Flower Power

Barcelona and Spain’s Lamine Yamal, who collected the Men’s Young Talent of the Year award, wore a Chanel Resort 2027 suit featuring a slightly cropped jacket, but the focal point was undoubtedly the oversized pink feather camellia. The accessory has been compared online to everything from a jellyfish to a virus, but I do love a statement accent.

I just wish it were a tad smaller. The proportions of Imane Khelif’s white feather camellia, worn with a Chanel suit at Cannes earlier this year, were perfect. Here, I feel the flower is wearing Lamine instead of the other way around.

An Alternative Approach

Bayern Munich and France’s Michael Olise opted for Yaku, giving us one of the night’s more unconventional tailoring choices. The asymmetric jacket, decorative buttons and military-inspired detailing are a welcome departure from traditional black tie. The detailed trousers are generously cut, but they work with the jacket’s proportions, making this one of the more interesting looks of the evening.

Trouser Trouble

Real Madrid and France’s Kylian Mbappé, one of Jonathan Anderson’s first ambassadors for Dior, wore a black velvet shawl-collar tuxedo. As much as I love a shawl-collar jacket, I cannot overlook the length of those trousers. The bunching around the ankles is bad enough, but the excess fabric running up the legs makes the fit even more frustrating. This beautifully tailored jacket deserved better. He completed his look with a Hublot Classic Fusion Tributo Yellow Gold watch.

A Choice That Matters

Bukayo Saka, who plays for Arsenal and England, accepted the Sócrates Award in recognition of his incredible humanitarian work with BigShoe, a charity through which he has helped fund more than 120 life-saving medical operations for children in Kano, Nigeria.

I wish we had a full-length photograph, because his Wales Bonner Spring 2027 suit was one of the best of the night. Beyond the cut and silhouette, the label’s signature single satin lapel gives the tailoring an unexpected twist. But what makes this choice especially meaningful is the label itself. Grace Wales Bonner’s work celebrates Black cultural identity, heritage and craftsmanship, making it a fitting choice for a footballer being recognised for his contribution to children in Nigeria.

The look was accented with the Wales Bonner Compass brooch, featuring a hand-painted recycled glass bead crafted by artisans in Ghana, alongside rutilated quartz, tiger’s-eye disc beads and gold-plated brass, with finishing completed in Italy. No two brooches are identical.

As an Arsenal supporter, I couldn’t be prouder of my boy.

From the Waist Up

Real Madrid and Côte d’Ivoire’s Yan Diomandé wore Dolce & Gabbana, and we all know how good the Italian house can be when it comes to tailoring. Unfortunately, the trousers have left me completely confused. I suspect he wore them low-slung, because there is so much gathering that they almost resemble harem pants. The velvet jacket, satin lapels and brooch are excellent, but the trousers let the entire look down. This was so good from the waist up.

Proportions Gone Wrong

Barcelona and Spain’s Rodri attended with his wife, Laura Iglesias, both wearing Dolce & Gabbana. Her purple gown is fine, although I don’t think the black handbag works with it. But I’m more concerned about Rodri’s suit. Once again, I’m baffled by the proportions of a Dolce & Gabbana suit. The tailoring doesn’t sit particularly well on him, and the overall effect is unflattering. As much as I loved the tonal tailoring on Saka, I’m not getting the same result here.

Faith Restored

Spain and Athletic Club goalkeeper Unai Simón, who collected the Men’s Goalkeeper of the Year award, wore Dolce & Gabbana and instantly restored my faith in the house’s tailoring. The fit, the proportions and the classic black-tie styling are exactly what I wanted to see from the label. After the previous two looks, this was a welcome reminder of what Dolce & Gabbana does best.

Best of the Best

Bayern Munich and England’s Harry Kane, who won the Men’s Ballon d’Or and Men’s Striker of the Year awards, was also one of my best-dressed men of the night. Opting for British tailoring in a Thom Sweeney tuxedo, he delivered everything I want from formal menswear: excellent proportions, a beautifully fitted double-breasted jacket and trousers that fall exactly where they should. Unlike Lamine, Harry opted for a small accent with his red poppy, which was all the embellishment he needed.

His wife, Kate Kane, wore a beautiful BOSS off-the-shoulder gown, styled with diamond jewellery from British fine jewellery house Boodles. They made a handsome couple on the red carpet.

Bigger Is Better?

Bayern Munich and Colombia’s Luis Díaz wore Jacquemus’ Le Bastide jacket, which we previously saw on Josh Hartnett. The boxy, collarless silhouette and oversized trousers suit his relaxed approach to tailoring. When the right size is selected, this is the sort of oversized tailoring that works for me.

A Burgundy Moment

Paris Saint-Germain and France’s Ousmane Dembélé, who accepted the Men’s Club of the Year award on behalf of PSG, was also the returning Ballon d’Or winner and one of my best-dressed men of 2025. This year, he opted for a burgundy Zegna tuxedo. I love that he chose this colour instead of another black suit, especially with the matching shirt and bow tie. However, I would have sized down. The jacket looks a little too roomy.

Back to Black

Real Madrid and Spain defender Marc Cucurella wore Louis Vuitton, opting for a black double-breasted suit with satin peak lapels. I like the simplicity of the styling.

A Touch of Gold

Aston Villa and Switzerland’s Johan Manzambi swapped the traditional tie for a gold chain, which complemented the brooch pinned to his Saint Laurent double-breasted suit. The oversized shoulders give the look a distinctly Saint Laurent silhouette, and the gold accents are enough to give the all-black ensemble some personality.

Both opted for Maison Margiela Fall 2026, with looks that felt particularly appropriate for the period drama.

The Art of Draping

Rebecca Hall wore a Maison Margiela Fall 2026 dress that brought together two contrasting fabrics: richly patterned tapestry and fluid black satin.

Like Carrie’s look, this was a tale of two fabrics, but I much prefer the execution here. The tapestry is cut and appliquéd onto the satin drapery, allowing the fabric to fall beautifully. I love how the ornate textile references the period aesthetic of The Gilded Age without making Rebecca look as though she’s borrowed something from the costume department.

Black Maison Margiela Tabi Plexi pumps completed her look.

An Edwardian Reference

Morgan Spector also wore Maison Margiela Fall 2026, choosing a Bianchetto-painted suit featuring an Edwardian-style tailcoat, paired with a fluid Bianchetto shirt and the label’s Float shoes.

The Edwardian reference makes this a particularly fitting choice for The Gilded Age, but what interests me most is the fabric. The Bianchetto paint treatment gives the tailoring an aged, almost weathered appearance, which is an interesting contrast to the formal silhouette. It’s a clever way of acknowledging the period setting while keeping the look distinctly Margiela.

Even those of you who aren’t fans of thematic dressing will surely admit that Rebecca and Morgan have delivered two perfect examples of how to reference a series through fashion.

Stylist: Bailey Moon.

For the occasion, Taylor wore a Rasario Fall 2026 burgundy velvet mini dress, which feels like such a typical Taylor choice for a landmark moment in her career. I love how playful the colourful floral embroidery makes this dress, while the rich velvet gives it an autumnal feel.

Sure, she has teased us with a few looks recently that suggested a change in style direction, but I think Taylor will continue to mix things up depending on the occasion. And I have no issue with that. This dress is fun, and flattering.

I know some of you feel that while the dress works, her hairstyle is in greater need of an update. Personally, I’ve become so accustomed to her bangs and softly curled hair that I struggle to remember a time before them.

Purple Jimmy Choo Saeda sandals and custom Anita Ko earrings completed her look.

Kimberly Williams-Paisley was equally playful with her fashion choice, stepping out in a dress you’ll no doubt recognise as Pucci. And while the psychedelic print has a distinctly retro feel, the dress is actually from one of the label’s recent collections.

Considering everything we know about Alaïa, you might be surprised to learn that this burgundy velvet double-breasted suit hails from the label’s Fall 2026 collection. After all, when we think of Alaïa, we tend to think of sculpted silhouettes, body-conscious dresses and statement knitwear, rather than traditional tailoring.

But I love seeing this side of the label, and velvet, especially in such a rich burgundy shade, will always have my vote. We often see velvet tailoring worn as a standalone jacket, but Saja makes a case for the full suit.

Simple black pumps and gold earrings completed her look.

Stylist: Ramil Mustafaev.

The actress wore an Acne Studios Spring 2027 ensemble, with a glossy, futuristic-looking blue top contrasting with a voluminous floral skirt that feels like a nod to the period dressing we associate with the series.

It’s an interesting combination, and in the context of The Gilded Age, it does make sense, but I’m struggling to buy into it.

My issue is the yellowish staining on the skirt, which, unfortunately, reminds me of urine stains. Without those discoloured patches, I feel I would have been completely on board, because Carrie looks beautiful, and the styling with the coordinating blue pumps and statement earrings works.

Bringing Back Statement Earrings

I may be alone in not being all that enamoured with Sarah Paulson’s Miu Miu premiere look, but this Givenchy Spring 2027 leather trench dress has all the modern glamour and attitude I love seeing from her. Between the exaggerated shoulders, oversized lapels and thigh-high slit, this is Sarah at her best.

And can we talk about the earrings? I have missed seeing celebrities embrace statement earrings, but Sarah seems to be on a one-woman mission to bring them back. These oversized gold earrings follow the Prada pair she wore to the premiere and the Ferragamo earrings she wore to the Academy Museum Gala. Three appearances, three fabulous pairs, I hope she keeps them coming.

Givenchy sunglasses and Hagelstam pumps completed her look.

Styled by Karla Welch.

More Than Meets The Eye

The lighting isn’t doing the intricate pleating on Naomi Watts’ Valentino Spring 2027 dress any favours, but thankfully, the sculptural silhouette speaks for itself. I love that we’re seeing this level of glamour at a daytime photocall, especially when Naomi could easily have gone for something far more expected.

The Valentino Garavani Révélé shoes, which continue to be divisive, made another appearance, along with a Valentino DeVain bag. But it’s the statement necklace that has my attention. And the fact that Naomi also wore the runway hat for some photographs makes me love this look even more.

Styled by Jeanann Williams.

Never One To Do Things By Halves

Is Niecy Nash’s pink Diarbakerli Jozeph & Cintia Spring 2027 look over the top? Absolutely. Would I want it any other way? Not a single chance.

Our always-snatched queen knows exactly what works for her, and this pink satin ensemble is everything I want from a Niecy Nash appearance. The exaggerated shoulders, sculpted waist and flared skirt are a lot to take in, but that’s precisely the appeal. She has the personality to carry every inch of it.

And while the other ladies went for black and white, Niecy gave us pink satin in all its glory. I love that she never feels the need to tone things down.

Styled by The Reismans.

This time, she opted for a Ferragamo Resort 2027 dress in concrete-grey washed silk velvet. The softly draped silhouette and texture give the dress plenty of appeal, but what I enjoy most about Gemma’s style is that you can never predict what she will wear next.

The shade complements her skin tone beautifully, and I appreciate the understated approach on this occasion. However, my love of colour has me wishing for a different shade. I can’t help imagining this dress in a jewel tone. Emerald, sapphire or even a rich purple would have been spectacular.

Stylist: Rebecca Corbin-Murray.

A Little Something Extra

Considering the colourful backdrop, America Ferrera made a wise choice with this white Rachel Gilbert Iver dress, which was always going to stand out. For me, the best features are the defined wrap waist and asymmetric hemline. But what really caught my attention was the zebra-print Zara bag with red tassels. It was an unexpected choice against such a refined dress, but I appreciate that she opted for something with personality. The red lip was another welcome addition, tying in beautifully with the tassels, while the white pumps were the perfect finishing touch.

Bold and Beautiful

Quinta Brunson, however, proved that if you are going to wear colour against such a busy backdrop, you might as well go bold, and this vibrant pink Vivienne Westwood Long Monday Pulling dress was just that. The sweetheart neckline is quintessential Westwood, as is the scribble print, and Quinta wears both beautifully. The colour is glorious against her skin tone. Metallic Giuseppe Zanotti Intriigo mules completed her look.

Styled by Jessica Paster.

Plum Perfection

Xochitl Gomez opted for a strapless Meraki gown in a beautiful plum hue, and I am completely sold on the colour and silhouette is very much in keeping with the styles she tends to favour. Matching plum pumps from Femme completed her look.

Stepping out in Manhattan, Mckenna dipped into the Betsey Johnson archives, selecting a baby-blue satin mini dress from the designer’s Spring 2015 collection. With its puff sleeves, sweetheart neckline, flared skirt and floral corsage, this was a delightful throwback to the designer’s signature girlish aesthetic.

Another archival moment for Mckenna comes as no surprise, considering her stylist, Molly Dickson, has made vintage fashion something of a speciality.

I have a feeling some will find this look far too twee for a 20-year-old, especially with the two bows in her hair. But I love that Mckenna has fully embraced the playful nature of the dress. When you wear something like this, trying to make it more grown-up would defeat the purpose, and I don’t think there’s any need to. Removing the runway’s petticoat gives the dress a slightly different feel while retaining everything that makes it so charming.

Betsey Johnson Bria Pink pumps added more colour and sparkle, while a Judith Leiber Butterfly Fireclipper crystal clutch and layered Pandora necklaces featuring blue blossom and red ladybird charms, plus rings of Cherry Blossom and Band of Hearts and pink hooped earrings completed the look.

But these accessories weren’t simply chosen for their playful appeal. Flowers and butterflies play a significant role in The Hunger Games: Sunrise on the Reaping, with both featuring among the dangers of the arena. This adds another layer to Mckenna’s method dressing for the press tour. I love how Molly Dickson has tied everything together, staying true to Betsey Johnson’s whimsical aesthetic while incorporating references to the film.

Update: Molly Dickson has since shared on Instagram that this look was in reference to a similar dress worn by Rue.

Stylist: Molly Dickson.

The Luxembourgish actress wore a Bottega Veneta Fall 2026 leather plissé coat and wool jacket layered over a leather shirt and trousers.

Now this is dressing for the season, with practically every winter fabric accounted for, aside from velvet. And speaking of fabrics, it’s the mix of textures that prevents this all-black ensemble from blending into one. This is exactly the type of all-black look I love, especially those trousers with their combination of intrecciato leather detailing and fringing.

Looks like this are precisely why Vicky is such a great ambassador for Bottega Veneta. As much as I love Julianne Moore’s classic style, Vicky provides the perfect counterpoint. Their approaches to fashion couldn’t be more different, yet together they represent two distinct sides of Louise Trotter’s Bottega Veneta woman.

This is easily my favourite look from the Luxembourgish actress this year.

Bottega Veneta Scaletta pumps and Aviator Knot sunglasses, perched on top of her head, completed her look.

The actress wore a Galia Lahav Fall 2027 polka-dot gown, fresh off the New York Bridal Fashion Week runway. With its corseted bodice, tulle-filled hip cut-outs and draped skirt, the strapless design creates the illusion of two separate pieces.

As you know, I wasn’t a fan of her archival animal-print look, but I adore this.

Yes, it is provocative, as we have come to expect from Kim, but there is also something playful and flirtatious about it. The black-and-white polka dots have a retro pin-up appeal, while the corsetry and lace-trimmed cut-outs reference vintage lingerie.

What makes this work for Kim is that it plays to her love of body-conscious dressing without feeling like another variation of a Demna look. The corset celebrates her silhouette, but the polka dots, gathered fabric and sweeping train take things in a different direction. Unlike her previous outing, which didn’t quite come together for me, this feels like Kim having fun with fashion again.

Is it just as cheeky at the back?

Of course it is. The cut-outs continue around the hips, while the sweeping train adds another layer of drama.

This is the Kim Kardashian I enjoy seeing on the red carpet. She hasn’t abandoned her signature aesthetic, but she has found a more interesting way to express it.

And while this is undeniably Kim-koded, I suspect some of you are still trying to get your heads around the fact that this is actually a bridal gown.

Stylist: Law Roach. Hair Stylist: Dimitris Giannetos. Makeup Artist: Melissa Hurkman.

If you’re anything like me, this Erdem Spring 2027 gown was on your wish list for Keira Knightley. The pale yellow and blue lace, scattered with delicate floral appliqués, has the kind of whimsical femininity I associate with the British actress, but Chappell makes it her own.

While this is a departure from the more extravagant looks we have come to expect from her, it doesn’t feel out of character. The intricate floral detailing and sweeping skirt still offer plenty of drama, just through a different approach.

Even her makeup feels softened for the occasion. The loose waves, wispy fringe and less exaggerated eye makeup work beautifully with the romantic mood of the gown.

I wouldn’t want Chappell to abandon her theatrical side, but I would certainly welcome more moments like this.

Stylists: Genesis Webb and Hunter Clem. Hair Stylist: Virginie Pineda. Makeup Artist: Dee Makeup Art

Pretty, But Meh

I don’t know about you, but Sarah Paulson in this custom Miu Miu gown is just OK for me. Perhaps the bar has been set too high, because Sarah has given us so many memorable red carpet moments over the years.

It’s pretty enough, but the off-the-shoulder neckline, cape-like draping and delicate embellishments feel surprisingly conventional for someone whose fashion choices are usually far more interesting..

When the most intriguing part of the look is the single gold Prada statement earring, you know something is missing. I appreciate the romance, but I wanted more from Sarah.

Styled by Karla Welch.

A Familiar Silhouette

Niecy Nash-Betts served up a dramatic hourglass silhouette in this custom House of Marvee gown, which was certainly more in keeping with what I expected from this premiere.

The sculpted white bustier, with its petal-like extensions at the hem, immediately reminded me of the Thom Browne corset Hong Chau wore to the Wuthering Heights London premiere. The resemblance is difficult to ignore, and this feels heavily inspired by that design.

That said, I love the contrast between the structured bodice and the black tulle accented skirt. The diamond earrings were a fitting finishing touch.

Styled by The Reismans.

The Clear Winner

Naomi Watts continued the black-and-white theme in a Roksanda Spring 2027 strapless sculptural gown, and for me, this was easily the best look on a red carpet that didn’t quite live up to expectations.

Naomi rarely disappoints, and this is exactly why. The exaggerated shape could easily overwhelm the wearer, but she carries it beautifully. I particularly love the abstract print, which gives the architectural design even more impact.

What I appreciate most is that she took inspiration from the runway styling, opting for cobalt-blue pumps that provide a brilliant contrast against the monochrome gown. A De La Paix necklace and EFFY Jewelry earrings completed her look.

Styled by Jeanann Williams.

When I think of amfAR, my mind immediately goes to the annual Cannes gala, where gorgeous gowns were once the order of the day, particularly during the event’s heyday. But Charlize wasn’t subscribing to that dress code, and frankly, I’m glad.

Some of my favourite fashion moments from the South African actress have come courtesy of Sarah Burton, both at Givenchy and during her time at Alexander McQueen. As long as there are no leather sleeves involved, I’m usually on board.

This Givenchy by Sarah Burton Spring 2027 look, comprising a black knitted sliced vest and black wool trousers with dramatic red-trimmed panels, reminded me of the exaggerated trouser silhouettes we’ve recently seen on Céline Dion. There’s a similar play on volume and proportion, although Charlize’s look has a much sportier feel.

Yes, there’s an element of parachute pants here, while the silver powder-puff jewellery belt could almost pass for the release mechanism. But between her confidence, the swept-back hairstyle and the makeup, Charlize sells every inch of this look.

Her press tour for The Odyssey was a little inconsistent, but it did deliver some highlights, including Tom Ford in Paris, Louis Vuitton in China, and Celine in Korea. This look deserves a place alongside those favourites and might even rank above a few of them.

Givenchy Mobile zipped black leather mules completed her look.

Stylist: Leslie Fremar. Makeup Artist: Kate Lee. Hair Stylist: Adir Abergel.

The momager wore a vintage Tiziani Roma ‘Scorpio Evening Cape’, originally worn by Elizabeth Taylor to Grace Kelly’s 40th birthday celebration in 1969.

While I personally feel that this is such a major fashion moment that it should have been saved for a grand event like a Met Gala, rather than the second season of a television series where Kris is attending in a supporting role, when you do the fashion and astrological maths, everything adds up.

Firstly, she was ushering in Scorpio season, which began on 23 October, the day before the premiere. As a Scorpio herself, born on 5 November, Kris shares the same zodiac sign as Grace Kelly, who was born on 12 November. The black velvet cape, featuring two dazzling diamanté scorpions embroidered across the front, could hardly be more appropriate. And considering that Grace Kelly’s 40th birthday celebration was called The Scorpion Ball, the historical connection makes this choice even more interesting.

Then there is the Roman connection. Tiziani was a Rome-based couture house, making the Italian capital a particularly fitting location for the cape’s return to the red carpet, 57 years after Elizabeth Taylor wore it.

There is also a direct link to All’s Fair. Kris purchased Elizabeth Taylor’s cape at auction and subsequently loaned it to Kim for a scene in the second season, in which her character hosts a Scorpion Ball. So, in this instance, the fashion reference extends beyond the red carpet and into the series itself.

And whenever we see Kris on the red carpet, she knows exactly which role she wants to play. Whether she is projecting authority through sharply structured tailoring or embracing the extravagance of this archival cape, she understands the value of a memorable fashion statement. The white lining framing her face, the matching opera gloves and the diamond necklace all contribute to the vintage Hollywood aesthetic, while the hood gives her an almost regal appearance.

I still maintain that this deserved a Met Gala moment, but between her star sign, the Roman fashion connection, Elizabeth Taylor’s history with the cape and its appearance in All’s Fair, I cannot argue with the thought that went into this look.

Readers’ Choice

Greta Lee in Dior – 2026 Academy Museum Gala and Alexander Skarsgård in Chopova Lowena – ‘Wicker’ LA Premiere

Critic’s Choice

Greta Lee in Dior – 2026 Academy Museum Gala and Eddie Redmayne in Giorgio Armani – 2026 Academy Museum Gala

Week 41 Winners

Readers’ Choice & Critic’s Choice

Celine Dion in Chanel Haute Couture – Paris Residency and Ruaridh Mollica in Thom Browne – Visionquest Rome Premiere

Week 40 Winners

Readers’ Choice

Scarlett Johansson  in Prada – ‘Paper Tiger’ London Film Festival Premiere and Alexander Skarsgård in Saint Laurent – ‘Wicker’ London Film Festival Premiere

Critic’s Choice

Scarlett Johansson  in Prada – ‘Paper Tiger’ London Film Festival Premiere and Luther Ford in Prada ‘The Man I Love’ NYFF Premiere

Week 39 Winners

Readers’ Choice

Dilraba in Dior – Dior Spring 2027 Show and Troye Sivan in Erdem – 2026 VMAs

Critic’s Choice

Mikey Madison in Standing Ground – ‘The Social Reckoning’ London Premiere and Hugo Ekitiké in Balenciaga – Balenciaga Spring 2027 Show

Week 38 Winners

Readers’ Choice

Catherine, Princess of Wales in Jenny Packham – ‘Digger’ Royal Premiere and Diego Calva in Willy Chavarria – Tenders Loving Care San Sebastián Film Festival Screening

Critic’s Choice

Shakira in Gaurav Gupta Couture – Las Mujeres Ya No Lloran World Tour and Diego Calva in Willy Chavarria – Tenders Loving Care San Sebastián Film Festival Screening

Week 37 Winners

Readers’ Choice

Zendaya in Prada – 2026 Emmys and Xolo Maridueña in Diesel – Sirius XM Studios

Critic’s Choice

Lili Reinhart in Elie Saab Haute Couture – ‘The Love Hypothesis’ New York Premiere and Rami Malek in Tom Ford – The Man I Love TIFF Premiere

Week 36 Winners

Readers’ Choice

Fan Bingbing in Tony Ward – ‘Being Heumann’ TIFF Premiere and Patrick Schwarzenegger in Tom Ford by Haider Ackermann – ‘Bunker’ Venice Film Festival Premiere

Critic’s Choice

Helen Mirren in Jenny Packham – Mobland Season 2 London Premiere and Patrick Schwarzenegger in Tom Ford by Haider Ackermann – ‘Bunker’ Venice Film Festival Premiere

Week 35 Winners

Readers’ Choice

Rooney Mara in Louis Vuitton – Bucking Fastard Venice Film Festival Premiere and John Malkovich in Dior – Wild Horse Nine Venice Film Festival Premiere

Critic’s Choice

Bhavitha Mandava in Chanel – Mr. Nelson, Did You Kill People? Venice Film Festival Premiere and John Malkovich in Dior – Wild Horse Nine Venice Film Festival Premiere

Week 34 Winners

Readers’ Choice & Critic’s Choice

Shu Qi in Alex Perry – Cartier Exhibition and Nas in Tom Ford – 2026 BMI R&B/Hip-Hop Awards

Week 33 Winners

Readers’ Choice

Michelle Pfeiffer in FFORME – The Tonight Show Starring Jimmy Fallon and Jack Innanen in Loewe – Adults Season 2 Press Junket

Critic’s Choice

Priyanka Chopra in A.W.A.K.E. Mode – ‘The Cycle of Love’ New York premiere and Paul Anthony Kelly in Loro Piana – TV Academy’s 2026 Televerse Festival

Week 31 Winners

Readers’ Choice & Critic’s Choice

Monica Barbaro in Dior – ‘One Night Only’ New York Premiere and Callum Turner in Louis Vuitton – ‘One Night Only’ New York Premiere

Week 30 Winners

Readers’ Choice

Zendaya in Tamara Ralph Couture – ‘Spider-Man: Brand New Day’ London Premiere, Florence Pugh in Tamara Ralph Couture – ‘Spider-Man: Brand New Day’ London Premiere, Zendaya in Ashi Studio Couture – ‘Spider-Man: Brand New Day’ LA Premiere, Drew Starkey in Dior – The Tonight Show Starring Jimmy Fallon and Jonah Wharton in SuitSupply – Lioness New York Premiere

Critic’s Choice

Florence Pugh in Tamara Ralph Couture – ‘Spider-Man: Brand New Day’ London Premiere and Drew Starkey in Dior – The Tonight Show Starring Jimmy Fallon

Week 29 Winners

Readers’ Choice & Critic’s Choice

Zendaya in Atelier Versace – ‘Spider-Man: Brand New Day’ Shanghai Premiere and Jaafar Jackson in Dzojchen – Jimmy Kimmel Live!

Week 28 Winners

Readers’ Choice

Zendaya in Matières Fécales – ‘The Odyssey’ New York Premiere, Andrew Garfield and Stanley Tucci in Ralph Lauren – Wimbledon 2026

Critic’s Choice

Zendaya in Matières Fécales – ‘The Odyssey’ New York Premiere, Emmy Rossum in Monse – ‘Furious’ New York Premiere and Andrew Garfield in Ralph Lauren – Wimbledon 2026

Week 27 Winners

Readers’ Choice

Zendaya in Jacquemus – ‘The Odyssey’ London Photocall and Rami Malek in Wales Bonner – Wimbledon 2026

Critic’s Choice

Zendaya in Jacquemus – ‘The Odyssey’ London Photocall and Bad Bunny Front Row at the Schiaparelli Fall 2026 Haute Couture Show

Week 26 Winners

Readers’ Choice & Critic’s Choice

Fan Bingbing in Tony Ward Couture – Fan Beauty Diary’s Thailand Grand Launch and Jaafar Jackson in Valentino – 2026 BET Awards

Week 25 Winners

Readers’ Choice

Hande Erçel in Georges Chakra Couture – Pomellato Celebrates ‘Le Joaillier Révolutionnaire’ Exhibition Opening and Tyriq Withers in Louis Vuitton – Front Row at Louis Vuitton

Critic’s Choice

Zendaya in John Galliano – ‘Spider-Man: Brand New Day’ London Photocall and Rami Malek in Saint Laurent – Front Row at Saint Laurent

Week 24 Winners

Readers’ Choice

Jisoo in Georges Hobeika Couture – Cartier’s Into the Wild Exhibition and Paul Anthony Kelly in Brunello Cucinelli – Brunello Cucinelli’s Pitti Uomo Dinner

Critic’s Choice

Maura Higgins in Sabina Bilenko Couture – Royal Ascot and Jiang Qiming in Loewe – 2026 Weibo Film’s Night

Week 23 Winners

Readers’ Choice

Emily Blunt in Tamara Ralph Couture – ‘Disclosure Day’ New York Premiere, Jodie Turner-Smith in The New Arrivals – ‘The Agency’ Press and Colman Domingo in dunhill – ABC Studios

Critic’s Choice

Jodie Turner-Smith in The New Arrivals – ‘The Agency’ Press and Colman Domingo in dunhill – ABC Studios

Week 22 Winners

Readers’ and Critic’s Choice

Kerry Washington in Oscar de la Renta – 2026 Gotham Awards & Colman Domingo in dunhill – ‘Disclosure Day’ London Premiere

Week 20 Winners

Readers’ and Critic’s Choice

Salma Hayek in Gucci – Kering’s Women In Motion Dinner & Niels Schneider in Tom Ford – ‘La Bataille De Gaulle: L’Âge De Fer’ Cannes Film Festival Premiere

Week 19 Winners

Joint Readers’ Choice

Demi Moore in Jacquemus – Cannes Film Festival Jury Photocall and Cate Blanchett in Givenchy – Garance’ Cannes Film Festival Premiere

Joint Readers’ Choice

Adam Bessa in Celine – Histoires Parallèles Cannes Film Festival Photocall and Diego Calva in Ferragamo – Nice Airport

Critic’s Choice

Demi Moore in Jacquemus – Cannes Film Festival Jury Photocall and Adam Bessa in Celine – Histoires Parallèles Cannes Film Festival Photocall

Week 18 Winners

Readers’ Choice

Emma Chamberlain’s Mugler – 2026 Mey Gala & Jeremy Pope in Vivienne Westwood MAN – 2026 Met Gala

Critic’s Choice

Chase Infiniti in Thom Browne – 2026 Met Gala & Jeremy Pope in Vivienne Westwood MAN – 2026 Met Gala

Week 17 Winners

Readers’ Choice

Chase Infiniti in Cong Tri – The Walt Disney Company’s Emmy Season Toast to TV & Lewis Hamilton in Saint Laurent – Miami F1 Grand Prix

Critic’s Choice

Ana de Armas in Louis Vuitton – Louis Vuitton Mythica High Jewellery Collection Launch & Lewis Hamilton in Saint Laurent – Miami F1 Grand Prix

Week 16 Winners

Readers’ Choice

Grace Gummer in Bottega Veneta – ‘The Devil Wears Prada 2’ New York Premiere, Kendrick Sampson in Sergio Hudson – ‘Michael’ LA Premiere & Calum Harper in AMIRI – ‘The Devil Wears Prada 2’ New York Premiere

Critic’s Choice

Grace Gummer in Bottega Veneta – ‘The Devil Wears Prada 2’ New York Premiere & Kendrick Sampson in Sergio Hudson – ‘Michael’ LA Premiere

Week 15 Winners

Readers’ and Critic’s Choice

Diane Kruger in Sabina Bilenko Couture & Connor Storrie in Calvin Klein Collection – Tiffany & Co. Blue Book 2026: Hidden Garden Launch

Week 14 Winners

Readers’ Choice

Carey Mulligan in Dries van Noten – ‘Beef’ Season 2 Premiere & Jay Ellis in Ferreri – Fashion Trust U.S. Awards 2026

Critic’s Choice

Carey Mulligan in Dries van Noten – ‘Beef’ Season 2 Premiere & Matt Bomer in dunhill – The Drew Barrymore Show

Week 13 Winners

Readers’ and Critic’s Choice

Zendaya in Schiaparelli Haute Couture – ‘The Drama’ New York Premiere & Robert Pattinson in Dior – ‘The Drama’ New York Premiere

Week 12 Winners

Readers’ Choice

Liu Yifei in Elie Saab Haute Couture – Bvlgari Eclettica High Jewelry Event & Sombr in Valentino – iHeartRadio Music Awards

Critic’s Choice

Zendaya in Armani Privé – ‘The Drama’ Rome Premiere & Sombr in Valentino – iHeartRadio Music Awards

Week 11 Winners

Readers’ Choice

Nicola Coughlan in Georges Hobeika Couture – ‘The Magic Faraway Tree’ London Screening, Rose Byrne in Dior – 2026 Oscars & Colman Domingo in Jacquemus – Vanity Fair Oscar Party

Critic’s Choice

Simone Ashley in Tamara Ralph Couture – Vanity Fair Oscar Party & Colman Domingo in Jacquemus – Vanity Fair Oscar Party

Week 10 Winners

Readers’ Choice

Zendaya in Cachè – 2026 ESSENCE Black Women in Hollywood Awards and Ryan Gosling in AMIRI – ‘Project Hail Mary’ London Premiere

Critic’s Choice

Naomi Ackie in Issey Miyake – ‘I Love Boosters’ SXSW Premiere and Ryan Gosling in AMIRI – ‘Project Hail Mary’ London Premiere

Week 9 Winners

Readers’ Choice

Diane Kruger in Iris van Herpen Haute Couture – Le Grand Dîner Du Louvre and Sam Heughan in Siobhan Mackenzie – The ‘Outlander’ Season 8 New York Premiere

Critic’s Choice

Teyana Taylor in Thom Browne – 2026 Actor Awards and Charlie Hunnam in Brioni – 2026 Actor Awards

Week 8 Winners

Readers’ Choice

Chase Infiniti in Louis Vuitton 2026 BAFTAs and Riz Ahmed in Saint Laurent – 2026 BAFTAs

Critic’s Choice

Jessie Buckley in Maison Margiela Artisanal – ‘The Bride!’ London Premiere and Riz Ahmed in Saint Laurent – 2026 BAFTAs

Week 7 Winners

Readers’ Choice

Rose Byrne in Loewe – 2026 Film Independent Spirit Awards and Alexander Skarsgård in Saint Laurent – The Moment’ London Premiere

Critic’s Choice

Rose Byrne in Loewe – 2026 Film Independent Spirit Awards and Ethan Hawke in Tom Ford by Haider Ackermann – The Weight Berlin Film Festival Premiere

Week 6 Winners

Readers’ Choice

Teyana Taylor in Tamara Ralph Couture – 2026 Costume Designers Guild Awards and Chris Hemsworth in AMIRI – ‘Crime 101’ LA Premiere

Critic’s Choice

Teyana Taylor in Tamara Ralph Couture – 2026 Costume Designers Guild Awards and Jacob Rott in Giuseppe Di Morabito – No Good Men’ Berlin Film Festival Premiere

Week 5 Winners

Readers’ Choice

Margot Robbie in Chanel – ‘Wuthering Heights’ Paris Premiere and Sombr in Valentino – 2026 Grammy Awards

Critic’s Choice

Lady Gaga in Matières Fécales – 2026 Grammys and Jacob Elordi in Bottega Veneta – ‘Wuthering Heights’ London Premiere

Week 4 Winners

Readers’ and Critic’s Choice

Margot Robbie in Schiaparelli Haute Couture ‘Wuthering Heights’ LA Premiere and Jacob Elordi in Chanel – ‘Wuthering Heights’ LA Photocall

Week 3 Winners

Readers’ and Critic’s Choice

Teyana Taylor in Tom Ford – Gymkhana Las Vegas Opening and Jeremy Pope in Mithridate Promoting ‘The Beauty’

Week 2 Winners

Readers’ Choice

Chase Infiniti in Louis Vuitton – 2026 Golden Globe Awards and Colman Domingo in Valentino – 2026 Golden Globe Awards

Critic’s Choice

Kate Hudson In Armani Privé – 2026 Golden Globe Awards and Colman Domingo in Valentino – 2026 Golden Globe Awards

Week 1 Winners

Readers’ and Critic’s Choice

Chase Infiniti in Louis Vuitton – 2026 Critics’ Choice Awards and Michael B. Jordan in Louis Vuitton – 2026 Critics’ Choice Awards

Celebrity hairstylist Sami Knight took inspiration from classic Hollywood glamour, using Emma’s dark pixie cut to create sculpted curls and playful finger-wave-inspired detailing across her forehead.

The result was a brilliant choice for Emma. I particularly love how the tiny curls frame her face without overwhelming her features, while the smoky eye makeup gives the otherwise nostalgic hairstyle a contemporary feel. There’s a lovely contrast between the softness of the curls and the sharper finish of her makeup.

Sami explained that the aim was to reference old Hollywood while giving the hairstyle a modern edge, and the process involved considerably more than simply curling a few sections.

He began by prepping Emma’s hair with Bumble and bumble Hairdresser’s Invisible Oil Primer for softness, shine and heat protection, before working four pumps of Thickening High Drama Styling Foam through her hair to enhance its natural texture and add volume.

Once he’d combed the hair into the desired shape, Sami used a diffuser to dry and set it. He then took a very small flat iron, twisting and curling individual sections in different directions to create the distinctive shape and movement.

A couple of drops of the Hairdresser’s Invisible Oil helped separate the curls and add shine, while Semisumo Hi-Shine Pomade gave the ends definition. A light application of Strong Finish Firm Hold Hairspray ensured everything stayed in place throughout the evening.

What I appreciate most is that Sami worked with Emma’s short haircut rather than trying to disguise its length. The result has all the charm of a vintage Hollywood hairstyle, but still feels entirely suited to her.

And with those perfectly placed curls across her forehead, the Betty Boop reference is impossible to miss.

The actress wore a vintage Yves Saint Laurent Autumn-Winter 1986–87 Haute Couture ‘Golden Tigress’ gown, complete with a matching leopard-print scarf.

I love the idea of this look because it evokes the glamour of Sophia Loren. The leopard print, corseted silhouette and matching scarf have that unmistakable Italian screen-siren appeal, which feels particularly appropriate for Rome.

However, as much as I love the concept, I can’t overlook the fit. The fabric pulling and gathering across her waist and hips is distracting, particularly when the original design relies on such a defined silhouette.

However, taking a closer look at the original runway and editorial images raises a few questions. The lace-up detailing on Kim’s bodice appears different, possibly to accommodate her bust. The leopard-print fabric also looks slightly different, but that could simply be down to lighting or the age and quality of the archival photographs.

What really caught my attention, however, was discovering a version of the ‘Golden Tigress’ gown that appeared at Kerry Taylor Auctions in December 2025.

The dress, listed as Lot 375, features a bodice that looks remarkably similar to Kim’s, particularly the shape of the cups and the placement of the black lace-up detailing. This makes me wonder whether Kim is wearing the very same gown that was sold at auction, rather than the original runway piece.

I can’t confirm that Kim’s gown is the exact piece sold at auction, but the similarities in the bodice certainly make it a possibility worth considering.

Whether Kim is wearing the auctioned gown or another version, the fit remains my biggest issue. This is why I would much rather see her commission a recreation of an archival design, made specifically for her measurements. She could retain everything that makes the original so special without compromising the fit.

The fashion direction is interesting. I just wish the execution of this particular look had lived up to the idea.

Stylist: Law Roach.

The actress and reality star wore a bespoke Erdem dress inspired by the Spring 2027 collection, and I know, I’m just as surprised as you are to see Kim wearing this label.

But this is precisely what I wanted from the Law Roach x Kim Kardashian partnership. After years of seeing Kim in a constant rotation of the same designers and silhouettes, I was hoping for new labels, fresh ideas and a willingness to explore fashion beyond the formula we’ve come to expect.

And that’s exactly what we’re getting here.

The collaged dress combines black and pink crushed satin with a sheer lace skirt and suspended crystal floral embellishments that cascade over the bodice and down the skirt.

Of course, the cut-outs, lingerie-inspired bodice and sheer lace skirt are familiar Kim Kardashian territory. The difference is that they’re presented through Erdem’s more romantic, decorative aesthetic rather than the body-conscious minimalism we’ve seen from her countless times before.

What I particularly appreciate is that this doesn’t feel like Kim has abandoned her signature style. Instead, she’s exploring it through a different designer’s perspective, which is exactly the kind of change I wanted to see from this collaboration.

Now I’m really looking forward to seeing what Law and Kim have planned for their first press tour together for All’s Fair.

Stylist: Law Roach.

I always say that if you’re going to wear a simple black dress, make it a good one, and Gemma’s Khaite Dakota sculptural crepe-satin midi dress from the Fall 2026 collection certainly belongs in that category.

What I love about this design is how it offers a fresh perspective on the tuxedo dress. The exaggerated, rounded sleeves create a striking silhouette, while the plunging neckline and fitted skirt keep the proportions beautifully balanced. It’s an interesting way to reinterpret classic evening tailoring without losing its elegance.

The styling is equally appealing, particularly the Cartier jewellery. I love how the Panthère de Cartier tie pin replaces the gold fastening seen on the runway, giving the dress a more personal touch while retaining that small flash of gold at the neckline.

It’s also worth remembering that Gemma wore a Miss Sohee Couture gown to the Newport Beach Film Festival UK Honours back in 2023. That pink creation was a world away from this black Khaite dress. Talk about a complete 180.

The black pumps were a natural choice, but it’s the combination of the sculptural sleeves, jewellery and red lip that makes this such a successful look for me.

Stylist: Rebecca Corbin-Murray.

After so many elaborate looks, Céline signed off with a classic black Saint Laurent by Anthony Vaccarello suit.

The satin peak lapels elevated the tailoring, while the label’s Germantes slingback pumps and a stunning necklace completed the look. Sometimes, a beautifully cut black suit is all you need.

We’ll have to wait until May for Céline to resume her concerts and, hopefully, her fashion appearances. By then, the Fall 2027 ready-to-wear and Spring 2027 Haute Couture collections will have been presented, giving her a whole new selection of runway looks to choose from. And after everything she’s delivered over the past few months, I’m already excited about the possibilities.

But my favourite part of this final appearance is her pose. Arms outstretched, as though taking one last bow before the curtain falls.

‘Fin.’

Stylist: Annie Horth.

London Photocall

There’s something wonderfully defiant about this Colleen Allen Fall 2026 look, and Naomi has the confidence to pull it off. The cardigan and sheer embroidered skirt might seem like an unlikely combination, but that slightly unsettling quality feels perfectly suited to the darker mood of Clayface.

London Screening

Had this been any other label, I might have wondered how this black knitted dress manages to hold its sculptural shape. But this is Issey Miyake, a fashion house with decades of innovation in fabric manipulation, pleating and experimental construction behind it.

The exaggerated sleeves are the defining feature of this Fall 2026 design, turning an otherwise simple black mini dress into something far more interesting. I’m also glad she opted against the longer skirt we saw on the runway.

Styled with Paris Texas slingback pumps, this was another example of Naomi’s willingness to experiment.

London Premiere

You could identify this as Dilara Fındıkoğlu without needing to see the label. The corseted bodice, exposed lacing, textured finish and dramatic shoulders are all signatures of the designer. The gothic sensuality feels particularly appropriate for Clayface.

Barbie Ferreira wore the same dress back in April while promoting Faces of Death, which only reinforces my feeling that this is exactly the kind of fashion I want to see from my scream queens.

Jessica McCormack earrings completed her look.

Press Junket

Yesterday, things brightened up considerably when Naomi stepped out in a pale blue Diotima Spring 2027 ensemble.

After several days of black, this was a welcome change of pace. But the lighter colour didn’t mean abandoning her love of unusual silhouettes, as the sculpted hem of the top demonstrates.

The long ponytail and sunglasses are becoming something of a signature throughout this press tour, and they work just as well with this softer colour palette.

Empire State Building Visit

Naomi rounded off the week in a Jean Paul Gaultier Smoking Graphic mesh bodycon dress.

After the architectural shapes and gothic detailing of her London appearances, this was a more streamlined look. I love that she’s kept us guessing throughout this press tour rather than settling into one particular aesthetic.

Stylist: Nicky Yates.

And while the conversation was entertaining, her dress was giving us plenty to talk about, too.

Wearing the Rachel Gilbert Francesca gown, Kristen embraced a festive mood in a gold, figure-skimming column dress covered in colourful embellishments and floral appliqués. It’s a lot of detail, but that’s precisely what makes this dress so much fun.

If you’re anything like me, you’re probably looking at this dress and wondering why she didn’t opt for burgundy pumps. They would have picked up those deeper red accents beautifully and made the look even more interesting.

That said, her black Jimmy Choo Romy pumps do keep the focus on the dress.

A Question of Opacity

I would have been more enthusiastic about Olivia’s white Alaïa Spring 2027 asymmetric dress with its criss-cross neckline had the skirt offered the same level of opacity as the bodice.

The contrast between the two halves is a little too distracting for me, although I do love the silhouette, particularly the cascading asymmetric hemline.

Her strappy sandals worked beautifully with the dress, while Bird on a Rock by Tiffany earrings and rings, alongside a Sixteen Stone ring, completed her look.

Statuesque Elegance

Olivia also performed on stage wearing a black Alaïa Spring 2027 dress, and this is easily my favourite of the two.

She looked beautifully statuesque in this dress. The way the fabric falls creates an elongated, graceful silhouette, while the knotted detail introduces soft draping that enhances the overall elegance, despite the height of the slit.

For me, this was the stronger fashion moment of her big night.

Simone Ashley and minimalism aren’t two things I often associate with each other, but the British actress made a convincing case for it in TOVE’s red Beth dress.

What I love about this look is that the colour does most of the talking, with the softly draped detail providing a focal point without distracting from the dress’s simplicity.

My only change would have been the bag. While the black DeMellier Stockholm bag complemented her black mules, I feel the label’s Vancouver clutch would have been a much better choice with this dress.

Especially Pilar Fogliati, who attended the premiere of her upcoming film, Il Profilo Dell’Altra, on Thursday.

When it comes to her pink Miu Miu gown with floral embroidery, the question is: where do you even start?

Not with the hemline, I can tell you that for free.

It’s the apron-style bodice that has me scratching my head, followed closely by the beige bikini-style bra underneath.

We’re well accustomed to seeing these apron-style dresses from Miu Miu, but the styling of this particular look is beyond confusing. The gown itself has so much potential, especially with those delicate floral embellishments, yet the bra feels completely disconnected from everything else.

Why beige? Why that shape? And why make something that could have been so charming look so awkward?

A bandeau would have been an improvement. A cropped top could have worked, too. There were several ways to make the apron-style bodice work, yet it’s almost as though Miu Miu didn’t even try to make this wearable for the red carpet.

That’s what makes it so frustrating, because I genuinely believe this could have been a beautiful look.

And with three awards came three all-black looks for the occasion.

A Different Kind of Three-Piece Suit

For the red carpet, the La Perla singer wore a Tom Ford Spring 2027 interpretation of a three-piece suit, featuring a tuxedo jacket, barely-there bra and bias-cut flared skirt with structural draping and a leather belt. It was oozing the sensuality we expect from both the house and Haider Ackermann.

What surprises me most is that Rosalía kept the tuxedo jacket on. Music awards ceremonies are usually an opportunity to show skin and make bold fashion statements, but she resisted the temptation to take this look further. Then again, considering how much her style has matured this year, perhaps I shouldn’t be surprised. I actually think keeping the jacket on made the look more interesting.

The Second Act

While accepting her Hall of Fame Award, Rosalía changed into a Givenchy by Sarah Burton Spring 2027 dress.

The embroidery gives the dress a beautiful texture, while the fringe adds just the right amount of drama for a music awards ceremony. Had she performed on the night, this would have been the perfect onstage look.

Ruffles Take Over

After the sultriness of Tom Ford and the more playful Givenchy dress, Rosalía took a different direction when accepting the Latin Pop Artist of the Year, Solo award wearing Celine.

I like how the oversized ruffles gave this look a more romantic feel, particularly in contrast to the sharper silhouettes she had worn earlier in the evening. There is something quite charming about this choice.

Three black looks in one evening might sound repetitive, and I certainly wouldn’t have complained about some colour. However, I appreciate that Rosalía approached each appearance differently. For me, the Tom Ford was the winner, largely because keeping that jacket on was such a smart styling decision.

Stylists: Chloe and Chanelle Delgadillo.

She wore a LII Spring 2027 strapless mini dress from the label, which recently won second prize at the LVMH Prize. The clean silhouette and contrasting green side panel give the dress a minimalist feel, but there is also a playful element that feels distinctly Alexa.

Grey has never been my colour of choice, but the flash of green gives the dress a welcome lift, while the white pumps provide a fresh contrast.

Colour-blocking was a recurring theme throughout the Spring 2027 collection, with unexpected combinations that suit Alexa’s fun-loving approach to fashion. On the runway, the dress was paired with a single bright blue legging, but thankfully, Alexa skipped that gimmicky styling and let the dress speak for itself.

Her jewellery included a Tiffany HardWear medium link necklace in yellow gold with diamonds and Tiffany HardWear medium link earrings in yellow gold with pearls.

For me, this is Alexa at her best: an uncomplicated outfit with just enough personality.

Prom dresses are evolving to embrace a broader range of styles, sizes, and personalities, turning this once traditional garment into a true fashion statement. Influenced by the dynamic trends seen on the red carpet, today’s prom styles blend modern silhouettes with inclusive design practices. As a result, prom night is becoming as much about self-expression and representation as it is about elegance and celebration.

Once dominated by predictable silhouettes and a narrow size range, prom fashion now reflects the diversity and innovation seen at high-profile events. Teens eager for standout options are driving designers to create dresses that blend glamour, comfort, and originality. As red carpet events increasingly showcase a range of body shapes and bold designs, the relevance of inclusive choices—such as trendy plus size homecoming dresses—is becoming more pronounced in the prom market. These influences ensure that prom night fashion continues to evolve toward greater variety, inclusivity, and individuality.

Red carpet trends shaping prom styles

Just as celebrities are redefining eveningwear with striking silhouettes, prom dresses are embracing sculpted tailoring and innovative features. Features once reserved for Hollywood—such as asymmetric necklines, corsetry-inspired bodices, and dramatic sleeve details—are now readily available for prom. These design elements offer fresh ways for students to make a memorable entrance without feeling restricted by conventional traditions.

Modern prom styles are also inspired by the red carpet’s playful approach to fabric and finishes. Sequins, velvet, metallics, and sheer overlays deliver a sense of occasion and individuality, while clever draping and ruching flatter a broader range of body types. With these influences, prom dresses offer a dynamic blend of formal tradition and cutting-edge style.

Beyond structural elements, color palettes from award shows are making their way into prom collections. Rich jewel tones like emerald, sapphire, and ruby create a luxurious aesthetic, while unexpected pastels and two-tone combinations offer a contemporary twist on classic elegance. High-low hemlines and illusion panels—frequently spotted on entertainment industry events—provide visual interest and movement, allowing wearers to showcase personality through subtle design choices. These carefully curated details ensure that prom attendees can channel the confidence and sophistication of their favorite style icons while maintaining age-appropriate elegance for their special evening.

Size inclusivity expands dress options

One of the most significant shifts in prom fashion is the growing focus on inclusivity. Today’s industry increasingly recognizes that beauty and confidence come in every size, and designers now offer extended sizing without sacrificing style. This transformation echoes broader movements in eveningwear, where visibility on prestigious carpets has highlighted the importance of serving all shapes and sizes.

Greater inclusivity means that trend-forward detailing, statement fabrics, and personalized fits are available to everyone attending prom. Collections now include suits and separates as alternatives to dresses, ensuring that each student can find a formal look that reflects their identity. This progression not only supports individual self-expression but also empowers wearers during a defining moment of the school year.

The expansion of inclusive sizing has also prompted innovations in construction techniques and fabric selection. Designers now incorporate strategic boning, adjustable closures, and stretch materials that provide both structure and comfort across diverse body types. This technical evolution ensures that embellishments, cutouts, and intricate beading—once challenging to execute in extended sizes—are now seamlessly integrated into every size range. As a result, students shopping for formal wear can explore the full spectrum of contemporary trends without encountering the limitations that once defined the market, making the search for the perfect prom dress an empowering rather than frustrating experience.

Personal expression and styled finishing touches

Today’s prom looks are as much about how the dress is styled as the dress itself. Accessories are chosen to elevate necklines and silhouette details, from bold earrings and layered jewelry to unique hairpieces. Thoughtful tailoring ensures each prom dress moves gracefully and highlights the wearer’s chosen look, reflecting research on dress fit and body confidence as well as the attention to fit seen in celebrity styling.

This attention to detail—whether through footwear, hair styling, or garment alterations—helps students transform a beautiful dress into a true representation of their personality. The result is a prom experience that feels fashion-forward, individualized, and fully in step with the contemporary spirit of the red carpet.