Quilters Spirit

American Quilts in a British Museum, New Book Shows Them to US!

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Tue, 08 Dec 2009 16:42:00 +0000

Classic Quilts from The American Museum in Britain written by the curators of this wonderful museum in Bath England, Laura Beresford and Katherine Hebert.

It was Katherine who contacted me earlier this summer, 2009, about the eagle quilt kit pictured in an article about eagle quilts that she had come across on my Antique Quilt Dating Guides website. I introduced her 9by email) to Madge Zeigler owner of the kit, including the original packaging. The kit is by Paragon, titled American Eagle Quilt. It was first advertised in Woman's Day in the mid-1950s.

Katherine was about to put this book to bed when she saw this kit quilt and knew it looked like the one in Bath. The date- '63 -is embroidered on the museum's quilt and due to the Federal period symbolism of the eagle in America, and the thirteen stars, swags and pots with flowers situated around its central placement. So they estimated it was likely made in 1763 or 1863, but frustratingly they couldn't say for certain. (How many of us have felt that feeling when it comes quilts we later find out were kits?)

She was thrilled to be able to validate that her quilt was indeed made with a Paragon Kit too, thanks to Madge's help of many pictures and the instructions.

In the book on pages 70-1 you will see stunning photography of the kit quilt and that the one in their collection was made in 1963. They write that this quilt pattern was based on a chintz version made in 1795. How fun is that!

Now I'll tell you a bit about the rest of the Classic Quilts book, but I know you will want it on your self if you love antique quilts.

There are very large detail photographs, including full page detail photos, as well as full views of the quilts. Quilting pattern and fabric prints are easily seen.

Sheila Betterton, formerly the textile and needlework specialist for the museum and largely responsible for getting this collection going at the America Museum, wrote the preface in 2008. Sadly, she passed away that same year. She began as a volunteer at the Museum in 1963. The book is dedicated to her.

The book begins with the history of the Museum coming to be and who do you think influenced the founders Dr. Dallas Pratt and John Judkyn? None other than our own wonderwoman of quilts, Electra Havenmeyer Webb, who founded and filled The Shelburne Museum in Vermont. It's a small world. The chapter includes an overview of the development of textiles and quilts in America. From here to the end of the book, nearly every page has photographs.

The quilts shown include a wool whole cloth, wool applique, pieced chintz, appliqués of every type and era, Amish, BAQ (looks very much like on held in the Maryland Museum of Art's BAQ collection), signature quilts, presentation album quilt, a 1848 hexagon quilt with inked centers in the typical GFG rosette pattern, and many more truly gorgeous quilts totaling fifty-five.

Two of them may be expressing sentiments of the Temperance movement. One is a red and white Drunkard's Path which they titled as Robbing Peter to Pay Paul, made by a Congregational church in Oriskany Falls, NY. c. 1889. The other is the Tumbler pattern, appliqued in red on a white block on point set with alternate red blocks on point. It was made in Texas, c. 1860 at Mimosa Hall Plantation in Marshall. They refer to it as The Chalice Quilt. The back is machine quilted and the quilting hand pattern is the fan or elbow stitch. The size is 87"X75".

It is here that you may want to close your eyes as a brief rundown of the Underground Railroad quilt myth is described. They also mention the ongoing disagreement about the validity of the concept followed by this- "Although the decoration of this quilt does not conceal codes for the railroad's conductor's, it none the less contains a hidden message. The repeated motif of the chalice represents not only the bishop but also, more importantly, the freedom of a better world to come, after a life of blood and suffering." This was new to me. You?

The next page shows the Harrison log cabin and cider barrel toile that was used on the back of a chintz quilt. It is the biggest and best photograph of that monochrome I have ever seen in a book.

I highly recommend Classic Quilts from the American Museum in Britain The quilts chosen for the book clearly represent American styles and the true nature of our history of quilt making is evident. Many of the quilts are like those seen in our museums and books. It's really quite fun to read what they say. The pride they feel matches ours. It's all good.

Classic American Quilts will be on exhibit at the museum in Bath in 2010, 13 March – 31 October 2010

www.americanmuseum.org

The American Museum in Britain
Claverton Manor
Bath. BA2 7BD
Tel: 01225 460503 - Fax: 01225 469160

Reminder- this Thursday, Dec. 10, is my free telecasts on the Introduction to my workshop in January 2010 - 4 Ways to Access Your Guidance Within and the Bigger Vision for Your Life. Get call-in info here.
(Scroll down to the box, fill in your name and email and the phone number and code will be sent in a few minutes. Check your spam file if you don't see it shortly.)

Open to your Creativity in my new Online Class- free Intro call this Thursday

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Sat, 05 Dec 2009 18:42:00 +0000

I welcome you to join the Circle of Evolving Women to learn 4 WAYS TO ACCESS GUIDANCE WITHIN YOURSELF AND THE BIGGER VISION FOR YOUR LIFE.

Circle One- this Thursday, Dec.. 10, 5 PM Pacific, free introduction to the workshop series beginning in Jan. 2010. I'll explain the workshop, answer your questions, and I will give you a brief overview of my story of the last few years that led to the realization of these methods being the best way to find my life's meaning and living it each day totally alive in it, creatively, focused and joyful. You will be able to tell if this may be what you've been (perhaps unknowingly) wanting to have.

Circle Two: Mindfulness -
Define it and why you want it,
How leaders, teachers and other's experiences of it mean to their life,
How mindfulness accesses synchronicity and creativity to deepen your daily life
Experience it
Get tips on how to practice mindfulness during the week

Circle Three: Meditation -
What is meditation
Effect on you physically/medical, psychologically/relaxation and spiritually/ connection to inner guidance/Source
Some ancient but still used methods described briefly
The simple steps to starting your own meditation practice, I.e. frequency, position, length of time
Experience a short guided meditation from my favorite teacher and share time.

Circle Four: Journaling -
Defining it as I use it here for connection to inner guidance and moving forward
Describe several methods to use in various situations
How to set up your journaling practice
Experience the journaling process and share time

Circle Five: Using Your Dreams -
Why bother to record and pay attention to your dreams
Learn an easy and grounded way to interpret them for yourself every time
Demonstrations of interpretation with this method using your recent dreams
How to set up your dream practice

Circle Six: Intuition Flourishes
From there to here, looking at you from this new perspective,
Wrapping up your thoughts and remaining questions
Your next steps for moving on from here & facilitating the flourishing of your intuition

Optional Individual Circle -
To help you individually with your Evolving Women's Circle process, one private hour with me is available to you during the 5 weeks up to 2 weeks after it ends.

Please join me. For details and to get call-in information, http://tinyurl.com/yznl6tw Start the new year off with an inner knowing that takes you where you can go. It's bigger and better than you are thinking it is now.

NEW Signature Quilt Database is online now at The Quilt Index & Quilt and Antique Sewing Machine links you'll want to check out

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Tue, 01 Dec 2009 19:12:00 +0000

I hope your thanksgiving was a blessed and joyful one with family, friends and quilts to keep you feeling good. The end of this fabulous year is nearly here. I have some opportunities coming to you in 2010 if you want to intensify the good in your life and live it to the fullest.

I've placed some links you might want to check out for your quilting pleasure below the fabulous news of the Signature Quilt database now online at The Quilt Index! WE thank you so much!

As you may have heard, the Quilt Index recently launched its expanded website, with more quilts, a new look, and new zoom and comparison tools.

One of the most compelling components of the expansion is the Signature Quilt Project (SQP). In all, 61 signature quilts were uploaded to the Index, surpassing our goal. In addition, QI staff identified more than 2,000 signature quilts that had already been added to the Index by contributing institutions.

They were categorized into themes for easy navigation-

The Beginnings of Signature Quilts: The 1840s Signature Quilts: Friendship and Family Signature Quilts and Westward Expansion The Golden Age of Signature Quilts, 1876-1910 Redwork Signature Quilts Community, Club, and Church: Public Signature Quilts Contemporary Signature Quilts Love to Wini: Signature Quilts for Healing and Comfort

You can find the Signature Quilt Project at http://www.quiltindex.org/signaturequiltproject.php. Here, you?ll find an essay, ?Researching Signature Quilts,? by Amanda Sikarskie, Marsha MacDowell, Karen Alexander and Nancy Hornback, a bibliography of recommended reading on signature quilts, and eight curated galleries that group the SQP public submission quilts thematically:

We have also created a special search page for signature quilts at http://www.quiltindex.org/signaturesearch.php. You can quickly browse all of the SQP public submission quilts by following the links.

We invite you to try using the Quilt Index?s new zoom tool with the signature quilts. A good one to try (because of the large file size of the original image) is the Jamestown First Baptist Church Quilt, contributed by Jane Evans Leonard, http://www.quiltindex.org/basicdisplaynew.php?kid=4-15-5C.

An interview with Merikay Waldvogel on Collector's Weekly, http://www.collectorsweekly.com/articles/the-history-of-american-quiltmaking-an-interview-with-merikay-waldvogel-part-one/

I'm also including a link to our quilts page in case you haven't seen it:http://www.collectorsweekly.com/folk-art/quilts

Here's a clue to the last link I'll send today.

- September 25th, 2009 at 6:12 pm Lisa Said:
"I just listened to episode 2 and I wanted to let you know how much I enjoyed it. I have never heard an interview quite like this on any quilting podcast. I loved hearing about quilting from a psychologist’s perspective. Quilting really does have healing powers!
Keep up the good work!"

This podcast interview was done by Marceli Botticelli, a mother, wife and an architect in Boston, who also loves quilt making and antique Singer sewing machines and their history. She requested an interview with me in the summer and was a joy. her lovely accent may fool you a bit. She is from Brazil originally but has lived all over. i was honored to be her first interview for this new blog.

http://wholelottasinger.blip.tv/posts?view=archive&nsfw=dc has episode 1 & 2 in blip TV or go to her blog http://wholelottasinger.wordpress.com/

That's all for now. Wish you each a pieceful week. I have some yummy DVD and Book reviews for you coming up and the other stuff I mentioned at the top. Love you all! Kim

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Quilts and quilted items sewn in Nigeria to benefit orphans & women

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Fri, 06 Nov 2009 03:09:00 +0000

Hi All,

As we move into the gift-giving season, I wanted to let you know about a non-profit organization that could fill allot of your quilting gift needs and help women suffering HIV/Aids. "Women of Hope is a dynamic sewing program that provides income for women and orphans infescted with HIV/AID. We believe in equipping women with skills so they can support their families." Your purchase will support them.

If you want to go straight there, here's the website- www.womenofhopecreations.com and blog
http://womenofhopecreations.blogspot.com

I receive a snailmail newsletter from the Mashiah Foundation in Jos, Nigeria and this one came with a full color brocheur of quilts and quilted items made in Nigeria. The items include David and Sarah Dolls dressed in typical Nigerian attire, fabric (prairiepoint)trivets, table runners, oven mitts, aprons, gift bags, yoyo bags (purses), notecards, cards with fabric on them, and of course pieced quilts for bed and walls.

Remember that next Wednesday, 11/11/09 my guest on Women On Quilts' tele-interview is Andi Reynold's, Executive Editor of America Quilter's Society. To get the phone number and details go to http://womenonquilts.blogspot.com

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Reminder AQS' Andi Reynolds, Wednesday 11/11 Tele-Interview

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Tue, 27 Oct 2009 20:32:00 +0000

Have you ever dreamed of having a particular job, or kind of position that you knew would make your heart sing every day you were there? Andi did and she got it! This interview is for all you who have ever dreamed. But if you are afraid to dream too big or to believe in yourself enough you are getting in your way. Andi will tell us how she got to the position of Senior Book Editor at American Quilter's Society. She did not work her way up in the org, nor does she identify herself as a quilter, yet she has made quilts. it's a fascinating story that gives hope to all of us.

There is a picture of Andi and more details here about her and the topic. She will be my tele-guest, and yours, on Veteran's day, the second Wednesday in November, 11/11/09. The lines will be open discussion. Bring your questions for her about AQS book submission, authorship, editing, writing articles or a study group magazines, as she was editor of "Pieces of Time" for the IL/Iowa quilt study group before taking the position in Paducah. If you prefer, email me your questions in advance and I'll ask Andi on the call. Reach me at interviewsbykim@gmail.com

Phone number for the call is 1-218-862-7200. The access code is 349853. Enter it at the voice prompt after you call in. You can use your cell phone. The interview is FREE. Any phone charges are yours. I believe the number I use goes to the Midwest. Please be in a quiet room so that when the lines are open (not muted) we can all hear Andi easily.

Please help me spread the word. It's only two weeks away before the holiday rush sets in.

If you missed the teleinterview with Kyra Hicks yesterday, the recording will be Women On Quiltsblog by Thursday. We had a great group and discussion. It was fun with all the input. Let's do it again on Nov. 11!

Quilt of State Flower Embroidery blocks

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Sat, 17 Oct 2009 21:47:00 +0000

http://quiltersspirit.blogspot.com/2008/07/state-flower-embroidery-quilt-blocks.html First, read this post above and the 11 comments with it to know what generated this post.

This post comes to you today with much thanks to recent comments with info and interest in the embroidered state, flower and bird block quilt pictures in the post I wrote last July for this blog.

To every time there is a season! I may walk like a snail on this blog at times, but I do get there. As promised, here are pictures of a quilt from a reader, Lisa Fisk, whose mother has had the quilt with the same elegant blocks that I featured close-ups of in the post linked at the top of this post, hanging on her wall for 35 years!

Thank you Lisa for the pictures and information you have graciously sent about the quilt to be posted here.

The quilt was made by my great-grandmother Ivy Lett in the early 30s. 100% is hand stitched even though she had a machine. Ivy Lett quilted the Little Boy Blue pattern when my grandmother had my father in 1935, she was relieved when my grandmother had another boy and not a girl since she didn't like the other pattern as well.

(I, Kim, think the enhanced version shows the blocks better, so I have taken the liberty to enhance the pictures, back to their original coloring perhaps. Here is a side by side of the current picture (L) and enhanced (R))

Ivy Lett made mostly patch work designs, most of them did not survive her daughter's care. My grandmother (Birdeena Dooley) put all of the quilts in the thin plastic from the drycleaners to keep them 'good' ... in a closet in her house, most of my great grandmother's best work mildewed and could not be saved. Only two of her other quilts have survived, my sister has those.

My grandmother didn't learn to quilt/applique/do any handiwork until she was over 50 and needed projects for a club she was in. Five of those quilts have survived, four of the others almost mildewed to death but were saved by my mother.

Fun, huh? If you have information and pictures of any vintage state flower bird quilts and want to share them, send them to me and I'll post them on Quilters Spirit. Any comments on this quilt or pattern, please leave your thoughts below. We'd love to hear more about this genre of quilts.

Piece,

Kim

Andi Reynolds, Executive Book Ed. at AQS & and Old Menswear Made into Quilts Exhibit

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Fri, 18 Sep 2009 21:46:00 +0000

Join us Monday evening, Sept. 21, when Andi Reynold's is my guest on Women On Quilts, with open lines for your questions. For much more info about Andi and the call in number go to Women On Quilts. Tell your friends about and gather around your phone (It's Andi's Birthday!!! No charge for girl's night out)

All cotton, men's shirting stripes and a variety of conversation prints depicting men's sports, especially baseball.

MASTER PIECES: Haberdashery Textiles in Antique Quilts. Curated by Laura Fischer at NEQM NOW until Nov. 15 in Lowell, MA
The antique quilts on exhibit are made of menswear fabrics recycled from suits and shirts, neckties, pajamas, military uniforms, work clothes—even woolen underwear and socks. Some also resulted from the artful salvage of menswear swatch sample books and fabric mill remnants.The tradition of making unique, often very personal quilts from repurposed menswear textiles gained popularity around 1850, and lasted through the 1950s. The quilt below is made from their vests and hatbands.

The 40 quilts made from menswear, much of it recycled clothing, are intriguing, graphic works made from simple utilitarian fabrics long overlooked in the study of antique quilts. Popular for about a century, these quilts are compelling and often whimsical. Simple squares arranged in a diagonal pattern prove on close inspection to be made from scraps of patterned jersey socks.

A shimmering kaleidoscope of diamonds in rust reds and yellows is pieced from 1950s neckties. Thin lines going in every direction look like a contemporary drawing are actually random scraps in a c. 1915 crazy quilt pieced of fine, striped silk shirting.

The narrow serpentine strips in the blocks of a 1905 Amish quilt are cuttings from woolen long johns. Bright, dimensional flowers are embroidered on a century-old, unlikely foundation of tailor's wool suiting swatches, as are a flock of vividly colored birds on branches.

Visually stunning and strikingly modern, these antique textiles make distinct graphic statements out of the most everyday materials.

The quilt on the left is made from suiting material.

The guest curator for the exhibit is noted antiques dealer and author Laura Fisher of FISHER HERITAGE in New York City.In addition to the quilts themselves, the exhibit will feature historic advertisements, swatch books, and catalogs from menswear companies, dating from the 1880s through the 1950s, including several items from the vaults of Brooks Brothers, the chief sponsor of the exhibition.

Today, the tradition revives in memory quilts made from old T-shirts and clothing that has personal sentiment. Recycling these materials is now considered environmentally aware, adding further appeal to their inherent design potential. Contact the New England Quilt Museum for programs and more info. Photos courtesy of Laura Fisher

For Andi Reynolds interview info go here. It's happening this Monday evening, 5 PM Pacific, 7 Central, 8 Eastern.

Fabulous Antique Eagle Quilt Collections Now on DVD!

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Tue, 25 Aug 2009 02:43:00 +0000

I want to tell you about my dear friend Susan Wildemuth's new DVD of quilts with eagles on them dating from the 19th and 20th centuries. Sue describes her DVD, Eagle Quilts – Antique, Vintage, and New this way -- "My Eagle Quilt History Study CD is a mixture of photographs and descriptions. It is part quilt exhibit – part quilt history study – part timeline of the evolution of the eagle quilt motif in the United States.”

Here is one of my favorite quilts in her collection -- (scroll down for another unusual 19th century quilt).

Sue told me, "The reason I collect eagle quilts is because I love quilting, and the eagle motif reminds me of my dad. Dad had his own brand of magic. Like Ben Franklin, my dad read everything he could get his hands on. His intelligence did not come from college studies; Dad went to the University of life, and like many parents from my generation, got his post-graduate degree in WWII. He is “the eagle” and the reason I collect eagle quilts."

This will be the first in a series of Quilt History Study CDs created by Sue The other CDs in this series are still in development. Each focuses on a one-of-a-kind quilt history topic and will be uniquely different from the others. All are carefully researched and thoroughly documented.

“Eagle Quilts – Antique, Vintage, and New” is a PowerPoint-formatted presentation of the eagle motif in U.S. quilting history. Utilizing photographs and descriptions, the study eagle quilts DVD is $9.95 --http://www.illinoisquilthistory.com/sale.html to order.

Sue has so much to offer you online and in print. She is an author, historian and quilting aficionado. Her research, writing and photographs have been published in national, regional and local quilt and textile history publications. Her web site Illinois Quilt History: Quilt History from the Midwest http://www.illinoisquilthistory.com/ was established in 2008, and her blog Eye of the Needle: Quilt History Conversation from the Midwest http://sew-eyeoftheneedlequilthistory.blogspot.com/ followed in 2009.

New Book about African-American Quilters, Past and Present

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Thu, 30 Jul 2009 04:05:00 +0000

Hi Everyone!

It's been a fun filled, busy working, magical summer. I hope you are having a good summer.

Whew! It is hot hot hot in my town, going on 3 or 4 weeks now. With the a/c on I can get allot of reading and writing done, but when I am trying to hold off to help prevent electrical overload it is dripping hot. I moved my "office" downstairs and I love it. I am using a 19th century sewing table as my desk. it is exactly 36" long with a yardstick measurement carved into it near the bottom edge, but not on the edge. It is 18" deep and the legs fold up!!

I wanted to link you to this touching video, seen on ABC news, about quilts being made in the Black community today. Black quilts: From slavery to the White House

This new book is written by Patricia Turner, a professor of Cultural Studies at University of California at Davis.

"Crafted Lives, Stories and Studies of African American Quilters"I have not read the book myself. The publisher's summary follows:

In Crafted Lives: Stories and Studies of African American Quilters, Patricia A. Turner explores the culture and recent history of African Americans through the creations and wisdom of nine quilters. Turner profiles quilters who exemplify the range of black women and men dedicated to the making of quilts, and she shows how their craftwork establishes order and meaning in their lives. The artisans comprise eight women and one man, ranging from teenagers to octogenarians, representing an array of education and income levels, and living across the United States, including Alaska.

Turner also probes the ways in which African American quilts and quilters have been depicted, discussed, criticized, and characterized. From the displays of Harriet Powers's creations at the turn of the twentieth century to the contemporary exhibits of such black art-quilts as those promoted by Carolyn Mazloomi, and such utilitarian expressions as the celebrated examples from Gee's Bend, Alabama, Turner uses quilts to assess the level of control African Americans have had or have not had over the materials they craft and the art they leave as legacy to new generations.

Stay cool!

Review of Kyra Hicks new book "This I Accomplish: Harriet Powers' Bible Quilts and Other Pieces"

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Mon, 20 Jul 2009 00:03:00 +0000

This I Accomplish: Harriet Powers' Bible Quilt and Other Pieces is the new book by Kyra E. Hicks. In it we learn facts never revealed about Harriet Powers, the former slave, born in 1837, who became the recognized quilt maker known today for her primitive style appliqué quilts depicting tales from the Bible and American history.

Kyra’s intimate style of revealing her research findings, step by step, feels like a Nancy Drew mystery unfolding before me. It is a page turner. “This I Accomplish” is intended for adults, but certainly would be enjoyed by younger history buffs too.

What little has been known, until now, of Harriet Power’s life has been documented in several publications and exhibits. Her workmanship displayed in her quilts have always been heralded as joyous, remarkable for their colorfulness and creativity. Yet, often Harriet’s illiteracy was used to justify or explain the primitive quality of her symbolism of Bible stories in appliqué figures and shapes. As Kyra’s research findings prove, Harriet was reading the Bible herself from a young age.

Mary Lyons, author of “Stitching Stars, the Story of Quilts of Harriet Powers,” shows a corollary between her animal shapes and those of appliqué cloth-workers in Abomey, Dahomey, (now Benin) in West Africa.

The intimate quality of this delightful book about a wonderful African-American 19th century woman is Kyra’s passion and joy exclaimed at each successful juncture in her discovery process. Reading her portrayal of the process of researching quilt history is like watching a reality show. Her highs, lows, questions, assumptions, hopes, surprises, searching and deciphering are all included in this informal yet packed with details book. The genealogy of all persons involved, a little to allot, is a large part of the book. The impact covers a broad range of people in America’s history.

Kyra establishes beyond a doubt that Harriet made more than two quilts. She delves deep into the history of the Pictorial quilt, which features blocks depicting both Bible stories and weather events in America’s past. Kyra’s deep respect and admiration for Harriet is easily sensed throughout the book, making Harriet became a real person and furthering my appreciation of her life. (Read more here)

This I Accomplish is available on Amazon.com now. It is a book of high value for many genres of people, not only quilters and quilt history students, but women's history, genealogists, those people wanted to see research in process, and American history enthusiasts.

Kyra Hicks, with her book, will be my guest interview in October on Women On Quilts. The lines will be open for Q & A.

My Transgenerational Quilt, 1835-1945 & 19th Century Fabric Swatch with Purchase Offer Extended to July 18th

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Mon, 13 Jul 2009 19:26:00 +0000

The winner of one set of Antique Quilt Dating Guides on The Quilting Gallery's Friday Give-Away is Diana Higdon from Clarksville, Indiana. Congratulations to Diane.

Last week one set of my Antique Quilt Dating Guides...by Style were the featured Friday Give Away on Michele Foster's Quilting Gallery here -http://quiltinggallery.com/2009/07/03/antique-quilt-dating-guides-by-style/ Here is a shout out and big thank you to Michele Foster, the creator and publisher of The Quilting Gallery's many offerings.

My offer for a 9" swatch of 19th century calico (cut from antique yardage I was lucky to find years ago) with your order for a set is being extended to July 18, this coming Sat. until midnight. Michele asked if she could extend the offer from her website so again I decided to follow suit. Thank you to Janet Dykstra for answering my question about the origins of "following suit," which came from playing card games such as bridge or hearts. Of course now that I hear it, it comes back. I was an avid card game player during cold Chicago winters as a kid and I was good. We played gin, canasta, and double solitaire, but Michigan Rummy was my favorite when 4 or more were playing.

Here is the deal for you:

For each set of AQDGs ordered I will enclose a 9" swatch of late 19th century fabric, ca. 1880-1900. Until I run out of either fabric, you can chose the print you prefer to receive as your gift with purchase. They are like new, in perfect condition from my antique stash. The double pink photo looks fuzzy, but the fabric is perfectly clear.

Simply write Double Pink or White Floral on the comments line on the order page at www.antiquequiltdatingguides.com This offer has been extended until next weekend, July 18 midnight, PST. You can get 4- 2.5" squares, 4- 3" sqs. , 2- 4.5x9" strips, or keep it as one block in your quilt or fabric collection.

(left-This Guide is for 1900-1950 quilt styles only. On the front is a check list of the main features of a 20th century vs. a 19th c. quilt) The Guides will help you date the era of a quilt or decide upon the style you'd like to make with that great repro fabric you just had to buy!
_________________________________

This is one of my favorite quilt in my collection and this is why; the puss in the corner, or elongated nice patch blocks are made from beautiful intact, not faded early chintz and calicos, ca 1835. Steam and mineral dyed chintz, my favorite ones, often in ombre tones and wood blocks prints and early roller prints are combined with plain muslin that was bleached in it's day and now has a beautiful patina.

Apparently the blocks were put away until later in the century, like in the 1880s and put together with sashing in a Pepto Bismo pink color. Yikes! And again it wasn't finished, but folded away until the 1940s or there about.I assume that because if it were used as a top on another back there would be more evidence of use or fading I think, but of course, can not be sure. At last, someone who loved the blocks as much as I gave this top a back. She chose a fabric popular in her time that had a similar color of pink, in a paisley of pink and yellow-gold with thin black details and outline on the paisley shapes. She tied the layers together with floss through a thin flannel blanket for batting and it remains intact and safe today.

My Dating Guides would have alerted you to the fact that this quilt wasn't from one era had you been basing your thoughts on the fabrics. Dating quilts is so much fun!

Check out my next group discussion/interview tele-conference on Women On Quilts that I just posted. We are getting together on Monday. Please join us!

Have a great week everyone!

Kim

Friday Give-Away and 19th Century Fabric Swatch with Purchase, Plus a Most Unusual Lone Star Quilt

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Fri, 03 Jul 2009 20:48:00 +0000

This week one set of my Antique Quilt Dating Guides...by Style are the featured Friday Give Away on Michele Foster's Quilting Gallery here -http://quiltinggallery.com/2009/07/03/antique-quilt-dating-guides-by-style/

All you have to do to win is read the post describing them and leave a comment. The winner will be randomly drawn on July 9th. You must comment by next Thursday to be in the drawing. It's that simple. You'll enjoy other pages on The Quilting Gallery too.

Since Michele asked me if I wanted to participate in her TGIF on the 4th of July, honoring our history, I decided to follow suit (where did that saying come from anyway?) and make you an historic offering too.

Simply write Double Pink or White Floral on the comments line on the order page at www.antiquequiltdatingguides.com This offer is good until next weekend, July 11 midnight, PST. You can get 4- 2.5" squares, 4- 3" sqs. , 2- 4.5x9" strips, or keep it as one block in your quilt or fabric collection.

Win a set from Michele as a gift and buy one for yourself with fabric included. (left-This Guide is for 1900-1950 quilt styles. On the front is a check list of the main features of a 20th century vs. a 19th c. quilt) The Guides will help you date the era of a quilt or decide upon the style you'd like to make with that great repro fabric you just had to buy!
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Last week I gave a lecture and showed about 40 quilts from my antique collection to a guild up the coast. While there a woman from the audience mentioned a scrappy Lone Star quilt from her collection. As Rene Guenthart was describing it I couldn't believe it would be so, but it was! The diamonds in this quilt are pieced, as in several pieces of fabric make up one small diamond, like a flip and sew on a large diamond shape of newspaper, but these are tiny diamonds in a huge Lone Star!

Rene wrote- It is all hand sewn except the purple border is machine stitched on. Most of the diamonds are pieced, some are one fabric and a few even have a square in a square sewn into the diamond as shown in the close-up picture. The fabric is very thin. (see examples of the sq. in a sq. at bottom middle and top right of this photo)

Happy 4th of July America! Kim

My Gratitude List in French Reproduction Fabric

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Sat, 20 Jun 2009 21:12:00 +0000

I call this my gratitude pouch, but if you could look into the bottom pocket you would find a flannel cut in a half circle filled with pins and needles.

Yep, I made it as an updated version of a midwife pocket for sewing tools and small piecing items.

It quickly became my gratitude pouch when I put a ring of plain paper slips at the top.

I pull one piece off and write what I am grateful for and slip it into a pocket. When I am feeling like it, I re-read them.

Our thoughts are powerful. focusing on what I am grateful for rather than worried about is important to me in reaching my goals and for my continual sense of well-being. My gratitude pouch hangs near my desk and gets plenty of traffic :) next week when I travel to teach, I will roll it up and take it with me to add to on the road.

Do you have a container for your gratitude list? How about one for symbols of your most special treasured people, places and things? I do. I filled the inside of a silver colored box with the softest velvet in a deep green, and decorated the outside with embellishments. It sits on my desk too.

I find it comforting and natural to have these loving things near me as I work at my desk. Tell me about yours?

If you haven't read Changing Times: Women's Stories 1902-1942, you can directly download the PDF photo-filled eBook of 16 stories here or at the icon on my page. Then join us Monday, the 29th,when the three finalists will be my guest in an open dialogue about writing their story and writing as a creative outlet. It is a free at tele-class at 5 PM PST. The phone number and code will be posted next weekend at Women On Quilts.

Piece,

Kim

Julie Silber, Kona Coffee, Quilting to Grow the Brain & Social Media Marketing for Artists

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Sun, 14 Jun 2009 18:21:00 +0000

Tomorrow night, Monday, join us for Julie Silber's open lines and slide show of her fabulous oddball quilts. The Call-in info and link is here http://tinyurl.com/kwh96u at 5 PM Pacific time. No registration or charge.

Kona Coffee is holding a quilt contest for quilts sized to 40"X40". Darn, I have a lap size coffee quilt I would have entered. How about you? Kelly Smith let's us know about it on her quilting blog.

Nintendo vs. Quilting in the Fight to Save Your Brain Which one does the research say save our memory the best? The answer never changes and it blends right into my belief that doing many different creative things is the optimum way to keep your brain young and growing. Mastering one thing over by doing it over and over does not help the whole brain. Different activities that activate different parts of the brain are the key. But how cool is it that quilting is included in the current research!!

If you are a quilt maker who wants to step up to the next level and sell your work or get commissioned work, this is an article full of avenues you might consider.

See you tomorrow night!

Kim

Quilters and the Friendship Effect- Ways to Creatively Cope During Stressful Times

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Sat, 06 Jun 2009 18:24:00 +0000

When you feel stressed-out about the economy or a job loss friendship, quilting and charity work can lift you up.(This quilt block is ca. 1845. I bought 4 different ones at the Quilt Festival in Long Beach 2008. All of the Art Quilts were shown at Pacific International Quilt Show, October 2008)

The effect of bonding through friendship on a female's natural response to stress was recently studied in a prestigious university's landmark study. They found that in the female brain different chemicals are released during stress than in male brains. Females release oxytocin.

Oxytocin is the natural occurring chemical released in a woman's brain when she gives birth, breastfeeds and cares for children. Oxytocin soothes and buffers the automatic "flight or flight" response. Quilters know meaningful conversations and sharing of feelings happen during a girl's night out, a quilting retreat or class, meeting for dinner, or talking on the phone.

Other studies show when you give to a charity you believe in and know your donation will be used the way you want, you experiences physical and mental benefits that come from that act of doing good for someone else. Making donation quilts for children, elders, soldiers and others in times of need is nothing new to quilters. You give the gift of quilts as a symbol of their love in the form of a cozy fabric hug.

Women who are adept at machine work talk about "the zone" they get into. This is a mindless state of relaxation which is productive and relaxes the body and reduces stress responses that may follow.

Dealing with stress was a common theme when I was practicing as a psychologist and it is frequently the topic as I coach creative solo-preneurs today. Sewing and quilting are not always available when stress is high at work or when you're tired, or your eyes need a rest from close work, but paper and pencil are always handy. Journaling or writing out how you feel about your situation is another powerful stress reducer. Writing a detailed narrative of the upsetting events, past or present, that occurred in your life and most importantly your feelings about them, has been shown to be very effective in relieving depression. Sometimes it can be as effective as therapy or anti-depressants.

Seeking friendships, quilting, giving, tackling solutions in chunks of time and focusing most of your thoughts on what is good about your life and gratitude for it will help to sooth your mind and body. Without further effort on your part, chemicals will be released to help you cope until inevitably things will turn around and point you in an exciting new direction.

I hope this was helpful info. Or you can say it just gives more reasons to be glad we are quilters!

Piece to you and those YOU quilt with,

Kim

A Scrap Bag Full of Varied Info & Offerings - Keeping You in the Know :)

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Mon, 01 Jun 2009 23:49:00 +0000

Hi Everyone! Grab a cup of java or glass of whatever and settle in with me.

1.) Have you heard the sad news that Cranston (VIP) closed its printing division in their Webster, Mass company? This means that there are no companies in America printing cotton fabric for apparel and quilters. Their textile mill began around 1812, almost 200 years ago. "The plant, which still rolls out 20 million yards of printed cloth a year for people who sew at home, once employed more than 700 people."

I have had the pleasure of taking a tour through their plant three times beginning in 1997 and I was always Wowed. They grew with the times, changing and improving their machinery and adding computerized dye coloring of the roller screen printing machines and all other aspects they could computerize, they did. I saw fewer employees on each visit and no smoking went into affect.

Cranston was not weaving cotton cloth, they imported it from overseas, but all the printing was done there with the design division in NYC. Now foreign companies will also do their printing, just as all the other former quilt fabric manufacturers have done. They will only package and distribute the textiles they design from their US facilities. You can see a short video of their machinery in process and read more about their history and closing here.

2.) AQSG is offering all of the UNCOVERINGS they have in stock at 50% off through June. The order form is in a PDF, to print it out and mail in. Contact AQSG's website to find the link UC JUNE SALE.PDF This is a great deal.

3.) Beth Davis sent me this article in response to my increasing interest in the publishing world, thank you Beth! It was written today by the managing director of one the finest art and textile book publishers, Thames and Hudson. Jamie Camplin writes [bolding is my emphasis]

"If we moan about “dumbing down” in the face of the visual noise that comes our way daily, it only means that we are living in the age of “more”—more that is mediocre, but also more that is astonishingly creative.
Art has a very strong hand to play in the 21st century. In an era in which technology makes most products more uniform but in which printing technology can show art’s strengths as never before, in which fragmenting marketplaces and marketing platforms need all the help they can get, and in which the power of the visual to sway emotions has never been stronger, art’s distinctiveness, creativity and originality give any art-book programme a strong start." (the complete article is here)

4.) Camplin's statement gives me hope that beautiful textile and quilt books will continue to be published and that novice authors, quilters, and other creative people can publish too, online as eBooks, self-published or through traditional publishers. All three have their place. All three have pros and cons for an author to consider in determining which is a better fit for her.

If you have the desire to be an author, are writing your book now,or want to sell the one you have now, get this free report about building your author platform online, written by Joanna Penn, a favorite writer and blogger of mine.

Click on the icon above to read her description of the free report. If it sounds good, then you'll know if you want to buy the tutorial, Author 2.0. It is video, audio, and written text. All learning styles can use it. I highly recommend you get the free report!

Joanna just published "Author 2.0" which both shows and tells anyone how to market their book, beginning before it's written. Publishing houses expect you to put your marketing plan and current platform into any book proposal you submit. If you self publish this is also a must do for you. It can be fun!!

She will be my guest in a free open lines Tele-class, with a slide show, this Thursday, June 4th at 4 PM Pacific time, 7 PM Eastern. It's fr.ee. Ask her questions or email me with them in advance. The call-in info, conference code and link to slide show is here now. The class will be recorded and available on WOQ in the Audio Interview Library.

Joanna is internet savvy. She learned by authoring 3 books and speaks clearly, simply, and to the point. She gives you lots of info about using the internet to your benefit to increase sales and get your words in the hands of people who will enjoy and benefit from your hard work of writing a book!

Get her free report (click the icon above) about the state of the publishing world and what you can do with WEB 2.0, crucial info for marketing through social media and the newest internet forms of media and learn more about the business model for today's market.

6.) When you are feeling down quilting can lift you up again for reasons you might not expect is the title of an article I wrote over the weekend. Read it on Womenfolk's web site. Here is a snippet of my favorite tip for relieving stress from a recent UCLA study, but applicable to quilters during these economic times:

"The friendship effect on females natural response to stress was recently demonstrated in a university's landmark study which showed that different chemicals than in male brains are released during these times of bonding. Oxytocin is the natural occurring chemical released in a woman's brain when she gives birth, breastfeeds and cares for children. The chemical dulls pain and buffers the automatic "flight or flight" chemical response. The numerous opportunities for meaningful conversations and sharing of feelings happen during a girl's night out,...."
Read the rest of my article here. From that page click on Frugal Quilts for patterns and more articles about the past and present.

In closing, I hope you are enjoying reading CHANGING TIMES:Women's Stories 1902-1942. Click the title or the icon on the upper left of this page will download it for you to read online or print out to read in a cozy chair. Lot's of wonderful comments are coming in about it. Please comment here on Quilter's Spirit.**

Wishing you each a fulfilling and creative week!

Kim

**It's easy to make a comment: See the word Comment below? If there is a number other than 0 next to it, click it to read the comments already posted, and a box for you to put in your comment in also comes up. You can write it anonymously or with your name. Please don't solicit your products there, instead hyperlink your blog or web site URL to your name. The comment box makes it very easy for you to do that if you don't already know how. Readers who are interested in knowing more about you because your comment is interesting and relevant will click on your name to "meet" in your territory. (hint-comments done this way are good for marketing)

Women's Historical Fiction Challenge E-Book is Here! Download Yours Now

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Wed, 27 May 2009 02:23:00 +0000

Women On Quilts' Creative Writing Challenge - Changing Times: Women's Stories 1902-1942

This special digital book is for you. Click on the cover and enjoy!

16 fictional stories written by 14 women about women who create and live at a tough time in our history. Complete with period photos & quilts, plus personal thoughts from the writer's & judge's about their stories. 53 pages.

You can read it online or download and print it out. Send it to your friends in your book club. Put it on your blog, an icon is available. The women in the stories are the types we want our daughters to know about too, share it with them.

I'll let the book tell you the rest. I welcome, no encourage, your comments below. Which stories touched your heart and why? Let us know. All are deserving. Warning, have tissue handy.

Soon the finalists will be guests on a tele-interview on Women On Quilts. It will be an open discussion. First I want to give you the time to read the stories. Stay tuned for the date and time by subscribing for my occasional email alerts. They won't flood your inbox.

Julie Silber will be my guest interview on June 15.

The Mouse Lost! Results of the Repaired 1840-50s Quilt Top

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Mon, 11 May 2009 00:28:00 +0000

Hi Everyone!

The results are in and I couldn't be happier with the repaired look of my acid green sashed quilt top. I took pictures throughout to show you my process. I am no pro at this, but it worked I am pleased to say. The close match of fabric made all the difference. We are very lucky to have such an option today. And it doesn't hurt, that many patches made before us, which didn't match, we find to be precious. So even at closest range, my patch-work is precious.

First a reminder of what it looked like before.

First, I trimmed away only those ends that would make bumps on the top patch. I ironed everything flat before trimming and I saved the trimmed pieces. GUILT!

I made a patch the entire length of the blocks next to the sashing and stitched it on with the green facing up. the edges were turned under with a wide seam allowance and I made the piece ever so slightly larger than the original sashing. I hand-sewed it down from the top stitching through the seam. this means that the edges on the back side are freer in some areas and the stitching is right at the edges in others. Nothing is square in old tops!! this was my way of going with the flow of the years and wear.

I put it in a hoop and I hand-stitched all those loose edges (in the 3rd photo above) down to the back piece I sewed on first. That's why I put it face up.The bit of white you can see are the turned edges of the seams.

There are tons of tiny stitches holding the little chomped pieces down with matching green DMC thread.

Lastly, I sewed the final template of acid green fabric across the same space, sewing it as close to the same size as the original, but the brown woven plaid fabric had pulled away and was thread bare, so I darned that area to strengthen it.

In the end, this new patch served two purposes, to cover the mouse hole repair and to correct the failing seam.

Next I am going to repair this area in the top. There are two crocking triangles in this block. I made the paper triangle templates, each being different. Then I cut the fabric, turned the edges under, basted and just need to sew them down to the seams surrounding the triangles there now.

It would do not good to sew the new fabric on top of the rotting brown fabric. I decided not to cover it up with a back patch because it is so beautiful.

When I put the top on my lounge chair for the photos I turned around to see this, my kitty Haley watching over the repair in process on the left side, or was he actually hoping for another mouse visit?

I have kept you apprised about the creative writing challenge and fundraiser on Women On Quilts.The results of this challenge are in too, so take a peek to see who wrote the stories you will be reading in the eBook I am putting together for a fr.ee download of pure enjoyment.

Welsh Quilt collector Jen Jones is Opening A Center for Welsh Quilts in West Wales this July PLUS Updates on Former Topics

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Fri, 24 Apr 2009 23:35:00 +0000

The Jen Jones Welsh Quilt Centre will open in The Town Hall, Lampeter, West Wales on July 28th 2009.

1.Town Hall from High street (before restoration)

Jen Jones, the famous collector of old quilts made in Wales, is opening a center for the study and display of Welsh quilts!! (Be sure to hover your cursor over the photos on the link above to see more of gorgeous Jen's quilts.)

The first exhibition will feature quilts entirely from The Jen Jones Collection and will be representative of the entire spectrum of Welsh quilting.

The Old Courtroom on the first floor makes a fantastic exhibition space. The gallery entrance on the ground floor

2. A pink satin cotton quilt made in Cardiganshire in 1933. The central medallions surrounded by various patterns with fans predominant. Jen Jones Collection

will house an exciting new shop featuring superb copies of some of Jen's famous geometric flannel quilts. These are being made by a women's group working through a convent in Ethiopia. The other Courtroom provides a wonderful place for classes and talks.

3. Detail of a tailor's sample Welsh quilt with red stitching Made by Davies Brothers of Llanelli, 1875-80 Jen Jones Collection

4. Lovely early Victorian Patchwork from Cilgerran Cardiganshire.

Jen Jones Welsh Quilt Centre
Phone 0044(0)1570 480 610
email quilts@jen-jones.com
web site www.jen-jones.com

Photograph captions, photos courtesy of Jen Jones

Updates about the Story Challenge and Ghost Hunt Tour

Ghost Quilt Show on Hold & Creative Writing Challenge Reminder

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Fri, 10 Apr 2009 14:37:00 +0000

Thank you to everyone who wrote me behind-the-scenes and in comments on the blog. I loved hearing your thoughts about ghosts and spirits in textiles and homes, and talking about your personal experiences. But alas, no photos came in for our show and tell.

In reptrospect this may be in part due to Sat. landing on a holiday weekend. I told you I have been super busy and it didn't occure to me until a few people said they would be away for Easter. May you all have a blessed Sunday.

As a result, I won't be holding a phone or webcast talk on Sat. ,prior to my first ghost hunt, but I talked some freinds into going, so we'll have a blast.

Do you want to hear about it? Do you want to schedule another ghost quilt show& tell? I could share my experience and have a show and tell if you have photos to share.

Let's open it up to any textiles or sewing or needlework that have a spirit attached, or so it seems possible to you. Let me know by commenting below or emailing.

TO COMMENT- click on the word comment below the blog post. If there is a number infront of it, taht tells how many people have commented. I would prefer if all the comments showed up on the post itslef, and I have set it that way in the settings section, but it doesn't work out. I love your comments and read every one.
Do you like a Sat. time or prefer a weekday evening?

The Writing Challenge- If you are writing a creative fictional women's story for the writing challenge, we love you!! I have received some wonderful stories. Thank you so much for joining in and sharing the words from your heart and mind. The deadline is April 20th about 12 days from today.

If you haven't tried to write a work of fiction, you are missing a joyful inner experience. let your imagination go, be in a place and time, with people you would love to be with, quilting, sewing, knitting, growing food, writing poems, whatever makes your heart sing. Do it in 1000 words or less and you have a chance to be published and interviewed on my WOQ with the others finalists. We'll have a great time!

Take the chance of risking your creativity, challenge yourself. Make a quilt inspired by your story, design it to reflect the feeling in your woman's story. Send in the photo and I'll blog it. No, I don't expect that this would be before the deadline, whenever is good.

Have a wonderful weekend everyone!

Subscribe by Email or Feed

Ghost Quilts Online Show & Tell April 11, Saturday 10 AM Pacific Time & Project Runway's New Home

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Sat, 04 Apr 2009 23:48:00 +0000

Ok I am going to share a secret with you, my subscribers- whom I hope know me well enough by now to understand my fascination and not get caught up in judgements. It's not for everyone I understand, but then neither is eating meat or hand quilting. I like to, really like to, read, watch and hear stories about ghosts and haunted places. I am big fan of Sci Fi channel's Ghost Hunters.

A couple of weeks ago, Grant and his partner Jason, the founders of TAPS (The Atlantic Paranormal Society in Warwick RI) investigated Slater Mills to see if the ghosts and other supernatural reportings were genuine. Sure enough, some of the mill buildings are haunted! It was a great show. For example, they connected with a small child who was able to answer their test questions (about the room and description of the people in it) by making their small device light up, 1 for no, 2 for yes, or vice versa. If you haven't seen the show, at least go to their website and watch videos. Their equipment and techniques have changed over the years and it is fascinating. Ghosts, spirits, do exist.

This photo of the inside of Slater Mill was taken during an investigation by the Little Rhodies Paranormal Society.

I am going on my first ghost hunt a week from today, April 11, 2009. I am such a scaredy cat. I picked a day-time tour of haunted places in the town next to mine, which was built in the late 19th century. Sure, they have night tours, have for years. They have planned hunts at local adobes and ranches known to be haunted in order to record events they could track, but I'll start here in the light of day, thank you very much.

In light of this exciting event I am offering a Ghost Quilt online and on the phone Show & Tell. and guess what - BOO- you're it! or, your quilt is it. In honor of all the spirits connected to the quilts in our collections, new, old, those we have made, those we have received, this is your chance to bring them into the open and share their picture and story with others. In a hurry- scroll down to final paragraphs for specifics.

I am totally serious. I will take your photo on a first come first serve basis. One per each person. Send them to me right away and plan to be on line and on your phone both on Sat., the 11th, at 10 AM Pacific, noon Central and 1PM Eastern time. I am trying out a new interactive Webcast system , GoToWebinar. Those who show their quilts will be asked to talk about their quilt's ghost. Then afterward, I'll go off to join the ghost hunters in downtown Ventura with known ghost hunter and historian, Richard Senate. Check out his newsletter and podcasts He's been around a long time. He's written books together with his psychic wife, such as the true story of Lizzie Borden , and so much more. She has helped with criminal cases the police are confused by and they investigate private homes for spirits too.

Speaking of Lizzie Borden, Ghost Hunters the TV program investigated Lizzie Borden's house where the murders took place. See what you're missing :) The photo at the top of this article was taken during their investigation.

So, what constitutes a Ghost quilt? That's up to you. You know who you are. Have fun with it. You can make it up, or think you've made it up if it makes you feel any better telling us about the weird things that happen around this quilt or that happen when you sleep under it, or someone else sleeps under it.... The quilt you made and felt someone was looking over your shoulder the whole time, but wasn't visible. Or maybe there are ghosts on your quilts in the fabric and your story is about that. Whatever you want to share will be fun for the rest of us to see AND it gives me the chance to try out this webinar. Kristen Miller's haunted house quilt seen in the picture here is on the Stolen quilt site. It disappeared in March 2006. if you've seen it, her email is on the website.

***This will be free. There will be no recording afterward. It won't be free again after this trial version, so send in your photo, give me a glimpse of your story, and I'll let you know if "you're in or you're out." (a la Heidi Klume style in Project Runway, now will be on Lifetime TV instead of Bravo TV, starting this summer I read) but all of you can come watch. If no one sends in pics, there will be no show. Subscribe right now to receive the emails with the link and phone number to call on Sat. The subscribe opt-in is listed on the left of this post where you see SUBSCRIBE in big letters. Subscribe for emails,not RSS feed because you can easily miss that. I AM NOT GOING TO PUT THE PHONE NUMBER AND LINK ON THE BLOG but for long enough to send it to you. YOU MUST SUBSCRIBE TO EMAILS TO GET info FOR THIS EVENT. Remember, there won't be a recording or Webcast to view later using this technology.

****If I get a lot of entries, we can view and talk for longer than an hour, to 1.5 hrs. You can come and go, but you have to be there when your quilt is shown to tell your story. SO, when I email you to tell THAT YOU ARE IN, I WILL GIVE A NUMBER AND IT WILL CORRESPOND TO WHEN YOUR TURN WILL COME AND OU CAN PLAN ACCORDINGLY. SIZE YOUR PHOTOS BEFORE SENDING THEM. RESIZE THE ACTUAL VIEW SIZE TO 25% AND and SAVE IT ON YOUR END BEFORE SENDING IT TO ME. YOU MUST RESIZE TO THE 25% WHEN VIEWING THE PHOTO IN THE ACTUAL VIEW SIZE MODE ON YOUR END, THEN SAVE IT, OTHERWISE IT ISN'T SAVED TO THAT SIZE LIKE YOU THINK IT IS. I CAN ALWAYS ENLARGE IT IF NEEDED.

I hope we get some photos, 1 quilt person please, but if you should have 2 ghost quilts, let me know and if we have space I'll let you know to send that picture too. 2 photos per quilt, and send the second one if it adds value to the ghost story, otherwise please don't.

Any questions, contact me, but I am extremely busy these days, :) so please check to see if the answer is explained above already; I can't promise I'll take the time to answer if it is, I'll hopefully be busy uploading your photos into the webinar :)

Let's have fun ghost quilt hunting together next weekend!!

Kim

PS. I also follow ghostguide on twitter who is Melissa Van Rossum. She writes informative articles and books and does readings. I bought her book "All You've Ever Known." Aspects of her work remind me of the CBS drama's character Melinda as the Ghost Whisperer.

PSS. Spread the word... and you thought Boxes Under the Bed had it all wrapped up?

Celebrate- It's National Quilting Day! Hug Your Quilt today, March 20

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Fri, 20 Mar 2009 03:28:00 +0000

In honor of both Quilting Day and Women's History month I am reprinting an awesome post Julie Silber posted on the Quilt History List this week (with her permission).

Julie is answering a question posed by Catherine Litwinow about a 19th century quilt made by abolitionists, as evidenced by a single inked patch of a slave in chains in a huge silk quilt. Beneath the kneeling male figure holding his chained hands up as if begging to be released, is the phrase "Deliver me from the oppression of man."

The quilt is pictured on pages 70 & 71 in a book co-authored by Julie Silber, Pat Ferrero and Elaine Hedges, "Hearts and Hands, Women, Quilts and American Society," which was published in 1987. It remains one the THE best books on women's history in America in the 19th and early 20th century. The rest of this blog is written by Julie--

Elaine Hedges, Pat Ferrero and I used Deborah Coates' quilt as part of the COVER design of our book, "Hearts and Hands," as well as within the pages...

I must tell you about first seeing the quilt.

When Pat and I first saw the quilt (about 1987, at Jonathan and Gail Holstein's home in Cazenovia, N.Y.), it was in two pieces, having years before been cut directly down the middle.

Each of the two "new" edges (on each half) had then been bound, years before, probably whenever the quilt was cut.

The inked piece (a small triangle) had been right in the center of the full quilt -- and so it was cut in half! The tiny inked image of the bound slave (and the words) -- now on two halves -- had been almost entirely covered over by the new bindings.

It was Pat ("Eagle Eye") Ferrero who first noticed the mere wisps of ink on the two halves of the split triangle. The owner of the quilt (a descendant) gave us permission, right on the spot, to carefully remove a few stitches holding the binding in place. No one had ever noticed those little marks before...

It was then that the family saw evidence, for the first time, that their ancestor, the quilt maker, Deborah Coates, had indeed been firmly committed to the abolitionist cause.

Her husband was a well known activist, fully dedicated to the cause of Abolition. His name appears frequently in a "public"
way -- in newspaper articles on the abolitionist cause, and frequently in the minutes of abolitionist meetings. These "documents" remain, and are part of the official "historical record."

But his wife ... how was anyone to know where she "stood"?

Until that amazing moment in 1987, when a few snips of a scissors revealed what she had added in ink, the family had not known, with any certainty, where Deborah's heart was. What a moment!

The family then took the ball and ran ... and soon discovered another fact previously unknown to them: The Coates' home in Cazenovia had been a stop on the Underground Railroad!

A lesson about how fragile and elusive women's history (in
textiles) can be -- and how respect, careful observation, and an understanding of historical context can benefit and enrich us all.

Julie Silber
The Quilt Complex
quiltcomplex@hughes.net

(The book, Hearts and Hands is now long out-of-print but we have a few "new" copies at Quilt Complex that we bought from the publisher. Now signed).

***Julie will be my featured guest interview on Women On Quilts, June 15th interview. Join us!***

3 Special Announcements (2 with Deadlines) in Salute to Women's History Month & National Craft Month

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Sat, 14 Mar 2009 18:11:00 +0000

1. Join me this Monday night for my tele-interview and group discussion with Lynne Z. Bassett, editor of the newest quilt documentation book "Massachusetts Quilts, Our Common Wealth." It's free and fun and it starts at 5 PM Pacific time, 8 PM Eastern. For all the info and links click here

2. I am sponsoring a creative writing challenge and fundraiser The Quilters Hall of Fame, to help with this year's induction ceremonies of Merikay Waldvogel, and in salute to National Craft Month and Women's History month. A call for fictional stories and the chance to be in an eBook I will publish, go here for details and see some fun photos from my ephemera collection.

3. Quilter Harriet Powers is inducted in Georgia's Women's Hall of Fame!

"A novelist, a conservationist and a former slave whose works now adorn the Smithsonian Institution and the Boston Museum of Fine Arts will be the inductees this year into the Georgia Women of Achievement Hall of Fame.

Conservationist Jane Hurt Yarn, novelist Caroline Pafford Miller and quilter Harriet Powers, all deceased, will be inducted in a ceremony Thursday at Wesleyan College in Macon.

Quilter Harriet Powers, 1837-1910

Born a slave near Athens, Powers became a renowned folk artist long after her death.

Using a Singer sewing machine she purchased in 1881, Powers exhibited the first of what became known as her "story quilts" at the 1886 Clarke County Cotton Fair. The quilt was made from 299 separate pieces of fabric and it depicts scenes from the Bible and spirituals. It was a remarkable achievement, especially considering that Powers could not read.

She sold that work, which is now in the Smithsonian's Museum of American History, for $5. The buyer, Jennie Smith of Athens, entered it at the 1895 Cotton States and International Exposition in Atlanta. The faculty wives at Atlanta University saw it and commissioned a second quilt.

The second quilt illustrates 15 Bible stories and events such as a cold snap which struck Athens in February of 1895. It is now on display at the Boston Museum of Fine Arts.

Powers' work has been celebrated over the years. An off-Broadway play, "Quilting in the Sun," recounts her struggles and accomplishments, there are many articles about her and her two celebrated works, and there is a move to honor her with a postage stamp."`Written by Chuck Mobley for the Savannah Morning News and for more information: To learn more about the Georgia Women of Achievement, and about the other inductees this year and the ceremony

My "Honest Patch" on a 19th & 20th century quilt & the "Massachusetts Quilts" Book

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Sat, 07 Mar 2009 22:02:00 +0000

Have any of you who own antique quilts notice your once perfect quilt suddenly has cracking in the brown fabrics? We all have, as pre-1900 dark brown dyed fabric is prone to becoming brittle due to tannin and iron mordants in the dyes. (They used to use iron pots for dyes that needed iron to help the fabric retain the dye, a 2-fer)

Over time the fabric dries out and splits, or it get's wet and splits, or the sun shines on it too long and it splits, or you pack it away and it splits. I think you are get the picture.

Dark brown 19th century cotton fabrics are similar to silks used in crazy quilts, the silk will deteriorate and you can not stop it once it starts. You can help prevent it from starting

maybe, or better put, increase the number of years before the deterioration begins. Oh, wait, you're telling me that you want to have it out? Oh, well, then you can postpone the deterioration by a number of months. My gosh, I am so negative here- I'm smiling. I hope you are.

That said, here is a repair I did this past week in a most interesting looking quilt that I bought in Arizona years ago when antique store shopping with the two wild and crazy lovely ladies, Audrey and Dee, who own and operate the quilt retreat camps with national teachers Quilting in the Pines and Quilting in the Desert. We all had a good laugh when we saw this quilt.

It is a pink and brown scrap (fabulous 1870-80s fabrics, all new or unused) album block quilt in nearly perfect condition, with wool batting, and tied with pink and green yarn to a 1930-40s back fabric! Each yarn tie, and there are many, is made with both colors of yarn, sort of tufted and it is held down and brought through the thick wool bat with a thick sewing thread.

The thick dense batting saved this quilt from splitting much more than it could have with a thinner bat or fewer ties. I have stored it with as little folding as possible, in a closet, on top of other quilts, with no weight on it. Still, deterioration has set in on two blocks.

I fixed the most serious and obvious loss of fabric, after taking off the damaged fabric completely, arggg, at some point, and I can't recall why. I know better now to leave

the old fabric underneath and applique on top of it. I used an old piece of fabric, c. 1900, that matched the best with the rest of the quilt. I think it turned out well.

In the words of Nancy Kirk, I made an "honest patch." this means I'm not trying to fool anybody, so my stitches show, but it blends well. It was not easy working on a quilt this thick and naturally, my stitches did not go all the way through. I appliqué the patch on top of the seams and into the batting when there were no seams. It is made with 1 rectangle and 2 squares and I used brown DMC thread.

Soon I will be done and show you my "honest patch" on the acid green fabric in the pre-Civil War quilt TOP. Where is that batting when you need it? :)

You are invited to join our book discussion and interview with Lynne Bassett, the quilt historian who edited the newest state quilt project book, Massachusetts Quilts: Our Common Wealth, in a group tel-event on March 16th, Monday evening, 5 PM Pacific time. Lynne will answer your questions about particular quilts and other questions that arise as you read this fantastic book. Read more about it on Women On Quilts.

Small Blocks, Stunning Quilts

quiltdating@jetlink.net (Kimberly Wulfert, PhD) — Fri, 27 Feb 2009 01:25:00 +0000

The new bookwritten by Mary Elizabeth Kinch and Biz Storms (That Patchwork Place)

In one sentence, this pattern book is a reproduction fabric-lover’s dream.The quilts made by the authors make it clear they are bonafide scrap loving quilt makers who put as many different reproduction prints into one quilt as humanly possible.

Mary and Biz define small blocks as under 5” square and stopping short of being miniatures. Any collector knows their raison d’être for the choices they make in purchasing an antique quilt. For Mary and Biz it’s the quilts made exclusively with small blocks that knocks the wind out of their chest in a gasp of glee when seen from across a room or vendor booth. their enthusiasm is palatable through the book and you can’t help but appreciate them for this. The book came from this passion and their hands.

In the first section are pages of 19th century quilts made with small blocks of rosettes, stars, flying geese, half square medallion quilts and others, which the authors studied for inspiration. There are scrumptious pictures of fussy cut hexagons in repro fabrics that match any antique ones I’ve seen. They make me want to get out my hand sewing and try a few. They use clear template plastic and a sandpaper board to mark then cut these little pieces just so.

One of the antique quilts pictured in this section is an outstanding chintz medallion coverlet made c. 1841 in Australia, the “Rajah Quilt.” Female British prisoners on board the convict ship by the same name as this quilt made it. It is a beautiful medallion quilt with 12 borders of various widths with myriad blocks or appliqués. they counted 2,815 pieces of fabric. Biz and Mary are fabri-holics to their core.

With fabric and color leading their every choice in making small block quilt, less attention was paid to the era of the reproduction fabrics they chose. The book is does not mention fabric dating or reproduction quilt making. It doesn't tell the reader how to make their quilt look like a certain era, but their quilts have a traditional and older feel.

Mary and Biz like to machine sew, they find the repetition calming and meditative, so making little blocks with simple shapes gives them lots of quiet time!

They work in an organized manner of chain piecing mixed with liberated techniques of taking the next fabric in a stack without deliberation. The color decision and fabric choices are made at the start then the project proceeds from there without too much attention to what color ends up where. They dedicated the book to their mentor and friend Gwen Marston who inspired them to get out of the rut of worrying about each piece in a quilt. Yet, they remind us that measuring and precision in the sewn seam allowance, is extra important when making small blocks, and they prefer to slow down the sewing and enjoy the process and feel of the fabric. I like this too.

I wonder if there is a Universal move toward smaller going on as our world economy shifts... as I was typing this from my longhand, a Burger King ad for their new smaller tiny burgers came on TV. All the girls gathered around them cooing. Do we coo over small block quilts...really, do we?

***Not to be missed! Do we coo over wonderful old dresses too? Yes!! Check out this just published online article that features a pre-Civil War dress in Nancy Kirk's collection, The Story in a Dress written by Suzanne Arney. It is also published in the March/April issue of PieceWorks magazine. Click on the link for a full color article PDF.***

Piece,

Kim