MuphoricSounds.com

Tall Black Guy – 8 Miles To Moenart (Audio)

Vanessa Warren — Wed, 22 May 2013 04:23:11 +0000

It’s hard to believe that 8 Miles To Moenart is Tall Black Guy‘s debut album! The man has been steadily creating exemplar beats on the illest collaborations. His debut EP Therapy Chop Sessions, which was inspired by an interactive Facebook Group called The Beat Inn, lead him to win competitions such as ”Dance To The Drummers Beat” and “Red Bull Big Tune,” which received accolades from Giles Peterson and also winning Eric Roberson‘s “Tale of Two Remix Contest.” He was also picked to produce the soundtrack for The Roy Ayers Project, and later collaborated with emcees The Primeridian on Darling Lure.

8 Miles To Moenart takes us on a journey through his homeland, the motor city of Detroit, where his sophisticated sample flips have that tinge of familiarity but are so well done, that a new vibe and groove is created entirely. 8 Miles To Moenart is 8 tracks of featuring a culmination of hip hop with downtempo, electronic, new soul and jazz influences. TBG is an extremely talented producer and needs to be out there in a BIG way!

8 Miles To Moenart is available via First World Records; you need this in your life!

Eric Lau – “Where To Go Now” feat. Tawiah (Audio)

Vanessa Warren — Fri, 17 May 2013 21:41:00 +0000

Set to release his sophomore album One of Many on Fat Beats, Eric Lau‘s journey has been one for the story books. Releasing his debut New Territories back in 2008, garnered much attention and led him to creating seminal productions with Dego, Guilty Simpson, Georgia Anne Muldrow, Lupe Fiasco, and Oddisee. He has grown into a unique producer who is unafraid of creating themes that force him to explore new sounds.

“Where To Go Now” featuring Tawiah (who has bloomed into an incredible artist over the years) is the first single from One of Many and really is this year’s summer soundtrack. The album has Lau call on his usual cohorts, including Rahel, Fatima, Olivier St. Louis, and Georgia Anne Muldrow, where he collaborates extensively with multi-instrumentalist, Kaidi Tatham (Bugz in the Attic) on the album.

Check out “Where to Go Now” below; One of Many is set to release 17th June.

“Where To Go Now” feat. Tawiah

Kenrick Lamar – “Bitch, Don’t Kill My Vibe” (Video)

Vanessa Warren — Mon, 13 May 2013 20:32:28 +0000

I will be completely honest. I did not drink the Kool Aid and join the masses chanting Kenrick Lamar until January of this year. The bright and shining star at Aftermath, who decided the release date for good kid, m.A.A.d city should fall on October 22nd 2012, is genius! Know that Kendrick Lamar will clean up at all the award shows come 2014. Now with a hot video for single “Bitch, Don’t Kill My Vibe,” arguably one of the hottest tracks on the album, Lamar is set to really dominate as the new West Coast rapper to make change. Continuing from the “Poetic Justice” premise, they attend the funeral of the young woman who got shot, with comedian/actor Mike Epps playing the alcoholic Pastor. Check it out below.

Carl Hudson Creates “Zoology for Martians” (Audio)

Vanessa Warren — Sun, 12 May 2013 23:38:52 +0000

Carl Hudson is a session keyboardist and second signing to the UK based label Digisoul. We have heard his skills on music fronted by Jocelyn Brown, Jean Carne, Leon Ware, Omar, The Valentine Brothers and many sessions with Soulpersona on his debut release Soulcoaster, which was a smooth blend of progressive soul, rare grooves, jazz funk, hip hop, and disco infected beats. Zoology for Martians is a sophisticated collection of instrumentals that continue in the Digisoul vein. Created in a few days with the help of Digisoul musicians Nick Van Gelder (Drums/Percussion) Andy Tolman (Bass), Terry Lewis (Guitar), Neil Waters (Flugal Horn), and Bob Dowell (trombone), they blend sounds that you would expect from the likes of Herbie Hancock, Don Blackman, George Duke.

Zoology for Martians is available on Amazon for purchase.

The “Future” is in The Courtney John Project (Interview + Audio)

Vanessa Warren — Wed, 01 May 2013 03:11:43 +0000

The genesis of The Courtney John Project is a labour of love and an exploration of different musical forms. Future is the debut album from The Courtney John Project and features lead singer Courtney John, who is no stranger to the music industry – having won awards and topped reggae charts. And it should also be noted that both John and producer The Wizard are descendants of reggae royalty (The Wizard is the daughter of the great Beres Hammond and John is his nephew). With that kind of pedigree, it’s no wonder that they partnered with Steven “Lenky” Marsden, Grammy-winning producer who has worked with dancehall acts such as Sean Paul, Wayne Wonder, and Lumidee.

The Courtney John Project subverts reggae music but at the same time preserves its core elements, where the trio incorporate electronic formations to create a new musical genre, that they describe as rootstronic.

Future is positioned as a reggae revival, reminding us of what it was, and what it can become, and from listening to this album, it can certainly become a movement. John‘s lovers rock vocals harken back to some of reggae’s great vocalists, such as Desmond Dekker, Alton Ellis, and of course his uncle Beres. The album exhibits music’s boundless universality, allowing three people to step right out of the box and into a new musical sphere.

With Future hitting the stores today, we were able to catch up with Courtney John to talk about The Project, his career thus far, and what’s in the future for the group. As you read the interview, you can listen to a couple of tracks embedded between questions.

Released on FiWi Music, Future is available at iTunes and Amazon. Support great music and buy your copy today!

Muphoric Sounds: How was The Courtney John Project born?

Courtney John: They were looking for a track to place in the Oliver Stone directed movie Savages. The Wizard and I, were working on a track, well actually the first single “Soul of A Man” and we called in Lenky to do some additional keyboard. The song wasn’t chosen, but while in the studio we realised there was a great energy; one that we had to capture more of. A new sound was being created. It was days later that The Wizard and myself decided to call this sound “Rootstronic”…the band was immediately formed.

MS: Will it be a one-off Project in style and sound?

Courtney John: No, I plan to keep the sound evolving and keep the doors to the Project open to have other musicians and artists be a part of The Courtney John Project creative process.

MS: Why did you call it “The Courtney John Project”?

Courtney John: I decided on the name “The Courtney John Project” because it represents what the process was like initially…I was experimenting with a new sound vocally and I invited these two talented musicians into the process and it seemed like we were working on a project.

MS: Your relationship with The Wizard is not only a musical one, but you are cousins! When did you decide to start making music together? How have you helped each other grow as artists?

Courtney John: Yes, we’re cousins. We started out writing songs together many years ago and it kinda segued into a mentorship vibe when she expressed that she wanted to produce. It’s a good working environment because Wiz brings all that is fresh and new and I bring the years of experience. She gives me the ability to always try to innovate and keep things on the cutting edge. I guide her through a lot business knowledge that she needs…writing techniques and artist development.

MS: With the fusing of various musical styles within The Project, did you see it as a risk in the genre of Reggae music?

Courtney John: Not at all. I think the core audience that listens to reggae is an open-minded audience and I think once anything is done tastefully and with a certain quality, this audience normally reacts in a positive way.

MS: Did being Beres Hammond‘s nephew influence your wanting to become a singer? How has he influenced you through the years? What anecdotal story can you share with us?

Courtney John: Yes, he sure did. We are a very musical family, so my other uncle Boyo, a great vocalist also influenced me. I remember Beres always saying, “Whatever you do, do it good. A record, once it goes out, will always be there for people to hear.”

MS: Your style is very reminiscent of Reggae’s beloved vocalists. Who are your main influences and why?

Courtney John: I’m a big fan of Alton Ellis, I think he taught Jamaican singers how to sing. I’m also a big fan of Delroy Wilson, Slim Smith… I am just a sucker for old-time music and old-time singers.

“Gonna Be Alright”

MS: At the start of your music career, you went by the name of Yogi Bear. What precipitated the change back to Courtney John?

Courtney John: Haha, it was actually Yogi! Yogi was a childhood name given to me by my grandmother Di Di. I wanted to go back to a name that I thought the ladies would like to take home for a hug LOL. Courtney is my first name and John is my middle name, hence the name Courtney John.

MS: From gaining hit records on the reggae charts, to being likened to R. Kelly in your “Lucky Man” video, how would you describe your journey so far? What are some of your greatest lessons?

Courtney John: The journey has been one that only a storybook could describe; It has had its highs and lows, but the character that it has built is worth every moment of the journey. The greatest lesson that I’ve learnt in this business is the importance of family.

MS: How would you describe the musical landscape in Jamaica right now? What do you hope to contribute to it?

Courtney John: I mean, the music I see now is really mimicking people’s lives. With this Project, what we’re trying to do is inspire first, our musicians and peers, to take chances and be creative and then to show our people, that we have a great place that can produce multi-genres.

“Rain Like Gold”

MS: What are your plans for live shows? What do you intend on giving your audience?

Courtney John: Well we’re looking to do Europe first then America. Our aim is to really create an event with the live performance, where it integrates with other areas in the arts, such as fashion, photography, dance, theatre…you name it.

MS: What mainstream artists would you most like to work with?

Courtney John: Bono.

MS: Are there any electronic artists you’re interested in working with?

Courtney John: It would be interesting to hear what Skrillex meets the Rootstronic would sound like. Deadmaus is also a very interesting producer that could work some magic with the movement that we’re on.

MS: What’s next for Courtney?

Courtney John: Traveling the world to get this sound out to people and always writing and making music that I believe in.

MS: What artists are you listening to now?

Courtney John: London Grammar, Aloe Blacc, Raging Fire, James Blake, Lianne La Havas, and this new dope chick called Kat Dahlia.

–

Future is available at iTunes and Amazon. Support great music and buy your copy today!

Omar – “The Man” (Video)

Vanessa Warren — Fri, 26 Apr 2013 20:02:01 +0000

This is the first video (well actually, the second, if we count the teaser video shot in Copenhagen last summer) for the track “The Man.” Directed by Robin Brunson of Hextatic, who is known for creating trippy audiovisuals. What’s so lovely to watch about this video is how it blends between black and white to colour at the poignant points of the song, symbolising freedom, happiness and joy as Omar takes a walk with his family, including his twin daughters at the seaside. We simply cannot wait to hear Omar‘s new album The Man in its entirety. In the meantime, the single, which features remixes from Shafiq Husayn and Maddslinki (Zed Bias), and a reworking of Omar’s first his, “There’s Nothing Like This” featuring legendary bassist, Pino Palladino is available on iTunes.

The Man hits stores May 26th.

Shokazulu a.k.a. Kaidi Tatham (Audio)

Vanessa Warren — Thu, 25 Apr 2013 17:18:32 +0000

There is something incredibly rich within the productions of the 2000 Black crew (Tatham, Mensah, Lord & Ranks). The Broken Beat was sound born in the UK, where a small collective of music loving men would meet and make music, becoming an underground de facto, where their musicianship exceeds those in the commercial realm. Kaidi Tatham, a member of the now defunct Broken Beat group of producers, Bugz in the Attic, started his musical endeavors playing flute at the mere age of nine and played with the National Children’s Wind Orchestra in the West Midlands. Later, he moved to South London, studied music and found his passion in the piano. Listening to his musical arrangements there is a level of sophistication from percussion to chords and the use of the Moog keyboard is the staple. Tatham‘s style is a revival, and appreciation of various music forms fused into something quite incredible! If you don’t own Tatham‘s In Search of Hope, you need it in your life…now!

Tatham gave us a taste of Shokazulu back in 2011 with the funky “Part 4” and we waited with baited breath for the completed album. Shokazulu delivers on exponential levels. Check out a couple of the tracks below, then head over to 2000Black to support good music; it is worth every penny!

“Sunstroke”

“Hips Don’t Fail Me Now”

B. Eure III – “A Mind’s Canvas” EP (Audio)

Vanessa Warren — Thu, 25 Apr 2013 04:14:56 +0000

This was definitely a welcomed surprise! B. Eure III has been on the circuit for a few years now, releasing music also under the name of Bobby Blunt and projects such as Petey’s Soapbox, the collaborative project with Vex on Huey Neutron, and last year with Kaleidoscope. The Virginia native now hits us with A Mind’s Canvas, his most sensitive release to date, which is a exploration of life, love and the struggle to balance it all. A Mind’s Canvas highlights Eure III vocal ability, which puts one in the mind of UK singer Omar and is his most musically adventurous project to-date, perhaps because he taps into his inner feelings, allowing him explore new sounds. Check out “The Verge” and “Crash” then head over to his Bandcamp to buy a copy (you can name your own price too!)

Crash.. by B. Eure III

Janelle Monáe “Q.U.E.E.N.” feat. Erykah Badu (Audio)

Vanessa Warren — Tue, 23 Apr 2013 19:46:28 +0000

Having been compared to the likes of David Bowie due to her futuristic brand of soul, Janelle Monáe returns after the smashing success of The ArchAndroid and is well positioned to arrest the world. “Q.U.E.E.N,” the first single from the forthcoming album The Electric Lady, features the new queen of the feature, Erykah Badu (seriously, Erykah’s collabos are racking up like Lil Wayne’s). Musically, “Q.U.E.E.N” has a serving of Prince poured over track, with the accented synthesizers, guitar riffs, later the horns. “Q.U.E.E.N.” represents past conversations between the two singers, and understandably, the content is far-reaching. Check it out below.

“Q.U.E.E.N.” is also available on iTunes for purchase.

Kelis – “Call on Me” (Audio)

Vanessa Warren — Mon, 22 Apr 2013 19:46:29 +0000

It has certainly been some time since Kelis released any solo material. Some may not have even noticed that she did a little work with Calvin Harris and recently on Skream‘s “Copycat.” Now partnering with TV On the Radio‘s Dave Sitek on what sounds a little throwback-ish with its full horns, drum and bass arrangements, and an organ that takes us back to the 70s in tone and feel. Her new album Flesh Tone, will be one of the two albums she will release on Dave Sitek‘s new label Federal Prism. Kelis may be on to something solid. Check out “Call On Me” below.

Szjerdene – “Go” (Video)

Vanessa Warren — Mon, 22 Apr 2013 16:57:50 +0000

The first we heard of UK singer Szjerdene (pronounced JhurDEEN) was with Dutch singer Mar, on a duet for his Mar Variations on a track called “Avril 14th,” a collaboration that probably would not have happened if Szjedene hadn’t reached out to Robin Hannibal (Quadron) and started to collaborate. Since then, she has been etching her name in stone, releasing her debut EP, Patchwork earlier this year, and began touring as the featured vocalist on Bonobo‘s North Borders tour last month. Now with the first visual installment for “Go,” directed by Hesdy Lonwijk in collaboration with Amsterdam’s Fonds voor de Kunst, Fat Fred’s Film company and dancers from the Het Nationale Ballet, they have created something truly breathtaking; check it out below.

The Patchwork EP is available at iTunes | Amazon | GooglePlay | eMusic

De La Soul – “Get Away” Feat. The Spirit Of Wu (Audio)

Vanessa Warren — Fri, 19 Apr 2013 17:56:33 +0000

The last time we made mention of the legendary rap group De La Soul, was when they partnered in 2009 with Nike+ Original Run with Are You In?, on a 44-minute continuous play featuring Raheem DeVaughn and DJ Flosstradamus. The Strong Island trio are now set to release their first album since 2004 with “Get Away” as the lead single, using a sample from the Wu-Tang Forever. It certainly is in the spirit of Wu-Tang, with that sinister, haunting sound that blew our minds back in the early 90s. Posdnuous and Dave can claim their stripes in being dope MCs and bark at the how commercial rap music cannot stand the test of time – as their music has and still continues to. Check out the “Get Away” featuring The Spirit of Wu below. The album You’re Welcome is set to release in the fall.

Listen to Thundercat’s Impassioned Return “Heartbreaks & Setbacks” (Stream)

Vanessa Warren — Wed, 17 Apr 2013 16:38:31 +0000

In my Eva Langoria voice, “This is my NEW favourite!” We have been eagerly waiting for new music from Thundercat and this one meets our expectations. He has pushed the envelope and upped his game in sophistication. “Heartbreaks & Setbacks” sounds unlike what he has released before. The vocals are a pure delight, giving the track a sensitivity as his signature bass and drums carry the song. The track has only been on Brainfeeder‘s Soundcloud for two days, and already amassed 55K plays (we attributed to 20 of those plays!).

With his sophomore album, Apocalypse scheduled to release in July 2013 on Brainfeeder, he holds a tighter reign on the production, where Flying Lotus sits in as executive producer. We are sure to experience another fusion of sounds which incorporate electronic and live instrumentation. Check out the stream below.

Thundercat – US Tour Dates

April 16 – Los Angeles, CA @ The Echoplex
April 21 – Houston, TX @ Warehouse Live Ballroom *
April 23 – Atlanta, GA @ Masquerade (Heaven Stage) *
April 24 – Asheville, NC @ Orange Peel *
April 25 – Washington, DC @ 9:30 Club *
April 26 – Philadelphia, PA @ Union Transfer *
May 1 – New York, NY – Brooklyn Masonic Temple (Red Bull Music Academy)
May 5 – New York, NY @ Terminal 5 (Red Bull Music Academy) +
May 6 – New York, NY @ Terminal 5 (Red Bull Music Academy) +
May 12 – Boston, MA – Paradise *
May 13 – Montreal, QC @ Metropolis *
May 15 – Toronto, ON @ Sound Academy *
May 16 – Cleveland, OH @ House of Blues Cleveland *
May 17 – Milwaukee, WI @ Turner Hall Ballroom *
May 18 – Chicago, IL @ Metro *
May 19 – Minneapolis, MN @ First Avenue *
May 22 – Seattle, WA @ Showbox Sodo *
May 23 – Vancouver, BC @ Vouge Theater *
May 24 – Portland, OR @ Roseland Theater *
May 25 – Oakland, CA @ Fox Theater *

* with Flying Lotus & Teebs
+ with Flying Lotus & Ultraísta

Omar – “The Man” Album Is Set to Release this Summer (Audio)

Vanessa Warren — Sat, 13 Apr 2013 04:36:11 +0000

The Man is symbolical to Omar, in that it signifies his years in music and becoming a man during the entire process. And has he given us an unwavering journey! From singing in night clubs to gracing the world stage, being sort out by Stevie Wonder himself, to singing with the best in music like Erykah Badu, Angie Stone, Syreeta Wright, Common, and Carleen Anderson, and recently a recipient of an M.B.E. for his outstanding contribution to the UK music. Omar deserves all accolades because he is THE MAN!

The first single to whet our ears is the title track “The Man,” featuring all the elements we love about Omar — great musical arrangements, flute and horns, slapping bass, and chords, matched with his unique vocal style that’s like a warm embrace filled with beautiful roots and culture. The release comes with three reworkings by Shafiq Husayn (Sa Ra), Maddslinky (a.k.a. Zed Bias), and Scratch Professer with a hip hop flavour. Basically the single is for everyone. But the real gem is the remake of his first hit single “There’s Nothing Like This,” which perfectly features bassist Pino Palladino, as the original’s bass was the driving force of the track. It’s gorgeous! One of the other highlights to the album is Omar being reunited with Caron Wheeler (Soul II Soul), who sang background vocals on his debut record “Mr. Postman,” back in 1985 on “Treat You.”

“The Man” single is scheduled to release May 27 on and can be pre-ordered on Kudo Records and iTunes. Check out the audio snippets from the album below.

Check out Muphoric Sounds Vanessa Warren’s interview with Omar on The Loop!

Hectic Zeniths – “Type One Era” EP (Audio)

Vanessa Warren — Thu, 11 Apr 2013 04:28:19 +0000

Surprised that we’re hearing of Hectic Zeniths now! Hectic Zeniths is a anagram of the German word Zeitschichten, which aptly means “layers of time,” which the creator, Adam Prince has taken on as his moniker. Moonlighting as a high school math teacher by day in Philadelphia, the Brooklyn, New York native released his debut self-entitled LP Hectic Zenith in January 2012, which was a sojourner of instrumentals fusing hip hop and electronic sounds, laden with piano. Now with his second release Type One Era on Buddha Tapes, Prince continues with exploring live instrumentation with vinyl samples, acoustic guitar, and more atmospheric sounds. The downtempo title track featuring Eric Lindley’s (Careful) infectious pitch-shifting vocals are like two lovers whispering in song in a call to respond. Rapper Sketch Lightly provides an alternative version to “Beau Geste” by being inspired by the world about him, particularly the beauty in sky. Spend a little time on Hectic Zeniths’s Bandcamp to get acquainted with his cinematic sounds; you’ll enjoy the ride.