years, the past 10 or so at Day Spring. It has evolved with us. Try your own. It will be special too.

Vacation Inspiration

noreply@blogger.com (marge) — Tue, 13 Oct 2009 18:19:00 +0000

Let me begin at the end. We read a travel report that said if this fellow had only one day to stay in Copenhagen he would take a Boat Tour of the city, eat at his favorite restaurant and spend the day at Louisiana. We did two of the three. My inspiration came from the last, a visit to Louisiana Museum of Modern Art.

Located on “The Sound” a strait between Denmark and Sweden that connects the Baltic Sea to the Atlantic Ocean the Museum sits atop a bluff and the Sculpture Gardens reach down to the water.

Inside the sprawling site there are major works by Giacometti Warhol and the like as well as special exhibitions by the contemporary avant garde. Hours of wandering and delight for any contemporary artist.

The architectural firm 3xN's Learning from Nature pavillon in Louisiana's Sculpture Park

We were there for a large-scale exhibition on sustainable architecture, “Green Architecture for the Future” The ingenuity and energy demonstrated gave a sense of optimism for the future. It was creativity in action.

Louisiana was a day in the park with wonderful art and stimulating ideas. I would love to have one of my paintings described that way.

From Russia

noreply@blogger.com (marge) — Thu, 03 Sep 2009 07:27:00 +0000

We are in Moscow at the moment. Spent yesterday learning about the Russian avant garde artists. Great time. We will be on the Volga and off the net for the next ten days or so.

The above painting is called Venice and was one of my favorites. (Label later.)

Ready to Go!

noreply@blogger.com (marge) — Tue, 18 Aug 2009 14:50:00 +0000

Tuesday, August 18, 2009

Ready to Go!

The luggage is packed and ready to go. Now, if we can also get ready to accompany the bags, all will be OK. That is still in some doubt.

I hope to be able to post to Art Alive while traveling. To follow the trip go to Round The World

Phone Painting

noreply@blogger.com (marge) — Tue, 04 Aug 2009 16:45:00 +0000

Robert Genn of The Painter's Keys had what I considered an intriguing letter about painting on an iPhone. Now I have had an iPod since my last birthday and it does most things the iPhone does except phone and take pictures. I was hot to trot.
The iPod store said yes the new Brushes App. would work and I could have it as a download for $4.99. SOLD.
The Brushes program is listed under "entertainment" and it is clearly not intended as a Professional Tool (Whatever that is.) I have a Wacom Pad and Corel's Painter Program. At this point Brushes is, for me, more like finger painting. It is indeed glorious fun.
If you want to hear more about this tool and see iphone art by David Hockney and others, check it out on Painter's Keys. You might also enjoy the comments and discussion of digital art. Sorry, Robert Genn is generous about sharing but I was unable to make a link here.

Google Search gave me lots of amazing examples of phone art and a You Tube video of a portrait being created on iPhone.

We leave tomorrow for a short vacation with family. Those air miles will slip away as I practice painting on my iPod. May even share some of the results next week.

Sorry about the links. I will try again, but just now I must go pack. We leave at 6:30 AM.

My Studio

noreply@blogger.com (marge) — Fri, 31 Jul 2009 15:42:00 +0000

Where it all happens.
Welcome.

My Place to Paint.

This is the corner of my studio where most of the painting happens. Note that the easel is empty because I am working flat on a series of 12x12" canvases at the moment.

My Place to Plan.
My corner for thinking, planning, reading, watching a video, or napping.

My Place to Compute and Print.

Sometimes I think my computer and printers do as much work as my brushes. I could not function without them.

A View to Feed My Spirit.

The view from that window behind my work table.

Thanks for taking my virtual tour. You are most welcome to come for a real tour. Just be prepared for a little clutter and watch where you step. That might be art underfoot.

WOW! Somebody Likes My Blog

noreply@blogger.com (marge) — Mon, 20 Jul 2009 20:23:00 +0000

I was given this blog award by Krista Meister, the "fearless leader" of Real Life Artists, a blog that is home to a band of artists determined to be the very best we can be. She provides a forum for our ideas and helps us keep focused on our goals. I am honored to receive the award and to be a part of the group. Thanks Krista.

The award comes with two duties: share seven things my fellow bloggers don't know about me; pass the award to seven worthy artists. So here goes.

Seven things you didn’t know about me.

As a child I was good at math and science. That was before I discovered that maybe I could do art and became this happy person with a paint brush in hand.

I am proud to be rather a good cook. Whether this is due to heredity or hours spent with gramma in her kitchen is debatable but one way or another it came from gramma.

There are currently 55 people who by accident of birth or marriage call me “Aunt Marge”. I have lost track of the “great aunt” count.

My heritage is an even mix of Irish and German. The two influences, like their source, are in constant conflict and probably keep me balanced. (sort of.).

For more than 20 years I was a teacher and I cherish the memory of every student who passed through my classroom. I love them all.

I cannot paint a cool painting. I try, but the oranges and yellows creep in every time. If you have been following my blog, you probably know this one.

Two years ago I got to fulfill one of my childhood dreams, a boat trip on the Yangtse River. I can still remember the spot in the children’s room of the local library that housed a series of books about people who lived along that river.

I grew up in the woods and love nature but I am into down town living.

And my Brush Award is given to these artist bloggers.

Kimber Scott http://kimberscott.blogspot.com/ Thoughtful posts.

Beth Rommel http://niftyartgirl.blogspot.com/ Art as nifty as the girl..

Connie Chadwell http://hackberrystreetstudio.blogspot.com/ Dance, art in motion.

Marilyn Fenn http://marilynfenn.com/blog/ A lady always on the move.

Gabrielle http://innerartist.blogspot.com/ “nature nerd”

Carol McIntyre http://www.paintingharmony.com/blog A treasure in lavender

Caroline Roberts http://carolineroberts.blogspot.com Lots of great content.

Leslie Rinchen-Wongo http://silkthangka.com/blog Fascinating art and artist

If you haven't already done so, try them. You'll like them.

"Three for Tea"

noreply@blogger.com (marge) — Thu, 16 Jul 2009 13:50:00 +0000

To paint or do the “other stuff”, that is the Question

This week I made the decision to paint, but not without a little guilt. After all I promised to post every week on this blog, attend a meeting, keep up with… etc.

After some refection it just seemed right to paint.

Summer in Sarasota, FL is “off season” and hot. That means it’s the time to travel to some cool place or shut yourself in with the AC and paint. I chose the latter and have finished two, revised one and completed (I think.) one new painting.

My newest entry in the “Room” series is pictured above. The sub-title is, Van Gogh, Matisse and Me. It was fun to paint and it makes me smile. How much can you ask of one canvas?

I will love any reaction you may wish to share. Thanks.

Inspiration

noreply@blogger.com (marge) — Wed, 01 Jul 2009 17:35:00 +0000

Simple Pleasures
Acrylic on Canvas 12 X 12” Each

Inspired by:
Appalachian Spring by Aaron Copland
Final melody based on a Shaker Hymn
Simple Gifts by Joseph Brackett

‘Tis the gift to be simple
‘tis the gift to be free...

What a gift: to create music that can inspire tears of joy. I love Appalachian Spring and each time I hear it I wait for this melody. It is simple and pure and universal pleasure.

These squares are my attempt to paint a response.

Rooms To Go

noreply@blogger.com (marge) — Thu, 25 Jun 2009 00:49:00 +0000

The Fun Rooms are… well, Fun

Some time ago I posted, A Room With City View, my entry into the American Juried Art Spring and Summer Show. At the time I was doing my “Happy Dance” because the piece was accepted. More happy dancing, because that painting won the award for Watermedia.

In the post I suggested that perhaps this summer I would spend time painting more “outrageous rooms.” The feedback was positive and the mood was right. My studio is full of the quiet chuckling of a happy painter creating fun rooms.

Pictured below is number 5 in the series.

Currently “under construction” is an acrylic on canvas, Tea For Three: Van Gogh, Matisse, and Me. Just hope I can bring my idea alive in the next weeks. If I do, you will see it here.

How and Why

noreply@blogger.com (marge) — Tue, 16 Jun 2009 18:40:00 +0000

How Did I Do That?

For years I did watercolors that started with a pattern of overlapping washes that acted as a launching pad for more representational images. I have tried to show a few of them here. These paintings usually led to many “How did you do” queries and not a few “Why did you dos” as well. This was especially true at Outdoor Art Fairs where I was available for asking.

The HOW TO for straight lines…

The quick answer, I used paper tape. Specifically, I used low tack drafting or masking tape, but only after sticking and pulling it off my apron or blue jeans a few times. The idea is to keep the sticky stuff off the watercolor paper. It also helps to run a fingernail along the tape edge. This prevents seeping under line. I learned this somewhere years ago in a watercolor class. Thanks, whoever you were or are.

Note 1: The paper must be dry. If another layer is to cross the first then the first must dry before the second is applied.

Note 2: To prevent chaos it is best to limit the number of different angles. Make successive layer edges parallel to preceding ones.

Note 3: Once the lines are set, a steady hand is all that it required to run a second wash over all or part of an area.

Yes, the same thing can be accomplished with a pencil line and a steady hand from the start but the pencil line is difficult to remove and could call too much attention to what is a background element in the design.

Curves make interesting backgrounds as well.

These are more easily done with freehand washes. The same notes apply.

As for the other question: Why do I do that? It is a way to ease into a painting and it usually brings some unintended effects that make the process fun. I am a pattern person. I doodle in patterns while on the phone or waiting somewhere.

Pattern Paint. Try it, you might like it.

Go With Our Strengths

noreply@blogger.com (marge) — Tue, 09 Jun 2009 15:58:00 +0000

The painting above was created in a figure workshop a long time ago. The model had a rather long nose and wore a hat. He did not inspire me enough to work at a likeness.

Go with our Strengths or work like the devil on Weaknesses?

My current feeling is that most of art making requires three skills: design, color, and drawing. Before any of this happens of course, inspiration, insight, creative thought, all play their part. It is the making skills that intrigue today. My proposal is that for most of us one or two of these skills are effortless, almost innate. The others require study and much practice.

For me, the weak link is drawing skills. If I draw some object or scene, it will be recognized as tree or bird or whatever, but it will not look exactly like that tree or bird. Part of this is motivation. If my idea requires exact replication then I will be willing to work to get as close as I can. But, should I be drawing every day so that my skill level makes this effortless.

The decision I make most days is to go with my strengths. I will spend hours in the studio happily creating shapes and colors that recall places and objects that move or intrigue me. Some of this excitement and fun will be caught by viewers and then I will have accomplished my real goal.

Memories of flowers, fences and gazebos are captured in this watercolor. They are REAL for me. Any thoughts or comments will be appreciated. Thanks. Next week another episode of "How did you do that?"

To Sketch or Not While Traveling

noreply@blogger.com (marge) — Tue, 02 Jun 2009 17:44:00 +0000

As our annual "get away from Florida in August and September" approaches I am looking at piles of small sketch books, nifty watercolor and colored pencil sets, brushes made for travel and wondering whether to pack them. My record in this area is rather dismal.
I take comfort in something I read about Matisse. As I recall, he did very little sketching or even photographing while traveling. He said the images would all meld in his subconscious and then emerge at some point in his paintings.
An honest response makes me wonder if a small nudge from sketches or photos wouldn't help my subconscious produce better paintings now. Part of this soul searching is probably brought on by the gentleman who frequents my favorite coffee shop. He sits with watercolor pan and sketchbook recording the characters who frequent the cafe. "What kind of artist am I, that I don't do this?" Terrible, probably. Besides that I am really a very poor sketcher. People might observe this. Ugh.

Canyon IV Acrylic cMarge Bennett
Canyons of the West

On the other hand ( Am I beginning to sound like Tevia here?)some of these modest sketches have produced smashing paintings. For me the sketch is a memory prod.
So, to sketch or not to sketch? that is my question.
Last year's trip was a first for recording daily photos and comments. Fred did a comment and I did a photo each day for our our travel blog. It was fun and I still love looking at it.

So, photos, yes. Sketches, maybe.
I am looking for someone who has made sketching on vacation fun and valuable to tell me how to
have this kind of fun. Help.

Squish Painting Part 2

noreply@blogger.com (marge) — Tue, 26 May 2009 01:58:00 +0000

Cranberry Orchids by Marge Bennett

The second in a series of “How did you do that?” Posts.

The three monoprints shown above are made with the same print process as the mums in the Imagined Garden Piece. Squish Part 1

The small square here is a detail of the center flower. Note the texture. Only one color was used for these flowers. The stems and leaves were done in the same fashion using a green watercolor mix.

Since they are more complex, the orchids were created in small sections

How it was done:

First create an outline drawing of the image you wish to print.

Place the flexible celluloid plate over a small portion of the drawing (smooth side up).

Use a washable marker to trace that part of the drawing on your plate.

Turn the plate over and cover the image with soft, wet paint.

Squish the plate on the paper in the selected spot and create as much distortion as you desire. (Pressure and direction of push gives some control.)

Lift the plate by one corner and pull up so as to create texture.

Wash the plate and repeat the process again and again until the image is complete.

Obviously the images created will be fanciful. Squish painters are not doing botanical illustration! The process can be used to make prints or the images can be integrated into paintings as in Growing Old Gracefully shown below

Squish That Flower

noreply@blogger.com (marge) — Tue, 19 May 2009 19:23:00 +0000

The first in a series of posts answering the question: “How did you do that?”

Imagined Garden in Vase shown left is one of my Imagined Garden paintings. The images in that series are a distillation of the flowers I have known and loved all my life. Look with your heart and you will see your own special memories reflected there.

Now to the question: “How did I do those mum-like blooms in the vase?” The answer: “I squished them.”

The Making of a Squish Flower requires paint (soft and juicy), water with a tad of liquid detergent, paper or canvas, and plexiglass or flexible transparent plastic.

Some helpful hints: The paint should be the same as that in the rest of the painting. Using acrylic? Don’t dawdle!

The texture and absorbency of the paper make a difference. Experiment.

Keep the water in a spray bottle. Mine is labeled, “joyful water”.

Plexi has sharp edges. Use care or file them down. They work best if sanded on one side.

(I prefer the pliable sheets that come in packages of bacon or smoked salmon from the grocery.)

Place a blob or two of paint on the rough surface of your plastic. Spray with a bit of water if needed.

Center the plexi, paint side down, over your paper or canvas. Squish it by pressing on the clean side. Note that you can control the direction and degree of spread with your fingers.

Gently and immediately pull up one corner of the plastic. A pattern develops depending upon your direction of pull and the consistency of the paint.

Admire your flower.

I sometimes fiddle a bit with a moist brush and in some cases start the stem with the moist paint.

Just for fun you can cover all of the plexi and make a small print. Be sure to pull the plate up by one corner so that you get good texture. This is a great project for small hands, but be sure to use child friendly paints (washable and non-toxic) and smooth-edged squishers.

Thanks for tuning in to Squish Painting 101. Tune in next Tuesday for a more sophisticated (well, sort of) use of this technique. I welcome comments on this painting style and would love to hear about others.