sbartresearch

A new breed of contemporary artists is celebrating newfound international recognition for their style and approach to creating art that is sprouting from and largely influenced by visual subcultures. These young artists, many of whom are associated with the widespread movements of Lowbrow Art and Neo-Surrealism, share similarities with the popular art movements of the 1960s and 70s as well as urban art.

The term Lowbrow may sound self-deprecating; rather it represents a distinctive artistic composition and technical approach in which art is produced. The Upset documents this movement and the artists associated with it. Feeding off an array of popular subcultures, they often draw influences from anime, comic books, graffiti and street art as well as character design.

The often figurative and narrative artworks featured here employ classical techniques with great skills to create sculpture, illustration, design and painting with the use of spray cans, sharpies and elaborate colour palettes on canvas. With the evolution of new media, artists are also blending these elements with various disciplines in contemporary visual art.

Many of the artists in The Upset enjoy international fame and are represented in prestigious galleries and museums worldwide. The book also introduces a selection of promising talent who are breaking new ground, making it the perfect source book for those interested in fine art and discovering young artists.

Featured artists: Maike Abetz / Oliver Drescher, Alexone, Grant Barnhart, Gary Baseman, Tilo Baumgartel, Tim Biskup, Mark Bradford, Daniele Buetti, Cailan Burns, Ray Caesar, Miguel Calderon, John Casey, Paul Chatem, The Clayton Brothers, Joe Coleman, John Currin, Brendan Danielsson, Stephan Doitschinoff, Blaise Drummond, Dzine, Ala Ebtekar, Martin Eder, David Ellis, Ron English, Faile, Christian Farner, Rosemarie Fiore, FriendsWithYou, Camille Rose Garcia, Os Gemeos, Michael Genovese, Charles Glaubitz, Benjamin Güdel, Robert Hardgrave, Maya Hayuk, Ryan Heshka, Femke Hiemstra, Cody Hudson, Gisela Insuaste, Rich Jacobs, John John Jesse, Colin Johnson, Mel Kadel, David Kassan, Aya Kato, David Kinsey, Henning Kles, Kozyndan, Susanne Kuehn, Mia Mäkila, Mateo, Elizabeth McGrath, Casey McKee, Jason McLean, Philip Metten, Moki, Brendan Monroe, Heiko Müller, Muntean/Rosenblum, Yoshimoto Nara, Aaron Nather, Anne Faith Nicholls, Jose Parla, Nigel Peake, Raymond Pettibon, Danielle de Picciotto, Anthony Pontius, Pooch, Johan Potma, Jeremy Pruitt, Leopold Rabus, Scott Radke, Rex Ray, Scott Rench, Daniel Richter, Rostarr, Christoph Ruckhaberle, Mark Ryden, Christoph Schmidberger, David Schnell, Sebastian Schrader, Michael Sieben, Michael Slack, Jeff Soto, Fred Stonehouse, David Stoupakis, Swoon, Johannes Tiepelmann, Chris Uphues, Miss Van, Vania Ivan Zouravliov, Matthias Weischer, Martin Wittfooth and Chet Zar.

http://www.gestalten.com/books/detail?id=ceaea7651b8d326c011bb1f331d40027

http://www.juxtapoz.com/

http://www.emptymag.com/

Avant-garde

noreply@blogger.com (Chris Worfold) — Mon, 03 Aug 2009 06:40:00 +0000

Avant-garde (French pronunciation: [avɑ̃ɡaʁd]) means "advance guard" or "vanguard".[1] The adjective form is used in English, to refer to people or works that are experimental or innovative, particularly with respect to art, culture, and politics.

Avant-garde represents a pushing of the boundaries of what is accepted as the norm or the status quo, primarily in the cultural realm. The notion of the existence of the avant-garde is considered by some to be a hallmark of modernism, as distinct from postmodernism.

The term was originally used to describe the foremost part of an army advancing into battle (also called the vanguard) and now applied to any group, particularly of artists, that considers itself innovative and ahead of the majority.[3]

http://en.wikipedia.org/wiki/Avant-garde

Post Modernism

=> as critique of race, class, gender, originality.

Postmodernism was originally a reaction to modernism. Largely influenced by the Western European "disillusionment" induced by World War II, postmodernism refers to a cultural, intellectual, or artistic state lacking a clear central hierarchy or organizing principle and embodying extreme complexity, contradiction, ambiguity, diversity, interconnectedness or interreferentiality,[4] in a way that is often indistinguishable from a parody of itself.

http://en.wikipedia.org/wiki/Postmodernism

http://en.wikipedia.org/wiki/Postmodernity

The status of the avant-garde is particularly controversial: many institutions argue that being visionary, forward-looking, cutting-edge, and progressive are crucial to the mission of art in the present, and therefore postmodern art contradicts the value of "art of our times". Postmodernism rejects the notion of advancement or progress in art per se, and thus aims to overturn the "myth of the avant-garde". Rosalind Krauss was one of the important enunciators of the view that avant-gardism was over, and that the new artistic era is post-liberal and post-progress.[21] One characteristic of postmodern art is its conflation of high and low culture through the use of industrial materials and pop culture imagery.

One compact definition is that postmodernism rejects modernism's grand narratives of artistic direction, eradicating the boundaries between high and low forms of art, and disrupting genre's conventions with collision, collage, and fragmentation. Postmodern art holds that all stances are unstable and insincere, and therefore irony, parody, and humor are the only positions that cannot be overturned by critique or revision. "Pluralism and diversity" are other defining features.[28]

http://en.wikipedia.org/wiki/Postmodern_art

If you want to know more about the how and why of Po-Mo I strongly suggest you read Sandro Bocola's great final chapter of 'The Art of Modernism' @

http://www.sandrobocola-booksonline.com/CSS/page10_eng.html

Radiohead - Idioteque

Who's in a bunker? Who's in a bunker? Women and children first. And the children first. And the children... I'll laugh until my head comes off. I'll swallow till I burst. Until I burst. Until I...

Who's in a bunker? Who's in a bunker? I have seen too much. You haven't seen enough. You haven't seen it. I'll laugh until my head comes off. Women and children first. And children first. And children...

Here I'm allowed Everything all of the time. Here I'm allowed Everything all of the time. Ice age coming. Ice age coming. Let me hear both sides. Let me hear both sides. Let me hear both... Ice age coming. Ice age coming. Throw them in the fire. Throw them in the fire. Throw them in the...

We're not scare mongering. This is really happening Happening. We're not scare mongering. This is really happening. Happening...

Mobiles quirking. Mobiles chirping. Take the money and run. Take the money and run. Take the money.

Here I'm allowed (background: and first and the children x6) Everything all of the time. Here I'm allowed Everything all of the time. Here I'm allowed Everything all of the time. Here I'm allowed Everything all of the time. Deaf and lost are the children (repeated).

http://www.youtube.com/watch?v=JBsLFNcnwGM

http://www.youtube.com/watch?v=jJ9KYriPbU4

Patricia Piccinini

(alien) http://www.youtube.com/watch?v=JehjqlzXwIQ

http://www.patriciapiccinini.net/

http://www.roslynoxley9.com.au/artists/31/Patricia_Piccinini/

http://www.youtube.com/watch?v=R7ikHI8gX4Y

Shuan Gladwell

(mad max) http://www.youtube.com/watch?v=TMYLjlpP0NY

http://maddestmaximvs.com/

http://www.youtube.com/watch?v=9xnK9goIEAM&NR=1

http://www.youtube.com/watch?v=O6o-VgJ6-Kk

http://www.youtube.com/watch?v=CSm0DTc-3Hw&feature=related

Utopian Slumps

http://www.utopianslumps.org/previous_exhibitions.php?viewShow=32

http://www.utopianslumps.org/previous_exhibitions.php?viewShow=26

http://www.utopianslumps.org/previous_exhibitions.php?viewShow=22

http://www.utopianslumps.org/previous_exhibitions.php?viewShow=18

http://www.utopianslumps.org/previous_exhibitions.php?viewShow=15

http://www.utopianslumps.org/previous_exhibitions.php?viewShow=10

http://www.utopianslumps.org/previous_exhibitions.php?viewShow=3

Retrospect Galleries

http://www.retrospectgalleries.com/d3/revolution-of-art.html

Nine lives Gallery

http://www.wehaveninelives.com/nine.lives.gallery.html

http://wehaveninelives.blogspot.com/

Miso & Ghostpatrol

http://www.abc.net.au/iview/#/view/342522

http://www.youtube.com/watch?v=q2uycLPyt5I

http://www.youtube.com/watch?v=WIWT_ExO8qU

http://www.youtube.com/watch?v=qPjtWWL9KCM

Territorial Pissings

noreply@blogger.com (Chris Worfold) — Mon, 20 Jul 2009 02:25:00 +0000

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Nirvana 'Territorial Pissings'

Come on people now, smile on your brother and everybody get together, try to love one another right now
When I was an alien, cultures weren't opinions
Gotta find a way, to find a way, when I'm here Gotta find a way - a better way - I had better wait Never met a wise man, if so it's a woman(x2)
Gotta find a way, to find a way, when I'm hereGotta find a way - a better way - I had better wait Just because you're paranoid, don't mean they're not after you (x4) Gotta find a way, to find a way, when I'm here Gotta find a way - a better way - I had better wait
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Recorded right into the mixing deck during the Nevermind sessions, this song is a 2 and a half minute punk lambasting of the typical "Macho Man."

Along with "Smells Like Teen Spirit," Nirvana played this on their first Saturday Night Live appearance, after which they destroyed their instruments.

The beginning features Krist Novoselic singing part of the 1967 Youngblood's song "Get Together." "Maybe some baby boomers will hear that and wonder what happened to those ideals," said Novoselic. (thanks, Matt - Millbrae, CA, for all above)

Nirvana appeared on the British TV show Tonight With Jonathan Ross show and were told to play "Lithium." Instead they ended up playing this song before smashing their equipment and leaving the stage. (thanks, JT - Tullahoma, TN)

http://www.youtube.com/watch?v=JUPz3YWXIbI
http://www.youtube.com/watch?v=fnW31Emk4vM
http://www.youtube.com/watch?v=la6KStpyehs
http://www.youtube.com/watch?v=xWHBz-5Vp2Y&feature=fvw

Youngbloods 'Get Together'

Love is but the song we sing, And fear's the way we die
You can make the mountains ring Or make the angels cry
Know the dove is on the wing And you need not know why
C'mon people now, Smile on your brother Ev'rybody get together Try and love one another right now
Some will come and some will go
We shall surely pass
When the one that left us here
Returns for us at last
We are but a moments sunlight
Fading in the grass
C'mon people now,Smile on your brother Ev'rybody get together Try and love one another right now
If you hear the song I sing, You must understand You hold the key to love and fear All in your trembling hand
Just one key unlocks them both It's there at your command
C'mon people now, Smile on your brother Ev'rybody get together Try and love one another right now Right now Right now!
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This was written in 1963 by Dino Valenti (Chet Powers) from Quicksilver Messenger Service. He signed away rights to it when he was imprisoned for marijuana possession. The Youngbloods recorded it and gave the composer credit to Chet Powers.

When this was released in 1967, it flopped. It became a hit in 1969 when The National Conference of Christians and Jews distributed it to radio and TV stations to support "Brotherhood Week."

http://www.youtube.com/watch?v=-jnsrpbIvz8
http://www.youtube.com/watch?v=mtiCOKd3F7s
http://www.youtube.com/watch?v=8qNsqJeXjSM
http://www.youtube.com/watch?v=rjZcDGKnkqc
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Selling Kurt

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Semiotics
http://www.uvm.edu/~tstreete/semiotics_and_ads/contents.html

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Sign => connotations, associations, meanings to us
Syntagm = group of signs (present)
Paradigm = related signs (not present)

From our experiencing groups of signs we form cultural expectations
These cultural expectations form Codes

When codes become stories we tell ourselves they become Myths

Myths are then principle in forming our belief system
Our belief system can be known as our Ideology

But our ideology can change as we incorperate new myths and or discount old ones.