Two Gays and a Movie

A Hilarious Way To Get An Easy A

noreply@blogger.com (The Optimist) — Sun, 03 Oct 2010 15:00:00 +0000

Hollywood has made hundreds of coming-of-age films, mostly told through the eyes of the films male star, on those rare occasions where the film is told through the female stars point of view, the film itself tends to have more depth, heart and is usually more believable. Although that's not to say these films are always very good, because they usually tend to be grueling to watch. This is not the case with "Easy A" a light comedy from director Will Gluck. Easy A is not just a coming of age film it is also a film of empowerment, if, as the film's major character refuses to do, you give your detractors power they will take it and use it to make themselves feel better at your expense.

Olive (Emma Stone) is not your typical high school student, she and her best friend Rhiannon (Aly Michalka) who she spends almost all of her free time with, she has what are the best on screen parents ever, Dill (Stanley Tucci) and Rosemary (Patricia Clarkson) and an adopted brother Chip (Bryce Clyde Jenkins). One day after being overheard telling Rhiannon some made up stories about a fictional boyfriend by the schools holy roller student Marianne (Amanda Bynes), Olive becomes the talk of the school. One afternoon in detention Olive befriends another student who is also the brunt of several school bullies. Brandon (Dan Byrd) is gay and everyone taunts him and he thinks that he has the perfect plan. He asks Olive to pretend to be his girlfriend at a party being thrown by one of the schools most popular girls. Thinking that nothing bad could come of this little prank Olive agrees.

When news of the episode gets around school, other boys start to ask Olive to pretend to sleep with them as well, Olive agrees reluctantly and news spreads like wild fire. Olive being the person she is refuses to let the school's gossip bring her down, so she decides to dress the part, wearing a red A on all of her outfits. This of course brings Olive to the attention principle Gibbons (Malcolm McDowell), but also to one of the schools counselors Mrs. Griffith (Lisa Kudrow) who is married to the one teacher Olive thinks is really cool, Mr. Griffith (Thomas Haden Church). Of course Olive and Marianne will come to a sort of truce and become almost the best of friends, until another misunderstanding occurs. Olive agrees to take responsibility for something in order to protect a school employee. The one guy who Olive really has a crush on is Todd, he is the schools mascot and Olive has liked him since they were young kids. Of course these types of movies will bring the two together in the end, after Olive turns the tables on those who have sided against her, even her one time best friend falls victim to Marianne and her friends.

Easy A is a very funny movie, there are several one liners that will make you laugh out loud, Olive's parents are probably the funniest twosome in the film, they make each others lines zing. Emma Stone is quickly becoming Hollywood's it girl. It is Stone's performance that definitely gives the film its best moments. Easy A takes a more honest look at teenage angst, this isn't the female version of Superbad, it is a stand alone film that is almost perfect. The films lone detraction is the cliche Hollywood ending, where every character gets exactly what is coming to them. Life's lessons are learned and everybody gets the chance to become a little bit better as a person.

I give Easy A 3 stars. The film is a joy to watch, Emma Stone is becoming a big star, she is far removed from her character from Superbad, here it is her delivery and physical comedy that really showcases her talent. Stanley Tucci seems to be the coolest father on the planet, his laid back style and his interaction with Patricia Clarkson that contain some of the movies funniest scenes, these free spirited parents help Olive overcome her anger and fears in ways that don't seem preachy, they simply tell her that she is the kind of person who isn't what others see her as but what she herself knows her to be. The film not only will make you laugh but it will make you feel good about yourself as well.

Easy A is rated PG-13 for Mature Thematic Elements Involving Teen Sexuality, Language and Some Drug Material.
Running time is 1 hr. 32 mins.
Distributed by Sony Pictures

A New Social Network That Became Facebook

noreply@blogger.com (The Optimist) — Fri, 01 Oct 2010 15:00:00 +0000

When it was announced that Ben Mezrich's book The Accidental Billionaires was being made into a film recounting the creation of Facebook and the legal fallout between its founders, many people (including me) didn't hold out much hope for a movie even worth thinking about. When it was later announced that David Fincher was going to direct and that Aaron Sorkin was writing for the new film, I began to believe in the film's success. Now after having seen "The Social Network" I can only say that this is hands down the best film of 2010.

Sorkin introduces us to Harvard student Mark Zuckerberg (Jesse Eisenberg) by letting us sit in on the creation of what is to become an internet sensation. Using different lawsuit depositions as the film's central theme, Sorkin takes us into the private life of a man who becomes the youngest billionaire in the world. After being jilted by an ex-girlfriend Erica Albright (Rooney Mara), Mark goes back to his dorm and with the help of his best friend, Eduardo Saverin (Andrew Garfield), pulls off an incredible online stunt -- breaking into all of the nearby colleges computer systems and ranking its female students. This stunt lands him in trouble with the Harvard brass, but also gains him the attention of the Winklevoss twins, Cameron (Armie Hammer) and Tyler (Josh Pence). They ask him to help them create a site for the students of Harvard, to share their experiences at school. They later sue Mark, claiming he stole their idea and turned it into a site he calls The Facebook.

Eduardo agrees to help Mark fund his attempt to create what he calls a website for every one -- that is everyone who they allow access to. Mark meets and becomes enthralled with Napster founder Sean Parker (Justin Timberlake) who would convince Mark to take his site to several Silicon Valley venture capitalists, a move that essentially pushes Eduardo out of the picture and gets his shares in the company cut to next to nothing. This action causes Eduardo to also file suit against his former friend.

Sorkin and Fincher then cut between the two lawsuits and the testimonies given in the respective cases, we see the eventual start-up of Facebook, to its combative aftermath and Zuckerberg himself told through multiple points-of-view. The movie isn't necessarily about the site Facebook itself, it is ultimately about human behavior. Social Network takes care to show all the rage, vindictiveness, pettiness and pain that can come with taking on a venture with friends and letting that friendship become less important than the venture itself.

Zuckerberg is portrayed with little to no honorable qualities. The fact that no one will feel any remorse or pity for Zuckerberg is testament to the near perfect performance by Eisenberg himself.He brilliantly showcases Zuckerberg's anger, hurt and brilliance, as well as the character's arrogance, impatience and vulnerability.

The film is told through several flashbacks and rolls smoothly to it's inevitable conclusion. It is said that the Winklevoss group got over sixty five million dollars and that Eduardo got an undisclosed sum (one billion dollars) and his name put back on the company letterheads. The smooth way that the film progresses is a sign of how good the director is and Fincher is one of the best working today. Sorkin has a way with sharp dialogue and this only enhances even the smallest characters in the film.

I give The Social Network 4 stars. This is a gripping expertly crafted film, a modern story with all of the classic themes of life. A small jealousy fuels one man's desire to be better than everyone around him. The films co-stars are near perfect and Garfield is the best amongst the lot, he brings a warmth and humanity to the role of the wounded friend seldom seen in films today. Like him or not Zuckerberg had enough business savvy to create a website that everyone in the world has heard of.

The Social Network is rated PG-13 for Sexual Content, Drug and Alcohol Use and Language.
Running time is 2 hrs.
Distributed by Columbia Pictures.

Buried Is Truly A One Of A Kind Masterpiece

noreply@blogger.com (The Optimist) — Sun, 26 Sep 2010 15:00:00 +0000

No one thought that a movie with one lone actor in one location for over ninety minutes would work out, but this Cynic says that director Rodrigo Cortes has done the impossible with his new film "Buried". Working from a script written by Chris Sparling, Cortes makes the tension both palpable and believable. As the clock ticks down, the movie's motif of fear grows as one man comes to accept his own demise. The story works because Ryan Reynolds does an amazing job of bringing an emotional depth to his character.

Paul Conroy (Reynolds) wakes after his truck convoy is ambushed, where he finds himself buried alive in a small wooden coffin. Left with only a small zippo lighter, a cell phone, and a couple of light bars, he uses the lighter to assess his situation and that is exactly when his panic sets in. Paul has to find an immediate way to come to terms with his predicament. Once his initial panic recedes, Paul calms down and starts phoning anyone that he can think of for help. Paul runs into the typical Government bureaucracy, and his situation becomes increasingly grave as his phone drifts in and out of reception. Ultimately, Paul's fears are confirmed when he answers a mysterious call, to find that his captor Jabir (Jose Luis Garcia Perez) wants five million dollars ransom for his release.

As time ticks away, we hear other voices in conversations with Paul: Alan Davenport (Stephen Tobolowsky) who is Paul's Boss; Dan Brenner (Robert Paterson) a U.S. hostage team negotiator; and lastly his wife Linda (Samantha Mathis). To say that the impact of these calls hits hard would be an understatement. The urgency in Paul's voice as he fights to cling to any hope is hard to listen to and we hear the exact moment he realizes that he is doomed. To give away any more would take away from the films impact. As Paul frantically tries to figure out a way to escape, the audience is right there feeling the claustrophobia. Cortes does this especially effectively with camera work that zooms in and out of the confined space.

Sound and light are also used efficiently. The noises from outside the coffin help to ratchet the tension, and the differing light sources reflect Paul's fluctuating emotions. Clearly writer Chris Sparling was inspired by the master himself, as he cleverly toys with Paul and manipulates the emotions of the audience in a manner that would have made Hitchcock proud. There are a few moments where you will be shaking your head in disbelief, but for the most part, the story rings true, making the grim proceedings all the more terrifying.

I give Buried 3 and a half stars because of the performance of the lone on screen actor. Films of this type hinge on that actor's ability to take the audience along for the ride. Reynolds does just that with a truly amazing performance. Paul goes through a list of emotions throughout the movie but never allows himself to become overly melodramatic. We can clearly see that Conroy is no angel, with his attitude often exacerbating the situation, but yet he retains your sympathy thanks to the humanity with which he is played.

Buried is rated R for Language and Some Violent Content
Running time is 1 hr. 35 mins.
Distributed by Lionsgate Films

A Weak Wall Street Is Saved By Michael Douglas

noreply@blogger.com (The Optimist) — Fri, 24 Sep 2010 15:00:00 +0000

Hollywood's tendency to remake or retell semi popular movies is now in full swing, with the opening of another sequel - and possibly the last role for Michael Douglas - in "Wall Street: Money Never Sleeps". It was in 1987 that Michael Douglas earned his first and only Best Actor Oscar for playing Gordon Gekko in Wall Street . Now we get the privilege to see the man work his magic, and it is his talent that makes Money Never Sleeps worth watching.

The film starts in the year 2001 when Gordon (Douglas) is being released from prison. As he walks out the gates into a world that has all but forgotten him, he is at rock bottom. His only possessions are an outdated cell phone and the manuscript he hopes to sell. We then flash forward to 2008 and meet a young couple, Jake Moore (Shia LaBeouf) and Winnie Gekko (Carey Mulligan). Jake is an ambitious Wall Street investment banker. Winnie is a liberal activist writer for an online website. She also happens to be Gordon's daughter and holds him responsible for her brother Rudy's overdose and her mom's nervous breakdown.

The movie's theme turns to one of revenge when KZI, the investment firm that Jake works for, teeters on the brink of bankruptcy. Jake's boss and mentor, Louis Zabel (Frank Langella) is forced to sell the firm to a rival investment house for less than a third of it's market worth. Jake takes the tragedy personally and seeks retribution against Bretton James (Josh Brolin), who he believes to be responsible for orchestrating the collapse of KZI. Turning to the one man that Jake believes can help him, he starts up a friendship with Gordon. Gordon, who also harbors an old grudge against Bretton, agrees to help if Jake will agree to reintroduce him into Winnie's life. Luckily for Jake, Bretton learns of him and so admires his audacity and drive that he decides to hire him.

This is the beginning of what should have been a well crafted movie but the pace bogs down with several double-crosses and even some artificially heartfelt moments. The expectation that this would be a film about money, power and greed, as opposed to be a film about human relationships and redemption, may disappoint the many fans of the original film. Douglas captures the elder Gekko's darkness, self-righteousness and vulnerability perfectly. He portrays Gekko with a quiet seething rage even though you can see his role in the many double-crosses coming. Shia is almost useless as the other lead actor; his screen presence is almost taxing to sit through. While Carey Mulligan once again shows that she was worthy of her previous Oscar nomination (her performance is at times dead on), at others she tends to overplay the part and her character feels almost heartless. The inevitable conclusion is like a shot out of left field and feels almost false.

I give Wall Street: Money Never Sleeps 2 and a half stars. It is a movie worth watching because Douglas gives everything to make Gekko a nicer person. There's one scene in particular that Douglas has with Mulligan that's so effective it feels as if we are listening to a personal litany of his real life tragedy. There is also an element of blame being laid on the everyday man with the addition of the character of Jake's mother Sylvia (Susan Sarandon). Her dependency on Jake to bail her out of her own self-inflicted debt showcases our own irresponsibility and participation in causing the fiscal crisis shown in the movie.

Wall Street: Money Never Sleeps is rated PG-13 for Brief Strong Language and Thematic Elements.
Running time is 2 hrs. 10 mins.
Distributed by 20th Century Fox.

Affleck Does The Town

noreply@blogger.com (The Optimist) — Fri, 17 Sep 2010 15:00:00 +0000

It seems as if Hollywood isn't content to just give us one or two action movies at a time. They hit us with every conceivable idea in the book: Takers and The Expendables were made with dry and direct stereotypes of machoism. Now comes an action packed thriller with more heart and soul than the standard thriller. The second film directed by Ben Affleck, The Town harbors a story that, up until the very end, is not only believable but realistic as well. The Town stars some of today's hot young actors and they seem to give it their all in making this movie more than just a simple shoot-em-up.

The Town starts with what looks like a perfect bank robbery by a group of elite thieves. These thieves are simple men with few options. Ben Affleck plays Doug MacRay, the group's leader as well as it's calming voice. The group's hot head, James Coughlin, is played by Jeremy Renner, and Desmond Elden (Owen Burke) and Albert Magloan (Slaine) round out this quarter. Taking a bank manager, Claire Keesey (Rebecca Hall) and calmly talking her through the opening of the safe Doug shows he can do the job he is forced to do, but also be calm and reassuring. James takes Claire as a hostage when they leave, the men later leave her on the beach and drive off.

The film's other side covers the F.B.I. agents tasked with what appears to be a never ending crusade to bring down MacRay's group of criminals. Special Agent Adam Frawley (Jon Hamm) and Agent Dino Ciampa (Titus Welliver) work this case as if it is the only one they have; it consumes them and they find themselves not unwilling to bend a few rules to see that it solved. When they find what appears to be the magic clue, things fall into place a little too pat, but this doesn't detract much from the film.

Doug meanwhile started to date Claire, but he tries to hide this fact from the rest of his crew. The conflict of this film arises mainly from that fact that things never seem to work smoothly for Doug. At one point he had a relationship with Jame's sister, Claire (Rebecca Hall) ,and this will of course implode on Doug as does most every other thing he tries. There is a little side story about the disappearance of Doug's mother when he was six, and the incarceration of his father (Chris Cooper), but by the end of the film, even these side plots are wrapped up a little to neatly. By the time the revelations come, we are waiting for the confrontation between the men who live on both sides of the law.

When James tells Doug that Fergus Colm (Pete Postlethwaite) has a job for them he tries to back out, Fergus who runs the neighborhood rackets knows it is Doug alone who can get his team to do this job, so he lays the facts out for Doug, even going as far as threatening Claire. Even a blind man can see the penultimate confrontation between these two men coming. And giving nothing away Doug will have even more reasons to confront Fergus later. The men think they have an easy inside track to their new job and things seem to be going smoothly until the first bullets fly.

The ending of this movie is of course Hollywood fluff: the good guys win, but the likable bad guy lives to fight another day, or at least one sequel. The action jump starts mid-way through the film as a second Armored car robbery leads to a wild chase through the back streets of bean town. The cities landscape is seen in bright details, its lusterless and its beauty are both seen throughout the film. Ultimately, the climax of course takes place in what is one of the most famous tourist locations in Boston -- Fenway Park.

I give The Town 2 and a half stars. The action is plausible, until the ending, when it gets in over it's head with the way the film is wrapped up. Hollywood's belief that American movie audiences need for the good guy to win takes away the heart of a story like this. In an earlier film I remarked that I was glad that the antagonists didn't all walk away into the sunset. Here Doug does just that and it feels as false as the idea that he does it so effortlessly. It's too bad really, as The Town was one movie that I had looked forward to seeing.

The Town is rated R for Strong Violence, Pervasive Language, Some Sexuality and Drug Use.
Running Time is 2 hrs.
Distributed by Warner Brothers.

Come Along And Join In With These Takers

noreply@blogger.com (The Optimist) — Sun, 12 Sep 2010 15:00:00 +0000

We all love the gritty crime thriller, there is just something about guns going off that makes everyone's heart pound rapidly in our chests. A few years ago it was Heat that garnered a lot of attention, mainly because it stared two of Hollywood's A-list actors together on screen for the very first time. * Please don't count Godfather 2, they were never on screen together. Today we can count on this adrenaline factor times six with "Takers" a heist film with character. Takers has it all, not only do we get to watch the heist as it unfolds, we also get the expected double crosses, gun fire and the good guys vs. the bad guys. In Takers though the girls also get the eye candy. This movie is tailor made for everyone.

For all intents and purposes the men of Takers are all bad guys. Shamefully we will all root for them to get away. Of course we all know that option isn't feasible with the life style these men choose to live. The protagonists, a group of self - entitled 'Takers' are A.J. (Hayden Christensen), Gordon (Idris Elba), brothers Jake (Michael Ealy) and Jesse (Chris Brown) and John (Paul Walker). After another successful robbery the boys go to the club owned by Jake to cool down. They seem to be members of all the swankiest clubs in L.A. and when John gets home he runs into an ex member of their little group, nicknamed "Ghost" (Tip 'T.I'. Harris). Ghost has recently been released from prison and has plans to settle some old scores and get rich in the mean time.

Okay now that the premise has been set up, Ghost convinces the guys to join him on a million dollar armored car heist. Unfortunately for these takers, common sense doesn't win out. Greed is the catalyst that fuels so many movies of this type. The guys agree to undertake the heist. All the while being pursued by two dogged police detectives. One is a loose cannon who doesn't play by anyone's rules but his own, the other is a family man who has a sick child. Jack Welles (Matt Dillon) and Eddie Hatcher (Jay Hernand), are two men who will get closer and closer to the Takers, while one of the two is pursued by another officer. Lt. Carver (Steve Harris) is an internal affairs officer investigating one of the detectives.

Thrown into the mix is Rachel Jansen (Zoe Saldana), who happened to be dating Ghost before he went to prison in 04 but now seems to be happily engaged to Jake. Another semi strong female performance is that of Naomi (Marianne Jean-Baptiste). Naomi is the drug addicted relative of Gordon's who happens to show up at all the wrong times and causes more headaches then seems plausible. I know cliche ridden scripts usually mean garbage on the screen, and though this movie is riddled with more holes then I can count the script works, the camaraderie between the stars feels real. And at the end of the day that's all we really want.

I give Takers a 3. This is based solely on the fact that the film didn't fall back on its cliche script. That's a statement for how well the actors did coming across as genuine. The scene where one of them falls is heartfelt. In this scene one can feel the emotion and the sense of lose of a friend. Action packed movies usually have the final confrontation between the good guys and the bad guys but takers offers us not one but two confrontations. These spell the doom for many of these men and this Cynic is glad that director John Luessenhop didn't fall for the sappy cheesy ending where the men walk off into the sunset. Men of this type seldom do.

Takers is rated PG-13 for Intense Sequences of Violence and Action, a Sexual Situation, Partial Nudity and Some Language.
Running time is 1 hr. 47 mins.
Distributed by Sony Pictures

Favreau & Downey Jr. Do It Again....And So Do I

noreply@blogger.com (The Optimist) — Fri, 07 May 2010 10:46:00 +0000

Wow, it's been quite awhile since we've (I) posted anything. I've been a busy beaver as of late. I've been overseas and back numerous times and I haven't had a lot of time for movies, but during my recent trip to Madrid I made it my business to see see Iron Man 2, which just happened to be released 1 week before it was released in the US. Was it enough it bring me out of my semi-retirement? Read on...

Tony Stark is not nearly as mainstream as Clark Kent, Bruce Wayne, or Peter Parker, there was no guarantee that the Iron Man movie would strike a chord with general audiences. Well, it did. As a matter of fact, Iron Man presently stands as the fourth highest-grossing Marvel adaptation so far (behind all three of the Spidey flicks), and that explains why we're looking at a sequel precisely two years later. But with screenwriter changes, casting switches, and a more hurried production schedule ... how would Iron Man 2 turn out? Pretty darn solid, this Iron Man fan is happy to say, although not without a few minor-yet-nagging reservations. As pedantic as it sounds, if you dug the first one a lot, you'll enjoy this one too ... just a little bit less, I suspect.

In true comic book form, Iron Man 2 picks up precisely where the last movie left off, and Tony's now-memorable "coming out" speech is being witnessed by a dying man. This guy, it turns out, used to be Tony's dad's research partner, but once that's established -- the old guy dies. (Weird timing.) This inspires his lunatic genius son (Mickey Rourke) to use all his skills to create a suit that will rival the now-famous "iron" one belonging to Tony Stark. Mr. Stark, for his part, is quite enjoying his role as "the man who privatized world peace," and dismisses his detractors (like a pompous senator and a fast-talking competitor) with a wink and a quip. He has recently turned Stark Industries over to his ever-loyal assistant Pepper Potts, he's knee-deep in responsibilities both personal and professional, and (oh yes) he's dying. Rather rapidly, according to the nifty "blood test" timer that Stark keeps handy at all times. Full-bore comic book fodder all the way, and it's a good thing that director Jon Favreau and screenwriter Justin Theroux keep giving their ensemble cast members fun (and funny) things to say -- because the simple truth is that Iron Man 2 is hardly a wall-to-wall action-fest. In fact, aside from a brief (and slightly silly) sequence at a car race and a non-dangerous battle between Stark and his frustrated pal Rhodey (Don Cheadle), ALL of the Iron Man 2 action is saved for Act III. Fortunately Act III is a whole lot of fun and, better yet, Acts I and II are no worse off for being so light on the mayhem.Downey deserves much of the credit for keeping Iron Man 2 so much fun, even when it's mired in its frequent chatty bits. The actor's trademark sardonic charm is, again, in full effect -- and while much of the Iron Man 2 praise will go to the effects and action crews, one feels a large sense of gratitude for the casting directors. Mr. Downey would probably be amusing just talking to himself for two hours, but his frequent and fast-paced bicker sessions with Gwyneth Paltrow (as Ms. Potts) are really quite entertaining. It's tough to get annoyed by a lack of action scenes when the banter frequently reminds you of old-fashioned screwball comedies. Replacing Jeff Bridges in the head baddie department is Mickey Rourke, who certainly strikes an imposing figure and has no problem conveying a comic-book villain, but is given little to work with aside from an intellect and technological know-how that's pretty tough to swallow, all things considered. Faring much better as "boss villain" Justin Hammer is Sam Rockwell, who is asked to play sort of a sleazy mirror image of Tony Stark, and has a whole lot of fun doing it. Don Cheadle takes over the Rhodey role from Terrence Howard, and delivers a character who's both a potential sidekick and an interesting guy in his own right. Sam Jackson pops up in a few scenes, if only to remind Tony (and the audience) that we'll one day see a big, crazy flick in which Iron Man, Nick Fury, Captain America, and a bunch of other costumed crusaders team up! One can only hope that Iron Man 2 newcomer Scarlett Johansson stays with the franchise, because she adds a great little touch of playful sexiness to this flick -- and of course she gets to kick some serious ass in one crazy scene. Hell, even director Favreau (reprising his role as bodyguard Happy Hogan) throws himself a funny little action scene. Also back: Leslie Bibb (in one funny sequence) as a Vanity Fair reporter, Clark Gregg as a mysterious "S.H.I.E.L.D." agent, and Paul Bettany as the voice of Stark's long-suffering computer. Hey, it's the little touches that the fans appreciate.

Simple answer? Nope, it's not better than the first flick. But while I didn't really expect it to be, any film (even one with a "2" in the title) deserves to be judged on its own merits. As such, I have no problem recommending Iron Man 2 to anyone looking for a (mostly) mindless comic book sequel that comes from a team of filmmakers intent on keeping the fans happy -- while not doling out the exact same stuff. So while Iron Man 2 doesn't break any fresh ground (like its predecessor did), it's still impressive enough for a flick to be called "a worthwhile sequel to a superior film," and Iron Man 2 is certainly that. This gets a 4 on my "Go See" scale.

P.S.: As with most of the past Marvel Comics movies, stick around until after the credits roll for and extra scene!

WTF Moment(s) : 1) When Tony Stark is on stage at the Stark Expo, his dress-shirt is white. Immediately after he walks off stage to check his blood toxicity in the wings, his shirt has turned to a black one. It then changes again when we get a POV shot of him walking through the crowd to his car: you can see his cuffs are white, but when we get a reverse shot of him walking out of the building not only is his shirt black again, but he is not wearing his jacket.

2) (Explain this) Ivan was waiting for Tony disguised as a mechanic in the Monaco F1 track. However, there was no way for him to know Tony would be driving. He had decided to drive his F1 himself on an impulse, mere minutes before the race. He wasn't even attending the race personally.... and... On the first half of the movie, Ivan Vanko's mustache changes in size and lip coverage several times.

Madness Martin Scorsese Style

noreply@blogger.com (The Cynic) — Wed, 17 Feb 2010 15:00:00 +0000

Martin Scorsese has been thrilling movie goers for many years. His last thriller, "The Departed" had everything going for it, big stars at their peak, up and coming stars and even a few that have since become a household name. The Departed, though splendidly wicked was tame compared to his latest, a movie that will essentially keep you on the edge of your seat. I consider Scorsese the master of suspense, and "Shutter Island" based on a novel by Dennis Lehane gives you thrills right from the start. Adapted for the screen by Laeta Kalogridis, the film weaves in and out of flashbacks, hallucinations, and fantasies, and plays with time and our very own notion of reality.

Set in 1954, the disappearance of a patient, multiple murderess Rachel Solando (Emily Mortimer) at Ashecliffe Hospital, a maximum security hospital for the criminally insane, brings the Federal Marshal's to investigate. Teddy Daniels (Leonardo DiCaprio) and his new partner Chuck Aule (Mark Ruffalo) are working together for the first time. Once they dock on Shutter Island, Daniels hidden agenda slowly comes to focus. He is a widow, whose wife was killed in an arson fire set by an inmate at Ashecliffe. The men in charge of the facility are Dr. Crawley (Ben Kingsley) and his partner Dr. Naehring (Max Von Sydow) both look as guilty as the cat who ate the canary.

Grounding the film in realism is DiCaprio’s intense portrait of a World War II hero who’s also battling personal demons of his own. His dead wife Dolores (Michelle Williams) appears in his dreams to warn him of impending disasters. Ben Kingsley also offers a spellbinding performance as Dr. Cawley who hides one of the island’s biggest secrets. Max Von Sydow plays another mysterious figure, Dr. Naehring. Daniels immediately dislikes him, only because he is of German decent. What is sure to be my favorite among the supporting cast is Jackie Earle Haley as the mysterious George Noyce. A man whom Daniels has interviewed in the past, the man who stared Daniels on his investigation of Ashecliffe in the beginning.

Scorsese, using the same theme as he did in Taxi Driver, sets the mood early on as we set out to learn about a man who slowly comes to believe he is losing his mind. The topic that Scorsese wrestles with here is one that is prominent in today's society, what do we do with the people that for one reason or another lose site of reality and either become a threat to themselves or others? I for one am glad that Scorsese didn't drag out a soap box and lecture us on this injustice. To say that the movie contains a little twist is an understatement, if you have read the book than you will be glad to know that Scorsese didn't trample on his right of artistic license and completely change the story or the outcome. And I can't say enough about the fact that we don't get that sappy Hollywood ending where the good guy always wins, nor do we get the whole plot explained to us from a to z. Leave it to the genius of Scorsese to make us think.

I give Shutter Island a 3 and on my avoidance scale I'm giving it a 0, this is based on the fact that this intelligent thriller is directed by Martin Scorsese, stars Leonardo DiCaprio and is just plain good. This isn't the type of movie to take you girlfriend to see nor is it recommended for young children. It contains some nudity and some violence, but not enough that it should turn you away. This is a very well made movie, right from the opening sequence where we see the boat coming out of the fog, only Scorsese would take the time to give us that little tidbit.

Shutter Island is rated R for Disturbing Violent Content, Language and some Nudity
Running time is 2 hrs. 18 mins.
Distributed by Paramount Pictures

The Nominations Are In For The 82nd Academy Awards

noreply@blogger.com (The Cynic) — Tue, 02 Feb 2010 20:09:00 +0000

Early this morning Hollywood woke America up (or so the hoped) to announce the nominations for the 82nd Academy Awards. There were little to few surprises this year, I myself think that's because there were little to few good movies to choose from. The one major difference this year was the addition to the Best Picture category, there are ten nominations in that one category.

Here is the breakdown of nominations by film: Avatar 9, The Hurt Locker 9, Inglourious Basterds 8, Precious 6, Up in the Air 6, Up 5, District 9 4, Nine 4, Star Trek 4, Crazy Heart 3, An Education 3, The Princess and the Frog 3, The Young Victoria 3, The Blind Side 2, Fantastic Mr. Fox 2, The Imaginarium of Doctor Parnassus 2, Invictus 2, The Last Station 2, The Messenger 2, A Serious Man 2, Sherlock Holmes 2, The White Ribbon 2.

Some of the nominations seem like a shoe in while others are making a race out of it. Meryl Streep's nomination for Julie & Julia is her 16th, further distancing herself from Katharine Hepburn, who has 12 and Jack Nicholson, who also has 12. Though Hepburn won 4 Best Actress Oscars and Nicholson 2 Best Actor Academy Awards as well as 1 Best Supporting Actor, Streep has just 1 Best Actress Oscar and 1 Best Supporting Actress. Streep was one of the nominated stars whose victory was thought to be a sure thing until the late resurgance of Sandra Bullock in The Blinde Side.

Best Motion Picture
Avatar James Cameron and Jon Landau, Producers (20th Century Fox)
The Blind Side Nominees to be determined (Warner Bros.)
District 9 Peter Jackson and Carolynne Cunningham, Producers (Sony Pictures Releasing)
An Education Finola Dwyer and Amanda Posey, Producers (Sony Pictures Classics)
The Hurt Locker Nominees to be determined (Summit Entertainment)
Inglourious Basterds Lawrence Bender, Producer (The Weinstein Company)
Precious: Based on the Novel ‘Push’ by Sapphire Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
A Serious Man Joel Coen and Ethan Coen, Producers (Focus Features)
Up Jonas Rivera, Producer (Walt Disney)
Up in the Air Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers

Achievement in Directing
James Cameron: Avatar
Kathryn Bigelow: The Hurt Locker
Quentin Tarantino: Inglourious Basterds
Lee Daniels: Precious: Based on the Novel ‘Push’ by Sapphire
Jason Reitman: Up in the Air

Actor In A Lead Role
Jeff Bridges: Crazy Heart
George Clooney: Up in the Air
Colin Firth: A Single Man
Morgan Freeman: Invictus
Jeremy Renner: The Hurt Locker

Actress In A Lead Role
Sandra Bullock: The Blind Side
Helen Mirren: The Last Station
Carey Mulligan: An Education
Gabourey Sidibe: Precious: Based on the Novel ‘Push’ by Sapphire
Meryl Streep: Julie & Julia

Actor In A Supporting Role
Matt Damon: Invictus
Woody Harrelson: The Messenger
Christopher Plummer: The Last Station
Stanley Tucci: The Lovely Bones
Christoph Waltz: Inglourious Basterds

Actress In A Supporting Role
Penélope Cruz: Nine
Vera Farmiga: Up in the Air
Maggie Gyllenhaal: Crazy Heart
Anna Kendrick: Up in the Air
Mo’Nique: Precious: Based on the Novel ‘Push’ by Sapphire

Animated Motion Picture
Coraline Henry Selick
Fantastic Mr. Fox Wes Anderson
The Princess and the Frog John Musker and Ron Clements
The Secret of Kells Tomm Moore
Up Pete Docter

Many of these motion pictures were very good to watch and some others were like a visit to the dentist, Deserving or not some one will walk away a winner of an Academy Award. My list (guesses) of winners will be posted on Febuary 10th.

Edge Of Darkness Is Gritty. But Dialogue Is Childish

noreply@blogger.com (The Cynic) — Wed, 27 Jan 2010 06:09:00 +0000

Movies that deal with a gritty loner, who must battle the bad guys who just happen to have major power behind them, often make for a good movie. Hollywood has been making these types of movies for decades. Usually the plot has a top notch script, but "Edge Of Darkness" the first film to star Mel Gibson in almost seven years has the tired feel of repetition. The movie has every cliche in it, and this along with the simple dialogue overshadows the plot. Mel Gibson makes his return to the silver screen in what should be the seemingly perfect role for him, his character is one he has portrayed several times before, its like Lethal Weapon meets Mad Max in Boston.

Boston homicide detective Thomas Craven (Mel Gibson) is forced to trace the past few days of his activist daughter, Emma's life (Bojana Novakovic) when she is shot and killed on his front porch. At first he is sure he was the intended target, but the more he looks into the recent activity of his daughter he becomes more and more convinced that she was the one the gun man had targeted. One night Craven is visited by the mysterious Jedburgh (Ray Winstone) he decides that not only will he find his daughters killers but bring them to his form of justice. His search leads Craven from the under belly of Boston to it's highest level of politcos. Craven deals out his own brand of justice along the way, he leaves behind him a pile of body, as his search for the truth brings him closer to finding out something he may wish he never knew.

The movie does build suspense, but once the plot is revealed it very quickly spirals downward, the ease in which Craven is able to get near the people responsible is a little to pat. This isn't the worst thing about the movie, the worst is the cheesy dialogue, it's as if it was written as a high school project. Governmental conspiracies have been the center of several dozen Hollywood movies for years, but here we get the addition of corporation compliance, and the secret building of nuclear weapons. Emma had discovered this fact and tried to deal with this legally, this is the reason that Emma was targeted. The movie has several one liners that seem cheap and forced, there are no sex scenes but the violence is upfront and in your face, so this may be one movie that parent may want to ensure that there teen children do not see.

Edge of darkness is an intense movie about family and a man with nothing left to lose. The love between Thomas and his daughter Emma is made abundantly clear, it takes up a huge portion of the beginning of the movie and are also the subject of several flashbacks that seem more a gimmick than a plot point. His will to find the truth keeps the movie entertaining, and fast paced, it gives the viewer what they want to see, a bad ass Mel Gibson again. Gibson's Craven is as good a performance I have seen in a while, he is at once angry and distraught, and at times he shows his human side.

I give Edge Of Darkness a 2 and on my avoidance scale a 1, this movie will find it's audience and that may be action movie fans, the movie has tons of action from shoot outs to car crashes to Mel beating up the bad guys, This movie packs a punch and has what many of American movie goers want, a plot that's easy to follow and an ending with the good guy handing out his own brand of justice. I wish that Mel Gibson had taken a little more time to reread this script before he thought that this was the perfect movie for him. there are worse movies out right now so if you choose to see this one you shouldn't be disappointed.

Edge Of Darkness is rated R for Strong Bloody Violence and Language
Running time is 1 hr. 56 mins.

You Are Fantastic Mr. Fox

noreply@blogger.com (The Cynic) — Mon, 25 Jan 2010 20:14:00 +0000

Animation has come along way from the drab mostly hand drawn days of Walt Disney. In no way am I saying that the classic Disney cartoons were drab, but there is something about the animation process today that I myself can't help but think that what we have today is such a change from my youth. Kids today will not grow up and appreciate just how good animation has become. Pixar has had free reign on most of today's animated projects, until recently when Disney released "The Princess And The Frog" but many of today's stop motion animation isn't very well done, most seem jerky at best, that is until the "Fantastic Mr. Fox" a captivating story with a message of right and wrong, the moral is that no matter what you may want, its the "how" you try to achieve it that matters.

Wes Anderson has a flair for telling a story with a captivating style. His amazingly designed backgrounds and scenery have an incredible attention to detail, the film is full of this care and attention. Each character feels full of personality unlike many of the 3D characters we are forced to sit and watch. The fluid way that the scenery moves along with the animals makes this movie well worth watching.

Mr Fox (George Clooney) and his wife Felicity Fox (Meryl Streep) are caught in a trap as the movie opens we learn that Felicity is pregnant and then we jump several years later, many many years later in fox years. Living underground with their son Ash (Jason Schwartzman) who is at best the oddest character in movies all year. Mr Fox has gone from stealing chickens to writing a piece for the area newspaper. He has left behind the danger of his youth but the desire is still in his heart. So when he decides to move his family out of the ground into a nearby tree his attorney Mr. Badger (Bill Murray) tries to advise him against it, stating the tree is to close to the property of the three meanest farmers in the valley. Boggis, Bunce, and Bean.

Going on night time raids with his friend Kylie (Wallace Wolodarsky), Mr. Fox soon angers the farmers. Even though he has his tail shot off Mr. Fox decides he has still beat the farmers, his family is put in danger, along with the other families in the area when the farmers decide to dig out the Fox family and his friends. Once the story picks up though, this movie could very well be the best animated story of the year, the story has a quick pace and the motion of the scenery behind the animals seems flawless and right on the mark.

The movie is a revolutionary step toward a better animation technique that may bring about a much needed change in film making today. The little things that happen on screen are as amazing to watch as the film is itself, the scene where the animals are washed down the sewer system and we see their arms flailing is a step some other film makers wouldn't have bothered with. This little scene just adds to the wonderful experience that is watching Fantastic Mr. Fox.
I give Fantastic Mr. Fox a 3 and on my avoidance scale a 0. The movie is garnered ore to the young adult and adult, it contains nothing that younger children wouldn't understand or enjoy, so take the whole family and move into the valley of Mr. Fox.

The Fantastic Mr. Fox is rated PG for Action, Smoking and Slang Humor
Running time is 1 hr. 28 mins.
Distributed by Fox Searchlight

From Ho Ho To Ho Hum As Hollywood Gets Set For January And February

noreply@blogger.com (The Cynic) — Fri, 01 Jan 2010 06:01:00 +0000

This is usually the time of year where Hollywood releases the rest of it's films that didn't or couldn't muster an earlier release date. January usually is a month of blah weather and an assortment of blah movies. While February lacks the blistering coldness of January the films released in February also seem to lack something. Usually a good plot. This year doesn't look any better than previous years at this time. Sit back and try to catch up on some of the better movies of 09 that you might have missed out on.

January brings Vampires and the messiah, A spy next door and the tooth fairy, A trip to Rome and to Ireland. What ever your fancy, you may find something for you in January. But if you do see something that interests you on this list, my suggestion is don't wait to see it, the movie may be gone in a blink of the eye. And for some that won't be quick enough.

January 01st

The White Ribbon (Wide)

January 08th

Bitch Slap (Limited)

Crazy On The Outside (Limited)

Daybreakers

Leap Year

Youth In Revolt

January 15th

The Book Of Eli

Hoodwinked Too! Hood Vs. Evil

The Last Station (Limited)

The Spy Next Door

January 22nd

Creation (Limited)

Extraordinary Measures

Legion

To Save A Life (Limited)

The Tooth Fairy

January 29th

Edge Of Darkness

When In Rome

February brings Crazies and A prophet, Lovers and takers, A wolfman and an Olympian. Some of these movies will appeal to an older audience, this is after all the month of love. Hollywood won't disappoint you this month, there are several movies slated to be released with the Love Story Theme. God Help all us guys.

February 05th

Dear John

From Paris With Love

Frozen

I Love You, Philip Morris

February 12th

Percy Jackson & the Olympians: The Lightning Thief

Saint John Of Las Vegas

Valentine's Day

The Wolfman

February 19th

Shutter Island

February 26th

Cop Out ( A Couple Of Dicks)

The Crazies

The Takers

This is, again only a partial list that has been published as of this posting. Dates are subject to change on the whim of the Hollywood machine. Movies are still a great form of family entertainment. Why now, when families need to have something interesting to sit and watch, are the smaller Independent Film Companies being closed down? Why does Hollywood think we are not ready to witness another Slumdog Millionaire but that we will sit through a movie based on board games and comic books? Because it is true, movie goers will flock in the hundreds to see a Transformer or Iron Man movie but only in the dozens to see a well made independent movie. I challenge you to search out a smaller independent movie and tell me that it wasn't a better crafted more intelligent movie.

The Cynic

The Cynics List Of The Worst Movies Of 2009

noreply@blogger.com (The Cynic) — Wed, 23 Dec 2009 18:22:00 +0000

2009 was not a very good year for movies, this list of the worst films could have very easily been filled out before the summer movies rolled through. But I was willing to give most of them a more than just a second look. I was barely to try to JUST come up with a list of the top ten very worst films of 2009.

10. Transformers 2: Revenge Of The Fallen - Michael Bay's ode to noise and explosions. This sequel offered nothing to enhance the previous story. We got nothing worth cheering for except of course for Bumblebee.

09. The Unborn - What was supposed to be a horror movie turned out to be boring and dull, the special effects were as dumb as they get, even the big stars in this silly movie couldn't save it. This movie should be avoided at all costs.

08. Fame - Another remake of a classic film that shouldn't have been made. This movie showcases a lot of talent that seems unnecessary. Megan Mullally can sing but she doesn't do enough of it here. The young cast members are the only thing going for this film, its all glitz and no story.

07. Fired Up - A coming of age story at a cheer leading camp. What could have been funny and awkward was just stupid. American pie ripoffs should be a thing of the past. Its unfortunate that movies like this are made year after year.

06. Jennifer's Body - Megan Fox proves beyond any doubt that she is completely untalented. Thank God for CGI or Megan's career would have been over long before this stupid and dull movie was.

05. The Twilight Saga: New Moon - Why is it that so many teens love this boringly dull story of love between a male vampire and a human girl? I guess there's no accounting for taste. A bare chested Jacob can't even save this movie. You can go in sixty minutes after this movie starts and not feel like you missed anything.

04. All About Steve - Why a studio would think that a movie that makes fun of a handicap would make audiences laugh is beyond me. The fact that this dog attracted the likes of Sandra Bullock and Bradley Cooper didn't help. The studio that released this piece of filth should be boycotted.

03. White Out - Kate Beckinsale in the frozen tundra? No not Wisconsin, but it should have been. Maybe that would have made a better movie. The story of a Marshall in the Antarctica tracking a killer. Sounds good? No.

02. I Hope They Serve Beer In Hell - What was one of the stupidest stories brought to the silver screen in a long time. Movie goers are assaulted every year by vulgar and stupid movies, having one movie that is offensive and vulgar doesn't make it funny just stupid and unworthy of the time or money spent to watch it.

01. Crank: High Voltage - What can I say about this dog except that the most offensive scene is near the end where Jason Statham flips the audience off. It feels as if the director, writer and the star is saying this is what we thing of you, the fact that you spend up to eleven dollars to sit through this movie is bad enough but to be flipped off is just more than we deserve.

It's Elementary, Sherlock Will Be Downey's Next Franchise Machine

noreply@blogger.com (The Cynic) — Tue, 22 Dec 2009 14:45:00 +0000

Director Guy Ritchie has a style all his own, it has worked for him in several of his films. It is a style that many others have tried but have not been as fortunate with it. This filming style is like stop motion, it is done in almost all of his action or fight scenes. We get a slow look at what is about to happen, and we also get an informative narration telling us, then we see this same action in what looks like fast motion. Ritchie utilizes this format several times in his newest action comedy, "Sherlock Holmes"

The first thing that you will notice about this Sherlock Holmes is that the mood of the era seems to be recreated perfectly, the next is how perfect the balance between comedy, drama, and mystery seem to meld together. When the mysterious Lord Blackwood (Mark Strong) is finally apprehended by Sherlock Holmes (Robert Downey Jr.) and his partner Dr. John Watson (Jude Law) merry old England thinks that the latest murder spree is over and can breath easier. This illusion is short lived, and when the body of Lord Blackwood appears to have magically been rejuvenated, Inspector Lestrade (Eddie Marsan) once again calls upon the great mind of Sherlock Holmes.

Holmes is confronted by an old nemesis in Irene Adler (Rachel McAdams). Adler has been a bane in his side for so long, that Holmes can't imagine what life would be like if she was caught. Holmes deals with her because he knows that deep down he wouldn't be happy without her nearby. When Holmes is hired by Adler, to find a missing person he at first acts as if he isn't interested. Everyone knows that Holmes and Adler will be hip deep in the London underground muck before the movie is over. It is enjoyable watching the two try to outfox the other.

Downey Jr. has shown he has the flair to create a character, he has made a name for himself with his other franchise character, Tony Stark in the Iron Man movies. With the addition of Jude Law, Guy Ritchie is sure to have a hit on his hands. The running time of Sherlock Holmes is just over two hours and at times the movie does lag, but this is a minor snag and doesn't take anything away from the story. The back and forth between Holmes and Watson is very funny, but when ever Holmes needs help, Watson is always there. The story arc about Black magic and the take over of British Parliament is kinda far fetched and at times seems stretched beyond comprehension. The game is afoot, when the man that Adler needs found is indeed found in the coffin that is supposed to hold Lord Blackwood. When body after body starts to turn up Holmes is sure that Lord Blackburn has inside help. The source of this help is closer to home than one would believe.

The ease that Holmes solves the case will baffle some viewers, his wit is world renowned, but this is so Hollywood cliche like it must be a cliche. Everything is wrapped up neat and tidy, Holmes spots little clues throughout the film that leads him to solve a big mystery. The fact that the movie shamelessly leads itself to a sequel is not that big a deal anymore. Most Hollywood movies try to leave an ending that can easily be explained away in a sequel. This movie may go a long way to help resurrect a career that was at one time about as low as it could go, now that same man commands millions of dollars and can pick and choose his roles, like A DeNiro once did. There are few stars of this caliber left in Hollywood.

I give Sherlock Holmes a 3 and on my avoidance scale a 0, this is a perfect movie to send the family off to see early Christmas morning while the food is being prepared. Get the teens out of the house, it's this or the chipmunks mom and dad, and sending your teen kids to see one of the free worlds most read detective will be the wiser choice. Of course Rachel McAdams lights up the screen when ever she is on it and that's a huge help. A leading lady that bogs down almost every scene she is in, is death to any movie.

Sherlock Holmes is rated PG-13 for Thematic material Including Violence, Disturbing Images and A Scene Of Suggestive Material

Running time is 2 hrs. 09 mins.

Avatar Will Be Cameron's Next Masterpiece

noreply@blogger.com (The Cynic) — Fri, 18 Dec 2009 18:07:00 +0000

Sci-fi fans can rejoice, James Cameron has unveiled his long anticipated blockbuster. A decade in the making, a CGI spectacular that will insure success all over this globe. "Avatar" should surpass Titanic in domestic gross. The movie will be a success because of the legacy of Cameron himself, this project has so much going for it, that it will have at least one thing for everyone that watches it. The running time is a little extreme at just over hours thirty minutes, but the first ninety minutes moves at a pace that will captivate everyone as we are introduced to Pandora, a world of luscious foliage and violent creatures. What most sci-fi lovers desire are fantasy and exploration and Avatar delivers.

The movie is set in the year 2154 and stars Jake Sully (Sam Worthington), as an ex-marine, bound to a wheel chair. He is recruited to fulfil his brothers slot in a major project on the planet Pandora, He agrees because he believes in the motto "once a marine, always a marine". The project involves Jake taking over an Avatar to try to find a way to get the people of Pandora, called the Na'vi, to relocate peacefully. The Na'vi race are a blue skinned species that are very tall, with long tails that they use to communicate with other creatures. The Na'vi people live in a small village that just happens to be over a huge deposit of a valuable mineral called unobtainium. The reason why the relationship between the Na'vi and the humans has become so hostile, that they even need Marines on site is never explained. The controllers go into a chamber and then can take over the body of an avatar. Jake using his avatar Goes into the forest, where he is chased by a wild beast and left behind. He is saved later that night by Neytiri (Zoe Saldana) who reluctantly takes him back to her village, where he is not really a welcome sight to her people.

Of course Jake is told that the company bottom line means more to the investors than any bad press, Jake is also told he will have enough time to convince the Na'vi to peacefully relocate, but the company wants the mineral more then they care about the Na'vi. Several of the scientist on Pandora try to convince the Na'vi to move as well, Dr. Grace Augustine (Sigourney Weaver) even tried to teach the Na'vi English. The Marine unit is lead by Colonel Miles Quaritch (Stephen Lang) who is gung ho for the "shock and awe" part of the negotiations to begin. Each day as Jake gets closer to being accepted into the village the man running the show, Parker Selfridge (Giovanni Ribisi) is growing inpatient for results.

When the second half of the movie kicks in, the movie turns from a compelling story to just another war picture, it becomes an alien Apocalypse Now, reminiscent of a Vietnam era movie and even brings to mind Dances with Wolves, where the lone man who reunites the clans to defeat the evil empire. When the epic battle takes place, and from the start we knew it would, the marines attack in fly ships and on the ground. The Na'vi join Jake as he tries to push back the marines, Jake is also joined by Marine helicopter pilot Trudy Chacon (Michelle Rodriguez) as the final battle takes place. When the inevitable battle between Jake and Colonel Quaritch takes place, Jake faces Quaritch in full battle gear that brings to mind the loader in the Aliens movie.

The ending won't come as much of a surprise to anyone, Cameron gives us the classic Hollywood ending setting up what may become the next big franchise. Cameron gives us a bit of everything, the CGI brings us into the Na'vi village and showcases a brilliant use of color and special effects. The plants appear to come to life in the 3D format, and this movie is being shown in several formats, I can't recommend enough seeing this film in one of the 3D formats. There is the standard format and an even better HD 3D format. The IMAX screen has it's own special 3D that has to be seen to be believed. The standard 3D format brings the images to life, the HD3D format brings them into your lap while the IMAX format takes you into Pandora and sets you free to explore.

I give Avatar a 3 and on my avoidance scale a 0, what ever format you choose to witness this grand masterpiece, you wont be disappointed. The special effects in any of the formats will blow you away, the fact that Cameron took over a decade to get his dream onto the silver screen shows his desire for his craft. Avatar is an exceptionally well crafted movie. The revolutionary 3D graphics will be long talked about. The running time may have a few people asking was it really all necessary? My short answer is Hell Yes.

Avatar is rated PG-13 for Intense Epic Battle Sequences and Warfare, Sensuality, Language and some Smoking

Running time is 2 hrs. 43 mins.

Disney's Newest Princess, Comes With Song, Dance And A Frog.

noreply@blogger.com (The Cynic) — Sat, 05 Dec 2009 18:00:00 +0000

Animation has come along way in the course of the last several years, we have gotten stop motion animation that looks so good it is almost not animation anymore. Over the years Walt Disney Studios have given us many animated cartoons that we have come to treasure, Snow White is one of my all time favorites, the little known Fox and the Hound is still my favorite. Now comes "The Princess And The Frog" the classic telling of what true love can accomplish. Disney gives this story a little shake and stirs in a helping of evil and we get what is essentially a great cartoon.

This story centers on a young woman named Tiana (Anika Noni Rose) who is working two jobs to fulfill her fathers dream of owning a restaurant. Working as a waitress she runs into a long time friend Charlotte (Jennifer Cody) and her father, 'Big Daddy' La Bouff (John Goodman) who has just been named King of the Mardi Gras (hint hint). Charlotte has found out that Prince Naveen (Bruno Campos) is visiting New Orleans and wants Tiana to cater dinner for him. Thinking this would help her reach her goal that much quicker she agrees.

Prince Naveen is transformed into a frog by a conniving voodoo magician, Dr. Facilier (Keith David) and sees Tiana in a beautiful gown, asks her to help him become a Prince again by kissing him. At first Tiana is frightened but reluctantly kisses the frog. Here Disney turns from the classic Frog Prince story to tell their own. When Tiana kisses the frog she herself is transformed into a toad. Hearing of an old blind lady, Mama Odie (Jenifer Lewis) who lives in a boat in a tree, the pair set off to find her. Mama Odie has magical powers and they think she will help them.

The story builds on friendship and trust, the pair meet a trumpet playing alligator, Louis (Michael-Leon Wooley) who helps them on their journey, they are also aided by a Cajun firefly, Ray (Jim Cummings) offers to help the pair as well. The four set out to find Mama Odie and when they get there, they find her to be less of a help then they anticipated, or so they thought. The friendship amongst the four is what saves the day, each one is able to do just a little more than the other, but combined they save the day. Prince Naveen must be kissed by a Princess in order to turn back into a human, and thinking that Charlotte's daddy was named King that she is the perfect one to kiss him.

The story takes on a little bit of sadness throughout the story, it is set in the golden age of Jazz and Tiana's father goes off to war, he doesn't come back. Tiana holds onto his dream because of her love for him. She is able to pull it off and in the end everyone gets what is coming to them. Classic Disney fair. This is a very well crafted cartoon, one the whole family will enjoy it has comedy, song and dance. I know, I know what Disney cartoon doesn't? The Princess and the Frog will take it's place with the other classic Disney cartoons. Disney also deserves some credit for making their first African American Princess. Tiana should be welcomed by every little girl and yes every little boy in America.

I give The Princess And The Frog a 3 and on my avoidance scale a 0. it is such a pleasure to see that Disney has gone back to their original animation format. The hand drawn animation is still amongst the best of it's kind. CGI and Stop Motion are both great but nothing beats the talent and desire it takes to craft a story by hand. Animation fans stand up and cheer for Tiana and run out and see this fantastic motion picture.

The Princess And The Frog is rated G

Running time is 1 hr. 35 mins.

Coming Up On Your Blindside Is One Very Good Movie

noreply@blogger.com (The Cynic) — Fri, 04 Dec 2009 16:32:00 +0000

Hollywood has told the sports hero story so many times that they seem to be run of the mill cliche stories now. Every so often one comes along that will actually get you to smile and cheer. This year it is "The Blind Side" the story of Michael Oher, a homeless African-American youngster from a broken home, taken in by a well-to-do white family who help him fulfill his potential. At the same time Michael slowly becomes a part of the family.

Leigh Anne (Sandra Bullock) the leader of the Tuohy household spots Michael Oher (Quinton Aaron) walking in the cold rain one night she stops him and discovers he has no where to sleep, she offers him a room in her stately home and in just a short time Michael is living in his own room under the Tuohy roof. Leigh Anne's husband Sean (Tim McGraw) is at first skeptical of taking Michael in but soon learns that he is just a gentle giant. The Tuohy kids S.J. (Jae Head) and Collins (Lily Collins) both come to accept and love Michael.

Michael's grades are so poor that at first the school board thinks they have made a mistake but letting him enroll in their program, but with the help of a tutor, Miss Sue (Kathy Bates) his grades improve enough so that he can go out for football, a sport that he is built for. On the field Michael is at first a tentative player until Leigh Anne tells him he must protect his teammates like he would his family, and in an instant he goes from inept to unstoppable. When Michael gets so good and college recruiters start calling on him the NCAA thinks the Tuohys led him to their college Ole Miss.

There is a even balance of drama and humor in this film, it is dramatic but doesn't get heavy the laughs feel genuine and are perfect for the moment. The drama comes when we as the audience get a look into Michael's childhood, we learn he has been removed from his mother's home because she is on drugs, we learn that Michael lives in a dangerous project on the "other side" of town, and we learn that Michael really has a knack for protective instincts. The movie does have its little quirks as well, the Tuohy family is too perfect, they never fight or argue. Blind Side also glosses over several racial and class stereotypes, the movie bashes Democrats, as well as some Southerners, a scene where Leigh Anne tells her friends they should be ashamed of them selves because of several statements that Michael was Leigh Anne's newest project. Her "Project project" as it were.

I give The Blind Side a 3 and on my avoidance scale a 0, this is a very good movie to take your family to see, even if your not a sports fan and a college football fan in particular. That's not to say the movie has a few faults, the one biggest is the fact that once Michael gets into the private school, Steve Hamilton, the boy whose family Michael was staying with when he started attending Briarwood is gone from the movie, and Bullock's Southern accent slips in a few scenes. If that is all this cynic can pick out then you should believe that this movie is going to be around for awhile and I can't recommend it enough. In a time of family dramas and Oscar contenders the Blind Side scores a touchdown.

The Blind side is rated PG-13 for One Scene Involving Violence, Drug and Sexual Referneces

Running time is 2 hrs. 06 mins.

Up In The Air Is By Far Clooney's Best

noreply@blogger.com (The Cynic) — Thu, 03 Dec 2009 19:43:00 +0000

The classic Hollywood Road movie that we have all fallen in love with takes on a new direction with Jason Reitman's new film "Up In The Air," based on the novel by Walter Kirn we see the everyday man forced to deal with what every one secretly fears being terminated from his job and having no prospects to look forward to.

Ryan Bingham (George Clooney) is a corporate downsizing expert who is hired by employers to afraid to fire their own employees, Bingham comes in to help ease the transition of long-term employees from a daily work environment to the unemployment line. Bingham takes his job very seriously and he loves the 290 days he spends away from home each year, the only problem with this is the 75 days he is forced to spend at home in his empty apartment in Omaha Nebraska. Natalie Keener (Anna Kendrick) is a young upstart in the company who has come up with an idea to save the company money and her idea is to fire people over the internet, Bingham is shocked that his boss Craig Gregory (Jason Bateman) loves the idea of no longer sending his guys out on the road.

Ryan has issues with his family, he tries to avoid them at all costs, this is impossible since his younger sister, Julie (Melanie Lynskey) is getting married to Jim Miller (Danny McBride), his older sister, Kara (Amy Morton) has asked him to take a cardboard cutout of Julie and Jim around with him taking pictures of it at some of the more well known tourist sites. He agrees reluctantly, and goes out to fire people, Ryan has met a very nice older woman that he thinks can be someone special in his life, Alex (Vera Farmiga) is also a weary traveler and they click because they both have ideas of greatness when it comes to their collection of travel cards, and hotel keys. On the road with Natalie, trying to teach her that it takes a human to fire someone and not a picture of one on the internet in front of them, Natalie is confronted with the heartache that comes along with this endeavor. Being on the road takes it toll on both Ryan and Natalie, Alex is a staple in Ryan's life until the inevitable confrontation of ideals. Several shots were taken of real people interviewed and fired, their reactions are some of the best scenes in the movie.

Clooney plays confident and successful well but here he is allowed to also branch out and express the pent-up frustration that comes with an isolated loneliness, he has a passion for a job that seems horrible yet, he treats it with respect, he feels it is a job that should be taken seriously. The evolution Ryan undertakes is really pretty amazing and credit goes to where it is due, to both Reitman, and Clooney for pulling it off with grace and laughter. The thing that really stands out in this movie is that it doesn't get the standard happy Hollywood cliche ending, everything doesn't turn out ok in the end and life seldom does, Kendrick's plays the naïve Natalie to masterfully. She was at the top of her class, and able to get a job in her field wherever her heart desired, yet settled for this firm specializing in firing people, but her eyes are opened to the intimacy and fragility with which a person's mental state can be affected by mere words, and she becomes a better person for it.

I give Up In The Air a 4 and on my avoidance scale a 0, this movie will open in limited run and should be searched out it is well worth the time it will take you to find where this gem is playing. Up In The Air is hilariously funny almost every second of the way, but yet it is still unafraid to dig into the dark moments of life and treat them with the respect and relevancy they deserve. George Clooney is my front runner for a Best Actor Oscar, Reitman should also be a strong contender for a Best Director nod, Up In The Air is on the short list of Best Picture of the year as well. It is a sad thing that 2009 has had very few pictures so far that can be called Best Picture of the year, but if any one can contend with Precious it is Up In The Air.

Up In The Air is rated R for Language and Some Sexual Content

Running time is 1 hr. 49 mins.

War Brings Tragedy Home For These Brothers

noreply@blogger.com (The Cynic) — Tue, 01 Dec 2009 19:49:00 +0000

War movies are a Hollywood favorite, they entertain as well as being informative, sometimes they make a political statement that is so obscured it is almost unseen and sometimes they make one so loud it echos long after walking out of the screening. Director Jim Sheridan brings his new story to the screen, he has a unique way of telling a story that makes you care deeply for his characters and when they cry it impacts you deep in your core. With "Brothers" he tells the story of The Cahill Family, and what happens when tragedy strikes in their midst. Brothers is a remake of the Danish film Brødre, where one brother went off on a peace keeping mission and the other stayed behind and became a better person to support his brothers wife. In Brothers things are a little more defined and trouble is soon knocking at their door.

Capt. Sam Cahill (Tobey Maguire) is happily married to Grace (Natalie Portman) they have two daughters, the older precocious Isabelle (Bailee Madison) and the younger Maggie (Taylor Geare), the family appears perfect but they, like most families have some troubles as well, dad, Hank (Sam Shepard) drinks, and is more stubborn than loving, Sam's brother Tommy (Jake Gyllenhaal) is getting out of jail, as Sam has reenlisted to go to Afghanistan for another tour. Trouble starts when the family is together for the first time and Hank makes it clear to everyone that he respects Sam but cares less for Tommy.

During his tour, Sam's helicopter takes enemy fire, Sam and Private Joe Willis (Patrick Flueger) survive, but back home, the marines have sent a messenger and a Chaplain (Kevin Wiggins) to tell Grace that Sam is dead. Tommy steps up and decides that he will change his stripes and protect and help Sam's family. he helps to redecorate her kitchen and slowly Grace sees Tommy for the caring person he is. Things do get decidedly hairy one night when Tommy kisses Grace, things could have gone further but they are stopped before crossing the line.

Not to give anything away, the movie makes it obvious from the start that the two marines survive, it is what comes after the two men are sold to the Taliban, the torture the two men face is extreme, it is mainly off screen but we do see the consequences of it. When Sam is forced to do something that he believed himself incapable of his world is forever shattered, when he is rescued and told he is going home he responds that he wants to speak to his wife. having some problems that Sam thinks he can deal with himself, he goes home and things slowly get out of hand, when he confronts Tommy and asks if he slept with Grace, he doesn't believe Tommy when he tells him they didn't sleep together, things go from bad to worse when Isabelle gets upset at Maggie's birthday party and tells Sam that mom would rather sleep with Uncle Tommy, and that she has been doing it every day.

The Oscar buzz is sure to surround this film, it is the best work I have seen by both Maguire and Gyllenhaal, Portman does a fine job with the limited script she is given. The film itself is not an anti war film although it could have been, the previews make it appear to be a family drama and that is exactly what it is. The family at the core of the story isn't perfect ,they struggle with the day to day like everyone else and they are barely making it. The film is more about the family and their emotions not the war itself, little scene time is actually given to the war and it pays off in a big way. I found myself fully immersed into their struggles to cope, on a daily basis. When Sam is thought to be dead, grace has to deal with these struggles alone and when Tommy steps up she begins to see him for more than the loser she had up till now believed him to be.

I give Brothers a 4 and on my avoidance scale a 0, the torture scenes may keep a few light hearted people away, they are not graphic but some viewers may wince at a few scenes, this movie comes around at a time when thirty thousand more men and women are being called to duty, and the story may resonate with several families. If you or a loved one has a son or daughter in the service take them to see this heart warming family drama, I can not say any thing bad about this film Sam Shepard plays the mean drunk to perfection and when he comes around and accepts Tommy for what he is, it isn't cheap and all mushy like Hollywood likes. We do get the happy ending and we know in these situations the ending isn't always happy, here though it works, just because of its simplicity and charm.

Brothers is rated R for Language and Some Disturbing Content

Running time is 1 hr. 50 mins.

When The Messenger Knocks It Means Sorrow And Sadness

noreply@blogger.com (The Cynic) — Wed, 25 Nov 2009 20:58:00 +0000

Very few movie today can bring a touching story to the screen that may have an emotional impact on the viewers. With this Country at war in several places, director Oren Moverman brings the touching drama, "The Messenger" is the story of two men who bring to the doorsteps the most devastating news that they will ever hear. The news is that their loved one has died in combat. For every family member who has lost a loved one fighting for this Country, we the people of America salute you.

Staff Sergeant Will Montgomery (Ben Foster) has been wounded in battle, he has been given medals to showcase his bravery, so he is a little confused when he gets home and is basically forced to work with Captain Tony Stone (Woody Harrelson) delivering the news of a soldiers death in battle. The first day of his new duty finds the two men at the home of one soldier, his pregnant girlfriend answers the door, they can't tell her because of the Army's rules and regulations, they can only tell his mother, who isn't home at the moment. When she does come in, the scene is done with grace and tenderness, the mothers reaction is genuine and heartbreaking. When Will meets Olivia (Samantha Morton) he goes against protocol and gets involved in her life, it is clear that he is falling for her, but she is afraid that he will misunderstand her emotional state, and take advantage of her weakness.

The story doesn't get bogged down in sentimentality or emotion and at times some of the humor seems out of place. Some of the supporting roles of family members were played by well know actors and this took away some of the real genuine emotional impact of the film, Steve Buscemi plays the father of a fallen soldier and his reaction is near flawless but would have had a greater emotional impact if it was played by an unknown instead of such a great actor like Buscemi. This was one of two things that stopped this film from being a great movie, the ending is a little bit wrong as well, through out the film we hear that will is a hero, but we never hear why, the end has Will and Tony talking about what happened to get will his medals, this conversation seems forced and out of place its like one second the two men are doing one thing and then they are sitting on a couch talking about what happened over there. This showcases the inexperience of the director, it almost feels as if he thought "Well I dangled it in front of you so long I might as well tell you" thanks but no thanks.

The military does have a unit of men called casualty notification agents, usually they appear with a chaplain in tow and always bring bad news. When they knock on the door the devastation of that knock is always the same. One thing the director did with this movie was not tell the two stars what actor would be at the home when they knocked, he wanted the stars to be unprepared for whoever it was who answered. This worked because this made the emotions more realistic, it forced the stars to be on their toes, this fact alone makes each knock more sensitive and created a deeper impact not only on the viewer but on the stars as well.

I give The Messenger a 3 and on my avoidance scale a 0, this is a well crafted movie, except for the minor flaws, it is well worth the time it will take to search out this movie, both the performances by the main stars are exceptional, the supporting stars make their scenes work, but it is the performances of the actors who answer the knock on the door that carry the most weight and make this movie work. Bravo for taking that risk.

The messenger is rated R for Language and Some Sexual Content/Nudity

Running time is 1 hr. 45 mins.

Chock Full Of Ninja Goodness

noreply@blogger.com (The Optimist) — Tue, 24 Nov 2009 19:47:00 +0000

In Ninja Assassin, Raizo (Rain) is one of the deadliest assassins in the world. Taken from the streets as a child, he was transformed into a trained killer by the Ozunu Clan, a secret society whose very existence is considered a myth. But haunted by the merciless execution of his friend by the Clan, Raizo breaks free from them…and vanishes. Now he waits, preparing to exact his revenge.

Ninja Assassin isn't just one of the year's best action films; it's one of the best this decade with each fight outdoing the last leading to an exciting climax that will have audiences spellbound if they can handle the sight of a lot of blood. The script, penned by J. Michael Straczynski and Matthew Sand is serviceable in bridging the gaps between the next spectacular fighting sequence, but anyone looking for a gripping plot might not bother watching a film about ninjas in the first place. An Europol investigator Mika (Naomie Harris) is looking into mysterious assassinations and her research has her convinced that the notorious Ozunu clan is taking in orphans and training them to be ninjas emotionless, deadly silent killing machines. Ozunu (Sho Kosugi), reinforces failure to follow his implicit orders completely with vicious beatings. Ozunu's prized student Raizo (Rain) turned his back on the clan after Ozunu ordered the senseless killing of Raizo's one friend and has vowed revenge the old fashion way by killing every one of his former associates. Straczynski and Sand primarily use flashbacks to detail Raizo's ninja training, which help explain his deadly proficiency in killing and his torment in trying to gain revenge on Ozunu. Rain plays the brooding loner expertly and displays the type of charisma that could make him a major star in the U.S. if he chooses to continue to crossing over in the film world. Realizing that even with his skills he cannot defeat the entire clan by himself, Raizo partners with Mika in the hopes of bringing down Ozunu once and for all.

Director James McTeigue stages some amazingly unflinching fighting scenes from a rainy battle on a rooftop with raindrops being sliced through with ninja stars and flashing swords to a final battle waged amid a burning dojo. McTeigue smartly paces the battles in a manner to keep raising the stakes and intensity so there's not an hour left of the film after the best fight. McTeigue knows a thing or two about directing blockbuster action sequences as he's worked as assistant director on 'The Matrix' trilogy and there's definitely a 'Matrix' feel to the action without an overreliance on the now over done slow-mo effects. Playing up on the ninja aspect of the film, McTeigue keeps the ninjas to the shadows, moving across the screen as if they were ghosts. The action is not for the faint of heart as the violence is very graphic, with Raizo's opponents spraying out blood like geysers and getting their arms, hands, legs and even heads chopped off with relative ease. The fights make The Bride's clash with the Crazy 88 in Quentin Tarantino's 'Kill Bill' seem like a very intense game of dodge ball by comparison. At first glance, the action is almost a bit too cartoonish and over the top, but McTeigue makes it work by making the Ozunu ninjas nearly as credible as Raizo so the only way he can keep them down is by incapacitating them. Ninja Assassin is a throwback to the 1980s action flicks where one highly skilled man could take out seemingly overwhelming odds and there's no sense in explaining the logic, but just to sit back and enjoy the ride. This gets an ass-kickin' 4 on my "Go See" scale.

Early Oscar Predictions

noreply@blogger.com (The Cynic) — Fri, 20 Nov 2009 16:52:00 +0000

2009 hasn't been a great year for Hollywood, most of the movies that have opened this year have closed within a few weeks, a few of the big Hollywood summer blockbusters were just plain busters. The last few months of the year will see what The Cynic hopes will be movies worth talking about throughout the remaining months of this year, a year that I consider one of the worst for movies. I'm not saying that there have not been any movies that have actually been worth seeing this year, I'm saying that there have been only a handful of movies worth seeing a second time. This time last year I had a list of about twenty movies to opt from to fill out my year end best of list. This year I have five. Here's to that hoping December rocks.

The academy has opted to increase it's best picture category to ten. This is the only category that has been increased the other five remaining categories stayed at five options. So here are what I feel deserve the distinction of a nomination in all six categories for 2009.

Best Motion Picture

A Single Man > Colin Firth and Julianne Moore

An Education > Carey Mulligan and Peter Sarsgaard

The Hurt Locker > Jeremy Renner and Anthony Mackie

Inglourious Basterds > Brad Pitt and Christoph Waltz

Invictus > Morgan Freeman and Matt Damon

The Lovely Bones > Rachel Weisz and Stanley Tucci

Nine > Marion Cotillard and Daniel Day-Lewis

Precious > Gabourey Sidibe and Mo'Nique

Up > Edward Asner and Christopher Plummer

Up In The Air > Vera Farmiga and George Clooney

Best Director

Clint Eastwood > Invictus

Lee Daniels > Precious

Jason Reitman > Up In The Air

Kathryn Bigelow > The Hurt locker

Peter Jackson > The lovely Bones

Best Actor

Colin Firth > A Single Man

Daniel Day-Lewis > Nine

George Clooney > Up In The Air

Jeremy Renner > The Hurt Locker

Morgan Freeman > Invctus

Best Actress

Carey Mulligan > An Education

Gabourey Sidibe > Precious

Meryl Streep > Julie & Julia

Penelope Cruz > broken Embraces

Saoirse Ronan > The Lovely Bones

Best Supporting Actor

Alfred Molina > An Education

Christoph Waltz > Inglourious Basterds

Matt Damen > Invictus

Stanley Tucci > The Lovely Bones

Woody Harrelson > The Messenger

Best Supporting Actress

Anna Kendrick > Up In The Air

Judi Dench > Nine

Julianne Moore > A Single Man

Mo'Nique > Precious

Susan Sarandon > The Lovely Bones

The nominations are revealed on February 02nd, check back and see how many of my choices were actually picked by the Academy Of motion Pictures. I will reveal my pick for winners in a later entry.

The Cynic

A Love Triangle Unleashed In New Moon

noreply@blogger.com (The Optimist) — Thu, 19 Nov 2009 15:16:00 +0000

In the second installment of Stephenie Meyer’s Twilight series, the romance between mortal and vampire soars to a new level as Bella Swan (Kristen Stewart) delves deeper into the mysteries of the supernatural world she yearns to become part of—only to find herself in greater peril than ever before in The Twilight Saga: New Moon.

While this second chapter of Summit Entertainment's four-part franchise is as good as Twilight and arguably a shade better, it's indisputably darker in its depiction of the throes and woes of adolescent love, especially when one gets dumped. That's how things kick off for Bella Swan (Stewart), whose 18th birthday begins with a nightmare and ends with vampire heartthrob Edward Cullen (Robert Pattinson) telling her he's moving away, with no plans of maintaining a long-distance relationship. Bella quickly slips into a massive depression that resembles a full-scale heroin withdrawal, while her cop dad (Billy Burke) and barely visible school pals can do little but look on. As foreshadowed in the closing minutes of part one, help soon comes in the form of Native American dream boy Jacob Black,(Taylor Lautner), who's clearly been working out since the first film (as Bella remarks several times). Although they start off as friends, it's no secret where things are headed, and Bella engages in several near-suicidal acts that leave her torn between Edward's far-reaching grasp and Jake's bulging biceps. Bella and Jacob's growing relationship is paralleled by rumors of random animal attacks in the woods, as well as the increasingly menacing presence of Jacob's macho buddies (all of whom, like Jacob, prefer to remain bare-chested, especially after it starts raining). When vampires from the first go-round resurface to take revenge on Bella, a pack of colossal werewolves comes to her rescue, and it doesn't take a degree in occult studies to make the connection between the beasts and the boys. The movie's first half maintains a somber atmosphere that is broken by spells of PG-13 violence (a decapitation, a few gory closeups) and some nifty cinematic tricks, including a twirling 360-degree shot that shows the passing of time as Bella recovers from the break-up. Director Weitz, taking the reins from "Twilight" helmer Catherine Hardwicke, and lenser Javier Aguirresarobe painstakingly depict the gloomy, dreamlike state of Bella's extended blues, and then pick up the pace about an hour in with several action sequences set in the rain-soaked woods near Forks, Wash. As expected, Edward soon reappears, albeit for confused reasons, and the quid pro quo eventually carries the action to a royal Italian vampire council (known as the Volturi), providing some handsome locations and a brief turn by Dakota Fanning as a mind-controlling, heavily made-up vampiress. The shortcuts needed to propel the narrative homeward feel a tad rushed, but screenwriter Melissa Rosenberg wisely keeps things focused on Bella's ever-changing, mostly darkening emotional states, and whether she will end up choosing Edward or Jacob.

Stewart is the heart and soul of the film, and not only because her Bella is surrounded by characters who literally have neither one nor the other. She gives both weight and depth to dialogue ("You're just warm. You're like your own sun") that would sound like typical chick-lit blather in the mouth of a less engaging actress, and she makes Bella's psychological wounds seem like the real deal. Fangirls may be disappointed by Pattinson's reduced presence here, as his Edward appears predominantly in mumbling visions until a cliffhanger that brazenly sets up the next episode. Lautner's Jake provides a strong alternative to Edward's pale dreariness, though the filmmakers overdo the "strong" part in an ongoing effort to keep their target audience enraptured. This sequel is by far a step better than the first, but some fans may be a lil disappointed with some things that were left out from the book, but it gets the point across. Vampires and Werewolves are pretty hot. So, which team are you on? Team Edward or Team Jacob? Go and see New Moon and make your choice. I sure have. This gets a 4 on my "Go See" scale. It will undoubtedly become the number one movie this weekend. Tween girls are gonna flock to the theatre to see Edward Cullen, but i'm a bit more partial to seeing Jacob running around shirtless for half of the movie.

It May Be A New Moon, But The Story Is Still Boring

noreply@blogger.com (The Cynic) — Thu, 19 Nov 2009 15:08:00 +0000

Hollywood is quick to latch onto what they consider a huge hit, when they purchased the rights to the Twilight books written by Stephenie Meyer, they figured they had a runaway freight train on their hands. Its sad to say that so many teen girls and many teen boys have made this a reality. "The Twilight Saga: New Moon" is the second in what looks like an inevitable barrage of teen vampire movies with stupid special effects. The second story arc doesn't give us anything to believe, it builds on this idiotic notion that vampires glow like diamonds in the sunlight. Growing up on vampire movies like I'm sure many of you have, we have come to expect certain things when we watch a vampire movie, the Twilight movies throw these ideas away and try to force us to accept what is truly stupid. The idea of vegetarian vampires is as stupid as trying to get through any of these boringly stupid books.

The movie opens with Bella (Kristen Stewart) having a nightmare, she sees herself getting older but yet Edward (Robert Pattinson) is still young and vibrant. This is the start of what is an increasing boring and stupid story arc. I know every teen girl across America is sighing at the thought of seeing Jacob Black (Taylor Lautner) shirtless. I'm happy to say that he is repeatedly thus. At first Jacob has long hair and not to spoil anything, when he becomes a wolf he cuts it short. There are many of the first movies cast returning to this movie as well, the Cullen clan make an appearance in the movies beginning birthday party and then are basically Persona non Grata the rest of the way. The only one who appears later is Alice (Ashley Greene). She returns to inform Bella that Edward thinks she is dead and he is about to reveal himself to the world, the Volturi expressly forbid this action and Edward is sure to be killed. Rushing to Rome to stop him Bella and Alice make it in just in time to do so.

This movie does nothing to pick up the pace of the original, you can actually go into this movie an hour after it started and not feel as if you missed anything. It is slow and tepid, nothing heats up, not even the love interest between Bella and Jacob. The wolves are not the typical werewolf form but the down on all four legs variety. They are typical CGI effects and not all that amazing. The pointless, cliched dialog is dummied down for the audience, whom Hollywood assumes has the attention span of a five year old. The action picks up a little bit toward the end as Edward has to fight the Volturi to stay alive. The Volturi are centuries old clan leaders that keep the existence of vampires a secret. Michael Sheen and Dakota Fanning both play these pasty face leaders with all the dullness you come to expect from this story arc. The action takes place mainly off screen, Jacob tells Bella that his wolf pack has killed Laurent (Edi Gathegi) and are looking for Victoria (Rachelle Lefevre) who is back in town looking to revenge her clan by killing Bella. We do see the wolves attacking Laurent, but in flashback.

I give The Twilight Saga: New Moon a 1 and on my avoidance scale a 3, wait for this one to pop up on a Saturday night that you wont mind losing a little bit over two hours watching. To be fair I must admit that I have not read any of these books and have no intention of doing so. Therefore I can not say with any accuracy how closely the films follow the story written by Stephenie Meyer. I can say that there is a much better vampire show on HBO, one that is worth the time to watch. Girls of all ages may swoon over Edward and after this movie Jacob to, but the story is just plain dull and mind numbing.

The Twilight Saga: New Moon is rated PG-13 for Some Violence and Action

Running time is 2 hrs 10 mins.

Hopefully By 2012 We'll Get A Better Disaster Movie

noreply@blogger.com (The Optimist) — Thu, 12 Nov 2009 17:39:00 +0000

Never before has a date in history been so significant to so many cultures, so many religions, scientists, and governments. 2012 is an epic adventure about a global cataclysm that brings an end to the world and tells of the heroic struggle of the survivors.

Roland Emmerich has a new movie out, which means it’s time to start rebuilding our infrastructure, finding new places to live, dusting off memories of what it means to successfully duck-and-cover, and slapping bandages on the world’s landmarks. Or at least what’s left of them. His latest epic, 2012, once again finds the director wandering around the world, casually smashing it to bits with joyous ease, and all while delivering the destruction with some of the worst, most risible and predictable writing of the year. Any year. Pick a year. Doesn’t matter the year. The film, which Emmerich co-wrote with Harold Kloser, makes one wonder what Emmerich would be handed for a sentence if he were making movies during the McCarthy era. Would he be considered an American-hating communist for taking out the White House in not one but two movies (this film and “Independence Day”)? For felling the Washington Monument? For crushing our cities flat? Oh, likely, he would. And yes, he’d be on that list--the black one. And not just so he could look thinner. About the movie. Well, it’s just a work of art, and to some degree, I’m serious. Special effects have come a long way, baby, and this movie is a showcase for the cheesy best of the best. There is no denying the sheer pleasure that goes into watching disaster movies when the disasters are played up with the sort of sheen presented here. This movie is a spit-and-shine miracle of special effects, so much so that occasionally, you do slip out of the clutch of cliches Emmerich hurls at you and marvel at how talented computers have become. If only it were so easy for some writers. Talk about devastation--they can take out the world (and ruin a good time) with the swipe of a pen. That’s sometimes the case here, with the film’s slim shred of a plot going down like this: The year is 2012. John Cusack is Jackson Curtis, a divorced dad of two who is trying to be civil to his ex-wife, Kate (Amanda Peet), when the Earth’s crust starts to shift. Though the scientist Adrian Helmsley (Chiwetel Ejiofor) predicted this day would come and has warned the President of the United States (Danny Glover) as well as his staff, few others knew, with the exception of Charlie (Woody Harrelson), a pot-smoking hippie living high up in Yellowstone, where he has a radio show that long has declared the end of the world.

When the end comes, it hits hard (that’s the fun part), but who wants to bet that Jackson and Kate will be thrown together, in spite of the fact that Kate is re-married to another man (Tom McCarthy)? Will they all suck up their differences in an effort to survive? Will they squeak out creaky old dialogue that could crumble Rio? And what about their daughter, who is 7 and must wear pull-ups because, for sheer character development alone, we learn that she has bladder issues? Will those be solved by the end of the movie? Will the world live on? What do you think? What’s so frustrating about 2012, which nods its head broadly at Mayan prophecy, is that it could have been a great action movie. If the special effects team can do their jobs, certainly the producers behind the movie, which was budgeted at nearly $300 million, could have hired better writers that didn’t dumb down the proceedings. Not once in this film is something not telegraphed. Just try finding a surprise. It won’t be there, but the explosions will, and for some, that will be enough. Just not enough for me. This is lucky enough to get a 2 on my "Go See" scale. The special effects are the best thing about this movie.