<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2enclosuresfull.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:media="http://search.yahoo.com/mrss/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-3963234605591141663</atom:id><lastBuildDate>Sun, 20 May 2012 14:18:58 +0000</lastBuildDate><category>sculpture</category><category>noise-cancellation</category><category>joachim schmid</category><category>good</category><category>france</category><category>urbanexploration</category><category>soundskate</category><category>tanks</category><category>anechoic</category><category>analog-digital</category><category>border</category><category>war</category><category>acoustic wayfinding</category><category>san jose</category><category>virginia</category><category>post-military</category><category>italy</category><category>burning man</category><category>okinawa</category><category>military base</category><category>athens</category><category>desert</category><category>germany</category><category>angel island</category><category>machines</category><category>baggagescreening</category><category>taxonomy</category><category>do the right thing</category><category>jet</category><category>sydney</category><category>taco truck</category><category>san francisco</category><category>panama</category><category>john cage</category><category>cuba</category><category>australia</category><category>sound installation</category><category>soundmark</category><category>field recording</category><category>binaural</category><category>soundwalk</category><category>california</category><category>new zealand</category><category>noise</category><category>hawthorne</category><category>berlin</category><category>Occupy Wall Street</category><category>military urbanism</category><category>space</category><category>washington d.c.</category><category>lo-fi</category><category>korea</category><category>#demilit</category><category>radio raheem</category><category>amplification</category><category>memorial</category><category>mexico</category><category>soundwall</category><category>signal v. noise</category><category>museum</category><category>spatialization</category><category>bunker</category><category>frieze</category><category>Zizek</category><category>soundscape</category><category>archive</category><category>england</category><category>Obscura Day</category><category>bell labs</category><category>forest</category><category>underground</category><category>netherlands</category><category>ambisonics</category><category>navy</category><category>ecology</category><category>circuit bending</category><category>lunchwalk</category><category>places</category><category>translation</category><category>photography</category><category>atlantikwal</category><category>streets</category><category>tourism</category><category>missiles</category><category>mushrooms</category><category>air-conditioner</category><category>pre-military</category><category>alvin lucier</category><category>hi-fi</category><category>kitchen</category><category>listening</category><category>pennsylvania</category><category>hyperacusis</category><category>island</category><category>supercollider</category><category>doug aitken</category><category>guam</category><category>no-fi</category><category>japan</category><category>microphone</category><category>film</category><category>revolution</category><category>harvard acoustics research laboratory</category><category>lost boys</category><category>new mexico</category><category>landscape</category><category>military landscape</category><category>gaffta</category><title>Soundscrapers</title><description>constructing space with sound</description><link>http://soundscrapers.blogspot.com/</link><managingEditor>noreply@blogger.com (Nick Sowers)</managingEditor><generator>Blogger</generator><openSearch:totalResults>66</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/Soundscrapers" /><feedburner:info xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" uri="soundscrapers" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><media:copyright>Creative Commons license</media:copyright><media:keywords>military,architecture,travel</media:keywords><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Arts/Design</media:category><itunes:owner><itunes:email>nicolassowers@yahoo.com</itunes:email><itunes:name>Nick Sowers</itunes:name></itunes:owner><itunes:author>Nick Sowers</itunes:author><itunes:explicit>no</itunes:explicit><itunes:keywords>military,architecture,travel</itunes:keywords><itunes:subtitle>A sonic slice through the global military atmosphere.</itunes:subtitle><itunes:summary>This podcast charts my path around the globe as I explore US military bases and post-military spaces.</itunes:summary><itunes:category text="Arts"><itunes:category text="Design" /></itunes:category><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-4119286733100182850</guid><pubDate>Sun, 08 Apr 2012 19:31:00 +0000</pubDate><atom:updated>2012-04-08T12:56:05.351-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">san francisco</category><category domain="http://www.blogger.com/atom/ns#">soundscape</category><category domain="http://www.blogger.com/atom/ns#">post-military</category><category domain="http://www.blogger.com/atom/ns#">#demilit</category><title>SF Gravelator 91L</title><atom:summary type="text">
As mentioned here from time to time, I represent one third of the experimental collective DEMILIT.  We are a group taking walks, recording sounds, and making connections between militarized spaces and the everyday landscape.  Last year we were commissioned by Deutchlandradio Kultur to produce a radio piece on their "Newcomer Werkstatt" program, which aired in Berlin at midnight,  June 24, 2011.</atom:summary><link>http://soundscrapers.blogspot.com/2012/04/sf-gravelator-91l.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://3.bp.blogspot.com/-GzqdQhnaM9U/T4HkU3MDR-I/AAAAAAAAAbI/XKFEYALvWMY/s72-c/DR+makingpilesofthings.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-7929275151549943747</guid><pubDate>Thu, 22 Mar 2012 06:36:00 +0000</pubDate><atom:updated>2012-03-24T22:53:01.656-07:00</atom:updated><title>SF Lunchwalk: Attack and Decay</title><atom:summary type="text">

Four Recent Lunchwalks
Attack and Decay are technical terms known to sound editors and synth musicians, but the concept is also intrinsic to urban walking.  "Attack" is the initial rise of a particular sound and "Decay" is the falling away of the sound from its peak to a normal or "sustained" volume.   Doors open and the clamor of a restaurant rushes out (attack); someone walks in, shutting the</atom:summary><link>http://soundscrapers.blogspot.com/2012/03/sf-lunchwalk-attack-and-decay.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://3.bp.blogspot.com/-79yoaKaqKyg/T2rE9eA9KDI/AAAAAAAAAa8/JEh2FXSbiH0/s72-c/sf-lunchwalk07-10_.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-6005481498256813039</guid><pubDate>Wed, 07 Mar 2012 08:40:00 +0000</pubDate><atom:updated>2012-03-07T00:42:39.831-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">san francisco</category><category domain="http://www.blogger.com/atom/ns#">lunchwalk</category><title>SF Lunchwalk: Smokestack</title><atom:summary type="text">
Walking every week, with every chance I get.  My feet vault me out of a sedentary habit (we are what we repeatedly do) into the unique opportunity of an urban walk, latent with unexpected encounters.  Encounters, such as the sight of this smokestack somewhere north of the lunch hour ground zero.  I marvel at its unlikely location, amid the housing and workplaces.  Surely it cannot still be in </atom:summary><link>http://soundscrapers.blogspot.com/2012/03/sf-lunchwalk-smokestack.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://4.bp.blogspot.com/-rAZjhidxn9U/T1cXi5SqsRI/AAAAAAAAAaw/q2G38Myx-58/s72-c/smokestack.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-3616421545759010472</guid><pubDate>Fri, 27 Jan 2012 07:48:00 +0000</pubDate><atom:updated>2012-02-03T22:54:54.058-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">streets</category><category domain="http://www.blogger.com/atom/ns#">san francisco</category><category domain="http://www.blogger.com/atom/ns#">field recording</category><category domain="http://www.blogger.com/atom/ns#">taxonomy</category><category domain="http://www.blogger.com/atom/ns#">lunchwalk</category><title>SF Lunchwalk: Forty-three Ambient Slices of the City</title><atom:summary type="text">

Why even bother with the names of streets?  In a world of sound, the names of streets ring silent.  They are dwarfed by the din of traffic, overwhelmed by thousands of diffuse sounds from the city hulking above.  Market Street, for instance, beckons to be renamed every time I walk out onto it.  My feet are willing to forget, but my head still wants to know: where am I going today?

East.  The </atom:summary><link>http://soundscrapers.blogspot.com/2012/01/sf-lunchwalk-forty-three-ambient-slices.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://2.bp.blogspot.com/-2qGSG_qBvLU/TyJZZoFgw8I/AAAAAAAAAZ4/Zc9bWxpAUAY/s72-c/sf_lunchwalk06_east.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-7591900144568706232</guid><pubDate>Tue, 17 Jan 2012 00:55:00 +0000</pubDate><atom:updated>2012-01-16T17:42:59.927-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">taco truck</category><category domain="http://www.blogger.com/atom/ns#">soundwalk</category><category domain="http://www.blogger.com/atom/ns#">san francisco</category><category domain="http://www.blogger.com/atom/ns#">lunchwalk</category><title>SF Lunchwalk: Taco Truck</title><atom:summary type="text">

On this fifth lunchwalk, where I take a walk instead of eating lunch, I broke the only rule: I ate lunch.  Two shrimp tacos, to be exact.  I also did not walk alone but wandered out with a friend, Marc Wiedenbaum of disquiet  fame.  Our walking discussion ranged across current projects of his, on the reasons we walk and listen, and, as we descended upon a taco truck, the sound of food.  So, </atom:summary><link>http://soundscrapers.blogspot.com/2012/01/sf-lunchwalk-taco-truck.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://3.bp.blogspot.com/-3-Bb5yq5LsI/TxTPo9B4y1I/AAAAAAAAAZw/zotr1v6APlc/s72-c/sf-lunchwalk05.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-5064076472630169680</guid><pubDate>Mon, 09 Jan 2012 01:54:00 +0000</pubDate><atom:updated>2012-01-16T17:43:28.549-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">san francisco</category><category domain="http://www.blogger.com/atom/ns#">field recording</category><category domain="http://www.blogger.com/atom/ns#">lunchwalk</category><title>SF Lunchwalk: North-northeast</title><atom:summary type="text">
Market, the street I always begin on because my office's front door faces it, is a long street.  It is the only street which bisects the entire island--the island defined by an hour round-trip walk on my lunch break.  At the northeast edge, there is water.  So to the water's edge I aimed my stride, and off I went.

Down the canyon called Market, sirens wail and horns resonate.  The canyon is the</atom:summary><link>http://soundscrapers.blogspot.com/2012/01/lunchwalk-north-northeast.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://1.bp.blogspot.com/-2gGxw5HLfqs/TwovxLhkw8I/AAAAAAAAAZg/zr6yjwY835w/s72-c/sf-lunchwalk04.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-9097744403153134233</guid><pubDate>Wed, 04 Jan 2012 08:18:00 +0000</pubDate><atom:updated>2012-01-16T17:46:39.321-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">bunker</category><category domain="http://www.blogger.com/atom/ns#">hawthorne</category><category domain="http://www.blogger.com/atom/ns#">desert</category><category domain="http://www.blogger.com/atom/ns#">military landscape</category><category domain="http://www.blogger.com/atom/ns#">landscape</category><category domain="http://www.blogger.com/atom/ns#">museum</category><title>Notes from the Desert</title><atom:summary type="text">1.  I took an overnight trip to Nevada with my brother about two weeks ago.  I was a city dweller in need of a desert fix, an injection of sand, a shower of still air.  My brother had never been to the desert.  So, I picked a spot about six hours by car from San Francisco—a small town that nobody makes a destination of: Hawthorne, Nevada.



2.  To travel to Hawthorne in the winter, when the road</atom:summary><link>http://soundscrapers.blogspot.com/2012/01/notes-from-desert.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://3.bp.blogspot.com/-5TTlvFLsYI0/TwQLkprG7oI/AAAAAAAAAY4/qetlw6Q82t0/s72-c/desertnotes1.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-1531035152583056107</guid><pubDate>Fri, 09 Dec 2011 08:29:00 +0000</pubDate><atom:updated>2011-12-09T10:28:25.742-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">san francisco</category><category domain="http://www.blogger.com/atom/ns#">machines</category><category domain="http://www.blogger.com/atom/ns#">field recording</category><category domain="http://www.blogger.com/atom/ns#">lunchwalk</category><title>SF Lunchwalk: North</title><atom:summary type="text">

SF Lunchwalk: North, third in a series exploring the city instead of eating lunch.

I am exploring north along streets mechanized from below.  Gears, pulleys, and cables live under the street, humming and clapping, droning and singing, partaking in the communion of automata.
I would begin not listening to machines, but to the bells of the Salvation Army.  Passing a giant tree which these </atom:summary><link>http://soundscrapers.blogspot.com/2011/12/sf-lunchwalk-north.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://1.bp.blogspot.com/-XMZAI5SIIcs/TuHCe4sf9XI/AAAAAAAAAXw/EOESWZ2m62I/s72-c/sf-lunchwalk_north.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-7070940194959807579</guid><pubDate>Wed, 30 Nov 2011 07:09:00 +0000</pubDate><atom:updated>2011-12-03T21:13:33.654-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">san francisco</category><category domain="http://www.blogger.com/atom/ns#">field recording</category><category domain="http://www.blogger.com/atom/ns#">lunchwalk</category><title>SF Lunchwalk: West</title><atom:summary type="text">

A traveler on this new island, my first forays radiate out from the center.  At 12:36 pm, I start walking due west.

Not a few moments pass before I am pressed up against fellow travelers, compressed in the space of the city, stacked like the bricks around us.  A clicking signal indicates to the blind, such as yourself, that a street crossing is permitted by the local authorities.  Let loose </atom:summary><link>http://soundscrapers.blogspot.com/2011/11/sf-lunchwalk-west.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://4.bp.blogspot.com/-IkJh4MG5Lj0/TtXO2jrayHI/AAAAAAAAAXQ/BKKoHYFMwTQ/s72-c/sf-lunchwalk+02+west.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-3261656652284506475</guid><pubDate>Tue, 22 Nov 2011 08:37:00 +0000</pubDate><atom:updated>2011-11-22T20:33:23.909-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">soundwalk</category><category domain="http://www.blogger.com/atom/ns#">san francisco</category><category domain="http://www.blogger.com/atom/ns#">field recording</category><category domain="http://www.blogger.com/atom/ns#">lunchwalk</category><title>SF Lunchwalks</title><atom:summary type="text">Lunch break. Got an hour? Take a walk. Inside of a thirty-minute radius, an infinitely detailed (though finitely bound) landscape is within reach.



SF Lunchwalks: Morsel of San Francisco which I can reach in a one-hour roundtrip from my office.

SF Lunchwalk 01 : Cracks is the first in a series of soundwalks, where I take a walk for an hour instead of eating lunch (or eat lunch while walking). </atom:summary><link>http://soundscrapers.blogspot.com/2011/11/sf-lunchwalks.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://3.bp.blogspot.com/-lQLpXmF8RfE/Tstc8H0MynI/AAAAAAAAAW4/4ZC4x7aFZCs/s72-c/sf-lunchwalk01.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-1411589096853547597</guid><pubDate>Wed, 19 Oct 2011 17:50:00 +0000</pubDate><atom:updated>2011-10-19T14:36:23.035-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">lost boys</category><title>Death by Stereo</title><atom:summary type="text">
Edgar Frog: I think I should warn you all, when a vampire bites it, it's never a pretty sight. No two blood suckers go out the same way. Some yell and scream, some go quietly, some explode, some implode. But, all will try and take you with them.</atom:summary><link>http://soundscrapers.blogspot.com/2011/10/death-by-stereo.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://1.bp.blogspot.com/-XBKfboJ1q6w/Tp8M-5mR9II/AAAAAAAAAWY/aeJg3Jb3wo0/s72-c/deathbystereo.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-3123816418793192699</guid><pubDate>Fri, 14 Oct 2011 07:04:00 +0000</pubDate><atom:updated>2011-10-19T10:44:28.622-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Zizek</category><category domain="http://www.blogger.com/atom/ns#">acoustic wayfinding</category><category domain="http://www.blogger.com/atom/ns#">amplification</category><category domain="http://www.blogger.com/atom/ns#">revolution</category><category domain="http://www.blogger.com/atom/ns#">Occupy Wall Street</category><category domain="http://www.blogger.com/atom/ns#">microphone</category><title>The Revolution will not be Amplified</title><atom:summary type="text">

A mobile loudspeaker array

Something like what you see above will not be found around the #occupy movements growing in cities around the globe.  An amplified platform, broadcasting a clear and distinct message, is fittingly absent.  It is not permissible by many of the occupied downtown neighborhoods, nor is it even necessary as a technology for these groups to express themselves.

The NYPD </atom:summary><link>http://soundscrapers.blogspot.com/2011/10/revolution-will-not-be-amplified.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://2.bp.blogspot.com/-msM76D_r0uU/Tpfdds_AB6I/AAAAAAAAAWQ/SGBu5Dvp2F0/s72-c/mobileloudspeakers.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-3890317644484952168</guid><pubDate>Sat, 08 Oct 2011 23:25:00 +0000</pubDate><atom:updated>2011-10-19T10:27:21.088-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">harvard acoustics research laboratory</category><category domain="http://www.blogger.com/atom/ns#">doug aitken</category><category domain="http://www.blogger.com/atom/ns#">listening</category><category domain="http://www.blogger.com/atom/ns#">john cage</category><category domain="http://www.blogger.com/atom/ns#">anechoic</category><title>Listening prostheses</title><atom:summary type="text">

Horn Antenna, Holmdel, New Jersey, circa 1960 (via)
I came across this image by chance, just flipping through images of Bell Laboratories.  The image itself speaks of a colossal effort to listen to something.  Was it a particular sound that was sought out here?  Not sound, but another kind of wave energy would be collected in this ear in the landscape.  This ear with its ability to rotate and </atom:summary><link>http://soundscrapers.blogspot.com/2011/10/listening-prostheses.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://3.bp.blogspot.com/-IidVHVisTpo/To8O4QRsasI/AAAAAAAAAV4/qGbeZtuc2_4/s72-c/astro4k1.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-1539781011876046996</guid><pubDate>Thu, 29 Sep 2011 07:57:00 +0000</pubDate><atom:updated>2011-10-14T00:20:40.817-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">no-fi</category><category domain="http://www.blogger.com/atom/ns#">lo-fi</category><category domain="http://www.blogger.com/atom/ns#">hi-fi</category><category domain="http://www.blogger.com/atom/ns#">circuit bending</category><title>Lo-fi Architecture</title><atom:summary type="text">

Hi-fi architecture: a concert hall, a lecture room, a sound stage.  A great deal of acoustic engineering and formal design decisions goes into the production of these spaces. The remaining spaces we inhabit, the everyday architecture of hallways, kitchens, lobbies, and public streets--these are largely not designed from an acoustic standpoint.  Less than lo-fi, which would suggest some sort of </atom:summary><link>http://soundscrapers.blogspot.com/2011/09/lo-fi-architecture.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://4.bp.blogspot.com/-q--s2-lFyFs/ToQX7Gmf7LI/AAAAAAAAAVw/Hef_F2nVkAQ/s72-c/Casio+SK-1+Aleatron+Bending+Diagram.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-1060171487029279605</guid><pubDate>Thu, 01 Sep 2011 15:23:00 +0000</pubDate><atom:updated>2011-10-19T10:27:46.531-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">radio raheem</category><category domain="http://www.blogger.com/atom/ns#">film</category><category domain="http://www.blogger.com/atom/ns#">do the right thing</category><title>The story of life is this: static</title><atom:summary type="text">

Give me 20 D Energizers.
20 C Energizers?
Not C, D. 
C Energizers?
D, motherfucker, D. Learn to speak English first, all right?
How many you say?
20, motherfucker, 20.
Motherfuck you.
Motherfuck you? You, you all right, man.

</atom:summary><link>http://soundscrapers.blogspot.com/2011/09/story-of-life-is-this-static.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://1.bp.blogspot.com/-Da7KegwzwK4/Tl-jR9rU9oI/AAAAAAAAAVU/TffW_t6nEYs/s72-c/radioraheem.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-8480539665095244002</guid><pubDate>Wed, 24 Aug 2011 06:23:00 +0000</pubDate><atom:updated>2011-10-19T10:28:28.748-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">pre-military</category><category domain="http://www.blogger.com/atom/ns#">military landscape</category><category domain="http://www.blogger.com/atom/ns#">post-military</category><category domain="http://www.blogger.com/atom/ns#">#demilit</category><title>Traces of a Pre-Military Landscape</title><atom:summary type="text">

A definite sonic quality to this 1932 aerial view of San Francisco Bay.  Found via.
Much has been made of exploring post-military landscapes, but what is to be said of the pre-military landscape? 

For instance, survey the busy San Francisco Bay in the photo above, just a handful of years before the military began its massive transformation of the watery edge.  It is worth observing how well </atom:summary><link>http://soundscrapers.blogspot.com/2011/08/traces-of-pre-military-landscape.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://2.bp.blogspot.com/-h8KBJHcFkkY/TlSCmxT7jTI/AAAAAAAAAVQ/gitiu1Io9Dg/s72-c/Alameda_CA_32_w.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-6196779223752853014</guid><pubDate>Fri, 03 Jun 2011 04:27:00 +0000</pubDate><atom:updated>2011-10-19T10:29:11.046-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">places</category><category domain="http://www.blogger.com/atom/ns#">bunker</category><category domain="http://www.blogger.com/atom/ns#">atlantikwal</category><category domain="http://www.blogger.com/atom/ns#">post-military</category><category domain="http://www.blogger.com/atom/ns#">frieze</category><category domain="http://www.blogger.com/atom/ns#">angel island</category><title>Military Pastoral</title><atom:summary type="text">Busy times offline here at Soundscrapers.

Found in print only, on a newsstand somewhere, is an essay and set of drawings titled "Military Pastoral" in issue 138 of Frieze magazine.  In the article I write about two military landscapes with vastly divergent post-military paths:  Gettysburg, memorialized ad infinitum, and Palmanova, finding new life in its eroding geometries.



The Entropic </atom:summary><link>http://soundscrapers.blogspot.com/2011/06/military-pastoral.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://3.bp.blogspot.com/-wk8_uonhYF4/Tehhef65nqI/AAAAAAAAAUg/l9MfvmuQH9M/s72-c/gettysburg-sm.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-845762170091823790</guid><pubDate>Tue, 29 Mar 2011 07:26:00 +0000</pubDate><atom:updated>2011-10-19T10:31:54.458-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">good</category><category domain="http://www.blogger.com/atom/ns#">kitchen</category><category domain="http://www.blogger.com/atom/ns#">mushrooms</category><title>A misty morel wall</title><atom:summary type="text">

A misty morel wall

Soundscrapers continues the assault on the kitchen over at GOOD.What would make a good sonic kitchen?Hit me up over @twitter.</atom:summary><link>http://soundscrapers.blogspot.com/2011/03/misty-morel-wall-soundscrapers.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://1.bp.blogspot.com/-VdM73BmrGHc/TZGIjggP2yI/AAAAAAAAAUc/FbONxHldNwg/s72-c/morelwall3.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-7502218653051164997</guid><pubDate>Wed, 19 Jan 2011 18:53:00 +0000</pubDate><atom:updated>2011-10-19T10:29:48.606-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">places</category><category domain="http://www.blogger.com/atom/ns#">burning man</category><category domain="http://www.blogger.com/atom/ns#">soundscape</category><category domain="http://www.blogger.com/atom/ns#">john cage</category><title>WWJCD</title><atom:summary type="text">In case you missed it, I have a soundscape for your listening pleasure over at Design Observer's Places.  The recordings are of the temporary city called Burning Man which appears annually in the Nevada Desert.


I was out there for the full seven days, recorder in hand...
As a trained architect who is familiar with listening to cities composed largely of hard walls, I found myself out of my </atom:summary><link>http://soundscrapers.blogspot.com/2011/01/wwjcd.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-5368333728108314009</guid><pubDate>Fri, 14 Jan 2011 06:35:00 +0000</pubDate><atom:updated>2011-10-19T10:30:27.964-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">listening</category><category domain="http://www.blogger.com/atom/ns#">bell labs</category><category domain="http://www.blogger.com/atom/ns#">anechoic</category><title>No contest</title><atom:summary type="text">The following question comes from a study guide for one of the seven exams required to get an architecture license:


When I saw the question, after getting over my disbelief that this sort of subjective nonsense could even be found on the exam, I put down (D) as my answer.  I flipped to the back.  WRONG.  The answer is (A).  Are you kidding me!?  It was as though the architecture gods-that-be </atom:summary><link>http://soundscrapers.blogspot.com/2011/01/no-contest.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://4.bp.blogspot.com/_E_dDmmPkEcY/TS_ldDVy_NI/AAAAAAAAAUQ/wHMnwMRwmMk/s72-c/qualityofspace.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-5426334846313595629</guid><pubDate>Thu, 06 Jan 2011 22:40:00 +0000</pubDate><atom:updated>2011-10-19T10:31:11.907-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">photography</category><category domain="http://www.blogger.com/atom/ns#">noise</category><category domain="http://www.blogger.com/atom/ns#">hyperacusis</category><category domain="http://www.blogger.com/atom/ns#">joachim schmid</category><title>Fragmented Skies</title><atom:summary type="text">The photographer Joachim Schmid was (and perhaps still is) afflicted by a condition known as hyperacusis -- a reaction of severe irritation to sounds of certain frequencies. Apparently airborne sounds like helicopters were causing him great discomfort. Whether or not the object was visible, Mr. Schmid, as a self-imposed therapy, would step outside and take a photograph of the sky.  Each moment of</atom:summary><link>http://soundscrapers.blogspot.com/2011/01/fragmented-skies.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://2.bp.blogspot.com/_E_dDmmPkEcY/TSY-73OA2JI/AAAAAAAAAUM/52QqAVfg-dk/s72-c/choppersky.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-2708734049539225005</guid><pubDate>Sat, 11 Dec 2010 08:07:00 +0000</pubDate><atom:updated>2011-01-19T10:55:28.084-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">desert</category><category domain="http://www.blogger.com/atom/ns#">sculpture</category><title>Dissipate</title><atom:summary type="text">

Dissipate Michael Heizer, 1968
Consider Michael Heizer’s Dissipate, installed in Nevada's Black Rock desert in 1968. The piece consisted of five rectangular Cor-Ten steel trays, depressed in the desert floor and sloping from shallow to deep.

The noteworthy thing to me about this piece is not the iconic image but the unseen excavation, the desert removed. The dust from the excavation may even </atom:summary><link>http://soundscrapers.blogspot.com/2010/12/dissipate.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://1.bp.blogspot.com/_E_dDmmPkEcY/TQMsOvXW2MI/AAAAAAAAAUA/vDdqnSiu5_I/s72-c/heizer_dissipate.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-296011426488765330</guid><pubDate>Sat, 04 Dec 2010 07:59:00 +0000</pubDate><atom:updated>2011-10-19T10:32:14.609-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">noise</category><title>To build with noise</title><atom:summary type="text">

Ray tracings of a single point source in a theater, 1,291 ms.
</atom:summary><link>http://soundscrapers.blogspot.com/2010/12/to-build-with-noise.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://4.bp.blogspot.com/_E_dDmmPkEcY/TPn0UJjTRII/AAAAAAAAAT8/Jt0BSfmAJVs/s72-c/blurbuildingnoise.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-3335364810974769825</guid><pubDate>Fri, 12 Nov 2010 18:41:00 +0000</pubDate><atom:updated>2011-10-19T10:32:59.284-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">binaural</category><category domain="http://www.blogger.com/atom/ns#">gaffta</category><category domain="http://www.blogger.com/atom/ns#">supercollider</category><category domain="http://www.blogger.com/atom/ns#">space</category><category domain="http://www.blogger.com/atom/ns#">ambisonics</category><category domain="http://www.blogger.com/atom/ns#">spatialization</category><title>Sound-as-Space</title><atom:summary type="text">The Spatial Sound With Supercollider workshop has come to a close.  Thank you to the folks at CCRMA and GAFFTA for hosting!

Before expanding on some of the techniques that came up in the workshop, I think it would be useful to take a few steps backward and explain what it means to spatialize sound.

We can think of sound as a process which occurs in time  i.e.  I listened to Rachmaninoff's </atom:summary><link>http://soundscrapers.blogspot.com/2010/11/spatial-sound.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://2.bp.blogspot.com/_E_dDmmPkEcY/TN15jVyuOsI/AAAAAAAAATw/8PJPIZEAkUM/s72-c/images.jpg" height="72" width="72" /></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3963234605591141663.post-6058743221163125825</guid><pubDate>Tue, 09 Nov 2010 18:18:00 +0000</pubDate><atom:updated>2010-11-17T21:10:05.274-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">analog-digital</category><title>A Machine for Slicing Rooms</title><atom:summary type="text">I am almost finished with a four-day workshop hosted by the Gray Area Foundation for the Arts (GAFFTA) in the Tenderloin district of San Francisco.  The title is "Spatial Sound with Supercollider".  In this workshop we have concerned ourselves with the manifold possibilities for taking sound and expanding it from the standard stereo listening environment.  This spatialization of sound is distinct</atom:summary><link>http://soundscrapers.blogspot.com/2010/11/machine-for-slicing-rooms.html</link><author>nicolassowers@yahoo.com (Nick Sowers)</author><media:thumbnail url="http://2.bp.blogspot.com/_E_dDmmPkEcY/TNmAURiDGWI/AAAAAAAAATo/7saHtCh1JQQ/s72-c/hoa.jpg" height="72" width="72" /></item><language>en-us</language><copyright>Creative Commons license</copyright><media:credit role="author">Nick Sowers</media:credit><media:rating>nonadult</media:rating><media:description type="plain">A sonic slice through the global military atmosphere.</media:description></channel></rss>

