Half a decade after the Dominion War and more than a year after the rise and fall of Praetor Shinzon, the galaxy’s greatest scourge, the Borg, returns to wreak havoc upon the Federation—and this time, its goal is nothing less than total annihilation.

Elsewhere, deep in the Gamma Quadrant, an ancient mystery is solved. One of Earth’s first generation of starships, lost for centuries, has been found dead and empty on a desolate planet. But its discovery so far from home has raised disturbing questions, and the answers harken back to a struggle for survival that once tested a captain and her crew to the limits of their humanity.

From that terrifying flashpoint begins an apocalyptic odyssey that will reach across time and space to reveal the past, define the future, and show three captains that some destinies are inescapable. For Captain Jean-Luc Picard of the U.S.S. Enterprise, defending the future has never been so important, or so personal—and the wrong choice will cost him everything for which he has struggled and suffered. For Captain William Riker of the U.S.S. Titan, that choice has already been made—haunted by the memories of those he was forced to leave behind, he must jeopardize all that he has left in a desperate bid to save the Federation. And for Captain Ezri Dax of the U.S.S. Aventine, whose impetuous youth is balanced by the wisdom of many lifetimes, the choice is a simple one: there is no going back—only forward to whatever future awaits them. . . .

CONTAINS THE COMPLETE AND CRITICALLY ACCLAIMED DESTINY TRILOGY

GODS OF NIGHT

MERE MORTALS

LOST SOULS

Located in an area of non-aligned space near Federation and Romulan territory, the Kondaii system is home to a unique stellar phenomenon: a spatial rift that opens every three years in proximity to the system’s sole inhabited planet. Only during this brief period is communication possible with the small, mineral-rich planetoid inside the rift. The local population has established a mining colony on this planetoid, and for the limited du ration that the rift is open, a massive interplanetary operation is set into motion: ferrying mineral ore to the home planet while simultaneously transferring personnel and replenishing essential supplies and equipment—everything necessary to sustain the colony before it once again enters forced isolation.

While studying the rift, the science vessel U.S.S. Huang Zhong is severely damaged and crash-lands on the planetoid. After the Starship Enterprise arrives to conduct rescue operations, evidence quickly points to the rift’s artificial nature. It is a feat far beyond the capacity of the local inhabitants, and presents an alluring mystery for Captain James T. Kirk and his crew. It also attracts the attention of the Romulans, who are most interested in studying and perhaps seizing this supposed advanced technology—by any means necessary.

From the sleek curves to the subtle design of this dress, the Star Trek XI Blue Dress embodies the woman. This alluring micro-dress features a charcoal yolk, supple fabric, and a slenderizing cut that will highlight the contours of your figure. Using meticulous research from multiple screen-used pieces from the Star Trek film, this dress was produced with the same dyeing/printing from the original manufacturers. All eyes will be on you when you wear this unparalleled replica uniform! Please note that the badge is not included with the dress.

via Entertainment Earth.

STAR TREK VI: THE UNDISCOVERED COUNTRY
Music Composed and Conducted by CLIFF EIDELMAN
INTRADA Special Collection MAF 7117

From its opening bars, Cliff Eidelman’s music for Star Trek VI: The Undiscovered Country exhibits marked differences from previous Star Trek scores, known for their emphasis on the romantic voyage of the Enterprise and the heroism of its crew. The focus in this score is on darker music used more sparingly for the films’ antagonists. The Klingon music not only pervades the score—in a sense, it is the score—but characterizes the alien race quite differently than in previous films. In the opening cue—deliberately titled “Overture” as opposed to ” Main Title” — the composer intended the rising-and-falling figure for cellos and double basses that opens the film—inspired by The Firebird—as the theme for another “bird,” the Klingon bird-of-prey. “That was there to help us feel the effects of something we can’t see, and in this film it really had to do with the Klingon ship that was cloaked,” Eidelman recalls. “It had to do with the fact that it’s mysterious, it’s dangerous and we can’t see it, and that theme kind of represented that.” Later, Eidelman employs a sepulchral men’s chorus, a color absent from any previous Star Trek music. Ultimately, Eidelman establishes a mood in which chaos and havoc appear poised to triumph while heroism and valor struggle to be heard over the forces of darkness.

via TrekMovie.com

This original version was rewritten into an unfunny comedy by the line producer Gene Coon apparently unaware that Uncle Miltie was also a serious dramatic actor and a good one. It t was so bad that I complained to Roddenberry.

“This is so lousy, Gene, that you should kill it!” I told him. “You can’t, you shouldn’t, shoot this thing! Read it and weep!”

Gene did, and he agreed with me. I killed my second Star Trek, which, down through the years has cost me tens of thousands of dollars in lost residuals.

Rumor has it that the Phase II guys have gotten their hands on the script and are planning on filming it.

via Forbes

Bleeding Cool has squirrelled out news of an upcoming crossover that might send certain minds reeling. That in May, IDW are to publish a Doctor Who/Star Trek: The Next Generation crossover series. Featuring The Doctor, Rory, Amy, Captain Picard, Worf, Data, Geordie LaForge, Deanna Troy, Will Riker and the rest. And that this art, featuring the Doctor, Rory and Amy on the bridge of the Enterprise is a cover that will be used in the series.

What? Dr Who and Star Trek? What the hell is a bush leaguer like dr who doing with a Grade A series like Star Trek?

via Bleeding Cool.

Star Trek: The Original Series: The Rings of Time

2020 The U.S.S. Lewis & Clark, under the command of Colonel Shaun Christopher, sets off on humanity’s first manned mission to Saturn. But the unexpected presence of a stowaway complicates the mission—as does a startling encounter with an alien probe. But when Colonel Christopher attempts to capture the probe, he suddenly finds himself transported across time and space to a future era of space exploration. . . .

Stardate 7103.4 The U.S.S. Enterprise responds to an urgent distress call from a mining colony orbiting Klondike VI, a ringed gas giant not unlike Saturn. For unknown reasons, the planet’s rings are coming apart, threatening the safety of the colony and its inhabitants. Searching for a way to avert the disaster, Captain James T. Kirk and his crew investigate a mysterious alien probe that has just entered the system. But when the probe is beamed aboard, Kirk abruptly finds himself floating in space above Saturn, wearing an old-fashioned NASA spacesuit, with the Enterprise nowhere in sight. . . .

Two missions. Two crews. And a time-twisting crisis that spans the centuries. . . .

TrekMovie

The Concert was in Landau, Germany. The Band is the Symphonic Wind Band of Landau (Community Band).

via GrS.