The Resonant Vibes Electronic Music Blog

Movement 2010 Line-Up Announced

Sam — Wed, 10 Mar 2010 15:30:59 +0000

Since 2000 electronic music fans from across the globe have made the pilgrimage every May to Detroit, the city where Techno music was born. 2010 marks the 10^th anniversary of the Movement Festival (formerly DEMF) in Detroit.

In 2009 the Movement Electronic Music Festival recorded its best attendance figures to date since becoming a ticketed event in 2005. Some 83,322 people filled the outdoor venue last year. An international partnership was also forged with promoters from Torino Italy to create Movement Torino.

The rumors continue to be confirmed that the bearded techno-über guru Hawtin will be hot on the festival circuit this year, headlining live as Plastikman. Other headliners included Model 500 and Inner City with a total of 70 acts announced today covering a spectrum of sounds from techno through to livetronica. My line-up highlights are: Agoria, Cassy, Chris Liebling, Derrick Carter, DJ Godfather, DJ Sneak, Ida Engberg, Italoboyz, Jamie Jones, Joel mull, John Acquaviva, Josh Wink, Luke Hess, Martin Buttrich, Martyn, Michael Meyer, Mt Scruff, Oner Ozer, Redio Slave, Robert Hood, Ryan Crosson, Simian Mobile Disco and Theo Parish. You can check the full list in the graphic below, as I couldn’t find a decent HTML list to copy and paste.

Ford are the presenting sponsor this year which adds testimony to how much the commercial reach of the festival has grown. The result might be a line-up that seems too mainstream for some of the techno puritans—who’s heads will be rammed in a sub in Made in Detroit area anyway—but one that should keep the rest of us revelers happy.

$40 early bird tickets are now on sale and all the details are to be found at http://www.paxahau.com/movement/

STS9 “AD Explorata” Album Review and US Tour!

johng — Tue, 09 Mar 2010 21:03:12 +0000

I have mentioned STS9 to the Resonant Vibes community many times and would like to do so once again. The band has constantly been pushing the boundaries of live music since they came on the scene back around 1999! This past fall they once again took their sound in a different direction with the release of the new album “AD Explorata” which merges many organic and acoustic elements with hard driving calculated and electronic segments. The result is an album that creates flowing moments of peaceful bliss sandwiched between periods of chaotic tension! It is a sonic explosion of unique sounds and textures, that take you on a giant wave through all types of moods. In the past the band has made albums that stick to a certain motif, whether it was raw funkier song structures (Interplanetary Escape Vehicle) or intensely eerie electronic driven pieces (Artifact) there was always a common element to the albums. This album is very different from the band’s previous work. The music is extremely diverse and focuses on melting all the things that have made STS9 so unique into 12 well placed tracks!
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Simply put “AD Explorata” is a fantastic accomplishment and the result is an album that is just as suitable for a long scenic drive as it is for a house party. The music is so easy to grasp, yet still very fresh and exciting, to the point that it will keep your attention for many years to come. Do yourself a favor and pick this album up as soon as you can!
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STS9 is also currently on the last leg of a large US tour, with both Two Fresh and Ana Sia, who are part of STS9’s 1320 Records, tearing it up as supporting acts for the band! They have pretty much covered every region in the country from West Coast and East Coast to the Mid-West and South! I had the pleasure of catching the band for their 3 night run in Denver, Colorado during NYE and I can not stress enough that this is a band you must experience live! On stage is where STS9 is truly at home and they have spent years perfecting their performances. It is a massive production with a phenomenal light show and it will leave you utterly speechless by what you just witnessed. Below is a complete list of the band’s remaining tour schedule. I highly suggest you purchase a ticket because the band is absolutely on fire right now!

Mar 10 2010	The Music Farm	CHARLESTON, South Carolina

Mar 11 2010	Amos’ Southend	CHARLOTTE, North Carolina

Mar 12 2010	The Norva	NORFOLK, Virginia

Mar 13 2010	9:30 Club	WASHINGTON, Washington DC

Mar 14 2010	9:30 Club	WASHINGTON, Washington DC

Mar 17 2010	Mr Smalls Theatre	PITTSBURGH, Pennsylvania

Mar 18 2010	Madison Theatre	COVINGTON, Kentucky

Mar 19 2010	The Pageant	ST. LOUIS, Missouri

Mar 20 2010	The Pageant	ST. LOUIS, Missouri

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John “The Grizz” Grisanti

Exclusive Interview with Slacker

johng — Tue, 09 Mar 2010 17:36:58 +0000

Shem McCauley AKA Slacker has been a DJ and producer for many many years. His career can not be defined by one style of music as he has dabbled in tons of genres ranging from UK Hip-Hop to funky House and everything in between. He even started his own record label, JukeBox in the Sky with long time studio partner Simon Rogers. Together they have released some killer tracks over the past couple of years. Slacker soon became fed up with the music industry and decided to move to Thailand where he has been for the past two years. He recently released his first new album since the move, entitled “Start a New Life” which defines the long time electronic music veteran’s new ethos!
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Resonant Vibes had the pleasure of catching up with Slacker to talk about his new album, the move to Thailand, and a whole slew of other issues in the music industry. We hope you enjoy this exclusive interview with Slacker!
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Q: How did living in Thailand for the past two years impact you personally and your musical style?
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A: My life changed completely when I moved to Thailand. I know it’s a bit of a cliché, but everything became simpler and clearer, and I became more focussed. I don’t think my musical style changed as much as my ability to see the bigger picture, and so realise the completion of an album project I had spent years dreaming about.
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Q: I know you wrote, “Start a New Life” in a Bangkok shopping mall. Does that mean you actually produced the music there too? What programs did you use and how was your approach different then making music in a studio?
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A: Indeed, everything was done on my laptop/headphones in the foodcourt of a mall in Bangkok, right beside the yoga studio where I practiced and later taught. I have always worked with samples, almost exclusively; even bassline and keyboard sounds coming from samples/found sounds rather than synthesised sounds. So it wasn’t as if I was recording vocals or getting musicians in to jam with me in the mall! Nowadays music technology allows for almost everything to be done on a computer – if the musician is happy working that way. I found the lack of other external options a bonus rather than a drawback. I tend to become overwhelmed by wanting to try everything, so not having a load of synths or outboard gear totally suited me. I used LogicPro, on my Apple Mac 12” Powerbook.
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But the most important thing was having people milling around. I don’t like working alone, and though I wasn’t working with anyone else directly on the tracks, it made a real difference to feel surrounded, as opposed to isolated, while I worked. Luckily I didn’t have to do the final bit alone. I mixed the album down in a small studio here in Bangkok with a talented English producer named Simon “Monstamix” Henderson. It was actually one of the most enjoyable parts of the process.
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Q: The new record has a real Omanis vibe to it. In particular you use some incredibly haunting vocal samples. Where did you find those samples or how did you create them? Is there any specific message your trying to convey by using certain samples?
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A: I am attracted to certain sounds and atmospheres in samples which often take priority over the words themsleves. But when I find something with a rocking sonic quality where the words resonate with my thinking too, then it’s a dynamite combo. I used to spend a lot of time bored in the UK watching film and tv, and got a lot of the samples from obscure documentaries and strange films. No special message, but all the titles touch on a personal journey, as opposed to outside bigger picture stuff. I didn’t intend this when I started, but it just kind of came together that way.
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Q: Are you planning to stay in Bangkok and just produce music every once in awhile or are you back in the music industry to stay?
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A: For now the former, but I am open to the latter. But always in Thailand
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Q: What are the major issues in the music industry that you have experienced? How do you think the industry can legitimately change for the better?
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A: There’s so little earning power in music writing these days. You need to be able to churn out product at an alarming rate to make it pay even vaguely well, and I am not able to produce original material in such volumes on my own. Back in the day working with my old music partner Simon Rogers, who was a godly musician and a whizz at getting stuff done, things were easier. But after we parted ways, I had to change what I was doing. This album is the result.
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Looking to the future, it’s the now seemingly age-old cunnumdrum: how to get people to pay for music again. A whole generation currently expects to get what they want instantly and without fuss or cost: they don’t know anything else. I think things are improving slowly, but it’s a big question which I don’t have many answers to.
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Q: What do you think is the quintessential “Slacker” sound? Do you plan on sticking with your new style or are you just dabbling in a different genre?
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A: Organic, thoughtful sample-based music, a bit tongue in cheek, and a bit funky. I am enjoying this slower more downtempo genre for the time being, but I am sure I still have a few banging house tracks left in me.
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Q: You have operated your own record label “Jukebox in the Sky” for several years now. How has that experience been? How do you strike the balance between being a producer/DJ and a businessman?
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A: It was great fun at first, especially when I had enthusiastic people working with me, most notably Rosie Robinson who looked after every part of the label’s development and day to day running in the mid noughties. When the bottom fell out of the business and we had distributors and compilation companies going bust left right and centre, owing us thousands of pounds, it all became a bit more realistic. Pretty soon I realised I wasn’t that much bothered with being a businessman! Moving to Thailand confirmed this for me. I need to be out and about, listening, or writing (rather than selling) music to be happy.
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Q: What has been the most important moment in your music career thus far?
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A: Making the decision to come out here, and start my new life.
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John “The Grizz” Grisanti

New Mix and Track Contests Open Now!

Eddie — Fri, 05 Mar 2010 21:09:05 +0000

It’s that time again! Right now, we’re running another round of mix and track contests in the RV Network. As usual, we’ve got a great set of prizes in store for the winners…

Since MixMeister is supporting RV Mix Contest 006, we’ve got some some nice DJ treats up for grabs. The winner of the mix contest will receive a copy of MixMeister Fusion and a $50 download voucher for our shop. The runner-up will win a copy of MixMeister Express and a $25 voucher. The third place contestant will receive a $25 voucher.

We’ve also got some nice prizes for the winner of Track Contest 004. We’ll be giving away a $150 download voucher and a free copy of our forthcoming SoundTheory 02 sample pack, engineered by Jay Tripwire!

The contests will remain open through March 22nd, and you can enter by simply uploading a mix or track to our Network. If you’re looking for some recognition, this is your chance to earn it!

As always, we’re going to let the RV community judge the contests, so be sure to tell your friends to show you some love by giving your music a thumbs up vote!

For those who enter the contests, good luck!

Eddie B

rv_cast 019 Mixed by Tim Paris

Sam — Wed, 03 Mar 2010 16:04:32 +0000

This episode of the Resonant Vibes Podcast is mixed by Tim Paris
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Today Tim Paris can be found living in London, however he built his DJ reputation in the Parisian party scene frequently playing alongside the likes of Jef K., Chloé, Alexkid and Ivan Smagghe. His sound is undoubtedly original and can be described as moody and dark but still sexy and soulful, and it’s a sound that’s been influenced by his French house heritage.
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In around 2002 Tim Paris lent a hand to Jef K. setting up the label Crack and Speed, and he got his first break-through with a remix of Future Now which was picked up by Ralph Lawson for 2020 Vision. More recently he and Jef K. set-up another label called Marketing which serves as a primary outlet for Paris’ productions along with other regulars including Ivan Smagghe, Shit Robot, Alexkid and Lance DeSardi. Personally I think Marketing is an exciting label to follow with it’s uncompromisingly fresh spin on house, tech-house and techno.
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What’s he doing today? Well, for his current musical project he’s teamed up with Ivan Smagghe under the name It’s A Fine Line. Their plan is to balance production alongside DJs shows both in clubs and on the festival circuit. So far their material has been well received as they continue to push the boundaries that encompass their sound.
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In a similar fashion, Paris’ podcast episode sits a little outside the normal vibe we offer with the series, but over the last few days I’ve had it stuck on repeat as the blend of nu-disco and house is hard to beat. I hope you enjoy it.
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—————–—————–—————–—————–—————–—————–—————–—————–——
Subscribe to rv_cast – The Resonant Vibes Electronic Music Podcast!
With iTunes click HERE
RSS feed for everyone else: http://feeds.feedburner.com/TheResonantVibesElectronicMusicPodcast
rv_cast 019 Direct Download HERE
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Shift to Thumbs up Voting Only

Eddie — Mon, 22 Feb 2010 00:22:01 +0000

If you’ve checked out our network over the past couple days, you probably noticed that we did away with thumbs down voting. This is a fairly significant change, so I figured I’d write a quick blog post to explain the reason for it.
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For starters, let’s look at the philosophical raison d’etre for the RV network. The aim of our network is to serve as a resource where DJs and producers can gain visibility and where fans can access a wealth of quality free music. Basically, we know there are tons of talented DJs and producers out there who deserve recognition for their skills, and we want to help them get it. With this in mind, we don’t think we’re helping any artists by allowing their mixes to be voted down. The world is full of critics and naysayers. We want the RV network to be a place where artists get support, not discouragement.
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Don’t get me wrong; honest feedback can certainly be helpful for up-and-coming artists. For this reason, we’ve left in place the comment feature so that the RV community (you) can still share your candid thoughts about any track or mix on our site.
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Another more practical reason for our removal of thumbs down voting is that some people were voting disingenuously during our contests cycles. For example, we’d be running a contest cycle, and people would start voting some of the top-rated mixes down so that their favorite mixes would stand a better chance of winning.
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This actually bothered me quite a bit in a few cases. On multiple occasions, I watched as solid mixes were voted down by people who wanted to game the system. Two examples of this that immediately come to mind are the mixes submitted by Ingo Vogelmann (for mix cycle 004) and Naveen G (for mix cycle 005). Ingo’s “Welcome 2K10” mix was a fine progressive mix, and Naveen’s “Sub Zero to Plain Zero” mix was rock solid. Both of these mixes started receiving thumbs up votes and a string of favorable comments, then people seemed to start trying to keep them from winning. There were other victims of this sort of behavior, so we’ve taken action to prevent this from happening in the future.
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So that’s pretty much it in a nutshell. Going forward, people will win contests by receiving thumbs up votes, not by virtue of other music being voted down.
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Speaking of contests…I should tell you to be on the lookout for new ones to start soon. We’re cooking up some more cool prizes with MixMeister, so stay tuned!
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Eddie B
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Will Johnston Live at Bora-Bora – Pure Decadence

Eddie — Fri, 12 Feb 2010 21:27:19 +0000

Dancetrippin.tv gives yet another inside perspective on the dance music scene…This one looks like a fun party! Just kickin’ it on a warm day in Bora Bora, having drinks and listening to Will Johnston drop big room house tracks…girls gettin’ down in bikinis…pure decadence
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Eddie B
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re:produce 007: Touane – Out Now, Exclusively on RV!

Eddie — Thu, 11 Feb 2010 01:40:53 +0000

We just released another high-quality sample pack, re:produce 007: Touane. This one is available exclusively on RV, and it features 100 MB of sounds from one of the industry’s most exciting underground producers.
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Marco Tonni (Touane) emerged as a presence in the dance music industry in 2004 when he signed with Stewart Walker’s Persona Records. He proceeded to brand a uniquely funky underground sound and to establish himself as one of Italy’s most respected producers. For the past five years, Touane has lived in Berlin, which has been an ideal location for the refinement of his craft. Of late, he’s taken an original approach to techno, refusing to blindly follow the trends that come and go in the dance music industry.
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Touane’s resume is peppered with accomplishments such as his chart-topping single, “Bassic” (licensed for Fabric Live – Tiefschwarz and for XLR8R’s Berlin issue compilation CD), and with releases on labels like Dumb-Unit, Liebe*Detail, Resopal, Lan Muzic, and his own Left Handed imprint. As a live act, he’s rocked the dance floors of some of Europe’s finest clubs. Simply put, Touane is an artist who knows how to deliver, and that’s just what he’s done with the re:produce 007 sample pack.
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The re:produce 007 sample pack includes Ableton-ready samples and a packaged Ableton 8 project file (with pattern sequencing from Touane, as heard in the preview track). As an added bonus, Touane threw in some Ableton and Reaktor kits and other sounds to give you extra versatility in the studio. Check out the preview for re:produce 007 by clicking the play icon below. We think you’ll like what you hear…
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Eddie B
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rv_cast – One of the Best Dance Music Podcasts

Eddie — Wed, 10 Feb 2010 18:46:58 +0000

I’ve been meaning to write a post for some time now to make the bold, unbiased claim that I think RV has one of the best dance music podcasts available today! Seriously, I don’t know if you’ve been tuning in, but the rv_cast has featured some killer episodes…all underground and all fresh.

I felt the need to write this post because I want to help get the word out. The rv_cast is not as visible as some of the other dance music podcasts, but I think we’re gradually appearing on more people’s radars. Sam has been the brains and muscle behind the podcast, arranging for guest mixes and contributing a mix or two of his own. He’s seen to it that we stay true to the music, offering an original, intelligent series of mixes for folks who appreciate the real stuff.

I’d prefer that you not take my word for it on this one. I encourage you to check out a few rv_cast episodes. For example, check out rv_cast 013, mixed by Estroe. I’ve listened to this one countless times, and it just keeps getting better. Estroe laid down a sophisticated set of tracks and blended them together perfectly.

Another rv_cast episode that’s really worth checking out is the one from Jason Patrick. This guy has skillz. I gained real respect for Jason after hearing him play live at the Varsity All Stars 2009 party (headlined by Anja Schneider). His rv_cast mix is a finely crafted work with a perfect flow – a true specimen of aural artistry.

I’ll briefly discuss one more rv_cast episode here…the one from Alland Byallo. I think this episode was a sort of breakout mix for us, and it will certainly rewire your brain if you listen to it intently. Alland’s mix is one of those that you can have fun studying and analyzing…really focusing on the transitions. It’s intelligent, crisp, and clean. Great stuff!

There hasn’t been a bad rv_cast episode yet. I would write about all of the episodes here, but I don’t want to overwhelm you with recommendations. I do, however, have to give a few other honorable mentions here…you should definitely check out the episodes by Sam (of course!), Savas Pascalidis, Angel Alanis, and Naveen G. They’re all hot to death!

Enjoy these existing rv_cast episode, and keep an eye out for new ones coming soon!

Eddie B

An Interview with Mr C.

Sam — Mon, 08 Feb 2010 23:13:17 +0000

A few days ago I had the chance to catch up with Mr C. about his recent move to LA, getting his acting career started and his current musical endeavors.
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If you grew up in Britain in the 90’s (and liked electronic music) you should know who Mr C. is. For those of you who didn’t here’s some background info:
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Mr C. got his rise to fame as the MC and front man for UK pop outfit The Shamen. They had a few hits in the early 90’s but non bigger than their tune Ebeneezer Goode which was controversial thanks to it’s choice chorus of ‘eezer Goode, eezer Goode, he’s Ebeneezer Goode’.
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The song made it to the top of the UK charts in 1992 but the BBC banned it (although later withdrew the ban) citing drug reference as the reason, a claim that the band denied. The ban didn’t make much difference though as the song had already become a symbol of good times and clubbing so the damage had been done. Ironically it now sits at the top of a completely different BBC chart.
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Since his Shamen days Mr C. has produced under a slew of different aliases including under The Sycophant Slags name with Adultnapper. Along with Eddie Richards he had a hand in making UK tech-house what it is today, or perhaps what it was a couple of years ago given the obsession with post-minimal-bongo-laden ‘tech house’ that seems to be the rage right now.
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He’s been behind labels like Plink Plonk, The End Recordings and Superfreq which is a label and successful club night. He was also partners in the infamous London club The End with Layo Paskin.
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Check out interview after the jump.
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So, lets see… it’s been quite a busy time for you recently with the move to LA, solo work released on Wagon Repair and the new Sycphant Slags project on Poker Flat. How was the move to LA?
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It has been a vey busy time.
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The move to LA has been stressful to say the least. It’s stressful just moving house but imigrating takes this to a whole new level. For the last 2 months of last year my good friend Damian Lazarus has been putting my wife and I up while we went through the traumantc process of buying a house. Jeez that aint easy in the USA. Also getting finance in place when you don’t have any credit rating whatsoever is a nightmare, even when you have a huge deposit. But we’re done now, moved into our wonderful new home so now it’s the process of furnishing etc. which should be all done by the end of the month so we’ll then be able to start entertaining.
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And how many records did you end up taking with you?
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At the moment I only have about 150 records with me, just the stuff I’m working with but I’ll be shipping another 1,000 or so of the tunes I can’t live without. The other 14,000 records are going to be sold.
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Sounds hectic… I feel the need to insert a joke about moving a mountain here, but I’ll resist.
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lol… It might have been easier.
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I understand part of the reason to be in LA is to get your acting career off the ground. How’s it going and do you have any roles lined up?
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I do have 2 full length feature films lined up but both British. The 1st I have the main supporting role. This was supposed to shoot in December but the director lost a family member as far as I’m aware so this has been put on hold. The 2nd we shoot in the UK, scheduled for June, but that probably means Fall as nothing seems to work to schedules in the movie industry.
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I also shoot my 1st short film with the lead role next month also in London.
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I want to get a few things under my belt for [my] CV and to show people what I can do before I start heavily pushing here in Hollywood.
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Makes sense, but it seems a bit ironic to move to the West Coast only to travel back to the UK to shoot. I hope they go well for you.
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Thanks. I’d landed these movies before I moved over. I’m also going back and forth to London each month to throw my Superfreq parties so no biggie.
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Now, it’s just been the 1-year anniversary of The End closing and I know that you’ve got plans for Superfreq to tour North America. How did the club closing effect you?
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The closing of The End was amazing, it’s so good to quit at the top on your own terms. It’s because of the club closing that’s really allowed me the opportunity to move to LA. It was like the cutting of the proverbial umbilical cord.
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And when’s the first American Superfreq?
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I’m still working out the 1st Superfreq, I think it may be the beginning of next month but in no way a normal Superfreq as it’s going to be only for 300 people and on a Tuesday. The music will be 70’s & 80’s disco and alternative 80’s with a few garage, house and acid classics thrown in for good measure, and will be called Super Disco Freq.
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I also have my agent [at] AM Only in discussions as we speak about doing quarterly events in LA, NYC and Chicago. I’m chatting with friends about also doing 1 off events in Denver and Seattle. We’ll just have to wait and see how this all develops.
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Well keep us posted and we’ll come up for the one in Chicago.
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Cool, it’ll be at Spybar but we still need to lock down the opening party which is looking like it will be in June.
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You and Adultnapper just released an EP on Poker Flat called Keep Off which has you MC-ing for the first time since your Shamen days. The video creeped me out a little and is doing the rounds (above). Why did you think it was the right time to bring your vocals back?
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I enjoy doing vocals and still rap live sometimes some places insist on it as it really works in a club situation, but as the Sycophant Slags we thought it was a good ide to add a new dimension to our joking around. The Sycophant Slags project is all about twisting peoples balls hence our silly title which in the past include “Straight Answer”, “Dubbed Question”, “Sycophant_c Man”, “CKlanger”, “Trick or trick”, etc. The whole project is a piss-take out of the slags that have their tongues firmly routed up the trendy DJs asses as a way to better themselves in the dance music comunity. Vocals are a great way of pushing that theme.
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The song is about how good it can get and the sky is the limit which kinda sums up sycophantic behaviour. The next song will be even funnier and more offensive to the sycophants.
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It’s all about look at me, look how good I am etc…
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Tell me about your Lunar EP on Wagon Repair… what sort of vibe were you going for?
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I really wanted to sum up my DJ sets with this EP which is why I did 3 completely different versions of the same tune.
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The 1st, Full Moon is like an old school Mr.C tune, very detroit influenced with lush strings, beautiful melodies etc. A great for last track of the night or sunrise etc. Waxing is more Chicago influenced and leans more towrads an after hours situation, and Dark Moon is straight up London Town dance floor shit!
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Also, I’ve always used engineers until this project so this was a real learning curve for me with Logic which added so much fun to the procceedings.
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Logic is awesome… I’m still trying to get my head round it.
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I love it. As I’ve always produced my own music I had a great understanding of the theory so it was only about tying that in with the practical side so it wasn’t difficult. Just learning which buttons to press really.;)
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People need to get a grip and stop being such sycophants… There are very few artists that do original stuff which is a real shame, but the people that do are true artists and produce some amazing stuff.
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Who’d you give props to for being original then?
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[a]pendics shuffle (Kennith James Gibson), Adultnapper, Alexi Delano, DOP, Matthew Dear (Audion) to name a few. Oh and look, they’re all American except for DOP.
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Deniz Kurtel is hot right now too.
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Damn right, and a real sweetie. Voodeux. And Seth Troxler needs a mention too. There’s a whole bunch more but you get my drift.
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I still manage to find a good 40-50 records each month in the record store, and I’m a fussy c***.
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Where are you shopping for records in LA, or do you stick to NYC and London?
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NYC and London but Amoeba [in Hollywood] carries some good shit, but no listening stations so you have to listen online at websites like Phonica and then go there and just buy the tunes. Berlin is great for record shopping but I’m rarely there.
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Thanks a lot for taking the time, and good luck with your projects!
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