<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-6750980160280425282</atom:id><lastBuildDate>Mon, 02 Jan 2012 13:58:09 +0000</lastBuildDate><category>Infinity</category><category>Melody</category><category>Color Mixing</category><category>Symbolism</category><category>Painting Language</category><category>Oil Painting Theory</category><category>Lines</category><category>Introduction - The First Blog Post</category><category>Brush Techniques</category><category>Aerial</category><category>Oil Painting</category><category>Space</category><category>Connection</category><category>Motif</category><category>Open Studio Series</category><category>Music</category><category>Action and Reaction</category><category>Design</category><category>Learning How To Paint</category><category>How to Paint A Sky</category><category>Painting Video</category><category>Painting and Music</category><category>Theme</category><category>Infinite Color</category><category>Experience</category><category>Cityscape</category><category>Space and Time</category><category>Landscape Painting</category><category>Acrylic Painting</category><category>Details</category><category>Key Concepts</category><category>Color Theory</category><category>Color</category><category>Sex and Painting</category><category>Meditation and Art</category><category>Composition</category><category>Drawing</category><category>Painting and Writing</category><category>Shape</category><category>Oil Painting Techniques</category><category>Success</category><category>Painting Styles</category><category>Memory</category><category>Writing</category><category>Time</category><category>Fundamentals of Visual Art</category><category>Tension</category><category>Brushstrokes</category><title>Secrets of A Modern Painter</title><description>Oil Painting Theory and Techniques with a focus on experiential learning.</description><link>http://secretsofamodernpainter.blogspot.com/</link><managingEditor>noreply@blogger.com (Gabriel Boray)</managingEditor><generator>Blogger</generator><openSearch:totalResults>35</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/SecretsOfAModernPainter" /><feedburner:info uri="secretsofamodernpainter" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><feedburner:emailServiceId>SecretsOfAModernPainter</feedburner:emailServiceId><feedburner:feedburnerHostname>http://feedburner.google.com</feedburner:feedburnerHostname><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-5283819258365575691</guid><pubDate>Mon, 28 Nov 2011 14:49:00 +0000</pubDate><atom:updated>2011-11-28T21:47:16.567-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Painting and Music</category><category domain="http://www.blogger.com/atom/ns#">Color Theory</category><category domain="http://www.blogger.com/atom/ns#">Color Mixing</category><title>Mixing Color Scales and Chords</title><atom:summary>

Venice Passage, 20 x 24, Oil, 2010

Singers and musicians practice scales every day. They tune up, preparing their body and instrument to perform in harmony. Without this daily practice, their technique would falter, their harmony weaken, and their ability to express themselves through the medium would diminish.

There are many ways to come at the practice of mixing and understanding color and </atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/ND0znBYpUj4/mixing-color-scales-and-chords.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-Khv-iEVEAGU/TtLBl48AqnI/AAAAAAAAEmE/fiFWhUY1xk4/s72-c/DSC_2408.JPG" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/ND0znBYpUj4" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2011/11/mixing-color-scales-and-chords.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-7295382001941821852</guid><pubDate>Tue, 09 Aug 2011 15:24:00 +0000</pubDate><atom:updated>2011-10-06T12:55:59.745-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Brush Techniques</category><category domain="http://www.blogger.com/atom/ns#">Oil Painting Techniques</category><category domain="http://www.blogger.com/atom/ns#">Color Mixing</category><title>Brush Techniques for Great Color</title><atom:summary>

Last night I got a question on brush handling from one of the readers of my book - How do I control the paint to keep it from muddying on the canvas? 

There  are many different ways, one of the keys is to use a ton of paint.  Don't think of it as paint so much as the substance of what you are  painting and light trapped in the pigment. Try to do some exercises  where you paint something simple</atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/5slnloZb-Dc/brush-techniques-for-great-color.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-JPiuYjGqkqg/TjNMJDWc_UI/AAAAAAAACpk/2-IxAvZeBBc/s72-c/Birch102301.jpg" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/5slnloZb-Dc" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2011/08/brush-techniques-for-great-color.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-1544511248559911395</guid><pubDate>Thu, 28 Jul 2011 17:24:00 +0000</pubDate><atom:updated>2011-08-27T14:33:25.817-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Color Theory</category><category domain="http://www.blogger.com/atom/ns#">Color Mixing</category><title>5 Keys to Mixing Color for Oil and Acrylic Painting</title><atom:summary>

Trainyard, Oil, 30 x 40, In Progress
Color is often the painter's most powerful tool of expression, but for many beginners and even seasoned painters it is difficult to control.

The secret of color is not the number of possibilities, it's how you limit them to establish order within a given range.

Take stock of your colors: How many colors do you own? How many end up on your palette for </atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/fnFZQk6jlVI/5-keys-to-mixing-color-for-oil-and.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-aej8zP1VihU/TiSKAg200kI/AAAAAAAAB3U/e-pS_Xb4A6g/s72-c/Trainyard_Progress11.jpg" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/fnFZQk6jlVI" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2011/07/5-keys-to-mixing-color-for-oil-and.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-4184341865645334054</guid><pubDate>Mon, 25 Jul 2011 16:29:00 +0000</pubDate><atom:updated>2011-08-19T12:00:05.904-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Space and Time</category><category domain="http://www.blogger.com/atom/ns#">Painting and Music</category><category domain="http://www.blogger.com/atom/ns#">Composition</category><title>Painting Focal Points - 5 Main Elements of The Center of Attention</title><atom:summary>

Still Life 1, 2011 (In Progress)
Every mark in a painting both calls attention to itself and directs your attention elsewhere.

As a musician seeks to control every aspect of a note to flow in balance and harmony with the rest of the song, the painter should seek to be aware of all dynamic components inherent in their marks - it is then that the subtleties of time can be controlled. Time </atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/hOWgkc7z7O4/painting-focal-points-5-main-elements.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-5NPe22vWuNY/Ti2HlToSsTI/AAAAAAAACbU/NDPyxJbZOWM/s72-c/Sunday.jpg" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/hOWgkc7z7O4" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2011/07/painting-focal-points-5-main-elements.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-711035998094294744</guid><pubDate>Mon, 11 Jul 2011 14:35:00 +0000</pubDate><atom:updated>2011-08-19T12:02:09.081-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Painting and Music</category><category domain="http://www.blogger.com/atom/ns#">Design</category><category domain="http://www.blogger.com/atom/ns#">Composition</category><category domain="http://www.blogger.com/atom/ns#">Tension</category><title>Painting Tension</title><atom:summary>Create tension in your paintings and attempt to hold onto it for as long as possible. Viewers must feel the forces of light and darkness, good and evil, birth and death. Consider the music of Chopin and Beethoven: how their music inspires us to grow in depth and understanding of human nature.

Know where the journey begins: What elements are we starting with? How are they explored and how are </atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/SW3CYuVrkTI/painting-tension.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-Q9xNnAmNhGw/Td_ZAg8QonI/AAAAAAAAByY/0zjFvVzOTzg/s72-c/Trainyard+V_sm1.jpg" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/SW3CYuVrkTI" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2011/07/painting-tension.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-2963889908296333466</guid><pubDate>Thu, 19 May 2011 19:13:00 +0000</pubDate><atom:updated>2011-08-19T12:02:43.671-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Painting and Writing</category><title>How Painting is Like Writing</title><atom:summary> 
All art is about tension, conflict and resolution.

Forces push and   pull - every aspect struggles  against one another   to find its place in the picture.

When the corner of a staircase painted with a flick of bluish gray is enough to let you know there is an old man inside,when the reflection in the wet street tells of the lovers who have walked though,when the faint orange glow just above </atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/GHZ6aGOriTc/how-painting-is-like-writing.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-hkrfKZOfmw8/SYDNIDVinTI/AAAAAAAAA6Q/wAqYdgjOJco/s72-c/City9a.jpg" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/GHZ6aGOriTc" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2011/05/how-painting-is-like-writing.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-3539945914183348517</guid><pubDate>Wed, 06 Apr 2011 18:20:00 +0000</pubDate><atom:updated>2011-07-18T17:17:34.234-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Memory</category><category domain="http://www.blogger.com/atom/ns#">Oil Painting Techniques</category><title>The Organized Mind - Painting from Memory Part 4</title><atom:summary>

4 Trees, 2003

Learn to collect and organize memories in your mind so you can recall specifics when necessary.
Lately, I have been painting rainy cityscapes with reflections of buildings and lights in the wet streets.

More and more, I want to only suggest structures and elements and focus on light, air, and movement. The end result is more representational than abstract; however, I am avoiding</atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/SYlCn6g02Q0/organized-mind-painting-from-memory.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-EAO4DmDrgQs/TZyH5mg60-I/AAAAAAAABxo/mRS5V0-aGeI/s72-c/Four+Trees.png" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/SYlCn6g02Q0" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2011/04/organized-mind-painting-from-memory.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-3098565698212418213</guid><pubDate>Mon, 04 Apr 2011 20:46:00 +0000</pubDate><atom:updated>2011-04-04T16:46:02.804-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Oil Painting</category><category domain="http://www.blogger.com/atom/ns#">Fundamentals of Visual Art</category><category domain="http://www.blogger.com/atom/ns#">Learning How To Paint</category><title>How to Learn To Paint</title><atom:summary>
Think about how you are learning how to paint. 
  
Developing yourself into a unique artist takes a great deal of experimentation and time.

It helps to separate experiences of flowing and creation from those of questioning and more direct learning, so you can simultaneously progress in both elements. 

Otherwise, you might find that, after a long period of trying to learn things outside of </atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/KXg_JBXUoXg/how-to-learn-to-paint.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-RxMt2248EA0/TZHuZPGhcDI/AAAAAAAABxU/f8hbG7YznGg/s72-c/Train+at+Sunset.png" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=KXg_JBXUoXg:zFu7pVW0Npg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=KXg_JBXUoXg:zFu7pVW0Npg:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=KXg_JBXUoXg:zFu7pVW0Npg:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=KXg_JBXUoXg:zFu7pVW0Npg:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=KXg_JBXUoXg:zFu7pVW0Npg:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=KXg_JBXUoXg:zFu7pVW0Npg:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=KXg_JBXUoXg:zFu7pVW0Npg:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=KXg_JBXUoXg:zFu7pVW0Npg:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=KXg_JBXUoXg:zFu7pVW0Npg:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/KXg_JBXUoXg" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2011/04/how-to-learn-to-paint.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-4088104123645247863</guid><pubDate>Wed, 09 Mar 2011 21:28:00 +0000</pubDate><atom:updated>2011-08-11T18:28:51.437-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Action and Reaction</category><category domain="http://www.blogger.com/atom/ns#">Oil Painting Techniques</category><title>Painting Action and Reaction</title><atom:summary> 
Ask A Question, Then Answer It 

Let painting come from your subconscious by reacting to everything you do on the canvas with a countermove. Maybe you begin  your paintings with a series of rough lines or dominant shapes, or maybe  your preference is to place colors here and there and see how they  relate. 

As I paint, I move back and forth between my conscious thoughts and my unconscious </atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/ddPlLMgmLIo/painting-action-and-reaction.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://lh6.googleusercontent.com/-gT6ZwnVMavI/TXeQmzj7o1I/AAAAAAAABxM/dxF7trkeWnU/s72-c/3+Sisters_GabrielBoray.png" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/ddPlLMgmLIo" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2011/03/painting-action-and-reaction.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-2021865715543389136</guid><pubDate>Wed, 16 Feb 2011 21:59:00 +0000</pubDate><atom:updated>2011-02-17T22:21:12.205-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Landscape Painting</category><title>5 Elements To Improve Your Landscape Paintings</title><atom:summary>

Cloud Study 10 x 10

Don't just abide by the rules of good design - you have to feel the forces of nature and react to them.


Get beyond the idea of merely creating an image, your goal should be to get at substance. You are painting a symbol of the Earth and our time on it, a physical planet full of stories - each element in constant struggle against everything around it.

5 Things To Remember</atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/0fb8xO21Wps/5-elements-to-improve-your-landscape.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-VLInpTNZ5xU/TVs-9TbJ4cI/AAAAAAAABw8/abATC8K-Fdo/s72-c/Fields212BW.jpg" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=0fb8xO21Wps:oriK6RgNuJg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=0fb8xO21Wps:oriK6RgNuJg:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=0fb8xO21Wps:oriK6RgNuJg:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=0fb8xO21Wps:oriK6RgNuJg:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=0fb8xO21Wps:oriK6RgNuJg:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=0fb8xO21Wps:oriK6RgNuJg:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=0fb8xO21Wps:oriK6RgNuJg:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=0fb8xO21Wps:oriK6RgNuJg:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=0fb8xO21Wps:oriK6RgNuJg:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/0fb8xO21Wps" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2011/02/5-elements-to-improve-your-landscape.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-5467707998737523894</guid><pubDate>Wed, 02 Feb 2011 16:47:00 +0000</pubDate><atom:updated>2011-02-02T13:25:10.605-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Oil Painting</category><category domain="http://www.blogger.com/atom/ns#">Painting Video</category><category domain="http://www.blogger.com/atom/ns#">Aerial</category><title>Oil Painting Video Timelapse Aerial Landscape Part 1</title><atom:summary>
Land is divided, towns built, roads laid; farms raised, fields tilled, crops grown and harvested; 
the landscape constantly changes as does our perception
 of our place in it. 
These large Aerials move from chaos to order as I explore ideas and possibilities, adding and removing throughout the process. I want to leave traces of the choices I have made and give an idea of passing time and the </atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/4oUXMPRmOcE/oil-painting-video-timelapse-aerial.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_JmhpLLv12mM/TUl2xAFhEoI/AAAAAAAABwg/lLV6Ee3qdQU/s72-c/Aerial+5.jpg" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=4oUXMPRmOcE:htKjgFdkF04:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=4oUXMPRmOcE:htKjgFdkF04:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=4oUXMPRmOcE:htKjgFdkF04:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=4oUXMPRmOcE:htKjgFdkF04:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=4oUXMPRmOcE:htKjgFdkF04:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=4oUXMPRmOcE:htKjgFdkF04:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=4oUXMPRmOcE:htKjgFdkF04:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=4oUXMPRmOcE:htKjgFdkF04:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=4oUXMPRmOcE:htKjgFdkF04:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/4oUXMPRmOcE" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2011/02/oil-painting-video-timelapse-aerial.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-6931778658724256842</guid><pubDate>Thu, 20 Jan 2011 18:06:00 +0000</pubDate><atom:updated>2011-01-21T09:03:47.720-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Details</category><category domain="http://www.blogger.com/atom/ns#">Connection</category><title>Are Your Paintings Open?</title><atom:summary> 
Paintings are like people, some are open and some are closed.
In any conversation, you are both your developed self and open to reflection and change. 
Let your paintings be open to viewers for connection and conversation- give us a sense of the act of creation, of being and becoming, of growth; give us a sense of the power and drive that made you approach the empty canvas, a sense of the </atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/76XD1S9ZuLQ/are-your-paintings-open.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_JmhpLLv12mM/TTdqWW2qavI/AAAAAAAABwE/v8dTBLGt_u8/s72-c/FieldSquare16B.jpg" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=76XD1S9ZuLQ:QMz0WiH609g:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=76XD1S9ZuLQ:QMz0WiH609g:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=76XD1S9ZuLQ:QMz0WiH609g:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=76XD1S9ZuLQ:QMz0WiH609g:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=76XD1S9ZuLQ:QMz0WiH609g:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=76XD1S9ZuLQ:QMz0WiH609g:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=76XD1S9ZuLQ:QMz0WiH609g:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=76XD1S9ZuLQ:QMz0WiH609g:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=76XD1S9ZuLQ:QMz0WiH609g:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/76XD1S9ZuLQ" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2011/01/are-your-paintings-open.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-5834554938846311162</guid><pubDate>Sat, 15 Jan 2011 21:24:00 +0000</pubDate><atom:updated>2011-01-15T16:24:30.224-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Lines</category><category domain="http://www.blogger.com/atom/ns#">Symbolism</category><category domain="http://www.blogger.com/atom/ns#">Drawing</category><title>Lines Live and Die</title><atom:summary> Lines are born; lines live and lines die. 

Lines are stumbling children learning to walk.
Lines are carrier pigeons.
Lines are heartbeats.
Lines are old boots.
Lines are slow days and vast fields. 

Lines are floorboards 
and barn doors.
Lines are strong or weak: bold, or frustrated and broken.
Lines meander too and fro, lost without reason, wandering aimlessly through a middle ground or they </atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/5dtWzGYGHpA/lines-live-and-die.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_JmhpLLv12mM/TTG0BsR2wOI/AAAAAAAABwA/EsZJfu6gKgI/s72-c/Sunflowers_OriginalPainting_GabrielBoray.png" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=5dtWzGYGHpA:tQJg5t7CkaM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=5dtWzGYGHpA:tQJg5t7CkaM:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=5dtWzGYGHpA:tQJg5t7CkaM:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=5dtWzGYGHpA:tQJg5t7CkaM:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=5dtWzGYGHpA:tQJg5t7CkaM:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=5dtWzGYGHpA:tQJg5t7CkaM:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=5dtWzGYGHpA:tQJg5t7CkaM:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=5dtWzGYGHpA:tQJg5t7CkaM:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=5dtWzGYGHpA:tQJg5t7CkaM:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/5dtWzGYGHpA" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2011/01/lines-live-and-die.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-6492630818200031610</guid><pubDate>Mon, 10 Jan 2011 17:59:00 +0000</pubDate><atom:updated>2011-05-02T10:57:57.251-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Oil Painting Theory</category><category domain="http://www.blogger.com/atom/ns#">Oil Painting Techniques</category><title>2 Ways To Improve Your Representational Painting</title><atom:summary>
Learn to trust your vision, and discover the unique characteristics of paint.
 



1. Stop painting direct from photographs.

  Unless you are painting photo-realism, do not paint straight from photographs.  

Only refer to photographs to solve a problem if the real subject is not  available as reference. 
Use your memory, don't fall into the trap of  'correctness', right perspective, color, </atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/Z9ZRWeroBSs/2-ways-to-improve-your-representational.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_JmhpLLv12mM/TSsqi066J4I/AAAAAAAABvg/GB_T87i-EYE/s72-c/WhiteHorse1W.jpg" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=Z9ZRWeroBSs:ipM2vpN_cbE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=Z9ZRWeroBSs:ipM2vpN_cbE:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=Z9ZRWeroBSs:ipM2vpN_cbE:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=Z9ZRWeroBSs:ipM2vpN_cbE:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=Z9ZRWeroBSs:ipM2vpN_cbE:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=Z9ZRWeroBSs:ipM2vpN_cbE:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=Z9ZRWeroBSs:ipM2vpN_cbE:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=Z9ZRWeroBSs:ipM2vpN_cbE:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=Z9ZRWeroBSs:ipM2vpN_cbE:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/Z9ZRWeroBSs" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2011/01/2-ways-to-improve-your-representational.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-8881625671800819812</guid><pubDate>Wed, 05 Jan 2011 21:49:00 +0000</pubDate><atom:updated>2011-01-26T21:11:25.723-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Memory</category><category domain="http://www.blogger.com/atom/ns#">Meditation and Art</category><title>4 Steps to The Still-Life, Memory Part 3</title><atom:summary> 
Every moment you spend developing your memory is worth hours of painting. 
  
 
 Memory is the key to filling your paintings with emotion and air.   These are not exercises to rush through. With  this first 5 minute exercise, you are not going to try to do  anything, don't  try to memorize the subject, just look at it with no distractions.
1. Take a single object, maybe a flower, a teacup, or </atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/VSqmb5ZcyR0/4-steps-to-still-life-memory-part-3.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_JmhpLLv12mM/TSSy33j3jsI/AAAAAAAABug/W6PkstVPfEM/s72-c/Salt+2006_GabrielBoray.png" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=VSqmb5ZcyR0:38TOgGk6s-g:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=VSqmb5ZcyR0:38TOgGk6s-g:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=VSqmb5ZcyR0:38TOgGk6s-g:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=VSqmb5ZcyR0:38TOgGk6s-g:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=VSqmb5ZcyR0:38TOgGk6s-g:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=VSqmb5ZcyR0:38TOgGk6s-g:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=VSqmb5ZcyR0:38TOgGk6s-g:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=VSqmb5ZcyR0:38TOgGk6s-g:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=VSqmb5ZcyR0:38TOgGk6s-g:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/VSqmb5ZcyR0" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2011/01/4-steps-to-still-life-memory-part-3.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-3656955602439760401</guid><pubDate>Mon, 03 Jan 2011 15:16:00 +0000</pubDate><atom:updated>2011-01-24T16:20:09.468-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Oil Painting Theory</category><category domain="http://www.blogger.com/atom/ns#">Fundamentals of Visual Art</category><category domain="http://www.blogger.com/atom/ns#">Oil Painting Techniques</category><category domain="http://www.blogger.com/atom/ns#">Meditation and Art</category><title>You Are The Master</title><atom:summary> 
Realize that, at this moment, you are your master.

What you know is more than enough to create a powerful work of art.



Speak  as you will, be yourself, accept and focus on your strengths.

Take  a moment before you begin to paint, and brush in hand, standing  before the canvas, close your eyes and try to remember the first time  you ever painted.
Now keep going through the months and years,</atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/juronLvsdMY/before-you-paint-today.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_JmhpLLv12mM/TSHl0Egg9VI/AAAAAAAABuM/cZKG9nGfDXM/s72-c/MotherW.jpg" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=juronLvsdMY:IVWEA7xAYwk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=juronLvsdMY:IVWEA7xAYwk:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=juronLvsdMY:IVWEA7xAYwk:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=juronLvsdMY:IVWEA7xAYwk:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=juronLvsdMY:IVWEA7xAYwk:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=juronLvsdMY:IVWEA7xAYwk:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=juronLvsdMY:IVWEA7xAYwk:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=juronLvsdMY:IVWEA7xAYwk:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=juronLvsdMY:IVWEA7xAYwk:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/juronLvsdMY" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2011/01/before-you-paint-today.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-412172297468309154</guid><pubDate>Sun, 02 Jan 2011 21:49:00 +0000</pubDate><atom:updated>2011-08-11T18:23:48.665-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Oil Painting Theory</category><category domain="http://www.blogger.com/atom/ns#">How to Paint A Sky</category><category domain="http://www.blogger.com/atom/ns#">Fundamentals of Visual Art</category><category domain="http://www.blogger.com/atom/ns#">Landscape Painting</category><category domain="http://www.blogger.com/atom/ns#">Oil Painting Techniques</category><title>3 Keys to Powerful Landscape Painting</title><atom:summary> 
  When considering how to paint a sky, we all
think of light, color, and air.


1. Sometimes, because we are painting on a flat surface, we neglect the curvature of the Earth and almost forget that we are painting the inside of a sphere. 
You think of foreground, middle ground, and background, but this subtle shift in perception will change everything. Imagine as you are painting that you are </atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/EEqg42--wdQ/3-keys-to-powerful-landscape-painting.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_JmhpLLv12mM/TSDog2cqpiI/AAAAAAAABt8/Qqlydp3bEqU/s72-c/In+The+Fields_Gabriel+Boray.jpg" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=EEqg42--wdQ:S0eOWA-Kp8c:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=EEqg42--wdQ:S0eOWA-Kp8c:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=EEqg42--wdQ:S0eOWA-Kp8c:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=EEqg42--wdQ:S0eOWA-Kp8c:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=EEqg42--wdQ:S0eOWA-Kp8c:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=EEqg42--wdQ:S0eOWA-Kp8c:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=EEqg42--wdQ:S0eOWA-Kp8c:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=EEqg42--wdQ:S0eOWA-Kp8c:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=EEqg42--wdQ:S0eOWA-Kp8c:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/EEqg42--wdQ" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2011/01/3-keys-to-powerful-landscape-painting.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-2439973118151605970</guid><pubDate>Tue, 28 Dec 2010 00:27:00 +0000</pubDate><atom:updated>2011-01-20T15:25:45.923-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Memory</category><title>Remembering Your Life - Painting from Memory Part 2</title><atom:summary> 
When I talk about painting from memory, it is not only about remembering the subject, it is about remembering
 your entire life.
 
Your mind is much more powerful than the sum of your knowledge and your techniques.
One of the problems with pursuing a discipline as specific as painting is the tendency to become myopic in our struggle to master our materials and become fluent with technique. Try </atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/u9Ojt1D3YR8/remembering-your-life-painting-from.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_JmhpLLv12mM/TRkoETwJrjI/AAAAAAAABtw/EA8AJpSG4Ts/s72-c/Cityscape+39.jpg" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=u9Ojt1D3YR8:W-ymv4AnooI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=u9Ojt1D3YR8:W-ymv4AnooI:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=u9Ojt1D3YR8:W-ymv4AnooI:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=u9Ojt1D3YR8:W-ymv4AnooI:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=u9Ojt1D3YR8:W-ymv4AnooI:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=u9Ojt1D3YR8:W-ymv4AnooI:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=u9Ojt1D3YR8:W-ymv4AnooI:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=u9Ojt1D3YR8:W-ymv4AnooI:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=u9Ojt1D3YR8:W-ymv4AnooI:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/u9Ojt1D3YR8" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2010/12/remembering-your-life-painting-from.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-7399370708474574092</guid><pubDate>Thu, 23 Dec 2010 21:18:00 +0000</pubDate><atom:updated>2010-12-27T12:09:08.526-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Oil Painting Theory</category><category domain="http://www.blogger.com/atom/ns#">Sex and Painting</category><category domain="http://www.blogger.com/atom/ns#">Oil Painting Techniques</category><title>Painting and Sex Part 2 Foreplay</title><atom:summary>Some painters like to start their session with a perfectly clean palette, then mix all their colors before laying brush to canvas. They come at their art with their color wheel in hand as if it's a foregone conclusion how the harmonies will align.  
They are afraid of getting a little of one hue into another, afraid of making their painting a little 'dirty.'

Some artists approach their work with</atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/12rl5IrndUo/painting-and-sex-part-2-foreplay.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_JmhpLLv12mM/TRO5Roil8XI/AAAAAAAABtc/jsniD_tNEDc/s72-c/BlueTrain_GabrielBoray_Oil+Painting.jpg" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=12rl5IrndUo:hgrSi3Q-QuQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=12rl5IrndUo:hgrSi3Q-QuQ:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=12rl5IrndUo:hgrSi3Q-QuQ:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=12rl5IrndUo:hgrSi3Q-QuQ:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=12rl5IrndUo:hgrSi3Q-QuQ:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=12rl5IrndUo:hgrSi3Q-QuQ:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=12rl5IrndUo:hgrSi3Q-QuQ:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=12rl5IrndUo:hgrSi3Q-QuQ:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=12rl5IrndUo:hgrSi3Q-QuQ:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/12rl5IrndUo" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2010/12/painting-and-sex-part-2-foreplay.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-5543648164107756911</guid><pubDate>Wed, 22 Dec 2010 22:34:00 +0000</pubDate><atom:updated>2010-12-27T19:29:04.421-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Oil Painting Theory</category><category domain="http://www.blogger.com/atom/ns#">Melody</category><category domain="http://www.blogger.com/atom/ns#">Theme</category><category domain="http://www.blogger.com/atom/ns#">Painting and Music</category><category domain="http://www.blogger.com/atom/ns#">Oil Painting Techniques</category><category domain="http://www.blogger.com/atom/ns#">Motif</category><title>Painting The Dominant Theme - Painting As Music Part 1</title><atom:summary> 
Use the elements of music to add power and continuity to your paintings.



 Try to have every aspect of your painting 
relate somehow to your theme.
 As a composer, you're not going to give each instrument equal parts and they're not going to play all at once. You're neither going to give harmony and melody equal weight, nor will the whole piece be the same volume. Of course, there are many </atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/lwVt3CJvihw/painting-dominant-theme.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_JmhpLLv12mM/TREqqITwwII/AAAAAAAABtY/PCw-S0PVpg0/s72-c/After+The+Storm_GBoray.png" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=lwVt3CJvihw:G6fHqctBL5s:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=lwVt3CJvihw:G6fHqctBL5s:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=lwVt3CJvihw:G6fHqctBL5s:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=lwVt3CJvihw:G6fHqctBL5s:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=lwVt3CJvihw:G6fHqctBL5s:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=lwVt3CJvihw:G6fHqctBL5s:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=lwVt3CJvihw:G6fHqctBL5s:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=lwVt3CJvihw:G6fHqctBL5s:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=lwVt3CJvihw:G6fHqctBL5s:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/lwVt3CJvihw" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2010/12/painting-dominant-theme.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-831335982353958919</guid><pubDate>Mon, 20 Dec 2010 20:10:00 +0000</pubDate><atom:updated>2011-01-20T15:24:01.595-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Sex and Painting</category><title>Painting and Sex - The Climax</title><atom:summary>
Great painting, like great sex, writing and music has  rhythms and waves, both small and large leading eventually - one hopes -  to a climax.  No matter how you break it down, great sex and great art is made up of  forces uniting in both opposition and harmony, at once working together  and struggling alone, to reach a transcendent and cathartic climactic  experience.
Like a great melody rising </atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/9P5WMeDQfb8/painting-and-sex-climax.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_JmhpLLv12mM/TQ-ybOCckmI/AAAAAAAABtA/4f1OXU182J0/s72-c/Persimmon_gboray.jpg" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=9P5WMeDQfb8:hY07YmE-Iv0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=9P5WMeDQfb8:hY07YmE-Iv0:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=9P5WMeDQfb8:hY07YmE-Iv0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=9P5WMeDQfb8:hY07YmE-Iv0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=9P5WMeDQfb8:hY07YmE-Iv0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=9P5WMeDQfb8:hY07YmE-Iv0:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=9P5WMeDQfb8:hY07YmE-Iv0:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=9P5WMeDQfb8:hY07YmE-Iv0:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=9P5WMeDQfb8:hY07YmE-Iv0:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/9P5WMeDQfb8" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2010/12/painting-and-sex-climax.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-5102386289517161183</guid><pubDate>Thu, 16 Dec 2010 17:48:00 +0000</pubDate><atom:updated>2011-01-20T15:23:00.470-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Painting and Music</category><title>Painting as Music - An Introduction</title><atom:summary> A New Blog Series: Painting, Music, and the Power of Art

To improve your paintings, I want you start thinking more like a composer of music.

Everything is music.  
Painting is definitely a form of music, as music is a form of painting. As  you explore the fundamentals of visual art, design,  and painting, consider the parallels of music composition to expand your  mind. 
As a visual artist, </atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/_ONEbYLFVO4/painting-as-music-introduction.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_JmhpLLv12mM/TQpIfQ1mi6I/AAAAAAAABso/Nuf0-5vC8b0/s72-c/StillLife_GabrielBoray.png" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=_ONEbYLFVO4:EdzvOjSjbVg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=_ONEbYLFVO4:EdzvOjSjbVg:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=_ONEbYLFVO4:EdzvOjSjbVg:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=_ONEbYLFVO4:EdzvOjSjbVg:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=_ONEbYLFVO4:EdzvOjSjbVg:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=_ONEbYLFVO4:EdzvOjSjbVg:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=_ONEbYLFVO4:EdzvOjSjbVg:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=_ONEbYLFVO4:EdzvOjSjbVg:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=_ONEbYLFVO4:EdzvOjSjbVg:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/_ONEbYLFVO4" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2010/12/painting-as-music-introduction.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-2408098901561696907</guid><pubDate>Wed, 15 Dec 2010 00:26:00 +0000</pubDate><atom:updated>2010-12-20T15:06:06.952-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Symbolism</category><category domain="http://www.blogger.com/atom/ns#">Oil Painting Techniques</category><category domain="http://www.blogger.com/atom/ns#">Infinity</category><title>Painting Infinity and Symbolism</title><atom:summary>
I want my paintings not so much to define what I see and what you should see; I want them to trigger your imagination, remind you of your own paths and questions. 
I am after the images that make you remember you're human, the images that connect with the universal consciousness that makes us all relate to metaphor and symbol.
Every aspect of your painting, every mark, every line and color has </atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/OxFKpZBlc8w/painting-infinity-and-symbolism.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_JmhpLLv12mM/TQgHiBysqSI/AAAAAAAABsU/bOIiBdQY-R0/s72-c/Aerial+IV_GabrielBoray.jpg" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=OxFKpZBlc8w:IVfRmrsGPr8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=OxFKpZBlc8w:IVfRmrsGPr8:63t7Ie-LG7Y"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=63t7Ie-LG7Y" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=OxFKpZBlc8w:IVfRmrsGPr8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=OxFKpZBlc8w:IVfRmrsGPr8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=OxFKpZBlc8w:IVfRmrsGPr8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=OxFKpZBlc8w:IVfRmrsGPr8:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=OxFKpZBlc8w:IVfRmrsGPr8:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?a=OxFKpZBlc8w:IVfRmrsGPr8:F7zBnMyn0Lo"&gt;&lt;img src="http://feeds.feedburner.com/~ff/SecretsOfAModernPainter?i=OxFKpZBlc8w:IVfRmrsGPr8:F7zBnMyn0Lo" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/OxFKpZBlc8w" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2010/12/painting-infinity-and-symbolism.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-1054309874432219468</guid><pubDate>Sat, 11 Dec 2010 18:34:00 +0000</pubDate><atom:updated>2010-12-13T13:51:54.366-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Oil Painting Theory</category><category domain="http://www.blogger.com/atom/ns#">Memory</category><title>Painting From Memory</title><atom:summary>As a painter, memory is by far your most powerful tool.
In order to quickly gain confidence and develop your own painting style you should primarily paint from memory.
You  should learn to create a vision in your mind and play with the ideas -  move things around, change the light - without having to sketch it out.

When you paint from memory alone, the images are more fully processed through </atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/98QXxaVLYeY/painting-from-memory.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_JmhpLLv12mM/TQPAOgRJfDI/AAAAAAAABrc/ECrq98vFGwo/s72-c/NYCAerial_GabrielBoray.png" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/SecretsOfAModernPainter/~4/98QXxaVLYeY" height="1" width="1"/&gt;</description><feedburner:origLink>http://secretsofamodernpainter.blogspot.com/2010/12/painting-from-memory.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6750980160280425282.post-6124846742709782476</guid><pubDate>Fri, 10 Dec 2010 17:06:00 +0000</pubDate><atom:updated>2011-08-19T11:07:15.417-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Painting Language</category><category domain="http://www.blogger.com/atom/ns#">Brushstrokes</category><category domain="http://www.blogger.com/atom/ns#">Oil Painting Techniques</category><title>When Painting Speak Your Own Language</title><atom:summary>
What do your brushstrokes mean? Does each color note stand for something on its own, each line and mark symbolize and connect?


"Read your painting. What does it say?"
  Unlike  a classical composition or a poem, a painting can withstand extra marks  that aren't entirely necessary, the medium allows it, as does jazz improvisation, but slowing down and connecting with each mark will improve your</atom:summary><link>http://feedproxy.google.com/~r/SecretsOfAModernPainter/~3/8mu0Shs45w0/when-painting-speak-your-own-language.html</link><author>noreply@blogger.com (Gabriel Boray)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_JmhpLLv12mM/TQJcp7C4LbI/AAAAAAAABrY/wuiQOmpXzo4/s72-c/TrainYard1_Train+Painting_Gabriel_Boray.1png.png" height="72" width="72" /><description>&lt;div class="feedflare"&gt;
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