Think Tank Photo announced a new Test Drive program and the release of a new version of its largest rolling camera case, the Logistics Manager 30. With the Test Drive program you get to try out any of Think Tank’s very popular Retrospective soft shoulder bags for 30 days for free. Currently they are also running free FedEx ground shipping on all U.S. orders through May 31, 2013.

According to this interview with Sigma's CEO Mr. Yamaki, the new 18-35mm f/1.8 DC HSM lens (price is not yet announced) will be released this summer. So far there are no plans to develop NEX and MFT versions of that lens.

Olympus to drop the cheap V series point and shoot cameras:

"Olympus said it will eliminate its V series of compact cameras – the cheapest in its lineup, selling for less than $200. Its camera business posted a loss in the last fiscal year through March, because demand for compact cameras turned out to be weaker than expected, the company said."

Nauticam announced underwater housing for Panasonic GH3 camera.

Investor asks Sony to focus on image sensors.

Apple filed a patent for remote flash trigger of nearby iOS devices for better lighting of the subject.

Adobe Creative Cloud vs. Creative Suite 6 infographic by DigitalCameraInfo.

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An interesting story reported by FujiRumors: the Swedish website Cyberphoto published a blurred image of a new Fuji camera that is rumored to be a new entry level, interchangeable lens X model. The original post and photo have since been removed, but the question remains - is there really a place for another Fuji X system camera? The X-E1 is pretty small and the only way you can go smaller and cheaper is to remove the EVF or create an "entry level" model with the old 12MP sensor from the X100 (less likely). If such camera is really announced, it will basically be like the Nikon Coolpix A or Ricoh GR, but with interchangeable lenses. Do you guys really see any purpose for such model given the current Fuji line-up (XF1, X20, X100s, X-E1, X-Pro1)?

A recent tweet by the Fuji Guys - they usually go to Japan for training before a new camera is released (speculations on my part of course):

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Adobe Camera Raw 8.1 release candidate for Photoshop CS6 is now available for download with support for the cameras and lenses listed below:

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Adorama has a 48 hours deal on the Rokinon 8mm f/3.5 aspherical fisheye lens for Canon, Nikon and Sony mount: $229 with free shipping if you use code S0511113 at checkout. This offer will expire at 3pm EST on May 16th. Here is some additional info on that lens:

Description:

The Rokinon 8mm Ultra Wide Angle Fisheye Lens is the most affordable 8mm Fisheye Lens in the market. It features the widest field of view over any other 8mm fisheye lens, and its build quality and optical construction are superb. The Rokinon 8mm lens is designed for digital SLR cameras with APS-C image sensors. For these types of cameras, it provides full-frame coverage - which means that pictures will cover the entire frame. It is also compatible with cameras that have a full-frame sensor. For cameras with full-frame sensors, the lens will produce pictures with a semi-circular image and close images will appear proportionately large for a dramatic effect. The Rokinon 8mm lens creates images with an expanded and exaggerated perspective and an extremely wide 180° angle of view.

Specifications:

Features:

• Ultra-wide 180 degree diagonal field-of-view for APS-C size image formats
• Lens is constructed with hybrid aspherical lenses for outstanding, sharply defined images
• Conforms to APS-C (1:1.5x) size digital imaging format
• Lens features super multi-layer coating to reduce flares and ghost images
• Lens has a minimum focusing distance of 12 inches for enhanced close-up shots
• Lens includes a built-in petal type hood

Sample images:

Rokinon 8mm f/3.5 aspherical fisheye lens video demo:

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Canon announced their new EF 200-400 f/4L IS USM 1.4x lens priced at $11799.00 (the case is sold separately for $649). The shipping date is listed as June 30th, 2013.

Specifications

Overview

Designed to satisfy the discriminating needs of sports and wildlife photographers, the EF 200–400mm f/4L IS USM Extender 1.4X is a high-performance super telephoto zoom lens with an optically matched built-in 1.4x extender for maximum versatility. With a simple flick of a switch, the zoom range can be quickly increased to 280–560mm (f/5.6). This capability is extremely useful in applications where it is not possible to change lenses quickly, while also protecting delicate equipment such as a digital SLR camera’s image sensor in environments with dust and high humidity. The EF 200–400mm f/4L IS USM Extender 1.4X incorporates one fluorite and four UD lens elements, which provide excellent correction of chromatic aberration throughout the entire zoom range for professional quality images with high resolution, contrast and color fidelity, while a 9-blade circular aperture helps deliver beautiful, soft backgrounds. It utilizes inner focusing, ring USM, a high-speed CPU and optimized AF algorithms for fast and accurate autofocusing. And, with Power Focus mode, focus shifts are quiet and smooth, which is essential for filmmaking. Image stabilization is effective up to four shutter speed steps, with three image stabilization modes (standard, panning, and during exposure only) providing excellent results for a wide range of subjects. Optimized lens placement and coatings deliver outstanding color balance, while helping to minimize ghosting and flare. The lens is highly resistant to dust and water, enabling shooting even in harsh conditions. A fluorine coating on front and rear lens surfaces repels dust particles and makes the lens easier to clean.

MTF chart

Sample image

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A quick update to my post from yesterday - long time reader genotypewriter also had the chance to play with the new Hasselblad Lunar mirrorless camera. You can read the whole hands-on report here:

"Moving on to more serious things, the camera immediately becomes dissapointing in terms of its finish. This particular model felt very plastic-like all over. To make things worse, they have chosen the most plastic and rubber-like materials for the knobs. The text written on the knobs did not look good upon close inspection too. Now, if you should bring something up to your eye and attempt to admire closely, it should be a luxury item boasting of a supposedly luxury finish like the Lunar."

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The Samsung NX-R mirrorless camera has been rumored for a while and the above pictures could as well be the real deal. As previously reported, the NX-R will have built-in Wi-Fi capabilities.

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Two new Canon PowerShot cameras have been leaked form a recent filing in a Taiwanese government agency. Those are most likely the new products that will be announced at the May 31 press conference. The Canon S200 will have a 5.2-26mm f/2-5.9 (35mm equivalent: 24-120mm) and is probably the replacement for the popular S110 model. The second camera appears to be the replacement for the SX500 IS super zoom:

Via Digicame-info

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Credit: Brad Morris

Update: see also this related post.

The Australian-born photographer Brad Morris had the chance to play with the Hasselblad Lunar mirrorless camera after he ran into some guys who had the camera on the streets of Hong Kong. He shared his first impressions on the.me:

"The first thing that strikes you when looking at the Hassy is the funky shape of the wooden grip and the dials and buttons. The next thing that strikes you is that, in spite of the camera top plate being metal, the finish on both the top plate and the buttons works really hard at giving the impression that they are cheap plastic. The texture is visually similar to the plastic used in the low-end Canon Rebel SLRs."

Few other remarks:

• The EVF has a large eyecup
• The Lunar is heavier than the NEX-7
• Stiffer buttons with sharper edges compared to the NEX-7
• "Better quality click" when releasing the shutter

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The new Zeiss Touit 12mm f/2.8 and 32mm f/1.8 lenses are expected to start shipping in 6-8 weeks. B&H has also listed the 50mm f/2.8 Macro lens for X and E mounts that was announced at Photokina last year. The shipping date for now is October 1st:

Few Touit 12mm f/2.8 sample images from Zeiss:

Zeiss Touit 32mm f/1.8 sample images:

Sample images from the Zeiss Touit 12mm f/2.8 and 32mm f/1.8 lenses provided by PCH Brussels:

Additional sample images can be found on zeissimages, flickr, dslrmagazine, dcfever, dpreview, fujix-forum and facebook:

Zeiss published a new blog post and a video on the development of the Touit lenses:

"Touit 2.8/12 – A sophisticated, extreme wide angle lens with the Distagon optics concept. Due to the Distagon design it was possible to build such a compact, extreme wideangle lens by meeting the requirements for optimum ray angles on the camera sensors. Eleven lens elements are arranged in eight groups. Two aspheric lens elements have been implemented to ensure a compact lens, despite the short focal length, of high image quality over the whole image field. Three lens elements are made of materials with anomalous partial dispersion to reduce color aberration for high contrast images with vivid color reproduction. Focusing is done by a floating elements design – all 6 lenses behind the aperture are moved."

"Touit 1.8/32 – A robust and compact standard lens that relies on the tried-and-tested Planar optics concept, but which has been adjusted to the requirements of today’s digital cameras through the addition of lens elements. The additional lenses have been needed especially to meet today’s requirements for better correction of chromatic aberrations. The result is eight lens elements in five groups. Focusing happens through an overall adjustment whereby the entire length of the lens remains unchanged."

Zeiss Touit 12mm f/2.8 and 32mm f/1.8 unboxing video:

Tamron filed a patent in Japan (2013-83783) for a 35mm f/1.4 APS-C mirrorless lens (50mm equivalent in full frame). Few months ago the company also filed a patent for a new 50mm f/1.8 APS-C lens. Currently Tamron has only two zoom lenses for mirrorless cameras: 18-200mm f/3.5-6.3 Di III VC for Sony E mount and 14-150mm F/3.5-5.8 Di III VC for Micro Four Thirds.

And two new Canon patents - the first one (2013-77910) is for lens image stabilization designed to automatically track celestial objects. FYI: last year Canon announced the EOS 60Da DSLR camera tailored to astronomy enthusiasts.

The second Canon patent (2013-74337) is for pixel shifting in order to obtain a high-resolution image.

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The website eoszine.nl mentioned on Twitter that Canon Netherlands will have a press event on May 31. There have not been any rumors about upcoming Canon cameras or lenses. This scheduled press event could be for printers or video products.

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In addition to the E-P5, Olympus also announced the E-PL6 PEN Lite camera. As the name suggests, the E-PL6 will replace the previous E-PL5 model and for now will be available only in Japan.

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Olympus officially announced the PEN E-P5 camera and VF-4 electronic viewfinder. Here are the basic E-P5 specs:

• 16.1MP Live MOS sensor
• TruePic VI image processor
• 3.0" tilt touchscreen LCD
• Full HD 1080p video in MOV & AVI formats
• Built-in Wi-Fi connectivity
• 5 axis image stabilization with IS auto
• Fast AF with touch focus & touch shutter
• 9 FPS burst shooting
• 1/8000s max shutter speed
• Built-in flash with wireless capability
• Optional VF-4 electronic viewfinder

The US price of the body only is $999 (available in black, silver and white), the kit will cost $1449 and the VF-4 is $279. The black versions of the 17mm f/1.8 ($499) 45mm f/1.8 ($399) and 75mm f/1.8 ($899) lenses were also announced.

Additional hands-on coverage available at Thephoblographer, Ming Thein and Dpreview.

The new Olympus VF-4 electronic viewfinder

Olympus E-P5 with VF-4

Olympus PEN E-P5 camera with kit lens

Press release:

THE ONLY THING RETRO ABOUT IT IS THE WAY IT LOOKS: NEW OLYMPUS FLAGSHIP PEN E-P5 TAKES COMPACT SYSTEM CAMERAS TO A NEW LEVEL

Advanced Performance in a Classic Design: 1/8000th of a Second Shutter, Built-in Wi-Fi, Custom Control, Creative Functions, Optional VF-4 Viewfinder and More

CENTER VALLEY, Pa., May 10, 2013 – Olympus marks the 50th anniversary of the legendary PEN F with the launch of the new Olympus PEN E-P5, a digital update of a classic film camera designed with breakthrough technology and incredible performance advancements. Designed for photographers looking for superior image quality in a portable body, the PEN E-P5 delivers a stellar shooting experience with 1/8000th of a second shutter speed – a world-first for the Compact System Camera class – built-in Wi-Fi, autofocus advancements, easy-access manual controls and a host of other features.

The new flagship in the Olympus PEN series exudes detailed craftsmanship, from a seamless design to an all-metal casing that houses many of the same award-winning technologies found inside Olympus’s premier Micro Four Thirds® camera, the OM-D E-M5®: 16-Megapixel TruePic VI Live MOS sensor, FAST AF, 5-Axis Image Stabilization and more.

The Olympus PEN E-P5 is the first Compact System Camera with a mechanical shutter that can achieve a speed of 1/8000th of a second to freeze fast-moving subjects like insects in flight or to create pictures with dramatic background blur, even in bright conditions. The built-in flash, with an improved, faster 1/320th of a second synch speed, makes it easier to take backlit shots during the daytime. Never miss an instant photo opportunity with features like quick start-up, new short release time lag AF mode, which reduces the time between shots to 0.044 seconds, and nine-frame-per-second sequential shooting.

A world class autofocus system, also found in the Olympus OM-D E-M5, powers the E-P5’s new Super Spot AF, accurately bringing into focus even extremely small subjects. Simply select an area on your subject where pin-point accurate AF is required and the E-P5 can auto-focus on that area - offering even more precision than phase-difference autofocus systems. New Focus Peaking dramatically improves the usability of manual focus lenses by bringing shots into focus by emphasizing the contours of the point of focus in white or black.

The camera’s in-body 5-Axis Image Stabilization mechanism, which has been further evolved since its introduction in the Olympus OM-D E-M5, is now compact enough to fit in the E-P5’s svelte body. The system corrects various kinds of camera shaking, whether shooting still photos or recording movies and the new IS-AUTO mode automatically detects the camera's movements and provides optimal control of correction when panning regardless of direction or camera orientation. Correction-checking on the Live View screen makes it possible to check the image stabilization effects on the Live View screen that was previously difficult with in-body image stabilization systems. The user can press the shutter button halfway to check the image stabilization effects on the display and then decide upon the composition. The image remains on the display for two seconds after the shutter button is released, making it possible to stabilize the autofocus point and set framing. Multi-motion IS used in combination with the 5-Axis Image Stabilization mechanism produces excellent correction performance, especially during movie recording.

Hands-on photographers will appreciate the intuitive 2x2 Dial Control system which is in easy reach on the back and top of the camera. When shooting manually, a lever on the back can be quickly moved to one of two positions. In the first position, moving the dial at the front of the camera adjusts the aperture while the back dial affects exposure time. In the second position, the dials change the ISO value and white balance. Alternatively, you can use the lever on the back of the camera to assign a range of other functions.

The E-P5 is the first Olympus camera to include built-in Wi-Fi. Setup is simple and involves quickly scanning the QR code displayed on the camera's LCD with your Smart device to synch it with the Wi-Fi network created by the camera. Olympus’ free smartphone app, Olympus Image Share 2.0*, synchronizes your smartphone’s and E-P5’s screens so you can effectively see the camera’s LCD on your phone and control it by touching the smartphone display as if it were your camera. This is extremely useful for self-portraits and for remotely shooting subjects like wildlife that are easily startled if you get too close. You can count down to shutter release on the phone itself, grant friends’ devices access to selected images, and even use your smartphone to embed GPS information in your shots.

Photo Story mode enables you to capture a scene from multiple viewpoints and then combine them into a single image to create unique collages inside the camera. New "Photo Story+" adds a rich variety of stamps and "Signature" for adding a handwritten or original image signature on top of the image through the Oi.Share app. Other creative features include new interval shooting that sets a time interval between 1 second to 24 hours, as well as how many shots the camera will capture in a series (1 to 99) during that time to create images that show the growth of a plant, the drifting of clouds, moving crowds or a butterfly emerging from its chrysalis. Time Lapse Movie converts the series of pictures taken using interval shooting into a movie inside the camera. The 12 available Art Filters on the E-P5 lend even more creativity to time-lapse movies as well as still images. Live Bulb mode has been improved by automatically reducing the monitor's brightness to prevent glare and to display a histogram and the elapsed time of an exposure to more easily shoot stars, light painting and fireworks.

The Olympus PEN E-P5 is equipped with a bright and viewable 1.04 million dot high-definition tilt-type touch panel LCD that can be adjusted to face upwards at an 80-degree angle and downwards at a 50-degree angle. For photographers who prefer composing their shots using an eyepiece, the new optional high-definition VF-4 viewfinder, provides an impressive 1.48X magnification, a 2.36 million dot LCD, eye detect to turn it on at the right time, and intuitive functionality that enable real-time viewing of shooting conditions.

The Olympus PEN E-P5 is compatible with the whole Micro Four Thirds range on quality lenses, which now extends to newly introduced black versions of the M.ZUIKO® DIGITAL 17mm f1.8, 45mm f1.8 and 75mm f1.8 lenses.

U.S. Pricing and Availability
The Olympus PEN E-P5 will be available in May 2013 in the following configurations.

Estimated Street Price:

$999.99 Body only, available in Black, Silver or White

$1449.99 (Black or Silver body with black M.ZUIKO DIGITAL 17mm f1.8 lens and VF-4 Electronic Viewfinder lens)

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Several websites have published Q&A sections to clear all the "misunderstandings" about moving Photoshop CC to a cloud based subscription - see some of the posts by Adobe, Engadget, Dpreview and Scott Kelby. No matter what others are saying, Adobe is taking away an option that you previously had: buy a stand alone version or sign up for monthly subscription. This option will no longer be available after the company stops updating ACR. Even if I decide to never update to a new version of Photoshop, I still have the ability to edit all digital images I took in the past decade. Once you move to a monthly subscription and you stop paying few years down the line, you no longer have a way to use the tool. I personally will be sticking with CS6 for as long as I can and see how this whole thing will play out in the next 2-3 years.

If you believe in online petitions (I don't), change.org is currently collecting signatures to eliminate the mandatory "creative cloud" subscription model.

Adobe is also considering creating a photographer’s bundle with only Photoshop CC and Lightroom:

Q: What if I use Photoshop and Lightroom?
A: Currently, your best option is the Creative Cloud single-app membership for Photoshop CC and you can purchase Lightroom separately as a perpetual software license. We’ve heard there’s a lot of interest in a photographer’s bundle or photography cloud solution and we’re actively exploring offerings we can potentially create for you. We welcome your feedback around what you would like to see that fits your workflow needs.

Adobe also announced a new Connected Pen and "Digital Ruler":

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Think Tank Photo announced a new line of  Mirrorless Mover bags designed for compact system cameras. Here is a quick overview of the Mirrorless Mover 20 bag which the company sent me yesterday.

The Mirrorless Mover 20 bag comes with a thin strap:

To top cover has magnets - allows for easy and quiet opening:

You can fit a mirrorless camera with an attached lens and maybe another 1-2 lenses (depending on the size of the lenses):

On the back there is a convenient belt loop:

The front pocket contains the rain cover:

Technical details from thinktankphoto.com:

Available for purchase May 10th.
Scaled to fit today’s smaller mirrorless cameras, this collection of bags offers consumers the same top quality materials and craftsmanship that Think Tank is known for. Unlike many other competitors bags in this class, our  collection does not cut corners in materials or craftsmanship. Using metal hardware instead of plastic buckles, high quality fabrics, YKK zippers and a new, magnetic closure, the Mirrorless Mover offer consumers quality and value.

Key Features:
• Designed specifically for mirrorless equipment
• High quality YKK zippers and metal hardware
• Multipurpose divider with smart phone slot and two SD card slots
• Belt loop attachment

Gear Profile:

Mirrorless Mover 20: Fits one medium size mirrorless body plus two–three lenses and additional accessories Example: Leica V–Lux, Olympus OM–D E–M5, Panasonic G3, GF5, GH2, Samsung NX5, NX11, NX210,
Sony NEX–5, NEX–6, NEX–7, or similar sized/smaller bodies.

Features:
•Flip-Top lid with magnetic closure provides quick access to gear
•Removable shoulder strap
•Rear slot for your belt or a Think Tank belt
•Easily accessible front zippered pocket for accessories
•Side pockets (stretchable/gusseted)
•Internal mesh pocket on the lid for battery or other accessories
•Grab handle on the lid
•Poly Ballistic fabric ensures durability
•Seam-sealed rain cover included

Specifications:
Mirrorless Mover 20:
• SKU: 87453000 658 6 (Black/Charcoal)
• 8.5” W x 5.3” H x 3.7” D (21.5 x 13.5 x 9.5 cm)
• ED: 8.9” W x 6.1” H x 4.5” D (22.5 x 15.5 x 11.5 cm)
• Smart Phone Slot: 2.8” W x 4.8” H x 0.6” D (7 x 12.3 x 1.6 cm)
• Weight (with all accessories): 0.7 lbs (0.3 kg)

Materials:
Exterior: All fabric exterior treated with a DWR coating while fabric underside is coated with PU for superior water resistance, YKK® RC zippers, 1680D ballistic polyester, 600D brushed polyester, Ultra-stretch pocket, antique nickel plated metal hardware, 3-ply bonded nylon thread.

Interior: removable closed cell foam dividers, 200D polyester, PU backed nylex liner, 2x PU coated nylon 210T seam-sealed taffeta rain cover, 3-ply bonded nylon thread.

Disclosure: Think Tank Photo is an affiliate sponsor of PhotoRumors.com.

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All B&H special for Mother's day can be found here.

Some Canon deals are available at Adorama. Two more offers: $200 on select Samsung cameras and $100 off on the Sigma 70-300 lens.

eBay is offering free 1 day shipping (offer ends May 9th).

If you like some of the photo gadgets at ThinkGeek, you can get $20 off with the coupon code 20SMACKERS (valid till May 12th)

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The first images of the Olympus E-PL6 (above) and the E-P5 "premium" model are out:

Via Digicame-info

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Today's guest post by J Shin will tell you about the  different equipment relationship types:

In all my visits to photography rumor and review sites, one observation I have made is that a good proportion of "trolling" and "personal attack" comments have to do with people's relationships to their equipment: how often they buy things, what kinds of features they want or don't care about, their triumphs and disappointments with their acquisitions, etc.

The thing is, different people have very different relationships to their equipment, and one way of purchasing or not purchasing, using or not using, complaining or not complaining, is not necessarily superior to another. Think about all the different relationships people have with their romantic partners. Some are long-lasting; some are not. Some are intense; some are not. Some are exclusive, some are not. Some are carefully considered; some are not.

Such is our relationship with photographic equipment.

Here are some basic types of equipment relationships I have noticed, analogized to different types of romantic relationships. Naturally, these types are not all mutually exclusive: a "philanderer" may also be in a stable, monogamous relationship, and anyone can enjoy pornography or punditry. One's relationship tendencies may vary over time and, more importantly, with cash flow. One could be monogamous with a system, but philandering with bodies, lenses, and/or accessories. Most of us are combinations, and have unique features not associated with our "types"; that's certainly true of me.

Needless to say, one's relationship to photographic equipment is not going to be exactly analogous to one's romantic relationships.

What I would ultimately like is for all of us to develop self-awareness, recognize differences, and, in the end, just get along.

Of course, if you think EVF is junk, my gloves are off.

Monogamy

One system, possibly just one body, with few lenses and accessories. Dedicated to a limited range of subjects, or a wide variety of subjects, pushing the limits of each body/lens. Accumulates lenses and accessories gradually over time, if ever. Tends to have lower equipment budget, unless there is a non-monogamous tendency in the lenses and accessories. Probably would have been happy with any system, but feels lucky to have found the right one. Often has an arcane system, and very proud of it. Usually more choosy about equipment, but not necessarily judgmental of others' choices. Sometimes, there is a "growing apart," and a "divorce" occurs, and is quite shaken up about it. Some have good feelings towards their "ex's", and some are quite bitter about them. Can be disdainful of "equipment sluts" and "impulse buys". May have jealousy toward others with "sexier" systems, but does not act on it, and, as a reaction-formation, become very critical of new-fangled features that "nobody needs".

Serial monogamy

One system after another. Massive purchases and massive purges of equipment. One lens for each subject matter. Loves specialized accessories. Obsession with a subject, then moving on to another, often finding their existing system lacking; rather than buying another accessory or giving up on the subject, purges the whole lot. May be dramatic over each "divorce", or very casual about it. Some are always on the lookout for the next love; some are baffled by their inability to commit or find "true love". A lot of regrets about "bad choices" in the past.

Polyamory (open monogamy)

One primary system with a wide ranges of lenses and accessories, with a variety of other, smaller systems. Gets bored just using one body/system, but is largely committed to the primary system. Expert at which system is best for which situation. Pursues a wide range of subjects and techniques. Versatile and proud of it; gets frustrated if a subject cannot be mastered. Reverts to monogamy, or serial monogamy, as one's favorite style develops or limitations arise; often still has the "first love" or "cut my teeth" equipment. Sometimes a "secondary" relationship becomes "primary". Less likely to "divorce" the primary system, but, if necessary, does so with strong feelings. Some tendency to collect, but largely treats any new prospect with considerateness and respect. Often has regrets about "having brought the wrong equipment" to an occasion.

Polygamy

Several primary systems, each system dedicated to a specific purpose, such as "work", "snaps", "art", "travel", etc. No strong preference for one system over another, although there may be a "love of my life" camera that is not necessarily the one that gets used the most. More "professional" attitude of "I know which system to use for this assignment", rather than polyamory-like flexibility and experimentation. Often carries back-up bodies, one that is carefully selected for the occasion. Also some tendency to collect, but largely treats new prospects with critical distance. May have a "philandering" tendency in a specific area, such as family snaps, where one feels more free to experiment.

Philandering

Generally, no commitment to any one system, or may have a "primary" relationship that is somewhat tumultuous. Sometimes buys a large system, sometimes only a lens or two for a system. Constantly buys and sells on eBay. Enjoys the virtue of each system, but also easily disillusioned with a system. A bit of a "conquest" collector, aiming for some goal with each purchase, but then moves on to another interest. Tends to fall for "sexier" features. Often regrets purchases, returns to "primary love" or "previous love", if any, but not for long.

Friends with Benefits

Tends to buy many systems, a few lenses and accessories for each system. Not particularly committed or obsessed with one or the other. Reviews and tests each equipment extensively, but does not necessarily take a lot of photos with each. More interested in the feeling of having a lot of equipment around, or having a good set of options that can meet a wide range of situations. Does not easily "fall in love". Less intense than polygamy or philandering; more casual relationships and more casual attitude about photography as an endeavor.

Pageant judging

Reads a lot of reviews, rumors, and specifications. Thinks a lot about the virtues and shortcomings of each equipment, and is quite knowledgeable, but does not necessarily buy them. Reads a lot of test results, and knows what all the numbers mean and how they would translate to image quality under what circumstances. Can be opinionated on forums about equipment they have never even seen, but often has cogent observations that "lovers" would miss; many do try out equipment at stores or by renting. Often makes provocative demands for features and combinations of features that are "absolutely necessary", although they have no or limited plans for purchase. Can be very critical of manufacturer missteps, but generally kinder to the manufacturer of their "primary" system, if any. May be on the market for a new long-term relationship; public contemplation helps them make good choices.

Pornography

Like beauty pageant judging, but with a lot more intense love-hate, slobbering-anger, and obsession. Does not necessarily comment a lot on forums, but can get very effusive about a new model, or suddenly get very intense, with vitriol toward manufacturers and toward people demanding the "wrong" features. Wants certain equipment desperately, but cannot necessarily afford it; often do not want it in the long run, and may not have the skill to make good use of it. Goes to retail Web sites constantly, checking prices, comparing features and specifications, but not necessarily thoroughly, and can be impulsive. Most likely, in fact, to regret purchases. Daydreams a lot about what one could do with a given equipment. Not particularly loyal to anyone, even if they have a "primary" system or is basically otherwise monogamous. At the same time, pornography can strengthen one's primary relationship, and can be a satisfying outlet that costs little.

Punditry

Does not say much about one's own loves, but is very opinionated about other people's relationships. Not very open or consistent about what one wants. May not even be a photographer; may be a photographer with a lot of experience. Often has depth of knowledge, and makes thought-provoking and valuable comments, but reading the comments does not make it obvious how experienced the person really is; sometimes not even clear if the comment is comedic, sarcastic, or serious. Often develops love-hate relationships with other pundits, and engages in heated exchanges.

I hope this helps you understand yourself and others. I'd love to hear from you, of course, if you are not one of the types listed, or if you object to the characterizations. I do want to remind everyone that not one of these types is better than another. The survival of the human species and of world capitalism depends on diversity, and we all contribute to this each in our own way.

For fairness's sake, I will disclose my relationship type. I am romantically monogamous, but photographically I am basically polyamorous, and indulge in pornography and pageant judging. Leica R used to be my primary system, but we are having a "trial separation" while I give µ43 a good go. Some of the other long-term relationships I have had include: Century Graphic, Olympus Infinity Jr, Retina IIIs, and Olympus XA. I still have very fond feelings about these relationships. Some "trysts" and "one-night stands" have included Minolta manual, Polaroid, Yashica MAT-124, Leica M, Nikon Action Touch, and Retina IIa. (By the way, you can tell I am polyamorous because I clearly and fondly remember each relationship, even with compact cameras; serial monogamists and philanderers typically would not.) For a while I was pornographically obsessed with the "full-frame mirrorless" concept, but this has gone away with my blossoming relationship with an E-PM1.

With my last article on my Leica apostasy, some people complained that I didn't post any photos. I have since joined Flickr, and you can see a few of my photos at http://www.flickr.com/photos/94547033@N03/.

If you have an interesting idea for a guest post, you can contact me here.

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The detailed specifications for the Olympus E-PL6 and E-P5 cameras and the new VF-4 electronic viewfinder have leaked:

Olympus E-PL6 specifications

• Sensor is 16.05 million pixel Live MOS effective the same as the E-M5
• Image processing engine Truepic VI
• FAST AF, Touch AF shutter
• Art filter 12 different
• Effects feature six different
• 460,000 dot monitor 3 movable type possible upward 170 degrees, take your can move downward 65 degrees
• Fast release time lag mode of 0.0044 seconds time lag
• Low sensitivity ISO expansion ISO range, (ISO100 equivalent), 200 -25 600
• 1/4000 Seconds 60 seconds, shutter speed sync 1/250 sec
• Interval shooting of 24-hour 1-99 sheet number, from 1 second
• Time-lapse video
• Electronic Level 2-axis horizontal and vertical
• Sensor shift image stabilization
• Can work with smart phone using the FlashAir the “OLYMPUS Image Share”
• Small AF target with a narrow focus area size per point
• Image stabilization mechanism sensor shift type body in hand
• Movie teleconference
• In-camera RAW editing function
• Continuous shooting up to 8 frames / sec, up to 3.5 frame / s AF during follow-up
• 3D tracking AF
• Full HD (1920×1080, 30p), MOV format video (MPEG-4AVC/H.264)
• Linear PCM audio
• Live bulb shooting, live time shooting
• Metering area EV0-20
• SD / SDHC / SDXC, UHS-I support, Eye-Fi card support, media support FlashAirTM
• 110.5mm size (width) x 63.7mm x 38.2mm (height) (depth)
• Weight: 325g (Including battery, memory card)
• May 10 announced, late June release
• Body color of E-PL6 White Silver Black Red
• Added new color White Silver Red body cap lens BCL-1580
• Underwater Case PT-EP10 pressure water depth of 45m
• VF-4 ¥ 32,000 electronic view finder

Olympus VF-4 EVF specifications

Finder Type    approx. 2.36M-dot    approx. 1.44M-dot    approx. 920k-dot
Viewfinder magnification / Field of view    Approx. 1.48x (-1m-1, 50mm lens, Infinity) / Approx. 100%     Approx. 1.15x (-1m-1, 50mm lens, Infinity) / Approx. 100%     Approx. 1.0x (-1m-1, 50mm lens, Infinity) / Approx. 100%
Eye point     Approx. 21mm (-1m-1, Distance from rear lens surface)     Approx. 18mm (-1m-1, Distance from rear lens surface)     Approx. 17.4mm (-1m-1, Distance from rear lens surface)
Diopter adjustment range    -4 ~ +2m-1    -3 ~ +1m-1    -3 ~ +1m-1
Eye Sensor    Available*  *E-P5, E-PL6    -    -
Lock mechanism    Available
Weight    41.8g    32g    28g
Dimension    30.4ｍｍ（W）× 48.2ｍｍ（H）×47.8.ｍｍ（D)　　　    29.4ｍｍ（W）× 48.5ｍｍ（H）×46.3.ｍｍ（D)　　　    25.4ｍｍ（W）× 44.1ｍｍ（H）×43.8.ｍｍ（D)
Optional Eyecup    -    EP-9 is available.    -
Compatible Body    ”E-P5 / E-PL6* (Compatible with eye sensor ) *When using E-PL6 and VF-4, eye sensor function is same as E-M5
E-PL5, E-PM2, E-M5, E-PL3, E-PM1, E-P3　Firmware update required, Not compatible with eye sensor）
E-PL2, E-PL1, E-PL1s, E-P2, XZ-2 （Firmware update required, Not compatible with eye sensor, Image degradation on view finder.）

Olympus E-P5 specifications

Model name:    E-P5
Product type:    Micro Four Thirds interchangeable lens system camera
Memory :   “SD Memory Card*1  (SDHC, SDXC, UHS-I compatible, Eye-Fi Card compatible*2 )
*1: Class 6 or higher is recommended for Movie shooting.
*2: Not compatible with Endless Memory. ”
Screen size:    17.3 mm (H) x 13.0 mm (V)
Lens mount:    Micro Four Thirds Mount
Image Pickup Product type:    4/3 Live MOS Sensor
Number of effective pixels: Approx. 16.1 million pixels
Total number of pixels: Approx. 17.2 million pixels
Aspect ratio: 1.33 (4:3)”
Dust reduction:    Supersonic Wave Filter (image sensor dust reduction system)
Recording format:    DCF, DPOF compatible / Exif, PRINT Image Matching III, MPO compatible
File format:  RAW (12-bit lossless compression), JPEG, RAW+JPEG, MPO(3D still)
Recording image size:    “[RAW] 4608 x 3456 pixels
[JPEG] 4608 x 3456 pixels – 640 x 480 pixels”
File size    ”RAW: 4608(H)x3456(V) (approx. 1/1.5 lossless compressed) Approx. 17MB
Set1(LF): 4608(H)x3456(V)  (1/4 compressed) Approx. 7.5MB
Set2(LN): 4608(H)x3456(V)  (1/8 compressed) Approx. 3.5MB
Set3(MN): 2560(H)x1920(V) (1/8 compressed) Approx. 1.1MB”
Image Stabilization System Type:    Built-in (Image sensor shift type for movie & still, 5-axis* image stabilization)   *yaw/pitch/vertical shift/horizontal shift/roll
Mode:   4 modes (S-I.S.AUTO, S-I.S.1, S-I.S.2, S-I.S.3), OFF
IS for Live View image:    Available (by half-pressing the shutter button　or　enlarging　operation)
Focal length setting:    Available
Available manual focal length setting    Input focal length : 8, 10, 12, 15, 16, 18, 24, 28, 30, 35, 40, 48, 50, 55, 65, 70, 75, 80, 85, 90, 100, 105, 120, 135, 150, 180, 200, 210, 250, 300, 350, 400, 500, 600, 800, 1000
Stabilization performance    ”maximum 5 EV* (ased on Olympus in-house measurement conditions)
Lens　IS priority    Available
Shutter speed range    60 – 1/8000 sec. (Not available when Bulb or Time is selected.)
Live View    Approx. 100% field of view, Exposure compensation preview, WB adjustment preview, Gradation auto preview, Face detection preview (up to 8 faces), Grid line, Histogram, Magnification display (x5/x7/x10/x14), ”
Display Mode    Normal, Histogram, Highlight and shadow, Level guide, Off
Monitor type    3.0-inch tilting monitor. Approx.1037k dots (3:2), electrostatic capacitance type touch panel
Touch control    Shutter release, Enlargement, Live Guide, AF area selection, AF area enlargement, Frame forward/backward, Enlargement playback, Super Control Panel, Art Filter selection, Scene mode selection, Wi-Fi connection
Tilting angle    Upward tilting angle : up to 80 degrees. Downward tilting angle : up to 50 degrees
Brightness / Color temperature control    ±7 levels / ±7 levels
Color tone select    Vivid / Natural
AF system    High-speed imager AF
Focus mode    ”Single AF (S-AF) / Continuous AF (C-AF)* / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR). C-AF and AF tracking are not available with non-mFTS lenses. It works as S-AF in C-AF mode.
Full-time AF    Available
Magnified frame AF    ”Selectable from over 800 AF points
Magnification x5, x7, x10(Default), x14 selectable
Super Spot AF:  Selectable from center of enlarge view(0.02% – 0.16% in view image) Enlarged view focus point check by magnify button: Available with old lenses without data communication
Face detection AF / Eye detection AF    ”Available / Available
Eye Detection AF mode : Off / Nearer-eye priority / Right-eye priority / Left-eye priority”
Focusing point / Focusing point selection　mode    35-area multiple AF / All target, Group target area (9-area), Single target,(normal) Single target(small)
Peaking　function    ”Avaliable on Fn button or Manual Focus. Type : White edge, Black edge”
AF illuminator    Available
Manual focus assist　　　 * Customize function    Live View image is magnified when the focus ring is rotated. (at S-AF+MF or MF mode)
Metering system (TTL Image sensor metering)    Digital ESP metering (324-area multi pattern metering), Center weighted average metering, Spot metering, Spot metering with highlight control, Spot metering with shadow control
Metering range    EV 0 – 20 (at normal temperature, 17mm f2.8, ISO 100)
Exposure mode    ”i Auto, P: Program AE (Program shift can be performed), A: Aperture priority AE, S: Shutter priority AE, M: Manual, Bulb, Time, Scene select  AE, Art Filter,
Underwater wide / macro* , My Set
*Selectable from menu as a function on Fn/Rec button
*My set can be set to mode dial function”
Scene select AE    Portrait, e-Portrait, Landscape, Landscape + Portrait, Sport, Night, Night + Portrait, Children, High Key, Low Key, DIS mode, Macro, Nature Macro, Candle, Sunset, Documents, Panorama, Fireworks, Beach & Snow, Fisheye Conv., Wide Conv., Macro Conv., 3D *   3D lens(H-FT012 by Panasonic) only, still only
ISO sensitivity    ”AUTO ISO : LOW(approx. 100) ‐25600 (customizable, Defalut:LOW-1600)
Manual ISO : LOW(approx.100), 200 – 25600, 1/3 or 1 EV steps selectable”
Exposure compensation    ±3 EV in 1/3, 1/2, 1 EV steps selectable
AE lock    Locks at 1st release of shutter button (can be set to Fn/Rec button)
Shutter type    Computerized focal-plane shutter
Shutter speed    ”1/8000 – 60 sec. (1/3, 1/2, or 1EV steps selectable)
Bulb/Time: default setting 8min.  (1/2/4/8/15/20/25/30 min. selectable)”
Flash intensity control　method    ”TTL Auto, Auto*13, Manual, Super FP*13(FP-TTL AUTO, FP-MANUAL) *13: Available on the external flash”
Built-in flash    TTL Flash, GN=7 (ISO100・m) / GN=10(ISO200・m)
Bundled flash    - Flash mode    Flash Auto, Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual（1/1（FULL）～1/64）
Synchronization speed    ”1/320 sec. Built-in Flash* 1/250 sec. External Flash* *Super FP: 1/125-1/4000 sec.”
Flash intensity control    Up to ±3 EV in 0.3, 0.5, 1 EV steps selectable
Compatible external flash    FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R
Compatible external flash    FL-50R, FL-36R, FL-300R, FL600R
Control method    ”Triggered and controlled by built-in flash (Olympus Wireless RC Flash system compatible)”
External Flash intensity type    TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
Channel    4 channels
Group No.    4 groups (External flash 3 groups + a built-in flash*)
Sequential shooting maximum　speed    ”[Sequential shooting H mode]*   9.0 fps * in case of “”I.S. Off”" *Focus and exposure are fixed at the values for the first shot. [Sequential shooting L mode]*
4.5 fps  in case of “”I.S. Off”" (in 5.0 seq. shooting L)
5.0 fps* in case of “”I.S. Off”" (in 5.0 seq. shooting L)
*When using the M.ZUIKO DIGITAL ED 12-50mm EZ f3.5-6.3.”
“Max. recordable pictures on sequential shooting *”    ”[RAW]  Max. 18 frames (in 5 seq. shooting L),   Max.17 frames (in 9 seq. shooting H)
[JPEG]  Unlimited consecutive shooting (in 5 seq. shooting L),   Max. 28 frames ( in 9 seq. shooting H)
* When using the M.ZUIKO DIGITAL ED 12-50mm EZ f3.5-6.3.
* With TOSHIBA SDHC UHS-I R95/W90 EXCERIA”
Self-timer    Operation time: 12 sec., 2 sec.,custom (Waiting time 1-30sec.,Shooting interval 0.5/1/2/3sec.,Number of shots 1-10)
Exposure bracketing    ”2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable
*AE-BKT can be programmed to the Fn-button.”
ISO bracketing    3 frames in 0.3/0.7/1.0EV steps selectable
White balance bracketing    3 frames in 2, 4, 6 steps selectable in each A-B/G-M axis.
Flash bracketing    3 frames in 0.3/0.7/1.0EV step selectable
Art Filter bracketing    ”i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters selectable
*AE-BKT can be programmed to the Fn-button.”
bracketing　for　HDR　postprocess    ”3 or 5 frames in 2.0/3.0EV steps selectable, 7 frames in 2.0EV steps selectable.
*This function does not execute HDR processing.
*HDR function can be programmed to the Fn-button.”
Art Filter
Mode (Variation / Effect)    Pop Art (I, II / a.b.c.d.e.)
Soft Focus ( – / c.e.)
Pale & Light Color (I, II / a.b.c.d.)
Light Tone ( – / d.)
Grainy Film (I, II / b.c.d.f.g)
Pin Hole (I, II, III / d.)
Diorama ( – / d.)
Cross Process (I, II / b.c.d.)
Gentle Sepia ( – / a.b.c.d.)
Dramatic Tone (I / b.c.d.e)  (II　/ b.c.d.e.f.g)
Key Line (I, II / a.b.c.d.e.)
WaterColor　(I, II / a.c.d.)
Art Effect    a. Soft Focus Effect
b. Pin-Hole Effect
c. White Edge Effect
d. Frame Effect
e. Star Light Effect
f. B&W Effect (Yellow, Orange, Red, Green)
g. Pict. Tone (Sepia, Blue, Purple, Green)
PHOTO STORY
Type  (Frame effect / Aspect & Window    Standard （Ⅰ,Ⅱ,Ⅲ,Ⅳ　/　 a，b，c，d，e　/　A，B，C，D　）
Pattern)    Fun Frame （Ⅰ,Ⅱ,Ⅲ /－/－）
Frame Effect    a. 　White Frame
b. 　White Frame & White Edge Effect
c. 　Black Frame
d. 　White Frame & Pin Hole Effect
Aspect　＆Window Pattern    A.   4：3, 2 frames
B.    4：3, 3 frames
C. 　 1：1. 2 frames
D.    1：1, 3 frames
Movie Recording format    MOV(MPEG-4AVC/H.264) , AVI(Motion JPEG)
Movie Mode    [MOV]
“  Full HD: 1920(H)x1080(V),  　30ｐ(29.97ｆｐｓ）Recording
20Mbps（Fine) / 17Mbps（Normal) :  Aspect 16:9″
“  HD: 1280(H)x720(V),  　30ｐ(29.97ｆｐｓ）Recording
13Mbps（Fine) / 10Mbps（Normal) :  Aspect 16:9″
[AVI Motion JPEG]
HD: 1280(H)x720(V), 30fps *  Aspect 16:9
SD: 640(H)x480(V), 30fps *,  Aspect 4:3
*Excluding some Art Filters
Maximum Recording Time    [MOV]
Full HD : Approx. 29min(Normal) / Approx. 22min(Fine)
HD : Approx. 29min(Normal) / Approx. 29min(Fine)
[AVI]
HD : Approx. 7min*  /  SD : Approx. 14min*
*Excluding some Art Filters
Movie　Function    ”Movie Effect : One-shot echo / Multi-echo / Art fade / Art Filter Movie, Aperture-prioritized Movie, Shutter Speed-Prioritized Movie, Manually Shot Movie
One-push Movie Digital Conveter    ×4*  Avairable on Movie effect mode
TimeLapse Movie    Available　（AVI Motion JPEG　 1280×720　,10fps)
Image Stabilization for Movie    M-IS (Image sensor shift), Off
AE Lock    Available
Exposure control （Movie）    ”P: Program AE,   A: Aperture priority AE,   S: Shutter speed priority AE,   M: Manual,   Art Filter
* S mode and M mode : Shutter speed is limited in less than 1/30 sec.”
Compression ratio    Motion-JPEG Format : 1/12(HD), 1/8(SD)
File size  “MOV Format : Max 4GB
Motion-JPEG Format : Max 2GB”
Sound Recording format    Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
Microphone/Speaker    Stereo/Mono
Microphone function    ”Wind Noise Reduction,  Recording Volume
Audio dubbing possible for still pictures (up to 30 sec.)”
Maximum Recording Time    ”Picture with Sound: 30sec.
Movie: depend on Movie Recording Time”
White balance mode    Auto WB, 7 Preset WBs, 2 Capture WBs, Custom WB(Kelvin setting)
White balance compensation    ±7 steps in each A-B/G-M axis   * Except for Custom WB
Preset white balance    ”7 preset WBs (3000K – 7500K)
- Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K)”
Colour matrix    sRGB, Adobe RGB
Picture Mode  i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters
Gradation    Auto, Normal, High Key, Low Key     [except Art Filters]
Intereval Mode    Interval Time 1sec. – 24 Hours,  Max 99 frames. Available on making Time-lapse movie automatically
Multi Exposure Number of picture / Function    2 frames / Auto gain, Exposing on Recorded picture(RAW)
Multi Aspect Ratio    4:3(Default) / 3:2 / 16:9 / 1:1 / 3:4
Level Gauge
Detection    2-axis
One push Tele-converter
Magnification    x2
Wi-Fi Function
GPS info. Function    Available (by using Smartphone GPS data)
Wireless Shooting    ”Live View, Rec view, Wireless touch AF shutter*, Power off
*Self-Timer setting.
*Camera function is fixed on i-Auto. ”
Image Share    ”File Type: JPEG, MOV Connect to up to 4 devices simultaneously.  Marking function for image share. ”
Easy Connection    QR code setting
Playback mode    ”Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x – 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto), Slideshow (with sound including BGM, 2 selectable slide show effects, replaceable BGM), Light Box display
”
Information display    Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF
Menu Languages    ”34 languages selectable :
- English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croat, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai”
Reset & custom setting: My set    4 settings recordable / Available to set to mode dial.
Editing function    RAW development, Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280×960, 640×480, 320×240), Trimming, Aspect, e-Portrait, Image Overlay, Postrecording
RAW picture editing    ”RAW development based on settings of the camera (including Art Filter, ART-BKT).
2 programmable settings, preview capability.”
Print function    Print reservation (DPOF), Direct print (PictBridge compatible)
Input/Output USB/AV/Remote controller connector    Dedicated multi-connector     [USB: USB2.0 Hi-Speed,  Video: NTSC/PAL selectable, Optional Remote cable RM-UC1 compatible.]
HDMI connector    Micro HDMI （Type-D)
Flash attachment    Hot shoe
Accessory Port 2    Dedicated multi-connector   [for VF-2/VF-3/VF-4, SEMA-1, MAL-1 and PP-1.]
Wireless LAN    Built-in （IEEE 802.11b/g/n）
PC interface    USB2.0 Hi-Speed
TV interface    HDMI (HD/Stereo Sound), conventional video-out (SD/Mono Sound)
Battery    BLN-1 Li-ion battery (included)
Sleep mode    Available (1/3/5 min. off)
Number of recordable pictures    ”Approx. 400 shots    [IS ON, CIPA test standard] (with BLN-1 and TOSHIBA super high-speed Class 6 SDHC 4GB card)”
Dimensions     ”122.3ｍｍ（W）×68.9ｍｍ（H）×37.2ｍｍ（D) [CIPA guideline compliant, excluding protrusions]”
Weight    ”Approx. 420g  [CIPA guideline compliant, with BLN-1 battery and Memory card] Approx. 366g  [body only]　　”
Temperature    0 ~ +40℃ (operation) / -20 ~ +60℃ (storage)
Humidity    30 – 90% (operation) / 10 – 90% (storage)
Box contents    Body, Li-ion battery BLN-1, Li-ion battery charger BCN-1, USB cable, Shoulder strap, OLYMPUS Viewer 3 (CD-ROM), Instruction manual, Warranty card

Via digicame-info & 43rumors