The SendMe Stage

New Albums: John Mayer and Norah Jones

Shaane — Fri, 20 Nov 2009 15:00:57 +0000

John Mayer – Battle Studies

I think John Mayer is back on his game. I mean, don’t get me wrong, I did enjoy Continuum for the most part (in particular, “The Heart of Life” and “Slow Dancing in a Burning Room”), but the album seemed rushed. It seemed as if he was less inspired and more pushed by a label or something.

But Battle Studies comes three years after Continuum, giving Mayer plenty of time to get his groove back. I just think he has a problem with picking first singles. “Waiting on the World to Change,” for example, was the most different and unappealing song of Continuum. I feel the same way about “Who Says” on Battle Studies. I just don’t like it, so I was afraid I wouldn’t like the rest of the album. I actually like it a lot. It’s one of those albums I’m actually excited to buy.

And, what could be better than a song with both John Mayer and Taylor Swift? Okay, sure, I can think of a lot of amazing duos I’d like to see…but this one really works. “Half of My Heart” is my favorite song on Battle Studies, I think. Overall I approve of the album. Welcome back, John.

Pick up Battle Studies today!

Norah Jones – The Fall

Well Norah Jones seemed to Fall off the face of the earth for awhile. (Get it?! It’s punny.) People have told me I look like her. I don’t see the resemblance at all. I don’t know why this would be relevant, either; you don’t know what I look like. Anyway, she hasn’t had an album since her double-platinum super-hit Not Too Late in 2007. I guess that’s not too long of a gap in-between records, but it always seems longer, you know?

The Fall has a little less of her jazzy-folk-type sound and a little more rock and blues. Her voice still sounds great, though. I wonder if she stepped out of her element on purpose as an experiment. I mean, why not? She has tackled the more indie genres successfully, why not try something new? I think “Even Though” is a great example of how she is able to step between genre lines and come out clean.

If you order the deluxe version of The Fall on iTunes you’ll get six bonus songs that are live recordings from a performance at The Living Room in New York City. Honestly, her voice sounds flawless; the songs could be studio recordings and you wouldn’t be able to tell the difference. I love when artists are able to sing well and comfortably live. Michael Bublé has that talent, also. He always sounds perfect live. But, I digress.

Check out The Fall, available now!

The Radient Interview

A. Sogal — Thu, 19 Nov 2009 16:10:50 +0000

Hey Mobilers, next up is New York-based group The Radiant, and they certainly have a radiance to their sound. Together since 2006 and with two albums under their belt, the group has toured nationwide and internationally. We sat down with keyboardist Mark Mangold and got him to let us in on the band’s themes, influences and love of creating “tapestries” of music.

Check it out and give them a listen.

1. How did the four of you begin playing music together?

We are all living in New York, although we all come from other places (Christian from Orlando, Jonny Cragg from Manchester, Mark from Florida). It started out as Christian and Mark. Jonny and Jordan joined a bit later.

2. Do you think big cities such as New York allow bands to mature faster?

We actually like getting out of New York. It’s a place where music and bands end up, on a tour through, but not sure it’s the best way to hang and mature. So many musicians need to be doing other things here to pay rent — it probably even takes longer and may involve more sacrifices than if we were from a small town somewhere. But we made it work.

3. Any particular venues around New York City you like to play more than others? What do you like about them?

The thing about New York is that few places have a dedicated audience. Here, the band brings their following and the place clears out by the time the next band goes on. A bit difficult. We love playing at Arlene’s Grocery though; a cool place, nice sound. When we played over in Europe there is a music scene and people are at the clubs no matter what, so you can spread your sound and make new friends.

4. Do you ever get silly questions like, “where is the guitarist?”

Well Christian plays guitar on the songs that need it, but no, not really. That’s like asking Keane where’s the bass player, or asking The Verve where’s the Orchestra when they start into Bittersweet Symphony. Happily people seem very tolerant of all that stuff, seem to be used to it and just want to be entertained. Also, a lot of the “guitar” sounds we used are actually keyboards processed in one way or another or put through an amp to sound like guitars. The technical side of this band is a lot of fun.

5. Who are some of your biggest musical influences.

Everyone, from Zep and Purple to all the stuff out there now, anything good and interesting really. Jimmy Smith on Hammond Organ is a hero of mine, Love The Bravery and of course Muse, Verse…everyone who sounds like us.

6. It’s been cool to make fun of all things 80s for a decade or so, but a lot that stuff seems to be coming back around. As a keyboard driven band, do you draw any musical inspiration from 80s acts?

Sure, it’s all gotten in the genres somehow. From the metal stuff to the “Romantics” like Depeche Mode, etc. In some of the new software they actually name the sounds after a song it was used on.

7. Christian’s voice really has that soaring quality. When did you first realize you had something there?

The very first time I ever heard him sing I was totally blown away. Plus he plays every instrument — originally a drummer, a great guitarist, plays keys…and sings his ass off. He is a very deserving human being.

8. What it the songwriting process like? Do you guys usually collaborate?

Songwriting is always happening, no matter what else is going on. When we collaborate we try to stick to our first impressions often, as they always seem to turn out to be cool and without “judgment” or overthinking. Christian likes long notes, so often if I do something, we’ll cut out half the lyrics and extra syllables. And we’re always trying to create tapestries. Many of our songs and chord progressions and “overdubs” should NOT actually work “on paper”, but they sound good and we don’t question. It’s not coming from a mathematical place, it’s very organic and instinctual. Wherever the fingers go on the keyboard usually works, and is a constant source of surprise.

We are pretty much workaholics and LOVE making music. It defines all of our lives, for sure.

9. Are there any particular themes that come up in your writing?

Love and continued existence; for example recovery, suicide, apology, and unconditional love.

10. Where should people go for info about where to see you live?

You can check us out at myspace.com/theradiantband, and jamwave.com/theradiant and jamwave.com/theradiant2.

Thanks guys. We’re completely taken with their harmonic sound, and your tunes are getting lots of play in our playlists.

Twilight: New Moon Opens on Friday

Shaane — Wed, 18 Nov 2009 15:00:22 +0000

Well. It’s that time of year again.

After a lot of anticipation (even though the last movie came out barely a year ago), the second installment of the Twilight saga—based on the books by Stephanie Meyer—hits the theaters this Friday, November 20. To nobody’s surprise, the movie is already breaking records.

First of all, the movie premiered in Los Angeles on Monday—but, fans were already lined up for the chance to get a peek at the stars by Friday night. That’s insane. Who does that? These people literally camped out on the streets of Westwood just to see some ambiguous limos pull up to the theater on Monday night. I mean, I’ve waited a couple of hours before, but days?! No way.

The movie stars Kristen Stewart, Robert Pattison, and Taylor Lautner. It’s about teen vampires and werewolves, and one clumsy girl. I won’t give anything else away, I promise.

According to Variety, Twilight: New Moon will make record-breaking openings. It has already sold out over 2000 showings, and is expected to pass the $80 million mark in the first weekend. I will inevitably keep you posted on how well this vampire movie does in the box office. Look for a post on Monday about its performance this weekend!

Will you be seeing the movie?

Why I Love Fall

Shaane — Tue, 17 Nov 2009 15:00:51 +0000

Why do I love the fall so much? The answer may seem incredibly obvious. But, then again, so is the question. What is there not to love about fall? I realize that I do not live in a state where there are four traditional-weathered seasons, but I would imagine that the fall is perfect everywhere.

In the winter, there is a ton of snow and ice, and people’s cars freeze, and there’s dirt and mud everywhere, no leaves, etc. etc. Fine. In the spring it’s humid and rains a lot. Okay. In the summer the weather is miserable and ugly people walk around without a lot of clothes on. Understandably annoying. But fall? The weather is crisp and cool, the fashion is great, the holiday music starts to play, Black Friday produces massive sales, the colors of the leaves change…and, of course, the food that’s in season is incredible.

Fall flavors are my favorite. As I sit here drinking apple cider, day-dreaming of pumpkin and/or apple pie, turkey, soup, anything with cinnamon in it, butternut squash, potatoes, etc. etc. I could go on forever. Fall is all about the comfort food—hello? Why else would everyone gain about 15 pounds every winter? We’re like bears; we like to gain some weight and slip into hibernation. It’s nature.

Fall is also the most common time for family reunions—whether it is for Thanksgiving or other winter holidays—and it’s nice to bundle up with people who make you smile. There isn’t anything quite like fighting over the spot in front of the fireplace (although it’s been a little less competitive ever since someone in my family burned a hole in his vest…true story).

So if you’re feeling blue about the cold weather and rainy days, just think about everything that’s great about fall! Wrap yourself up in a comfortable—yet chic—coat, sweater, and boots (and maybe a hat if you can get away with it—I can’t), take a walk around the block and look forward to getting home to make a nice cup of hot chocolate.

Happy Fall!

P.S. Photo from nataliedee.com (adorable.)

Wal-Mart Gives $100 Gift Cards to BlackBerry Buyers

Shaane — Mon, 16 Nov 2009 15:00:03 +0000

From November 14 (Saturday) to November 20 (Friday), Wal-Mart will be giving away $100 gift cards to anyone who buys a BlackBerry phone from a Wal-Mart store.

When you buy your BlackBerry and sign a two-year contract with Verizon Wireless, AT&T, T-Mobile, or Sprint, you’ll get a gift card to spend on any purchase after the phone. According to Greg Hall, Wal-Mart’s vice president of Media Services, “We know customers are very focused on value, and we have promised each week to deliver new savings to help them stretch their dollars this holiday season.”

With the holiday season coming up, Wal-Mart’s strategy isn’t just to get people to buy phones from their stores. They want people to have a little bit of extra spending money for their wallets this season.

For a list of the devices that go along with this offer, follow the jump!

Wal-Mart will give a $100 gift card to any buyer of the following BlackBerry phones:

- AT&T Curve 8310
- AT&T Bold 9000
- Sprint Curve 8330 (Red & Titanium colors)
- T-Mobile 8520 (Black, White, and Frost)
- T-Mobile Pearl 8120 (Emerald)
- Verizon Storm
- Verizon Storm II

New Albums: Bon Jovi and Tori Amos

Shaane — Fri, 13 Nov 2009 15:00:54 +0000

Bon Jovi – The Circle/When We Were Beautiful

Bon Jovi’s album, The Circle, was originally released on October 30. However, this week a Deluxe Edition—which includes the documentary When We Were Beautiful—came out. I’m not going to lie, I’m not usually a huge Bon Jovi fan. Of course, I like the classics like “Wanted Dead or Alive” and “Livin’ on a Prayer.” But overall, not so much.

I have to say, though, that “We Weren’t Born to Follow,” the first single off the album, has totally grown on me. Here’s why: the song plays during nearly every single commercial of NFL football games (and maybe even college games, I can’t really remember). When you hear a song that much, you begin to form a kind of bond with it to a point when you find yourself really enjoying the song (even if you didn’t care for it to begin with).

Maybe that can be said about any song/band. Well actually that’s not true. You couldn’t pay me to enjoy a Creed song. But, I digress.

I came into listening to The Circle with an open mind and found myself liking it as it progressed. The album is well-balanced between fast-paced rock songs and ballads. Bon Jovi hasn’t lost its touch, it seems. Smart move to put their stuff during sporting events, though. Can’t go wrong doing that. Right, Faith Hill?

Check out The Circle/When We Were Beautiful! I really do think it’s an enjoyable experience.

Tori Amos – Midwinter Graces

Midwinter Graces is Tori Amos’s second album in 2009 alone, and is her eleventh studio record overall. It is her first seasonal album and contains songs dedicated to winter and Christmas. It seems like a lot of artists are releasing holiday music these days (even Bob Dylan).

In the album, there are six traditional Christmas songs, five new songs written by Amos herself, and one song by John Henry Hopkins, Jr. Listening to the album, I was surprised by Amos’s original songs. Usually when I listen to holiday albums I get annoyed by their cheesiness and rushed feeling to them; on this album, however, the songs are actually well-written. They seem to have the potential to be successful in the future, instead of just trendy for one year. I especially like “A Silent Night With You.” It makes me wish I lived where it snows in the winter…

If you get the Deluxe Edition of Midwinter Graces, you get three additional songs, including two new songs for 2009 and one traditional one (“Good King Wenceslas”). Check out the album today, just in time for the start of the holiday season!

David Wilcox Interview

A. Sogal — Thu, 12 Nov 2009 22:38:50 +0000

Coming up next, we’ll meet North Carolina based Acoustic Folk artist David Wilcox. David may be a man of few words, but put him behind his guitar and he will let you know what he really thinks. Over the past fifteen years, David has perfected the art of writing meaningful songs and is fiercely dedicated to his craft and musical honesty. We caught up with David and asked him about life on and off the road, as well as how people are responding to songs with a real message.

1. What is it about your work that makes terms like musical medicine come up a lot?

Musical medicine is just a fun name that I give for the experience of songs guiding my heart to clarity. It’s also a term to describe succinctly some people’s reaction to my music.

2. How old were you when you became interested in playing music?

18

3. North Carolina has a rich musical heritage. How do you stay rooted in Carolina with all the traveling you have to do?

I don’t as well as I wish I could, but I love my family and I love the musical community in Asheville and I love the views. I love to get out in nature, away from the city. It’s a pretty quick bike ride up the Parkway to some places that still inspire me.

4. Who are some of your biggest musical influences?

It’s hard to narrow it down to individuals, but some of the folks that have been inspiring over the years are: Nick Drake, Joni Mitchell, Jackson Browne.

5. Falling For It makes a bold statement. How have people across the country responded to what you have to say?

There have been mixed responses, most positive, including a standing ovation for the song itself. There have also been a few isolated cases of people leaving the show as a result of hearing the song. The liner notes on that record describe my process of writing that song and my decision to speak my heart in a direct way. I was frustrated by how polarized we were getting as a country and I didn’t want to succumb to that fear of speaking out.

6. What do you try to accomplish with your songwriting?

World peace, personal enlightenment and contagious transcendent joy. I also fold paper airplanes with a dream of landing one on the moon, but you have got to have a dream!

7. You recorded your most recent record on studio equipment that some might call vintage. What advantages did you find in that process?

It keeps me honest because there’s no computer tricks and it makes the recording process more like an inspired performance.

8. Do you think digital recording and other computer based applications have decreased the quality of musicianship?

Yes, but that doesn’t mean that you cannot also make a great record through those means, but they can act as a crutch.

9. You seem to tour the entire country regularly. Do you have a favorite part of the country to play?

I have different favorites for different reasons. I love the beautiful quiet venues where the audience can really hear. But I also love the challenge of the clubs where you’re up against some serious distraction. For the sake of the music you come out in warrior mode.

10. Where can people go to find out where to see you live?

Thanks, David. We all look forward to seeing you hit the stage in that warrior mode. Check out the David Wilcox website to find out where you can see David live, befriend him on MySpace, subscribe to the YouTube channel and you can follow him on Twitter. Chances are he’ll be hitting a town near you soon.

The Biggest One-Hit Wonders We Wish Had Made More

Shaane — Wed, 11 Nov 2009 20:00:53 +0000

Have you ever heard a song you liked so much that you got REALLY into the band, only to have the song turn out to be their only hit? Yeah, we’ve all been there. Many bands that ended up being one-hit wonders produced a trendy song that had no artistic value at all (e.g. Blue [Da Ba Dee]). But some are really baffling, because they’re great songs. You find yourself asking, “Why? WHY did they only have ONE hit song??” Consider “Relax” by Frankie Goes to Hollywood. I mean, Zoolander wouldn’t have been the same without it! Here’s a list of our favorites—both trendy and epic.

10. “Mambo No. 5″ by Lou Bega

To Lou Bega’s discredit, he didn’t actually write “Mambo No. 5″ himself. The song (or at least the music from the song) was written by Pérez Prado back in 1949. Lou Bega covered the song and gave it the same name, but added his ridiculous lyrics. He took nine women’s names and added words around them.

Regardless, who can really say that they didn’t expect Lou Bega to make at least one more hit song? I mean, it reached #1 on charts in the U.S., Canada, the UK, and Australia, along with a bunch of other European countries. I think we need a little bit of Lou Bega in our life.

9. “Breakfast at Tiffany’s” by Deep Blue Something, 1996

Deep Blue Something-Breakfast At Tiffany

I’m not sure how or why, but this song was gigantic in 1996. It’s about this guy who is breaking up with his girlfriend, and they end up having a conversation about the classic movie, Breakfast at Tiffany’s. (If you haven’t seen it, you should. Audrey Hepburn is great. It’s not just a chick flick, okay? It’s a classic.) The guy who wrote the song, Todd Pipes, actually said that Roman Holiday was the movie that inspired the song, but he thought Breakfast at Tiffany’s was more recognizable. Good call, Todd.

The girlfriend in this song tells the guy that they don’t have anything in common. As it turns out, the movie is what they have in common. They both kinda liked it. What a great song. Where did you go, Deep Blue Something?

8. “Blue (Da Ba Dee)” by Eiffel 65, 1999

Eiffel 65 – I'm Blue (Da Ba Dee) (Video)

This might be one of the most annoying songs I’ve ever heard. That being said, in 1999, I think I loved it. You can’t make me embarrassed about that fact either, because as I recall, the song peaked at #6 on the Billboard charts in the U.S. and #1 in several European countries. So, I wasn’t the only one who liked it. I’m pretty sure you liked it, too.

Aren’t you curious about what else Eiffel 65 could sing? I mean, do they always sing songs with about 5 words repeated over and over again? How did they inspire Flo Rida to write a Billboard Hot 100 #5 hit song based on the song? (Flo Rida’s is “Sugar” and it’s not half bad.) So many questions, but no answers because Eiffel 65 was a one-hit wonder.

7. “Jump Around” by House of Pain, 1992

House of Pain – Jump Around

To me, this is the song that Robin Williams and Matthew Lawrence are dancing to (on top of a coffee table) in Mrs. Doubtfire. What a good scene; Sally Field walks in with this obnoxious look on her face…anyway, this song was a major hit back in 1992. You may also recognize it from Happy Gilmore also.

I mean, how can you not like a song with lyrics like, “I’ll serve your ass like John McEnroe” or “And I got more rhymes than there’s cops that are dunkin’”? How can you top that? At the very least, they could have had one more hit song with lyrics just as clever and profound as these. Oh well.

6. “Life is a Highway” by Tom Cochrane, 1991

This song was really popular when it was released back in 1991, but it also got a new life when Rascal Flatts covered it in 2006 for the Disney movie, Cars. (You know, that movie gets a bad rap. Most people tell me it sucked, and I usually just agree so that I’m not the oddball, but I don’t think it was bad at all. How could you not like something that has Paul Newman in it? I don’t understand.)

This is one of the songs on the list that I actually wish hadn’t been the artist’s only hit. It’s a fine country-pop song that’s pretty epic for road trips. Both versions—Cochrane’s and Rascal Flatts’s—are fun and upbeat. But I guess sometimes, you turn your back to the wind.

5. “You’re Beautiful” by James Blunt, 2005

Mad TV’s parody of James Blunt was beautiful.

What can I possibly say about this song? “You’re Beautiful” was a monster hit in 2005 that boosted Blunt into superstardom. Fans and critics alike were so excited about this guy’s future career, and couldn’t wait for his next great hit… the problem is, it never really came. Sure, he still pushed out singles and remains famous, but nothing has had quite the same impact as “You’re Beautiful.” The song reached #1 in the U.S., Canada, the U.K., and a whole slew of other countries. What’s the plan now, James?

4. “What is Love” by Haddaway, 1993

First thought: A Night at the Roxbury. Am I right?

Don’t forget, though, that before the Roxbury guys ever used this song, it was a top 10 U.S. hit! Can you believe it? I actually can’t. At all. This song is so euro-pop crazy that it’s perfect for the sequin-wearing Chris Kattan and Will Ferrell.

There really isn’t any more I can say about this song. It’s one of those that didn’t really make me want more. Sorry, Haddaway.

3. “Baby Got Back” by Sir Mix-a-Lot, 1992

I’m pretty sure even Sir Mix-a-Lot is sick of this song. But then that begs the question, why didn’t he make another??

This song has been talked about to death. Seriously. But there’s a reason for that, isn’t there? It’s a major part of 1992 pop culture history, and the song is still played at clubs and parties today. Not many artists can say their songs stayed relevant for two decades. If you haven’t heard “Baby Got Back,” then I’m not sure where you’ve been hiding.

2. “I’m Too Sexy” by Right Said Fred, 1991

Okay. I’m actually half-serious and half-kidding about this one. The song itself is ridiculous (”I’m too sexy for my cat, too sexy for my cat”), but come on. This is a classic! Not one of the members of Right Said Fred is remotely sexy, either, bringing a wonderful sense of irony to the song.

1. “Relax” by Frankie Goes to Hollywood, 1983 and “The Final Countdown” by Europe, 1986

I’m sorry. I hate it when there are ties on lists like this, but I honestly could not decide which one of these was more deserving of the #1 spot.

Does anyone else think Frankie Goes to Hollywood sounds a lot like Duran Duran? For a long time, I actually thought it was Duran Duran, until I realized it was a one-hit-wonder band, Frankie Goes to Hollywood. It has become such a pop culture phenomenon, too, especially with Zoolander in 2001. I’m not joking with this one. I really wish Frankie Goes to Hollywood had done more.

Okay. Here it is. “The Final Countdown” is literally one of my favorite songs ever… not only is it just a brilliant song, but it was made even better by Gob in Arrested Development (although I do think it’s kind of a detriment that Gob is all I can think about every time I hear the song now. Oh well!). Europe was basically a Swedish hair band, and “The Final Countdown” couldn’t be more epic. Just listen to it. You’ll wonder why it was their only hit, too.

(Have you noticed how many of these have been featured on The Office? Is that a coincidence? I have no idea.)

Honorable One-Hit Wonder Mentions:

“Who Let the Dogs Out?” by Baha Men, 2000

When I was in 6th grade, I thought this was the funniest song ever. I just re-listened to it as I was pondering whether or not to put it in the top 10 of this list… and no. Just, no.

“Sex and Candy” by Marcy Playground, 1997

This song is too high a quality to be put in the top 10 of this list, but I thought I should at least say something about it. I think Marcy Playground showed a lot of potential. The lyrics were good, the music video was weird, and the band seemed like they were on the right track. I guess they were too emo for their time. If they’d entered the scene in the last two years instead of twelve years ago, they’d have made it further (I think). In their defense, they’ve released a lot of songs since “Sex and Candy,” but nothing has been as significant.

CMAs Are Tomorrow!

Shaane — Tue, 10 Nov 2009 15:00:33 +0000

Every major country music star will be in attendance of the 43rd annual Country Music Awards. This year’s CMAs will be hosted by Carrie Underwood and Brad Paisley, and will air on ABC. Will you be watching?

This year’s nominees and performers are even bigger than last year’s. I always feel a little out of the loop when I look at these stars and their sales because country music isn’t all that popular in northern California, but the genre is far from dead. In fact, with artists like Taylor Swift and Carrie Underwood crossing genre lines between pop and country, I would argue that country music is getting even more popular.

The performers lined up for the awards show are sure to bring in good ratings, too: Martina McBride, Reba McEntire, Tim McGraw, Brad Paisley, George Strait, Taylor Swift, Carrie Underwood, Keith Urban, and others. Sounds like a good lineup!

And, with hosts like Brad Paisley and Carrie Underwood, you can’t really go wrong. They’re both charismatic, talented people who have crossed over into the mainstream media. Smart move.

Here is the full list of nominees for this year’s CMAs:

FEMALE VOCALIST OF THE YEAR
Miranda Lambert
Martina McBride
Reba McEntire
Taylor Swift
Carrie Underwood

MALE VOCALIST OF THE YEAR
Kenny Chesney
Brad Paisley
Darius Rucker
George Strait
Keith Urban

VOCAL DUO OF THE YEAR
Big & Rich
Brooks & Dunn
Joey + Rory
Montgomery Gentry
Sugarland

VOCAL GROUP OF THE YEAR
Eagles
Lady Antebellum
Little Big Town
Rascal Flatts
Zac Brown Band

NEW ARTIST OF THE YEAR
Randy Houser
Jamey Johnson
Jake Owen
Darius Rucker
Zac Brown Band

SINGLE OF THE YEAR
(Award goes to Artist and Producer)
“Chicken Fried” – Zac Brown Band, Produced by Keith Stegall
“I Run To You” – Lady Antebellum, Produced by Victoria Shaw and Paul Worley
“In Color” – Jamey Johnson, Produced by The Kent Hardly Playboys
“People Are Crazy” – Billy Currington, Produced by Carson Chamberlain and Billy Currington
“Then” – Brad Paisley, Produced by Frank Rogers and Chris DuBois

ALBUM OF THE YEAR
(Award goes to Artist and Producer)
American Saturday Night – Brad Paisley, Produced by Frank Rogers and Chris DuBois
Defying Gravity – Keith Urban, Produced by Dann Huff and Keith Urban
Fearless – Taylor Swift, Produced by Nathan Chapman and Taylor Swift
Love On The Inside – Sugarland, Produced by Byron Gallimore, Kristian Bush, and Jennifer Nettles
That Lonesome Song – Jamey Johnson, Produced by The Kent Hardly Playboys

SONG OF THE YEAR
(Award goes to Songwriter(s))
“Chicken Fried” – Zac Brown/Wyatt Durrette
“I Told You So” – Randy Travis
“In Color” – Jamey Johnson/Lee Thomas Miller/James Otto
“People Are Crazy” – Bobby Braddock/Troy Jones
“Then” – Brad Paisley/Chris DuBois/Ashley Gorley

MUSICAL EVENT OF THE YEAR
(Award goes to each Artist)
“Cowgirls Don’t Cry” – Brooks & Dunn featuring Reba McEntire
“Down The Road” – Kenny Chesney (with Mac McAnally)
“Everything But Quits” – Lee Ann Womack (duet with George Strait)
“I Told You So” – Carrie Underwood featuring Randy Travis
“Old Enough” – The Raconteurs featuring Ricky Skaggs and Ashley Monroe
“Start A Band” – Brad Paisley (duet with Keith Urban)

MUSIC VIDEO OF THE YEAR
(Award goes to Artist and Director)
“Boots On” – Randy Houser, Directed by Eric Welch
“Love Story” – Taylor Swift, Directed by Trey Fanjoy
“People Are Crazy” – Billy Currington, Directed by The Brads
“Start A Band” – Brad Paisley (duet with Keith Urban), Directed by Jim Shea
“Troubadour” – George Strait, Directed by Trey Fanjoy

MUSICIAN OF THE YEAR
Eddie Bayers– Drums
Paul Franklin – Steel Guitar
Dann Huff – Guitar
Brent Mason – Guitar
Mac McAnally – Guitar

Now, don’t get me wrong, but aren’t singers “musicians,” too? Oh well, at least the instrumentalists are getting recognition, too!

Apple to Launch iPhone for Verizon in 2010

Shaane — Mon, 09 Nov 2009 23:48:03 +0000

For a long time there have been rumors floating around that Apple is developing an iPhone to distribute to Verizon. Well, according to AppleInsider, the phone is well into development, and is expected to be released as early as the third quarter of 2010.

Apple wants to sell a single model to all carriers around the globe—but, its primary focus was to create a device that would be compatible with Verizon Wireless in the U.S. AppleInsider says that “the new ‘worldmode’ iPhone will gain compatibility with CDMA2000 networks (including Verizon’s US network, which is currently incompatible with existing iPhone models) while retaining compatibility with UMTS 3G networks globally using a new hybrid chip produced by Qualcomm.”

The device in development is also said to be slightly smaller than the current iPhone, measuring at 2.8” instead of 3.5”. No word on whether or not it’ll be thinner, though. I guess we’ll find out!

New Albums: Glee and Carrie Underwood

Shaane — Fri, 06 Nov 2009 15:00:44 +0000

Glee: The Music

I’m not sure if you’ve been watching Glee. I have. I thought the first episode (originally aired back in May on Fox) was great, and that the show had a lot of potential. I still feel that way—but sometimes the show can be frustrating. Some of the characters aren’t that likeable, some of the plot lines are either too thin or too ridiculous, etc. Jane Lynch is the only person who has been consistent throughout the show so far. Every single thing she says is funny.

To the delight of many viewers, Fox has decided to start releasing the music performed by the cast of Glee in album form (instead of just the singular songs on iTunes). The songs are all covers of extremely popular music. Volume 1 was released on Tuesday and contains 17 songs from the season so far. From what I heard, Volume 2 will be released sometime next year, after the second half of the show airs. This volume features Broadway superstar Kristin Chenowith, and rumor has it that there will be more stars to take guest spots on the show/albums in the future (Adam Lambert was one rumor…Madonna was another. But who knows?).

Overall I think the album should be pretty good—and also for the price. Right now on Amazon, the whole hard-copy album is selling for $8.99, which is a really good price, in my opinion. It’s worth it for “Don’t Stop Believin’,” “Take a Bow,” “Taking Chances,” “No Air,” and “Somebody to Love” alone, in my opinion. Lea Michele is absolutely amazing. I’ve never heard a voice like hers. Actually, it kind of sucks for the rest of the cast because she kind of trumps everybody. But, still, they’re good, too. Check out the album!

Carrie Underwood- Play On

The wait is finally over: Carrie Underwood has a new album out. It’s not fair how perfect she is—she’s perfect looking, has a great voice, and always sounds flawless on stage. Now her 3rd studio album, Play On, has hit stores.

Her first two albums, Some Hearts (2005) and Carnival Ride (2007) both went multi-platinum in the U.S. and reached the top spot on almost all U.S. Billboard charts (and a lot of Canada’s, too). All of her singles from those albums performed exceptionally well. If they didn’t break the top 10 of the Billboard Hot 100, they got close. And, nearly all of them were, at some point, #1 on the country charts.

The first single from Play On is “Cowboy Casanova” and alludes back to, in my opinion, one of her most popular songs, “Before He Cheats.” The song has a similar, sassy vibe to it. It currently holds the #11 spot on the Billboard Hot 100, and continues to climb.

The rest of the album features twelve other songs and seems to follow a pretty solid country-music-album format. There are a few faster tracks, but for the most part Underwood shows off her voice with slow, smooth ballads. Really, though, I could listen to her sing anything. It’s hard for me to believe that she even had to compete on American Idol (though I really respect her for always being gracious to them and always recognizing that that is where is she got her start—some other winners and contestants seem to forget that after it’s all over).

After listening to the album, I think my favorite songs are “Cowboy Casanova,” “Look at Me,” “Unapologize,” and “What Can I Say.” But, really, her voice sounds great on the entire record. It’s in stores now!

Silver Interview

A. Sogal — Thu, 05 Nov 2009 14:33:35 +0000

Meet Silver.

When they’re rocking, you’ll rock and when they’re crooning, you’ll wish they were crooning at you. Silver’s Pat, Brent and John are Southern boys from Raleigh making a name for themselves with great melodies, powerful lyrics, and a “now or never” attitude. Check out our interview with the group to learn about how they get their big sound, the hardest part about this whole “rock band” gig and how the recession may have actually given them their big break!

1. How and when did you three first come together as Silver?

Pat and I (Brent) have known each other since high school and were roommates at NC State University. We chose to finish out our degrees in 2005 (Finance for Pat, Architecture for myself) and went off in our chosen professions briefly. We played music through work, but nothing serious came out of it until we met John (Enzor) and things got a little more rigid. We found ourselves focused more on writing certain songs with a certain sound, and eventually the down economy led to a quick start for us in the late summer of 2008. I lost my job at an architecture firm, Pat left his job and John was abruptly laid off, as well. So here we are, all unemployed and thinking to ourselves, “well, it is now or never.”

2. Gotta love that attitude! How has being from the Triangle area of North Carolina shaped your sound?

The sound definitely has a regional feel. It’s a great question. We are often told that we have a certain British affected sound. A lot of our influences come from over the pond, but the roots of the music are definitely seeded with a southern background. We experiment with lots of synths and guitars and crazy computer software, but lyrically I think we always have this southern subconscious that sits underneath the big guitars and the little hooks of each song. The sound is big at times, but the songs always seem to talk about everyday life, stuff we all go through, the good and the bad, which seems to be a grassroots southern type of thing.

3. Who are some of your biggest musical influences?

Wow. It’s a hard question because it’s ever changing. In the last few years it has been bands like Arcade Fire, Kings of Leon, Radiohead, Muse, Mute Math. But we all grew up on stuff like Led Zeppelin, The Allman Brothers, Pink Floyd, Queen – all the old classic stuff. So that sits in there pretty heavy. I’m pretty big into the new wave electronic stuff – M83, Air, Bloc Party, The Killers, Joy Division, old U2 – it helps influence experimentation.

4. What is your favorite Triangle area venue and why?

We’ll have to give props to the Pour House Music Hall in downtown Raleigh. They treat us so well over there and have one of the best sound guys in the business, Jack Cain (maybe the East Coast – ?). He loves to mix our sound in there so it makes the entire night fun. A must visit venue for sure. Good local music, decent cover and dozens of taps. Good times always greet us when we walk in that place.

5. Some of your recorded songs, like Frictioneering, sound really big. How do the three of you reproduce your sound in a live show?

It’s tricky to be sure. In one word really: samplers. We end up making lots of loops and rehearse endlessly to them. That is where the experimentation and laptops come in handy. But the basic premise is a lot of loops running behind us while we play. I trigger a lot of that behind the drum kit. But we’ve also structured the songs in such a way that parts come in and out of the songs. For example, during the verse there may be no guitar at all. Drums and bass might drive the song until the guitar drops in and builds into a chorus. It can make a song much more dramatic. It’s a challenge because we have to do a good bit of planning, writing and looping at the beginning of the process, but the end result live is usually fantastic.

6. You seem fairly active on Twitter. Has your relationship with fans been changed by social networking sites?

Twitter has been good to us. We caught it right when it came along, and it has definitely given us more of a connection with fans locally, regionally and even nationally. People will tweet to us saying how they loved our album or bought it on iTunes. Things we’d never hear or see before.

But I think the biggest thing is that people can feel they are more invested in a band, and that in turn helps to motivate us. It’s definitely much easier to connect with a large number of people fairly quickly and it gets people involved. Fans can be with us in a rehearsal or come along with us on a tour on the road. People see that Silver is a real band run by real people and they become invested in it. It makes what we do a lot easier.

7. Do you have any new recordings in the works? And if so, do you see the Silver sound evolving in any particular direction?

Actually we have a good bit of new material we hope to put into some kind of digital form this winter. Our last album +/- was more of a concept record. Though our new stuff has a similar sound, there is definitely some experimentation with time signatures and the themes within each song lyrically. Pat has really challenged himself lyrically and the band as well. It’s paid off for sure. The sound is most certainly big and very high energy.

8. What is the songwriting process typically like within Silver?

It often starts with a small idea: a guitar riff, a hummed melody, a drum pattern. Pat seems to write a good batch of the lyrics on his own and I seem to come up with the big ideas. John holds it all together. He provides a lot of structure to these crazy ideas and concepts that come out of our heads. But once we have some concept, the three of us just get into a room and listen to the parts. Eventually (usually painfully something comes about. Every once in awhile you’ll play something together and it’s just pure harmony. Those are the wonderful, but spare moments as a band. It’s usually really hard work. We crank out dozens of ideas and edit them to bits. The great part about our generation is the technology. We can record a rough demo, hear the song and really become editors of those ideas. It helps speed up the process.

9. People often think being in a working band is all fun. What is the hardest part no one knows about?

The networking: the Myspacing, the Facebooking, the Twittering, the Flickering, the Youtubing. As a band you are constantly on those sites connecting with fans, club owners, other bands in other cities, A+R reps. You have to constantly be making connections. And we are musicians, not marketing or network reps so it’s a challenge for us. It’s another job in and of itself and it’s not always so fiscally rewarding. You spend good amount of your time and money in those areas and often don’t see much come out of it until sometime much later.

10. What advice would you give to a band just starting out and trying to get noticed in a large college town?

Don’t be afraid to talk to people and ask questions: to club owners, to your fans, to other bands in your town and around your region. It’s the best way to learn about yourself and about your growth as a band. And be relentless with it. Booking shows is hard. Connecting with fans is hard. Selling your music and even giving it away can be really hard, but if you’re passionate about it and you have a good product in your hands (your music), people will take notice of that. And that will begin to turn heads.

Some excellent parting words there! If you want to learn more about Pat, Brent and John, be sure to check out the Silver Web site and look for them on Twitter, Facebook and MySpace.

Thanks, guys!

Cobra Starship: A Brief Profile

Shaane — Wed, 04 Nov 2009 15:00:01 +0000

Cobra Starship was started by band leader—and vocalist—Gabe Saporta in 2005. Since then he has built friendships with numerous other band members from acts such as Panic! at the Disco, Fall Out Boy, The Academy Is…, The All-American Rejects, and others. Those relationships have given Saporta and the rest of Cobra Starship a boost into the music industry. Actually, they even poke fun at that with their song, “Pete Wentz is the Only Reason We’re Famous.”

But maybe they’ll be a band with only one major hit. But maybe not? As for me, I hope it doesn’t get to that point because I think this band has potential. Cobra Starship hit the music scene back in 2006 when they participated on the soundtrack for the [ridiculous] movie, Snakes on a Plane. They wrote and performed the single off the album, “Bring It (Snakes on a Plane).” I remember seeing that movie on the weekend of my 18th birthday. Awesome.

Since 2006, Cobra Starship has consistently released albums: While the City Sleeps, We Rule the Streets (2006), ¡Viva la Cobra! (2007), and their most recent record, Hot Mess (2009). They have experienced the most success with Hot Mess, as it peaked at #4 on the U.S. Billboard Top 200 list.

The reason for their recent rise to stardom is largely due to the first single off of Hot Mess, “Good Girls Go Bad” featuring Leighton Meester of Gossip Girl. The song broke the top 10 of the Billboard Hot 100 list, peaking at #7. Not a bad place to be. The song was produced by Kara DioGuardi and Kevin Rudolf, as well—who doesn’t DioGuardi work with these days? It seems like she is just everywhere. Their current single is “Hot Mess” and is currently #64 on the Billboard Hot 100.

Cobra Starship teeters on the line between pop, rock, and alternative genres, which really works in their favor. They can reach broader audiences and shoot even further into superstardom. Like I said, I hope they don’t disappear into the background, because I like their stuff.

Rihanna Tell-All Airs Thursday

Shaane — Tue, 03 Nov 2009 15:00:04 +0000

It comes down to this: Rihanna is finally breaking her silence on the whole Chris Brown issue. In an interview with Diane Sawyer, Rihanna will talk about what happened between her and her former boyfriend back in February, what she has been doing since, and how she felt vulnerable, but that “it can happen to anyone.”

The interview will be shown during ABC’s Good Morning America on Thursday, and then extended to Friday on 20/20. I wish I had more information but ABC likes to keep us guessing, so I’ll have to watch with everyone else. Will you be watching??

BlackBerry Storm 2 Out Now

Shaane — Mon, 02 Nov 2009 15:00:03 +0000

A little over a year after the BlackBerry Storm was released, the second generation Storm has arrived. On October 28, the Storm 2 hit the stores with the promise of a lot of updated features.

The new phone will significantly improve upon the touch-screen feature that the original Storm currently has. It will now, supposedly, be much easier to click on the screen—the user will not have to press quite as hard in order to get a response from the phone.

The Storm 2 will also feature higher resolution displays, a 3.2 megapixel camera, and more memory (256 flash, 2G onboard), built-in GPS, BlackBerry OS 5, as well as other updated features—including both hardware and software. The best upgrade, in my opinion, is that the Storm 2 will have Wi-Fi capability.

As for pricing, according to PC World, the phone will be sold for “$280 when you sign a two-year service contract with Verizon Wireless. Verizon is offering a $100 mail-in rebate, which knocks the price down to $180, but that rebate comes in the form of a Visa debit card, not an actual check.”

New Albums: Pink Martini and Tegan & Sara

Shaane — Fri, 30 Oct 2009 15:00:19 +0000

Pink Martini – Splendor in the Grass

I don’t know about you, but I happen to love Pink Martini. (My favorite is “Let’s Never Stop Falling in Love,” in case you were interested.) They are so incredibly diverse in their sounds, styles, and languages—I don’t think you could throw any type of lounge/jazz music at them that they couldn’t execute perfectly.

Splendor in the Grass is no less impressive. Pink Martini combines French, Latin, and classical sounds with their own jazz spin to every song. My favorite off the album is “Ou est ma tete?” What? I like French.

There are 14 new songs on the album, and each one is more fun than the next. That’s not to say that the first song on the album, “Ninna nanna” isn’t fun. How can you go wrong with a title like that? I just mean that there’s something new in every song. Actually, you come full circle by the end because the last song is the reprise of “Ninna nanna.” So, there you go. You get great relaxing music, ballads, foreign languages, smooth vocals, and actual instrumental music (no autotune here!). What more could you ask for?

Check out Splendor in the Grass! I promise, even if you just listen to iTunes or Amazon 30-second previews (though I recommend listening to the entirety of each song), you won’t be disappointed.

Tegan & Sara – Sainthood

Tegan and Sara are a Canadian indie pop duo who happen to be identical twins. Tegan and Sara Quin were born in 1980 and have been in the music scene since 1995. Sainthood is their 6th studio album, featuring 13 new tracks.

The first single off the album, “Hell,” is very pop-sounding, but I really like it! It sounds upbeat even though the lyrics might not be. Maybe it’s their voices that make their songs sound upbeat…they are very high. Not bad, just high-pitched.

Tegan and Sara’s music has evolved with themselves—it has grown up along with them. When their first album, Under Feet Like Ours, was released, or even up until their 2007 album, The Con, and subsequent songs (such as “Back In Your Head”) came out, their music was young and juvenile. They were just teenagers at that point, so the music fit. Now their sound is more mature and seems to be making a great transition. Check out Sainthood today!

Jessie Murphy In The Woods Interview

A. Sogal — Thu, 29 Oct 2009 17:38:49 +0000

Its time to meet Jessie Murphy In The Woods. But don’t worry, Jessie is safely walking the streets of New York, probably sandwiched between her musical partners, sisters Marcia and Amy Wood. Together, the three create hauntingly melodic songs built on chemistry and three part harmony. In our interview, the Chamber Pop trio tells us how they’re inspired by the energy of New York City and what its like when they get together to cook up some of their musical magic. And oh yeah, as music teachers, they know their way around instruments you’ve probably never heard of.

Meet Jessie Murphy in the Woods!

1. How did you three meet and end up playing music together?

It was a dark and stormy night. Jessie was alone in a cabin, deeply immersed in Hammer of The Gods and dressed as an authentic mage. Low and behold she heard a knocking at the door. It was the cold and shivering Marcia Wood, who oddly enough, was also dressed as a mage.

She was desperate to conjure a sandwich, but was missing the key phrase that would unlock the spell. Suddenly, out of the darkness Amy Wood appeared, holding a French Horn in one hand and a flask in the other. Amy muttered something about “the wind” and stepped inside. Soon, all three girls were warming up by the small cauldron in the center of the room. From the depths of the pot, music and lyrics bubbled forth demanding three part harmony and travis picking. The girls had no choice but to answer and begin their magickal journey.

2. You are all trained musicians and music teachers, how has that shaped your musical style?

We all have a strong love for Palestrina and Kermit the Frog’s “Rainbow Connection.” Combining the two loves was a natural choice. We try to keep the pedagogy to a minimum at rehearsals and rather revel in the bliss of being completely infantile ourselves. One serious benefit to being music teachers is that, unlike most rock bands, we all know how to get places on time and keep our drug binges limited to flu vaccines and Sudafed.

3. From Eight Belles to God Save Owen Wilson, you seem to write very empathetic songs. Is this a conscious element in your writing?

I [Jessie] think that most personal charisma, or “weird star power”, is directly related to my innate lack of boundaries between myself and others. This can be classified as empathy but it can also be seen as a type of narcissism. My songs are born in the murky waters where empathy and narcissism co-mingle and offer up illusory reflections. But the best songs just come from the sky and I can hardly take any credit for them. Then all my ideas stay out of the way and I just try to be the best stenographer on the planet.

4. How does the creative process work within the group? Who usually does what?

So far Jessie has written the lyrics on our recorded material, but we have new songs that all three of us have collaborated on more completely. We work on the arrangements together, always. Jessie usually takes her pants off, Marcia drinks a lot of green tea, and Amy makes the best apple crisp.

5. Who are some of your biggest musical influences?

We’re big fans of people like Joni Mitchell, John Denver, and the Carter Family. But we’re also into acts like The Cure, Jay-Z, Bright Eyes, and Neko Case. And oh yeah, we love Led Zeppelin.

6. How is New York City itself a factor in the musical process?

New York City is the fourth member of the band. Unfortunately, it’s often the Bonzo (John Bonham) of the band; the loudest, the most inconvenient, the most intoxicated. But it’s also the most inspirational; the clearest channel for whatever message is coming through. New York City is a transistor radio for every conversation on the planet. If you listen closely you can pick up garbled versions of some of the most interesting bits, put them into songs, and then own the publishing.

7. Where can people go for information about where to see you live?

Our MySpace page is a great place to hear our music or check for an upcoming show. Or you can become a fan of our Facebook page if that’s more your speed. Our website will be up soon as well.

Thanks, guys. We appreciate the introduction to Chamber Pop so keep on doing what you do. Be sure to check out the brand new Jessie Murphy In The Woods website. It will be going live soon at www.jessiemurphyinthewoods.com.

Are You Ready for Halloween?

Shaane — Wed, 28 Oct 2009 15:00:56 +0000

Maybe I shouldn’t admit this, but personally, I love the cheesiness of Halloween. Carving pumpkins, giving/getting candy, making ridiculous decorations, watching scary movies, buying dry ice that really serves no other purpose but to look freaking awesome, candy apples (not to be confused with caramel apples), etc.

How old is too old to trick-or-treat? Around my campus people are basically just into partying, but back in my hometown (close to San Francisco), we would get college kids coming to our doorstep, decked out in costume. Usually if anyone was older than 14, my mom would make them do something somewhat humiliating to get a piece of candy—dance around, howl, sing, whatever.

If someone had tried to make me do that I would have just left…granted, I quit trick-or-treating when I was like 13.

Halloween originates from Celtic traditions of All Hallow’s Eve and All Saints Day—a Catholic holiday in honor of their saints. The living did not want to be haunted or possessed by he dead, so they would dress up on All Hallow’s Eve in ghoul-like costumes. Hence, the beginning of the tradition of dressing up in disguises.

Since then the holiday has evolved out of the Catholic religion and into an excuse to party, decorate, and gorge ourselves on sweets. Have a safe and happy Halloween this weekend!!

“THIS IS IT” Out Tomorrow!

Shaane — Tue, 27 Oct 2009 15:00:10 +0000

The time has finally come: Michael Jackson’s This is It film is being released tomorrow in theaters for a two week run.

Since his death on June 25, people have been anxious to see footage from what would have been a 50-performance concert series in London (beginning in July), also titled the “This is It” tour. Jackson had been preparing for months for his farewell, blowout tour.

The film will feature 24 songs performed by Jackson (click “More” to see the full list), including his #1 hits along with other powerful and famous songs. Jackson’s music inspired billions of people around the world. Whether or not you agree with the idea of releasing the rehearsal footage as a film, you can’t deny that it will probably give a lot of grieving fans a little bit of closure after his sudden death.

Just this past weekend, I actually visited the gates of Neverland Ranch in the Santa Ynez Valley. As I walked up to the stone wall I noticed that it seemed kind of dirty. It turned out that what I thought was dirt or grime was actually messages written by fans, saying thanks and that they miss him. It’s not easy to get to the ranch—it is literally in the middle of nowhere. But people from all over the globe made the trip to pay their respects.

I have included a personal picture from my trip to the ranch last weekend (hopefully my sister won’t mind that I’m using it!).

Here are the 24 songs that will be featured in This is It:
1. “Wanna Be Startin’ Somethin‘”
2. “Speechless”
3. “Bad”
4. “Smooth Criminal”
5. “Don’t Stop ’til You Get Enough”
6. “Jam”
7. “They Don’t Care About Us”
8. “HIStory”
9. “The Way You Make Me Feel”
10. “I’ll Be There”
11. “Human Nature”
12. “I Want You Back”
13. “The Love You Save”
14. “Shake Your Body (Down to the Ground)”
15. “I Just Can’t Stop Loving You”
16. “Thriller”
17. “Threatened”
18. “Who Is It”
19. “Beat It”
20. “Black or White”
21. “Earth Song”
22. “Billie Jean”
23. “Man in the Mirror”
24. “This Is It”

AT&T and T-Mobile Announce BlackBerry Bold 9700

Shaane — Mon, 26 Oct 2009 15:00:01 +0000

On October 21, AT&T and T-Mobile announced the development of a new BlackBerry smartphone: the BlackBerry Bold 9700. The new device is a slimmer version of the BlackBerry Bold 9000 and offers a different look and a less chunky body than its predecessor.

The Bold 9700 will be the first BlackBerry that T-Mobile supports. According to PC Mag, the “9700 has a 624-MHz processor, 256 Mbytes of memory, a 3.2-Megapixel camera, a 3.5-mm headset jack and an unusually sharp, bright 360-by-480 display.” The phone will also use the new BlackBerry 5.0 OS, and the system is said to have a faster-running web browser than other BlackBerry devices.

Both AT&T and T-Mobile versions will offer 3G coverage as well as Wi-Fi capability. T-Mobile will go one step further and offer an unlimited amount of calling over the Wi-Fi network (for an extra $10 per month). The phone is said to be a great, powerful upgrade for either the Bold 9000 (on AT&T) or the Curve.

New Albums: Flight of the Conchords and Tim McGraw

Shaane — Fri, 23 Oct 2009 15:00:08 +0000

Flight of the Conchords- I Told You I Was Freaky

The boys are back with thirteen tracks on their new album, I Told You I Was Freaky. After just two seasons on HBO, “The Flight of the Conchords” has been successful with critics and fans alike. It’s incredibly difficult to write songs as it is, but to write comedic songs is in a league of its own. These guys have seemed to perfected this task: their songs are outrageous and hilarious.

“Could have said something nice about my profiteroles,” for example, happens to be my favorite line of the entire album, in the song “Hurt Feelings.” My favorite song, though, is “Fashion is Danger.” The music itself sounds like something you could hear at a bar or a club or something, but then you listen to the lyrics…it’s just great. Although, “You Don’t Have to be a Prostitute” is a close second.

The album, I Told You I Was Freaky, contains thirteen tracks from the New Zealand duo and ranges from techno beats to soft ballads—however, the lyrics are all equally ridiculous. If you’re in the mood to laugh, check out the album!

Tim McGraw- Southern Voice

Tim McGraw is one of the biggest names in country music right now, and has been for the last two decades (almost). He has sold millions of albums and has won three Grammy awards. He has even had a song written about him by Taylor Swift (called, coincidentally, “Tim McGraw”).

Southern Voice is classic country music. Each song tells a specific story and has that southern vibe to it. I’m not sure how to describe it—maybe some sort of twang. It’s a very distinct sound. It’s kind of like you’re always watching a Ford commercial. Anyway, Tim McGraw’s vocals sound great on the album and there is always solid guitar playing on the record.

If you’re in a solemn mood I’d say go for “Still.” But the main song of the album so far is, “It’s a Business Doing Pleasure With You.” That’s clever. It’s amazing that after eleven studio albums anyone can still push out original (and arguably slightly humorously-titled) music, but McGraw does. The album came out on October 20 so check it out!

Natalie Gelman Interview

A. Sogal — Thu, 22 Oct 2009 18:37:36 +0000

The next artist to take the SendMe stage is Natalie Gelman, a young woman from NYC with a voice that is as haunting as it is powerful. Natalie may look like a fresh face, but she’s already gained quite a bit of fame and recognition for her honest lyrics and soulful voice. Between rollerblading 1500 miles for charity, her college struggle to find herself, and being approached by Peter Yarrow while performing in a NYC subway, this girl is one to watch.

Meet Natalie.

1. I think your music is breathtakingly haunting. How would you describe it?

Thanks so much, that’s really nice of you to say. I try to give someone a frame of reference when I tell someone about my music because that’s usually easiest way for them to tell if they will like it or not. I say it’s a cross between Sheryl Crow, Joni Mitchell and Jewel. Beyond that, I think I’m a very personal and honest songwriter. I try to fill my songs with as much of the experience that caused me to sit down and write the song in the first place. I think that comes across as very emotional and soulful, which a lot of people connect to that energy at my live shows.

2. Who are some of your biggest musical influences?

When I first started writing I was addicted to Jewels “Pieces of You” album. I really enjoy Sheryl Crow and I think Patty Griffin is one of the most underappreciated artists of our time. She writes incredibly passionate music with beautiful stories that are at once simple and intricate.

I grew up playing classical piano and violin and went to college to study opera. I’m sure I am influenced by my classical upbringing. I still walk around singing arias at home sometimes, that music is as much a part of me as anything else. I think it’s definitely apparent in the way I treat melody and the use of my voice too.

3. How old were you when you started playing music? How did you get started?

I started playing the piano when I was maybe five years old and violin not too long after that. My parents were both artists so there was always a big appreciation for music at home. I also took a lot of ballet classes growing up and we were accompanied by a real pianist. That helped me internalize rhythm and treat even the heaviest song with a lot of grace.

I never liked playing violin and piano and always knew I wanted to be a singer or dancer. I finally ended up convincing my mom to let me take voice lessons and from there I auditioned for the High School of Performing Arts (the FAME school from the popular 80s and now re-make movie) and got accepted as a voice and dance major.

I ended up deciding to go as a voice major and took all sorts of music classes from classical and chamber choirs to contemporary, musical theater and gospel music. I was really interested in musical theater when I started studying at LaGuardia but as I was applying to colleges I was more and more interested in Opera.

I decided to go to the University of Miami to study opera but I knew almost immediately after getting there that I didn’t want to sing opera anymore. I had put myself in guitar lessons the last semester of high school; I didn’t even have a guitar but my best friend happened to have a great nylon string that had been sitting behind her couch and she gave it to me the day before my first lesson.

As soon as I started playing guitar and my own songs, I knew that was what I wanted to do. My teacher was really relaxed and really focused on helping me learn what I wanted. I immediately started writing songs without even realizing what I was doing.

In college I found myself “escaping” my classical practicing to tinker with my guitar. I wanted to drop out or transfer but there was a lot of pressure from my parents to finish college on time and with a degree I could use. Yes, they did think I could use an opera degree more than a songwriting or general music degree. So, I finished it out as a classical voice major and just made more and more time for my own music.

4. I read that you like to perform inside the NYC subway system. What is it about that environment that connects with you? I imagine you meet some interesting folks.

I LOVE street performing and especially performing in the subway. Everyone takes the subway in New York so there is a really diverse range of people listening to you at any given time. I have become a bit of a people watcher when I street perform and have learned so much about not assuming anything and how to put on a great show. In the end, it really isn’t how well you sing and perform but whether you move someone and touch their spirit so they leave the platform (or show) better then they came.

Like I said, everyone takes the subway in NYC. There are all types of commuters and “jaded” New Yorkers like myself. Of course you have lots of tourists, too, which I love because I get to put some of the foreign languages I learned singing opera to use! If I haven’t been down to perform in the subway in a while it can take a bit of extra courage because you need to be prepared for anything to happen. That’s what makes it so special too.

5. Is it true Peter of Peter, Paul and Mary heard you in a subway station and came up to introduce himself? [How rad is that?!]

Yep, Peter came up to me in Penn Station after I performed “Forgive Me” which is a song off of my CD. I don’t normally play it on the subway because it’s a bit quieter and un-amplified, so it’s hard to get across. But he stopped to listen and after the song he came up to me, said “great song” and started taking to me. He asked me if I knew about the Kerrville Folk Festival, which I didn’t at the time. Peter was really nice and was telling me how I should submit to perform and listing off a bunch of well-known artists that perform at the festival. I said I didn’t think they would book me because I’m not as established to which he said, “I book the festival. I’m Peter Yarrow of Peter, Paul and Mary.” I was basically just shocked and looked at him and finally recognized the face.

As he was saying this, his train was pulling up and he jumped on saying something about submitting or getting in touch. I wrote the main email on the Peter, Paul and Mary Web site, to which Paul replied to me which was also pretty cool. I still haven’t heard back from Peter and it was too late to submit to Kerriville for that year and last year I had already booked a tour for that weekend. It was really fun to meet him, though, and I am making a point of submitting and going this year no matter what.

6. Okay, so I read that you rollerbladed 1500 miles up from Miami to NYC to raise money for charity. What was that like and how did that come about? Any lessons from your journey?

I did. It was an idea I had during the summer after my sophomore year of college. I was really frustrated with the opera program I was in and they had just failed me on my barrier which is a test you take after your sophomore year in music conservatories. It’s basically a way for the school to throw you out of the program so you don’t ruin their reputation if you’re a bad musician. Throwing me out wasn’t what they wanted to do. I was actually on track to graduate college at age 19 and they wanted me to go on to a graduate opera program. I think they thought if they had more time they might be able to convince me, so they suspended me. This basically just gave me a lot more work to do and made me feel even more displaced.

I went to an opera program in Salzburg, Austria to try to make up for some of the extra work to pass my barrier. While I was there, I decided I wanted to drop out of school and make my way on rollerblades to each state in the continental US and play a show in each. I came back home a week before classes were supposed to start again and canceled everything. Unfortunately, or fortunately, my parents were not okay with that at all and I ended up back in school. I realized that it would be more important for me to put closure on the years I spent in college in a big way.

The summer of my junior year I began sponsoring a child with Children International and working on my album when I got back to school. It naturally came together with the idea of supporting something I cared about and getting them, and my album, more recognition as I did something that really tested my limits.

I have always been attracted to challenges and extremes and this was going to be something I could be really proud of because I had been going to school studying opera for 4 years and didn’t really feel like I had been living a very authentic life that I was proud of.

It all came together and I learned more in 6 weeks than I had in 4 years. There were a lot of fumbles and things that could have been done so much better if I had more help, money or time.

I was hit by two cars along the way, had to run 8 miles through a county when the sheriff told me that rollerblading was “banned” and had people following me telling me they were going to kill me for a few hours in their truck. I can’t say I was even that phased by anything, even those guys threatening my life. I was so mentally focused on getting to the next goal rest stop and just putting one foot in front of the other.

I think I learned that we really only have self-imposed limits. It’s really easy to listen to the doubt and limits others place on your possibilities too. Even while I was going along people would ask me what I was doing and basically tell me to stop. This guy saw me in the morning on the way to work and on the way home 70 miles later he pulled over to stop and ask me what I was doing. I told him and his response was: “Girl, let me give you a ride before you get clipped.” Obviously I didn’t take the ride and I told him that wasn’t the point but that was a really important lesson that people are scared of things that don’t make sense to them.

About a year after the rollerblading tour I started learning to drive and it still amazes me that all the roads and driveways are connected.

The tour wasn’t all getting hit by cars and me against the world. I actually did learn just how supportive people in my family, friends and across the country are. Some strangers joined me rollerblading, some waited for a chat and autograph and some people dropped by with some cold water or a donation for the charity. I actually thought I might have to cancel the tour half way through because of a disagreement with my tour manager who was driving and didn’t meet me at a rest stop for hours. My family and friends came though to make sure the tour finished and I had someone to drive my guitar and stuff along the way.

7. How are you using the Web and social media to get your music out there and reach out to fans?

I think the Web has made it both easier and harder to be a working musician. There is a lot expected of you as an artist in terms of making your life and experiences accessible to your fans and I’m still feeling out how comfortable I feel about that. There’s a part of it that takes away from the time you would normally spend being introspective and creative, but it is crucial to be out there so people can find you and to be on as many Web sites as you can so people can listen to you where they feel most comfortable.

I love using Twitter (@NatalieGelman). I just got an iPhone so it fits really easily into my life to post a thought, picture or shout out about some news rather than me carving out a lot of time to write a blog or film and edit a video. That said, I do love using video and I am going to keep trying to include more behind the scenes footage like these two fun videos from backstage at the House of Blues in Boston and Dallas.

And I have been trying to broadcast my shows more live on the Internet when it’s possible.

8. It sounds like you’ve racked up a few, but what’s the professional moment you’re most proud of or awestruck by?

There’s been quite a lot of little moments that were life changing and serendipitous. Every time I think I have things in control and I know what’s going on, life usually throws me a curve ball. It’s usually something I think is horrible but facilitates growth as an artist or something I never could have made come together myself that just works so well and makes me feel like I’m a rockstar for a few days.

I am most proud of the moments that are tough and break me down so I can become a better person and artist. I have had shows where people couldn’t care less and recently someone even left midway through the show saying “shut up” as he walked out because I was telling a story about my song and he wanted me to stop talking and just play the music.

After I got off stage it had me down for the rest of the night. I have been told that it’s great to get a strong reaction like that because when you are truly hated you will be truly loved, but in reality that wasn’t doing much for making be feel better about getting back out and performing. I realized I just needed to work on that aspect of my show even more. I know my stories and banter was a weak point and I have had great shows since that moment because I have become more intentional and committed to my audience and what I’m getting across. I didn’t take any of it out or take who I am out of any of the show. I’m learning how to really feel out an audience and if I think they want to hear some more personal stories I absolutely share that stuff. It’s how I share it that has changed and it seems to work better so I’m proud of that.

As far as being awestruck, that’s in all of those little moments that I have no control over when I meet someone new and incredible, connect to an audience at a show or on the subway or a song pours out whole and complete and saying exactly what I want it to. Those moments are awesome and incredible reminders of why I do this.

9. Do you have any secret talents, other than your voice?

I can do this pretty freaky cross-eyed thing that irks some people and makes others want to learn how to do it. I’m also really good at finding a bargain in the grocery store and when I find myself shopping with friends I always save them money, which is a more practical talent.

10. If you had one superpower, what would it be and why?

I would love to be able to fly and look at the land below me and have the whole sky to be quiet and daydream in. It would also be awesome be able to transport myself anywhere instantly like they did in Star Trek. That would really save me on touring costs, and be a heck of a lot of fun traveling all over the world.

I think both of those would get old after a while though and I have always been fascinated with the super hero’s who have healing powers and can save someone’s or something’s life by healing a wound. It always looks very intense when you see it in a movie (the Matrix) or on TV but I think it would be a very intentional and awesome power if it did exist. I think that’s the one that I would ultimately choose.

11. What do you hope to accomplish with your music?

I want to become a better and better songwriter. I hope my music changes a lot of lives for the better. Many of my songs are sad and angry but I think they connect with people to serve as a reminder that they are not alone in those feelings and to help them communicate how they feel. Admitting your feelings really does help you move on from a rough experience.

I love to perform so I hope to be doing that for a long time to come too.

12. Lastly, what advice would you give to up and coming artists?

I think it’s all about persistence. It’s a really tough business so stick with it if this is what you want. You have to let people know about your music and art and commit to working towards what you want a little everyday. I think it’s important to remember why you got into music and if you can form a little support team that gives you honest and supportive feedback that’s great too. This doesn’t and probably shouldn’t just be your friends and family. Other artists are great to form a collective with. You can share knowledge about touring, conferences, suppliers, advice and more.

You will move forward a lot if you always exceed people’s expectations. This includes to your fans with a great live show, to venues by bringing in those fans that keep returning for your great live show and to anyone you meet or anyone who helps you out by sending a thoughtful thank you. There’s so many ways to exceed expectations so try to use that as a metaphor for how you live and you will be golden. There are so few people out there who do think about how to make someone’s job easier so you will stand out in a good way.

Remember to take time for yourself and nurture your art as much as you can too.

Thanks so much, Natalie. Make sure to keep in touch with Natalie by watching her personal Web site, Natalie’s MySpace and, of course now that she has iPhone, following her on Twitter!

Do You Do This At Your Office?

Shaane — Wed, 21 Oct 2009 15:00:39 +0000

Something like this really takes time and effort. And dedication. And charisma…and a lot of it, because you are about to reveal to the world (or at least the world on YouTube) that you know every single word and beat of the Backstreet Boys’ song, “I Want it That Way.”

That being said, I really wish I could have taken part in this. I’ll say it right now—I listened to the Backstreet Boys. I know the lyrics. (Granted, I would like to make two clarifications: 1. I am now 21 so when the BBs were popular I was an 11-12 year old girl, so it was perfectly acceptable behavior, and 2. I liked NSYNC better anyway.)

There’s no real significance to this video—it’s just a fun pick-me up if you need something entertaining for a few minutes. For other games, humorous websites, and general entertainment, follow us on Facebook!

Windows 7 Out Thursday

Shaane — Tue, 20 Oct 2009 15:00:31 +0000

Microsoft has an answer to Apple’s Snow Leopard OSX. Even though Windows Vista was released in just 2007 (to retail), there is a new upgrade: Windows 7.

Windows 7 will be available this Thursday, October 22 in stores. For students the upgrade could cost as little as $29 (sound familiar?). Otherwise, the operating system upgrade will run you from $50-$200. Judging by reviews and screenshots of Windows 7, Microsoft seems to be focusing on precision and focus instead of newer features (like in Vista).

Some say the switch from Windows XP to Windows 7 (which most people will want to do) will be extremely difficult, though. To make the transition, users will have to wipe their entire hard drive clean. The other option is to run system controls and customize the installation of the new operating system. But why would you do that if you’re looking to upgrade everything? You can’t be sure of what will be compatible or not.

The new operating system has garnered decent reviews but most are saying that although Windows 7 is stronger and sleeker than either XP or Vista, it might not be the greatest idea to purchase the upgrade—wait until you get a new computer with the OS pre-installed, instead. As the answer to Apple’s new OSX people will surely be eager to get an upgrade for their computers.

Will you be making the switch??

Verizon’s “Droid” Set for October 30?

Shaane — Mon, 19 Oct 2009 15:00:07 +0000

Verizon Wireless has launched a website to promote a new Droid phone. Even though there has been no clear announcement or information regarding a release date for the device, the site might be hinting at October 30 of this year.

On the site, there is a coded countdown. Some sites believe that these symbols on the countdown represent numbers from 0-9 and that the countdown itself represents “October 30.”

The phone is presumably going to operate version 2.0 of the Android operating system, which has never been used on a phone before. The device is also said to be a match-up between Motorola and Verizon Wireless (and Google for the OS).

So far, the official promotional website gives very little information. It is mostly an advertisement poking fun at Apple’s iPhone, listing qualities that the iPhone cannot do (that the Droid will be able to do), without ever explicitly using the terms “Apple” or “iPhone”…or even “smartphone.”

We’ll keep you updated on this find! Looks interesting to me—check it out!

New Albums: Twilight New Moon Soundtrack and Five for Fighting

Shaane — Fri, 16 Oct 2009 20:01:00 +0000

Well, it’s that time again. Almost one month to the day until Twilight Saga: New Moon hits the theaters.

Twilight: New Moon Soundtrack

We all know my stance on this series. However, I will be the first to admit how much I like “Decode.” I think it’s a great song (maybe too good for the movie?) and was a smart choice to use as the single off the album. Anyway, the main track for the New Moon soundtrack is “Meet Me on the Equinox.” I’m going to be honest: it isn’t as good as “Decode.” However, it fits the mood of the movie and Death Cab for Cutie is always a solid choice.

The rest of the album contains 14 other songs from major artists such as Muse, The Killers, OK Go, Band of Skulls, etc. The compilation of songs was chosen well by whoever put together this album—there is so much teenaged angst that it’s a little hard to handle… but that’s just me. I’m pretty sure that’s exactly what the executives were going for; so, well done, guys. It’s just emo enough to work for the Twilight-lovers.

Lucky for us, the New Moon soundtrack has been released a week early (due to high demand, naturally), so you can pick up your copy right now! Have at it!

Five for Fighting- Slice

If you liked Five for Fighting’s major hit, “100 Years,” you will definitely enjoy the title track of their new album, “Slice.” Actually, if you like their other major hit, “Superman,” you’ll really like the song, “Transfer.”

The entire album is in that soft-rock-type style. It’s mellow and great for a rainy day. Personally, I like the song “Tuesday” the most from the record. The sound of the band sounds like a cross between the Dave Matthews Band and something else I can’t quite put my finger on. It could be The Fray. Maybe after you listen to the new album you’ll be able to hear the mixture, too.

The first single off of Slice is “Chances.” It’s a very soundtrack-sounding song. It kind of sounds like it should be a part of that new Jennifer Aniston movie, Love Happens. Maybe that’s a little far fetched—I mean, I haven’t even seen the movie. The song sounds like it would fit, though, doesn’t it? It has that romantic love-story sound to it.

Slice hit stores on Tuesday so check it out today!

Cling Interview

A. Sogal — Wed, 14 Oct 2009 17:30:48 +0000

The techno-inspired Cling is the brainchild (and lovechild) of musicians Susi Lavender and Gerald Patient. Back from spending a summer performing festivals around the UK, Gerald was kind enough to chat with us about how Cling came to be, the excitement that spawned over their 2006 debut release Sonic Spells and how Cling’s sound is just a bit “otherworldly”. If you’ve never heard of Cling, their music can best be described as warm, unusual and beguiling.

Check ‘em out!

1. You’ve been busy playing the festival circuit across the UK this summer. What was that like? Any standout moments?

The standout moment I think would have to be the Kelvedon Free Music Festival. We thought it would be quite small as it is only a little village in Essex, but we found ourselves playing to an audience of 2,000. It was also singer Susi`s birthday so it was a wonderful experience for both of us.

2. Who are the members of Cling and who does what in the band?

There are two members of Cling:

Susi Lavender- Lyrics/Vocals
Gerald Patient (myself) – Programming/Production

3. Who are your musical influences?

There are too many to mention them all. Recently, we have been incorporating some dubstep into our productions and there are some really good artists out there such as Vex’d, iTal-Tek, Boxcutter and burial to name but a few

4. How did Cling come together as a band?

We knew each other for a long time before Cling was born. Susi always says that Cling is like our love child and I think she is right.

5. The songs from Sonic Spells got a lot of exposure on the Web. How did that come about and what has it done for your career?

The exposure from Sonic Spells was very important as it was our debut release and a lot of people welcomed us with open arms. However, it still took a lot of hard work since we did all of the promotion ourselves. We even had a comment from Mixmaster Morris on our MySpace page saying “nice work”. We didn’t even send him a CD. He actually found it, brought it home, played it and liked it enough to leave us a comment. I’d say that the exposure definitely helped to get us into the heads and hearts of a lot of people.

6. Since Techno has so many subgenres, how would you describe Cling’s music to someone who isn’t familiar with the genre?

Our influences are many, but our music does have a very atmospheric vibe to it and the distinctive sound of Susi’s voice. But to actually pin it down to one genre would be difficult. We cover areas of Drum and Bass, Dub Step, Dance Chillout. I would describe it as a fusion of past, present and future music.

7. Cling songs seem to convey a certain mood. Is there any particular theme you hope your audience picks up on?

A lot of our material is quite otherworldly. I guess what I am trying to do musically is to spark people’s imaginations. By using sounds and beats in a certain way you can take your listeners on a journey, but what sort of journey they have is up to the individual

8. What advice would you give to a young artist trying to break into the industry?

As the industry has changed so much, there are no hard and fast rules for success. What I would say is that people should work hard, believe in themselves, and be prepared for a lot of disappointments along the way. The good stuff will happen if it’s meant to be.

9. Given the songs Cling is known for, is there anything in your musical past that might surprise your current fans?

I (Gerald) used to be the lead singer in a rock band called Chariot who was quite well known in the eighties.

10. Do you have any plans for shows in the United States? Is the Techno scene in the United States different from the UK?

We would love to play in the US. We have heard that they are all into electronic music in a big way. We are possibly going to New York for a trip in a few weeks time. We’ll definitely be checking out the scene.

11. Where should people look for info about where to see you live?

Check our MySpace page or our Web site – www.clingmusic.co.uk. Listeners can also get free downloads of our music, including the debut Sonic Spells, at www.gimmesound.com/Cling.

There’s also a new CD/Download coming out in October called “Live Versions”. It will contain all of the tracks that we have played out live over the last year.

Awesome, thanks so much, Gerald! If you want to stay up-to-date with Cling, make sure to check out their MySpace, Facebook, Twitter and, of course, their personal site.

Fall Movies: Horror

Shaane — Wed, 14 Oct 2009 15:00:57 +0000

Fall is a good time for horror movies because Halloween is right in the middle of it. I can’t tell you how many years when I was really young and curious about The Exorcist and tried to rent it around Halloween. It’s a nightmare… Anyway, horror movies seem to be getting more popular, yes, but they also seem to be getting better in terms of quality. Of course, there are the stupid ones like Saw that will keep going on forever no matter how stupid. But there are new, original ones on their way, too. I’m a little bit behind but this fall seems full of them:

Jennifer’s Body (September 18)

Megan Fox is starting to branch out from her [only] role in Transformers, and the character she plays in Jennifer’s Body couldn’t be more different. She plays a possessed cheerleader who kills her male classmates (and maybe consumes them?). Her best friend has to try to help her through this…phase…that she is going through. The film is written by Diablo Cody, who wrote the uber-popular 2007 flick, Juno.

Paranormal Activity (September 25)

This movie is the surprise hit of the fall so far. With a budget of $11,000, no one thought this movie would see the light of day (or the dark of a theater). However, trailers for the movie surfaced on the internet, showing audience reactions after screenings of the films. People were so intrigued by how afraid the audiences were that they couldn’t wait to see the movie for themselves. In fact, I’m not really sure what the premise is myself. I’ve seen the trailers. It seems like the characters in the movie are afraid that something supernatural is in their home. That’s cool. What gets you, seriously, is the look on each of the audience member’s face. I really want to see this movie– who cares if the plot is stupid if it gives you the thrill of an adrenaline rush??

Saw 6 (October 23)

I don’t think this movie needs much explanation. It is the sixth film of the Saw series and will probably be more gruesome than the previous five. If you can handle the gore, then by all means, this movie is for you. The promotional poster is as strange as ever, showing a hand and wrist, but the skin looks as if it’s been slashed and then tied back together like shoelaces. It’s bizarre. (I’ve spared you the actual image. You’re welcome.) The plot will be thin and full of blood, I’m sure. Check it out…?

The Wolfman (November 6)

With all of the vampire stuff out there right now (True Blood, Twilight, V, etc.), I’m surprised werewolf-themed movies and TV shows didn’t show up sooner! Well know the wait is over with The Wolfman. The cast in this film is gigantic: Anthony Hopkins, Benicio Del Toro, Emily Blunt, and Hugo Weaving (“Mr. Andersonnnn…”).

In the movie, a man (Del Toro) gets bitten by a werewolf while trying to discover his ancestral history. He doesn’t know what is happening to him, however, and the people around him and around the small village have to figure it out. Seems interesting, and looks like it has some potential. Will you be watching??

UPDATE: Looks like The Wolfman has been pushed back to February 10, 2010. Bummer!!

Woman Arrested After Using “Poke” Feature on Facebook

Shaane — Tue, 13 Oct 2009 15:00:53 +0000

You didn’t read that wrong. A woman in Hendersonville, Tennessee was arrested on September 25th for “poking” someone on Facebook.

I guess it runs a little deeper than that, though. The woman contacted another woman from whom she was ordered (by the courts) to stay away. She was not allowed to contact this woman in any fashion, which included: “no telephoning, contacting or otherwise communicating with the petitioner.” Well, apparently “poking” via Facebook violated the court order.

This is actually a major legal issue. Contacting this woman—aka violating a strict court order—could be considered a misdemeanor in Tennessee. The punishment for this misdemeanor, then, can be up to a $2,500 fine and 11 months (plus 29 days….so basically a year) in jail.

WOW! First of all, why did she “poke” this person anyway? It doesn’t even do anything except put a little notification on someone’s page…but it is technically a form of communication. If you’re going to violate your court order, why do it in the least personal way possible? Oh well. The woman was taken to the county jail and is set to appear in court again on October 28.

Just remember to think before you “poke” someone—it could land you in jail! (Well, almost. Just go with it.) P.S. Don’t forget to become a fan of SendMe Mobile on Facebook!!

Microsoft Glitch Causes Problems

Shaane — Mon, 12 Oct 2009 15:00:34 +0000

For the last few days, people with Sidekick phones have been having problems with their data.

A representative from Microsoft said that there was a glitch in the system which caused problems with their computers and, inevitably, users’ cell phone data. Many people lost their contacts (names and numbers), mobile photos, etc.

The most common occurrence of this issue was seen when users removed their phones’ batteries. When they replaced the battery and turned the phone back on, all contact information and digital photographs were gone. This also happened when users let their batteries run out; after they charged the battery and turned the phone back on, all digital data had been erased.

Engineers are hopeful about recovering this data, but they are also realistic, stating that the “likelihood of a successful outcome is extremely low.” As of now they continue to look into the problems to try to solve them (as well as to prevent them from happening in the future), and are apologizing to their customers.

The only good thing to come out of this is that it seems that Perez Hilton may have had a Sidekick, and lost his data…

New Albums: Michael Bublé and Tokio Hotel

Shaane — Fri, 09 Oct 2009 19:02:55 +0000

Michael Bublé – Crazy Love

Michael Bublé usually sings covers of famous jazz songs—a lot of ballads. For this album he takes a different approach. The album does contain a lot of covers, but they aren’t jazz songs. He takes classic songs from famous artists such as Bob Seger, Don Henley, and Van Morrison and makes them his own for Crazy Love.

Bublé is especially great to listen to if you’re feeling down in the dumps or are just generally somber. His voice is melodic and soothing, and it’s always a bonus that he sounds as flawless on record as he does on stage. Personally, I really like what Bublé does with all his albums. It’s always fun to see what an artist can do with a classic song, and Bublé always executes the task perfectly.

Crazy Love is Bublé’s fourth studio album. All three of his prior records (Michael Bublé, It’s Time, and Call Me Irresponsible) have done enormously well, both in the U.S. and worldwide, selling millions of copies. The first single off of Crazy Love, “Haven’t Met You Yet” is slowly climbing the charts and holds strong at #65 on the Billboard Hot 100.

The album is available now!

Tokio Hotel – Humanoid

I don’t have a lot of experience listening to Tokio Hotel, but the band seems to be extremely popular. And, as it happens, they’ve come out with a new album this week! It is their fourth studio album, right behind their major-success, 2007’s Scream.

Tokio Hotel has a large cult following in the U.S. so listeners will be happy to know that there are twelve new tracks on Humanoid. The first single, “Automatic,” hasn’t quite hit the Billboard Hot 100 in the U.S. yet, but it is widely popular in Europe. It’s a good pick for the first single; it’s less screaming and more actual music.

The album, Humanoid, sounds to me like a mixture of techno, alternative, and emo punk-rock music. Maybe I’m basing some of this on the band’s overall look, but they are definitely more techno than metal; I don’t think there can be any argument with that. But also listening to them I’m a little surprised that they’re not more popular in the United States by now. They sound like they would be a perfect fit to any of the Twilight soundtracks. They should get their agent on that; it’d make them overnight superstars here.

The record dropped on Tuesday so check it out!

Keane: A Brief Profile

Shaane — Thu, 08 Oct 2009 20:22:31 +0000

Keane is one of my favorite bands. It is a British pop/rock band that started in 1997 and has released a few (really great) albums in the last decade. The band has enjoyed major success in the United Kingdom, and decent success in the United States.

Their first album, Hopes and Fears, released in 2004, is a very original album. If you haven’t heard this record, you really should go listen to it. The debut single, “Somewhere Only We Know” became really popular in the United States and appeared on numerous movie and TV soundtracks. It also made the U.S. Billboard Hot 100 chart in 2004. It’s a great song. Really, I could talk about the album all day. Every single song is unique and brilliant.

Their follow-up album, Under the Iron Sea, was released in 2006 and had immediate commercial success in the United Kingdom as well as in the United States, debuting at #1 and #4, respectively. It moved nearly 3 million copies worldwide. The sound of the album was more somber than Hopes and Fears, but it still captured everything the band was about. It’s nice to hear consistency from a band without it becoming boring.

Perfect Symmetry came out in 2008 and Keane proved that it is still as creative as ever. Though it didn’t seem to be as mainstream in its popularity as Under the Iron Sea, it is still an amazing album. Currently the band is working on its fourth studio album, set to be released in 2010. I can’t wait!

What are your favorite bands that you think we should profile? Let us know on Facebook or Twitter!

Fall Movies: Drama

Shaane — Wed, 07 Oct 2009 15:00:19 +0000

Fall is Oscar season. This year, the Academy of Motion Picture Arts and Sciences has decided that there will be 10 movies up for the award of Best Picture instead of the usual 5. Will there even be 10 good movies out this year? Probably not. What gives?

I don’t have that answer. But, I do know of a few movies that have been getting Oscar hype this year. Naturally, they will be released during the fall so that the meaningful movies stay in your memory by the time you have to go vote for your favorite! I’m excited about a few (note the recognizable absence of New Moon):

A Serious Man (October 2)

This movie is getting hype because it is written and directed by the Coen Brothers (who wrote/directed Oscar-winners such as Fargo and No Country for Old Men). More likely than not, A Serious Man will be an extremely dark comedy. It follows a normal guy, Larry, who seeks clarity in his life after his wife leaves him (for his colleague) and his deadbeat brother has moved into his house (specifically crashing on the couch). His son has problems at school and his daughter wastes his money on vanities. Sounds like the opening for an interesting movie, right?

The Road (October 16)

The Road is a book written by Cormac McCarthy (who also wrote the book, No Country for Old Men). It is a somber and depressing post-apocalyptic story involving a man and his son trying to get across the now-destroyed United States to find some civilization. The Man (who remains nameless throughout the story) has recently lost his wife and struggles to stay positive for his son. The story is compelling and moving, and there are high hopes for the film, which stars Viggo Mortensen and Charlize Theron, and is directed by John Hillcoat.

The Lovely Bones (December 11)

This is another highly anticipated film adaptation, directed by Peter Jackson. It will be his first major directorial film since King Kong (2005). The film stars Mark Wahlberg, Rachel Weisz, and Saoirse Ronan (Atonement) as the main character. Susie Salmon has been murdered, and looks over her family from heaven. She also tracks her killer and tries to leave clues so her family can discover the killer’s identity. But, she also has to decide whether vengeance is more important than her family’s grieving process. The Lovely Bones is a bestselling book by Alice Sebold, released in 2002. Since then people have been hoping for a film version. Peter Jackson is giving it to them.

Sherlock Holmes (December 25)

I feel like I’ve been hearing about Sherlock Holmes (the movie) for years. Guy Ritchie’s newest movie, starring Robert Downey, Jr., Jude Law, and Rachel McAdams has been highly promoted and greatly anticipated. It is Fight-Clubbed up with major action, adventure, and violence. I don’t know about you, but I’m a big fan of Guy Ritchie’s work. Lock, Stock, and Two Smoking Barrels is one of my favorite movies of all-time.

I’ve been really looking forward to Sherlock Holmes. It’s remained somewhat of a mystery to me in terms of plot and development, but I like that. It makes it that much more exciting when I actually go out to see the movie. It’s the same reason why I don’t watch previews for the next week’s episode of a TV show. I like the element of surprise!

Jason Mraz “I’m Yours” Update

Shaane — Tue, 06 Oct 2009 15:00:09 +0000

Back in July, we told you that Jason Mraz was on his way to making Billboard history. His single, “I’m Yours,” was to become the longest-running single to stay on the Billboard Hot 100 for consecutive weeks. The previous record holder is LeAnn Rimes with “How Do I Live,” which spent 69 weeks in the top 100.

Well, as of this week, “I’m Yours” will have been in the Billboard Hot 100 for 76 consecutive weeks, and it still remains strong. The single is currently at #48 and doesn’t look as if it’s going to be dropping off the chart anytime soon. (In fact, just last week it was at #49, so it’s still jumping around.)

The song is the first single off the album, We Sing. We Dance. We Steal Things, which was released in early 2008. Since then “I’m Yours” and the full album itself has been a major success for Mraz, selling several million copies worldwide. He collaborated with other indie-folk artists like James Morrison (one of my personal favorites) and Colbie Caillat.

The song is still played on the radio constantly so if you haven’t heard it by now…well…I don’t know what to tell you.

Man Arrested For Threatening His iPhone

Shaane — Mon, 05 Oct 2009 15:00:42 +0000

This is a real story.

The poor iPhone was merely taking a break from its normal activities (aka functioning) when a crazy man threatened to shoot it.

Actually, that’s not that far off from the truth. The idea is that some guy in Cincinnati brought his iPhone into an Apple store so someone could help him fix it. He was talking to an employee and allegedly said that he was “so mad, I could pop a 9mm at it.”

The genius proceeded to tell the employee (or so they say) that he really had a weapon hidden in his shirt. No big deal, right? That’s what he thought, because he had a concealed weapons permit. Little did he know, though, that he was supposed to tell the police (who inevitably showed up after the scared employee was told he was going to shoot the poor, innocent iPhone) that he both had a permit to carry a concealed weapon, and that the weapon was actually on him at the time.

Since he didn’t disclose this information, he was taken into custody and charged with “aggravated menacing and causing fear or harm” to the Apple employee.

Luckily, the iPhone survived with just a few scratches. (Actually, I’m not sure that’s true. I don’t really know.)

New Albums: Paramore and AFI

Shaane — Fri, 02 Oct 2009 15:00:14 +0000

Paramore- brand new eyes

Over the last year or so, I have grown to like Paramore. At first I thought they were a little too emo for me, but once I listened to their songs more and more, I realized they’re pretty mainstream for being a punk-rock band. I could handle it. Plus, some of the band members look surprisingly preppy (especially since Hayley Williams has gone platinum blonde…though who knows how long she’ll keep that look?).

Their highly anticipated album, brand new eyes, comes two years after their mega-successful studio album, Riot! which gave them their fame. “Misery Business” put Paramore on the charts and they’ve been popular ever since. Their newest record will undoubtedly bring similar success. The first single, “Ignorance,” is slowly making its way up the mainstream charts, so far resting at #67 on the Billboard Hot 100.

I haven’t heard the entirety of Paramore’s other albums, but I like where brand new eyes takes the listener. Hayley Williams proves that she has a voice that could go anywhere: listen to “Misguided Ghosts” and “The Only Exception” in comparison to “Ignorance” or “Careful” and you’ll see the versatility of her voice. She’s incredibly talented and I’m glad brand new eyes showcases that.

The album is on sale now (mp3 version on sale on amazon.com for $3.99 right now!) so check it out!

AFI- Crash Love

I didn’t know anything about AFI before I listened to Crash Love. I had been introduced to the band briefly and heard some of their more popular songs, such as “Love Like Winter” and “Miss Murder.” The band and their songs were fine, I thought. I guess I was indifferent. I’m pretty easy-going in terms of what styles and genres of music I like, but sometimes screaming can be a little too much for me (I couldn’t listen to the entirety of “Endlessly She Said” because of that).

Their look is very punk-rock and emo but their songs aren’t that extreme. I think they’re somewhere in between Paramore (who is at the mainstream end) and My Chemical Romance (ugh). That’s a fine place to be, though.

Crash Love sounds a little more mainstream than what I have heard, actually. Their first single off the album, “Medicate,” is especially radio-friendly (it’s Guitar Hero friendly, too). It’s probably the song I like the most on the album. The rest of the album is fine, too. Maybe it’s just that I shouldn’t have listened to AFI right after Paramore.

There’s a regular version and a deluxe edition of the album available now!

Ólafur Arnalds Interview

A. Sogal — Thu, 01 Oct 2009 14:59:24 +0000

Icelandic neo-classical composer Ólafur Arnalds produces melodies that dance between haunting and energizing, beautiful and saddening, but which are always captivating. In our interview below, we chat with the mesmerizing talent about the social media-induced ‘Found Songs‘ album, the moment he knew he was on the “right” path, and how growing up in Iceland affected the way he approaches his music.

Check it out and then give him a listen. You won’t be left untouched.

You just released the limited edition Found Songs CD. For those who don’t know, each of the seven songs were recorded and released for free on the internet within a twenty-four hour period. How did this project come about?

The idea kind of developed from me trying to find an interesting way to release all compositions that were different from what I like to have on my albums. I write quite a lot of romantic piano music in the style of Chopin or Schumann and wanted to get some of that out there. I also just realized that there would be a longer wait for my next full length album (which I had already written at the time) and I thought this would be a nice way to remind people about me. Most of the songs are based on some older sketches I never had a chance or even a reason to turn into full songs. Sketches I had even forgotten about and found again during this week. Hence the title “Found Songs”.

In addition to your use of the internet for Found Songs, you have a very active Twitter account. How has your use of the internet and technology influenced your relationship with your fan base?

I think there are not many things more important than having a good relationship with your fans. All these social networking sites have only made that easier for me and more effective. Found Songs is also a bit of an experiment as I released the songs through social networking sites like Twitter and Facebook and got my followers on these sites to interact with me through their own art.

Because you compose and perform neoclassical instrumental music, do you think it has been easier for you to cross linguistic barriers and find wider acceptance across Europe?

Hmm, I don’t think so really. I think English has become such an accepted form of lyrics in music that it doesn’t make much difference with countries that speak other languages. Maybe it being instrumental helps a little bit though, I don’t know. However, I think this type of music makes it easier for me to cross all kinds of other barriers, genres and such.

Who are some of your biggest musical influences?

Shostakovich, Arvo Part, Schubert, and Bach, of course, as he pretty much invented the harmony behind everything I do.

Was there a particular moment when you knew that your future would involve composing and classical music?

Not a particular moment that I can remember, but I remember realizing that I was on to something. It was my first-ever tour with this music and it was the first show of the tour. Actually, I think it was probably my first show ever with this project. It was in Germany and we had just flown in on the same day and our flight was late so we only arrived to the venue (a huge, beautiful church) like just before doors. There was a long line down the road of like 100-200 people who were waiting for the show to start… I was like “wow, are they all here to see me?!” After the show the audience wouldn’t stop applauding, we did encores until we didn’t know any more songs. I was very surprised and, in fact, every show of the tour went like that… and actually pretty much every show we’ve played since. Stuff like that makes you realize you are on the right path in life.

Did growing up in Iceland influence your musical tastes and path?

I think no matter where you live, your home is always going to influence you – more than that actually; it controls it. Your taste is made by the people you meet, the concerts you go to, etc… No more in Iceland than anywhere else.

What would you like to accomplish with you music? Any goal you are striving for?

Well there is no certain goal because what would I do after I reach that? But I strive to be better every day and make my music reach more and more people through all kinds of different mediums. I guess that’s the point of all this, to let my music be heard, to inspire someone.

Would you ever consider writing and performing vocals for any of your songs?

Yes I have, I have even tried it out in some of the new songs. Some of it sounds great but in the whole context of like the new album it doesn’t really work, so I’m not using any of them. But we never know, maybe it makes more sense on the album I do after that!

Is there any vocalist you would like to write for or collaborate with?

Yes, I would love to work with Anthony Hegarthy or Emiliana Torrini, for example.

You have been touring Europe and selling out venues, what has been the highpoint for you thus far?

Well some of these shows have been absolutely amazing. Some highpoints would include my last show in a church in Poland, Barbican Hall in London, supporting Sigur Rós on a few shows in Germany and Poland… The absolute high-points for me are when I can clearly see my career moving forward, like when I got offered to score my first major film or first interest from a big record label – things that you just know are going to change your future.

Where should people look for info about where to see you live?

It’s best to just go to www.olafurarnalds.com – it only links to my Myspace page now, but I still keep that updated with all tour dates

Thanks, Oli! Be sure to check out Oli’s Web site and find him on Twitter, MySpace, YouTube and Facebook.

Fall Movie Preview: Comedy

Shaane — Wed, 30 Sep 2009 15:00:59 +0000

Fall is Oscar-movie season; we all know this. All the good-quality films come out in the fall so that by the time the nominations are announced, the movies will be fresh in your mind. However, people seem to forget that comedies are still around, too! And I don’t mean holiday-themed comedies that we’d all like to forget (Surviving Christmas?). I’m talking about some good old-fashioned fun at the movie theater. Oscar-themed movies are usually depressing, so everyone can use a pick-me-up! Here’s a few titles to look forward to during the fall season!

Couples Retreat (October 9)

This movie has been pretty heavily promoted throughout the summer. It stars big names including Jason Batemen, Vince Vaughn, Jon Favreau (director of Iron Man), Kristen Bell, Kristin Davis, and a few others. Four couples take a trip together to an island resort, thinking it will be a nice vacation. Instead it turns out to be a couples-therapy-themed resort…hilarity ensues.

New York, I Love You (October 29)

This is a follow-up to the 2006 hit, Paris, Je T’aime. The idea of the films is very unique: well-known directors and screenwriters put together five-minute (appx) short films—that don’t have anything to do with each other except the fact that they take place in New York—and put them together as a compilation of short films colliding into one. I have to say that I really loved Paris, Je T’aime, and can’t wait for New York, I Love You. There are major names in this film, too, directors and actors alike: Bradley Cooper, Shia LaBoeuf, Robin Wright Penn, Natalie Portman, Blake Lively, Orlando Bloom, Justin Bartha, Hayden Christensen, Christina Ricci, Rachel Bilson, John Hurt, Ethan Hawke, Anton Yelchin, James Caan, Andy Garcia, Chris Cooper, Julie Christie, and many others.

It’s Complicated (December 25)

Nancy Meyers, writer of Father of the Bride, is back writing and directing a new comedy, It’s Complicated. The film stars Meryl Streep, Alec Baldwin, John Krasinski, and Steve Martin and follows a love triangle. In the movie, Alec Baldwin and Steve Martin compete for Meryl Streep’s affections. Sounds good? Okay…sounds watchable? I mean, come on. It’s Meryl Streep.

Check out these movies in theaters soon!!

Daughtry Tour to Start Soon!

Shaane — Tue, 29 Sep 2009 16:00:58 +0000

Daughtry is taking the US by storm and will be performing in arenas for their Leave This Town tour. Wow. That’s really exciting, and very ambitious.

The tour will begin in Topeka, KS on October 19. They will complete 36 shows in just over 2 months throughout the United States, covering all the major cities and venues.

The album, Leave This Town, was released on July 14 and debuted at #1 on the Billboard Top 200 chart. Since then the record has stayed in the top ten almost every week, and has sold over a half a million copies so far. The first single off the album, “No Surprise,” was a major hit, and the second single, “You Don’t Belong,” is on its way to the top of the charts.

See the full list of concert dates after the break!

Daughtry Tour

Oct. 19: Topeka, KS (Kansas ExpoCentre)
Oct. 21: Omaha, NE (Omaha Civic Auditorium)
Oct. 22: Ames, IA (Hilton Coliseum)
Oct. 24: Madison, WI (Alliant Energy Center)
Oct. 25: Peoria, IL (Peoria Civic Center)
Oct. 26: Ft. Wayne, IN (Allen County War Memorial Coliseum)
Oct. 28: Lansing, MI (Breslin Events Center)
Oct. 29: Saginaw, MI (Dow Events Center)
Oct. 31: Toledo, OH (Lucas County Arena)
Nov. 2: Toronto, ON (Air Canada Centre)
Nov. 4: Youngstown, OH (Covelli Centre)
Nov. 5: Reading, PA (Sovereign Center)
Nov. 6: Atlantic City, NJ (Trump Taj Mahal)
Nov. 12: Greensboro, NC (Greensboro Coliseum)
Nov. 13: Highland Heights, KY (The Bank of Kentucky Center)
Nov. 14: Huntington, WV (Big Sandy Superstore Arena)
Nov. 16: Wilkes-Barre, PA (Wachovia Arena)
Nov. 17: Bridgeport, CT (Arena at HarborYard)
Nov. 19: Fairfax, VA (Patriot Center)
Nov. 20: Charlottesville, VA (John Paul Jones Arena)
Nov. 30: Gainesville, FL (Stephen Connell Center)
Dec. 1: Tallahassee, FL (Tallahassee County Civic Center)
Dec. 2: Pensacola, FL (Pensacola Civic Center)
Dec. 4: Birmingham, AL (BJCC Arena)
Dec. 5: Louisville, KY (Broadbent Arena)
Dec. 7: Tupelo, MS (BancorpSouth Arena)
Dec. 8: Bossier City, LA (CenturyTel Center)
Dec. 9: Lafayette, LA (Cajundome)
Dec. 11: Corpus Christi, TX (American Bank Center)
Dec. 12: San Antonio, TX (Freeman Coliseum)
Dec. 13: Austin, TX (Frank Erwin Center)
Dec. 15: Tulsa, OK (BOK Center)
Dec. 16: Jonesboro, AR (ASU Convocation Center)
Dec. 18: Little Rock, AR (Verizon Arena)
Dec. 19: Southaven, MS (DeSoto Civic Center)
Dec. 20: Evansville, IN (Roberts Stadium)

Who Was Stupid Enough to Think Google Misspelled its Name By Accident?

Shaane — Mon, 28 Sep 2009 16:00:13 +0000

Sorry if this offends someone…but honestly, I was looking through blogs and news articles today and was stunned to see how many were written about “Google’s Misspelt Logo.”*

In fact, the double L seen on Google yesterday, if you bothered to scroll over the logo, represented the company’s 11th anniversary. In 1998, Sergey Brin and Larry Page launched Google in Menlo Park, California. What’s funny is that the name, “Google,” is already a misspelling of the word, “googol,” which is the number 10 to the 100th power. Nerds.**

But seriously? People were confused? Google makes a special logo for every major holiday, and every minor geek holiday. Can they not have a makeshift “11” (using two Ls) hidden in their logo for their own anniversary? Was it necessary for users to be “baffled,” forcing the special logo to be taken down after only a few hours?

I guess I can’t really talk about this not being news-worthy considering I’m part of the blogs writing about it…although, if you think about it, I’m writing about the users who can’t understand a joke. It’s completely different. Maybe next year Google should spell its name with a dozen eggs or something. Then users will ask, “Oh, are we getting omelettes now? What happened to Google?”

*Note: that’s not a misspelling. In the UK it’s “misspelt,” not “misspelled.” Just FYI for anyone who is going to claim I’ve committed some kind of irony.
**Though, who am I to talk? I thought it was “funny” that “Google” is already misspelled. (Misspelt?)

New Albums: David Gray and Harry Connick, Jr.

Shaane — Fri, 25 Sep 2009 16:00:30 +0000

Cougars, rejoice! David Gray and Harry Connick, Jr. have both released albums this week! While I admit Harry seems more the cougar type, I can see how David might have some smooth moves to entice the ladies.

David Gray- Draw the Line

Okay, I just learned that David Gray is 41. I don’t know why that’s relevant, but I was floored. He seems younger than that…

Anyway, Draw the Line is Gray’s 8th studio album. He began his album career in 1993 with A Century Ends, but his fame really exploded in 1998 with the release of his uber-popular single, “Babylon.”

His newest record features eleven new tracks from the artist and follows his British pop-folk sounding style. It’s easy on the ears: it flows nicely and is just simply relaxing. The first single off the album, “Fugitive,” is my favorite. It’s a little more mainstream but not so center-line that it’s boring.

Check out the album, it’s really great! I would recommend listening to “Kathleen,” which has an Elton John feel to it, and also “Stella the Artist.”

Harry Connick, Jr.- Your Songs

I wonder who would win in a fight between Michael Buble and Harry Connick, Jr. Not in sales…in a fist fight. I think I’d vote for Harry Connick, Jr. on absolutely no basis at all. Either way, both guys can really sing.

This guy has released over two dozen albums. Seven of them have reached the top 20 charts in the U.S.—a number that jazz musicians usually only hope to see just once in their careers. On top of his singing career, too, Harry Connick, Jr. has acted in a number of films. What a great life he must have.

His latest album, Your Songs, features fourteen songs with a range of styles from the ballad to the basanova. There are a lot of covers on the record, and that works for him. He has definitely earned a name as a great jazz singer. He even turned a classic Beatles song, “And I Love Her,” into his own jazz version. It’s great. The album went on sale on September 22!

Mackenzie Phillips’s Interview on Oprah

Shaane — Thu, 24 Sep 2009 16:00:09 +0000

Whether people are genuinely disturbed, annoyed, or saddened by Mackenzie Phillips’s memoir, High on Arrival, there is no question that it has caused a major stir. Yesterday, Phillips went on Oprah to discuss the book, and both women made some interesting points.

Phillips said this book helped her to cope with certain events that occurred during her childhood, including abuse from her father, John Phillips (singer in the Mamas and the Papas). She stated that she didn’t know why he chose her to put his “demons” on, but that she loved him anyway.

In the interview, Phillips goes on to say that her father was the first person to ever shoot her up with drugs, and caused her addiction. She places the blame of her troubled youth entirely on her father, who passed away in 2001. After this confession, Oprah asks of Phillips (rhetorically, really), “Who can call us up tomorrow and say you’re lying?” because John Phillips has been dead for 8 years.

In a statement released by Mackenzie’s step-mother, Genevieve Waite Phillips, said that “John was a good man, who had the disease of alcoholism and drug addiction. He was incapable, no matter how drunk or drugged he was, of having such a relationship with his own child.”

Mackenzie also spoke about an incident when she met and seduced Mick Jagger (lead singer of the Rolling Stones) when she was 18 years old, and her father tried to stop them. She stated that Jagger told her he had been “waiting for this since [she] was 10 years old,” which is disturbing on its own.

Whether or not Mackenzie Phillips’s stories in her memoir are true or false, it is clear that she has had issues for many years, and truly believes that all of it is true. The question now is what she is going to do now that she has opened up about her past. Is she going to become active in communities regarding child abuse and incest? Or is she just trying to boost sales? Maybe that sounds insensitive… but we’ll see what she does.

Fall Out Boy: A Brief Profile

Shaane — Wed, 23 Sep 2009 16:00:20 +0000

Fall Out Boy was formed in 2001, but didn’t get uber famous until 2005 with their album, From Under the Cork Tree. Specifically, the single, “Sugar, We’re Goin Down,” brought them the most success. The record reached double platinum status in the United States, selling over 2.5 million copies. They are probably considered to be mainstream now, but to me, Fall Out Boy almost represents the peak of the “emo” phase in American teenagers.

Though the band and its members actually seem pretty normal, there hadn’t really been anything like them before. Pete Wentz is the sole reason for the popularity of “guyliner,” in my opinion (see present-day Adam Lambert, also). “Emo” is hard to explain, and Fall Out Boy probably isn’t categorized as such anymore, but like I said, they seemed to spark something. They are a mix of rock, punk, and gothic. Perfect for the angsty teenager.

Since they’ve become popular and mainstream, the members of Fall Out Boy have enjoyed consistently high sales on their singles and albums. Their second major album, Infinity on High, debuted at #1 on the Billboard Top 200 in 2007. They went on tour and experienced worldwide fame.

They’ve made plenty more records and released a few singles since then. The band leader, Pete Wentz, is extremely well-liked and is great to his fans. He updates his Twitter account regularly and seems to try to interact with fans, too. The whole band seems pretty personable, actually. (Well maybe not the singer because…well…nevermind.)

Currently, Fall Out Boy is participating in a few tours (not headlining themselves) and working on songs for a new album. In the meantime check out the Extended Play (released on April 27), America’s Suitehearts: Remixed, Retouched, Rehabbed, and Retoxed!

Do you have suggestions of great bands to profile? We’re always looking to catch up on great talent! Let us know on Facebook or on Twitter!

Fall TV: Drama

Shaane — Tue, 22 Sep 2009 16:00:55 +0000

Last week I wrote about a few comedy-TV shows that are premiering soon. Now it’s time for Drama! Looking back on all the TV shows I watch, I actually had a hard time coming up with more than two comedy shows that I like/watch. It’s strange to think that about 75% of what I watch is drama, but there you have it.

Dexter

Dexter is my favorite show on television right now. It’s smart, funny, crazy, extremely well-acted, and just all-around an amazing show. Personally I think the TV show is actually better than the books (which is really rare). Michael C. Hall is brilliant, the story lines are great, and because it’s on Showtime we don’t miss out on any gory details! Catch the premiere on September 27!

House, M.D.

House is also great TV. It’s no wonder Hugh Laurie is (almost) the highest paid actor on TV (right behind Keifer Sutherland of 24). Even though there seem to be a lot of medical and crime-scene-type shows on right now, House is unique because of the title character. He is sarcastic and bitter but brilliant. It makes for entertaining television. Season 6 began on September 21!

The Mentalist

The Mentalist is still a new show: it will be starting its second season on September 24. Aussie Simon Baker plays Patrick Jane, a quiet but incredibly intelligent consultant for the state police (California). He assists in criminal cases that are unique to state lines and jurisdictions. Upfront it seems like just another crime drama, but when you actually watch it you see that it’s really clever and witty. Jane’s arrogance is obnoxious and amusing at the same time. His character and the show remind me of a combination of House and Psych.

The AT&T Tilt2: Windows Competing with Apple

Shaane — Mon, 21 Sep 2009 16:00:46 +0000

For awhile there have been plans to release a smartphone which runs entirely on Windows: it is the PC vs. Mac debate wrapped up into a mobile-phone-sized package.

The phone was supposed to be released by AT&T on October 6 but it has now been pushed back to October 18. It will feature AT&T’s 3G network and Windows Mobile 6.5 software. Obviously, this is the Windows attempt to compete with Apple’s iPhone. Both smartphones will be offered at AT&T—will the PC be successful?

The Tilt2 (a nickname for HTC Touch Pro 2) is highly anticipated because of its software. The physical body of the phone on its own is fine, but people seem to be excited about Windows Mobile 6.5. Microsoft has been hard at work to equal (or even upstage) the simplicity and the sleekness of the iPhone’s software.

As of now the release date for the Tilt2 is October 18. We’ll keep you updated if it changes. Check it out!

New Albums: Muse and Mark Knopfler

Shaane — Fri, 18 Sep 2009 16:00:50 +0000

Muse- The Resistance

Muse has become an international sensation, and it seems like they did so in no time at all. They have been popular in the UK since the late 1990’s, but the United States is just now discovering the band. They made their debut televised performance in the U.S. just six days ago during the MTV VMA awards.

The Resistance features eleven new songs from Muse. You may have heard the first single off the album, “Uprising” before. It has become a widely popular song everywhere.

The rest of the album is unique. Where a lot of other alternative bands fall into the trap of having all of their songs sound the same, Muse doesn’t. All eleven tracks sounds incredibly different with hints of classical rock influences. “Unnatural Selection” sounds almost like an homage to Queen. I like it.

Check out The Resistance, on sale now!!

Mark Knopfler- Get Lucky

Mark Knopfler is known as one of the best guitarists of all time. He has sold over 120 million albums worldwide with various music groups, including Dire Straits, which he co-founded in 1977 with his brother.

Knopfler has worked with dozens of other major artists like Bob Dylan, Eric Clapton, John Fogerty, Steely Dan, The Dandy Warhols, and many others. Rolling Stone listed Knopfler as #27 on their list of “100 Greatest Guitarists of All Time.”

Get Lucky features 11 new tracks from Knopfler with both lyrical and instrumental songs. The album has a nice mixture of classic rock, blues, and a little bit of country (or at least that’s how it sounded to me…if you don’t believe me, listen to “Piper to the End”). Get Lucky is in stores now!

The Heartsleeves Interview

A. Sogal — Thu, 17 Sep 2009 22:18:08 +0000

“Born in the glory and pageant of the noble working cities of Boise, Cleveland, Schenectady, Boston and Syracuse, ‘The Heartsleeves’ is the voice of the no frills sincerity of real world American life.”

That’s how Jared Nathanson describes his band The Heartsleeves, five normal guys from forgotten cities who share of passion for music. Check out the interview below to hear Jared get chatty about Boston, their love of all things jazz and whether they are Pro or Con the three minute pop song.

1. Your bio sounds like you guys are all from different places. How did Boston become your base?

Purely circumstance, but we’re all from “forgotten cities.” I’m from Schenectady, New York. Once the birthplace of GE and a city of great industry and history. It’s been going through some tough times, but I love it and it will always be my first home.

Boston was the choice because I wasn’t ready for NYC. I wanted something big enough to hold a healthy art scene. (I got my BA in Fine Arts -always a very useful and lucrative degree.)

The HeartSleeves was formed, essentially, when I met Wayne “Rhino” Flower at a community open studios art show. He was showing his art while Curtis Mayfield was pumping out of his “boom box.” We got to talking music. Wayne, a Boise, Idaho boy had spent his youth in the burgeoning music scene of the late ‘80s west coast, especially early 90’s Seattle. He had an extensive career in music as a drummer and bassist in very influential bands like The Halo Benders, Treepeople, Violent Green (great punk bands I had never heard of at the time). He was this deep and soulful dude and we exchanged the trite “we should jam together sometime” knuckle tap.

About a year later (it should have been sooner), we ended up working on some of my songs in my living room. Just a vocalist and a bass, which is not a very good combo for song craft, but as Wayne liked to say, his bass became like a “big comfy chair” for me to lay out my melodies. We even recorded a few songs on his laptop with Wayne tapping a drumbeat on a cardboard box. We worked on several songs from the album there, “Learn To Live, “Symptoms of Rebellion, and “Glory Pour Down,” which was a song I had been working on since 1994.

We hooked up with my dear old friend and sax genius Joel Greenlee, a proud Cleveland native, and Jazz/Afro Pop player, Ariel “REL” Rejman (The Great Buriers, Air and Space Museum) in a jazz quartet. REL in turn brought in his band mate Joshua Lee Loomis. Josh is a one man music machine and the creative force behind the “The Great Buriers.” REL, was born in Israel but raised in Boston and Josh was another upstate New Yorker like myself, raised in the fine city of Syracuse.

We were playing in this dungeon practice space at the Fenway and I thought a lot about our origins (Boise, Boston, Cleveland, Schenectady and Syracuse) and our influences (Punk, Jazz, Soul, Rock, Country). That’s where I came up with the tongue and cheek phrase “Born in the glory and pageant of the noble working cities of Boise, Cleveland, Schenectady, Boston and Syracuse, “The Heartsleeves” is the voice of the no frills sincerity of real world American life.” It felt like it fit.

When Joel and Wayne moved West, we were very lucky to find Ben Margolis (The Peoples’ Donut) and Robert Gilmore (Air and Space Museum) on sax and bass.

2. What is the music scene like in Eastern Massachusetts and how do you guys fit in, or not?

Boston has a nice group of original bands, but we’re competing with cover bands and DJs at any venue. If a venue can pack in folks to dance with a DJ or rock out to the hits or golden oldies played by tight professional musicians, why take a chance playing original music?

More and more, the wonderful and filthy clubs that used to pride themselves on original music are either having gentrified face lifts or they’re closing down. I was very proud that we got to play The Abbey Lounge in Cambridge before it closed down last year and I was very excited by the reaction when we played Jacques Underground last week. For many talented bands doing the “original music” thing, it is hard to find places to play. Personally, I think The HeartSleeves’ sound straddles the indie and mainstream scene. We are pretty accessible and seem to be able to play our original music in cover band venues without too much trouble. I did get asked to play some AC/DC the other day which was like asking Stevie Wonder to play Ministry.

I think Boston audiences respond to sincerity and that’s all we have. We aren’t in your face or crazy, we’re sweet melancholy music pulled from real life stories and loves and we mean it all sincerely. In that way, I think we really do wear our hearts on our sleeves and I think people respond to that kind of honesty.

3. Who are your musical influences?

I grew up watching “Soul Train” and “Hee Haw.” [I can't be the only one, can I?] I loved watching The Comodores or Heatwave hanging with Don Cornelueas and you never knew who would be jamming with Buck Owens and Roy Clark on a given night. Real, soulful country music, like old country, outlaw country and alt country, has a lot of emotive connections with soul, blues and jazz. I love emotive music. Music that has sincere power and profundity in it. Usually, it’s all just a pretty way of wailing your pain away.

We call our sound “Neo Eclectic Soul” because we are really a stew of many things, Soul being maybe only the most obvious.

I write songs with a heavy influence from The Beatles, Curtis Mayfield, Jimi Hendrix, Al Green, Johnny Cash, The Velvet Underground, Rashaan Roland Kirk, The Band, everyone at Motown and Staxx, David Bowie, Sly & The Family Stone, Josh White and my muse and inspiration — Nina Simone, probably the most dynamic singer this side of Billie Holiday or Ella Fitzgerald. Nina Simone is my place of inspiration.

4. Your lead guitar seems to be a saxophone. Is this a conscious choice in your song writing?

Absolutely! I love jazz, especially the saxophone when played by Rashaan Roland Kirk, Cannonball Adderly or John Coltrane. They all had this love/hate affair with the popular song.

Our first sax player Joel and I have known each other many years and I have always had fun playing off him as if we were two vocalists. The sax is a vocal instrument and usurped by the guitar as the lead instrument in the early days of rock. The sax can hint at the melody, it can be seductive while being just as aggressive as the guitar, but with sensuality that I think guitar only has in the best of hands. The sax shouldn’t be condemned to be a piece of parsley on the plate and we’re just trying to put it back on its throne. After Hendrix, rock guitar is a very much known quantity, and somehow sax, even when it’s tearing it up in a whirlwind of machismo, still has the subtleties and emotional resonance that guitar rarely delivers. I write with the sax in mind, always and with a lot of room.

I work with Ben all the time to help refine the sax in each song. For The HeartSleeves, the sax can be mellow and supportive like a keyboard, smart and sly like a flute or strong and arrogant like a lead guitar. We’re working with an additional sax player now, so we’ll have tenor and alto saxophones weaving some sweet sounds together.

5. The songs on Dirt & Water have a strong jazz element. Were any of you schooled in jazz through a university music program? If not, how do you think you’ve come to write songs steeped in jazz?

Dirt & Water is a Jazz song in that it was created live by the whole band as a jam and we just happened to record it. I loved the original jam so much I just kept asking everyone to listen to it. The first part of the song was literally one song idea that was going nowhere and all of a sudden Joel came up with this incredible melody that cut through and redirected everything. In an instant the whole song came to us and we just did it. That’s Jazz.

It doesn’t hurt that Wayne and I are huge jazz fans or that Joel and REL are trained Jazz players. I got my start as an improvisational performer and I love pulling lyrics and melodies out of chords and little pieces of inspiration live. So that helps too. I think most of us are very into Jazz, and many of us have studied Jazz in college, either as history or theory. For me, Jazz is the clearest hybrid of art and music I’ve ever witnessed.

6. Dirt & Water (the entire record) has a live but polished feel. Was replicating the live mood of a gig a goal in the recording process? Any interesting stories from the process?

We record live and then only do necessary secondary tracks. So vocals, sax and guitar might be a mixture of the best of three or four takes, but a lot of it comes from that first live take. We really are striving to sound live, with just a gentle polish. Plus, I think too much recording and mixing will suck the life out of a performance. Most music is so overproduced and auto tuned that all the interesting “nooks and crannies” are buffed right out of it.

7. What do you guys have against the three minute pop song?

Nothing at all. Some of our newer songs are shorter popish songs, we just started out not caring about limitations. However Motown and Staxx pop songs are a heavy influence for me and I think songs like “Last Night” really express this. I just write the song and then I try to cut it down to its most simple form. Sometimes that’s 4-7 minutes, but a few are shorter.

I love pop music; I just don’t like hollow pop music. I think pop has gotten a bad name in the last 20 years. The Beatles were pop. David Bowie was pop. We have a strong pop influence in our sound. Pop can have sweet hooks and still be about something real.

8. Some towns end up being known for a certain type of music, are there any Boston musical clichés you love to hate?

Boston is a “guitar rock” city and I get a bit bored with the overtly macho heavy rock sounds. ‘70s and ‘80s guitar rock is something I was never into. Every once in a while someone kicks it up a notch and I try to be there when they do. I was more into Funk, Punk, Glam, Folk, Country Rock and Art Rock.

Boston is a loyal town that remembers its glory days. Some of those days are rich in rock lore. With the death of WBCN (for many, it had been a shadow of its former self for years) I often wonder if it’s time for a new voice for original music in Boston.

A good Boston cliché would be the nurturing and supportive nature of music fans for original bands. Many bands would never have made the bigger stage without them. Boston people are tough, but loyal, and I like that. I’m the same way.

9. If you could hit the road opening for any band, who would it be and why would their fans appreciate what the HeartSleeves have to offer?

If I’m thinking of the bigger acts, I think audiences that likes Death Cab For Cutie, Dave Matthews, The Strokes, The White Stripes, Bruce Springsteen, U2, Bright Eyes, Wilco, would find we had something to offer them in our mix of ‘60s, ‘70s and contemporary soulpop, however, I would love to open for Sharon Jones and The Dapp Kings or (if she was playing and sober) Amy Winehouse and The Dapp Kings. Those two have really got it going in new directions. Plus,the Dapp Kings are amazing!

Top of the list of the living? I would want to play with Levon Helm or Al Green. What can I say… Living gods.

10. What’s your favorite gig venue and why?

We love Jacques Underground. It’s one of the last dirty, black basements out there where people who really love new music congregate. Otherwise, we’re still fairly new to the scene and have yet to play the sweet spots like the Middle East.

11. Where should people look for info about where to see you live?

Our site, www.theheartsleeves.com has links to everything FaceBook, MySpace, Twitter and iTunes related. We also encourage everyone to download our whole album free from our site and if folks like it, we ask them to please let us know and tell their friends. Nowadays, that’s the best way to get word out.

Thanks for an incredible interview! If you want to hear more from the men of The Heartsleeves, make sure to check them out on Facebook, MySpace, Twitter and, of course, their Web site. Consider us instant fans!

Fall TV Premieres: Comedy

Shaane — Wed, 16 Sep 2009 23:24:00 +0000

No one can say they aren’t excited about any TV shows that premiere in the fall (or if they do, something must be wrong). Personally, I watch too much TV—but that’s the beauty of DVRs, right? You watch a lot of shows but barely any reruns! There are a few shows I’m more excited about than others, though.

The Office, for example, is one of the funniest and smartest shows on right now. Since the loss of Arrested Development in 2006, The Office has picked up the pieces of dry wit and awkward humor. I can’t wait to see what new nicknames Pam gets and what new additions the show will have (wink wink!). The new seasons begins on September 17! I can’t believe it’s season 6 already…

Glee is a show I’m really looking forward to. I watched the pilot in May and I have to say, I was really impressed with it. It’s a tough concept to run with—a weekly musical TV series. Sure, it’s easy to be funny when you have Jane Lynch in the cast: every single thing she says is funny. But, other than Lynch, the cast is young and unrecognizable, and the concept is unique (which could go either way with audiences). Glee returned on September 9, and is on tonight!

How I Met Your Mother is also a really popular show. Neil Patrick Harris has come back into the spotlight with another hit series after being over a decade out of Doogie Howser, M.D. The show has become one of the best-known sitcoms on TV today, which is impressive. It is really difficult to get a sitcom to stick these days (ever since Seinfeld and Friends went off the air). How I Met Your Mother begins its fourth season on September 22!

For some light-hearted humor be sure to check out these shows!

61st Annual Primetime Emmy Awards This Weekend!

Shaane — Wed, 16 Sep 2009 16:00:21 +0000

Sunday marks the 61st Primetime broadcast of the Emmy Awards! Did any of your favorite shows get nominated? Don’t you hate it when you always seem to watch two or three of the nominees, but they NEVER win? Well let’s hope that’s not the case this year!

There will be 28 awards given out during the ceremony, ranging from recognition of acting, directing, writing, costumes, and more. HBO leads the board (basically just like every year) with 99 nominations, which is the most for any network. (99?! Seriously?!)

As for individual shows, though, NBC’s 30 Rock leads the way with 22 nominations. It is the first time a comedy series has the most nominations out of any other show. I couldn’t care less about Alec Baldwin but apparently other people see something that I don’t…

Mad Men is the front-runner in the Drama category with 16 nominations. If you haven’t watched this show already, you should. AMC, Mad Men’s network, also scores with a nomination for Bryan Cranston of Breaking Bad. This is his second nomination in two years (he won last year).

For a full list of nominees, check out the official Emmys page, and tune in this Sunday, September 20 (8/7c), to find out the winners!

R.I.P. Patrick Swayze

Shaane — Tue, 15 Sep 2009 16:00:48 +0000

Even though we knew Patrick Swayze had been dealing with cancer for 20 months, his passing still seems sudden. The actor died yesterday, with his family at his bedside, after a long battle with pancreatic cancer. He was only 57.

Of course, people everywhere will remember him for his major roles in Dirty Dancing and Ghost. He was one of the few people who gracefully made the transition from dancing to acting without a hitch, and went on to star in some iconic roles. Personally I will always see him as Bodhi from Point Break.

In his last role, Swayze played a veteran FBI agent in a TV series. A&E agreed to shoot an entire season of “The Beast” because Swayze was optimistic about his cancer treatments. The show aired from January to April of this year and was well-received by audiences and critics. However, the show was canceled on June 15 when Swayze could no longer work due to his illness.

Patrick Swayze stayed positive for so many months as he tried to battle the disease. He often mentioned that his work as an actor was his motivation to keep fighting against cancer, and he hoped that he had made an impact on people’s lives. He was, and will remain, known for being an all-around good person with an extensive body of work.