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		<title>VINTE DEZASSEIS</title>
		<link>https://royalcafe.wordpress.com/2017/03/30/vinte-dezasseis/</link>
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		<dc:creator><![CDATA[theroyalowner]]></dc:creator>
		<pubDate>Thu, 30 Mar 2017 23:31:19 +0000</pubDate>
				<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Geral]]></category>
		<category><![CDATA[Música]]></category>
		<category><![CDATA[Retrospectivas]]></category>
		<category><![CDATA[Royal Cafe Recomenda]]></category>
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					<description><![CDATA[Coisas que ficam, memórias que perduram. O meu 2016 foi, sobretudo: &#160; &#160;]]></description>
		
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		<item>
		<title>QUESTIONÁRIO DE SATISFAÇÃO ICA, II</title>
		<link>https://royalcafe.wordpress.com/2017/02/08/questionario-de-satisfacao-ica-ii/</link>
					<comments>https://royalcafe.wordpress.com/2017/02/08/questionario-de-satisfacao-ica-ii/#respond</comments>
		
		<dc:creator><![CDATA[theroyalowner]]></dc:creator>
		<pubDate>Wed, 08 Feb 2017 05:02:07 +0000</pubDate>
				<category><![CDATA[Cinema]]></category>
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					<description><![CDATA[Novo ano, velhos hábitos. Recebi esta semana o convite para completar o Questionário de Satisfação anual do ICA e, como já é costume, não perdi a oportunidade de expressar uma vez mais algumas das minhas considerações sobre o funcionamento (ou a falta dele) do organismo que tutela a área do cinema em Portugal. Já em 2013 [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">1974</post-id>
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		<title>MICHAEL R. ROSKAM</title>
		<link>https://royalcafe.wordpress.com/2016/12/21/michael-r-roskam/</link>
					<comments>https://royalcafe.wordpress.com/2016/12/21/michael-r-roskam/#respond</comments>
		
		<dc:creator><![CDATA[theroyalowner]]></dc:creator>
		<pubDate>Wed, 21 Dec 2016 21:44:10 +0000</pubDate>
				<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Geral]]></category>
		<category><![CDATA[Royal Cafe Recomenda]]></category>
		<guid isPermaLink="false">http://royalcafe.wordpress.com/?p=1942</guid>

					<description><![CDATA[1972, BE &#8220;Bullhead&#8221; é um filme muito importante na minha vida. Não por contornos de epifania ou coisa que se pareça, mas foi a visualização (e impacto) desse filme que me levou a entrar em contacto com a Savage Film (produtora do filme) para sugerir um estágio / intercâmbio na mesma. Tudo correu bem, a coisa [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">1942</post-id>
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		<title>TODD FIELD</title>
		<link>https://royalcafe.wordpress.com/2016/12/20/todd-field/</link>
					<comments>https://royalcafe.wordpress.com/2016/12/20/todd-field/#respond</comments>
		
		<dc:creator><![CDATA[theroyalowner]]></dc:creator>
		<pubDate>Tue, 20 Dec 2016 21:06:47 +0000</pubDate>
				<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Geral]]></category>
		<category><![CDATA[Royal Cafe Recomenda]]></category>
		<guid isPermaLink="false">http://royalcafe.wordpress.com/?p=1916</guid>

					<description><![CDATA[1964, USA Há certos filmes que persistem na memória. Não importa o quanto distamos dessa experiência de visualização, tais filmes tornam-se imperativos &#8211; nem que de forma inconsciente &#8211; em qualquer tipo de influência criativa sobre o que possamos querer vir a fazer. &#8220;Little Children&#8221;, de Todd Field, é um desses filmes. Depois de uma [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">1916</post-id>
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		<title>FERNANDO EIMBCKE</title>
		<link>https://royalcafe.wordpress.com/2016/10/03/fernando-eimbcke/</link>
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		<dc:creator><![CDATA[theroyalowner]]></dc:creator>
		<pubDate>Mon, 03 Oct 2016 05:11:43 +0000</pubDate>
				<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Geral]]></category>
		<category><![CDATA[Royal Cafe Recomenda]]></category>
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					<description><![CDATA[&#160; 1970, Mexico Fernando Eimbcke é de uma casta rara. Após um percurso interessante pelo mundo das curtas-metragens, a sua estreia no formato de longa-metragem não deixou ninguém indiferente &#8211; &#8220;Temporada de Patos&#8221;, o seu mais celebrado filme até à data, foi uma verdadeira jóia no panorama do cinema Mundial em 2004. Quem viu o [&#8230;]]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1910</post-id>
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		<title>MARTIN MCDONAGH</title>
		<link>https://royalcafe.wordpress.com/2016/10/01/martin-mcdonagh/</link>
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		<dc:creator><![CDATA[theroyalowner]]></dc:creator>
		<pubDate>Sat, 01 Oct 2016 06:22:57 +0000</pubDate>
				<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Geral]]></category>
		<category><![CDATA[Royal Cafe Recomenda]]></category>
		<guid isPermaLink="false">http://royalcafe.wordpress.com/?p=1863</guid>

					<description><![CDATA[1970, UK Martin McDonagh tem uma prolífica carreira no teatro (enquanto dramaturgo) prévia à sua actividade cinematográfica. Já entretanto consagrado como um dos nomes fortes do novo teatro Britânico, não foi surpresa a sua incursão na 7ª arte. Six Shooter, a sua primeira curta-metragem, conquistou logo o Óscar da respectiva categoria. Foi nessa altura que [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">1863</post-id>
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		<title>BENNETT MILLER</title>
		<link>https://royalcafe.wordpress.com/2016/06/09/bennett-miller/</link>
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		<dc:creator><![CDATA[theroyalowner]]></dc:creator>
		<pubDate>Thu, 09 Jun 2016 16:57:41 +0000</pubDate>
				<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Geral]]></category>
		<category><![CDATA[Royal Cafe Recomenda]]></category>
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					<description><![CDATA[1966, USA Bennett estreou-se com um documentário (The Cruise, 1998) que retrata a história de um guia turístico em Nova Iorque. Desde logo ficou registado o seu interesse por personagens fortes, alicerce de qualquer narrativa que se preze. Não seria portanto de estranhar que a sua estreia em ficção se focasse num biopic do controverso Truman Capote [&#8230;]]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1801</post-id>
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		<title>DAVID MICHÔD</title>
		<link>https://royalcafe.wordpress.com/2016/05/04/david-michod/</link>
					<comments>https://royalcafe.wordpress.com/2016/05/04/david-michod/#respond</comments>
		
		<dc:creator><![CDATA[theroyalowner]]></dc:creator>
		<pubDate>Wed, 04 May 2016 17:36:21 +0000</pubDate>
				<category><![CDATA[Geral]]></category>
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					<description><![CDATA[1972, AUS 1 curta exemplar e 2 longas-metragens arrebatadoras; é quanto basta para David Michôd entrar nas cogitações de dois dos maiores titãs da criação contemporânea &#8211; a Netflix (que ameaça conquistar o trono dos anos vindouros) e Brad Pitt através da sua Plan B Entertainment, também ela já responsável pelo lançamento na primeira liga de nomes como [&#8230;]]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1763</post-id>
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		<title>KEVIN MACDONALD</title>
		<link>https://royalcafe.wordpress.com/2016/05/02/kevin-macdonald/</link>
					<comments>https://royalcafe.wordpress.com/2016/05/02/kevin-macdonald/#respond</comments>
		
		<dc:creator><![CDATA[theroyalowner]]></dc:creator>
		<pubDate>Mon, 02 May 2016 14:16:38 +0000</pubDate>
				<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Geral]]></category>
		<category><![CDATA[Royal Cafe Recomenda]]></category>
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					<description><![CDATA[1967, UK O Escocês Kevin MacDonald não é propriamente novo no jogo da criação cinematográfica. Ele é, aliás, neto de Emeric Pressburger (que juntamente com Michael Powell formou uma das mais prolíficas e talentosas duplas do cinema Britânico) e irmão de Andrew MacDonald (produtor de quase todos os filmes de Danny Boyle, incluindo os icónicos Trainspotting [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">1705</post-id>
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		<title>ALY MURITIBA</title>
		<link>https://royalcafe.wordpress.com/2016/04/20/aly-muritiba/</link>
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		<dc:creator><![CDATA[theroyalowner]]></dc:creator>
		<pubDate>Wed, 20 Apr 2016 12:32:02 +0000</pubDate>
				<category><![CDATA[Geral]]></category>
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					<description><![CDATA[1979, BR Sou grande admirador do trabalho e percurso de vida do meu bom amigo Aly Muritiba. Conheci-o pela primeira vez em 2015, num daqueles acasos que a vida curiosamente proporciona, e desde então tive o prazer de visitar e conhecer o belíssimo festival de cinema que a sua produtora GRAFO AUDIOVISUAL organiza (Olhar de [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">1637</post-id>
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