The Today Show

Considering Karlie was heading to a morning news programme, this vintage Dolce & Gabbana seafoam-hued skirt suit could not have been more appropriate. It had an unmistakable 1980s news anchor energy, but in the best possible way.

Karlie has never been someone to chase trends, and everything about this look from the sharp tailoring to the fresh colour felt entirely in keeping with her personal style. It struck the right balance between polished and chic, making this my favourite look of the three.

Jude heels completed her look.

CFDA & Vogue Unveil America250: United Flags of Fashion

You instantly know this is Thom Browne. His tailoring has such a distinct signature that it barely needs an introduction.

What elevated the look for me, however, was the styling. Rather than leaning into the designer’s familiar uniform-inspired codes, Karlie paired the tweed suit with a simple white tank top, giving it more of a refined daytime socialite feel. For an afternoon event, that lighter approach felt exactly right. White pumps and a white handbag completed the look.

The Tonight Show Starring Jimmy Fallon

While many celebrities default to a little black dress for late-night television, Karlie instead wore the same grey Ferragamo Fall 2026 button-front dress recently seen on Gemma Chan.

Both women look good in this dress, but it feels more aligned with Karlie’s understated sense of style.

Styled with Ferragamo’s black croc-print V-shaped pumps in embossed leather and the Cara bag, the accessories added just enough contrast while allowing the dress to remain the focus.

Which look stood out for you?

Stylist: Natasha Colvin.

If New York was all about skin that looked naturally radiant, this was about transformation. With Zendaya wearing an Ashi Studio Haute Couture gown that reimagined the anatomy of a spider, the beauty look embraced the same darker mood.

As Ernesto Casillas explained: “We were inspired by the dark nature of the dress to go for a vampy eye that felt more diffused than precise, a throwback to the smoky eyes of the supermodels of the 2010s.”

Before creating that dramatic eye, Casillas began with Prada Beauty’s Augmented Skin Cream, Augmented Skin Essence and Augmented Skin Eye Cream to prepare and hydrate the skin. He then perfected Zendaya’s complexion using Reveal Skin Optimizing Foundation in NW45 and Blurring + Micro Correcting Concealer in LC3, before restoring warmth with Touch Cream to Powder Blush in Cherry. A light veil of Reset Rebalancing Setting Powder locked everything into place while maintaining the skin’s natural finish.

With the complexion established, the focus shifted to the eyes. Rather than the softly sculpted definition we saw a week earlier, Casillas created a hazy charcoal eye that wrapped around the entire eye, creating depth without sharp lines. Dimensions Eyeshadow in Profusion and Primula laid down the smoky base, while the Pradalines Durable Gliding Eye Pencil in Nero and Ember intensified the shape before being diffused for that lived-in finish. Several coats of Pradascope Lash Extending Mascara in Nero Black completed the dramatic effect.

The lips provided the perfect counterpoint to the intensity of the eyes. Rather than introducing another strong colour, Casillas opted for the effortless sheen of Reflection Glossy Balm Universal, layered over Prada Balm in Universal Green.

It was the perfect beauty companion to one of Zendaya’s most conceptual press tour looks, proving once again how closely her makeup and fashion work together to tell the same story.

Marvel Support

Michael B. Jordan attended the premiere in support of his Marvel family, having portrayed Killmonger in the Black Panther films.

His relaxed look was built around a vintage-style Spider-Man graphic T-shirt, making it clear he was there as a fan as much as a fellow Marvel star. The tee was paired with Jacquemus’ Le Pantalon Fernando trousers, distinguished by the exposed button fastening, which also carried a vintage inflection that complemented the nostalgic comic-book graphic.

Styled by Jason Bolden.

Spider-Man Hues

Tom Holland closed out the press tour wearing a custom Jacquemus suit inspired by the brand’s “Le Palmier” collection.

The red-and-blue colour story that became increasingly prominent during the final stretch of the press tour continued through Tom’s shirt and tie. Meanwhile, the wrap-front jacket, with its clean asymmetric closure and softly rounded shape, reflected Simon Porte Jacquemus’ modern approach to tailoring, where relaxed construction replaces rigid suiting without sacrificing elegance.

Did the combination work for you?

Styled by Crystalle Cox.

A Colourful Return

Juno Temple is usually sends me down an archival fashion rabbit hole, and more often than not it leads to Versace. This time, only the archival part remained true.

Her Roberto Cavalli Spring 2001 printed cowl-neck gown felt perfectly suited to her free-spirited style. Roberto Cavalli’s collections from this era were defined by fluid silhouettes, exotic, psychedelic prints and unapologetically bold colour combinations that celebrated glamour. The turquoise, pink and lime palette captures everything that made early-2000s Cavalli so distinctive.

The football-shaped bag was exactly the playful finishing touch I expect from Juno.

A Golden Detour

Hannah Waddingham is rarely seen outside sleek, body-skimming dresses that accentuate her statuesque frame, so this Monique Lhuillier mini made for a refreshing change.

I love how playful this feels. The nude sandals create the same elongating effect she usually achieves with one of her signature body-skimming midi-length dresses. TASAKI Fine Jewellery completed her look.

The New Arrival

As one of the season’s new additions, Tanya Reynolds joins the established cast.

Knowing what we do about Chloé’s Spring 2026 collection, you might have expected one of the label’s romantic floral dresses for a summer premiere. Instead, she opted for a black ruffled dress, and I have no complaints.

The softly gathered bodice, sculptural ruffles, draped skirt and a reworking of the neckline ensured this look didn’t fade into the background. It had a similar impact when Christina Ricci wore it to the 2025 Academy Museum Gala.

Some may feel the floral earrings are doing a little too much, but I’d happily take them if it means distracting us from those Chloé Junie sandals she may well have been contractually obliged to wear.

Dress: 10. Earrings: 8. Shoes: Nil points.

Fresh Perspective

New cast member Kira Kosarin opted for understated elegance in a black-and-white Staud dress.

The crisp white pleated panel added a fresh feel to the design, with the white pumps echoing that effect.

Whether we like it or not, white pumps are definitely having a moment.

Team Colours

Brendan Hunt embraced AFC Richmond’s signature palette with a blue blazer, red trousers, mustard shirt and red tie.

See? Men do method dressing too.

Ted’s Tailoring

Jason Sudeikis brought just as much personality to his tailoring.

His navy suit provided a classic foundation, allowing the printed shirt, illustrated tie and neatly folded pocket square to add plenty of character. It felt unmistakably Ted Lasso: optimistic, approachable and never taking itself too seriously.

Naturally, she wore Louis Vuitton. Her black mini dress was understated, with the white ruffle trims at the neckline and hem providing just enough detail to lift what was otherwise a simple silhouette.

But if you’re anything like me, your attention immediately shifted to her black leather Louis Vuitton Luna pumps.

What is this current obsession with inserting PVC panels into leather shoes?

We’ve already seen Valentino’s Open Toe Révélé pumps, which many likened to pig’s trotters, and then there were the Chloé Junie sandals worn by Lexi Minetree. Now Louis Vuitton has entered the conversation.

Of the three, these are easily my favourite. The PVC panel is less intrusive and feels more integrated into the design, making them far easier on the eye than the Valentino pumps and considerably more refined than the Chloé sandals.

That said, this is one trend I won’t be embracing any time soon. Transparent footwear details have yet to convince me that they’re adding anything a beautifully crafted leather shoe couldn’t achieve on its own.

From opening in feathers, to revisiting bold prints, and closing in a voluminous fringed skirt, Lupita showcased remarkable range without relying on a single theme or colour palette to tie the tour together.

Given the scale of this press tour, it would have been easy to assume that Chanel would dominate her wardrobe. Instead, the house made just two appearances, in London and Paris, allowing plenty of room for a wonderfully varied selection of designers.

This is one of those rare occasions where choosing a favourite feels almost impossible, but I’ll give it a go.

Christian Cowan, Armani Privé and Nicholas Oakwell Couture are virtually neck and neck.

The Christian Cowan look revealed a daring side of Lupita that we don’t often see. Armani Privé looked heavenly against her skin, with the colour and silhouette doing so much of the work. But Nicholas Oakwell Couture ultimately wins it for me. The gold lace gown delivered far more structure than you’d expect from a lace design, and the spectacular necklace elevated the entire look. If you twisted my arm, that’s the one I’d choose.

Stylist: Micaela Erlanger. Makeup Artist: Nick Barose. Hair Stylist: Vernon François.

I have to admit, I was surprised to see her in Bottega Veneta. Keke tends to have a fairly established roster of go-to labels, so this felt like an unexpected choice – and one I’m glad she made.

Drawn from the Bottega Veneta Spring 2026 collection, the crisp white tie-neck blouse paired with the voluminous black trousers gives her wardrobe a different point of view. It’s a more understated, quietly sophisticated direction than we’re used to seeing from her, yet it doesn’t temper her unique style personality.

My only issue is the length of the trousers. Those heavy breaks show that they’re simply too long, tailoring to fit would have sharpened the proportions considerably.

Even so, I enjoyed seeing Keke step outside her usual fashion comfort zone. Shorten the trousers, and I genuinely think this ranks among her best looks of the year.

Stylist: Molly Dickson.

Bottega Veneta Spring 2026

The model wore a shimmering sheer Valentino gown featuring a diamond-patterned lattice of crystal embellishments. I appreciate that the lining extends to the hem, allowing the embellishment to remain the focus instead of relying on sheer panels for effect.

This is a silhouette Kaia returns to time and again, and with good reason. The clean column shape, delicate straps and understated styling allow her natural elegance to do the rest. It isn’t the most adventurous look she’s ever worn, but it plays to her strengths and feels entirely effortless.

Sometimes you don’t need to reinvent your red-carpet formula when you already know what works.

Stylist: Emma Jade Morrison.

Having long been part of the Prada/Miu Miu family, I was disappointed by this silvery embellished backless Prada gown. And my disappointment has nothing to do with what Zendaya was doing on the same red carpet. I’m judging this entirely on its own merits, and my immediate reaction was that it amounts to a whole lot of very little.

The colour does little for her, although thankfully it doesn’t wash her out. The fabric feels so flat that it leaves the gown looking almost lifeless, while the linear embellishments do their best to introduce some definition and visual interest. Unfortunately, they never quite manage to elevate what is otherwise an anonymous design.

The open back is easily the strongest element of the dress, adding a touch of drama. Thankfully, Sadie herself brings plenty to the look. Her softly waved copper hair, fresh makeup and natural poise are almost enough to distract completely from the dress.

I’ll only remember this look from the neck up.

Fred Leighton jewels completed her look.

Stylist: Molly Dickson. Makeup Artist: Nina Park. Hair Stylist: Ryan Richman.

When I think of the actress, sharp tailoring and gothic-leaning black ensembles immediately come to mind, so seeing her return in red was a welcome surprise.

She wore a Dior by John Galliano Fall 2006 velvet slip dress, and it couldn’t have been more quintessential Galliano. The asymmetric draping, bias-cut silhouette and lingerie-inspired cowl neckline are signatures of his work from that era, while the crushed velvet adds the richness and sensuality that defined so many of his collections during the mid-2000s. It’s romantic, dramatic and unmistakably Galliano.

A matching red Judith Leiber clutch kept the monochromatic story intact, while the beauty look softened the overall effect. Instead of introducing another bold red element, she opted for a soft pink lip and a relaxed updo.

I wasn’t expecting Evan Rachel Wood’s return to come via vintage Dior x Galliano, but it feels like exactly the sort of statement that makes a long-awaited red carpet appearance memorable.

Wearing another Ashi Studio Fall 2026 Couture look, Zendaya moved beyond the intricate spider-web references that have defined many of her recent appearances. If the Mexico City gown and Shanghai look interpreted the web itself, this design felt like Zendaya had become the spider.

At first, I thought this was a nod to Venom, Spider-Man’s most recognisable black-suited adversary. But the more I looked, the more that theory fell away. This isn’t referencing another character. It’s an abstract interpretation of a spider’s anatomy.

The sharply structured black corset forms the central body, while the dramatic plunging neckline creates elongated, tapering lines that echo the sleek silhouette of an arachnid. Spiders, of course, don’t have antennae, but the sculptural projections rising from the straps read like stylised sensory appendages, adding another layer to the illusion without becoming literal.

Then there is the extraordinary volume of the skirt. We’ve seen plenty of spider-web references throughout this press tour, often translated through embroidery or intricate surface embellishment. Here, the idea is expressed through shape instead. The immense pleated train feels like both the abdomen of the spider and the web unfurling behind it, with the architectural folds constantly gathering and unfurling. Looking at the videos, this was one of those rare pieces that appeared to be in motion even when she was standing still.

The beauty look pushed the concept even further. Her hair was slicked close to the head with sculptural tendrils placed across her forehead, giving it a more conceptual finish than we’re used to seeing from Zendaya. Combined with the smoky, darker eye makeup, the overall effect carried a slightly unsettling quality that perfectly complemented the dress.

As someone who is genuinely terrified of spiders, I’m going to need to lie down after spending this much time analysing their anatomy. But I imagine Law Roach and his team probably had to do something similar during the research process, because finding a couture gown that translates the body and anatomy of a spider with this level of precision is no small feat.

Law often says he’s one of one, and while that may sound bold – some might even say conceited – moments like this explain why. No one else is delivering a fashion narrative with this level of consistency, creativity and commitment across an entire press tour, especially with The Odyssey press tour running in between. Every appearance has built on the last, and this finale (if it is the finale) feels like the moment where every thread – or perhaps every strand of the web – came together.

Zendaya completed the look with Boucheron Lavalliere Diamants pendant earring and custom Christian Louboutin pumps featuring spider embellishments, ensuring that even the smallest detail remained true to the concept.

Stylist: Law Roach. Makeup Artist: Ernesto Casillas. Hair Stylist: Ursula Stephen.

Spaceballs: The New One Panel

Keke wouldn’t be Keke without at least one archival pull, and this time she turned once again to a label she frequently revisits: Versace. She wore a Spring 1993 look featuring a bustier top with sheer sleeves – previously worn by Miley Cyrus – and a pair of high-waisted polka-dot jeans.

There are times when Keke’s archival choices look unmistakably rooted in the decade they came from, but this one feels surprisingly relevant today. Between the resurgence of statement denim, lingerie-inspired dressing and playful prints, the look could easily pass for something fresh off a contemporary runway. It strikes that sweet spot where vintage fashion doesn’t rely on nostalgia alone; it simply works for right now.

The Today Show

For the occasion, she wore a Valentino Spring 2026 ruched mini dress accented with oversized bows. We’ve seen this design several times already (Hailey Bieber and Kirsten Dunst) with Kate Hudson opting to wear it as a top, but never in this vibrant coral shade, which felt like the perfect choice alongside her copper-red hair.

As someone who has never been the biggest fan of Valentino Garavani Rockstud pumps, I have to admit this is the first time they’ve really worked for me. Keke has exactly the kind of confidence needed to sell them. Too often, those shoes have been paired with looks where they feel out of place, but I’m not feeling that here. A Valentino Garavani Panthea bag completed the look.

Stylist: Molly Dickson.

With London basking in 26-degree sunshine and daylight stretching well into the evening, I can’t think of a better moment for Gugu to wear this Dior Pre-Fall 2026 sunshine-yellow draped dress, accented with soft green leaf embroidery that gives the design a fresh, botanical feel.

Gugu loves a delicately feminine look, and while my first impression was that this dress felt a touch oversized on her, I suspect that comes down to the fluid way the fabric falls rather than the fit itself. It still sits firmly within her wheelhouse. What I also appreciate is just how varied her relationship with Dior has been over the years. She has gone from the rainbow frothy-tiered gown she wore to the Loki London screening in 2021, to the rare edgier green dress for the Where the Crawdads Sing New York premiere in 2022, and now this sunshine-yellow draped design. There’s no single Dior formula for Gugu.

Some of you were put off by this dress’s frayed edges when Michelle Yeoh wore it to her Hollywood Walk of Fame ceremony back in February. Has you view soften with this second outing?

While Michelle styled the look with her signature Richard Mille watch and metallic silver Manolo Blahnik pumps, Gugu kept things lighter with white sandals and understated jewellery, allowing the vibrant colour and sculptural draping to remain the focus.

Stylist: Leith Clark.

That honour belongs to Amy Adams, who debuted the gown at the 2016 Vanity Fair Oscar Party, wearing it simply because it was a beautiful Atelier Versace design.

Nearly a decade later, Zendaya gave the same gown an entirely different context, proving how styling, presentation and occasion can completely reshape the story of a dress.

This is exactly what I love to see from a rewear: a celebrity making the dress entirely their own.

Let’s play spot the difference.

Amy wore the shoulder strap twisted, whereas Zendaya flattened it. Amy’s hair covered much of the black embellished detailing on the bodice, while Zendaya left it fully visible. The most notable difference, however, was the skirt. Zendaya restored the dramatic thigh-high slit seen on the runway, giving the gown a bolder finish.

Zendaya has built her reputation on being first. Law Roach has made a career out of securing runway looks within hours of their debut, and he recently revealed that her Matières Fécales gown for The Odyssey New York premiere had been reserved for three years. Then there was the pre-runway Roksanda look for the Dune: Part Two photocall in 2024.

Yet this year tells a different story. This Atelier Versace gown marks her third notable rewear.

Daniele Venturelli/WireImage / Pascal Le Segretain/Getty Images

First came the unforgettable “something borrowed” Armani Privé moment previously worn by Cate Blanchett. Then, in New York, she wore a Louis Vuitton leather look after Hoyeon had already worn the jacket. Now comes this Atelier Versace gown.

Raymond Hall/GC Images / Dimitrios Kambouris/Getty Images for Louis Vuitton

Looking back, the whole “Who Wore It Better?” era feels less like coincidence and more like a publicity strategy. Pairing two celebrities in the same story guaranteed conversation, kept the dress in circulation and gave the second wearer just as much visibility as the first. The comparison wasn’t always about crowning a winner; it was about creating another headline and extending the life of the fashion moment. Today, we’re far less concerned with who wore it first and far more interested in how each person interpreted the look.

That wasn’t always the case. Sarah Jessica Parker famously wanted to be the first person to wear a Nina Ricci by Olivier Theyskens dress to the Sex and the City premiere because it represented an important fashion moment for her. When she discovered it had already been worn by Lauren Santo Domingo, she was devastated.

Personally, I’m not at all opposed to Zendaya embracing rewears. Every one of these looks has served a clear purpose within the story she and Law Roach have been telling throughout these press tours. I’m sure they could have sourced an alternative, but in the case of this Atelier Versace gown, it more than served its purpose for the Spider-Man: Brand New Day theme, while proving that a great dress can tell more than one story.

I love how her naturally feminine aesthetic has become even more romantic during her pregnancy. Soft florals, flowing fabrics and breezy silhouettes have become the foundation of her race weekend wardrobe, offering comfort while never compromising on style.

Saturday

Alexandra stepped out in a pink floral maxi dress, exactly the kind of light, feminine piece you reach for on a hot summer’s day. It’s the sort of effortless dress that feels equally at home at a garden party, a long lunch overlooking the coast or a leisurely holiday stroll. As always, her accessories were thoughtfully coordinated, with a pink Alaïa Mina Vienne Wave tote, and white Steve Madden Calissi sandals.

Sunday

For race day, she turned to Zimmermann, a label that feels synonymous with summer no matter the time of year. Thanks to its Australian roots and resortwear heritage, the brand has built its reputation on romantic dresses that always evoke sunshine and warm-weather escapes. The Sundance Frill maxi empire-waist silhouette gently framed her growing bump, showcasing just how effortlessly she has adapted her style for maternity dressing.

Once again, her accessories were perfectly considered, with an Aquazzura bag and Hermès sandals completing another beautifully coordinated paddock look, along with Saint Laurent Jeanne shades.

The Odyssey actress wore a white LEIN Romy dress, whose soft draping and fluid silhouette gave it an unmistakable Grecian feel. It was beautifully understated, allowing the focus to remain on the event itself.

In this case, the white dress carried far greater significance than a seasonal trend or a dress code. Unlike the annual Michael Rubin White Party, the colour symbolised solidarity with women affected by uterine fibroids.

Senator Angela Alsobrooks, the United States Senator for Maryland, explained the meaning behind the evening on X, writing: “We wore white tonight in solidarity with all the women who couldn’t because of the pain and hell they have silently suffered from uterine fibroids. I was honored to accept the Blossom Award at The White Dress Project’s Night in White Gala alongside my friend, Lupita Nyong’o.”

It’s a reminder that fashion can carry meaning beyond aesthetics. Here, the simplicity of the white dress allowed the message behind the event to take centre stage.

Lupita completed the look with brown satin sandals and delicate gold Jenny Bird jewellery.

Stylist: Micaela Erlanger.

As we know, Comic-Con has one of the most relaxed dress codes on the promotional calendar, making it the perfect setting for this Sportmax Spring 2026 double-denim look.

I know what some of you are thinking: it’s far too oversized for her. But I actually love the slouchy proportions. The relaxed silhouette feels fresh, and it’s a welcome departure from the more fitted looks we usually see from Jessica.

My only criticism is the length of the trousers. They’re just a little too long, and I think proper tailoring would have made all the difference instead of simply turning up the hems.

I’m also relieved she skipped the matching jacket. The version on the brand’s website featured a layered two-piece denim jacket, but by pairing the sleeveless vest with the oversized jeans instead, she kept the styling lighter and more modern. Sometimes, leaving part of the runway look behind is exactly the right decision.

Speaking about the partnership, the British actor said, “My partnership with LOEWE is rooted in a shared instinct for imagination and invention. Film has always fascinated me. From costumes to cameras, it’s pure play. I’m proud to call it my craft. I always want to be somewhere I can redefine.”

He added, “I feel deeply connected to the spirit of LOEWE. It’s a playground. I’m excited for the fun.”

Karwai Tang/WireImage / John Lamparski/Getty Images / Michael Buckner/Variety via Getty Images

The appointment doesn’t come as a surprise. Jonsson had already been building a relationship with the brand, wearing LOEWE to Wimbledon, the Wasteman New York screening and the Film Independent Spirit Awards.

The timing couldn’t be better. Alongside stepping into one of Marvel’s biggest roles, Jonsson has an impressive slate of projects ahead, including A24’s The Chaperones, Frank Ocean’s highly anticipated untitled feature, and Halina Reijn’s Please for A24, co-starring Gracie Abrams, Tom Burke and Connor Storrie.

Alberto E. Rodriguez/Getty Images for Disney / Jesse Grant/Getty Images for Disney

For his emotional Black Panther reveal, Jonsson wore a Bl’ker Warriors T-shirt. The “Warriors” slogan felt especially fitting for the battles his character is set to face in the next chapter of the Marvel franchise.

While this press tour has embraced darker tones at times, this Coach Resort 2027 look felt lighter without abandoning the film’s signature colour palette.

Zendaya wore a vibrant red shirt tucked into navy tailored trousers, finished with a slim silver tie that gave the look a playful, borrowed-from-the-boys attitude.

I love how the colours echoed the Prada look Tom Holland wore to the New York photocall the week before. It was a smart way to keep the visual conversation between their looks going without veering into Posh-and-Becks-style coordination.

As expected, she completed the look with white Christian Louboutin pumps. This time, however, she stepped away from her beloved So Kate silhouette in favour of the Miss Z. At first glance, the two styles look almost identical, but there are notable differences.

The So Kate features a 120 mm heel with an extremely steep pitch and a long, narrow toe, whereas the Miss Z has an 80 mm heel, a less aggressive angle and a slightly roomier pointed toe. It delivers the same sleek finish while being a far more wearable shoe. With this being the second consecutive appearance for the Miss Z, I have to wonder if this signals the beginning of a gradual shift away from the So Kate after years of unwavering loyalty.

Tom Holland, meanwhile, continued his affection for brown tailoring in another Prada suit. I’m not sold on the red-and-navy striped tie with this particular suit, but I appreciate how it tied into Zendaya’s Coach look and nodded to the franchise’s colour story.

For me, the tie would have worked far better with a black or navy suit. What do you think?

Zendaya is styled by Law Roach. Tom is styled by Crystalle Cox.

The Norway striker’s combination of towering 6ft 5in frame, athleticism and distinctive looks turned him into one of the tournament’s breakout stars. While some initially found his appearance unusual, that quickly became part of his appeal. The result was extraordinary growth on social media. Haaland started the tournament with 40.6 million Instagram followers and now sits at 75.9 million, a gain of 35.3 million followers.

After Norway’s quarter-final exit, he returned to one of his regular summer stops at the Dolce & Gabbana Alta Sartoria celebrations before heading off on a well-earned holiday.

While many of his football contemporaries have spent the off-season in Ibiza, Mykonos, Miami and other summer hotspots wearing little more than board shorts, Haaland has been making a case for the pyjama-inspired trend.

Marc Jacobs tried to make it a thing, and Ryan Gosling offered a loose interpretation of it at the Cannes Film Festival, but it has traditionally been embraced by women. Think Margot Robbie in pink Sleeper during the Barbie press tour, Billie Eilish in Gucci, Beyonce in Louis Vuitton, Gigi Hadid in Morgan Lane, and Jessica Alba in Dolce & Gabbana at the My Bloody Valentine 3D Los Angeles premiere.

Could one of football’s biggest stars change that?

Haaland has already worn two looks from the Dolce & Gabbana Spring 2026 collection, each taking a different approach to the trend.

The first, a pale-blue embroidered pyjama set, leaned too far into sleepwear for my taste. It genuinely looked as though he had rolled straight out of bed, and that presentation undermined what was otherwise a beautifully crafted look.

The second outfit worked much better. By wearing only the striped pyjama-inspired trousers with a simple white vest, Hermès Izmir sandals and one of his many Hermès bags – a HAC 40 in Alezan Togo leather with palladium hardware – he broke up the head-to-toe pyjama effect. The styling made the trousers feel like relaxed resortwear instead of sleepwear, creating a much more wearable interpretation of the trend.

I know plenty of you were never on board with pyjama dressing in the first place, so neither of these looks is likely to change your mind. But if anyone has the influence to bring the trend into menswear, Erling Haaland has a better chance than most.

Dolce & Gabbana Spring 2026

Readers’ Choice & Critic’s Choice

Zendaya in Atelier Versace – ‘Spider-Man: Brand New Day’ Shanghai Premiere and Jaafar Jackson in Dzojchen – Jimmy Kimmel Live!

Week 28 Winners

Readers’ Choice

Zendaya in Matières Fécales – ‘The Odyssey’ New York Premiere, Andrew Garfield and Stanley Tucci in Ralph Lauren – Wimbledon 2026

Critic’s Choice

Zendaya in Matières Fécales – ‘The Odyssey’ New York Premiere, Emmy Rossum in Monse – ‘Furious’ New York Premiere and Andrew Garfield in Ralph Lauren – Wimbledon 2026

Week 27 Winners

Readers’ Choice

Zendaya in Jacquemus – ‘The Odyssey’ London Photocall and Rami Malek in Wales Bonner – Wimbledon 2026

Critic’s Choice

Zendaya in Jacquemus – ‘The Odyssey’ London Photocall and Bad Bunny Front Row at the Schiaparelli Fall 2026 Haute Couture Show

Week 26 Winners

Readers’ Choice & Critic’s Choice

Fan Bingbing in Tony Ward Couture – Fan Beauty Diary’s Thailand Grand Launch and Jaafar Jackson in Valentino – 2026 BET Awards

Week 25 Winners

Readers’ Choice

Hande Erçel in Georges Chakra Couture – Pomellato Celebrates ‘Le Joaillier Révolutionnaire’ Exhibition Opening and Tyriq Withers in Louis Vuitton – Front Row at Louis Vuitton

Critic’s Choice

Zendaya in John Galliano – ‘Spider-Man: Brand New Day’ London Photocall and Rami Malek in Saint Laurent – Front Row at Saint Laurent

Week 24 Winners

Readers’ Choice

Jisoo in Georges Hobeika Couture – Cartier’s Into the Wild Exhibition and Paul Anthony Kelly in Brunello Cucinelli – Brunello Cucinelli’s Pitti Uomo Dinner

Critic’s Choice

Maura Higgins in Sabina Bilenko Couture – Royal Ascot and Jiang Qiming in Loewe – 2026 Weibo Film’s Night

Week 23 Winners

Readers’ Choice

Emily Blunt in Tamara Ralph Couture – ‘Disclosure Day’ New York Premiere, Jodie Turner-Smith in The New Arrivals – ‘The Agency’ Press and Colman Domingo in dunhill – ABC Studios

Critic’s Choice

Jodie Turner-Smith in The New Arrivals – ‘The Agency’ Press and Colman Domingo in dunhill – ABC Studios

Week 22 Winners

Readers’ and Critic’s Choice

Kerry Washington in Oscar de la Renta – 2026 Gotham Awards & Colman Domingo in dunhill – ‘Disclosure Day’ London Premiere

Week 20 Winners

Readers’ and Critic’s Choice

Salma Hayek in Gucci – Kering’s Women In Motion Dinner & Niels Schneider in Tom Ford – ‘La Bataille De Gaulle: L’Âge De Fer’ Cannes Film Festival Premiere

Week 19 Winners

Joint Readers’ Choice

Demi Moore in Jacquemus – Cannes Film Festival Jury Photocall and Cate Blanchett in Givenchy – Garance’ Cannes Film Festival Premiere

Joint Readers’ Choice

Adam Bessa in Celine – Histoires Parallèles Cannes Film Festival Photocall and Diego Calva in Ferragamo – Nice Airport

Critic’s Choice

Demi Moore in Jacquemus – Cannes Film Festival Jury Photocall and Adam Bessa in Celine – Histoires Parallèles Cannes Film Festival Photocall

Week 18 Winners

Readers’ Choice

Emma Chamberlain’s Mugler – 2026 Mey Gala & Jeremy Pope in Vivienne Westwood MAN – 2026 Met Gala

Critic’s Choice

Chase Infiniti in Thom Browne – 2026 Met Gala & Jeremy Pope in Vivienne Westwood MAN – 2026 Met Gala

Week 17 Winners

Readers’ Choice

Chase Infiniti in Cong Tri – The Walt Disney Company’s Emmy Season Toast to TV & Lewis Hamilton in Saint Laurent – Miami F1 Grand Prix

Critic’s Choice

Ana de Armas in Louis Vuitton – Louis Vuitton Mythica High Jewellery Collection Launch & Lewis Hamilton in Saint Laurent – Miami F1 Grand Prix

Week 16 Winners

Readers’ Choice

Grace Gummer in Bottega Veneta – ‘The Devil Wears Prada 2’ New York Premiere, Kendrick Sampson in Sergio Hudson – ‘Michael’ LA Premiere & Calum Harper in AMIRI – ‘The Devil Wears Prada 2’ New York Premiere

Critic’s Choice

Grace Gummer in Bottega Veneta – ‘The Devil Wears Prada 2’ New York Premiere & Kendrick Sampson in Sergio Hudson – ‘Michael’ LA Premiere

Week 15 Winners

Readers’ and Critic’s Choice

Diane Kruger in Sabina Bilenko Couture & Connor Storrie in Calvin Klein Collection – Tiffany & Co. Blue Book 2026: Hidden Garden Launch

Week 14 Winners

Readers’ Choice

Carey Mulligan in Dries van Noten – ‘Beef’ Season 2 Premiere & Jay Ellis in Ferreri – Fashion Trust U.S. Awards 2026

Critic’s Choice

Carey Mulligan in Dries van Noten – ‘Beef’ Season 2 Premiere & Matt Bomer in dunhill – The Drew Barrymore Show

Week 13 Winners

Readers’ and Critic’s Choice

Zendaya in Schiaparelli Haute Couture – ‘The Drama’ New York Premiere & Robert Pattinson in Dior – ‘The Drama’ New York Premiere

Week 12 Winners

Readers’ Choice

Liu Yifei in Elie Saab Haute Couture – Bvlgari Eclettica High Jewelry Event & Sombr in Valentino – iHeartRadio Music Awards

Critic’s Choice

Zendaya in Armani Privé – ‘The Drama’ Rome Premiere & Sombr in Valentino – iHeartRadio Music Awards

Week 11 Winners

Readers’ Choice

Nicola Coughlan in Georges Hobeika Couture – ‘The Magic Faraway Tree’ London Screening, Rose Byrne in Dior – 2026 Oscars & Colman Domingo in Jacquemus – Vanity Fair Oscar Party

Critic’s Choice

Simone Ashley in Tamara Ralph Couture – Vanity Fair Oscar Party & Colman Domingo in Jacquemus – Vanity Fair Oscar Party

Week 10 Winners

Readers’ Choice

Zendaya in Cachè – 2026 ESSENCE Black Women in Hollywood Awards and Ryan Gosling in AMIRI – ‘Project Hail Mary’ London Premiere

Critic’s Choice

Naomi Ackie in Issey Miyake – ‘I Love Boosters’ SXSW Premiere and Ryan Gosling in AMIRI – ‘Project Hail Mary’ London Premiere

Week 9 Winners

Readers’ Choice

Diane Kruger in Iris van Herpen Haute Couture – Le Grand Dîner Du Louvre and Sam Heughan in Siobhan Mackenzie – The ‘Outlander’ Season 8 New York Premiere

Critic’s Choice

Teyana Taylor in Thom Browne – 2026 Actor Awards and Charlie Hunnam in Brioni – 2026 Actor Awards

Week 8 Winners

Readers’ Choice

Chase Infiniti in Louis Vuitton 2026 BAFTAs and Riz Ahmed in Saint Laurent – 2026 BAFTAs

Critic’s Choice

Jessie Buckley in Maison Margiela Artisanal – ‘The Bride!’ London Premiere and Riz Ahmed in Saint Laurent – 2026 BAFTAs

Week 7 Winners

Readers’ Choice

Rose Byrne in Loewe – 2026 Film Independent Spirit Awards and Alexander Skarsgård in Saint Laurent – The Moment’ London Premiere

Critic’s Choice

Rose Byrne in Loewe – 2026 Film Independent Spirit Awards and Ethan Hawke in Tom Ford by Haider Ackermann – The Weight Berlin Film Festival Premiere

Week 6 Winners

Readers’ Choice

Teyana Taylor in Tamara Ralph Couture – 2026 Costume Designers Guild Awards and Chris Hemsworth in AMIRI – ‘Crime 101’ LA Premiere

Critic’s Choice

Teyana Taylor in Tamara Ralph Couture – 2026 Costume Designers Guild Awards and Jacob Rott in Giuseppe Di Morabito – No Good Men’ Berlin Film Festival Premiere

Week 5 Winners

Readers’ Choice

Margot Robbie in Chanel – ‘Wuthering Heights’ Paris Premiere and Sombr in Valentino – 2026 Grammy Awards

Critic’s Choice

Lady Gaga in Matières Fécales – 2026 Grammys and Jacob Elordi in Bottega Veneta – ‘Wuthering Heights’ London Premiere

Week 4 Winners

Readers’ and Critic’s Choice

Margot Robbie in Schiaparelli Haute Couture ‘Wuthering Heights’ LA Premiere and Jacob Elordi in Chanel – ‘Wuthering Heights’ LA Photocall

Week 3 Winners

Readers’ and Critic’s Choice

Teyana Taylor in Tom Ford – Gymkhana Las Vegas Opening and Jeremy Pope in Mithridate Promoting ‘The Beauty’

Week 2 Winners

Readers’ Choice

Chase Infiniti in Louis Vuitton – 2026 Golden Globe Awards and Colman Domingo in Valentino – 2026 Golden Globe Awards

Critic’s Choice

Kate Hudson In Armani Privé – 2026 Golden Globe Awards and Colman Domingo in Valentino – 2026 Golden Globe Awards

Week 1 Winners

Readers’ and Critic’s Choice

Chase Infiniti in Louis Vuitton – 2026 Critics’ Choice Awards and Michael B. Jordan in Louis Vuitton – 2026 Critics’ Choice Awards

The View

Tracee wore a Prada Fall 2026 look that marked a return to bold colour and graphic embellishment. The crisp pale blue shirt balanced the vivid red embellished skirt, creating one of those combinations that only Tracee seems able to wear with complete ease.

I wasn’t sold on the accessories, though. The woven basket bag was charming enough, but the extra bag tucked inside left me scratching my head. The bag-within-a-bag trend continues to baffle me. Why not just carry a bigger bag?

Watch What Happens Live with Andy Cohen

While I could question why Tracee was wearing leather trousers in the middle of summer, I absolutely adored this Loewe Pre-Fall 2026 look.

You will probably recognise the house’s signature logo-embossed leather trousers, which Michaela Coel wore in black and red back in April as part of a full Fall 2026 runway look. Here, the styling felt much more summer-ready thanks to the simple white vest.

My heart skipped a beat when I spotted the red Loewe Origami Cubic pumps. Paired with Tracee’s matching red lipstick, they heightened the energy of this look. The Loewe Amazona 180 bag, which seems to have become the celebrity carryall of the year, completed another winning look.

Late Night with Seth Meyers

One thing we’ve learned this summer is that Tracee clearly has a soft spot for the Marc Jacobs Spring 2027 collection. This was her second outing in the collection, once again embracing one of the designer’s layered looks.

Is she making it work? Absolutely.

Her figure looks incredible, and that dramatic layered necklace is a work of art in its own right. Even so, I’m not entirely convinced this was the right choice for the occasion. The bodysuit-and-tights combination initially gave me dance-rehearsal or ballet-studio vibes, while the statement necklace steered the look somewhere altogether more decorative. This look just never had the same rhythm as her earlier appearances.

Stylist: Karla Welch.

Thankfully, today was different.

Hunter Schafer stepped onto the Comic-Con stage to promote Blade Runner 2099, the upcoming Prime Video series in which she stars alongside Michelle Yeoh, and we finally got a proper head-to-toe fashion moment.

I know many of you will be doing a double take at the sight of the actress in this Marc Jacobs Spring 2027 ensemble, featuring a sheer organza shirt layered over a bodysuit, sheer shorts cinched with a chunky chain belt.

But I have to admit, I kinda like it.

Out of context, it is an unexpected choice, but for Blade Runner 2099 it makes perfect sense. The translucent textures, saturated colour palette and almost plastic-like finish give the look a retro-futuristic quality that feels entirely at home in the Blade Runner universe. As someone who grew up in the 1980s, there was something wonderfully nostalgic about it too. It doesn’t recreate the original film’s costumes, but it captures that same vision of the future imagined decades ago.

I know some of you will already be adding this to your WDOTY list, but Hunter completely sold this look to me. If this is ground zero for the Blade Runner 2099 press tour, I’m intrigued to see where the method dressing goes from here.

Stylist: Dara Allen.

After two looks that embraced a darker, edgier glamour in New York and Mexico City, Zendaya swung back to the franchise’s signature motif in Atelier Versace Spring/Summer 2016.

The design centred on a black beaded lattice that traced the body like a spider’s web, while sweeping ivory draping wrapped across the silhouette, creating a striking contrast between graphic structure and fluid softness.

The real payoff came with the Chopard spider brooch at the hip. It wasn’t sitting on the dress so much as caught within it, like a spider suspended in its own web, and the placement is what made it work.

Anchored at the hip instead of dead centre on the bodice, it wasn’t the first thing you noticed. Your eye registered the web construction and the draping before the spider revealed itself.

Alongside the Armani and Rodarte looks, this is the strongest execution of the Spider-Man brief so far. The Louis Vuitton and McQueen moments in Amsterdam nodded to the theme, but here the spider motif was woven into the couture itself, with the Chopard brooch completing the story.

I also love that she’s back to giving us a different hairstyle with each look. It adds another layer to the storytelling and keeps each appearance feeling distinct.

Stylist: Law Roach. Makeup Artist: Ernesto Casillas.

The influencer wore a Pucci Orchidee and Soleil-print silk dress with a coordinating cape, a look that confirmed what had become increasingly apparent in recent weeks: she is expecting her first child.

Alexandra has long favoured breezy, summery looks throughout the Formula 1 season, so when oversized jackets began replacing her usual outfits during the British Grand Prix – in the middle of a heatwave, no less – and she increasingly carried her beloved dog in front of her rather than at her side, it wasn’t difficult to piece things together.

Of course, it should be said that everyone is entitled to share personal news on their own terms and in their own time.

I’ve always found it interesting to see how someone’s style evolves during pregnancy, adapting to changing proportions while staying true to their personal aesthetic. Alexandra has typically gravitated towards mini and midi lengths around the paddock, so this floor-length Pucci dress marked a noticeable shift, while the Riviera-inspired style she so often leans towards remained unmistakably present.

The styling, however, followed a familiar formula. Jimmy Choo Marais sunglasses, a Hermès Kelly Picnic wicker bag, her signature Messika jewellery and Summer Away Kayla sandals completed her first maternity paddock appearance.

Interestingly, this isn’t Alexandra’s first memorable Pucci moment at the Hungarian Grand Prix. Last year she wore one of the house’s signature swirling pink-print ensembles.

The singer hosted her APOP* Fan Listening Session in New York City on Thursday, celebrating her second album following the global success of her self-titled debut in 2024.

For the occasion, Tyla wore a Poster Girl pink leopard-print Doll top with the matching Knockout capri pants, embracing the playful, body-conscious aesthetic that has become synonymous with the London label.

The look felt perfectly aligned with Tyla’s style. While Poster Girl has built its reputation on reinterpreting the bold confidence of late-’90s and Y2K fashion, Tyla has long made those influences part of her own wardrobe, so this pairing came across as a natural extension of the singer’s fashion identity.

The graffiti backdrop only amplified the Y2K mood, making the pink leopard print feel right at home against the vibrant street-art setting.

The fitted silhouette, corset-inspired construction and vibrant animal print captured the carefree energy that has made both Tyla and Poster Girl favourites among a new generation embracing nostalgia through a contemporary lens.

This look is another reminder that capri pants continue to enjoy such a strong comeback.

Nicolette Nichelle Kelis ruffled heels completed her look.

Yes, there was plenty of white and no shortage of Grecian goddess storytelling, which was entirely expected.

What wasn’t expected was the eight-hour turnaround from Schiaparelli Haute Couture, an archival Givenchy Haute Couture look seemingly destined to be worn with the Eiffel Tower as its backdrop, six appearances where she didn’t wear her beloved Christian Louboutin So Kate pumps…

…or the way the press tour concluded with back-to-back gold looks from Zuhair Murad and Jitrois that delivered one final storytelling twist.

Surprisingly, there isn’t a single look in this lineup that I don’t love. Narrowing it down was far more difficult than I anticipated.

Matières Fécales and the custom Jacquemus from the London photocall are tied at the top for me – I refuse to choose between them. They are followed by Schiaparelli Haute Couture and the archival Givenchy Haute Couture.

Stylist: Law Roach.

Street style photographers in New York and Paris have had a busy season. Popular events like the Met Gala and the stadium-sized wedding of Taylor Swift and Travis Kelce have brought trendsetters out front and center. But if you look closely at recent paparazzi shots outside hotel lobbies, one recurring detail stands out. Celebrities are moving away from stiff, boxy micro-bags and toward soft, flexible leather that drapes against the body naturally.

This shift toward organic, pouch-like shapes stems directly from the creative direction of Jonathan Anderson. By transforming supple lambskin into ruched, gathered forms with distinctive metal hardware, he established a fresh blueprint for contemporary luxury accessories. You’ve seen the latest collection of Loewe bags taking over your social feeds for good reason, as the Spanish fashion house continues to define how celebrities carry leather on and off the red carpet.

How Stars Are Carrying It

Take Greta Lee, who has basically become the unofficial poster girl for the house. She was spotted carrying the ruched Squeeze bag while navigating press commitments in New York, pairing the gathered leather with an oversized, structured wool coat. The soft bag breaks up those harsh shoulder lines. It adds visual warmth to a tailored look without looking like she tried too hard.

Then you have Emily Ratajkowski strolling through Manhattan. She took the same Squeeze bag and wore it with low-rise denim and a worn-in trench coat. It showed how easily these sculptural shapes fit into real life. You can wear a high-fashion bag to pick up morning coffee without looking overdressed.

Over in Paris, Kendall Jenner has been stepping out with the classic Puzzle bag. She used the clean geometric folds to anchor a plain crewneck sweater and straight trousers. That is the real magic of these pieces. They give you a focal point when your outfit is completely minimal.

Ayo Edebiri, who’s no stranger to the brand, brought another dimension to this look during her appearance at Loewe’s SS25 show. She picked a bright turquoise Flamenco purse, holding it tucked under her arm like an oversized clutch alongside a relaxed, all-black suit. That particular tucking technique has quickly spread among Hollywood stylists looking to make sharp tailoring feel less corporate when their clients are walking the red carpet.

Tracking Down Archival and Runway Pieces

If you follow red carpet stylists on Instagram, you know that sourcing these off-duty looks is half the battle. Finding current runway colorways or rare archival leather goods often requires looking directly to Paris.

That is why fashion editors and celebrity stylists regularly source items through 24S.com. As the official Parisian e-commerce flagship backed by LVMH, the platform acts as a direct link to French fashion culture. You get access to current seasonal runs from houses like Celine and Dior alongside Loewe.

Why the Squeeze Bag Works on the Move

When you look at why stars keep carrying the Squeeze bag between flights and late-night dinners, the details make sense. Jonathan Anderson designed the donut chain with a small carabiner mechanism. You can adjust the strap length in two seconds flat.

That means carrying it as a tight shoulder bag during a daytime photocall, then lengthening it into a slouchy crossbody when you are dragging luggage through Charles de Gaulle airport. The unlined lambskin means the bag weighs almost nothing on your shoulder, avoiding that painful strap bite after six hours of rushing between fittings.

You also see stylists leaning into contrasting textures this season. Pairing a ruched, buttery leather bag with heavy tweed, stiff denim, or sharp suiting creates immediate visual balance. It keeps an outfit from looking like a flat retail mannequin display.

The color choices coming out of Madrid this season play a huge role in that versatility, too. While classic black and warm oak brown remain street-style staples, stars are increasingly picking shades like chalk white, pale lime, and rich dark burgundy to break up neutral tailoring.

Whether you go for a muted caramel shade or a bold burgundy, these sculptural leather pieces bring a bit of energy to everyday outfits. You end up with something that feels comfortable to carry and built to age beautifully as the leather softens through daily wear. Consider it proof that the most impactful accessories are the ones that make high fashion feel personal.

Known for pushing boundaries with dynamic, directional fashion, Teyana took a more restrained approach in Saint Laurent’s Pre-Fall 2026 tailoring. The double-breasted blazer and tailored Bermuda shorts offered a sharp interpretation of Anthony Vaccarello’s oversized suiting.

The translucent Saint Laurent Brigitte pumps are likely to divide opinion. Had they been cloudy, I would have been right there with you, but I have to admit that Teyana sold them to me. I think that’s because the warm brown trim blended with her skin tone. A black or nude version would have created a more awkward visual effect, drawing attention away from an otherwise well-balanced look.

As expected, Teyana turned to Schiaparelli for the jewellery. The bold Vendôme earrings and matching statement necklace injected the kind of sculptural glamour that has become a signature of her red carpet style.

Add in the Gucci Mask Frame sunglasses, and the accessories completely transformed the look. Without them, the tailoring might have felt a little too straightforward, but together they gave the outfit the attitude and personality we’ve come to expect from Teyana.