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<channel>
	<title>WFIU Arts</title>
	
	<link>http://wfiu.org/arts</link>
	<description>Arts interviews, reviews, and features from WFIU Public Media from Indiana University. More arts podcasts at wfiu.org/arts.</description>
	<pubDate>Mon, 06 Jul 2009 16:09:13 +0000</pubDate>
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	<language>en</language>
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		<copyright>©WFIU Public Media (wfiu.org) </copyright>
		<managingEditor>aschweig@indiana.edu (WFIU Public Media (wfiu.org))</managingEditor>
		<webMaster>aschweig@indiana.edu(WFIU Public Media (wfiu.org))</webMaster>
		<category />
		<ttl>1440</ttl>
		<itunes:keywords>arts, performing arts, music, literature, movies, theater, wfiu, indiana, bloomington</itunes:keywords>
		<itunes:subtitle>Arts interviews, reviews, and features from WFIU Public Media from Indiana University. More arts and culture podcasts at wfiu.org/arts.</itunes:subtitle>
		<itunes:summary>Arts interviews, reviews, and features from WFIU Public Media from Indiana University. More arts and culture podcasts at wfiu.org/arts.</itunes:summary>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:category text="Arts" />
<itunes:category text="Music" />
<itunes:category text="Society &amp; Culture" />
		<itunes:owner>
			<itunes:name>WFIU Public Media (wfiu.org)</itunes:name>
			<itunes:email>aschweig@indiana.edu</itunes:email>
		</itunes:owner>
		<itunes:block>No</itunes:block>
		<itunes:explicit>no</itunes:explicit>
		<itunes:image href="http://wfiu.org/podcasts/images/arts/category-graphic-arts.jpg" />
		<image><link>http://wfiu.org/arts/</link><url>http://wfiu.org/podcasts/images/arts/category-graphic-arts_sm.jpg</url><title>WFIU Arts</title></image>
		<media:copyright>©WFIU Public Media (wfiu.org)</media:copyright><media:thumbnail url="http://wfiu.org/podcasts/images/arts/category-graphic-arts.jpg" /><media:keywords>arts, performing arts, music, literature, movies, theater, wfiu, indiana, bloomington</media:keywords><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Arts</media:category><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Music</media:category><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Society &amp; Culture</media:category><xhtml:meta xmlns:xhtml="http://www.w3.org/1999/xhtml" name="robots" content="noindex" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" href="http://feeds.feedburner.com/WfiuArts" type="application/rss+xml" /><item>
		<title>Kapustin And Koekkoek Play The Beethoven Sonatas</title>
		<link>http://wfiu.org/arts/kapustin-koekkoek-play-beethoven-sonatas/</link>
		<comments>http://wfiu.org/arts/kapustin-koekkoek-play-beethoven-sonatas/#comments</comments>
		<pubDate>Mon, 06 Jul 2009 15:00:00 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
		<category><![CDATA[Classical Music]]></category>

		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Featured in category]]></category>

		<category><![CDATA[Interviews]]></category>

		<category><![CDATA[Podcasts]]></category>

		<category><![CDATA[Special]]></category>

		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[WFIU.org Homepage Featured Story]]></category>

		<category><![CDATA[beethoven]]></category>

		<category><![CDATA[forte piano]]></category>

		<category><![CDATA[George Walker]]></category>

		<category><![CDATA[Indiana University Jacobs School of Music]]></category>

		<category><![CDATA[Jeannette Koekkoek]]></category>

		<category><![CDATA[Sarah Kapustin]]></category>

		<category><![CDATA[sonata]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=4103</guid>
		<description>Violinist Sarah Kapustin and pianist Jeannette Koekkoek have played all ten of Beethoven’s sonatas in concert in Italy. They’ve recorded five of them and this summer they’re continuing to deepen their acquaintance with the pieces in three concerts at Indiana University’s Music Summer Festival.
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/kapustin-koekkoek-play-beethoven-sonatas/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090703-kapustin-koekkoek.mp3" length="2236544" type="audio/mpeg" />
<itunes:duration>4:39</itunes:duration>
		<itunes:subtitle>Violinist Sarah Kapustin and pianist Jeannette Koekkoek have played all ten of Beethovenrsquo;s sonatas in concert in Italy. Theyrsquo;ve recorded five of them and this ...</itunes:subtitle>
		<itunes:summary>Violinist Sarah Kapustin and pianist Jeannette Koekkoek have played all ten of Beethovenrsquo;s sonatas in concert in Italy. Theyrsquo;ve recorded five of them and this summer theyrsquo;re continuing to deepen their acquaintance with the pieces in three concerts at Indiana Universityrsquo;s Summer Music Festival.

George Walker asked Sarah Kapustin about the balance between the instruments. ldquo;Well, the early works are really marked for piano with violin accompaniment. This wasnrsquo;t unusual for the period. Itrsquo;s was very much the practice of Mozart and even some of Brahmsrsquo; pieces are marked that way. And after all, Beethoven was a pianist. As he developed as a composer the two instruments become much more balanced. But donrsquo;t think that even in the early works that the violin is treated badly. Themes are frequently traded back and forth and the violin is always very much a part of the pieces.rdquo;

Pianist Jeannette Koekkoek had some specific comments about the keyboard parts themselves. ldquo;Irsquo;ve been working very hard to purify, to come up with the essence of just the right sound from the full sized standard Steinway. One of my producers really nailed it when he said, ldquo;Yoursquo;re trying to make the instrument sound like Beethovenrsquo;s forte piano.rdquo; It's incredibly hard on the fingers, but I think that it really is the sound that fits.

As they talked about this summerrsquo;s concerts Koekkoek said and Kapustin agreed that, ldquo;When we come back to these pieces, itrsquo;s almost as if we start all over again. There are fresh insights, new balances and approaches. Itrsquo;s what happens when you seriously approach great pieces.rdquo;</itunes:summary>
		<itunes:keywords>Classical,Music,,Content,Type,,Featured,in,category,,Interviews,,Podcasts,,Special,,WFIU.org,Homepage,,WFIU.org,Homepage,Featured,Story</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090703-kapustin-koekkoek.mp3" fileSize="2236544" type="audio/mpeg" /></item>
		<item>
		<title>Crossroad Repertory Theatre’s “The Velveteen Rabbit”</title>
		<link>http://wfiu.org/arts/velveteen-rabbit-musical-adaptaton/</link>
		<comments>http://wfiu.org/arts/velveteen-rabbit-musical-adaptaton/#comments</comments>
		<pubDate>Mon, 06 Jul 2009 14:52:36 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Featured in category]]></category>

		<category><![CDATA[Podcasts]]></category>

		<category><![CDATA[Reviews]]></category>

		<category><![CDATA[Special]]></category>

		<category><![CDATA[Theatre and Dance]]></category>

		<category><![CDATA["the Bubble"]]></category>

		<category><![CDATA[John Berst]]></category>

		<category><![CDATA[Margery Williams Bianco]]></category>

		<category><![CDATA[Saint-Mary-of-the-Woods-College]]></category>

		<category><![CDATA[sharon ammen]]></category>

		<category><![CDATA[Skin Horse]]></category>

		<category><![CDATA[The Velveteen Rabbit]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=4109</guid>
		<description>With Shakespeare’s classic comedy Much Ado about Nothing and that most durable of classic musicals The Fantasticks up and running, the Crossroads Repertory Theatre has turned to another classic, Margery Williams Bianco’s "The Velveteen Rabbit" as the Terre Haute company reaches out not just to the most mature audience, but to children as well.
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/velveteen-rabbit-musical-adaptaton/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsReviews/09/090706-the-velveteen-rabbit-rev.mp3" length="1534080" type="audio/mpeg" />
<itunes:duration>3:12</itunes:duration>
		<itunes:subtitle>With Shakespearersquo;s classic comedy Much Ado about Nothing and that most durable of classic musicals The Fantasticks up and running, the Crossroads Repertory Theatre has ...</itunes:subtitle>
		<itunes:summary>With Shakespearersquo;s classic comedy Much Ado about Nothing and that most durable of classic musicals The Fantasticks up and running, the Crossroads Repertory Theatre has turned to another classic, Margery Williams Biancorsquo;s story of The Velveteen Rabbit as the Terre Haute company reaches out not just to the most mature audience, but to children as well.

Theyrsquo;re presenting the tale in a new musical adaptation. The adaptation of the story, direction and lyrics are by Saint-Mary-of-the-Woods-College Department of Theatre and Drama Director Sharon Ammen. The music is by the companyrsquo;s Music Director and pianist John Berst.

The amiable Thiel Munro opens the show with some fancy juggling and further sets the tone with a nicely magical tale from story teller J. O. Callahan called ldquo;The Bubble.rdquo;  Throughout, the story teller was there to guide, tease and occasionally reassure the audience. Amanda Miller was the perky Velveteen Rabbit. Masterful actor Brandon Wentz had the plum role of the wise old Skin Horse. Ariana Cohen, Andrew Todd, Amanda Allen, Dersquo;Jon Lersquo;Tray Fisher and Whitney Kos were the snooty other toys.

In this hard working cast they played other roles as well. Cohen was the scary and then scared Crow. Todd was a charmer as the Velveteen Rabbitrsquo;s loving boy. Allen was an officious doctor. Fisher had a very funny bit as a crusty old farmer. Kos was the magical key as a sort of fairy god-aunt.

The story flows nicely and the simple staging worked well. John Berstrsquo;s songs support the themes with a ldquo;March of the Mechanical Toys,rdquo;   an anthem for ldquo;When Yoursquo;re Realrdquo; a ldquo;Nanarsquo;s Lullaby, rdquo;  a ldquo;Hippity Hoprdquo; dance for the rabbits, of course a few ldquo;Tearsrdquo; from the Fairy and a finale ldquo;In Your Dreams.rdquo; The show could use a bit more amplification in the New Theatre, Itrsquo;s not a strong singing cast, but diction was good and the words carried pretty well.

This new adaptation of The Velveteen Rabbit  riveted the attention of Sundayrsquo;s matinee audience. The story, as it always does for me, worked,  and I saw several children who simply stood up for most of the show.

The Velveteen Rabbit has three more performances in the regular Crossroads Repertory Theatrersquo;s season at Indiana State Universityrsquo;s New Theatre on the campus and there are three free touring performances.The story teller, the Velveteen Rabbit, the Skin Horse and all the rest of the cast will be in Fairbanks Park on the 11th, Ryves Hall on the 16th and Deming Park on the 19th for the children of Terre Haute and their families.

Listen to WFIU's George Walker's interview with Sharon Ammen</itunes:summary>
		<itunes:keywords>Content,Type,,Featured,in,category,,Podcasts,,Reviews,,Special,,Theatre,and,Dance</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsReviews/09/090706-the-velveteen-rabbit-rev.mp3" fileSize="1534080" type="audio/mpeg" /></item>
		<item>
		<title>Baroque Virtuosity and Celtic Thunder</title>
		<link>http://wfiu.org/arts/baroque-virtuosity-celtic-thunder/</link>
		<comments>http://wfiu.org/arts/baroque-virtuosity-celtic-thunder/#comments</comments>
		<pubDate>Mon, 06 Jul 2009 13:00:32 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
		<category><![CDATA[Classical Music]]></category>

		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Featured in category]]></category>

		<category><![CDATA[Interviews]]></category>

		<category><![CDATA[Podcasts]]></category>

		<category><![CDATA[Special]]></category>

		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[baroque]]></category>

		<category><![CDATA[Celtic]]></category>

		<category><![CDATA[Chris Norman]]></category>

		<category><![CDATA[David Greenberg]]></category>

		<category><![CDATA[fiddle]]></category>

		<category><![CDATA[George Walker]]></category>

		<category><![CDATA[Indianapolis Early Music Festival]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3935</guid>
		<description>David Greenberg is a violinist known for the variety of his interests. Critics have even borrowed a term from baseball and call him a “switch hitter.”
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/4ncI2sec5Db0fHx5miyaxbUOI4Q/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/4ncI2sec5Db0fHx5miyaxbUOI4Q/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</description>
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			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090706-baroque-virtuosity-celtic-thunder.mp3" length="2404480" type="audio/mpeg" />
<itunes:duration>5:00</itunes:duration>
		<itunes:subtitle>The Indianapolis Early Music Festival hosts flutist Chris Norman and violinist David Greenberg for a concert titled "Baroque Virtuosity and Celtic Thunder" on July 10th, ...</itunes:subtitle>
		<itunes:summary>The Indianapolis Early Music Festival hosts flutist Chris Norman and violinist David Greenberg for a concert titled "Baroque Virtuosity and Celtic Thunder" on July 10th, 2009 in their new location the Basile Opera House at 40th and Pennsylvania.

David Greenberg is a violinist known for the variety of his interests. Critics have even borrowed a term from baseball and call him a ldquo;switch hitter.rdquo;

WFIU's George Walker asked him about this variety. ldquo;Well, Irsquo;ve been living in Canada for the last decade, so I really know more about hockey than baseball. But, yes, some people have a hard time categorizing me. For the fiddle guys, Irsquo;m a little too classical and for the classicists, a bit too folky.rdquo;

ldquo;My partnership for this concert and for much of my music making of the past years is with virtuoso flutist Chris Norman. One of our ongoing experiments is how to make two treble instruments work as well as the traditional duos of a bass and a treble.rdquo;

However, for at least part of the Indianapolis concert Greenberg and Norman will be joined by lute player Ronn McFarlane and the Festivalrsquo;s Artistic Director Mark Cudek playing cittern and viol.

ldquo;Yes,rdquo; said Greenberg,rdquo; It really expands the variety that we can present. There will be songs, music of eighteenth century crossover composers, fiddle tunes and even some music from our own century.rdquo;

In addition to the July 10th concert, Greenberg and Norman will be leading workshop sessions in the evenings of the 8th and 9th.</itunes:summary>
		<itunes:keywords>Classical,Music,,Content,Type,,Featured,in,category,,Interviews,,Podcasts,,Special,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090706-baroque-virtuosity-celtic-thunder.mp3" fileSize="2404480" type="audio/mpeg" /></item>
		<item>
		<title>Author Turns Mother’s Daring Trip To Nazi Germany Into Fiction</title>
		<link>http://wfiu.org/arts/turning-mothers-daring-trip-nazi-germany-fiction/</link>
		<comments>http://wfiu.org/arts/turning-mothers-daring-trip-nazi-germany-fiction/#comments</comments>
		<pubDate>Thu, 02 Jul 2009 22:50:27 +0000</pubDate>
		<dc:creator>Adam Schwartz</dc:creator>
		
		<category><![CDATA[Books and Literature]]></category>

		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Interviews]]></category>

		<category><![CDATA[Podcasts]]></category>

		<category><![CDATA[Special]]></category>

		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[comparative literature]]></category>

		<category><![CDATA[fiction]]></category>

		<category><![CDATA[film studies]]></category>

		<category><![CDATA[Harry Geduld]]></category>

		<category><![CDATA[Nazi Germany]]></category>

		<category><![CDATA[short stories]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=4101</guid>
		<description>For many years, Harry M. Geduld taught filmmaking and drama at IU Bloomington. Now, in his retirement, he’s become a storyteller himself—having written two collections of short stories and several plays. Geduld tells WFIU's Adam Schwartz how he created one story from his mother's most frightening experience.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/roxlV9NZRYBJZxVIUqT_Wz5w4x4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/roxlV9NZRYBJZxVIUqT_Wz5w4x4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=mC9WU6WfoKA:t3OY11L7i3c:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=mC9WU6WfoKA:t3OY11L7i3c:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=mC9WU6WfoKA:t3OY11L7i3c:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=mC9WU6WfoKA:t3OY11L7i3c:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=mC9WU6WfoKA:t3OY11L7i3c:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=mC9WU6WfoKA:t3OY11L7i3c:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=mC9WU6WfoKA:t3OY11L7i3c:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=mC9WU6WfoKA:t3OY11L7i3c:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=mC9WU6WfoKA:t3OY11L7i3c:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=mC9WU6WfoKA:t3OY11L7i3c:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=mC9WU6WfoKA:t3OY11L7i3c:TzevzKxY174"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=TzevzKxY174" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/turning-mothers-daring-trip-nazi-germany-fiction/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090702-harry-geduld.mp3" length="4369345" type="audio/mpeg" />
<itunes:duration>4:33</itunes:duration>
		<itunes:subtitle>In his capacity as chairman of the Indiana University Bloomingtonrsquo;s Department of Comparative Literature and founder of IUrsquo;s Film Studies Program, Harry Geduld taught courses ...</itunes:subtitle>
		<itunes:summary />
		<itunes:keywords>Books,and,Literature,,Content,Type,,Interviews,,Podcasts,,Special,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090702-harry-geduld.mp3" fileSize="4369345" type="audio/mpeg" /></item>
		<item>
		<title>Conductor David Roberston Opens Festival Orchestra Concerts</title>
		<link>http://wfiu.org/arts/iu-festival-orchestra-july-2-2009/</link>
		<comments>http://wfiu.org/arts/iu-festival-orchestra-july-2-2009/#comments</comments>
		<pubDate>Thu, 02 Jul 2009 13:00:56 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
		<category><![CDATA[Classical Music]]></category>

		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Featured in category]]></category>

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		<category><![CDATA[Special]]></category>

		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[Carl Nielsen]]></category>

		<category><![CDATA[chromatic timpani]]></category>

		<category><![CDATA[David Robertson]]></category>

		<category><![CDATA[Festival Orchestra]]></category>

		<category><![CDATA[Indiana University Jacobs School of Music]]></category>

		<category><![CDATA[Inextinguishable]]></category>

		<category><![CDATA[Rachmaninoff]]></category>

		<category><![CDATA[tchaikovsky]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=4084</guid>
		<description>There are elements in Francesca da Rimini that you won't hear anywhere else.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/2YWdBi0j76J6cIENF2CczLycm14/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/2YWdBi0j76J6cIENF2CczLycm14/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/2YWdBi0j76J6cIENF2CczLycm14/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/2YWdBi0j76J6cIENF2CczLycm14/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=0nafdw9aL8c:TpBEQ2dzhbs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=0nafdw9aL8c:TpBEQ2dzhbs:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=0nafdw9aL8c:TpBEQ2dzhbs:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=0nafdw9aL8c:TpBEQ2dzhbs:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=0nafdw9aL8c:TpBEQ2dzhbs:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=0nafdw9aL8c:TpBEQ2dzhbs:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=0nafdw9aL8c:TpBEQ2dzhbs:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=0nafdw9aL8c:TpBEQ2dzhbs:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=0nafdw9aL8c:TpBEQ2dzhbs:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=0nafdw9aL8c:TpBEQ2dzhbs:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=0nafdw9aL8c:TpBEQ2dzhbs:TzevzKxY174"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=TzevzKxY174" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/iu-festival-orchestra-july-2-2009/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090702-festival-orchestra.mp3" length="2386048" type="audio/mpeg" />
<itunes:duration>4:58</itunes:duration>
		<itunes:subtitle>[caption id="attachment_4089" align="alignleft" width="243" caption="Conductor David Robertson will conduct the first performance of the #39;09 Festival Orchestra"][/caption]

Indiana University Summer Festival Orchestra guest conductor David Robertso</itunes:subtitle>
		<itunes:summary>[caption id="attachment_4089" align="alignleft" width="243" caption="Conductor David Robertson will conduct the first performance of the #39;09 Festival Orchestra"][/caption]

Indiana University Summer Festival Orchestra guest conductor David Robertson finished high school in California and went to England for his initial training. He observes that, "for a conductor, most of the education has to be on-the-job training."

"Much of mine came in Europe with stops on the continent, in Israel and in Scandinavia. Most were of short duration. If you looked at my resume you might conclude that I couldn't hold a job. Of course I could, and today I'm based in Saint Louis in my fifth season with the orchestra."

Critics have praised Robertson as a master programmer and George Walker asked him about the concert at Indiana University. Robertson had special things to say about his choice of "Francesca da Rimini" by Tchaikovsky.

"This work too often sits on the shelf because of its length. It's twenty-five minutes long which is too short for the second half of a concert and too long for the opener. But, not only is it good Tchaikovsky, it's a work that contains special beauties that you won't find anywhere else."

In our interview we skipped over Rachmaninoff's "Isle of the Dead," to focus on Robertson's thoughts aboutnbsp; Carl Nielsen's Symphony No. 4. "Nielsen wrote this symphony during the depths of the brutal trench warfare of World War 1. It was during a period when all of Europe sat appalled at the dreadful agonies of what had become a grotesque sort of mud wrestling. He might have thrown up his hands and written of the sorrow and the agony, but he chose not to."

"Nielsen titled his work "The Inextinguishable" as he sought to dramatize that part of the human spirit that would not submit and that might triumph in a terrifically dramatic symphony with a wonderfully involving and moving conclusion."

IU Summer Music Festival Orchestra
Musical Arts Center, 8pm
Thursday July 2, 2009</itunes:summary>
		<itunes:keywords>Classical,Music,,Content,Type,,Featured,in,category,,Interviews,,Podcasts,,Special,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090702-festival-orchestra.mp3" fileSize="2386048" type="audio/mpeg" /></item>
		<item>
		<title>Lend Me At Tenor At The Shawnee Theatre</title>
		<link>http://wfiu.org/arts/lend-tenor-shawnee/</link>
		<comments>http://wfiu.org/arts/lend-tenor-shawnee/#comments</comments>
		<pubDate>Thu, 02 Jul 2009 13:00:45 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Interviews]]></category>

		<category><![CDATA[Podcasts]]></category>

		<category><![CDATA[Special]]></category>

		<category><![CDATA[Theatre and Dance]]></category>

		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[farce]]></category>

		<category><![CDATA[George Walker]]></category>

		<category><![CDATA[Ken Ludwig]]></category>

		<category><![CDATA[Lend Me a Tenor]]></category>

		<category><![CDATA[michael carey]]></category>

		<category><![CDATA[Opera]]></category>

		<category><![CDATA[shawnee theatre]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=4105</guid>
		<description>Actor Michael Cary planned on a career in international economics. His senior project was an analysis of Asian financial criss. Then the theatre bug bit.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/IH1KimeFxx9wDBkBYpLcuBbC8FA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/IH1KimeFxx9wDBkBYpLcuBbC8FA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/lend-tenor-shawnee/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090706-lend-me-a-tenor.mp3" length="2402432" type="audio/mpeg" />
<itunes:duration>5:00</itunes:duration>
		<itunes:subtitle>Actor Michael Cary actually planned on a career in economics, international economics. His senior project at Indiana University was an analysis of Asian financial criss. ...</itunes:subtitle>
		<itunes:summary>Actor Michael Cary actually planned on a career in economics, international economics. His senior project at Indiana University was an analysis of Asian financial criss. Then the theatre bug bit.

Since graduation hersquo;s acted with the Bloomington Playwrights Project, Indianarsquo;s Cardinal Stage Company and this summer, for the second year, with the Shawnee Summer Theatre. George Walker talked with him about his role as Max, the company gofer in Ken Ludwigrsquo;s comedy ldquo;Lend Me a Tenor.rdquo;

ldquo;Actually, my work on that Asian crisis was good training for the role, because my character is in the middle of one crisis after another. Hersquo;s the much put upon underling for an opera company thatrsquo;s banking on the arrival of a world famous tenor. Unfortunately, the tenor is famous both for his fantastic voice and his incredible thirst.rdquo;

ldquo;Poor Max, is an aspiring tenor himself, but hersquo;s far from ready  when it appears that the tenor may be dead and Max is bundled into the costume for the performance. Lend Me a Tenor is a farce, so of course the tenor isnrsquo;t dead and eventually there are two tenors wandering in and out of the requisite number of doors and closets.rdquo;

ldquo;So, Irsquo;m happy to say as a former student of economics that I have a hand in solving the opera companyrsquo;s potential economic crisis, andmdash;by the waymdash;I get the girl.rdquo;</itunes:summary>
		<itunes:keywords>Content,Type,,Interviews,,Podcasts,,Special,,Theatre,and,Dance,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090706-lend-me-a-tenor.mp3" fileSize="2402432" type="audio/mpeg" /></item>
		<item>
		<title>Ice Cream and Architecture at Zaharako’s</title>
		<link>http://wfiu.org/arts/ice-cream-architecture-zaharakos/</link>
		<comments>http://wfiu.org/arts/ice-cream-architecture-zaharakos/#comments</comments>
		<pubDate>Thu, 02 Jul 2009 12:45:43 +0000</pubDate>
		<dc:creator>Annie Corrigan</dc:creator>
		
		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Culture]]></category>

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		<category><![CDATA[Interviews]]></category>

		<category><![CDATA[Podcasts]]></category>

		<category><![CDATA[Special]]></category>

		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[Annie Corrigan]]></category>

		<category><![CDATA[architecture]]></category>

		<category><![CDATA[daniel orr]]></category>

		<category><![CDATA[ice cream]]></category>

		<category><![CDATA[restoration]]></category>

		<category><![CDATA[Welte pipe organ]]></category>

		<category><![CDATA[zaharakos]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=4080</guid>
		<description>We met up with Tony Moravec, the man behind the mission of restoring Zaharako’s Ice Cream Parlor. He not only has experience renovation old buildings, but he worked in an ice cream parlor as a kid. “So I thought, 'how could I go wrong?'”
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/BGNAs7itI-zXRrjF6eiAY6qMqB0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/BGNAs7itI-zXRrjF6eiAY6qMqB0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/BGNAs7itI-zXRrjF6eiAY6qMqB0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/BGNAs7itI-zXRrjF6eiAY6qMqB0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/ice-cream-architecture-zaharakos/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090702-zaharakos.mp3" length="6329599" type="audio/mpeg" />
<itunes:duration>6:36</itunes:duration>
		<itunes:subtitle>On hot and humid summer days, therersquo;s nothing better than a cool soda and an ice cream sundae.  Sounds pretty great, righthellip;   ...</itunes:subtitle>
		<itunes:summary>On hot and humid summer days, therersquo;s nothing better than a cool soda and an ice cream sundae.  Sounds pretty great, righthellip;   I met up with Chef Daniel Orr recently to check out the scene at a new and yet old ice cream parlor in Columbus, Indiana.  Chef Orr will be a familiar name to restaurant goers in Bloomington, Indianahellip; he runs FARM Bloomington on Kirkwood Ave.  And, we use him here at WFIU for our program Earth Eats.  Being born and raised in Columbus, he remembers Zaharakorsquo;s from his childhood.

For those of you not familiar with the little burg of Columbus, Indiana, let me fill you inhellip;  Itrsquo;s world-renowned for its modern architecture.  Itrsquo;s received numerous awards by various magazines and organizations, but to site the most recent, National Geographic Traveler ranked Columbus, Indiana 11th out of 109 historic destinations worldwide ndash; higher than any other US destination.  Seriously!

We met up with Tony Moravec, the man behind the mission of restoring Zaharakorsquo;s.  He not only has experience renovation old buildings, but he worked in an ice cream parlor as a kid.  ldquo;So I thought, 'how could I go wrong?'rdquo;

Zaharakorsquo;s is really part-museum, the center-piece of which is the Welte Pipe organ.   This instrument was part of Zaharakorsquo;s at the turn of the century, but it was sold to a California collector in 2006.  Moravec said, ldquo;When I acquired the building, my thought was the most important thing to do would be to get the Welte pipe organ back if at all possible.rdquo;  After negotiating with the collector and refurbishing the instrument, Moravec succeeded in returning this ldquo;iconic piecerdquo; to Zaharakorsquo;s.

In addition to the organ, therersquo;s lots of memorabilia from the turn of the century, there are the authentic marble soda fountains, photos from when the ice cream parlor first opened in October of 1900, lots of things to see and touch.  At the beginning of this whole process, Tony traveled around the country educating himself about all things soda and ice cream, ldquo;(and) fortunately or unfortunately, I started collecting the stuff!rdquo;

But letrsquo;s not forget, that this place serves soda and ice cream, and therersquo;s no way Chef Orr and I are getting out of here without trying some!  I ordered a scoop of the Dreamsicle ice cream, and Chef Orr went for the natural flavors of vanilla ice cream, peanuts, pecans, caramel, and topped with some whipped cream.

It was exactly what we were hoping for on that hot summer day!</itunes:summary>
		<itunes:keywords>Content,Type,,Culture,,Featured,in,category,,Interviews,,Podcasts,,Special,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090702-zaharakos.mp3" fileSize="6329599" type="audio/mpeg" /></item>
		<item>
		<title>The B-town Comedy Festival</title>
		<link>http://wfiu.org/arts/btown-comedy-festival/</link>
		<comments>http://wfiu.org/arts/btown-comedy-festival/#comments</comments>
		<pubDate>Wed, 01 Jul 2009 14:37:43 +0000</pubDate>
		<dc:creator>Erica Hunter</dc:creator>
		
		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Culture]]></category>

		<category><![CDATA[Interviews]]></category>

		<category><![CDATA[Limelight]]></category>

		<category><![CDATA[Podcasts]]></category>

		<category><![CDATA[Special]]></category>

		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[comedy]]></category>

		<category><![CDATA[comedy club]]></category>

		<category><![CDATA[comedy competition]]></category>

		<category><![CDATA[funny bone]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=4074</guid>
		<description>Similar to the popular show, "Last Comic Standing," comedians go head to head and are eliminated each week.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/GDf07cAXuM2990T_Jy5jxdz5JzU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/GDf07cAXuM2990T_Jy5jxdz5JzU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/btown-comedy-festival/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artworks/09/090701-limelight-funnybone.mp3" length="960913" type="audio/mpeg" />
<itunes:duration>1:00</itunes:duration>
		<itunes:subtitle>The Funny Bone Comedy Club hosts its first comedy festival. The contest features 32 local and regional comedians competing for the right to be called ...</itunes:subtitle>
		<itunes:summary>The Funny Bone Comedy Club hosts its first comedy festival. The contest features 32 local and regional comedians competing for the right to be called the "Funniest Person In Bloomington." Similar to the popular show, "Last Comic Standing," comedians go head to head and are eliminated each week. Dayna Thompson, Co-owner of the club describes the voting process.

You can tickle your funny bone at the club every Wednesday at 8 p.m.</itunes:summary>
		<itunes:keywords>Content,Type,,Culture,,Interviews,,Limelight,,Podcasts,,Special,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artworks/09/090701-limelight-funnybone.mp3" fileSize="960913" type="audio/mpeg" /></item>
		<item>
		<title>Jonathan Biss, pianist</title>
		<link>http://wfiu.org/arts/jonathan-biss-pianist/</link>
		<comments>http://wfiu.org/arts/jonathan-biss-pianist/#comments</comments>
		<pubDate>Wed, 01 Jul 2009 13:00:26 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
		<category><![CDATA[Classical Music]]></category>

		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Featured in category]]></category>

		<category><![CDATA[Interviews]]></category>

		<category><![CDATA[Podcasts]]></category>

		<category><![CDATA[Special]]></category>

		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[beethoven]]></category>

		<category><![CDATA[Evelyne Brancart]]></category>

		<category><![CDATA[George Walker]]></category>

		<category><![CDATA[Haydn]]></category>

		<category><![CDATA[IU Jacobs School of Music]]></category>

		<category><![CDATA[Jatekok]]></category>

		<category><![CDATA[jonathan biss]]></category>

		<category><![CDATA[Karen Taylor]]></category>

		<category><![CDATA[Kreisleriana]]></category>

		<category><![CDATA[Kurtag]]></category>

		<category><![CDATA[Les Adieux]]></category>

		<category><![CDATA[Schumann]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=4034</guid>
		<description>Pianist Jonathan Biss returns to Bloomington for a 2009 Indiana University Summer Music Festival concert in Recital Hall on July 3. On his program are works by Haydn, Beethoven, Kurtag and Schumann.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/sHrW2Fsmi3HrhA8tcbOJ2R7PlTE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/sHrW2Fsmi3HrhA8tcbOJ2R7PlTE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/jonathan-biss-pianist/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090701-jonathan-biss.mp3" length="2420864" type="audio/mpeg" />
<itunes:duration>5:02</itunes:duration>
		<itunes:subtitle>[caption id="attachment_4056" align="alignleft" width="286" caption="Pianist Jonathan Biss"][/caption]

Pianist Jonathan Biss returns to Bloomington for a 2009 Indiana University Summer Music Festival concert in Recital Hall on ...</itunes:subtitle>
		<itunes:summary>[caption id="attachment_4056" align="alignleft" width="286" caption="Pianist Jonathan Biss"][/caption]

Pianist Jonathan Biss returns to Bloomington for a 2009 Indiana University Summer Music Festival concert in Recital Hall on July 3. On his program are works by Haydn, Beethoven, Kurtag and Schumann.

Biss was looking forward to being back in his home town to share some familiar pieces and some that hersquo;s only lately begun to play in concert.

ldquo;Wersquo;ll begin with one of the more demanding of Haydnrsquo;s sonatas. Haydn is just one of the foundation composers for all of the repertoire. Irsquo;ll be playing  the number forty-six and they do indeed get harder as the numbers go up.

Then, Irsquo;m playing something thatrsquo;s quite a bit newer. One summer when I was a student at Marlboro, I met the composer Gyorgy Kurtag. It was an amazing experience. I still think about what an incredible complete musician he was and about his grasp of sonorities, rhythms and the whole world of music. Irsquo;ll be playing some of the little pieces from his collection Jatekok, games. In these pieces I hear things that I never knew the piano could produce. Itrsquo;s pretty exciting to hear something new from an instrument that Irsquo;ve been playing for twenty years.rdquo;

Following the Haydn and the Kurtag. Biss plays Beethovenrsquo;s ldquo;Les Adieux,rdquo;  the Sonata in E flat, Op. 81a  and then itrsquo;s on to a special favorite of Bissrsquo;s, Schumannrsquo;s Kreisleriana.

ldquo;Kreisleriana is just such an incredible piece for me. Irsquo;ve been playing it since I was fifteen. Irsquo;ve worked on it intensely four different times and even recorded it. Every time I come back to the piece it seems different and new and it makes me feel different and new as well. Itrsquo;s a piece for a whole life time of musical and personal group. Therersquo;s nothing else I can say about it, I adore Kreisleriana.rdquo;

Pianist Jonathan Biss performance is a special scholarship benefit concert for the IU  Summer Piano Academy. The academy is directed by one of  Bissrsquo;s early teachers Karen Taylor. He  later studied with another IU Faculty member Evelyne Brancart.

View the IU Summer Music Festival lineup</itunes:summary>
		<itunes:keywords>Classical,Music,,Content,Type,,Featured,in,category,,Interviews,,Podcasts,,Special,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090701-jonathan-biss.mp3" fileSize="2420864" type="audio/mpeg" /></item>
		<item>
		<title>Chopin: 21 Mazurkas</title>
		<link>http://wfiu.org/arts/chopin-21-mazurkas/</link>
		<comments>http://wfiu.org/arts/chopin-21-mazurkas/#comments</comments>
		<pubDate>Tue, 30 Jun 2009 14:33:27 +0000</pubDate>
		<dc:creator>David Wood</dc:creator>
		
		<category><![CDATA[Classical Music]]></category>

		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Featured Classical Recordings]]></category>

		<category><![CDATA[Featured in category]]></category>

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		<category><![CDATA[Reviews]]></category>

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		<category><![CDATA[featured recording]]></category>

		<category><![CDATA[frederic chopin]]></category>

		<category><![CDATA[mazurka]]></category>

		<category><![CDATA[piano]]></category>

		<category><![CDATA[romantic music]]></category>

		<category><![CDATA[vassily primakov]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=4069</guid>
		<description>Even a poor pianist like me has been exposed to the compositions of Frédèric Chopin. His music is almost synonymous with the instrument. Chopin is also exceedingly well-known for his use of ethic music types in classical composition, including the folk dance from his native county, Poland, the mazurka. .
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/HdbCqw2_mpF6VKvO3ukPmiZRHMQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/HdbCqw2_mpF6VKvO3ukPmiZRHMQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/chopin-21-mazurkas/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/featuredcd/09/090630-featcd-chopin-mazurkas.mp3" length="4641044" type="audio/mpeg" />
<itunes:duration>4:50</itunes:duration>
		<itunes:subtitle>Even a poor pianist like me has been exposed to the compositions of Freacute;degrave;ric Chopin.  His music is almost synonymous with the instrument. Chopin ...</itunes:subtitle>
		<itunes:summary>Even a poor pianist like me has been exposed to the compositions of Freacute;degrave;ric Chopin.  His music is almost synonymous with the instrument. Chopin is also exceedingly well-known for his use of ethic music types in classical composition, including the folk dance from his native county, Poland, the mazurka.  He composed 58 mazurkas, and 21 of them are found on this disc by pianist Vassily Primakov.

In 1999, Primakov was a prizewinner at the Cleveland International Piano Competition and was commended by the Cleveland Plain Dealer's Donald Rosenberg for his skill at the Chopin repertoire.  Rosenberg wrote:
"Primakov once again played Chopin's Sonata No.3, showing why the jury awarded him the Chopin Prize. How many pianists can make a line sing as the 19-year-old Moscow native did on this occasion? The slow movement overflowed with dreamy lyricism shaped with a patient and colorful hand. Every poignant phrase took ethereal wing. Elsewhere the music soared with all of the turbulence and poetic vibrancy it possesses. We will be hearing much from this remarkable musician."

While he may not be performing that sonata on this recording, the young artist's ability to channel the spirit of Chopin is plainly heard in these dances.

Our quick pick this week is from the piano trio, Ensemble Vivante.  They're CD "Audience Favourites" is a smorgasbord music from Debussy to Charlie Chaplin to Leroy Anderson, and all of it quite enjoyable.</itunes:summary>
		<itunes:keywords>Classical,Music,,Content,Type,,Featured,Classical,Recordings,,Featured,in,category,,Podcasts,,Reviews,,Special</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/featuredcd/09/090630-featcd-chopin-mazurkas.mp3" fileSize="4641044" type="audio/mpeg" /></item>
		<item>
		<title>“The Velveteen Rabbit” Gets A Musical Makeover</title>
		<link>http://wfiu.org/arts/velveteen-rabbit-musical-adaptation/</link>
		<comments>http://wfiu.org/arts/velveteen-rabbit-musical-adaptation/#comments</comments>
		<pubDate>Tue, 30 Jun 2009 13:00:52 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
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		<category><![CDATA[Special]]></category>

		<category><![CDATA[Theater]]></category>

		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[crossroads repertory theatre]]></category>

		<category><![CDATA[Geroge Walker]]></category>

		<category><![CDATA[John Berst]]></category>

		<category><![CDATA[Margery Williams Bianco]]></category>

		<category><![CDATA[Saint-Mary-of-the-Wodds-College]]></category>

		<category><![CDATA[sharon ammen]]></category>

		<category><![CDATA[The Velveteen Rabbit]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3985</guid>
		<description>Sharon Ammen is the Director of Theatre and Drama at Saint-Mary-of-the-Woods College. She’s also an actor, director and the author of a new musical adaptation of the classic children’s story “The Velveteen Rabbit” at the Crossroads Repertory Theatre's 2009 Season.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/NeGk2MHNsDuyExC8O1KyjM4pJyk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NeGk2MHNsDuyExC8O1KyjM4pJyk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=CvWXe9hjcsQ:fw4lNZIWvVs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=CvWXe9hjcsQ:fw4lNZIWvVs:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=CvWXe9hjcsQ:fw4lNZIWvVs:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=CvWXe9hjcsQ:fw4lNZIWvVs:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=CvWXe9hjcsQ:fw4lNZIWvVs:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=CvWXe9hjcsQ:fw4lNZIWvVs:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=CvWXe9hjcsQ:fw4lNZIWvVs:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=CvWXe9hjcsQ:fw4lNZIWvVs:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=CvWXe9hjcsQ:fw4lNZIWvVs:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=CvWXe9hjcsQ:fw4lNZIWvVs:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=CvWXe9hjcsQ:fw4lNZIWvVs:TzevzKxY174"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=TzevzKxY174" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/velveteen-rabbit-musical-adaptation/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090630-velveteen-rabbit.mp3" length="2394240" type="audio/mpeg" />
<itunes:duration>4:59</itunes:duration>
		<itunes:subtitle>Sharon Ammen is the Director of Theatre and Drama at Saint-Mary-of-the-Woods College. Shersquo;s also an actor, director and the author of a new musical adaptation ...</itunes:subtitle>
		<itunes:summary>Sharon Ammen is the Director of Theatre and Drama at Saint-Mary-of-the-Woods College. Shersquo;s also an actor, director and the author of a new musical adaptation of the classic childrenrsquo;s story ldquo;The Velveteen Rabbitrdquo; at the Crossroads Repertory Theatre's 2009 Season.

George Walker talked with her about the evolution of the project. ldquo;Well, they asked me to do a childrenrsquo;s piece. My first concern, of course, had to be that the piece needed to be in the public domain. But, really the story that came immediately to mind was Margery Williams Biancorsquo;s The Velveteen Rabbit. It was a good story with memorable characters  and it was short enough that I could add things to it.rdquo;

Although Ammen is musical, she sought help with the actual settings and scoring. ldquo;Our composer and the companyrsquo;s summer music director John Berst has been wonderful to work with. Hersquo;s very creative, brings great talent and skill to the settings and wersquo;ve got some great variety. There are nicely lyrical and moving pieces about the showrsquo;s themes, a neat little march for the snooty mechanical toys and some delightful little dances for other characters.rdquo;

When asked what she hopes her audience will take from the show, Ammen was a bit thoughtful ldquo;I do hope that theyrsquo;ll identify with the characters and that theyrsquo;ll be involved with their story. And the message that our value as individuals has more to do with love given and shared is a lovely one.rdquo;</itunes:summary>
		<itunes:keywords>Content,Type,,Featured,in,category,,Interviews,,Podcasts,,Special,,Theater,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090630-velveteen-rabbit.mp3" fileSize="2394240" type="audio/mpeg" /></item>
		<item>
		<title>The Last Five Years At The Shawnee Theatre</title>
		<link>http://wfiu.org/arts/years/</link>
		<comments>http://wfiu.org/arts/years/#comments</comments>
		<pubDate>Mon, 29 Jun 2009 13:44:14 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
		<category><![CDATA[Content Type]]></category>

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		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[George Walker]]></category>

		<category><![CDATA[Jason Lawrence Brown]]></category>

		<category><![CDATA[Miranda Crispin]]></category>

		<category><![CDATA[shawnee theatre]]></category>

		<category><![CDATA[spicy food]]></category>

		<category><![CDATA[The Last Five Years]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3982</guid>
		<description>It is true that the story lines are going in opposite directions, but again it’s to Brown’s credit that the action is always clear.
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/years/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090629-last-five-years.mp3" length="2347136" type="audio/mpeg" />
<itunes:duration>4:53</itunes:duration>
		<itunes:subtitle>The story explores a five year marriage between Jamie, a rising novelist, and Cathy, a struggling actress. Cathy travels backwards in time (beginning the show ...</itunes:subtitle>
		<itunes:summary>The story explores a five year marriage between Jamie, a rising novelist, and Cathy, a struggling actress. Cathy travels backwards in time (beginning the show at the end of the marriage) and Jamie travels forward(starting just after the couplersquo;s first meeting.) The two charactersrsquo; stories intersect at their wedding in the middle of the show.

George Walker talked with Shawnee Theatre actor Miranda Crispin about the show. Crispinrsquo;s brief biography describes her as a performer, director, and teacher. It goes on to say that she enjoys interdisciplinary collaborations and spicy food. Walker asked her about her summer activities and ldquo;The Last Five Years.rdquo;

ldquo;This summer is a busy one for me,rdquo; began Crispin. ldquo;Irsquo;ve just come from a production to do this one and Irsquo;ll be leaving for two other shows.rdquo; ldquo;Although ldquo;The Last Five Yearsrdquo; is a boy-meets-girl-loses girlhellip;in this case divorces girl, it still has a freshness. Jason Robert Brown has created real characters that seem like people you or I might know.rdquo;

ldquo;It is true that the story lines are going in opposite directions, but again itrsquo;s to Brownrsquo;s credit that the action is always clear. His songs reflect the characterrsquo;s place in their chronological and emotional paths so aptly. By the way, Irsquo;m happy to say that wersquo;ll have live music with the show. Our music director will have the main keyboard and there will be a second keyboard player along with a guitarist.rdquo;

With that, the interviewer had to get back to the radio and the interviewee had more rehearsal. So, there just wasnrsquo;t time to talk about those culinary preferences.</itunes:summary>
		<itunes:keywords>Content,Type,,Featured,in,category,,Interviews,,Podcasts,,Special,,Theater,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090629-last-five-years.mp3" fileSize="2347136" type="audio/mpeg" /></item>
		<item>
		<title>Ex Umbris</title>
		<link>http://wfiu.org/arts/umbris/</link>
		<comments>http://wfiu.org/arts/umbris/#comments</comments>
		<pubDate>Fri, 26 Jun 2009 13:44:37 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
		<category><![CDATA[Classical Music]]></category>

		<category><![CDATA[Content Type]]></category>

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		<category><![CDATA[Special]]></category>

		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[Dumpe]]></category>

		<category><![CDATA[Elizabethan]]></category>

		<category><![CDATA[Ex Umbris]]></category>

		<category><![CDATA[George Walker]]></category>

		<category><![CDATA[Melancholy]]></category>

		<category><![CDATA[Paul Shipper]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3945</guid>
		<description>The vocal and instrumental quintet Ex Umbris presents Melancholy: Downe in the Dumpes in Elizabethan England as part of the 2009 Indianapolis Early Music Festival. George Walker talked with founding member Paul Shipper.
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/umbris/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090625-ex-umbris_int.mp3" length="2402432" type="audio/mpeg" />
<itunes:duration>5:00</itunes:duration>
		<itunes:subtitle>The vocal and instrumental quintet Ex Umbris presents Melancholy: Downe in the Dumpes in Elizabethan England as part of the 2009 Indianapolis Early Music Festival. ...</itunes:subtitle>
		<itunes:summary>The vocal and instrumental quintet Ex Umbris presents Melancholy: Downe in the Dumpes in Elizabethan England as part of the 2009 Indianapolis Early Music Festival. George Walker talked with founding member Paul Shipper.

ldquo;The first thing to say is that while we like the pun in our title,  the program is far from grim or cheerless," said founding member Paul Shipper.  "ldquo;Dumpes" arenrsquo;t spiritual states, theyrsquo;re simple dance forms that musician improvised over and improvisation is one the things that brought the members of Ex Umbris together.rdquo;

Shipper, in addition to being an instrumentalist and singer is also a stage actor and director. ldquo;Ex Umbris is very concerned with how we present our music. You wonrsquo;t find us sitting around behind a wall of music stands.

We memorize our music so that we can more directly address the audience. Most of us stand for much of the concert and we do use a few props to help with the presentation.rdquo;

ldquo;We try for a complete eveningrsquo;s entertainment and in addition to the music, wersquo;ll be reciting readings and vignettes that further explore the period.rdquo;

Melancholy: Downe in the Dumpes in Elizabethan England
Ex Umbris
Indianapolis Early Music Festival
Basile Opera Center at 40th and Pennsylvania
June 27, 2009</itunes:summary>
		<itunes:keywords>Classical,Music,,Content,Type,,Featured,in,category,,Interviews,,Podcasts,,Special,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090625-ex-umbris_int.mp3" fileSize="2402432" type="audio/mpeg" /></item>
		<item>
		<title>The Fantasticks</title>
		<link>http://wfiu.org/arts/fantasticks/</link>
		<comments>http://wfiu.org/arts/fantasticks/#comments</comments>
		<pubDate>Fri, 26 Jun 2009 13:39:23 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
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		<category><![CDATA[arthur feinsod]]></category>

		<category><![CDATA[crossroads repertory theatre]]></category>

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		<category><![CDATA[George Walker]]></category>

		<category><![CDATA[Ovid]]></category>

		<category><![CDATA[Rostand]]></category>

		<category><![CDATA[shakespeare]]></category>

		<category><![CDATA[The Fantasticks]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3972</guid>
		<description>This story of a couple of lovers and the fathers who at least appear to want to keep them apart has a long history.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/AEI701bBGWv2NMjTksiL1A7pPEg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/AEI701bBGWv2NMjTksiL1A7pPEg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/fantasticks/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090624-the-fantasticks_int.mp3" length="2433152" type="audio/mpeg" />
<itunes:duration>5:04</itunes:duration>
		<itunes:subtitle>Arthur Feinsod is the Artistic Director of the Crossroads Repertory Theatre at Indiana State University. Hersquo;s also the director for their production of The Fantasticks. ...</itunes:subtitle>
		<itunes:summary>Arthur Feinsod is the Artistic Director of the Crossroads Repertory Theatre at Indiana State University. Hersquo;s also the director for their production of The Fantasticks. George Walker asked him about the durability of this show. It did ring up the longest continual run in musical theatre history. And he got an answer that went back much farther than the 1960s, but then came right back to the twenty-first century.

ldquo;This story of a couple of lovers and the fathers who at least appear to want to keep them apart has a long history. We have written accounts of it in the tales of the Roman poet Ovid. Shakespeare of course, incorporates it as the Pyramis and Thisbee episode in his Midsummer Nights Dream. The French author Rostand brought it more up to date in his works. And, of course it has its delightful incarnation in Tom Jones and Harvey Schmidtrsquo;s musical.rdquo;

Then Feinsod added, ldquo;One of the incredible additions that The Fantasticks brought to the story is the character of the mysterious facilitator El Gallo. Hersquo;s quite a complicated and fascinating figure, a bit dark, and at the same time whimsical.rdquo;

Walker asked about the performance style and Feinsod noted that ldquo;In the 1960s the simple stage, sort like the set for Our Town, but barer, was something a bit new. However in the fifty or so years since then, wersquo;ve learned quite a bit. In our production, itrsquo;s not just a set of actors pulling a show out of trunk. We exploit the entire theatre as our venue and even bring in mythic elements that are actually there, but seldom really considered.rdquo;

After his brief history lesson on the story and the production style, Feinsod got back to the Crossroads Repertory Theatrersquo;s production with enthusiastic praise for his actors, music director John Berst, choreographer Teresa McCullough. costumer Sherry McFadden. And the whole technical crew. ldquo;There whatrsquo;s going to really help make this edition of The Fantasticks quite fantastical.rdquo;

The Fantasticks book and lyrics by Tom Jones, music by Harvey Schmidt
Crossroads Repertory Theatre
June 25-28 and July 16 and 23/2009</itunes:summary>
		<itunes:keywords>Content,Type,,Featured,in,category,,Interviews,,Podcasts,,Special,,Theatre,and,Dance,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090624-the-fantasticks_int.mp3" fileSize="2433152" type="audio/mpeg" /></item>
		<item>
		<title>The Wire’s David Simon:  From Baltimore To The Big Easy</title>
		<link>http://wfiu.org/arts/wires-david-simon-baltimore-big-easy/</link>
		<comments>http://wfiu.org/arts/wires-david-simon-baltimore-big-easy/#comments</comments>
		<pubDate>Fri, 26 Jun 2009 13:27:52 +0000</pubDate>
		<dc:creator>Josephine McRobbie</dc:creator>
		
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		<category><![CDATA[african american]]></category>

		<category><![CDATA[baltimore]]></category>

		<category><![CDATA[crime]]></category>

		<category><![CDATA[david simon]]></category>

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		<category><![CDATA[homicide: life on the streets]]></category>

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		<category><![CDATA[New Orleans]]></category>

		<category><![CDATA[poverty]]></category>

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		<category><![CDATA[the wire]]></category>

		<category><![CDATA[treme]]></category>

		<category><![CDATA[tv]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3971</guid>
		<description>How Baltimore-based writer and producer David Simon turned his 12 years on the crime beat of a daily newspaper into the critically-acclaimed series The Wire.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/ojf5qsBdE_L4VAf0TcuN0vVfKWk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ojf5qsBdE_L4VAf0TcuN0vVfKWk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</description>
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			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090622-david-simon.mp3" length="4455470" type="audio/mpeg" />
<itunes:duration>4:38</itunes:duration>
		<itunes:subtitle>Baltimore-based writer and producer David Simon was in New Orleans this morning.  Hersquo;ll be back in Maryland tonight, but right now, the creator of ...</itunes:subtitle>
		<itunes:summary>Baltimore-based writer and producer David Simon was in New Orleans this morning.  Hersquo;ll be back in Maryland tonight, but right now, the creator of some of the darkest, grittiest shows on television is in a far more unexpected place ndash; a ballroom with Victorian deacute;cor in Greencastle Indiana.  Simon is the keynote speaker for DePauw Universityrsquo;s Undergraduate Communications Honors Conference.

ldquo;Irsquo;m very honored to be here,rdquo; said Simon.   ldquo;Itrsquo;s vaguely amusing to me that Irsquo;ve become this public gadfly of media issues, because what I am on some level is a reporter who got chucked out of his newsroom.rdquo;

The room is packed with students, most of whom likely know Simon more from his critically-lauded television drama The Wire than the dozen years he spent as a reporter on the crime beat of the Baltimore Sun.


From the crime beat to The Wire
In 1988, cynical about his newsroom and the people running it, Simon took a leave from the Baltimore Sun.  During this time, he wrote the non-fiction crime book Homicide:  A Year on The Killing Streets.  The book was eventually adapted into an award-winning NBC drama.

"I lived in a city where half of the adult black males, in a city that is 65% African-American, were unemployed,rdquo; explained Simon.  ldquo;That's not a viable economic model, somebody should be looking at that.  I lived in a city where probably 82-83% of the kids who attended school did not finish high school.rdquo;

ldquo;Yet the same newspaper that was pursuing these Pulitzers, these special little topics, these lsquo;we're going to surround this and give you a five part series on lead paint poisoningrsquo;, this same newspaper no longer had a poverty reporter.  That beat went uncovered.  They no longer had a labor reporter.  No one covering the city courthouse for a period of maybe 5 or 6 years."

His next book The Corner:  A Year in the Life of an Inner City Neighborhood was co-authored with writer Ed Burns, a former Baltimore schoolteacher who would go on to work with Simon on The Wire.  The Corner was again non-fiction, but written in the style of a novel.

The Wire began airing on HBO in 2002, and focused on a different social class or segment of Baltimore each season, with plotlines and characters entangling as the series progressed.  The first season looked at the housing projects and low-level drug trade of the city.

ldquo;It really was a piece about the end of empire, the emptiness at the center of Americarsquo;s urban soul,rdquo; said Simon.  ldquo;You could walk down the street and look at the row houses, look at the plywood, and know something is not right here.rdquo;
Not Just Another Cable Crime Show
The Wire was unique in many ways.  The series featured a mostly African-American cast, a rarity in cable dramas.  It was difficult to distinguish the professional actors from the ldquo;real liferdquo; Baltimoreans who occupied some roles, such as androgynous ex-gangster Felicia ldquo;Snooprdquo; Pearson, and former Maryland Governor Bob Ehrlich.

The slang of the police, as well as the drug dealers, were equally impenetrable on first listen.   And avoiding the conventions of the typical ldquo;cop showrdquo;, the characters were incredibly complex in nature.

Police officers and politicians were sometimes villains, and a favorite hero of the show was a stick-up man named Omar Little, who stole only from those involved in the drug trade; a kind of Robin Hood character.
The Story Of Obama and Omar
In 2008, Omar was brought further into the public consciousness when then-presidential-candidate Senator Barack Obama named The Wire as his favorite television show, and Omar his favorite character.   "Hersquo;s not my favorite person, but hersquo;s a fascinating character,"  Obama told the Las Vegas Sun. "He's this black, gay gangster who only robs drug dealers, and then gives back ... he's the toughest, baddest guy on this show, but he's gay,...</itunes:summary>
		<itunes:keywords>Content,Type,,Culture,,Featured,in,category,,Interviews,,Podcasts,,Special,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090622-david-simon.mp3" fileSize="4455470" type="audio/mpeg" /></item>
		<item>
		<title>Warding Off the Evil Eye at the Mathers Museum</title>
		<link>http://wfiu.org/arts/warding-evil-eye-mathers/</link>
		<comments>http://wfiu.org/arts/warding-evil-eye-mathers/#comments</comments>
		<pubDate>Wed, 24 Jun 2009 14:09:41 +0000</pubDate>
		<dc:creator>Adam Schwartz</dc:creator>
		
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		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[amulets]]></category>

		<category><![CDATA[folklore]]></category>

		<category><![CDATA[museum]]></category>

		<category><![CDATA[talismans]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3938</guid>
		<description>An exhibit at the Mathers Museum displays objects from different cultures that are believed to protect the user or owner from harm and to promote good luck.
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&lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=8YAM4I5XPq0:oJ30l0Er5sE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=8YAM4I5XPq0:oJ30l0Er5sE:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=8YAM4I5XPq0:oJ30l0Er5sE:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=8YAM4I5XPq0:oJ30l0Er5sE:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=8YAM4I5XPq0:oJ30l0Er5sE:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=8YAM4I5XPq0:oJ30l0Er5sE:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=8YAM4I5XPq0:oJ30l0Er5sE:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=8YAM4I5XPq0:oJ30l0Er5sE:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=8YAM4I5XPq0:oJ30l0Er5sE:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=8YAM4I5XPq0:oJ30l0Er5sE:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=8YAM4I5XPq0:oJ30l0Er5sE:TzevzKxY174"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=TzevzKxY174" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
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			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090624-warding-off-the-evil-eye.mp3" length="4207595" type="audio/mpeg" />
<itunes:duration>4:23</itunes:duration>
		<itunes:subtitle>If yoursquo;ve ever thrown rice at a wedding, worn a rabbitrsquo;s foot on your key ring or a cornicello around your neck, or wrapped yourself ...</itunes:subtitle>
		<itunes:summary>If yoursquo;ve ever thrown rice at a wedding, worn a rabbitrsquo;s foot on your key ring or a cornicello around your neck, or wrapped yourself in a prayer shawl, then yoursquo;ve been using an object to protect yourself or others from harm and to promote good luck.

An exhibit at the Mathers Museum called Safe and Sound: Protective Devices from Around the World brings together such objects from different cultures that are believed to protect the user or owner from harm.

Suzanne Ingalsbe, a doctoral student in the IU Department of Folklore and Ethnomusicology, curated the exhibit.

ldquo;There are lots of different kinds of items that cultures from around the world use for protection,rdquo; she says.

ldquo;Protection from disease, from dangers during travel . . . these are concepts that are common to lots of cultures. There are things that we may be familiar with that we donrsquo;t even think about that are also used as protective items. [The exhibit] is a comparative look at these types of things.rdquo;

The twenty objects on display include an amulet containing verses from the Koran from Nigeria, a horseshoe talisman from Turkey, a figurine from Brazil of St. Benedito, a St. Brigidrsquo;s cross from Ireland, a Japanese mask, a family god from Zaire, a reliquary from Nepal, and a dreamcatcher from the United States. Most of the objects came from the museumrsquo;s permanent collection.

An item called ldquo;War Jacketrdquo; in the exhibit is a vest from Liberia that was worn by a hunter or warrior for good luck. The vest is made of a woven fabric adorned with horns and nails from animals that are considered powerful. From the vest dangles dozens of small, square brown leather packets that contain verses from the Koran on parchment.

According to Ingalsbe, the sacred verses and other talismans give the wearer a feeling of power and protection.

ldquo;The interesting thingmdash;lots of different religious traditions have important meaningful sacred texts, and so thatrsquo;s what wersquo;re seeing with the Koran. But Irsquo;m not completely certain whether this wearer would have been wearing this because the Koran was particularly meaningful to him, or, whether knowing that that was particularly meaningful to a large group of people it was incorporated as a sacred charm, which often does happen. So people who are maybe not particular adherents to a religious belief will take some of the elements of protection from other religions and incorporate it into their practice as well.rdquo;

A babyrsquo;s hat from 20th century Peru, made of red crocheted wool, is believed to protect an infant from the evil eye. According to Ingalsbe, infants and small children are given extra protection from evil because theyrsquo;re so vulnerable, and because theyrsquo;re the objects of affection and attention from others.

ldquo;Many cultures believe that if you say very positive, complimentary things about someone, then you alert evil powers to them, and theyrsquo;re more likely to be attacked. So, therersquo;re lots of things that go to counteract that. Everything from saying the opposite of what you meanmdash;rsquo;Oh, what an ugly baby that is!rsquo;mdash;to actually having amulets or other items.

One object in the exhibit suggests that some of us twenty-first century dwellers still believe in the power of talismans to protect us from harm. The object is a Guardian Bell, a silver-colored trinket about the size of a thimble, thatrsquo;s meant to be hung on a motorcycle to protect the rider. You can buy it for about twelve dollars at motorcycle shops, complete with a description of the bellrsquo;s magical powers.

ldquo;The idea is that if you hang one of these underneath your motorcycle, it protects you from road gremlins,rdquo; says Ingalsbe. ldquo;Road gremlins are nasty little creatures that would do bad things to you while you ride. They would harm your bike, make you fallmdash;all kinds of things.rdquo;

The legen...</itunes:summary>
		<itunes:keywords>Content,Type,,Culture,,Featured,in,category,,Interviews,,Podcasts,,Special,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090624-warding-off-the-evil-eye.mp3" fileSize="4207595" type="audio/mpeg" /></item>
		<item>
		<title>A Streetcar Named Desire</title>
		<link>http://wfiu.org/arts/3892/</link>
		<comments>http://wfiu.org/arts/3892/#comments</comments>
		<pubDate>Wed, 24 Jun 2009 13:59:11 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
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		<category><![CDATA[A Streetcar Named Desire]]></category>

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		<category><![CDATA[Greene County]]></category>

		<category><![CDATA[Kevin Guthridge]]></category>

		<category><![CDATA[New Orleans]]></category>

		<category><![CDATA[Sara Pavlak]]></category>

		<category><![CDATA[shawnee theatre]]></category>

		<category><![CDATA[tennessee williams]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3892</guid>
		<description>Sara Pavlak is an actor with big dreams, but one she’d never dared to dream is coming true this summer at the Shawnee Theatre.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/JIYYjUoAS-YqmKMow98__4SY_h0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/JIYYjUoAS-YqmKMow98__4SY_h0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</description>
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			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090622-streetcar-named-desire_int.mp3" length="2402432" type="audio/mpeg" />
<itunes:duration>5:00</itunes:duration>
		<itunes:subtitle>Sara Pavlak is an actor with big dreams, but one shersquo;d never dared to dream is coming true this summer at the Shawnee Theatre. She ...</itunes:subtitle>
		<itunes:summary>Sara Pavlak is an actor with big dreams, but one shersquo;d never dared to dream is coming true this summer at the Shawnee Theatre. She just finished with her Masters Degree from Western Illinois University and shersquo;s got the role of Blanche Dubois in Tennessee Williamsrsquo; Pulitzer Prize winning A Streetcar Named Desire.

George Walker first asked Pavlak about the summer pace at Shawnee. ldquo;Itrsquo;s really great in terms of the focus and the energy,rdquo; she said. ldquo;Itrsquo;s my second summer, so Irsquo;m used to the fact that  while Irsquo;m rehearsing, another show is playing, and a third show is in the preliminary production stages.rdquo;

ldquo;I never thought that Irsquo;d be playing a role like this so early,rdquo; Pavlak said. ldquo;Itrsquo;s not that Blanche is really that much older than I am. I think of her as about thirty-five and Tennessee Williams says somewhere that she was thirty. But, the emotional trauma that shersquo;s experienced and the depth that shersquo;s fallen into are really outside my experience.rdquo;

ldquo;I can look back to some of my own losses and emotional moments and I try to magnify them to come up with the appropriate inner feel for Blanche, but itrsquo;s really a stretch. Shersquo;s a very complicated and almost cursed, but still incredibly fascinating. Itrsquo;s a great part.rdquo;

A Streetcar Named Desire by Tennessee Williams
Directed by Kevin Guthridge
With Sara Pavlak as Blanche Dubois
Shawnee Theatre
June 25-28, 2009</itunes:summary>
		<itunes:keywords>Content,Type,,Featured,in,category,,Interviews,,Podcasts,,Special,,Theater,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090622-streetcar-named-desire_int.mp3" fileSize="2402432" type="audio/mpeg" /></item>
		<item>
		<title>From Ground to Skyline:  Limestone’s Storied Legacy</title>
		<link>http://wfiu.org/arts/ground-skyline-limestones-storied-legacy/</link>
		<comments>http://wfiu.org/arts/ground-skyline-limestones-storied-legacy/#comments</comments>
		<pubDate>Wed, 24 Jun 2009 13:30:12 +0000</pubDate>
		<dc:creator>Yaël Ksander</dc:creator>
		
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		<category><![CDATA[Bedford]]></category>

		<category><![CDATA[Bloomington Area Arts Council]]></category>

		<category><![CDATA[Bybee Stone Company]]></category>

		<category><![CDATA[Indiana Limestone Symposium]]></category>

		<category><![CDATA[Lawrence County]]></category>

		<category><![CDATA[limestone month]]></category>

		<category><![CDATA[limestone quarry]]></category>

		<category><![CDATA[monroe county]]></category>

		<category><![CDATA[railroads]]></category>

		<category><![CDATA[St. John the Divine]]></category>

		<category><![CDATA[stinesville]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3917</guid>
		<description>During the nation's second century, a  strong, durable, fine-grained stone made its way from the quarries of south central Indiana to the nation’s most significant landmarks. This year, a consortium of interests in Monroe and Lawrence Counties is raising awareness about Indiana’s limestone heritage.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/P44DVI84J4S1vrXgLeXz48lk2LE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/P44DVI84J4S1vrXgLeXz48lk2LE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/ground-skyline-limestones-storied-legacy/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090624-yael-limestone.mp3" length="3901465" type="audio/mpeg" />
<itunes:duration>8:08</itunes:duration>
		<itunes:subtitle>During the nineteenth and twentieth centuries, strong, durable, fine-grained stone made its way from the quarries of south central Indiana to the nationrsquo;s most significant ...</itunes:subtitle>
		<itunes:summary>During the nineteenth and twentieth centuries, strong, durable, fine-grained stone made its way from the quarries of south central Indiana to the nationrsquo;s most significant landmarks.

This year, a consortium of interests in Monroe and Lawrence Counties is raising awareness about Indianarsquo;s limestone heritage.   A series of events, including lectures, quarry tours and exhibitions is being promoted in a coordinated way as Indiana Limestone Month.

One of the monthrsquo;s major events is the annual Indiana Limestone Symposium, now in its 13th year.  Held every June on the grounds of the Bybee Stone Company in Ellettsville, the symposium attracts everyone from weekend enthusiasts to professional carvers, from all around the nation.

The symposium was the brainchild of Amy Brier, a carver who had worked as a traditional limestone carver at the Cathedral of St. John the Divine in New York, and was pursuing an MFA at Indiana University.  Brier suggested the idea to carver Frank Young, then executive director of the Bloomington Area Arts Council , who in turn tapped a contact at the Bybee Stone Company in Ellettsville.   Bybee provided a site, and, in 1997, the symposium was born.  ldquo;Five people out here in mud up to our ankles,rdquo; as Brier described the inaugural event.

These days there are there are many more participants, who enjoy the exchange of ideas and techniques the symposium provides.  Regardless of their skill level, all of the carvers seem to be in the thrall of the medium, and its cultural legacy.

Extending about 30 miles from Stinesville to Bedford, the rich vein of whatrsquo;s known as Bedford, Salem, or Oolitic limestone was formed 300 million years when the area was covered with a warm inland sea, by the calcified bodies of tiny marine organisms.

Quarrying efforts began in Indiana in 1827, and accelerated with the mechanization of the removal and transport of limestone.   The mid-nineteenth-century railroad boom transformed not only the limestone industry, but the skylines of New York, Chicago and Washington.

Limestone provided a strong, durable, and homogeneous building material that lent itself well to the neo-classical architecture being constructed to represent the grandeur of the nation in its second century. The nationrsquo;s most lauded monuments, federal buildings, state capitols, museums, skyscrapers and private residences are made of Indiana limestone.

A complete listing of the programs that are part of this yearrsquo;s inaugural celebration of Limestone Month is available online at limestonemonth.com</itunes:summary>
		<itunes:keywords>Content,Type,,Featured,in,category,,Interviews,,Podcasts,,Special,,Visual,Arts,,WFIU.org,Homepage,,WFIU.org,Homepage,Featured,Story</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090624-yael-limestone.mp3" fileSize="3901465" type="audio/mpeg" /></item>
		<item>
		<title>Much Ado About Nothing</title>
		<link>http://wfiu.org/arts/ado/</link>
		<comments>http://wfiu.org/arts/ado/#comments</comments>
		<pubDate>Mon, 22 Jun 2009 15:10:15 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
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		<category><![CDATA[Christopher Berchild]]></category>

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		<category><![CDATA[much ado about nothing]]></category>

		<category><![CDATA[Richard Rodgers]]></category>

		<category><![CDATA[william shakespeare]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3921</guid>
		<description>The happy ending is saluted with “It Don’t Mean a Thing (If It Isn’t Got that Swing)” by Duke Ellington and Irving Mills.
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&lt;/div&gt;</description>
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			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsReviews/09/090622-much-ado-about-nothing_.mp3" length="1597568" type="audio/mpeg" />
<itunes:duration>3:20</itunes:duration>
		<itunes:subtitle>The Crossroads Repertory Theatre at Indiana State University opens their 2009 season with a delightfully inventive and charming production of Shakespearersquo;s comedy Much Ado About ...</itunes:subtitle>
		<itunes:summary>The Crossroads Repertory Theatre at Indiana State University opens their 2009 season with a delightfully inventive and charming production of Shakespearersquo;s comedy Much Ado About Nothing.

Itrsquo;s a production that takes its Shakespeare seriously enough, to want to have fun with every aspect.

The setting is the 1930s with the returning heroes Benedick, Don Pedro and Claudio as trio of energetic fly boys come to enjoy sunny California.

The set up and many of the intervening scenes are creatively handled as grainy black and white documentary footage with scenes of our heroes mixed in with original pieces from the time.

The Crossroads Rep production is rich in music and theatricality, but economical with actors. Just eight play the seventeen characters.

Frankly there are a few stretches, especially with the women playing male roles, but as soon as the Shakespeare language takes over the character and the dramatic points are all in place.

Brandon Wentz was a wonderfully mercurial Benedick, that confirmed bachelor. He was ably partnered by Amy Attaway as the equally strong willed Beatrice. Their sparring and eventual love was delightfully silly and quite human.

Michael Finchum was a charmer both vocally and as the handsome young hesitant lover of the innocent Hero.

Whitney Kos made Hero both an innocent and a later wiser young woman. Kevin Johnson was her affectionate and sometimes baffled father.

Drew Hampton made good use of his role as the older more experienced and wiser of the three young flyers.

Carolyn Rodkey did varied duties as a waiting woman, a confidant, a third voice in trios and also as a pretty nasty key villain.

Veteran actor Sharon Ammen appeared as a waiting woman, a plotter and a quite befuddled Friar.

She neatly personed each role, acting, singing, dancing up a storm, and always seeming to get the last word in her scenes.

Director Berchild keeps to his 30s period by using dance and music from the era instead of the Elizabethan pieces chosen by Shakespeare.

Instead of galliards and step dances there is an athletic jitterbug and a sprightly foxtrot.  Instead of a ldquo;Hey Nonny Nonny,rdquo; the young flyers  sing Young James Oliverrsquo;s ldquo;Trsquo;aint What You Do(Itrsquo;s the Way that You Do it).rdquo;

Lorenz  Hart and Richard Rodgersrsquo; ldquo;The Lady is a Tramprdquo; was sung as a sprightly comment on the female independence.

The frustrations of the battle of the sexes, central to ldquo;Much Adohellip;,rdquo; were pointed up in George and Ira Gershwinrsquo;s ldquo;Letrsquo;s Call the Whole Thing Off.rdquo;

And naturally enough, the happy ending is saluted with ldquo;It Donrsquo;t Mean a Thing (If It Isnrsquo;t Got that Swing?rdquo; by Duke Ellington and Irving Mills.

There are three more chances to catch Much Ado About Nothing at the Crossroads Repertory Theatre, July 14, 18 and 24.</itunes:summary>
		<itunes:keywords>Content,Type,,Featured,in,category,,Podcasts,,Reviews,,Special,,Theater,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsReviews/09/090622-much-ado-about-nothing_.mp3" fileSize="1597568" type="audio/mpeg" /></item>
		<item>
		<title>Vivaldi and Piazzolla’s Four Seasons</title>
		<link>http://wfiu.org/arts/vivaldi-piazzollas-seasons/</link>
		<comments>http://wfiu.org/arts/vivaldi-piazzollas-seasons/#comments</comments>
		<pubDate>Mon, 22 Jun 2009 13:00:42 +0000</pubDate>
		<dc:creator>David Wood</dc:creator>
		
		<category><![CDATA[Classical Music]]></category>

		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Featured Classical Recordings]]></category>

		<category><![CDATA[Featured in category]]></category>

		<category><![CDATA[Podcasts]]></category>

		<category><![CDATA[Reviews]]></category>

		<category><![CDATA[Special]]></category>

		<category><![CDATA[antonio vivaldi]]></category>

		<category><![CDATA[artur piazzolla]]></category>

		<category><![CDATA[die schoene mullerin]]></category>

		<category><![CDATA[die schone mullerin]]></category>

		<category><![CDATA[franz schubert]]></category>

		<category><![CDATA[john elwes]]></category>

		<category><![CDATA[kenneth slowik]]></category>

		<category><![CDATA[lara st. john]]></category>

		<category><![CDATA[the four seasons]]></category>

		<category><![CDATA[the four seasons of buenos aires]]></category>

		<category><![CDATA[the simon bolivar youth orchestra or venezuala]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3831</guid>
		<description>The last thing anyone needs is ANOTHER recording of Vivaldi's The Four Seasons, right?  Not necessarily.  Violinist Lara St. John teams up with the hit of last year's BBC Proms, the Simon Bolivar Youth Orchestra of Venezuala for a pairing you won't forget.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/WdKVNmj-Vh307l1nPjgAGKBzXR8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/WdKVNmj-Vh307l1nPjgAGKBzXR8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=r0s03BGfTBA:0B3X123EJZc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=r0s03BGfTBA:0B3X123EJZc:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=r0s03BGfTBA:0B3X123EJZc:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=r0s03BGfTBA:0B3X123EJZc:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=r0s03BGfTBA:0B3X123EJZc:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=r0s03BGfTBA:0B3X123EJZc:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=r0s03BGfTBA:0B3X123EJZc:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=r0s03BGfTBA:0B3X123EJZc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=r0s03BGfTBA:0B3X123EJZc:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=r0s03BGfTBA:0B3X123EJZc:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=r0s03BGfTBA:0B3X123EJZc:TzevzKxY174"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=TzevzKxY174" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/vivaldi-piazzollas-seasons/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/featuredcd/09/090622-featcd-four-seasons.mp3" length="4216397" type="audio/mpeg" />
<itunes:duration>4:24</itunes:duration>
		<itunes:subtitle>The last thing anyone needs is ANOTHER recording of Vivaldi's The Four Seasons, right?nbsp; Not necessarily.nbsp; Violinist Lara St. John teams up with the hit ...</itunes:subtitle>
		<itunes:summary>The last thing anyone needs is ANOTHER recording of Vivaldi's The Four Seasons, right?nbsp; Not necessarily.nbsp; Violinist Lara St. John teams up with the hit of last year's BBC Proms, the Simon Bolivar Youth Orchestra of Venezuala for a pairing you won't forget.

Conductor Eduardo Marturet leads the Youth Orchestra through Vivaldi's music with a wonderful fieriness, but it's when they are set loose on the other half of this recording that they really show their colors.

Juxtaposed with the baroque masterwork is Artur Piazzolla's The Four Seasons of Buenos Aires.nbsp; This work not only reflects the duality of the Northern and Southern hemispheres by starting with Autumn and ending in Summer, but the music is packed with the sounds Piazzolla's home in Argentina.

Our quick pick this week is a recording I've been sitting on a while, but it's waited long enough. From the Dorian label in 2007 comes a period recording of Franz Schubert's song cycle Die schouml;ne Muuml;llerin (the lovely mill girl).nbsp; Tenor John Elwes is accompanied by fortepianist Kenneth Slowik.</itunes:summary>
		<itunes:keywords>Classical,Music,,Content,Type,,Featured,Classical,Recordings,,Featured,in,category,,Podcasts,,Reviews,,Special</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/featuredcd/09/090622-featcd-four-seasons.mp3" fileSize="4216397" type="audio/mpeg" /></item>
		<item>
		<title>Bedlam, Back and Beyond</title>
		<link>http://wfiu.org/arts/bedlam-2/</link>
		<comments>http://wfiu.org/arts/bedlam-2/#comments</comments>
		<pubDate>Mon, 22 Jun 2009 13:00:24 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
		<category><![CDATA[Classical Music]]></category>

		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Interviews]]></category>

		<category><![CDATA[Podcasts]]></category>

		<category><![CDATA[Special]]></category>

		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[WFIU.org Homepage Featured Story]]></category>

		<category><![CDATA[baroque]]></category>

		<category><![CDATA[Claudio Monteverdi]]></category>

		<category><![CDATA[George Walker]]></category>

		<category><![CDATA[Henry Purcell]]></category>

		<category><![CDATA[Holly Chatham]]></category>

		<category><![CDATA[Indiana University]]></category>

		<category><![CDATA[Indianapolis Early Music Festival]]></category>

		<category><![CDATA[jacobs school of music]]></category>

		<category><![CDATA[Joanna Blendulf]]></category>

		<category><![CDATA[Reconstruction]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3842</guid>
		<description>Harpsichordist Holly Chatham and cellist Joanna Blendulf met at Indiana University’s Jacobs School of Music in the late 1990s. After playing professionally in a number of groups the two came together in 2002 to form their own group.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/iItHUg_-FaCEywwXQwFr9Fw-XLk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/iItHUg_-FaCEywwXQwFr9Fw-XLk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/bedlam-2/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090622-reconstruction.mp3" length="2408576" type="audio/mpeg" />
<itunes:duration>5:01</itunes:duration>
		<itunes:subtitle>Harpsichordist Holly Chatham and cellist Joanna Blendulf met at Indiana Universityrsquo;s Jacobs School of Music in the late 1990s. After playing professionally in a number ...</itunes:subtitle>
		<itunes:summary>Harpsichordist Holly Chatham and cellist Joanna Blendulf met at Indiana Universityrsquo;s Jacobs School of Music in the late 1990s. After playing professionally in a number of groups the two came together in 2002 to form their own group.



ldquo;Our ensemble, Reconstruction is a quintet of women dedicated to bringing the music of the early Baroque to early twenty-first century audiences,rdquo; said Chatham. ldquo;Especially in the early Baroque we found a wealthy of music for three sopranos and accompaniment and itrsquo;s our passion to present it.rdquo;

ldquo;Our program, Bedlam, Back and Beyond has a nice arch to it. We sing of love of affection and then of the madness that it can lead to. You know that some of the musicians from this period like Henry Purcell actually visited the madhouses. Long before romantic figures like ldquo;Luciardquo; there were mad songs.rdquo;

ldquo;But in addition to these treasures from the past we do look to the lsquo;beyond.rsquo; Wersquo;ve commissioned a lovely work by Karen Hansen that fits very gracefully into our program and wersquo;ve even got a bit of a surprise that always leaves the audience with a bit of a chuckle.rdquo;


View the Indianapolis Early Music Festival website.


View the Reconstruction website</itunes:summary>
		<itunes:keywords>Classical,Music,,Content,Type,,Interviews,,Podcasts,,Special,,WFIU.org,Homepage,,WFIU.org,Homepage,Featured,Story</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090622-reconstruction.mp3" fileSize="2408576" type="audio/mpeg" /></item>
		<item>
		<title>Marx Brothers’ “Duck Soup”</title>
		<link>http://wfiu.org/arts/marx-brothers-duck-soup-2/</link>
		<comments>http://wfiu.org/arts/marx-brothers-duck-soup-2/#comments</comments>
		<pubDate>Fri, 19 Jun 2009 13:24:24 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Featured in category]]></category>

		<category><![CDATA[Podcasts]]></category>

		<category><![CDATA[Reviews]]></category>

		<category><![CDATA[Special]]></category>

		<category><![CDATA[Theatre and Dance]]></category>

		<category><![CDATA[Duck Soup]]></category>

		<category><![CDATA[George Walker]]></category>

		<category><![CDATA[Haydne Moore]]></category>

		<category><![CDATA[Martinsville]]></category>

		<category><![CDATA[Marx Brothers]]></category>

		<category><![CDATA[Merry MAC Players]]></category>

		<category><![CDATA[russell mcgee]]></category>

		<category><![CDATA[Shani Wahrman]]></category>

		<category><![CDATA[The Depot]]></category>

		<category><![CDATA[Tom Slater]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3900</guid>
		<description>The Merry MAC Players in Martinsville have the audacity to produce the “Marx Brothers’ “Duck Soup.””
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/vtDTr2HavTaciIBBpEakjTcLbHI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vtDTr2HavTaciIBBpEakjTcLbHI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/marx-brothers-duck-soup-2/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsReviews/09/090619-marx-brothers-duck-soup_.mp3" length="1665152" type="audio/mpeg" />
<itunes:duration>3:28</itunes:duration>
		<itunes:subtitle>The Merry MAC Players in Martinsville have the audacity to produce the Marx Brothersrsquo; ldquo;Duck Souprdquo;. Not only that, but the production, adapted for the ...</itunes:subtitle>
		<itunes:summary>The Merry MAC Players in Martinsville have the audacity to produce the Marx Brothersrsquo; ldquo;Duck Souprdquo;. Not only that, but the production, adapted for the stage by director Russell McGee with Hayden Moore and Shani Wahrman, promises improvements on the original film. Specifically, the trio has cleaned up some dangling dialog. Theyrsquo;ve added back routines that were cut and three songs that were dropped from the film.

The first act of the Marx Brothersrsquo; ldquo;Duck Souprdquo; went quite well. It was funny, inventive and fast paced. Things didnrsquo;t go so well in the second act. It bogged down a bit. Perhaps putting those additional pieces back into the mix was a problem. I wonder if getting the battling combatants off stage so that the satire on the politics could be carried out more expeditiously might help. However, all did indeed end well.

Music director Shani Wahrman  has gotten a good choral sound from the group, especially for the frequent solemn interjections of the Fredonia national anthem  and shersquo;s  artfully mixed recordings and live music for an overall effect. Generally, itrsquo;s not a cast with outstanding singers.  Therersquo;s no vocal amplification, but the Martinsville Depot is an intimate theatre space. The best singing came in a duet with Aimee Taylor as an ingeacute;nue and Dennis Wilson.  Tom Slaterrsquo;s choreography did a nice job of furthering the action and also offering some nicely pointed satire.

Of course, what I was really wondering about was how the Merry MAC Playerrsquo;s  actors would match up to the film cast. Daniel Petrie is quite a commendable in Groucho Marxrsquo;s role as Rufus T. Firefly. The flamingly red headed Hayden Moore is every bit as funny as Harpo and if anything more whimsically appealing. Nathan Stanger, despite being a good foot taller than Chico Marx, was very much that language muddling master. Dennis Wilson, looking a good deal more like Kenneth from ldquo;30 Rockrdquo; than Zeppo Marx, was funnier than Zeppo ever was. Now, are these guys as smooth and as polished as the Marx Brothers quartet? No!, but they actually managed to pull off the classic gags from the film with aplomb and theyrsquo;re pretty  good.

Other standouts included Stephenie Courter as a generous figure in the Margaret Dumont role. Doug Horn had great presence and restraint as the villainous ambassador. Zach Johnson was the much put upon lemonade vendor who wars with Chicorsquo;s peanut stand. Laura Dwigans had great aplomb as the general lackey.

The Merry MAC Players production of the Marx Brothersrsquo; ldquo;Duck Souprdquo; plays Friday and Saturday at eight and Sunday at two through June 28th at The Depot in Martinsville.

Marx Brothersrsquo; ldquo;Duck Souprdquo;
Adapted for the stage by Russell, McGee, Hayden Moore and Shani Wahrman
Director Russell McGee
Musical Director Shani Wahrman
Choreographer Tom Slater
Merry MAC Players
June 19-21 and 26-28, 2009</itunes:summary>
		<itunes:keywords>Content,Type,,Featured,in,category,,Podcasts,,Reviews,,Special,,Theatre,and,Dance</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsReviews/09/090619-marx-brothers-duck-soup_.mp3" fileSize="1665152" type="audio/mpeg" /></item>
		<item>
		<title>Marx Brothers’ Duck Soup</title>
		<link>http://wfiu.org/arts/marx-brothers-duck-soup/</link>
		<comments>http://wfiu.org/arts/marx-brothers-duck-soup/#comments</comments>
		<pubDate>Thu, 18 Jun 2009 14:36:34 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
		<category><![CDATA[Content Type]]></category>

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		<category><![CDATA[Theatre and Dance]]></category>

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		<category><![CDATA[Duck Soup]]></category>

		<category><![CDATA[George Walker]]></category>

		<category><![CDATA[Haydnen Moore]]></category>

		<category><![CDATA[Marx Brothers]]></category>

		<category><![CDATA[Merry MAC Players]]></category>

		<category><![CDATA[russell mcgee]]></category>

		<category><![CDATA[Shani Wahrman]]></category>

		<category><![CDATA[Starrynight]]></category>

		<category><![CDATA[Tom Slater]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3887</guid>
		<description>Russell McGee with Hayden Moore and Shani Wahrman are putting the Marx Brothers’ Duck Soup back in the theatre and they’re making it into a musical
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/marx-brothers-duck-soup/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090617-duck-soup_int.mp3" length="2402432" type="audio/mpeg" />
<itunes:duration>5:00</itunes:duration>
		<itunes:subtitle>Russell McGee with Hayden Moore and Shani Wahrman are putting the Marx Brothersrsquo; Duck Soup back in the theatre and theyrsquo;re making it into a ...</itunes:subtitle>
		<itunes:summary>Russell McGee with Hayden Moore and Shani Wahrman are putting the Marx Brothersrsquo; Duck Soup back in the theatre and theyrsquo;re making it into a musical.

George Walker talked with Tom Slater the choreographer for the show and actor Nate Stanger who plays the Chico Marx role. ldquo;Tom, actually part of the film that  yoursquo;re working from came from the stage, because the Marx Brothers took some of the routines out on tour to test them with audiences. What do you think about putting the show back on stage? ldquo;

ldquo;Well, Irsquo;m not really a huge Marx Brothers fan. I like them, I enjoy them, but Irsquo;m not a dyed-in-the-wool Marxian. Frankly, I  think that the routines and the dialogue are much funnier live on stage than they are in the movie. So I actually have to say that the great thing about the filming is that it gives us a visual record to work with.rdquo;

Actor Nate Stanger also felt that the films are useful. Stanger is a big strapping fellow while Chico Marx and all of the Marx brothers were small. ldquo;Irsquo;ve tried to compensate, by using the films to pick up the little gestures, the mannerisms that made Chico distinctive, ldquo; he said. ldquo;Also, Chico had a very eccentric way with an Italian accent and itrsquo;s helped to have the recordings.rdquo;

The Merry Mac Players Community Theatre production The Marx Brothersrsquo; Duck Soup directed by Russell McGee with music direction by Shani Wahrman and choreography by Tom Slater plays Friday and Saturday evenings at eight and Sundays at two June 19-21 and 26-28, 2009  at  The Depot,  210 North Marion Street in Martinsville.

Marx Brothersrsquo; Duck Soup
Merry Mac Players community theatre
Directed by Russell McGee
Music Direction by Shani Wahrman
Choreography by Tom Slater
June 19-21 and 26-28, 2009</itunes:summary>
		<itunes:keywords>Content,Type,,Featured,in,category,,Interviews,,Podcasts,,Special,,Theatre,and,Dance,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090617-duck-soup_int.mp3" fileSize="2402432" type="audio/mpeg" /></item>
		<item>
		<title>Crossroads Rep Theatre’s Much Ado about Nothing</title>
		<link>http://wfiu.org/arts/ado-william-shakepeare/</link>
		<comments>http://wfiu.org/arts/ado-william-shakepeare/#comments</comments>
		<pubDate>Tue, 16 Jun 2009 13:00:35 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
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		<category><![CDATA[Crossroads Theatre]]></category>

		<category><![CDATA[George and Ira Gershwin]]></category>

		<category><![CDATA[George Walker]]></category>

		<category><![CDATA[much ado about nothing]]></category>

		<category><![CDATA[Rodgers and Hart]]></category>

		<category><![CDATA[shakespeare]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3770</guid>
		<description>I felt that "Much Ado about Nothing" had real resonance with both the difficult times that our country is going through and with the tough times of the thirties.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/P1N3ovNZzdM2Pm4fjMih5HpTllU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/P1N3ovNZzdM2Pm4fjMih5HpTllU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</description>
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			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090616-much-ado.mp3" length="2418816" type="audio/mpeg" />
<itunes:duration>5:02</itunes:duration>
		<itunes:subtitle>Shakespearersquo;s ldquo;Much Ado about Nothingrdquo; opens the summer season of the Crossroads Repertory Theatre in Terre Haute. George Walker talked with director, Indiana State University ...</itunes:subtitle>
		<itunes:summary>Shakespearersquo;s ldquo;Much Ado about Nothingrdquo; opens the summer season of the Crossroads Repertory Theatre in Terre Haute. George Walker talked with director, Indiana State University professor Chris Berchild.

ldquo;I felt that the play had real resonance with both the difficult times that our country is going through and with the tough times of the thirties. Beatrice and Benedict, the two reluctant lovers in this play are such witty characters that they may remind you of some of the characters from those great black and white movies from the era.rdquo;

ldquo;Shakespeare used popular songs from his own age in his plays and Irsquo;ve used some of the great music from the 30s for some of those moments. Yoursquo;ll hear music by Rodgers and Hart, George and Ira Gershwin and others in some of the key scenes.rdquo;

Last summer Berchild directed Shakespearersquo;s tragedy ldquo;MacBethrdquo; in an innovative cabaret styled production with plenty of double and cross casting. This year he uses some of the same approach for a comedy.

ldquo;Yes, wersquo;ll have a small cast with actors playing a hero in one scene and a villain in the next. 090616-much-ado-about-nothing

Shakespearersquo;s ldquo;Much Ado about Nothingrdquo; opens the summer season of the Crossroads Repertory Theatre in Terre Haute. George Walker talked with director, Indiana State University professor Chris Berchild.

ldquo;I felt that the play had real resonance with both the difficult times that our country is going through and with the tough times of the thirties. Beatrice and Benedict, the two reluctant lovers in this play are such witty characters that they may remind you of some of the characters from those great black and white movies from the era.rdquo;

ldquo;Shakespeare used popular songs from his own age in his plays and Irsquo;ve used some of the great music from the 30s for some of those moments. Yoursquo;ll hear music by Rodgers and Hart, George and Ira Gershwin and others in some of the key scenes.rdquo;

Last summer Berchild directed Shakespearersquo;s tragedy ldquo;MacBethrdquo; in an innovative cabaret styled production with plenty of double and cross casting. This year he uses some of the same approach for a comedy.

ldquo;Yes, wersquo;ll have a small cast with actors playing a hero in one scene and a villain in the next. Sometimes a male will be a male and at other times a female and visa versa. Itrsquo;s going to be quite an energetic production with plenty of action, so wersquo;re hoping for some great chemistry and a terrific show for the audience.rdquo;

Itrsquo;s going to be quite an energetic production with plenty of action, so wersquo;re hoping for some great chemistry and a terrific show for the audience.rdquo;</itunes:summary>
		<itunes:keywords>Content,Type,,Featured,in,category,,Interviews,,Podcasts,,Special,,Theater,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090616-much-ado.mp3" fileSize="2418816" type="audio/mpeg" /></item>
		<item>
		<title>The All Night Strut</title>
		<link>http://wfiu.org/arts/night-strut/</link>
		<comments>http://wfiu.org/arts/night-strut/#comments</comments>
		<pubDate>Mon, 15 Jun 2009 17:42:00 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
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		<category><![CDATA[Andrew Brewer]]></category>

		<category><![CDATA[brown county playhouse]]></category>

		<category><![CDATA[Fran Charnas]]></category>

		<category><![CDATA[George Pinney.]]></category>

		<category><![CDATA[Gina Ricci]]></category>

		<category><![CDATA[Indiana University Department of Theatre and Drama]]></category>

		<category><![CDATA[Kerry Ipema]]></category>

		<category><![CDATA[Lovlee Carroll]]></category>

		<category><![CDATA[Mandy Striph]]></category>

		<category><![CDATA[Russell]]></category>

		<category><![CDATA[Stout]]></category>

		<category><![CDATA[terry labolt]]></category>

		<category><![CDATA[The All Night Strut!]]></category>

		<category><![CDATA[Trenton Hulen]]></category>

		<category><![CDATA[William Angulo]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3882</guid>
		<description>The Brown County audience responded with rhythmic clapping, lots of applause and even a few ‘amens'.
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/night-strut/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09//090615-the-all-night-strut-rev_.mp3" length="1376384" type="audio/mpeg" />
<itunes:duration>2:52</itunes:duration>
		<itunes:subtitle>The All Night Strut! at the Brown County Playhouse is a loosely formatted pastiche of hit songs from the thirties and forties. The show has ...</itunes:subtitle>
		<itunes:summary>The All Night Strut! at the Brown County Playhouse is a loosely formatted pastiche of hit songs from the thirties and forties. The show has plenty of non-stop action with a nicely spaced alternation of group and individual numbers.

The show is a summer showcase for the stars of the Indiana University Department of Theatre and Dramas program in Musical Theatre. All eight of the singer dancers were in this springrsquo;s Oklahoma! and the group share credits from earlier Indiana University shows, Seussical, The Wild Party and A Funny Thing Happened on the Way to the Forum.  The director and choreographer for The All Night Strut! is IUrsquo;s Emmy award winning George Pinney and the musical director and pianist for the show is IUrsquo;s Terry LaBolt.

The talented young cast sings and dances its way through a set that gets rolling with the whole cast singing ldquo;Chattanooga Choo Choo.rdquo;  It progresses through Andrew Brewer singing the touching depression song ldquo;Brother can you spare a Dime,rdquo; moves on to the raucous ldquo;Gimme a Pigfoot and a Bottle of Beerrdquo; sung by Gina Ricci and wraps ups with ldquo;Fascinatinrsquo; Rhythm.rdquo; That number includes an audience pleasing bit of tap work by William Angulo and Mandy Striph.

The first act of The All Night Strut wraps up with a World War II Medley.  ldquo;G.I. Jiverdquo; got things moving and then ldquo;Mandy Striphrdquo; touched the heart strings of hope with ldquo;White Cliffs of Dover.rdquo; The war time efforts were saluted with ldquo;Rosie the Riveter,rdquo; the dangers with ldquo;Cominrsquo; in on a Wing and a Prayerrdquo; and the hopeful end with ldquo;Donrsquo;t Sit under the Apple Tree.rdquo;  I looked at my watch and was surprised that it had been only forty-five minutes.

Act two of The All Night Strut! began with the cast refreshed and in a costume change for music of the postwar forties. Things began with ldquo;Juke Box Saturday Nightrdquo; led by Russell Stout. Trent Hulen followed with ldquo;Ainrsquo;t Misbehavinrsquo;'.rdquo;  Kerry Ipemarsquo;s featured number was ldquo;Dream.rdquo; The hit of the set and the evening was Lovelee Carollrsquo;s spirited gospel song ldquo;Operator.rdquo;  The Brown County audience responded with rhythmic clapping, lots of applause and even a few lsquo;amens'.

The second act of The All Night Strut! has less structure than the first, but the tunes are all welcome familiar favorites. The dancing and the singing continued at the high level set right at the beginning.

The All Night Strut!
Brown County Playhouse
June 11-July 5, 2009
Conceived and originally choreographed by Fran Charnas
Musical arrangements by Tom Fitt, Gil Lieb and Dick Schermesser
Additional orchestration by Corey Allen</itunes:summary>
		<itunes:keywords>Content,Type,,Featured,in,category,,Podcasts,,Reviews,,Special,,Theater</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09//090615-the-all-night-strut-rev_.mp3" fileSize="1376384" type="audio/mpeg" /></item>
		<item>
		<title>The Wedding Singer</title>
		<link>http://wfiu.org/arts/wedding-singer/</link>
		<comments>http://wfiu.org/arts/wedding-singer/#comments</comments>
		<pubDate>Mon, 15 Jun 2009 17:40:16 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
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		<category><![CDATA[Adam Sandler]]></category>

		<category><![CDATA[Allie Beckman]]></category>

		<category><![CDATA[Chad Beguelin]]></category>

		<category><![CDATA[Drew Barrymore]]></category>

		<category><![CDATA[George Walker]]></category>

		<category><![CDATA[Kevin Guthridge]]></category>

		<category><![CDATA[Mathew Sklar]]></category>

		<category><![CDATA[matt graber]]></category>

		<category><![CDATA[shawnee theatre]]></category>

		<category><![CDATA[The Wedding Singer]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3878</guid>
		<description>this is a community that very much cares for and supports its theatre
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&lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=1J-fP1hmBUM:PPG3StNAjpA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=1J-fP1hmBUM:PPG3StNAjpA:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=1J-fP1hmBUM:PPG3StNAjpA:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=1J-fP1hmBUM:PPG3StNAjpA:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=1J-fP1hmBUM:PPG3StNAjpA:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=1J-fP1hmBUM:PPG3StNAjpA:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=1J-fP1hmBUM:PPG3StNAjpA:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=1J-fP1hmBUM:PPG3StNAjpA:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=1J-fP1hmBUM:PPG3StNAjpA:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=1J-fP1hmBUM:PPG3StNAjpA:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=1J-fP1hmBUM:PPG3StNAjpA:TzevzKxY174"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=TzevzKxY174" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/wedding-singer/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090612-the-wedding-singer_rev.mp3" length="1351808" type="audio/mpeg" />
<itunes:duration>2:49</itunes:duration>
		<itunes:subtitle>Opening night for the Shawnee Theatrersquo;s 2009 season found the cast, staff and audience in a celebratory mood as they began their fiftieth season. Artistic ...</itunes:subtitle>
		<itunes:summary>Opening night for the Shawnee Theatrersquo;s 2009 season found the cast, staff and audience in a celebratory mood as they began their fiftieth season. Artistic Director Matt Graber had the news that Governor Daniels had declared the weekend ldquo;Shawnee Theatre Daysrdquo; in honor of the theatrersquo;s long running efforts.

In addition to thanking sponsors, patrons and staff Graber singled out at least one member of the community whorsquo;d been attending for all fifty years. He saluted a volunteer costumer whorsquo;s been dressing shows for fifteen years and even found three or four people who were first timers.

The first show of the season is a challenging musical version of the movie The Wedding Singer directed by Josh Carroll with choreography by Dustin Sorrell.  Itrsquo;s the ironic story of a scrambling wedding singer whorsquo;s left at the alter of his own wedding. Mathew Sklarrsquo;s music and Chad Beguelinrsquo;s lyrics do a nice job of evoking a not especially memorable musical era. The orchestra sounds, managed by Music Director James Nathan, were mostly on one side of the theatre and frequently masked the voices, but had the distinctive processed stamp of the period.

Shawnee Veteran Kevin Guthridge who played Hank Williams and Frank Sinatra in prior years had the Adam Sandler role as the singer. Amy Thomason was the girl who jilted him.  Spirited newcomer Allie Beckman had the Drew Barrymore part as the friendly waitress. Wesley Whitaker was the self involved cold fish engaged to her. Michael Carey and Michael Detmer were the wedding singerrsquo;s sympathetic band mates. Jonathan Stewart was the singerrsquo;s salty old grandmother.

Although you might think that a story set in the gritty locale of 80s Jersey would be a rough fit for Bloomfield, but this is a community that very much cares for and supports its theatre. The opening night audience offered a very  warm response, with  applause for individual numbers and plenty of laughter, especially for some of the slightly racy language.

ldquo;The Wedding Singerrdquo; at the Shawnee Theatre continues with Thursday, Friday and Saturday evening performances at eight and Sunday matinees at 2 through June 21st.</itunes:summary>
		<itunes:keywords>Content,Type,,Featured,in,category,,Podcasts,,Reviews,,Special,,Theatre,and,Dance</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090612-the-wedding-singer_rev.mp3" fileSize="1351808" type="audio/mpeg" /></item>
		<item>
		<title>Dowland : The Queen’s Galliard - Lute Music, Vol. 4</title>
		<link>http://wfiu.org/arts/queens-galliard-dowlands-lute-music-vol-4/</link>
		<comments>http://wfiu.org/arts/queens-galliard-dowlands-lute-music-vol-4/#comments</comments>
		<pubDate>Mon, 15 Jun 2009 13:00:19 +0000</pubDate>
		<dc:creator>David Wood</dc:creator>
		
		<category><![CDATA[Classical Music]]></category>

		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Featured Classical Recordings]]></category>

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		<category><![CDATA[featured recording]]></category>

		<category><![CDATA[galliard]]></category>

		<category><![CDATA[John Dowland]]></category>

		<category><![CDATA[lute]]></category>

		<category><![CDATA[lute music]]></category>

		<category><![CDATA[nigel north]]></category>

		<category><![CDATA[Renaissance music]]></category>

		<category><![CDATA[the queen's galliard]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3828</guid>
		<description>Lutenist Nigel North is at it again. This time it's for volume four of John Dowland's lute music, titled "The Queen's Galliard." This recording is completely devoted to Queen Elizabeth I's favorite courtly dance of French origin, the Galliard. Over 25 tracks you'll hear Dowland's many variations on this dance form.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/iacP_hpab1Zru9SlGc1FDUzXer4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/iacP_hpab1Zru9SlGc1FDUzXer4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=_1vzuLNxT6Y:R-IfkyODMNE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=_1vzuLNxT6Y:R-IfkyODMNE:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=_1vzuLNxT6Y:R-IfkyODMNE:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=_1vzuLNxT6Y:R-IfkyODMNE:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=_1vzuLNxT6Y:R-IfkyODMNE:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=_1vzuLNxT6Y:R-IfkyODMNE:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=_1vzuLNxT6Y:R-IfkyODMNE:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=_1vzuLNxT6Y:R-IfkyODMNE:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=_1vzuLNxT6Y:R-IfkyODMNE:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=_1vzuLNxT6Y:R-IfkyODMNE:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=_1vzuLNxT6Y:R-IfkyODMNE:TzevzKxY174"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=TzevzKxY174" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/queens-galliard-dowlands-lute-music-vol-4/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/featuredcd/09/090615-featcd-queens-galliard.mp3" length="3462817" type="audio/mpeg" />
<itunes:duration>3:36</itunes:duration>
		<itunes:subtitle>Lutenist Nigel North is at it again.  This time it's for volume four of John Dowland's lute music, titled "The Queen's Galliard." This recording ...</itunes:subtitle>
		<itunes:summary>Lutenist Nigel North is at it again.  This time it's for volume four of John Dowland's lute music, titled "The Queen's Galliard." This recording is completely devoted to Queen Elizabeth I's favorite courtly dance of French origin, the Galliard.  Over 25 tracks, you'll hear Dowland's many variations on this dance form.

Nigel North is a lutenist with little equal. His recorded output alone is like a catalog for what is possible on the instrument. From Dowland to Bach transcriptions, North's sensitivity is coupled with an excitement for the repertoire that comes shining through each performance.

Our quick pick this week is from pianist and conductor Leon Fleisher who lends his own creative energy to three piano concerti of Wolfgang Amadeus Mozart along with his very talented wife, Katherine Jacobson Fleisher. They perform with the Stuttgart Chamber Orchestra.</itunes:summary>
		<itunes:keywords>Classical,Music,,Content,Type,,Featured,Classical,Recordings,,Featured,in,category,,Podcasts,,Reviews,,Special</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/featuredcd/09/090615-featcd-queens-galliard.mp3" fileSize="3462817" type="audio/mpeg" /></item>
		<item>
		<title>Circus Songs: An Annotated Anthology</title>
		<link>http://wfiu.org/arts/circus-songs-annotated-anthology/</link>
		<comments>http://wfiu.org/arts/circus-songs-annotated-anthology/#comments</comments>
		<pubDate>Mon, 15 Jun 2009 13:00:17 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
		<category><![CDATA[Books and Literature]]></category>

		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Featured in category]]></category>

		<category><![CDATA[Interviews]]></category>

		<category><![CDATA[Podcasts]]></category>

		<category><![CDATA[Special]]></category>

		<category><![CDATA[Billboard March]]></category>

		<category><![CDATA[calliope]]></category>

		<category><![CDATA[Circus Songs]]></category>

		<category><![CDATA[Entry of the Gladiators]]></category>

		<category><![CDATA[Frederick Jewell]]></category>

		<category><![CDATA[Gentry Brothers  Dog and Pony Show]]></category>

		<category><![CDATA[George Walker]]></category>

		<category><![CDATA[Harvey Phillips]]></category>

		<category><![CDATA[John Klohr]]></category>

		<category><![CDATA[Julius Fucik]]></category>

		<category><![CDATA[Thunder and Blazes]]></category>

		<category><![CDATA[william studwell]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3874</guid>
		<description>It’s as if someone suddenly produced  “Hamlet” and then nothing else.
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&lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=j_a70mOxSk8:f84L7fpMFkg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=j_a70mOxSk8:f84L7fpMFkg:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=j_a70mOxSk8:f84L7fpMFkg:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=j_a70mOxSk8:f84L7fpMFkg:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=j_a70mOxSk8:f84L7fpMFkg:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=j_a70mOxSk8:f84L7fpMFkg:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=j_a70mOxSk8:f84L7fpMFkg:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=j_a70mOxSk8:f84L7fpMFkg:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=j_a70mOxSk8:f84L7fpMFkg:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=j_a70mOxSk8:f84L7fpMFkg:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=j_a70mOxSk8:f84L7fpMFkg:TzevzKxY174"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=TzevzKxY174" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/circus-songs-annotated-anthology/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090615-circus-songs.mp3" length="2416768" type="audio/mpeg" />
<itunes:duration>5:02</itunes:duration>
		<itunes:subtitle>Prolific author William Studwell has been featured on WFIU for a number of yearly interviews about his ongoing list of favorite Christmas Carols. He recently ...</itunes:subtitle>
		<itunes:summary>Prolific author William Studwell has been featured on WFIU for a number of yearly interviews about his ongoing list of favorite Christmas Carols. He recently did a show for us about college fight songs and just this year we learned that hersquo;d done a book of circus music, Circus Songs: An Annotated Anthology.

Itrsquo;s spring time and although there arenrsquo;t as many of them as there used to be the circuses are packing up their tents in their winter quarters and getting ready to hit the road. We thought it was a perfect time to talk to Studwell about this addition to his catalog.

ldquo;I loved the circus and I worked with a real circus expert,  Bruce Sheueneman. Irsquo;m just a pretty good circus expert. Then we got Charles Conrad to make the arrangements and put the book all together.rdquo;

As with his other books, we had to ask Studwell for his picks for the top tunes. ldquo;The most famous by far has to be ldquo;The Entry of the Gladiatorsrdquo; by the Czech composer Julius Fucik. Actually it wasnrsquo;t meant to be a circus piece at all, but a year after its publication in 1900, a Canadian arranger got a hold of it. He changed the key, sped up the tempo and attached the name ldquo;Thunder and Blazes.rdquo;

ldquo;1901 was also the year when my second favorite appeared and it also has a bit of story with it. Itrsquo;s the ldquo;Billboard March,rdquo; named after the ldquo;Billboard Magazine.rdquo; The strange part of the story is that itrsquo;s really the only work of any substance by its author John Klohr. He lived on until 1956, but this is really what hersquo;s remembered for. Itrsquo;s as if someone suddenly produced  ldquo;Hamletrdquo; and then nothing else.rdquo;</itunes:summary>
		<itunes:keywords>Books,and,Literature,,Content,Type,,Featured,in,category,,Interviews,,Podcasts,,Special</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090615-circus-songs.mp3" fileSize="2416768" type="audio/mpeg" /></item>
		<item>
		<title>A World of Puzzles</title>
		<link>http://wfiu.org/arts/world-puzzles/</link>
		<comments>http://wfiu.org/arts/world-puzzles/#comments</comments>
		<pubDate>Thu, 11 Jun 2009 16:38:30 +0000</pubDate>
		<dc:creator>David Wood</dc:creator>
		
		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Culture]]></category>

		<category><![CDATA[Interviews]]></category>

		<category><![CDATA[Limelight]]></category>

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		<category><![CDATA[Special]]></category>

		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[jillian hinchliffe]]></category>

		<category><![CDATA[lily library]]></category>

		<category><![CDATA[mechanical puzzles]]></category>

		<category><![CDATA[puzzles]]></category>

		<category><![CDATA[slocum puzzle collection]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3870</guid>
		<description>Indiana University's Lily Library displays a selection of mechanical puzzles ranging from antique Chinese puzzles to the Rubik's Cube. Curator, Jillian Hinchliffe, explains what makes this exhibit unique.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Be8jE7fNzZkhfz_THh3XyK9jHVo/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Be8jE7fNzZkhfz_THh3XyK9jHVo/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=TRS8zb3d_tM:p2UgKs5_lBU:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=TRS8zb3d_tM:p2UgKs5_lBU:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=TRS8zb3d_tM:p2UgKs5_lBU:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=TRS8zb3d_tM:p2UgKs5_lBU:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=TRS8zb3d_tM:p2UgKs5_lBU:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=TRS8zb3d_tM:p2UgKs5_lBU:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=TRS8zb3d_tM:p2UgKs5_lBU:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=TRS8zb3d_tM:p2UgKs5_lBU:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=TRS8zb3d_tM:p2UgKs5_lBU:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=TRS8zb3d_tM:p2UgKs5_lBU:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=TRS8zb3d_tM:p2UgKs5_lBU:TzevzKxY174"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=TzevzKxY174" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/world-puzzles/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artworks/09/090610-limelight-lily-puzzles.mp3" length="960913" type="audio/mpeg" />
<itunes:duration>1:00</itunes:duration>
		<itunes:subtitle>Indiana University's Lily Library displays a selection of mechanical puzzles ranging from antique Chinese puzzles to the Rubik's Cube. Curator, Jillian Hinchliffe, explains what makes ...</itunes:subtitle>
		<itunes:summary>Indiana University's Lily Library displays a selection of mechanical puzzles ranging from antique Chinese puzzles to the Rubik's Cube. Curator, Jillian Hinchliffe, explains what makes this exhibit unique.
"What's great about this collection is that it's a really good interface between the library and the public," Hinchliffe explained. "Because I think there's this conception that, in rare book library, you have to go in and be very quick. You're not allowed to have fun. You aren't allowed to touch anything. And that's not what this room is about at all. We want people to come in and enjoy the puzzles and get hands-on with some of them, just like we want people to come in and enjoy the rest of the collection."

A Celebration of the World's Most Iconic Puzzle exhibit will be on display at the Lily Library's Slocum Puzzle Room until August 15th.</itunes:summary>
		<itunes:keywords>Content,Type,,Culture,,Interviews,,Limelight,,Podcasts,,Special,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artworks/09/090610-limelight-lily-puzzles.mp3" fileSize="960913" type="audio/mpeg" /></item>
		<item>
		<title>C.B. Fisk Organ Moves Into Auer Hall</title>
		<link>http://wfiu.org/arts/cb-fisk-organ-moves-auer-hall/</link>
		<comments>http://wfiu.org/arts/cb-fisk-organ-moves-auer-hall/#comments</comments>
		<pubDate>Wed, 10 Jun 2009 15:50:00 +0000</pubDate>
		<dc:creator>David Wood</dc:creator>
		
		<category><![CDATA[Classical Music]]></category>

		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Featured in category]]></category>

		<category><![CDATA[Features]]></category>

		<category><![CDATA[Podcasts]]></category>

		<category><![CDATA[Special]]></category>

		<category><![CDATA[auer hall]]></category>

		<category><![CDATA[c.b. fisk]]></category>

		<category><![CDATA[dr. christopher young]]></category>

		<category><![CDATA[fisk organs]]></category>

		<category><![CDATA[jacobs school of music]]></category>

		<category><![CDATA[organ]]></category>

		<category><![CDATA[patrick pope]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3850</guid>
		<description>June 1st marked the beginning of the end of a long journey at the Jacobs School of Music. Students and faculty as well as workers from organ builder C.B. Fisk all took part in unloading and carrying the many pieces of what will eventually come together as the new Auer Hall organ.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/LsfpH3MpjSSWLD4XDUpGlo2MPh0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/LsfpH3MpjSSWLD4XDUpGlo2MPh0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/LsfpH3MpjSSWLD4XDUpGlo2MPh0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/LsfpH3MpjSSWLD4XDUpGlo2MPh0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/cb-fisk-organ-moves-auer-hall/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090612-auer-hall-organ-construction.mp3" length="6110588" type="audio/mpeg" />
<itunes:duration>6:22</itunes:duration>
		<itunes:subtitle>June 1st marked the beginning of the end of a long journey at the Jacobs School of Music.  Students and faculty as well as ...</itunes:subtitle>
		<itunes:summary>June 1st marked the beginning of the end of a long journey at the Jacobs School of Music.  Students and faculty as well as workers from organ builder C.B. Fisk all took part in unloading and carrying the many pieces of what will eventually come together as the new Auer Hall organ.

[set_id=72157619461516787]

The Maidee H. and Jackson A. Seward Organ, labeled C.B. Fisk's Opus 135, is now a mass of wood, metal, levers and electronics strewn about Auer Hall but will eventually become the center of attention in the Jacobs School's preeminent recital hall.  Dr. Chris Young, professor of organ at the Jacobs School of Music, and the school's liaison between the builders and the architect, was there to watch the process as the organ is meticulously assembled.

"This is always exciting just to watch it get put together," Young said. "The organ is such an interesting instrument because it's such a combination of skill, craftsmanship, musical skill... And so you get woodworkers. You get structural engineers in steel and wood. You have, obviously, the musical aspects of it. You have the aesthetics aspects of it.  The sheer engineering is remarkable, trying to fit things into a space. And then to watch it all go piece by piece together is fun.  I wish I could park myself here eight hours a day, but I got other things to do."

The road has been many years long in realizing the dream of a concert organ in Auer Hall.  But Dr. Young conveyed the relief the School has felt since making the switch to the C.B. Fisk company.

"The process itself over the long haul has had many pitfalls and issues to deal with between the room and a number of other factors," Young remarked. "But this group of people [is] remarkable to work with. They have been so ahead of the curve. They have been prompting everyone around them to get things set so they can do their work, so that's been a fabulous aspect of it."

Patrick Pope, a second year doctoral student in organ, was part of the crew who helped carrying in the instrument on the first day. He says he's excited for the possibilities in store.

"It's really exciting." Pope said. "When I was here as a masters degree student, 6 and 7 years ago, that was nearing the end of the previous incarnation of this organ. So we were unsure what was going to happen, and so it's really great now that I'm back and might have an opportunity to play this at some point."

I asked him about the significances of having students as a part moving the instrument into the space.

"For me it's almost an automatic sense of ownership and being connected to this process." Pope added. "And not only that, but once those of us who helped move it in, once we've graduated and gone on, we'll still have a really tangible connection to the organ, which will be a lot of fun."

Dr. Young expanded on what it means to add an instrument like this to the organ program, to the school, and to the Bloomington community.

"Certainly, having a wonderful pipe organ is at the core of training students these days. There are so many nice instruments, and the school has had such a traditional of organ , but without a tradition of quality instruments." Young said. "And so this is really our crowning achievement. Not the only organ, we hope. We think it will attract not only students but interest in furthering the cause of the organ in the city because the city is also a bit week on high quality instruments."

Young went on to say, "The organ is, like so many instruments, often misrepresented in culture.But more importantly, when you live in a town such as Bloomington, and it has a number of church organs particularly, and the organist is always complaining about those instruments, it's always good to have an instrument to compare it to that is of such high artistic value. And of course everybody complains about something they've gotten used to, but I really believe that this town will have a really different concept of what an organ can be fr</itunes:summary>
		<itunes:keywords>Classical,Music,,Content,Type,,Featured,in,category,,Features,,Podcasts,,Special</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090612-auer-hall-organ-construction.mp3" fileSize="6110588" type="audio/mpeg" /></item>
		<item>
		<title>Up</title>
		<link>http://wfiu.org/arts/up/</link>
		<comments>http://wfiu.org/arts/up/#comments</comments>
		<pubDate>Tue, 09 Jun 2009 13:00:08 +0000</pubDate>
		<dc:creator>Peter Noble Kuchera</dc:creator>
		
		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Movie Reviews]]></category>

		<category><![CDATA[Movies]]></category>

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		<category><![CDATA[Special]]></category>

		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[criticism]]></category>

		<category><![CDATA[film critic]]></category>

		<category><![CDATA[john lasseter]]></category>

		<category><![CDATA[movie review]]></category>

		<category><![CDATA[Pixar]]></category>

		<category><![CDATA[up]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3817</guid>
		<description>"Up" is nothing if not a garden of delights. This is the kind of movie that Hollywood used to do so well.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/gqezfY1HKXwZ-Tc1QTM1dayUqNY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/gqezfY1HKXwZ-Tc1QTM1dayUqNY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=P2_c29Wt_zE:xLnvjpNVZ6k:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=P2_c29Wt_zE:xLnvjpNVZ6k:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=P2_c29Wt_zE:xLnvjpNVZ6k:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=P2_c29Wt_zE:xLnvjpNVZ6k:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=P2_c29Wt_zE:xLnvjpNVZ6k:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=P2_c29Wt_zE:xLnvjpNVZ6k:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=P2_c29Wt_zE:xLnvjpNVZ6k:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=P2_c29Wt_zE:xLnvjpNVZ6k:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=P2_c29Wt_zE:xLnvjpNVZ6k:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=P2_c29Wt_zE:xLnvjpNVZ6k:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=P2_c29Wt_zE:xLnvjpNVZ6k:TzevzKxY174"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=TzevzKxY174" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/up/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/movies/09/090605-up.mp3" length="1966208" type="audio/mpeg" />
<itunes:duration>4:06</itunes:duration>
		<itunes:subtitle>We were shocked and saddened this week by the sudden loss of WFIU's movie critic, Peter Noble-Kuchera.  Peter had been reviewing films for WFIU ...</itunes:subtitle>
		<itunes:summary>We were shocked and saddened this week by the sudden loss of WFIU's movie critic, Peter Noble-Kuchera.  Peter had been reviewing films for WFIU since 2003. His love for the craft of filmmaking was evident in his in-depth and insightful reviews; a talent that earned him a second place award for Best Radio Critic at the Los Angeles Press Club's 1st Annual National Entertainment Journalism Awards in 2008.
Peter completed four years of film study at the University of Minnesota and two years of film production in the Film Cities in St. Paul. Originally from Columbus, Indiana, Peter moved to Bloomington in 1998.  He began working with our sister station, WTIU, in January of 2006 as a Producer of On-Air Fundraising. His voice, skill and presence will truly be missed.nbsp; It is with great sadness that we post his final review of the Disney/Pixar film, Up.
- David Wood, WFIU Music Director and Arts Bureau Chief


When Pixar Studios - creators of computer animated films including Finding Nemo and The Incredibles - made Cars, it was a bad sign. That film was supposedly about the value of old things, especially mourning the death of Route 66. But it was too shiny and false. It was really about the director's (Pixar CEO John Lasseter) love of toys.

One of the problems with high technology is that it's so expensive, it often winds up in the hands of money men and geeks (neither term necessarily pejorative). So given American mainstream film's obsessive quest for "blockbusters," it's no surprise that the studios (read: money men) have become addicted to computer graphics. At least the CG folks have work.

But this is deadly. With no artist near the top of the decision tree, the movies have lost flavor steadily, becoming a factory product that cannot sustain us humans.

John Lasseter seems to be about one-third suit and one-third geek. It's too easy to say that the final third of him is "artist," but with only Toy Story coming from deep within him, that's not quite right. The final third is "impresario." Lasseter's genius is to nurture and develop a stable of artists who can delight an audience.

And Up is nothing if not a garden of delights. This is the kind of movie that Hollywood used to do so well: an unabashedly broad, story-driven, fantasy-fueled adventure that changes the very connotation of "factory-made."

The story, as Disney marketing muscle has no doubt already made you aware, involves a crotchety old man, Karl (voiced by Ed Asner) who gets fed up, attaches a billion balloons to his house, and floats away to South America.

Like Cars, that idea implies an interest in old things - but this time, a much deeper one. The film's first major trick (and within even that, dozens and dozens of lesser tricks) is one I've not seen before. Old people are invisible in our death-afraid culture; when they aren't productive workers any more, they're tucked away, their wisdom lost to us. To make Karl really VISIBLE, writers show us his whole life. In about 10 minutes.

That's how Up starts - with a montage of Karl's life from childhood, meeting, loving and eventually giving up to death his love and bride, Ellie, going into the house to die. This montage could stand alone as a short film. But the movie's just getting warmed up.

So much is remarkable about Up. Its mastery of a strategy for visual comedy that comes right out of vaudeville and silent cinema, for one. Director Pete Doctor often locks off the camera, using the edges of the frame and distracting you with sleight of hand. A magical bird stands so tall its head can't be seen above us. A heedlessly-enthusiastic little boy gestures broadly, and we discover that the electronic toy in his hand has flown out the window while we weren't looking. Abracadabra.

I would not include 3D as one of the film's highlights. Yes, it's employed with artistry, by those who have paid attention to what it can and cannot do. That is, current 3D's most convincing effect is one of dio...</itunes:summary>
		<itunes:keywords>Content,Type,,Movie,Reviews,,Movies,,Podcasts,,Special,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/movies/09/090605-up.mp3" fileSize="1966208" type="audio/mpeg" /></item>
		<item>
		<title>The Wedding Singer at Shawnee Theatre</title>
		<link>http://wfiu.org/arts/wedding-singer-shawnee-theatre/</link>
		<comments>http://wfiu.org/arts/wedding-singer-shawnee-theatre/#comments</comments>
		<pubDate>Tue, 09 Jun 2009 13:00:01 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
		<category><![CDATA[Content Type]]></category>

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		<category><![CDATA[Interviews]]></category>

		<category><![CDATA[Podcasts]]></category>

		<category><![CDATA[Special]]></category>

		<category><![CDATA[Theater]]></category>

		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[Chad Bequelin]]></category>

		<category><![CDATA[George Walker]]></category>

		<category><![CDATA[Kevin Guthridge]]></category>

		<category><![CDATA[shawnee theatre]]></category>

		<category><![CDATA[The Wedding Singer]]></category>

		<category><![CDATA[Tim Herlihy]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3767</guid>
		<description>"About the only thing you won’t see me doing this summer is sewing on the costumes." Kevin Guthridge who plays the lead in the Shawnee Theatre's "The Wedding Singer."
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/wedding-singer-shawnee-theatre/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090609-wedding-singer.mp3" length="2400384" type="audio/mpeg" />
<itunes:duration>5:00</itunes:duration>
		<itunes:subtitle>[caption id="attachment_3844" align="alignleft" width="260" caption="The stars of Shawnee Theatre#39;s #34;The Wedding Singer#34;"][/caption]

The Shawnee Theatre opens its 2009 season with ldquo;The Wedding Singer,rdquo; a musical based ...</itunes:subtitle>
		<itunes:summary>[caption id="attachment_3844" align="alignleft" width="260" caption="The stars of Shawnee Theatre#39;s #34;The Wedding Singer#34;"][/caption]

The Shawnee Theatre opens its 2009 season with ldquo;The Wedding Singer,rdquo; a musical based on the popular movie.

Shawnee veteran Kevin Guthridge has the role that Adam Sandler played in the film. In past summers Shawnee audiences have heard Guthridge singing the songs of Hank Williams in ldquo;Lost Highwayrdquo; and those recorded by Frank Sinatra in ldquo;Old Blue Eyes.rdquo;

ldquo;The country music was a real stretch for me and of course anything that Frank Sinatra has put his stamp on was a challenge,rdquo; said Guthrie. ldquo;This time, we have a show with original music that most of the audience wonrsquo;t have heard before. The songs have a distinctly 80s feel and will remind people of various pieces and groups, but theyrsquo;re all new.rdquo;

ldquo;The 80s was a time when synthesizers came on strong and the orchestration was heavily processed. We actually have an instrument called the orch-extra which has all the parts for the show, so it will have that same feel.rdquo;

In addition to playing the lead in ldquo;The Wedding Singerrdquo; Guthridge has many other responsibilities for the Shawnee season. ldquo;Irsquo;ll be acting, directing, playing guitar, designing sets and doing a good bit of construction. About the only thing you wonrsquo;t see me doing is sewing on the costumes.rdquo;</itunes:summary>
		<itunes:keywords>Content,Type,,Featured,in,category,,Interviews,,Podcasts,,Special,,Theater,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090609-wedding-singer.mp3" fileSize="2400384" type="audio/mpeg" /></item>
		<item>
		<title>Carole Terry Plays The Watjen Concert Organ</title>
		<link>http://wfiu.org/arts/carole-terry-plays-watjen-concert-organ/</link>
		<comments>http://wfiu.org/arts/carole-terry-plays-watjen-concert-organ/#comments</comments>
		<pubDate>Mon, 08 Jun 2009 13:00:47 +0000</pubDate>
		<dc:creator>David Wood</dc:creator>
		
		<category><![CDATA[Classical Music]]></category>

		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Featured Classical Recordings]]></category>

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		<category><![CDATA[baroque music]]></category>

		<category><![CDATA[carole terry]]></category>

		<category><![CDATA[charles-marie widor]]></category>

		<category><![CDATA[featured recording]]></category>

		<category><![CDATA[jan pieterszoon sweelinck]]></category>

		<category><![CDATA[john stanley]]></category>

		<category><![CDATA[organ]]></category>

		<category><![CDATA[romantic music]]></category>

		<category><![CDATA[watjen concert organ]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3798</guid>
		<description>This week's featured CD is the premiere recording on the Watjen Concert Organ. Organist Carole Terry tours the repertoire for this release on Loft Recordings.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/aM-Dh7he8JJA3diXYd2zaFaYIkU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/aM-Dh7he8JJA3diXYd2zaFaYIkU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/carole-terry-plays-watjen-concert-organ/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/featuredcd/09/090608-featcd-watjen-organ.mp3" length="4492668" type="audio/mpeg" />
<itunes:duration>4:41</itunes:duration>
		<itunes:subtitle>The Watjen Concert Organ in Benaroya Hall, Seattle, Washington, is one of only a few large modern organs designed and built specifically for a symphonic ...</itunes:subtitle>
		<itunes:summary>The Watjen Concert Organ in Benaroya Hall, Seattle, Washington, is one of only a few large modern organs designed and built specifically for a symphonic concert hall. On this release from Loft Recordings, organist Carole Terry presents the first solo recording made on this wonderful new instrument. She shows off the instruments versatility with a tour of the repertoire from Widor to Sweelinck and almost everything in between.

Carole Terry held the position of Resident Organist and Curator for the Seattle Symphony from 2000-2003 and was fortunate to premiere the instrument. It's only fitting that she should produce its solo recording as well.  Terry is a professor of organ and harpsichord at the University of Washington and has toured widely.  Her performances are a credit to both her skill and the beauty of this magnificent instrument.

We've been listening to music performed on one of the newest instruments, but this week's quick pick features recordings on antique instruments dating from the 16th to 18th centuries.  On the Plectra Music label, a new 3 CD release highlights the complete harpsichord concertos of J.S. Bach. The performances are from Davit Moroney, Karen Flint, Arthur Haas, JungHae Kim and Adam Pearl.</itunes:summary>
		<itunes:keywords>Classical,Music,,Content,Type,,Featured,Classical,Recordings,,Featured,in,category,,Podcasts,,Reviews,,Special</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/featuredcd/09/090608-featcd-watjen-organ.mp3" fileSize="4492668" type="audio/mpeg" /></item>
		<item>
		<title>Brown County Playhouse’s “The All Night Strut!”</title>
		<link>http://wfiu.org/arts/3796/</link>
		<comments>http://wfiu.org/arts/3796/#comments</comments>
		<pubDate>Mon, 08 Jun 2009 13:00:36 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
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		<category><![CDATA[A Fine Romance]]></category>

		<category><![CDATA[brown county playhouse]]></category>

		<category><![CDATA[Cab Calloway]]></category>

		<category><![CDATA[Charlie Parker]]></category>

		<category><![CDATA[Chattanooga-Choo-Choo]]></category>

		<category><![CDATA[duke ellington]]></category>

		<category><![CDATA[Fran Charnas]]></category>

		<category><![CDATA[frank loesser]]></category>

		<category><![CDATA[george gershwin]]></category>

		<category><![CDATA[George Pinney.]]></category>

		<category><![CDATA[George Walker]]></category>

		<category><![CDATA[In the Mood]]></category>

		<category><![CDATA[Indiana University Department of Theatre and Drama]]></category>

		<category><![CDATA[Ira Gershwin]]></category>

		<category><![CDATA[Mandy Striph]]></category>

		<category><![CDATA[Operator]]></category>

		<category><![CDATA[terry labolt]]></category>

		<category><![CDATA[The All Night Strut!]]></category>

		<category><![CDATA[William Angulo]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3796</guid>
		<description>“My grandmother told me that she got her first kiss during a song that I’ll be singing,” Mandy Striph.
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/3796/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090608-all-night-strut.mp3" length="4800704" type="audio/mpeg" />
<itunes:duration>5:00</itunes:duration>
		<itunes:subtitle>The Brown County Playhouse opens their 2009 season with ldquo;The All Night Strut!rdquo; Eight young singer dancers from the IUrsquo;s Musical Theatre program act, sing ...</itunes:subtitle>
		<itunes:summary>The Brown County Playhouse opens their 2009 season with ldquo;The All Night Strut!rdquo; Eight young singer dancers from the IUrsquo;s Musical Theatre program act, sing and dance their way through songs and dances from the 30s and 40s.

George Walker talked with Mandy Striph and William Angulo from the production. Striph talked briefly about the place of the music in our world. ldquo;You know, some of the things, the tough times that the music reflects from the 30s are with us now. History does kind of repeat itself. Itrsquo;s good to have these songs that talk about the challenges, also the hope and the courage of people.rdquo;

Striph is particularly happy about a hopeful song from WW II that shersquo;ll sing. ldquo;When I told my grandmother that Irsquo;d be singing ldquo;Therersquo;ll be bluebirds over the white cliffs of Dover,rdquo; she told me that it was the song that was playing the first time she was ever kissed.rdquo;

William Angulo is a choreographer as well and an actor. ldquo;Wersquo;ve got just about every kind of dance that you can think of in ldquo;All Night Strut!rdquo; from the time. There are simple touch patterns, swing dance, jitterbug and even a bit of a cha-cha.rdquo; Angulo also wanted to talk about the themes. ldquo;All of what Mandy said is true, but you have to remember that this is music that people listened to, danced to and sang when they just wanted to have a good time.rdquo;</itunes:summary>
		<itunes:keywords>Content,Type,,Interviews,,Podcasts,,Special,,Theater,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090608-all-night-strut.mp3" fileSize="4800704" type="audio/mpeg" /></item>
		<item>
		<title>Little Bands, Big Fun</title>
		<link>http://wfiu.org/arts/bands-big-fun/</link>
		<comments>http://wfiu.org/arts/bands-big-fun/#comments</comments>
		<pubDate>Thu, 04 Jun 2009 14:58:06 +0000</pubDate>
		<dc:creator>Yaël Ksander</dc:creator>
		
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		<category><![CDATA[Jazz]]></category>

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		<category><![CDATA[Popular Music]]></category>

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		<category><![CDATA[WFIU.org Homepage Featured Story]]></category>

		<category><![CDATA[Bloomington]]></category>

		<category><![CDATA[Dr. Music]]></category>

		<category><![CDATA[John Waldron Arts Center]]></category>

		<category><![CDATA[Little Bands School]]></category>

		<category><![CDATA[music instruction]]></category>

		<category><![CDATA[music pedagogy]]></category>

		<category><![CDATA[Xenosound]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3772</guid>
		<description>If you’re looking to play four instruments, to dig in to repertoire ranging from jazz to funk to rock and roll, and to jam with several others doing the same thing, look no farther than Dr. Music’s Little Bands School.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Tq8IQGVZWkivJmNHU8H6-LtIrY8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Tq8IQGVZWkivJmNHU8H6-LtIrY8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/bands-big-fun/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090602-little-bands.mp3" length="5102889" type="audio/mpeg" />
<itunes:duration>5:19</itunes:duration>
		<itunes:subtitle>If yoursquo;re looking to learn an instrument in Bloomington, Indiana, any number of opportunities exist.

If yoursquo;re looking to play four instruments, to dig in to ...</itunes:subtitle>
		<itunes:summary>If yoursquo;re looking to learn an instrument in Bloomington, Indiana, any number of opportunities exist.

If yoursquo;re looking to play four instruments, to dig in to repertoire ranging from jazz to funk to rock and roll, and to jam with several others doing the same thing, look no farther than Dr. Musicrsquo;s Little Bands School.

[set_id=72157619154495491]

Since 2000, Josh Grekin, aka ldquo;Dr. Musicrdquo;, has been directing a program that teaches children ages four through 18 how to sing and play all the instruments in the room in a rock band or jazz combo setting.  And hersquo;s even got a parentsrsquo; band!

Elementary, middle school and high school level bands jam on Saturdays in the music room at a local parochial school, and after school at several area public schools.

According to Brian Orsquo;Connor, one of Grekinrsquo;s high school-age teaching assistants, the younger kids are champing at the bit to get into the rehearsal room.  ldquo;We have to keep them off the instruments until itrsquo;s actually time to play.rdquo;

While the Little Bands School provides traditional instruction for the young kids, Orsquo;Connor and his band mates use the program in a different way.  Their band, Xenosound, was formed and has developed for almost three years under Grekinrsquo;s tutelage.  Grekin serves in a producer role for the band, which has already recorded an album, and performs at the local all-ages club, among other venues.

After studying jazz trumpet at the Manhattan School of Music in the 90s, Josh Grekin was leading a hip-hop band, and teaching music in an extracurricular New York City school program, when he developed his  teaching approach in private group lessons.

When he introduced the multi-instrumental technique in New York, he was astounded by his studentsrsquo; progress, and enthusiasm.  ldquo;The  kids would have broken in to get to the instruments so that they could teach each other the music.rdquo;

Students in the Little Bands School learn to read music and to rely on their ears.   Many are extremely ambitious about their music careers, but are having a good time along the way.

ldquo;I think that most of them inherently see it as something thatrsquo;s fun to learn,rdquo; Grekin avows, ldquo;They just enjoy the process.  And after a while you can make that decision to be serious enough to be competitive hellip; or not.rdquo;

Currently, Grekin is in the process of marketing the Little Bands School approach nationally.   In Bloomington, the  Little Bands summer camp will be held at the John Waldron Arts Center July 6th through the 26th for kids age eight through 18.  Registration may be made at Littlebands@gmail.com.</itunes:summary>
		<itunes:keywords>Content,Type,,Featured,in,category,,Interviews,,Jazz,,Podcasts,,Popular,Music,,Special,,WFIU.org,Homepage,Featured,Story</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090602-little-bands.mp3" fileSize="5102889" type="audio/mpeg" /></item>
		<item>
		<title>Picturing Indiana Limestone</title>
		<link>http://wfiu.org/arts/picturing-indiana-limestone/</link>
		<comments>http://wfiu.org/arts/picturing-indiana-limestone/#comments</comments>
		<pubDate>Thu, 04 Jun 2009 12:54:49 +0000</pubDate>
		<dc:creator>David Wood</dc:creator>
		
		<category><![CDATA[Angles from the IU Art Museum Podcast]]></category>

		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Featured in category]]></category>

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		<category><![CDATA[Limelight]]></category>

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		<category><![CDATA[Special]]></category>

		<category><![CDATA[Visual Arts]]></category>

		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[indiana]]></category>

		<category><![CDATA[Indiana University Art Museum]]></category>

		<category><![CDATA[limestone]]></category>

		<category><![CDATA[limestone industry]]></category>

		<category><![CDATA[limestone month]]></category>

		<category><![CDATA[nan brewer]]></category>

		<category><![CDATA[otto start]]></category>

		<category><![CDATA[visual art]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3775</guid>
		<description>The Indiana University Art Museum celebrates Limestone Month with four rare watercolor paintings by noted Hoosier artist, Otto Stark.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Wm6m_8Sgpl0c-J8q4tBpsa44UCQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Wm6m_8Sgpl0c-J8q4tBpsa44UCQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/picturing-indiana-limestone/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artworks/09/090604-limelight-iuam-limestone.mp3" length="960913" type="audio/mpeg" />
<itunes:duration>1:00</itunes:duration>
		<itunes:subtitle>The Indiana University Art Museum celebrates Limestone Month with four rare watercolor paintings by noted Hoosier artist, Otto Stark. His paintings focus on Indiana's limestone ...</itunes:subtitle>
		<itunes:summary>The Indiana University Art Museum celebrates Limestone Month with four rare watercolor paintings by noted Hoosier artist, Otto Stark. His paintings focus on Indiana's limestone industry. Curator, Nan Brewer explains why Stark chose to depict limestone in his artwork.

"There was an interest in a local subject matter. And this shows just the interest of patrons at this period, particularly Indiana businessmen, and focusing on what local, what was regional; that they were proud of this local industry. And at the turn of the century there were over sixty limestone quarries in Indiana. So this was thriving industry."

The Indiana Limestone exhibit is on display daily until August 30th.</itunes:summary>
		<itunes:keywords>Angles,from,the,IU,Art,Museum,Podcast,,Content,Type,,Featured,in,category,,Interviews,,Limelight,,Podcasts,,Special,,Visual,Arts,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artworks/09/090604-limelight-iuam-limestone.mp3" fileSize="960913" type="audio/mpeg" /></item>
		<item>
		<title>Terminator: Salvation</title>
		<link>http://wfiu.org/arts/terminator-salvation/</link>
		<comments>http://wfiu.org/arts/terminator-salvation/#comments</comments>
		<pubDate>Mon, 01 Jun 2009 15:37:24 +0000</pubDate>
		<dc:creator>Peter Noble Kuchera</dc:creator>
		
		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Movie Reviews]]></category>

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		<category><![CDATA[Special]]></category>

		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[christian bale]]></category>

		<category><![CDATA[criticism]]></category>

		<category><![CDATA[film critic]]></category>

		<category><![CDATA[terminator]]></category>

		<category><![CDATA[terminator salvation]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3758</guid>
		<description>I'm going to plant a flag and say that the fourth film in the "Terminator" series is not science fiction.  Furthermore, that's exactly its problem.
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&lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=5GUS5qob2r0:ectV_k7Bq4M:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=5GUS5qob2r0:ectV_k7Bq4M:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=5GUS5qob2r0:ectV_k7Bq4M:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=5GUS5qob2r0:ectV_k7Bq4M:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=5GUS5qob2r0:ectV_k7Bq4M:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=5GUS5qob2r0:ectV_k7Bq4M:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=5GUS5qob2r0:ectV_k7Bq4M:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=5GUS5qob2r0:ectV_k7Bq4M:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=5GUS5qob2r0:ectV_k7Bq4M:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=5GUS5qob2r0:ectV_k7Bq4M:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=5GUS5qob2r0:ectV_k7Bq4M:TzevzKxY174"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=TzevzKxY174" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/terminator-salvation/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/movies/09/090529-terminator-salvation.mp3" length="2095232" type="audio/mpeg" />
<itunes:duration>4:22</itunes:duration>
		<itunes:subtitle>I'm going to plant a flag and say that the fourth film in the "Terminator" series is not science fiction.nbsp; Furthermore, that's exactly its problem.

Arguing ...</itunes:subtitle>
		<itunes:summary>I'm going to plant a flag and say that the fourth film in the "Terminator" series is not science fiction.nbsp; Furthermore, that's exactly its problem.

Arguing about whether something is science fiction is probably self-defeating - but that didn't stop us from trying to do it for seven years, once a month, two hours a shot, during which time I attended the venerable Bloomington, Indiana Science Fiction Discussion Group.nbsp; And if you think a political or religious argument can get heated, just put a dozen hard-core science fiction fans in a circle and ask them to define their passion.nbsp; In fact, maybe SF IS a religion.

Then again: nobody in the science fiction field itself has ever proposed a definition of the genre that didn't get shrugged off or burned to the ground.nbsp; When we start splitting hairs, things get slippery, and more and more works can be filed in numerous places.nbsp; Hence, terms are coined, such as "hard SF" (the science is rigorous) and "soft SF" (like the so-called "soft sciences", perhaps social issues or psychology are inventive, but at the expense of cutting edge physics).

But again: there is no room in SF for "Terminator: Salvation".nbsp; That's because SF is primarily a field of ideas; and "Salvation" doesn't have any - not about science, not about fiction - other than "let's keep things moving".

At least one facet of the "Terminator" series hasn't gone straight downhill: the special effects.nbsp; The first film was down-and-dirty (though the night photography was nice, and makeup by Stan Winston, turning Arnold's face into half robot, worked well).nbsp; The second film did its part to push the movies into the computer graphics age.nbsp; The third "Terminator" we can skip.

And now this new one, with effects by ILM, is cutting edge again (if, last year, you thought "Transformers" was cutting edge).nbsp; But like all technology, computer graphics are dated the instant you pay for them.nbsp; Take a dispassionate second look at "T2" some time.nbsp; The morphing metal man now looks quaint.nbsp; Not so when he freezes and shatters, done via a model (Stan Winston again).

But in terms of ideas, the series seems to be on a fatal slide.nbsp; nbsp;The first "Terminator" delighted in the intricacies of its time travel plot (maybe a bit too much; SF writer Harlan Ellison sued, successfully proving that the film ripped off an earlier story by him).nbsp; "T2", while it layered excitement upon excitement like cheese upon bacon upon salt upon oil upon French fries, was awfully short on real feeling.nbsp; The third "Terminator" we can skip.nbsp; But you knew that.

The new chapter works for a while, coasting on Christian Bale's murderous focus.nbsp; If this is your first "T" film, that performance will seem bizarre.nbsp; But consider that Bale is playing John Connor, who grew up an orphan, thinking his mother was psychotic, telling him Armageddon was coming in a year or two and human-looking killer robots would stalk him without end.nbsp; Bale's choice, to bring all his intensity to the surface was one way to make sense of the character, but it's overkill and a waste of his energy.nbsp; As much watched on YouTube, it also caused him to explode on set, revealing what a toll it takes on him for this to be his method of choice.nbsp; Time to broaden out.

So "T4" works best in its opening and middle acts, when there's very little dialog ("...better to close your mouth and be thought an idiot than to open it and remove all doubt").nbsp; If it had stayed lean to the end, maybe we would have given the film the benefit of the doubt.nbsp; But in the third act, it all funnels down to a traditional climax smothered in nostalgia; and when "Terminator - Salvation" opens its mouth to tell you what it's about, its lack of ideas reveals it as so much less than the sum of its parts.</itunes:summary>
		<itunes:keywords>Content,Type,,Movie,Reviews,,Movies,,Podcasts,,Reviews,,Special,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/movies/09/090529-terminator-salvation.mp3" fileSize="2095232" type="audio/mpeg" /></item>
		<item>
		<title>Between Flute and Guitar</title>
		<link>http://wfiu.org/arts/flute-guitar/</link>
		<comments>http://wfiu.org/arts/flute-guitar/#comments</comments>
		<pubDate>Mon, 01 Jun 2009 15:16:18 +0000</pubDate>
		<dc:creator>David Wood</dc:creator>
		
		<category><![CDATA[Classical Music]]></category>

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		<category><![CDATA[Featured Classical Recordings]]></category>

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		<category><![CDATA[astor piazzolla]]></category>

		<category><![CDATA[between flute and guitar]]></category>

		<category><![CDATA[featured recording]]></category>

		<category><![CDATA[latin america]]></category>

		<category><![CDATA[noteworthy duo]]></category>

		<category><![CDATA[romantic music]]></category>

		<category><![CDATA[twentieth century music]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3751</guid>
		<description>The Noteworthy Duo perform music of Latin American on "Between Flute and Guitar."
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/OferzV8_ht0Ch_jZVhTgORIVDkc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OferzV8_ht0Ch_jZVhTgORIVDkc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=xvgppWTaLoU:BZnkDwxfT74:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=xvgppWTaLoU:BZnkDwxfT74:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=xvgppWTaLoU:BZnkDwxfT74:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=xvgppWTaLoU:BZnkDwxfT74:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=xvgppWTaLoU:BZnkDwxfT74:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=xvgppWTaLoU:BZnkDwxfT74:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=xvgppWTaLoU:BZnkDwxfT74:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=xvgppWTaLoU:BZnkDwxfT74:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=xvgppWTaLoU:BZnkDwxfT74:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=xvgppWTaLoU:BZnkDwxfT74:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=xvgppWTaLoU:BZnkDwxfT74:TzevzKxY174"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=TzevzKxY174" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/flute-guitar/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/featuredcd/09/090601-featcd-noteworthy.mp3" length="4569991" type="audio/mpeg" />
<itunes:duration>4:46</itunes:duration>
		<itunes:subtitle>Music for the flute and guitar is almost a staple for compositions from Latin American composers. That's what flutist Lisa Schroeder and guitarist Michael Anthony ...</itunes:subtitle>
		<itunes:summary>Music for the flute and guitar is almost a staple for compositions from Latin American composers. That's what flutist Lisa Schroeder and guitarist Michael Anthony Nigro (together known as the Noteworthy Duo) have put forward on their CD, "Between Flute and Guitar."nbsp; The duo performs selections from Brazil to Argentina, and nearly everything in between.

The music of Astor Piazzolla has been cropping up in recordings a lot lately. The quintessential Argentine composer's mix of the music from his homeland with twentieth century western art music set the stage for many of the Latin American composers to follow. Here the Noteworthy Duo presents his "Story of the Tango" (Histoire du Tango) in a delightful performance.

Our quick pick this week is another reach back into the classic recordings. This one comes from one of the premiere Renaissance vocal ensembles, The Tallis Scholars. In 1998 they released a 25th anniversary CD that will almost definitely get you hooked on this group's wonderful musicianship and excellent taste in repertoire.</itunes:summary>
		<itunes:keywords>Classical,Music,,Content,Type,,Featured,Classical,Recordings,,Featured,in,category,,Podcasts,,Reviews,,Special</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/featuredcd/09/090601-featcd-noteworthy.mp3" fileSize="4569991" type="audio/mpeg" /></item>
		<item>
		<title>Sol Gabetta: Cantabile and Shostakovich</title>
		<link>http://wfiu.org/arts/sol-gabetta-cantabile-shostakovich/</link>
		<comments>http://wfiu.org/arts/sol-gabetta-cantabile-shostakovich/#comments</comments>
		<pubDate>Wed, 27 May 2009 16:27:13 +0000</pubDate>
		<dc:creator>David Wood</dc:creator>
		
		<category><![CDATA[Classical Music]]></category>

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		<category><![CDATA[antonio vivaldi]]></category>

		<category><![CDATA[baroque music]]></category>

		<category><![CDATA[cantabile]]></category>

		<category><![CDATA[dixit dominus]]></category>

		<category><![CDATA[Dmitri Shostakovich]]></category>

		<category><![CDATA[english baroque soloists]]></category>

		<category><![CDATA[featured recording]]></category>

		<category><![CDATA[figaro]]></category>

		<category><![CDATA[gabriel faure]]></category>

		<category><![CDATA[george frideric handel]]></category>

		<category><![CDATA[gillian keith]]></category>

		<category><![CDATA[gioacchino rossini]]></category>

		<category><![CDATA[gloria]]></category>

		<category><![CDATA[john eliot gardiner]]></category>

		<category><![CDATA[monteverdi choir]]></category>

		<category><![CDATA[romantic music]]></category>

		<category><![CDATA[sol gabetta]]></category>

		<category><![CDATA[twentieth century music]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3732</guid>
		<description>Sol Gabetta's fourth CD, "Cantabile", was released simultaneously with her third in September of 2008.  So for this week, we'll take a listen to both of them.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/ehXTTRtWrnNbbdLzvcOQn3h7oXk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ehXTTRtWrnNbbdLzvcOQn3h7oXk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=s2fa99pR6HQ:-TrUDXtqzN8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=s2fa99pR6HQ:-TrUDXtqzN8:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=s2fa99pR6HQ:-TrUDXtqzN8:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=s2fa99pR6HQ:-TrUDXtqzN8:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=s2fa99pR6HQ:-TrUDXtqzN8:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=s2fa99pR6HQ:-TrUDXtqzN8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=s2fa99pR6HQ:-TrUDXtqzN8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=s2fa99pR6HQ:-TrUDXtqzN8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=s2fa99pR6HQ:-TrUDXtqzN8:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=s2fa99pR6HQ:-TrUDXtqzN8:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=s2fa99pR6HQ:-TrUDXtqzN8:TzevzKxY174"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=TzevzKxY174" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/sol-gabetta-cantabile-shostakovich/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/featuredcd/09/090527-featcd-gabetta-cantabile.mp3" length="5467767" type="audio/mpeg" />
<itunes:duration>5:42</itunes:duration>
		<itunes:subtitle>Cellist Sol Gabetta is one of those ambitious young artists who seem to be constantly on the concert stage or in the recording studio. Her ...</itunes:subtitle>
		<itunes:summary>Cellist Sol Gabetta is one of those ambitious young artists who seem to be constantly on the concert stage or in the recording studio. Her fourth CD, titled Cantabile, was released simultaneously with her third in September of 2008.nbsp; So for this week, we'll take a listen to both of them.

On Cantabile, Gabetta's repertoire trends toward the lighter side, with selections no longer than about five and a half minutes. Gabriel Faureacute;'s opus 50 Pavanne is there, as are aria transcriptions from several operas, including Carmen and Eugen Onegin.nbsp; As a nice little bonus track, Gabetta performs "Figaro's Aria" from The Barber of Seville.

Her other release from September '08 is a near 180 from Cantabile. This recording with the Munich Philharmonic features the work of Dmitri Shostakovich. Conductor Marc Albrecht is at the helm for Shostakovich's opus 126 Concerto for cello and Orchestra, and pianist Mihaela Ursuleasa (also featured on Cantabile) joins Gabetta for the opus 40 Sonata for Cello and Piano.

Our quick pick this week is recording that I couldn't get out of my head this last week.nbsp; It's John Eliot Gardiner's 2001 release with the English Baroque Soloists and the Monteverdi choir performing Handel's Dixit Dominus, the Vivaldi Gloria and the premiere recording of Handel's own Gloria with soprano Gillian Keith.</itunes:summary>
		<itunes:keywords>Classical,Music,,Content,Type,,Featured,Classical,Recordings,,Featured,in,category,,Podcasts,,Reviews,,Special</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/featuredcd/09/090527-featcd-gabetta-cantabile.mp3" fileSize="5467767" type="audio/mpeg" /></item>
		<item>
		<title>Virtuosic Adventures: Young String Players Take France By Storm</title>
		<link>http://wfiu.org/arts/virtuosic-adventures-young-string-players-france-storm/</link>
		<comments>http://wfiu.org/arts/virtuosic-adventures-young-string-players-france-storm/#comments</comments>
		<pubDate>Tue, 26 May 2009 13:00:41 +0000</pubDate>
		<dc:creator>Annie Corrigan</dc:creator>
		
		<category><![CDATA[Classical Music]]></category>

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		<category><![CDATA[Annie Corrigan]]></category>

		<category><![CDATA[france]]></category>

		<category><![CDATA[Indiana University String Academy]]></category>

		<category><![CDATA[mimi zweig]]></category>

		<category><![CDATA[Starling Foundation]]></category>

		<category><![CDATA[summer]]></category>

		<category><![CDATA[violin]]></category>

		<category><![CDATA[Violin Virtuosi]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3652</guid>
		<description>The Violin Viruotosi will be embarking on a two-week tour of France.  For these nine young musicians, it will be memorable, both musically and culturally.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/9rZcxXymbYG_H0bJwjJz5RgMjj0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/9rZcxXymbYG_H0bJwjJz5RgMjj0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/virtuosic-adventures-young-string-players-france-storm/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090526-violin-virtuosi.mp3" length="4785658" type="audio/mpeg" />
<itunes:duration>4:59</itunes:duration>
		<itunes:subtitle>[caption id="attachment_3669" align="alignnone" width="358" caption="Indiana University Violin Virtuosi (photo courtesy Indiana University)"][/caption]

The Indiana University String Academy has a reputation...  Itrsquo;s open to children as ...</itunes:subtitle>
		<itunes:summary>[caption id="attachment_3669" align="alignnone" width="358" caption="Indiana University Violin Virtuosi (photo courtesy Indiana University)"][/caption]

The Indiana University String Academy has a reputation...  Itrsquo;s open to children as young as 5-years-old, some famous names started their studies in this program, and heyhellip; the String Academy even has its own PBS documentary!  Well, specifically the Violin Virtuosi.

This group of musicians is made up of the nine top players and the oldest kids in the String Academy.  And this summer, they get a once-in-a-lifetime opportunityhellip;  to spend two weeks in France playing music.

I met up with the director of the String Academy, Mimi Zweig.  Shersquo;s done this before, taking groups to Japan, Sweden, Spain, and Italy.

Violin Virtuosi members have come and gone over the years, and she said that this is the pay off for THESE kids, this incarnation of the VV.  ldquo;We canrsquo;t forget to give all these wonderful kids the experience of traveling,rdquo; Zweig explained.

While in France, the musicians will be experiencing home stays and developing a close relationship with a family.  The tour then is about both the musical and the cultural experiences, as Zweig described.  ldquo;Itrsquo;s a two-way street.  They have to play beautifully, and they get themselves ready to play at the highest artistic level.  And then they affect the lives of these people who are listening to them.rdquo;

This tour is different from tours of previous years, as two cellists have joined the ranks for the first time.  This has affected their repertoire, which includes Tchaikovskyrsquo;s sextet Souvenir de Florence and the Concerto for Four Violins by Vivaldi.

But what does it take to prep for a tour like this?  I guess lots and lots of performing, something that the kids in the VV are just used to at this point.  In fact, last month, the group was in Utah for a small concert tour.  This is in addition to regular concerts in Indiana, as well as performances in Chicago and Milwaukee.  ldquo;So,rdquo; Zweig said, ldquo;performing is the reward for all the hard work they put in.rdquo;

I had the opportunity to meet up with these musicians, where else, but backstage at a concert in Bloomington one Saturday afternoon.  They were standing in a circle, rehearsing a bit, fine-tuning some details, laughing and having fun.  None of them use music ndash; they all play from memory.  And itrsquo;s obvious that they love this.  They love playing music and they love being in this group!

Preparing for this tour was nothing out of the ordinary for them.  For Sang-Woo Kim, hersquo;s just used to it, ldquo;We just do what we always do!rdquo;

What was most striking, talking to these young musicians, is how they combine music-making with fun and friendship.  Jake Woolen mentioned how he values being able to make music with peers, who are ldquo;equal and in most cases better than myself.  And I think that we make some great music together.rdquo;

Stephanie Zyzack expressed what all of the kids were feelinghellip; excitement for this tour and camaraderie with her fellow musicians.  ldquo;Irsquo;ve never been to France, number one.  And number two, itrsquo;s with the VV which is always a blast.rdquo;

But what did most of them say they were most excited about?  The food.

The Violin Virtuosi will be presenting nine concerts as part of their two-week tour of France in late May and early June.  The tour is being sponsored by the Starling Foundation.</itunes:summary>
		<itunes:keywords>Classical,Music,,Content,Type,,Featured,in,category,,Interviews,,Podcasts,,Special,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090526-violin-virtuosi.mp3" fileSize="4785658" type="audio/mpeg" /></item>
		<item>
		<title>A Portrait Of Philip Glass By Angèle Dubeau and La Pietà</title>
		<link>http://wfiu.org/arts/portrait-music-philip-glass-angele-dubeau-la-pieta/</link>
		<comments>http://wfiu.org/arts/portrait-music-philip-glass-angele-dubeau-la-pieta/#comments</comments>
		<pubDate>Tue, 26 May 2009 13:00:34 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
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		<category><![CDATA[Angele Dubeau]]></category>

		<category><![CDATA[la pieta]]></category>

		<category><![CDATA[philip glass]]></category>

		<category><![CDATA[twentieth century music]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3684</guid>
		<description>“Things happen sometimes without, you know, thinking really.” That’s how Angele Dubeau says La Pietà became an all woman ensemble.
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/portrait-music-philip-glass-angele-dubeau-la-pieta/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090526-dubeau-profile.mp3" length="4800704" type="audio/mpeg" />
<itunes:duration>5:00</itunes:duration>
		<itunes:subtitle>ldquo;Things happen sometimes without, you know, thinking really.rdquo; Thatrsquo;s how Angegrave;le Dubeau says her ensemble La Pietagrave; became an all woman ensemble. ldquo;I was a ...</itunes:subtitle>
		<itunes:summary>ldquo;Things happen sometimes without, you know, thinking really.rdquo; Thatrsquo;s how Angegrave;le Dubeau says her ensemble La Pietagrave; became an all woman ensemble. ldquo;I was a successful soloist, traveling the world to play with orchestras and chamber groups, but I felt the loneliness.rdquo;

ldquo;When I had a chance to work on a project of recording concertos by Antonio Vivaldi, I thought it would be nice to put together a group which I would lead and play with. As I began to write down names there was no thought but virtuosity, musicianship and ability to get along with a group. Thatrsquo;s important if yoursquo;re going to work together.rdquo;

ldquo;After I had written down the first three or four names, I looked at the paper and laughed. They were all women. I thought some more, added names and with very few calls put the group together. And wersquo;ve been together for more than ten years now, so I guess it worked. ldquo;

Angegrave;le Dubeau #38; La Pietagrave; have gone on to record a number of CDs. There have been infernals violins, gypsy violins and even fairy tale violins. The latest CD is titled ldquo;Philip Glass: Profile."

ldquo;I learned about Philip Glassrsquo;s music in 1980s in New York and even worked with him studying his violin concerto. Since then his music has been part of many concerts and films. His influence has even found its way into pop music and television commercials.rdquo;

ldquo;I love his music and wersquo;re very proud that hersquo;s permitted us to record this album. Itrsquo;s titled ldquo;Profilerdquo; because it includes music that he wrote for ballet, for films, for orchestra and for chamber groups.rdquo;</itunes:summary>
		<itunes:keywords>Classical,Music,,Content,Type,,Featured,in,category,,Interviews,,Podcasts,,Special,,WFIU.org,Homepage,Featured,Story</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090526-dubeau-profile.mp3" fileSize="4800704" type="audio/mpeg" /></item>
		<item>
		<title>Paul SanGregory: Music That Blends East and West</title>
		<link>http://wfiu.org/arts/iu-grad-composes-music-blends-east-west/</link>
		<comments>http://wfiu.org/arts/iu-grad-composes-music-blends-east-west/#comments</comments>
		<pubDate>Tue, 26 May 2009 13:00:08 +0000</pubDate>
		<dc:creator>Adam Schwartz</dc:creator>
		
		<category><![CDATA[Classical Music]]></category>

		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Culture]]></category>

		<category><![CDATA[Featured in category]]></category>

		<category><![CDATA[Interviews]]></category>

		<category><![CDATA[Podcasts]]></category>

		<category><![CDATA[Special]]></category>

		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[art song]]></category>

		<category><![CDATA[chinese music]]></category>

		<category><![CDATA[composition]]></category>

		<category><![CDATA[contemporary music]]></category>

		<category><![CDATA[mei zhong]]></category>

		<category><![CDATA[paul sangregory]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3639</guid>
		<description>IU alumnus and composer Paul SanGregory combines Chinese lyrics with Western-style art song, integrating his Western training with Chinese musical ideas.
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/iu-grad-composes-music-blends-east-west/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090526-paul-sangregory.mp3" length="7702152" type="audio/mpeg" />
<itunes:duration>8:01</itunes:duration>
		<itunes:subtitle>[caption id="attachment_3702" align="alignleft" width="235" caption="Composer Paul SanGregory at his home in Taiwain. (Courtesy Paul SanGregory.)"][/caption]

Paul SanGregory's seven-song cycle Songs of Distance combines Chinese lyrics with ...</itunes:subtitle>
		<itunes:summary>[caption id="attachment_3702" align="alignleft" width="235" caption="Composer Paul SanGregory at his home in Taiwain. (Courtesy Paul SanGregory.)"][/caption]

Paul SanGregory's seven-song cycle Songs of Distance combines Chinese lyrics with Western-style music.

The Indiana University Jacobs School of Music alumnus created the songs by integrating his Western training with Chinese musical ideasmdash;such as melodies based on pentatonic scales.

ldquo;But even more than that, therersquo;s ornamentation that comes from Chinese melodies, from grace note usages or even little pitch blends,rdquo; SanGregory says.

ldquo;In some places I even asked the singer to speak in a way that almost imitates the way people would speak dramatically in a Beijing Opera. Which is really hard for Western-trained singers to do. So it ends up being an approximation of that style.rdquo;

SanGregory received a doctorate in music IU, where he focused on composition and studied with Frederick Fox and Claude Baker.

Both he and his wife, Sansan Chien, teach music theory and composition at the university levelmdash;SanGregory at the National Pingtung University of Education in Pingtung, Taiwan. The couple live in Kaohsiung.

The lyrics of the songs in Songs of Distance come from a book of Chinese poems from the Tang Dynasty.

SanGregory, who speaks and reads Chinese, read the poems in English translations, referring to the original Chinese when necessary.

"Some of the Chinese was a little tricky. [The poems are written in] an ancient Chinese writing style, so my wife would help me clarify some of the meanings and get the right intonation of some of the words that I wasnrsquo;t sure about.rdquo;

He found that composing songs using Chinese texts required special attention be paid to the intonation of the words.

ldquo;Every Chinese character has an intonation that goes up or down; there are different intonations. That can affect your melody, or your melodymdash;if yoursquo;re not carefulmdash;could destroy the natural inflection of the word. So I try to pay attention to that when I write from Chinese, and that can be tricky. Some of the songs in Chinese might not be easy to sing either, so thatrsquo;s another thing to be careful about.rdquo;

SanGregory believes himself to be one of only a handful of composers who write Chinese art songs. He observes that composing as we think about it in the West was not part of the Chinese music tradition.

ldquo;Even in Chinese opera, as far as I know, they didnrsquo;t have a Puccini or a composer who wrote in opera. They have a lot of traditions about the way stories are told, and this all comes together on stage, the way the musicians and the actors work together.rdquo;

ldquo;So when you say lsquo;a Chinese art song,rsquo; it has to be a pretty new thing, probably within the last century.rdquo;

The song cycle Songs of Distance are on the CD that accompanies Volume I of The Anthology of Chinese Songs, Volumes I and II. The songs are performed by voice professor Mei Zhong with piano accompaniment. The books and the accompanying CDs are available through the Web site of the publisher, Leyerle Publications.</itunes:summary>
		<itunes:keywords>Classical,Music,,Content,Type,,Culture,,Featured,in,category,,Interviews,,Podcasts,,Special,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090526-paul-sangregory.mp3" fileSize="7702152" type="audio/mpeg" /></item>
		<item>
		<title>A Festival Of Plays</title>
		<link>http://wfiu.org/arts/festival-plays/</link>
		<comments>http://wfiu.org/arts/festival-plays/#comments</comments>
		<pubDate>Mon, 25 May 2009 13:00:12 +0000</pubDate>
		<dc:creator>Erica Hunter</dc:creator>
		
		<category><![CDATA[Content Type]]></category>

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		<category><![CDATA[Limelight]]></category>

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		<category><![CDATA[Theater]]></category>

		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[bloomingplays]]></category>

		<category><![CDATA[Bloomington Playwrights Project]]></category>

		<category><![CDATA[drama]]></category>

		<category><![CDATA[festival]]></category>

		<category><![CDATA[indiana theatre association]]></category>

		<category><![CDATA[plays]]></category>

		<category><![CDATA[theatre]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3679</guid>
		<description>The Bloomington Playwrights Project hosts its first festival featuring eleven different plays ranging from traditional comedies and dramas to absurdist humor.
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/festival-plays/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artworks/09/090525-limelight-bloomingplays.mp3" length="1040743" type="audio/mpeg" />
<itunes:duration>1:05</itunes:duration>
		<itunes:subtitle>The Bloomington Playwrights Project and the Indiana Theatre Association hosts its first festival featuring eleven different plays ranging from traditional comedies and dramas to absurdist ...</itunes:subtitle>
		<itunes:summary>The Bloomington Playwrights Project and the Indiana Theatre Association hosts its first festival featuring eleven different plays ranging from traditional comedies and dramas to absurdist humor. Gabe Gloden Managing Director of the Playwrights Project explains the importance of providing a platform for local playwrights.

You can attend one or all of the BloomingPlays until May 30th at the BPP Theatre on West 9th Street.</itunes:summary>
		<itunes:keywords>Content,Type,,Interviews,,Limelight,,Podcasts,,Special,,Theater,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artworks/09/090525-limelight-bloomingplays.mp3" fileSize="1040743" type="audio/mpeg" /></item>
		<item>
		<title>Bloomington Playwrigths Project’s “BloomingShorts”</title>
		<link>http://wfiu.org/arts/bloomingshorts/</link>
		<comments>http://wfiu.org/arts/bloomingshorts/#comments</comments>
		<pubDate>Mon, 25 May 2009 13:00:11 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Featured in category]]></category>

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		<category><![CDATA[Theater]]></category>

		<category><![CDATA[WFIU.org Homepage]]></category>

		<category><![CDATA[Andy Alphonse]]></category>

		<category><![CDATA[BloomingShorts]]></category>

		<category><![CDATA[Bloomington Playwrights Project]]></category>

		<category><![CDATA[Derrick Krober]]></category>

		<category><![CDATA[Eric Beckstrom]]></category>

		<category><![CDATA[Erin Sullivan]]></category>

		<category><![CDATA[holly holbrook]]></category>

		<category><![CDATA[jim hettmer]]></category>

		<category><![CDATA[Joseie Gingrich]]></category>

		<category><![CDATA[Mike F. Smith]]></category>

		<category><![CDATA[Ocham's Razor]]></category>

		<category><![CDATA[Pascal's Wager]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3697</guid>
		<description>The Bloomington Playwrights Project is offering a festival of such richness and variety that it beggars description. This beggar will try.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/NlAadchoSgPj6Np7m4MgbnLsPXk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NlAadchoSgPj6Np7m4MgbnLsPXk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=1SJilnowdCE:9yfzvQymEOk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=1SJilnowdCE:9yfzvQymEOk:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=1SJilnowdCE:9yfzvQymEOk:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=1SJilnowdCE:9yfzvQymEOk:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=1SJilnowdCE:9yfzvQymEOk:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=1SJilnowdCE:9yfzvQymEOk:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=1SJilnowdCE:9yfzvQymEOk:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=1SJilnowdCE:9yfzvQymEOk:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=1SJilnowdCE:9yfzvQymEOk:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=1SJilnowdCE:9yfzvQymEOk:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=1SJilnowdCE:9yfzvQymEOk:TzevzKxY174"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=TzevzKxY174" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/bloomingshorts/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsReviews/09/090525-bloomingshorts.mp3" length="2054272" type="audio/mpeg" />
<itunes:duration>4:17</itunes:duration>
		<itunes:subtitle>The Bloomington Playwrights Project is offering a festival of such richness and variety that it beggars description. This beggar will try.

Therersquo;s BloomingShorts with six short ...</itunes:subtitle>
		<itunes:summary>The Bloomington Playwrights Project is offering a festival of such richness and variety that it beggars description. This beggar will try.

Therersquo;s BloomingShorts with six short plays, BloomingDoubleHeader with two one acts, the full length ldquo;Colleen and Kudzo,rdquo; and for good measure BloomingPlays in the Dark. Much has been written lately about business and technology incubators, programs to encourage and nurture start ups. The Bloomington Playwrights Project Development Series is just such a program for drama. 

Irsquo;ve been out of town and just managed to catch up with BloomingShorts this past weekend. The six short plays are presented by two alternating teams of actors. Holly Holbrookrsquo;s group began the evening with ldquo;Maya.rdquo; I came to the theatre from watching a Nova show on parallel universes and it was good preparation for Andy Alphonsersquo;s clever opener. Therersquo;s a party going on. At least Anna Nickell and Reggie Provine seem to think so. The guests, cruising innocent Nick Johnson and the more cynical Derrick Krober, along with the audience donrsquo;t see the other guests, the musicians nor the keg. The cynic leaves, the innocent joins the party, the audience is left to wonder-- not whorsquo;s right, but whorsquo;s made the best choice.

Then Jim Hettmerrsquo;s team offered Josie Gingrichrsquo;s ldquo;Hearing.rdquo;  Again philosophy and realms of belief were the focus with Emily Goodson as a young wife whorsquo;s decided that her own bet about marriage with the older Travis Stannard wasnrsquo;t as clever as Pascalrsquo;s wager about belief versus atheism.

The first half of BloomingShorts wrapped up with Mike Smithrsquo;s ldquo;Bernard and Al.rdquo; Derick Kroger and Reggie Provine were his Beckett style clowns. Itrsquo;s a neatly worked out homage with a difference. Smith captures the boredom and the repetition of his inspiration, but his clowns arenrsquo;t waiting and their characters arenrsquo;t as fixed as the originals from ldquo;Waiting for Godot.rdquo;

Act two of BloomingShorts opened with ldquo;A Terribly Sophisticated Partyrdquo; by Eric Beckstrom. It was a very nice chance to watch Frank Buczolich at work as the sofa man, a character who gently listens and thoughtfully counsels the lovelorn, Travis Stannard, the nervous, Emily Goodson, the uptight, Thomas Root, and even the partyrsquo;s host, Amber Turner.

In ldquo;That Jazz Girlrdquo; by Erin Sullivan Derrick Krober and Nick Johnson were a couple of brothers hanging out at a favorite  jazz club. In just a day or two Krober is set to marry a  jazz hating, controlling fiancee played by Anna Nickell. The play takes a little too long to make its, point, but it left the audience happy as brother Johnson arranged to get brother Krober back on to a creative life with an old girl friend played by Erin Coon.

The evening wrapped up with Derrick Kroberrsquo;s ldquo;Sexus Revisited.rdquo; Frank Buczolich was an over the top drunken, randy touring poet. His host was an uptight philandering professor played by Travis Stannard accompanied by his current student Lolita, Emily Goodson. Complications ensued as the professor finds that the air port news stand operator is an embittered former student flame. The professor lamely attempts to make amends while the poet exits to the john closely followed by Lolita. In the midst of the professorrsquo;s efforts, and exhuberant Lolita bursts back onto the stage. Itrsquo;s hilariously, wildly disheveled Goodson, primally and very amusingly screaming about a tryst on the floor of the menrsquo;s room with the poet. It was quite a finale to the evening.

BloomingShorts has two final outings, Friday the 29th at eight and Saturday the 30th at four. Itrsquo;ll be preceded at two by the one acts of the BloomingDoubleHeader ,followed in the evening at eight with the full length Colleen and Kudzo, and the festival wraps up with BloomingPlays in the Dark at eleven.</itunes:summary>
		<itunes:keywords>Content,Type,,Featured,in,category,,Podcasts,,Reviews,,Special,,Theater,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsReviews/09/090525-bloomingshorts.mp3" fileSize="2054272" type="audio/mpeg" /></item>
		<item>
		<title>Al Cobine: Another Indiana Jazz Legend Passes Away</title>
		<link>http://wfiu.org/arts/al-cobine-indiana-jazz-legend-passes/</link>
		<comments>http://wfiu.org/arts/al-cobine-indiana-jazz-legend-passes/#comments</comments>
		<pubDate>Sat, 23 May 2009 13:08:29 +0000</pubDate>
		<dc:creator>David Brent Johnson</dc:creator>
		
		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Featured in category]]></category>

		<category><![CDATA[Features]]></category>

		<category><![CDATA[Jazz]]></category>

		<category><![CDATA[Podcasts]]></category>

		<category><![CDATA[Special]]></category>

		<category><![CDATA[al cobine]]></category>

		<category><![CDATA[memorial]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3687</guid>
		<description>Al Cobine, the Indiana bandleader, composer/arranger, and saxophonist who helped raise Bloomington’s music scene to national stature, passed away Thursday at the age of 82.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/aKzl0Ux_0ZZyT8Uo1FlNdfP79O0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/aKzl0Ux_0ZZyT8Uo1FlNdfP79O0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/aKzl0Ux_0ZZyT8Uo1FlNdfP79O0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/aKzl0Ux_0ZZyT8Uo1FlNdfP79O0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=9v-KPmUoOs4:J7KzC3bgnEE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=9v-KPmUoOs4:J7KzC3bgnEE:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=9v-KPmUoOs4:J7KzC3bgnEE:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=9v-KPmUoOs4:J7KzC3bgnEE:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=9v-KPmUoOs4:J7KzC3bgnEE:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=9v-KPmUoOs4:J7KzC3bgnEE:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=9v-KPmUoOs4:J7KzC3bgnEE:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=9v-KPmUoOs4:J7KzC3bgnEE:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=9v-KPmUoOs4:J7KzC3bgnEE:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=9v-KPmUoOs4:J7KzC3bgnEE:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=9v-KPmUoOs4:J7KzC3bgnEE:TzevzKxY174"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=TzevzKxY174" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/al-cobine-indiana-jazz-legend-passes/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090526-remembering-cobine.mp3" length="2190131" type="audio/mpeg" />
<itunes:duration>2:17</itunes:duration>
		<itunes:subtitle>Al Cobine, the Indiana bandleader, composer/arranger, and saxophonist who helped raise Bloomingtonrsquo;s music scene to national stature, passed away Thursday afternoon at the age of ...</itunes:subtitle>
		<itunes:summary>Al Cobine, the Indiana bandleader, composer/arranger, and saxophonist who helped raise Bloomingtonrsquo;s music scene to national stature, passed away Thursday afternoon at the age of 82.  A native of Richmond, Indiana, Cobine came to Bloomington in the 1950s to pursue a doctorate in political science but ended up becoming a widely renowned big-band leader instead, putting together orchestras and arrangements for Henry Mancini, Johnny Mathis, Elvis Presley, and many other popular artists and directing a Bloomington-based ensemble for decades.
Read the entire blog entry from WFIU's Nightlights host, David Brent Johnson.</itunes:summary>
		<itunes:keywords>Content,Type,,Featured,in,category,,Features,,Jazz,,Podcasts,,Special</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090526-remembering-cobine.mp3" fileSize="2190131" type="audio/mpeg" /></item>
		<item>
		<title>Dancing For A Cause</title>
		<link>http://wfiu.org/arts/dancing/</link>
		<comments>http://wfiu.org/arts/dancing/#comments</comments>
		<pubDate>Fri, 22 May 2009 16:55:11 +0000</pubDate>
		<dc:creator>Erica Hunter</dc:creator>
		
		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Dance]]></category>

		<category><![CDATA[Interviews]]></category>

		<category><![CDATA[Limelight]]></category>

		<category><![CDATA[Podcasts]]></category>

		<category><![CDATA[Special]]></category>

		<category><![CDATA[arthur murray dance studio]]></category>

		<category><![CDATA[ballroom]]></category>

		<category><![CDATA[Bloomington]]></category>

		<category><![CDATA[dancing]]></category>

		<category><![CDATA[dancing with the celebrities]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3676</guid>
		<description>The Aurthur Murray Dance Studio hosts its 3rd Annual “Dancing with the Celebrities” featuring six local Bloomington celebrities showing off their dance moves.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/aQ0I7Wndo5EGNWXuQNhOJUsZ2zA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/aQ0I7Wndo5EGNWXuQNhOJUsZ2zA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/aQ0I7Wndo5EGNWXuQNhOJUsZ2zA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/aQ0I7Wndo5EGNWXuQNhOJUsZ2zA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=ag7zqTtkR60:16kiBUH10Zg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=ag7zqTtkR60:16kiBUH10Zg:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=ag7zqTtkR60:16kiBUH10Zg:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=ag7zqTtkR60:16kiBUH10Zg:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=ag7zqTtkR60:16kiBUH10Zg:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=ag7zqTtkR60:16kiBUH10Zg:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=ag7zqTtkR60:16kiBUH10Zg:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=ag7zqTtkR60:16kiBUH10Zg:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=ag7zqTtkR60:16kiBUH10Zg:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=ag7zqTtkR60:16kiBUH10Zg:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=ag7zqTtkR60:16kiBUH10Zg:TzevzKxY174"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=TzevzKxY174" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/dancing/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artworks/09/090522-limelight-dancing-celebrities.mp3" length="960913" type="audio/mpeg" />
<itunes:duration>1:00</itunes:duration>
		<itunes:subtitle>The Aurthur Murray Dance Studio hosts its 3rd Annual ldquo;Dancing with the Celebritiesrdquo; charity event on Saturday May 23rd featuring six local Bloomington celebrities showing ...</itunes:subtitle>
		<itunes:summary>The Aurthur Murray Dance Studio hosts its 3rd Annual ldquo;Dancing with the Celebritiesrdquo; charity event on Saturday May 23rd featuring six local Bloomington celebrities showing off their dance moves. Barbara Leininger, owner of the studio describes the type of dancing the celebrities will do.

The charity event will be held at 8 p.m. on May 23rd at the Buskirk-Chumley Theatre.</itunes:summary>
		<itunes:keywords>Content,Type,,Dance,,Interviews,,Limelight,,Podcasts,,Special</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artworks/09/090522-limelight-dancing-celebrities.mp3" fileSize="960913" type="audio/mpeg" /></item>
		<item>
		<title>Angels and Demons</title>
		<link>http://wfiu.org/arts/angels-demons/</link>
		<comments>http://wfiu.org/arts/angels-demons/#comments</comments>
		<pubDate>Fri, 22 May 2009 13:00:10 +0000</pubDate>
		<dc:creator>Peter Noble Kuchera</dc:creator>
		
		<category><![CDATA[Content Type]]></category>

		<category><![CDATA[Movie Reviews]]></category>

		<category><![CDATA[Movies]]></category>

		<category><![CDATA[Podcasts]]></category>

		<category><![CDATA[Reviews]]></category>

		<category><![CDATA[Special]]></category>

		<category><![CDATA[angels and demons]]></category>

		<category><![CDATA[criticism]]></category>

		<category><![CDATA[dan brown]]></category>

		<category><![CDATA[ewan macgregor]]></category>

		<category><![CDATA[films]]></category>

		<category><![CDATA[ron howard]]></category>

		<category><![CDATA[tom hanks]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3749</guid>
		<description>This is going to be only half a review of "Angels and Demons" - because I could only make it through the first half of the film.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/g_TUlOcDtfKiQNVOu65NQrcreiI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/g_TUlOcDtfKiQNVOu65NQrcreiI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/g_TUlOcDtfKiQNVOu65NQrcreiI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/g_TUlOcDtfKiQNVOu65NQrcreiI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=VfEXj3CqEgo:8PWiZVuQ1_A:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=VfEXj3CqEgo:8PWiZVuQ1_A:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=VfEXj3CqEgo:8PWiZVuQ1_A:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=VfEXj3CqEgo:8PWiZVuQ1_A:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=VfEXj3CqEgo:8PWiZVuQ1_A:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=VfEXj3CqEgo:8PWiZVuQ1_A:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=VfEXj3CqEgo:8PWiZVuQ1_A:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=VfEXj3CqEgo:8PWiZVuQ1_A:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=VfEXj3CqEgo:8PWiZVuQ1_A:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?i=VfEXj3CqEgo:8PWiZVuQ1_A:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/WfiuArts?a=VfEXj3CqEgo:8PWiZVuQ1_A:TzevzKxY174"&gt;&lt;img src="http://feeds.feedburner.com/~ff/WfiuArts?d=TzevzKxY174" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/angels-demons/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/movies/09/090522-angels-demons.mp3" length="1974400" type="audio/mpeg" />
<itunes:duration>4:07</itunes:duration>
		<itunes:subtitle>This is going to be only half a review of "Angels and Demons" - because I could only make it through the first half of ...</itunes:subtitle>
		<itunes:summary>This is going to be only half a review of "Angels and Demons" - because I could only make it through the first half of the film.nbsp; In a different context, the film would just be average and destined for oblivion, not a killer.nbsp; But the second half of this review, if you want to call it that, is the context - and that context is disastrous.

"Angels and Demons", the follow-up to the blockbuster based on Dan Brown's novel "The Da Vinici Code", is actually from the previous book by that author.nbsp; Not surprisingly, it's been re-tooled as a sequel.nbsp; That this can be done with a single line of dialog tells us how little we've learned about the character Robert Langdon, and how little these plots matter.nbsp; I don't feel the need to summarize.nbsp; The ad campaign - from which, as Roger Ebert said last week about another movie, this film is merely an extrusion - surrounds you like CO2.

Langdon is played, once again, by Tom Hanks, our modern James Stewart, for his image as a kind and well-liked actor, lauded by his peers, loved by audiences, who takes roles about the human condition.nbsp; And when you see Langdon emerge from the Olympic pool where he's doing laps, you know that you will never see Tom Hanks looking this beautiful again.nbsp; Now he will begin to age, into a different kind of beauty.

And unfortunately, for this important transitional moment in a terrific actor's career, he has fallen into the hands of the worst director in America.nbsp; That man is Ron Howard - also lauded multiple times by the Academy and big box office for films like "Apollo 13" and just last year "Frost/Nixon".nbsp; How can I make the case, that I've been making for years, that this man should get nowhere near a camera?

Just look at "Frost/Nixon".nbsp; A fascinating film?nbsp; Absolutely - and despite itself.nbsp; We can't take our eyes off one of the great stories in politics.nbsp; Frank Langella was brilliant.nbsp; And yet the film is lame-brained and directed with the plodding predictability of a hack.nbsp; I won't go into it more; you'll either look at it again and see what I mean, or think I'm way off.

Now we have come to the tangent, on our way to a thesis.nbsp; Howard is the worst director now working for the same reason that the new "Start Trek" film is a big fat gas bubble from an American mainstream cinema that's on its way down - ultimately to be replaced by something better.

I am on record with an antically positive review of "Star Trek".nbsp; I admire the film for its genius as a political act.nbsp; If politics is the art of the possible, director J.J. Abrams was the only choice to make a film that pleased just about everybody.nbsp; And, in a deep sense, if we examine our hearts, nobody.nbsp; Because Abrams - like a much more naturally gifted Howard - has made a film to sit on the very short shelf with the most cynical acts of compromise in movies.

Again, no time to elaborate; check your instincts.nbsp; Either I'm right, or jaded.nbsp; Right now I think I'm both.nbsp; Every constant movie-goer goes through a period in which he has seen so many bad, new films in a row, he temporarily loses faith in the whole ball of wax I'll get over it by next week.nbsp; But for now, this thesis:

REAL DIRECTORS DO NOT COMPROMISE. Never mind the "auteur theory".nbsp; And never mind "film is a collaborative art".nbsp; A real director is someone who so extends the strength of his will that he bends people and technology to re-shape the world for just long enough to capture it in a bottle.nbsp; A real director uses people and things like brushes and paints.nbsp; And only real directors can give us movies that feed the soul.</itunes:summary>
		<itunes:keywords>Content,Type,,Movie,Reviews,,Movies,,Podcasts,,Reviews,,Special</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/movies/09/090522-angels-demons.mp3" fileSize="1974400" type="audio/mpeg" /></item>
		<item>
		<title>David Bowden Leads Ensembles In The 10th Annual “Salute!”</title>
		<link>http://wfiu.org/arts/salute/</link>
		<comments>http://wfiu.org/arts/salute/#comments</comments>
		<pubDate>Wed, 20 May 2009 13:00:12 +0000</pubDate>
		<dc:creator>George Walker</dc:creator>
		
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		<category><![CDATA[columbus]]></category>

		<category><![CDATA[columbus indiana philharmonic]]></category>

		<category><![CDATA[david bowden]]></category>

		<category><![CDATA[David Menke]]></category>

		<category><![CDATA[Harry McCawley]]></category>

		<category><![CDATA[iraq]]></category>

		<category><![CDATA[Neil Jones]]></category>

		<category><![CDATA[The Republic]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3633</guid>
		<description>“After the community built this lovely space to honor our men and women in the services we wanted to use it.” Henry McCawley, Columbus’s “The Republic.”
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/emQb2Ftz8xko7IsgPoMScC1mgUY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/emQb2Ftz8xko7IsgPoMScC1mgUY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/salute/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090520-salute.mp3" length="2400384" type="audio/mpeg" />
<itunes:duration>5:00</itunes:duration>
		<itunes:subtitle>The Columbus Indiana Philharmonic and the Bartholomew County Community mark the tenth anniversary of their Salute! concerts. The concerts take place at the Bartholomew County ...</itunes:subtitle>
		<itunes:summary>The Columbus Indiana Philharmonic and the Bartholomew County Community mark the tenth anniversary of their Salute! concerts. The concerts take place at the Bartholomew County Memorial for Veterans in honor of those who have served and are serving. Conductor David Bowden leads the group with tenor Neil Jones in a program of patriotic and Americana music.

As a part of the evening Henry McCawley, Assistant Editor of Columbusrsquo;s ldquo;The Republicrdquo; will be reading a letter from the father of  David Menke. Menke was killed by a bomb in Iraq. George Walker talked with McCawley about the letter and the story behind it.

ldquo;David Menke grew up in the Columbus area. He went to Iraq as part of a military police unit. David fell in love with the children there. Hersquo;d be out on patrol and theyrsquo;d come and follow him. David would give them treats and talk with them.rdquo;

ldquo;David noticed that the streets were just a mess. There was no trash collection. He started encouraging those kids to pick things up and hersquo;d give them little treats as rewards. The kids began coming to him with hands full of stuff to show that theyrsquo;d done it.rdquo;

ldquo;Beanie bags and little cars seemed especially attractive to those children and he asked his parents to help out. They did and indeed the whole town of Madison started to help out. A local firm volunteered to package and ships the donations. Even though David died, the program is still going and at last count theyrsquo;d sent more than ten thousand.rdquo;

ldquo;And thatrsquo;s the story that Irsquo;ll be sharing as our community honors our men and women who have served and are serving."

Salute!: A Free Community Concert to Honor Our Veterans
The Columbus Indiana Philharmonic conducted by David Bowden
Neil Jones, Vocal Soloist and Narrator + Harry McCawley, Letter Reading
Major General Mark Pillar, USAF (ret.) Military Ceremonies
Second and Washington Streets, Bartholomew County Memorial for Veterans
Friday May 22, 2009 at 7 pm</itunes:summary>
		<itunes:keywords>Classical,Music,,Content,Type,,Featured,in,category,,Interviews,,Podcasts,,Popular,Music,,Special,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090520-salute.mp3" fileSize="2400384" type="audio/mpeg" /></item>
		<item>
		<title>It Started With A Mural:  Art Across the Americas</title>
		<link>http://wfiu.org/arts/art-cross-the-americas/</link>
		<comments>http://wfiu.org/arts/art-cross-the-americas/#comments</comments>
		<pubDate>Tue, 19 May 2009 17:37:20 +0000</pubDate>
		<dc:creator>Yaël Ksander</dc:creator>
		
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		<category><![CDATA[Visual Arts]]></category>

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		<category><![CDATA[Art Cross the Americas]]></category>

		<category><![CDATA[Bloomington]]></category>

		<category><![CDATA[Guatemala]]></category>

		<category><![CDATA[Mayan culture]]></category>

		<category><![CDATA[mural]]></category>

		<category><![CDATA[ngo]]></category>

		<category><![CDATA[non-traditional tourism]]></category>

		<category><![CDATA[San Juan la Laguna]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3613</guid>
		<description>How a collaborative art project took a group of Bloomington students to Guatemala, then opened up a world of possibility.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/tLAqTYkMUbNEKpk3O7qT5fVVUcQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/tLAqTYkMUbNEKpk3O7qT5fVVUcQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</description>
		<wfw:commentRss>http://wfiu.org/arts/art-cross-the-americas/feed/</wfw:commentRss>
			<enclosure url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090519-art-across-americas-1.mp3" length="2924694" type="audio/mpeg" />
<itunes:duration>6:06</itunes:duration>
		<itunes:subtitle>Over the last couple of years, a group of young people from Bloomington has gotten pretty familiar with a small town in Guatemala, and its ...</itunes:subtitle>
		<itunes:summary>Over the last couple of years, a group of young people from Bloomington has gotten pretty familiar with a small town in Guatemala, and its residents.

Traveling through the Mayan village of San Juan la Laguna four years ago, Gracia Valliant and Sarah Irvine came up with the idea of bringing a school group from Bloomington there to paint a mural, to take its place among the many others in the village, depicting traditional life and customs.

[set_id=72157618397551535]

(photos courtesy of Art Across the Americas)

The idea launched the cultural exchange project Art Across the Americas, or rdquo;Arte a traves de las Americasrdquo;. In the summer of 2008, 12 elementary, middle and high school students from Bloomington traveled to San Juan la Laguna to paint a mural with their Guatemalan peers on the side of a textile shop.

The mural design took the form of a traditional Hoosier quilt, incorporating textile designs from around the world, and representations of the local landscape.

As it turns out, though, painting the mural was just one part of an experience that served to empower the young people involved.

Bloomington students as young as eleven, who had never been abroad, not only participated in a non-traditional form of tourism, but planned and executed every aspect of their trip themselves.

In addition to learning about the culture and history of Guatemala, the student participants spent the eighteen months before their trip planning it and fundraising for it, ultimately raising more than $100,000.

Trip chaperone Michael Valliant characterized their efforts as ldquo;creating an NGO from the ground up.rdquo;

During the summer of 2009, a group of students from San Juan la Laguna will experience life in Bloomington while creating a mural downtown.

For the Mayan students, coming to the States for the first time might equally instructive:   ldquo;This opportunity is giving these students a way of looking at life very differently,rdquo; trip leader Gracia Valliant noted.  ldquo;Maybe I donrsquo;t have to be a coffee farmer; maybe I could go to college and be an advisor to the coffee co-opshellip;these may be the students who develop Guatemala.rdquo;</itunes:summary>
		<itunes:keywords>Content,Type,,Featured,in,category,,Interviews,,Podcasts,,Special,,Visual,Arts,,WFIU.org,Homepage</itunes:keywords>
		<itunes:author>WFIU Public Media (wfiu.org)</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://wfiu.indiana.edu/podcasts/audio/artsInterviews/09/090519-art-across-americas-1.mp3" fileSize="2924694" type="audio/mpeg" /></item>
		<item>
		<title>Ensemble “¡Sacabuche!” Plays Top Music Festivals</title>
		<link>http://wfiu.org/arts/sacabuche/</link>
		<comments>http://wfiu.org/arts/sacabuche/#comments</comments>
		<pubDate>Tue, 19 May 2009 17:01:27 +0000</pubDate>
		<dc:creator>David Wood</dc:creator>
		
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		<category><![CDATA[Bloomington Early Music Festival]]></category>

		<category><![CDATA[boston early music festival]]></category>

		<category><![CDATA[jacobs school of music]]></category>

		<category><![CDATA[linda pearse]]></category>

		<category><![CDATA[sacabuche]]></category>

		<category><![CDATA[sackbut]]></category>

		<category><![CDATA[trombone]]></category>

		<guid isPermaLink="false">http://wfiu.org/arts/?p=3601</guid>
		<description>The ensemble "¡Sacabuche!" will appear in this year's Boston and Bloomington Early Music Festivals. Director Linda Pearse tells you what to expect.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/SRj-A6OUjORIKhE0mvyTUYywhdU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/SRj-A6OUjORIKhE0mvyTUYywhdU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</description>
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<itunes:duration>7:25</itunes:duration>
		<itunes:subtitle>[caption id="attachment_3627" align="alignleft" width="574" caption="Sacabuche - Linda Pearse, fourth from right"][/caption]

Trombonist Linda Pearse is an adjunct faculty member at the Jacobs School of Music, and ...</itunes:subtitle>
		<itunes:summary>[caption id="attachment_3627" align="alignleft" width="574" caption="Sacabuche - Linda Pearse, fourth from right"][/caption]

Trombonist Linda Pearse is an adjunct faculty member at the Jacobs School of Music, and  the school's resident instructor of its predecessor, the sackbut.

For this year's Boston and Bloomington Early Music Festivals, Pearse will be directing the ensemble iexcl;Sacabuche!, which gets its name from the Spanish word for the instrument.

She explained that the trombone has changed the least. The sackbut is made of a lighter material, but sackbut is pitched the same and played nearly identically.

The role of the sackbut was to accompany singers in churches and therefore has a much softer timbre.nbsp; In much the same way, the modern trombone developed into a heavier, louder instrument because of its place in a large orchestra and modern concert halls.

For modern trombone players making the switch to its ancestor, the first noticeable difference is the decrease in volume of air the instrument requires. Next, the student has to think about detail in a different way. Phrasing is on a much smaller scale in Baroque music and much more detailed and ornament. Each note can have it's own articulation depending on the text it is accompanying.

"I notice my students take some time, six months to a year, to kind of start getting that concept in their head. 'How do I phrase this?' or 'How do I approach this from a text-based interpretation?'," Pearse said.

iexcl;Sacabuche! has developed into a group of around ten, including singers, strings, keyboard, and of course, sackbut.nbsp; Pearse attributes much of that success to the encouragement they receive from both the modern trombone department and the Early Music Institute.

Pearse added that most first-time audience members will be very surprised at how beautiful voice and trombone sound together.

"It's an amazing sound," says Pearse. The sound comes from an ensemble which consists of six baroque trombonists, and five singers and an organist.nbsp; "And we're playing in a church which represents, as well as we can, the acoustics of St. Mark's Cathedral in Venice."

Above all, Pearse hopes that's that the wider audience will get past the name "sackbut" which can be associated with something out of the ordinary.

"A lot of the music is so virtuosic and so beautiful... I would dare people, come to this concert and really be pleasantly surprised. I think you'll hear something that will shock you and will change forever the way you hear the word sackbut."

Linda Pearse is the director of the ensemble Sacabuche and adjunct faculty at the Jacobs School of Music.  Theyrsquo;ll make their Bloomington Early Music Festival debut on Monday, May 25th at 2 p.m. at First United Church.

Music from iexcl;Sacabuche!

Listen to ldquo;Lieber Herre Gott,rdquo; Johann Rosenmueller
Elise Figa soprano; Linda Pearse, Richard Townes, Greg Jackson, sackbuts; Yonit Kosovske, organ.

Listen to ldquo;Vulnerasti cor meum,rdquo; Francesco Usper
Elise Figa, soprano; Linda Pearse, Ricard Townes, Ray Horton, Mike DeWitt, Greg Jackson, sackbuts.

Listen to ldquo;Pater peccavi,rdquo; Archangelo Crotti
Elise Figa, soprano; Linda Pearse, Richard Townes. Greg Jackson, sackbuts; Matthew Leone, organ.</itunes:summary>
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