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  <guid isPermaLink="true">http://talis-kimberley.livejournal.com/35553.html</guid>
  <pubDate>Sat, 03 Mar 2012 19:48:46 GMT</pubDate>
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  <description>&lt;h6 data-ft="{&amp;quot;type&amp;quot;:1}"&gt;&lt;span style="font-size:medium;"&gt;&lt;span data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;a href="http://www.youtube.com/watch?v=Mf6RYekCJeg&amp;amp;feature=youtu.be" rel="nofollow" target="_blank" rel="nofollow"&gt;&lt;span&gt;http://www.youtube.com/&lt;/span&gt;&lt;wbr&gt;&lt;span&gt;watch?v=Mf6RYekCJeg&amp;amp;feature=you&lt;/span&gt;&lt;wbr&gt;tu.be&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Following on from the lyric and the audio file I&amp;#39;ve presented here in recent days, here now is a YouTube by &lt;a data-hovercard="/ajax/hovercard/user.php?id=691210799" href="http://www.facebook.com/profile.php?id=691210799" rel="nofollow"&gt;Kim Parker&lt;/a&gt;, of my song &amp;#39;Telling Canterbury Tales&amp;#39; - literature, history, the Occupy movement and church politics all together in one song.&lt;br /&gt;&lt;br /&gt;It&amp;#39;s very much a companion-piece to &amp;#39;The Steps of St Paul&amp;#39;s&amp;#39;, and the audio version is part of my online project &amp;#39;Songs of Common Ground&amp;#39; on BandCamp.&lt;br /&gt;&lt;br /&gt;Please, share and link if you find merit - I&amp;#39;d love for the Occupy movement - LSX and everywhere else that&amp;#39;s been &amp;#39;cleared&amp;#39; or is about to be - and politically-aware Christians both to hear this. Thank you.&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;</description>
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  <guid isPermaLink="true">http://talis-kimberley.livejournal.com/35208.html</guid>
  <pubDate>Fri, 02 Mar 2012 21:33:44 GMT</pubDate>
  <title>Song: Telling Canterbury Tales - audio now available.</title>
  <link>http://talis-kimberley.livejournal.com/35208.html</link>
  <description>That lyric I posted a couple of days ago: it grew music and I&amp;#39;ve caught a scratch track. It&amp;#39;s now up on Bandcamp as a free download.&lt;br /&gt;&lt;br /&gt;&lt;a href='http://taliskimberley.bandcamp.com/track/telling-canterbury-tales' rel='nofollow'&gt;http://taliskimberley.bandcamp.com/track/telling-canterbury-tales&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;You know the drill - if you approve and find merit, copy and link, share and generally point and stare at it... thank you!</description>
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  <pubDate>Thu, 01 Mar 2012 17:16:02 GMT</pubDate>
  <title>Song: Telling Canterbury Tales</title>
  <link>http://talis-kimberley.livejournal.com/34939.html</link>
  <description>&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;&lt;span style="font-size: 12pt;"&gt;Trawling the net for update and comment in the last two days following the removal of the St Paul&amp;#39;s Occupy camp, I found that the good Reverend Fraser had not been silent. St Paul&amp;#39;s itself had released a brief statement, visible on its website, on which I shall not directly comment here. I wondered what the leader of the Church, Dr Rowan Williams, the Archbishop of Canterbury, had to say, and looked for his website.&lt;br /&gt;&lt;br /&gt;There was no mention on the blog there of the events which had taken place on the steps of the C of E&amp;#39;s foremost cathederal, not a word.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Instead, there was a sermon on lent. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;&lt;span style="font-size: 12pt;"&gt;I felt... and feel, that this was a sad omission on his part, and did not display the leadership one might have wished for - especially as his predecessor, Dr Carey, has been vocal on such subjects himself in recent days.&lt;br /&gt;&lt;br /&gt;Rowan Williams, you may or may not be a good man, a Christian, and a caring soul; why are you silent when you should have spoken? Did you even know what was happening in your name?&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-family: arial,sans-serif;"&gt;&lt;span style="font-size: 12pt;"&gt;TELLING CANTERBURY TALES&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Pilgrims all gathered from far and afield, let me tell you my Canterbury tale...&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Tell me, Archbishop, you&amp;rsquo;re comfortable here&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Does the populace ever get frighteningly near?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Are your windows well-soundproofed so all you can hear&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Is your voice, telling Canterbury tales...? &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;So tell me, &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;What&amp;rsquo;s the church for with its buildings and treasures?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;For visits by those with the means and the leisure&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;To purchase a guidebook and stroll at their pleasure&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;While listening to Canterbury&amp;rsquo;s tales.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p style="margin-left:.5in;"&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Didn&amp;rsquo;t your man say some things about the poor&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-left:.5in;"&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Isn&amp;rsquo;t that what your faith is about, anymore? &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-left:.5in;"&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Here&amp;rsquo;s a vast institution, what lies at the core?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-left:.5in;"&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Are you telling me Canterbury tales?&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;INSTMTL&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;If the pilgrims rode past your cathedral today&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;And they wondered whose homes have been tidied away&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Would you know? Would you care? Tell me, what would you say?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;I&amp;rsquo;ve no faith in your Canterbury tales...&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Tell the Knight and the Franklin, the Monk and the Squire&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Tell the Clerk and the Cook and the Reeve and the Friar&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;That compassion and hope have joined love on the pyre&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;There&amp;rsquo;s no justice in Canterbury tales.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p style="margin-left:.5in;"&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; St Thomas a Becket, St David of Kelly, we pray you forgive us our sins&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-left:.5in;"&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Jean-Charles de Menezes, &amp;amp; Blessed Ian Tomlinson, when does the rising begin?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-left:.5in;"&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; When does the rising begin?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Pilgrims all gathered from far and afield, let me tell you my Canterbury tale...&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p style="margin-left:.5in;"&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Now the Archbishop&amp;rsquo;s writing a sermon on Lent&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-left:.5in;"&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;The Physician and Parson are riding to Kent&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-left:.5in;"&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;There was sanctuary once, I don&amp;rsquo;t know where that went&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-left:.5in;"&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;But it&amp;rsquo;s not in these Canterbury tales...&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-left:.5in;"&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;And the Man of Law&amp;rsquo;s &lt;b&gt;busy&lt;/b&gt;, and the Miller&amp;rsquo;s downed &lt;b&gt;tools&lt;/b&gt; &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;And the Merchant&amp;rsquo;s con&lt;b&gt;vinced&lt;/b&gt; that we&amp;rsquo;re everyone&amp;rsquo;s &lt;b&gt;fools&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;And the Pardoner&amp;rsquo;s sorry... but these are the rules...&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;And they&amp;rsquo;re all telling Canterbury tales.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;They&amp;rsquo;re telling us Canterbury tales&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;I&amp;rsquo;ve no faith in these Canterbury tales&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;We deserve better than Canterbury tales&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;I&amp;rsquo;ve had enough of these Canterbury tales!&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;INSTMTL&lt;br /&gt;&lt;b&gt;___________________________________________________________________&amp;nbsp; &lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Words &amp;amp; music by &amp;amp; &amp;copy; Talis Kimberley 29&lt;sup&gt;th&lt;/sup&gt; February 2012&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;* * *&lt;br /&gt;&lt;br /&gt;Yes, I have the music. Yes, I will Bandcamp it as soon as I can. You know the drill, my friends! :-) If you find merit in this, share and link away. Thank you for reading.&lt;br /&gt;&lt;br /&gt;* * *&lt;br /&gt;&lt;br /&gt;It grew music. Listen to it for free here:&lt;br /&gt;&lt;br /&gt;http://taliskimberley.bandcamp.com/track/telling-canterbury-tales</description>
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  <pubDate>Tue, 17 Jan 2012 10:33:58 GMT</pubDate>
  <title>Song: The High Street</title>
  <link>http://talis-kimberley.livejournal.com/34776.html</link>
  <description>&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;It&amp;#39;s a rare (for me) parody, this - well, a re-write, I suppose, since it&amp;#39;s not really meant to be funny...&amp;nbsp; I originally reworked Flanders &amp;amp; Swann&amp;#39;s &amp;#39;The Slow Train&amp;#39; three years ago, and only performed it once or twice. Well, the recession didn&amp;#39;t go away, we aren&amp;#39;t out of the woods, and more high street chains are going to the wall. Hands up if any of this surprises you. No? Good. You&amp;#39;ve been paying attention...&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;&lt;span style="font-size: 12pt;"&gt;Events of the last week or two have caused me to rework my own reworking somewhat - when life hands me a straight line like the very last name in the song, I have to take it and run with it. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: arial,sans-serif;"&gt;&lt;span style="font-size: 12pt;"&gt;I hope this captures some of the affection and pathos of F&amp;amp;S&amp;#39;s original. It&amp;#39;s meant with all respect and homage to them.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;* * *&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-family: arial,sans-serif;"&gt;&lt;span style="font-size: 12pt;"&gt;THE HIGH STREET&lt;/span&gt;&lt;/span&gt;&lt;/b&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;span style="font-size:larger;"&gt;(ttto Flanders &amp;amp; Swann: The Slow Train)&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;i&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Barretts and Priceless to The Works &lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Passion for Perfume to Waterford, Wedgewood&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Olan Mills; Land of Leather&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;No more will we browse past jigsaw puzzles and Sticklebricks&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;On&amp;nbsp; the High Street, at Woolworths for a quarter of &amp;ldquo;Pick&amp;rsquo;n&amp;rsquo;mix&amp;rdquo;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;No vinyl records, no Ladybird clothes&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;No gift soaps in lavender, lilac or rose&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;We won&amp;rsquo;t be buying again&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;On the High Street&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;I&amp;rsquo;ll travel no more from Whittards of Chelsea to MFI, at&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Adams Kids there&amp;rsquo;ll be no cute dungarees for an aunt to buy&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;No flat packed wardrobe, no caramel tea&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;No cafetiere and no lost allen key&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;We won&amp;rsquo;t be meeting again&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;On the High Street&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p style="text-indent:.5in;"&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;When the rent&amp;rsquo;s due and the takings plummet&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="text-indent:.5in;"&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;&amp;lsquo;Sale&amp;rsquo; signs appear&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="text-indent:.5in;"&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;At Zavvi and the Officers&amp;rsquo; Club&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="text-indent:.5in;"&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;They came too late that year&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Though shoppers shop at Ebay and Amazon&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Only discount or second hand prices entice sales from anyone&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Nothing is certain, no-one&amp;rsquo;s secure&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;And Woolies... is not even there anymore&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;They&amp;rsquo;ve all passed out of our lives&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;On the High Street&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;On the High Street.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Millets, Blacks, Hawkin&amp;rsquo;s Bazaar &amp;ndash; on the High Street&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Peacocks and Bon Marche have gone away...&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Thorntons Chocolates &amp;ndash; on the High Street&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;&lt;span style="font-family:arial,sans-serif;"&gt;&lt;span style="font-size:12.0pt;"&gt;Past Times.&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;..&lt;/p&gt;</description>
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  <pubDate>Sat, 31 Dec 2011 23:45:08 GMT</pubDate>
  <title>Song: Victims, Princesses and Bears.</title>
  <link>http://talis-kimberley.livejournal.com/34415.html</link>
  <description>&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;Well, alright, it&amp;#39;s a lyric so far, but you bet I&amp;#39;ll be looking for the tune. I&amp;#39;d heard about the panda business, then I read Elizabeth Moon on the subject, and then I followed her link to the Jezebel article, and then my brain went &amp;#39;ping&amp;#39; at me, which it does periodically. Ranty ranty rant. Ironically, I did write a sweet little song about a red dress earlier today, just as a break from the political polemics. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-family: arial,sans-serif;"&gt;VICTIMS, PRINCESSES AND BEARS&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;span style="font-family: arial,sans-serif;"&gt;Here&amp;rsquo;s to the women of twenty-eleven&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;The BBC thinks you&amp;rsquo;re all great;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;It&amp;rsquo;s published the names of its favourite dozen&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;And that&amp;rsquo;s caused a storm of debate&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;It&amp;rsquo;s not what she&amp;rsquo;s done gives a woman her worth&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;It&amp;rsquo;s who marries her and what she wears&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;And that explains why more than half of those listed&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;Are victims, princesses and bears.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p style="margin-left: 0.5in;"&gt;&lt;span style="font-family: arial,sans-serif;"&gt;Victims, princesses and travelling pandas &amp;ndash;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-left: 0.5in;"&gt;&lt;span style="font-family: arial,sans-serif;"&gt;Oh, ladies, don&amp;rsquo;t give yourselves airs!&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-left: 0.5in;"&gt;&lt;span style="font-family: arial,sans-serif;"&gt;That explains why more than half of those listed&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-left: 0.5in;"&gt;&lt;span style="font-family: arial,sans-serif;"&gt;Are victims, princesses and bears!&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;One woman chosen is head of her country&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;Another aspires so to be&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;One is an athlete and one is a singer&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;They all represent you and me.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;But never mind science and never mind literature&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;Honestly, nobody cares&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;When the chief among women of twenty-eleven&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;Are victims, princesses and bears.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p style="margin-left: 0.5in;"&gt;&lt;span style="font-family: arial,sans-serif;"&gt;Victims, princesses and bears, Sweetie!&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-left: 0.5in;"&gt;&lt;span style="font-family: arial,sans-serif;"&gt;Ladies, don&amp;rsquo;t give yourselves airs!&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-left: 0.5in;"&gt;&lt;span style="font-family: arial,sans-serif;"&gt;Here&amp;rsquo;s to the women of twenty-eleven &lt;/span&gt;&lt;/p&gt;&lt;p style="margin-left: 0.5in;"&gt;&lt;span style="font-family: arial,sans-serif;"&gt;The victims, princesses and bears!&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;______________________________________________________________________&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family: arial,sans-serif;"&gt;Words by &amp;amp; &amp;copy; Talis Kimberley 31&lt;sup&gt;st&lt;/sup&gt; December 2011&lt;/span&gt;&lt;/p&gt;</description>
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  <pubDate>Wed, 14 Dec 2011 13:31:06 GMT</pubDate>
  <title>Blowing kisses to Mitch Benn...</title>
  <link>http://talis-kimberley.livejournal.com/34111.html</link>
  <description>...who seems to like my sound. I shall get in touch with him and tell him about the morse code and the bouzouki, and maybe send him some more tracks - some Hearth and the Hive, some Queen of Spindles...&lt;br /&gt;&lt;br /&gt;Mitch Benn often does the musical funny on BBC Radio 4&amp;#39;s &amp;#39;The Now Show&amp;#39;, and is a writer and performer of many years&amp;#39; standing. He&amp;#39;s included my song &amp;#39;The Steps of St Paul&amp;#39;s&amp;#39; on his latest podcast - available now...&lt;br /&gt;&lt;br /&gt;&lt;a href='http://www.mitchbenn.com/podcasts#' rel='nofollow'&gt;http://www.mitchbenn.com/podcasts#&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;That song just keeps going, doesn&amp;#39;t it? And I sang it AT St Paul&amp;#39;s on Monday, which was just an amazing experience - inspiring and wonderful.</description>
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  <pubDate>Fri, 09 Dec 2011 22:52:18 GMT</pubDate>
  <title>Song: David Attenborough Says</title>
  <link>http://talis-kimberley.livejournal.com/33865.html</link>
  <description>Been too long since I posted here, sorry &amp;#39;bout that... you know I turn up on FaceBook and Twitter as well these days, right? Well. I&amp;#39;ve slipped out of the habit of telling you how the gig went here, but just now I&amp;#39;m at the end of the year&amp;#39;s gigs and I&amp;#39;m looking sidelong at the things filling up my diary for next year, many of which look like huge fun.&lt;br /&gt;&lt;br /&gt;It&amp;#39;s been a little while since I posted a new song lyric here as well, and that I *can* remedy, and hereby do so. Green and quirky, just what I like. Guess what I was watching on iPlayer this evening?&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;DAVID ATTENBOROUGH SAYS&lt;/b&gt;&lt;br /&gt;&amp;nbsp;&lt;br /&gt;&amp;nbsp;&lt;br /&gt;David Attenborough says the world is warming&lt;br /&gt;And I rather think he knows what he&amp;rsquo;s about&lt;br /&gt;He&amp;rsquo;s been showing me the world most of my lifetime&lt;br /&gt;And he seems to think there&amp;rsquo;s little room for doubt&lt;br /&gt;He&amp;rsquo;s a first class grade one national institution&lt;br /&gt;(Though I believe that&amp;rsquo;s not a term he likes to hear)&lt;br /&gt;David Attenborough says the world is warming&lt;br /&gt;And in half an hour we&amp;rsquo;ll sit and watch &amp;lsquo;Top Gear&amp;rsquo;.&lt;br /&gt;&amp;nbsp;&lt;br /&gt;David Attenborough says the sea is rising&lt;br /&gt;And I tend to think that David knows his stuff&lt;br /&gt;He&amp;rsquo;s been showing me the world most of my lifetime&lt;br /&gt;And he seems to think there&amp;rsquo;s evidence enough&lt;br /&gt;In his gentle pleasant unflappable manner&lt;br /&gt;In that breathy voice that no-one else can do&lt;br /&gt;David Attenborough says the sea is rising&lt;br /&gt;Now I&amp;rsquo;ll just re-boil that kettle for a brew.&lt;br /&gt;&amp;nbsp;&lt;br /&gt;David Attenborough&amp;rsquo;s shown us this blue planet&lt;br /&gt;Taken all of us on after-supper treks&lt;br /&gt;Shown us reptiles, fish, amphibians and mammals&lt;br /&gt;And how orchids worms and hummingbirds do sex (not altogether!)&lt;br /&gt;If we&amp;rsquo;ve paid the least attention to Sir David&lt;br /&gt;When we&amp;rsquo;ve watched him in our sitting-rooms for, so very long&lt;br /&gt;If David Attenborough says we&amp;rsquo;ve got a problem&lt;br /&gt;How can we be so convinced he&amp;rsquo;s got it wrong?&lt;br /&gt;&amp;nbsp;&lt;br /&gt;&amp;nbsp;&lt;br /&gt;&amp;nbsp;&lt;br /&gt;Words &amp;amp; music by &amp;amp; &amp;copy; Talis Kimberley 9&lt;sup&gt;th&lt;/sup&gt; December 2011.</description>
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  <pubDate>Tue, 01 Nov 2011 09:14:25 GMT</pubDate>
  <title>One busy weekend...</title>
  <link>http://talis-kimberley.livejournal.com/33598.html</link>
  <description>So that was: write the lyric, post the lyric. Find the tune, record the rough, post the rough. Wake up the next morning to find the Youtube as a gift from a dear friend, post that... and scoot off to achieve first airplay on BBC Radio Wilts. Well, THAT was fun! &amp;#39;The Steps of St Paul&amp;#39;s&amp;#39; has clearly gone a long way and been read, seen and heard by very many people. I&amp;#39;m tremendously grateful to all of you who&amp;#39;ve helped link, share and forward it. Thank you!&lt;br /&gt;&lt;br /&gt;It&amp;#39;s all quietened down a bit now, for me - though I&amp;#39;m still sending off links to places, and you&amp;#39;re all cordially invited to do the same. The vicar of St Johns at Bethnal Green was on Radio 4 this morning suggesting, iirc, that St Paul&amp;#39;s open itself up and run a huge night kitchen and shelter and let the protesters inside as it gets colder. I cheered at that. Maybe I&amp;#39;ll send it to him?&lt;br /&gt;&lt;br /&gt;I let the songs go where they will and never know who will get in touch with me as a result; now I crack on with the next set of jobs, musically, which right now means organising logistics for this year&amp;#39;s remaining gigs and firming up the bookings for next year, and more pitches to folk festivals and clubs, literary festivals, and moots...&lt;br /&gt;&lt;br /&gt;Oh, and yesterday we finished recording the last material for &amp;#39;Queen of Spindles&amp;#39; - we&amp;#39;re into the mastering stages now. VERY glad about that. Which begs the question, what to work on in my regular Tuesday session tonight?&lt;br /&gt;&lt;br /&gt;Well, that&amp;#39;s going to be &amp;#39;start the next album&amp;#39;&amp;nbsp; then, isn&amp;#39;t it?</description>
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  <pubDate>Sun, 30 Oct 2011 09:48:00 GMT</pubDate>
  <title>The Steps of St Paul's - now on Youtube </title>
  <link>http://talis-kimberley.livejournal.com/33331.html</link>
  <description>&lt;a href='http://www.youtube.com/watch?v=UpOynViUeDk' rel='nofollow'&gt;http://www.youtube.com/watch?v=UpOynViUeDk&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Fresh this morning: Youtube by my dear friend Kim Parker - images to accompany my protest song about St Paul&amp;#39;s and its response to the Occupy protest at its front gate.&lt;br /&gt;&lt;br /&gt;This is my way of supporting the movement. Please, if you will, spread the word again; some people click through a Youtube link more readily than other formats.&lt;br /&gt;&lt;br /&gt;I can only thank you for your support.</description>
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  <pubDate>Fri, 28 Oct 2011 21:02:50 GMT</pubDate>
  <title>Song: The Steps of St Paul's - now a free download on Bandcamp</title>
  <link>http://talis-kimberley.livejournal.com/33154.html</link>
  <description>&lt;a href='http://taliskimberley.bandcamp.com/track/the-steps-of-st-pauls' rel='nofollow'&gt;http://taliskimberley.bandcamp.com/track/the-steps-of-st-pauls&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Hot, hot, HOT off the press. 24 hours ago I hadn&amp;#39;t sat down to write the lyric; it&amp;#39;s a studio rough of course, but it needs sharing. Please, if you like it, link, share, quote and generally pass it around. Somebody sing it at St Paul&amp;#39;s for me!</description>
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  <pubDate>Thu, 27 Oct 2011 23:26:24 GMT</pubDate>
  <title>Lyric: The Steps of St Paul's</title>
  <link>http://talis-kimberley.livejournal.com/32999.html</link>
  <description>&lt;b&gt;THE STEPS OF PAUL&amp;rsquo;S &lt;/b&gt;&lt;br /&gt;&amp;nbsp;&lt;br /&gt;&amp;nbsp;&lt;br /&gt;On the eve of the feasts of St Jude and St Simon&lt;br /&gt;The good Christian Reverend Fraser resigned&lt;br /&gt;&lt;i&gt;While democracy stumbles and falls here on the steps of St Pauls.&lt;/i&gt;&lt;br /&gt;The whispering gallery&amp;rsquo;s noisy with rumour&lt;br /&gt;Great Paul&amp;rsquo;s saying nothing, but fear like a tumour&lt;br /&gt;Is &lt;i&gt;ruling within these fine halls under the dome of St Paul&amp;rsquo;s&lt;/i&gt;&lt;br /&gt;&amp;nbsp;&lt;br /&gt;Christopher Robin and Christopher Wren,&lt;br /&gt;When will my England lie easy again?&lt;br /&gt;With sanctuary offered to the women and men&lt;br /&gt;Who stand on equality&amp;rsquo;s side?&lt;br /&gt;The good Christian Reverend Fraser resigns,&lt;br /&gt;But the bulk of his colleagues have pulled down the blinds&lt;br /&gt;While their restaurant serves only the finest of wines&lt;br /&gt;And the organ plays &amp;lsquo;Here comes the Bride&amp;rsquo;...&lt;br /&gt;&lt;i&gt;And democracy stumbles and falls, here on the steps of St Pauls.&lt;/i&gt;&lt;br /&gt;&amp;nbsp;&lt;br /&gt;Bookends and stationery, jigsaws and gifts&lt;br /&gt;For the lovers of luxury, strangers to thrift&lt;br /&gt;&lt;i&gt;All your cufflinks and printed silk shawls bought from the shop of St Pauls&lt;/i&gt;&lt;br /&gt;Gordon Brown&amp;rsquo;s laughing so all must be well&lt;br /&gt;&amp;lsquo;We&amp;rsquo;re a centre for public debate&amp;rsquo; say the bells&lt;br /&gt;&lt;i&gt;The economists set out their stalls under the dome of St Paul&amp;rsquo;s&lt;/i&gt;&lt;br /&gt;&amp;nbsp;&lt;br /&gt;Christopher Robin and Christopher Wren,&lt;br /&gt;When will my England lie easy again?&lt;br /&gt;With sanctuary offered to the women and men&lt;br /&gt;Who stand on equality&amp;rsquo;s side?&lt;br /&gt;The good Christian Reverend Fraser resigns,&lt;br /&gt;But the bulk of his colleagues have pulled down the blinds&lt;br /&gt;While their restaurant serves only the finest of wines&lt;br /&gt;And the organ plays &amp;lsquo;Here comes the Bride&amp;rsquo;...&lt;br /&gt;&lt;i&gt;With your cufflinks and printed silk shawls bought from the shop of St Pauls&lt;/i&gt;&lt;br /&gt;&lt;i&gt;And democracy stumbles and falls, here on the steps of St Pauls.&lt;/i&gt;&lt;br /&gt;&amp;nbsp;&lt;br /&gt;Do let&amp;rsquo;s go see the cathedral again&lt;br /&gt;It&amp;rsquo;s sure to be open at quarter past ten&lt;br /&gt;&lt;i&gt;Was a sanctuary within these walls when this was the church of St Pauls&lt;/i&gt;&lt;br /&gt;The tourists are missing their clotted cream scones&lt;br /&gt;It&amp;rsquo;s fourteen pounds fifty, one adult alone&lt;br /&gt;&lt;i&gt;And please, if the Archbishop calls, tell him I&amp;rsquo;ve gone to St Pauls&lt;/i&gt;&lt;br /&gt;&amp;nbsp;&lt;br /&gt;Christopher Robin and Christopher Wren,&lt;br /&gt;When will my England lie easy again?&lt;br /&gt;With sanctuary offered to the women and men&lt;br /&gt;Who stand on equality&amp;rsquo;s side?&lt;br /&gt;The good Christian Reverend Fraser resigns,&lt;br /&gt;But the bulk of his colleagues have pulled down the blinds&lt;br /&gt;While their restaurant serves only the finest of wines&lt;br /&gt;And the organ plays &amp;lsquo;Here comes the Bride&amp;rsquo;...&lt;br /&gt;&lt;i&gt;Was a sanctuary within these walls when this was the church of St Pauls&lt;/i&gt;&lt;br /&gt;&lt;i&gt;With your cufflinks and printed silk shawls bought from the shop of St Pauls&lt;/i&gt;&lt;br /&gt;&lt;i&gt;While democracy stumbles and falls, here on the steps of St Pauls.&lt;/i&gt;&lt;br /&gt;&amp;nbsp;&lt;br /&gt;&lt;i&gt;The economists set out their stalls under the dome of St Paul&amp;rsquo;s&lt;/i&gt;&lt;br /&gt;&lt;i&gt;And please, if the Archbishop calls, tell him I&amp;rsquo;ve gone to St Pauls&lt;/i&gt;&lt;br /&gt;&lt;i&gt;Where democracy stumbles and falls, here on the steps of St Pauls.&lt;/i&gt;&lt;br /&gt;&amp;nbsp;&lt;br /&gt;&amp;nbsp;&lt;br /&gt;Words by &amp;amp; &amp;copy; Talis Kimberley 27-28&lt;sup&gt;th&lt;/sup&gt; October 2011&lt;br /&gt;&lt;br /&gt;* * *&lt;br /&gt;&lt;br /&gt;Dated so because it was yesterday, and the Eve of the Saints named, when I began this monster. I haven&amp;#39;t had a song fight me this hard for a long time; it was like trying to land a very big, very fierce predator fish. Please keep my name and copyright notice attached and then share as you will - link, quote, pass on down the line. If the tune comes easily I&amp;#39;ll get a scratch track up online, of course, but the lyric&amp;#39;s not a half hour old as I post this.&lt;br /&gt;&lt;br /&gt;And I want to share it. Widely.</description>
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  <pubDate>Mon, 03 Oct 2011 10:54:26 GMT</pubDate>
  <title>Long Crendon Folk Club</title>
  <link>http://talis-kimberley.livejournal.com/32626.html</link>
  <description>At the Eight Bells last night Chantelle and I had a lovely evening at this warm and friendly folk club. We had some unexpected friendly faces, always a treat! (Hi, Paul, Sandy &amp;amp; Kim!) The singaround sessions were truly amazing - the quality and the scope of flavour was incredible, from traditional ballads through Dylan, Cleverly Bros, Robb Johnson (yay!) and a stunningly poignant ukulele-accompanied version of &amp;#39;You are my Sunshine&amp;#39;, to concertina and fiddle and flute and the invisible drumkit - I can&amp;#39;t remember the name of it - you sit on it as a stool and the front gives you a snare sound.&lt;br /&gt;&lt;br /&gt;I like to think we mad esome friends there, and I hope we&amp;#39;ll be back one day. We were handsomely fed and watered by Alan and Moira - her apple pie is the stuff of legends - which gave us a lovely breather between the long hot journey and the evening&amp;#39;s music.&lt;br /&gt;&lt;br /&gt;As ever, here&amp;#39;s the setlist. It took some shuffling round, of course! But this is what we actually sang:&lt;br /&gt;&lt;br /&gt;Appleby Fair&lt;br /&gt;Eleanor Roosevelt&amp;#39;s Knitting&lt;br /&gt;Spoon&lt;br /&gt;Plenty&lt;br /&gt;Gathering Summer In&lt;br /&gt;Shiny Things&lt;br /&gt;&lt;br /&gt;Clever Men&lt;br /&gt;Queen of Spindles&lt;br /&gt;The Orchard&lt;br /&gt;The Common Bunting&lt;br /&gt;Corn Jenny&lt;br /&gt;&lt;br /&gt;...I think &amp;#39;Clever Men&amp;#39; was our best yet (pace Simon and his bassoon!) and &amp;#39;Corn Jenny&amp;#39; is a song I just want to pick up and cuddle. It was a long tiring drive home and bed was very welcome at the end of it. Lovely evening, thank you Long Crendon Folk Club!</description>
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  <pubDate>Mon, 26 Sep 2011 21:41:57 GMT</pubDate>
  <title>Progressive Club, Tamworth, 23rd September</title>
  <link>http://talis-kimberley.livejournal.com/32406.html</link>
  <description>Well, that was a whole bunch of fun! What a gig! We had a ball!&lt;br /&gt;&lt;br /&gt;So, Chantelle, Rika, Simon and I set off after lunch on Friday, (Jan unable to come due to illness - he was most dischuffed about that. We missed him, but we coped and reshuffled the who-does-what a little) on the trek north. The roads were a bit horrid, traffic and roadworks and accident combined to slow the M5 right down so we went cross-country a little - got to the venue in plenty of time for our soundcheck, though, and met the team who were putting the gig together - Chris and Emma, and Martin and Tim and Neil and all...&lt;br /&gt;&lt;br /&gt;Lovely folks, it was great to meet those with whom I&amp;#39;d corresponded, and make new friends besides.&lt;br /&gt;&lt;br /&gt;Tim Philpott opened for us, with some engaging and well-played songs that showed the variety of colours in his voice. His &amp;#39;grumpy people&amp;#39; song was as popular with the audience as with the organiser who had booked him on the strength of it, and he was delightful company besides.&lt;br /&gt;&lt;br /&gt;Do you know, I&amp;nbsp;almost stuck to the setlist! I swapped &amp;#39;Mermaid&amp;#39; in for &amp;#39;The White Swan&amp;#39; because I&amp;#39;d been speaking with Tim about mermaids before the set, and I switched two songs around, but apart from that I was very good and didn&amp;#39;t throw any surprises at the band at all. We debuted &amp;#39;Corn Jenny&amp;#39; for our encore, which was clearly what she wanted, as my bandmates and I no longer turn to each other and say: &amp;#39;Jenny in my head! Aaargh!&amp;#39; as we had done since I wrote it - this is one catchy song, be warned. You can&amp;#39;t even get it out with a Spoon. We tried.&amp;nbsp; Anyway, since letting it out on an audience the song has stopped haunting us continually. For now. And she was as much fun as I&amp;#39;d hoped.&lt;br /&gt;&lt;br /&gt;We had a lot of bassoon inthe set this time, (after a very long hiatus largely as a result of orchestral duties) - Simon was back with his young tree, making lovely noises all over several songs. &amp;#39;Clever Men&amp;#39; with the bassoon taking the trumpet part, was particularly entertaining. We had a good bit of singing back at us on the singalongs - I&amp;#39;d printed off a set of flyers with the lyrics to some choruses, in hopes of fostering just that. I think it worked, and I&amp;#39;ll do that again.&lt;br /&gt;&lt;br /&gt;Here&amp;#39;s what we performed:&lt;br /&gt;&lt;br /&gt;Queen of Spindles&lt;br /&gt;Green Places&lt;br /&gt;Common Bunting&lt;br /&gt;Spoon&lt;br /&gt;Orchard&lt;br /&gt;Appleby Fair&lt;br /&gt;Eleanor Roosevelt&amp;rsquo;s Knitting&lt;br /&gt;Clever Men&lt;br /&gt;Underpass Mary&lt;br /&gt;The Well&lt;br /&gt;Gathering Summer In&lt;br /&gt;Shiny Things&lt;br /&gt;Jack Hare&lt;br /&gt;Lady Moon&lt;br /&gt;When I was a Mermaid&lt;br /&gt;Plenty&lt;br /&gt;X Libris&lt;br /&gt;The Finding of the Feather&lt;br /&gt;---------------------------------------&lt;br /&gt;ENCORE: Corn Jenny&lt;br /&gt;&lt;br /&gt;I&amp;#39;d like to think we gave good value - I believe so. Hoping for a rebooking some time, there or elsewhere, from our lovely organiser, Chris, who worked her songs off setting up a very fine event. And the bar did mugs of tea! How splendid was that? I got to sit with my knitting and a mug of tea while listening to Tim before our set! And Chris had taken food as well... so we weren&amp;#39;t starving creatures either. And Afterwards she took us all home for more tea and then quite a lot of zzzzz. In the morning we put the world to rights and set off home... stopping briefly at a service station where we caught a little bit of the rugby too. Lovely.</description>
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  <pubDate>Sat, 10 Sep 2011 11:25:10 GMT</pubDate>
  <title>Adventures in travel and spoons...</title>
  <link>http://talis-kimberley.livejournal.com/32230.html</link>
  <description>Yesterday was a long day - I'd snagged a gig at the Friends of the Earth Annual Conference at Nottingham, performing at their Friday Green Fair. One lift and three trains later (I was offered a route involving FIVE changes... on a journey one can drive in under three hours. And this is our public transport system? Grrr) I was there, with a huge smile and a sense of having a truly surreal day. Let me backtrack...&lt;br /&gt;&lt;br /&gt;And, you know, I can't even remember now whether it was the Swindon to Cheltenham leg of the journey or the Cheltenham to Birmingham train. One of them... was very crowded indeed, but with an extremely good-natured set of people including some young men who were pouring lager and blackcurrant into plastic cups, and seemed intent on sharing with half the carriage. &lt;br /&gt;&lt;br /&gt;Inevitably, when you've trolled halfway down a crowded train carriage carrying two hard cases (guitar and bouzouki), *everyone* knows you're a musician, and conversations follow. Flicking into performance mode, I told assorted neighbours about my music, the gig I was off to play, and what a bouzouki was. I was offered some lager and blackcurrant, and when I said it tasted like cough mixture that seemed to be the funniest thing ever... I'd really hit the party carriage, and I said so. &lt;br /&gt;&lt;br /&gt;'Give us a tune, then', said one of the guys. &lt;br /&gt;&lt;br /&gt;And I thought, alright then, I will. &lt;br /&gt;&lt;br /&gt;So I perched on the table the better to face both ways, and struck up 'Spoon', of course - with the usual intro. Oh, they joined in. They bashed the tables. They sang, and they cheered. It was intoxicating (really, I'd only had a sip) and the roar at the end was incredible. &lt;br /&gt;&lt;br /&gt;'Where's your spoon, then?'&lt;br /&gt;&lt;br /&gt;Of course I had my spoon with me. &lt;br /&gt;&lt;br /&gt;'Show us the spoon!'&lt;br /&gt;&lt;br /&gt;I duly held aloft my spoon, released from its case. More cheers.&lt;br /&gt;&lt;br /&gt;'Now the song about the fork!' some wit added. Got a good laugh.&lt;br /&gt;&lt;br /&gt;'I haven't written that one yet', I admitted.&lt;br /&gt;&lt;br /&gt;'Cos I like forks best!' More laughter.&lt;br /&gt;&lt;br /&gt;'Well, isn't that how it goes? Everyone's got their favourite item of cutlery...'&lt;br /&gt;&lt;br /&gt;(Believe me, it was funnier at the time, honest.)&lt;br /&gt;&lt;br /&gt;'Give us another tune!'&lt;br /&gt;&lt;br /&gt;So I did. I sang 'Clever Men', to an increased audience as folk from the next carriage were cramming in to hear what was going on. &lt;br /&gt;&lt;br /&gt;And then, of course, as I had my promo stuff with me for the FoE conference, I dished out a bunch of cards - some in each direction, and they all disappeared. &lt;br /&gt;&lt;br /&gt;And I had a lot of help exiting the carriage with my instruments when we reached my stop, and lots of 'thank you's. Lovely. It really was a dream come true - I've always wanted to do something like that.&lt;br /&gt;&lt;br /&gt;And then I went and had a lovely time at the FoE conference, with bicycle-powered blueberry smoothie and yurts, much networking and the odd hug, and one listener who - gasp - already carried his spoon, and held it aloft when I sang!&lt;br /&gt;&lt;br /&gt;The journey home was uneventful. &lt;br /&gt;&lt;br /&gt;And now I'm really hoping somebody will pop up on Facebook or here and say 'I was on that train!'</description>
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  <pubDate>Wed, 10 Aug 2011 17:26:15 GMT</pubDate>
  <title>The Grey Men of Whitehall - new recording</title>
  <link>http://talis-kimberley.livejournal.com/31822.html</link>
  <description>Today I tweaked the lyric a little here and there as you'll see, and I only got as far as picking up the bouzouki and the music fell into place from there. The tune had been more or less in place in my head since yesterday, and a few little twiddles and details appeared as I recorded it in teh studio just now on the handheld Tascam of which I'm so fond. &lt;br /&gt;&lt;br /&gt;So, fresh and raw and angry, here it is. &lt;br /&gt;&lt;br /&gt;&lt;a href='http://taliskimberley.bandcamp​.com/track/the-grey-men-of-whi​tehall' rel='nofollow'&gt;http://taliskimberley.bandcamp​.com/track/the-grey-men-of-whi​tehall&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;You know how it goes, right? Listen, like, link and share as you will. If you think it has merit, of course! My thanks to Brian Keen for the inspiration, and to all of you who've said supportive things about this after I posted the lyric yesterday...</description>
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  <pubDate>Tue, 09 Aug 2011 10:45:55 GMT</pubDate>
  <title>Song: The Grey Men of Whitehall</title>
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  <description>My friend Brian gave me the prompt that became this... tune's brewing. &lt;br /&gt;&lt;br /&gt;* * *&lt;br /&gt;&lt;br /&gt;THE GREY MEN OF WHITEHALL&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The grey men of Whitehall are watching&lt;br /&gt;From comfortable ivory towers&lt;br /&gt;And the grey men of Whitehall sit comfy, running&lt;br /&gt;This country that used to be ours&lt;br /&gt;For the grey men had their education &lt;br /&gt;And society covered the cost&lt;br /&gt;But tell that to the next generation &lt;br /&gt;As if that were all that we’ve lost.&lt;br /&gt;&lt;br /&gt;And of course you’ve a right to be angry &lt;br /&gt;There’s enough to be angry about &lt;br /&gt;But point it at those who deserve it&lt;br /&gt;When you’re ready to stand up and shout&lt;br /&gt;&lt;br /&gt;The grey men have mortgaged the future&lt;br /&gt;Put a price on what shouldn’t be sold&lt;br /&gt;Oh, the grey men of Whitehall know better&lt;br /&gt;But then they’re not afraid of the cold&lt;br /&gt;There are grey men in each of our cities&lt;br /&gt;Every parish and borough and town &lt;br /&gt;And if you want to take back their power&lt;br /&gt;Then you’d better put your name down&lt;br /&gt;&lt;br /&gt;And of course you’ve a right to be angry&lt;br /&gt;Only think before violence takes aim&lt;br /&gt;Does a hundred years trading in tables and chairs&lt;br /&gt;Really merit the fire and the flame?&lt;br /&gt;	&lt;br /&gt;‘Cos it starts with the local elections&lt;br /&gt;Real people who do give a damn&lt;br /&gt;Or the grey men will carry on suiting themselves&lt;br /&gt;And democracy’s only a sham.&lt;br /&gt;&lt;br /&gt;And of course you’re allowed to be angry&lt;br /&gt;But you’d better know who’s getting hurt&lt;br /&gt;And the ambulance man and the shopkeeper both&lt;br /&gt;Bleed the same colour blood down their shirts&lt;br /&gt;&lt;br /&gt;And of course you’ve a right to be angry &lt;br /&gt;There’s enough to be angry about &lt;br /&gt;But point it at those who deserve it&lt;br /&gt;When you’re ready to stand up and shout&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Words by &amp; © Talis Kimberley 9th August 2011</description>
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  <pubDate>Sun, 24 Jul 2011 10:18:22 GMT</pubDate>
  <title>Song: Wash the Damn Spoon!</title>
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  <description>WASH THE DAMN SPOON!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;This spoon is dirty, oh what shall I do?&lt;br /&gt;(You could wash the damn spoon!)&lt;br /&gt;I’ll make me another that’s shiny and new&lt;br /&gt;(Or you could wash the damn spoon!)&lt;br /&gt;&lt;br /&gt;	Wash the damn spoon, wash the damn spoon&lt;br /&gt;	Or you could wash the damn spoon!&lt;br /&gt;&lt;br /&gt;Dig me a well that goes all the way down...&lt;br /&gt;That’s where the black stuff is generally found...&lt;br /&gt;&lt;br /&gt;Bring it ashore in a jolly big boat...&lt;br /&gt;If she should founder the oil will float...&lt;br /&gt;&lt;br /&gt;	Wash the damn spoon, wash the damn spoon&lt;br /&gt;	Or you could wash the damn spoon!&lt;br /&gt;&lt;br /&gt;Get it refined so it knows to behave...&lt;br /&gt;Mould it and melt it to the shape that I crave...&lt;br /&gt;&lt;br /&gt;Pack it in boxes with ten thousand more...&lt;br /&gt;Drive for a week to they get to the store...&lt;br /&gt;&lt;br /&gt;	Wash the damn spoon, wash the damn spoon&lt;br /&gt;	Or you could wash the damn spoon!&lt;br /&gt;&lt;br /&gt;Ring up the price that it says on the tag...&lt;br /&gt;Carry it home in a nice plastic bag...&lt;br /&gt;&lt;br /&gt;Takeaway chicken and noodles for two...&lt;br /&gt;Now my spoon’s dirty and what shall I do?&lt;br /&gt;&lt;br /&gt;	Wash the damn spoon, wash the damn spoon&lt;br /&gt;	Or you could wash the damn spoon!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;* * *&lt;br /&gt;&lt;br /&gt;Words &amp; music by &amp; © Talis Kimberley 23rd July 2011 &lt;br /&gt;&lt;br /&gt;Inspired by Max Temkin’s ‘Plastic Spoon’ artwork (&lt;a href='http://www.maxistentialism.com/about/' rel='nofollow'&gt;http://www.maxistentialism.com/about/&lt;/a&gt;)</description>
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  <pubDate>Tue, 19 Jul 2011 10:44:21 GMT</pubDate>
  <title>Song: The Craftsman</title>
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  <description>New thing... I rather like it. No music yet, but that will likely come in its season. The trigger for this was a Marples plane. Yes, that one. Go read some Jack Lewis if you will. Oh - and I believe one of my grandfathers was a carpenter, too.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;THE CRAFTSMAN&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;There’s wisdom in the craftsman’s hands &lt;br /&gt;As they shape the patient wood&lt;br /&gt;And it’s something very like holy ground&lt;br /&gt;When they know that the cut is good&lt;br /&gt;Here the ordered tools await their turn –&lt;br /&gt;Each chisel, plane and blade&lt;br /&gt;And the craftsman looks with an honest eye&lt;br /&gt;At the beauty // that he has made.&lt;br /&gt;&lt;br /&gt;There’s courage in the craftsman’s heart&lt;br /&gt;As he shapes the patient wood&lt;br /&gt;It’s a lot like loving and as much like pain&lt;br /&gt;Where all journeymen have stood&lt;br /&gt;When the work goes well you can breathe the shape&lt;br /&gt;And your hands are not your own&lt;br /&gt;But when the work goes ill it’s a twisting pain&lt;br /&gt;And one // you bear alone.&lt;br /&gt;&lt;br /&gt;There’s a quiet strength in the craftsman’s mind &lt;br /&gt;As he shapes the patient wood&lt;br /&gt;Here the needs and the rhythms of every tool&lt;br /&gt;Are learned and understood&lt;br /&gt;Where the handles are worn satin-smooth&lt;br /&gt;By a prior craftsman’s touch&lt;br /&gt;By the grace and gift of the work you do&lt;br /&gt;Your own hands // do as much.&lt;br /&gt;&lt;br /&gt;There’s wisdom in the craftsman’s hands &lt;br /&gt;As they shape the patient wood&lt;br /&gt;And it’s something very like holy ground&lt;br /&gt;When they know // that the cut is good&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Words by &amp; © Talis Kimberley 15th July 2011</description>
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  <pubDate>Mon, 04 Jul 2011 10:10:09 GMT</pubDate>
  <title>Candlelit gig!</title>
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  <description>That was a whole bunch of fun - Friday evening I went to Amesbury with Chantelle to sing at The Forge, which is a shop full of beautiful handmade things. I had a delightful audience, which included my dear friend Marisa, and I must say, being greeted by my host with 'Would you like a cup of tea?' always sets me up for a great gig. &lt;br /&gt;&lt;br /&gt;The last few gigs have been outdoor festival-type things, so my setlists have been heavy on the upbeat noisy numbers at the expense of the quieter and introspective pieces. This was a setting that could handle both ends of the spectrum. With no PA to worry about (but a little raised dais which served us well as a stage) I could move around as much as I liked - leaving the stage to go walkabout on 'The White Swan' as I sometimes do. &lt;br /&gt;&lt;br /&gt;We premiered 'The Well' (Arthurian whimsy), and later on I debuted 'Green Again' too - that's a slightly more downbeat piece about the soil that grows our food. &lt;br /&gt;&lt;br /&gt;I had ironwork hares dancing behind me, a fairytale castle beside me, pictures of white horses before me, and camdles everywhere. The listeners were intent on every word, and I'm hopeful of a return trip at some point. Even the drive down was a delight. Oh, and Fourteen Hundred Hours was... well, the silence spread. That was moving, and humbling. &lt;br /&gt;&lt;br /&gt;We also got encored - always a pleasure.&lt;br /&gt;&lt;br /&gt;The setlist, for those who care to know, went as follows: &lt;br /&gt;&lt;br /&gt;Queen of Spindles&lt;br /&gt;The Well&lt;br /&gt;Green Places &lt;br /&gt;Rampisham Down&lt;br /&gt;Appleby Fair &lt;br /&gt;Eleanor Roosevelt's Knitting&lt;br /&gt;The White Swan&lt;br /&gt;X Libris&lt;br /&gt;1400 Hours&lt;br /&gt;Raspberry Leaf &amp; Lemon Balm Tea &lt;br /&gt;&lt;br /&gt;Common Bunting &lt;br /&gt;Plenty&lt;br /&gt;Green Again &lt;br /&gt;Lowlands Pacific&lt;br /&gt;Shiny Things&lt;br /&gt;Jack Hare&lt;br /&gt;Gathering Summer In&lt;br /&gt;Litha-come-Light&lt;br /&gt;Small Mended Corners &lt;br /&gt;Clever Men&lt;br /&gt;Finding of the Feather&lt;br /&gt;&lt;br /&gt;Underpass Mary&lt;br /&gt;Wolf at Your Door</description>
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  <pubDate>Wed, 15 Jun 2011 09:42:06 GMT</pubDate>
  <title>Walthamstow Folk Club, 12th June</title>
  <link>http://talis-kimberley.livejournal.com/30531.html</link>
  <description>WHAT a blast we had! Russ and his team - Claire, MC Kevin, and I daresay others behind the scenes as well - run a lovely, welcoming evening at 'Ye Olde Rose and Crown Theatre Pub'. Yes, it's got an upstairs theatre; currently there's a run of the play 'Girlfriends', and the stage was set up for that. It must be a beautifully intimate setting for drama - I loved it as a performing space.&lt;br /&gt;&lt;br /&gt;There were old friends and very old friends there, (eighteen years, I think, D!) and new friends for the making. The evening started (after a bit of a nightmare journey, kudos to Chantelle for driving through torrential rain and roadworks after roadworks) with a session, and it was grand to see Alison on the melodeon as well as Russ on banjo and, was it Sian joining is as well?&lt;br /&gt;&lt;br /&gt;There were wonderful floor spots from the inestimable Kevin, Russ, Claire, and Sian (apologies for the names I didn't get) and everyone seemed very settled in to have a lovely evening together - which is certainly what we had, as the band. I had Rika on percussion and some backing vox, and Chantelle singing warp to my weft plus a touch of extra percussion; I took a couple of solo songs as well in the middle just for variety, and because I could...:-)&lt;br /&gt;&lt;br /&gt;The setlists were as follows: &lt;br /&gt;&lt;br /&gt;Queen of Spindles&lt;br /&gt;Green Places &lt;br /&gt;Orchard&lt;br /&gt;Underpass Mary &lt;br /&gt;Rampisham Down&lt;br /&gt;Appleby Fair &lt;br /&gt;Eleanor Roosevelt’s Knitting	&lt;br /&gt;Gathering Summer In&lt;br /&gt;Keepsake Day &lt;br /&gt;The Finding of the Feather &lt;br /&gt;Change of Heart &lt;br /&gt;&lt;br /&gt;set 2:&lt;br /&gt;&lt;br /&gt;Common Bunting &lt;br /&gt;Plenty	&lt;br /&gt;Lowlands Pacific&lt;br /&gt;Breeding True &lt;br /&gt;Jack Hare		&lt;br /&gt;Shiny Things &lt;br /&gt;Clever Men				&lt;br /&gt;Scarlet &amp; Green&lt;br /&gt;White Swan&lt;br /&gt;Kitchen Heroes&lt;br /&gt;Dangerous Music&lt;br /&gt;&lt;br /&gt;Encores:&lt;br /&gt;&lt;br /&gt;X Libris&lt;br /&gt;Wolf at Your Door&lt;br /&gt;&lt;br /&gt;* * *&lt;br /&gt;&lt;br /&gt;'Clever Men' was a debut, and was huge fun, with the audience catching every reference. 'Breeding True' I'd debuted earlier that same day at Vowley Farm - very fitting! 'Dangerous Music' was a riot, with the friend whose event caused it to be written sitting there and enjoying it. Lots of singing along from the audience, which was just sublime.&lt;br /&gt;&lt;br /&gt;Kevin fed me SUCH a straight line for the encore, following a bit of banter about licenses, he said 'Oh, we're very licentious here...' and I thought, right, X Libris next, then!&lt;br /&gt;&lt;br /&gt;In all, we just had a ball at Walthamstow, and recommend their friendly and warm club to anyone. Thank you to all who made the evening happen - we wouldn't mind a few more gigs like that!</description>
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  <pubDate>Tue, 31 May 2011 19:27:11 GMT</pubDate>
  <title>London gig: this Saturday, Regents Park, 3pm, FREE</title>
  <link>http://talis-kimberley.livejournal.com/30220.html</link>
  <description>&lt;a href='http://www.facebook.com/pages/London-Green-Fair/191244210911993?sk=wall' rel='nofollow'&gt;http://www.facebook.com/pages/London-Green-Fair/191244210911993?sk=wall&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The guys and I are performing at the London Green Fair this coming Saturday at around 3pm on the bike-powered stage... who's coming along? Regent's Park, free entry, lots of fabulous green stuff going on! I'd love to see some friendly faces! We're doing a 45 to an hour set, and it'll be a fine event - please come!</description>
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  <pubDate>Wed, 04 May 2011 18:42:49 GMT</pubDate>
  <title>Maypoles and pretzels...</title>
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  <description>Camping! Sunshine! Music! Maypole! Dancing! Drumming! And a gig in Brighton for my dear friends in the Greenmantle gang, to celebrate the release of the Beltane edition of the Greenmantle magazine. Each copy of this edition comes with a cover disc of songs by me – it’s a whole mini-album, actually, with the following six songs: &lt;br /&gt;&lt;br /&gt;Green Places, Lady Moon, Raspberry Leaf and Lemon Balm Tea, Delphi, The Path, Finding of the Feather&lt;br /&gt;&lt;br /&gt;II think it’s a very intimate and personal set of songs, and features my dear friend Scott Snyder on bass and synth wrangling. The cover is a beautiful green man image by the artist Chas Alexander, and the whole thing will very soon be available for £3.50 from me, Marchwood Media, or Greenmantle. It’s been a pleasure to record and be involved with, and Paul Pearson, Greenmantle’s editor, has done a sterling job of both the CD and indeed the magazine. Oh, there’s an interview with me in there as well. I'll have it listed on my website's shop as soon as I can.&lt;br /&gt;&lt;br /&gt;The Brighton gig was a huge amount of fun, with music by me (ably assisted by Chantelle Smith, who sings warp to my weft) and by the irreverent and wickedly funny Paul Mitchell. There was green man cake, a party atmosphere, birthdays to celebrate, and I was crowned the Queen of Pretzels. &lt;br /&gt;&lt;br /&gt;It’s a long story.&lt;br /&gt;&lt;br /&gt;My setlist was as follows: Queen of Spindles, Plenty, Pagan Angel, Appleby Fair, Very Last Cup, Lady Moon, Wolf at Your Door. Green Places, Goodnight Sarah-Jane, Eleanor Roosevelt’s Knitting, Jack Hare, Raspberry Leaf and Lemon Balm Tea, Gathering Summer In, Finding of the Feather. Encores: White Swan, Tattercoats.&lt;br /&gt;&lt;br /&gt;How was your weekend? I was out of news contact all through. Quite glad of that, on the whole. Anything happen?</description>
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  <pubDate>Fri, 22 Apr 2011 13:51:08 GMT</pubDate>
  <title>Sarah-Jane on Youtube</title>
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  <description>...thanks to Annie Walker for this:&lt;br /&gt;&lt;br /&gt;&lt;a href='http://www.youtube.com/watch?v=pPnmui7kpwM' rel='nofollow'&gt;http://www.youtube.com/watch?v=pPnmui7kpwM&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Please share as you may; I know many of you have reposted the audio link. If you'd like to post the Youtube link as well, across the 'net and in Dr Who and SF groups or wherever you like, I'll be grateful. &lt;br /&gt;&lt;br /&gt;* * *&lt;br /&gt;&lt;br /&gt;Also, my Bandcamp site had so many downloads that it exceeded the monthly limit overnight, and went to a purchaseable download instead. I'll be donating proceeds from that to a cancer research charity as it was not my intention to make money from my and others' grief, but as it happened overnight and I woke to an inbox full of payments received, this seemed the best way to handle it. I hope that's acceptable to those concerned.&lt;br /&gt;&lt;br /&gt;(And my apologies to those who've seen this post elsenet - I wanted especially to be clear on the Bandcamp payments issue.)</description>
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  <pubDate>Thu, 21 Apr 2011 13:50:17 GMT</pubDate>
  <title>Goodnight, Sarah-Jane</title>
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  <description>&lt;a href='http://taliskimberley.bandcamp.com/track/goodnight-sarah-jane' rel='nofollow'&gt;http://taliskimberley.bandcamp.com/track/goodnight-sarah-jane&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;...this will link you to the Bandcamp site free download of the song I wrote in tribute to Lis Sladen yesterday. &lt;br /&gt;&lt;br /&gt;The Bandcamp site tells you the what and the how... I'll tell you here that I cried writing it, that I made the first lines true, and that I daren't think just now of revisiting the song I wrote for Jon Pertwee (*my* Doctor...), because if I start singing 'First Hero' as well, there simply won't be enough hankies to go round.&lt;br /&gt;&lt;br /&gt;Please do share the link as you will, if you think it's merited.&lt;br /&gt;&lt;br /&gt;* * *&lt;br /&gt;&lt;br /&gt;I'll likely sing this live in Brighton on the 1st May at my gig there, and afterwards wherever it seems appropriate... I'm performing again for 'Bristolcon' in October, so I'll warn you now to bring hankies there as well, alright? And we'll be a soggy mess together.</description>
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  <pubDate>Sun, 13 Mar 2011 11:21:19 GMT</pubDate>
  <title>Tears for Jack Hardy</title>
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  <description>I've just learned that Jack Hardy, writer and singer of deeply magical and moving songs, political, historical and utterly warmly human, passed away two days ago. &lt;br /&gt;&lt;br /&gt;Just playing his CD 'Omens' on the player - his 'Siar On nDaingean' is one of the most moving things I've ever heard, and listening now, and trying to sing along, my throat closes up and the tears well. I never met the man but through his songs. He wrote many many of those, and I've only skimmed the surface of his work so far. &lt;br /&gt;&lt;br /&gt;I was first introduced to him through the gift from a dear friend of 'Tales of the White Goddess' - where his 'Wedding Song' became instantly one of that handful of jaw-droppingly compelling 'Oh! I WISH I'd written that!' songs. The only way to deal with them is to lean them and sing them, I've found - and have sung that song at many weddings and handfastings over the years, usually with my beloved harp. &lt;br /&gt;&lt;br /&gt;I sang 'Siar...' at Chicago last June, acapella in a singing circle just on a whim, and later gave my copy of the lyric to Amy the fiddler-lady...&lt;br /&gt;&lt;br /&gt;All my memories of Jack Hardy are fine ones, and I am sure those who've known him better and longer than I will have many many more. Rest well, dear bard, and bright blessings for you in the next place. And always, the story and the song.</description>
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