Lucas Liau Photography

noreply@blogger.com (Lucas Liau) — Tue, 07 Feb 2012 18:30:52 PST

SUMMARY

INTRODUCTION

The new Nikon D800 is a tremendous announcement from Nikon. The camera is somewhat a hybrid, combining some powerful features of the more expensive Nikon D4 with the familiar D700 body style, but with a new high resolution 36.3MP sensor. Expected to be available in March / April, the D800 sets a new precedence in digital photography.

There are lots of improvements to discuss, many of which are similar to the Nikon D4. The most obvious advancement is the new 36MP sensor with improved dynamic range and decent ISO performance. Further enhancements include: improved ergonomics, 100% viewfinder coverage, improved autofocus and metering, improved shutter durability. 1080p HD-Video, etc. It is smaller and lighter than its predecessor the Nikon D700.

The D800 also may present some serious competition to medium format cameras at a much more affordable price. Some argue that medium format cameras have a different feel, with their shallower depth of field. I think those that have been on the fence about going medium format may look now at the D800. I also believe Canon will follow Nikon’s footsteps and present a high resolution 5D MKIII or similar in the coming months.

PREORDER D800 | D800E - UPDATE: 2100 EST

Unfortunately Amazon has stopped accepting preorders. They sold out aprox 1900 EST. You can now sign up to be notified of when it becomes available. Nikon D800 and Nikon D800E. You can try Adorama.

THE DIFFERENCE BETWEEN THE D800 AND D800E

Nikon has outdone themselves, allowing photographers to choose the right model for their needs. The Nikon D800E is identical to the D800 but without an anti-aliasing low-pass filter. The anti-aliasing filter prevents color moiré patterns from appearing in repetitive patterns. Color moiré patterns occur because of the bayer patterned RGB sensor. However, the anti-aliasing filter does reduce some sharpness. So those looking for ultimate sharpness and detail can take the risk of the Nikon D800E without an anti-aliasing filter.

Keep in mind that if you are aware of how these color moiré patterns are created, you can do your best to avoid photographing things that cause them. But more importantly, remember that sharpness can be performed in post processing, where filtering out moiré patterns cannot. The anti-aliasing filter exists in the spatial domain and cannot be easily done once color moiré is captured.

The differences between the models are subtle and only anal pixel peepers will care to tell the difference. I chose to pre-order the D800E (model without the AA filter), as I anticipate to use it more casually for travel photography, and perhaps landscapes. However, if your purpose is more serious and demmanding, choosing between the models may be difficult. The base D800 is less risky and may be more versatile.

I have provided some additional information about the affects of aliasing and the D800E at the Nikon D800E Overview.

NEW CONTROLS

The D800 has a similar look and feel of the prior D700, with some minor adjustments for the new prism and improved ergonimic shape. Added at the top is a much desired bracketing button which was lacking on the D700, in addition to a new video record button. The record button is customizable when in still image mode. However, it is closely positioned next to the MODE button, and is in the same place of the old MODE button of the D700. I expect to accidently press this often.

Nikon has also adjusted the slope of the shutter release button to 35 degrees, much like the D4.

REAR CONTROLS

Not much has changed on the back side. Just like the Nikon D4 the lock button is now overriden with the picture controls while in shooting mode. Also the autofocus area mode is now implemented in the front of the camera similar to the Nikon D7000. In its place, they have added a still image and movie selector mode. I suspect Nikon made this selector to prevent accidents of hitting the wrong buttons in the wrong mode.

THE IMAGE SENSOR - PIXEL SIZE

The Nikon D800 / D800E feature a newly designed 36.3 MP sensor (SONY) producing images at resolutions up to 7,360 x 4,912. It is full frame FX CMOS sensor measuring 35.9mm x 24.0mm. This tranlates to a new ~4.9 micron pixel size, similar to the D7000. In fact in DX crop mode the Nikon D800 will produce 15MP images, nearly equivalent resolution as the D7000. This means we should expect similar or better pixel integrity (ISO, Noise, etc) than the D7000. Further, the sensor is so versatile, using DX lenses will not be an issue and produce near equivalent results of the D7000.

The camera features a new dust reduction auto cleaning system. Should you choose, Capture NX 2 can be used for post dust analysis to help gather dust data for more precise removal.

ISO LOW-LIGHT PERFORMANCE

The D800 has a similar ISO performance as the D700 (except on the lower range). The D800's base ISO ranges from 100 to 6400, expandable to 50 and 25600. The expanded low ISO range should suggest better shadow noise, along with some improved dynamic range. Overall I suspect the D800 to be similar than the D700's ISO performance, but with reduced color noise at higher ISOs. Remeber that the D700's sensor is nearly 5 years older.

AUTO ISO IMPROVED

Just like the Nikon D4, the auto ISO has been updated to use a shutter speed threshold based on the inverse of the lens. Photographers have been complaining about this for some time and is the major reason why Auto ISO is not commonly used among pros.

DYNAMIC RANGE

I have no insight into the dynamic range performance, however I supsect it will be superb. One should be cautioned that with this level of pixel density, highlights are clipped a bit more. This can be seen with a D7000 or D5100 when compared to a Nikon D3s or D700. I suspect the D800's sensor is similar to the dynamic range characteristics of the D7000 and less like the D700.

91K RGB METERING

The D800 utilizes the same metering and scene recognition system of the recently announced Nikon D4. This advanced metering system can detect differences between artificial and natural light, compensating quickly in difficult lighting conditions. Further, this will also improve flash exposure using i-TTL and i-TTL-BL flash metering.

The new metering system allow the D800 to use face detection both with phase detect and contrast autofocus. This allows it to be used while looking through the viewfinder. Nikon claims it to be highly accurate.

AUTOFOCUS SYSTEM

The D800 features the same autofocus system as the Nikon D4, allowing you to focus with an open aperture of f/8 in the center focus point. The autofocus system is the advanced multi-cam 3500FX. It features the three dynamic AF area options, 9 point, 21 point and 51 point. It also features a 3D tracking mode.

The ability to change the autofocus area has been repositioned from the rear to the front of the camera. It is now a button located on the autofocus drive control (M / AF). Press the button and adjust the command dial to iterate through autofocus area modes. This is the same implementation as the Nikon D7000 and Nikon D4.

NIKON D800 IMAGE SAMPLES

Rob Van Petten provides an in depth preview of the amazing capabily this camera has. He provides sample images on his website. Be sure to see his video below using the D800 hands on in the fashion photography world.

Also additional samples can be found on Cliff Mautner's site here, and of course on Nikon's website.

VIEWFINDER | NEW PENTAPRISM

A significant improvement over the prior D700 is the new 100% viewfinder coverage. Further improvements include added clarity for manual focus adjustments. Also Nikon has added a virtual horizon with roll and pitch indication.

CROP MODES

The D800 now comes with a 5:4 crop option. This didn’t exist on the D700. It also has a 1.2X crop feature for a telephoto edge, along with DX and full frame FX. Cropped modes are time savers. Why crop in post when you can get it right or close the first time. Crop modes can also save on image file sizes, also saving additional time on data transfers and image processing.

HDR FUNCTIONALITY

The D800 has a built in 2 frame HDR option within one shutter release, processing 16-bit. The two exposures can be at two different exposures at up to 3EV apart. The in camera HDR tone mapping provides nicely blended saturated results.

NEW 3.2" LCD REAR DISPLAY

The Nikon D800 features the same 3.2 inch LCD as the new Nikon D4, with auto-brightness. The new LCD features 921K dot TFT with near sRGB color spectrum, along with a wide viewing angle. For use in live view it will work great for macro and landscape use to ensure precise focusing, 23X zoom (loupe) capability.

CONNECTIVITY

USB 3.0 (Nikon D4 only has USB 2.0?)
HDMI Type C mini (uncompressed | simultaneous)
Audio In - 3.5mm pin jack
Headphone Out - 3.5mm pin jack
10-Pin acessory terminal

DUAL STORAGE CAPABILITY

The D800 has dual memory card slots, one for an SD / SDHC card and one for a CF card (Compact Flash UDMA Type I). The D700 lacked this redundancy. Nikon did not see the need for its new XQD slots as it did with the high speed Nikon D4. The compact flash card should provide sufficient speed for the high resolution imagery at 4 fps.

4 fps is a tremendous bandwidth requirement at 36MP RAW data transfers (100MB/s peak). The buffer is rates for 16-25 shots on RAW NEF, depending on the compression.

SHUTTER DURABILITY

The Nikon D800 has a rated shutter life of 200,000 shutter clicks. This is just a reliability statistic, probably 2 sigma point, and I suspect most D800s to last well beyond this expectation.

The shutter is capable of speeds up to 1/8000s. Further, the camera is intelligent enough to detect actual shutter speeds and can calibrate itself to adjust for variations such as temperature or wear.

D800 PRODUCT TOUR

VIDEO HD-SLR RECORD (SIMILAR TO D4)

1920x1080 30p, 25p, 24p
1280x720 60p, 50p, 30p, 25p
H.264 / MPEG-4 (.MOV)
Movie Index Marking
Timelapse Movie
10-Pin Remote Trigger
Live view + HDMI (uncompressed) simultaneously
Smooth Aperture Changes while Recording
Live Frame Grab upto 1080p resolution

SAMPLE VIDEO

Below is the promotional video shot exclusively using the Nikon D800. You can see the low light performance is quite good. It is titled "Joy Ride" and was shot by Mark Miller and his team in Chicago.

BATTERY LIFE

Plagued by the same battery regulations of the Nikon D4, the D800 no longer uses the EN-EL 3 and instead the EN-EL15 battery, same as the D7000 and Nikon V1. The endurance is expected to be a bit worse than the D700, but instantaneous current delivery should improve.

VERTICAL BATTERY GRIP | MB-D12

Yes you will require a new battery grip for the D800. The MB-D12 can use AA batteries, the EN-EL15 battery, or the Nikon D4’s battery the EN-EL18. Obviously the new grip provides controls for vertical positioned shooting and allows faster continuous shooting in DX mode of up to 6fps. It too is environmentally sealed.

KEY DIFFERENCES BETWEEN NIKON D800 | NIKON D4

	Nikon D4	Nikon D800
Resolution	16MP	36MP
Frames / Sec	11 fps	4 fps
ISO Native	100-12800	100-6400
ISO Expandable	50-204800	50-25600
Crop Video Modes	2.7x 16:9 (Telephoto Power)	DX / FX 16:9
Storage Media	Dual XQD/CF	One CF, One SD
Connectivity	Ethernet, WT-5 / WT-4 Wireless, USB 2.0	USB 3.0, WT-4 Wireless
Shutter Rating	400,000 cycles	200,000 cycles
Price	$5,999	$2,999

SIZE AND WEIGHT CHARACTERISTICS

The D800 is both smaller and lighter than the old D700. Its overall dimensions are 5.7" x 4.8" x 3.2" and weighs 900g (15.7 oz) without battery. This is a subtle but important improvement over the existing Nikon D700.

INCLUDED IN PACKAGE

Eyepiece (DK-17)
Body Cap (BF-1B)
EN-EL15 Battery (Lithium-Ion 2000mAh)
Battery Charger (MH-25)
LCD Cover (BM-12)
Camera Strap
Shoe Mount Cover
USB Cable
USB Cable Clip Attachment

BUILD QUALITY

The overall structure is built up of a magnesium alloy body, obviously environmentally and electromagnetically sealed similarly to the Nikon D4.

FULL HANDS ON REVIEW

I will pre-ordered the Nikon D800 and look forward to receiving it. I will add more to this review and compare it to the D4 and previous D700. Check back frequently, or follow me on google+ or twitter.

COMPARISON

Ultimately this review will include comparisons from the Nikon D800E, Nikon D700, and Nikon D4. Obviously at different resolutions, it will be difficult to compare apples to apples. However, hope to isolate each test and keep the review focused on specific needs for photographers.

RECENT NIKON D700 PRICING DATA:

Current eBay Auctions

Nikon D700 12.1 MP Digital SLR Camera - Black (Body Only)

CURRENT PRICE: $1601
BID COUNT: 14
END DATE: Sunday the 12th
END TIME: 10:06 ZULU

SEE LISTING

Nikon D700 Digital SLR Camera (Body Only)

CURRENT PRICE: $1525
BID COUNT: 13
END DATE: Thursday the 9th
END TIME: 22:11 ZULU

SEE LISTING

Nikon D700 12.1 MP Digital SLR Camera - Black (Body Only). WILL SHIP. RESERVE

CURRENT PRICE: $1125
BID COUNT: 11
END DATE: Sunday the 12th
END TIME: 21:22 ZULU

SEE LISTING

FOR THOSE WHO WANT A NIKON D700

The Nikon D800 came out at a surprising price point, offering many similar features of the Nikon D4 all at half the cost. Clearly it is a significant step up from the prior D700. What will this do to the D700’s pricing? I suspect the D700 to come down to $1700 price range for a moderately used D700 with a 40K shutter count.

I have provided a table to the right that shows the latest D700 used offers on eBay. I would not pay more than $2100 for one these days. Look for one that has low shutter count. You can find out a cameras shutter count easily by going to nikonshuttercount.com

CONCLUSION

The Nikon D800 is a new iconic camera that will be very popular for years to come, much like the D700 has been. This is a very exciting time for digital photography. The D800 has some solid similarities to the new Nikon D4 along with the comforting familiarity of the D700, and features its own uniqueness with its amazing 36MP sensor. Nikon has provided the photographer to choose between two similar models, one with an anti-aliasing filter and one without. Thank you Nikon! I look forward to receiving this new powerhouse!

Would I still be satisfied with my old D700, sure... But what the heck, this is America, and it is time to buy something for the sake of coolness.

I have pre-ordered Nikon D800E and hope to expand on this review soon.

Canon renews full-frame lenses with 24-70mm F2.8 II and stabilized wide-angle primes

noreply@blogger.com (Lucas Liau) — Tue, 07 Feb 2012 01:27:47 PST

Canon has released three EF lenses, including an updated 24-70mm F2.8 II USM. The latest version features what is promised to be a more durable body, despite being a little smaller. In addition to this high-end full-frame standard zoom, there are completely redesigned semi-fast 24mm and 28mm F2.8 primes, both of which feature USM focus motors and image stabilization.

Ultimately, the most interesting thing about these launches is the fact that Canon feels the need to update various full-frame lenses, almost as if something likely to test the quality of its existing versions was in the offing.

The wide-angle lenses update two of Canon's oldest primes: both the EF 28mm F2.8 and 24mm F2.8 date back to the late 1980s. The new variants add Canon's latest 4-stop IS and ring-type USM (complete with full-time manual focus), and look like they should be perfectly nice lenses. We're just not entirely sure who they're for; APS-C users have the 17-55mm F2.8 IS USM, and full frame users are more likely to be using the company's L series optics. It's also a little unusual to see stabilization added to lenses this wide but that's the decision Canon has made.

Jump to:

Press Release:

Class-leading performance, unrivalled flexibility – Canon launches three new lenses

London, UK, 7th February 2012 – Canon today adds to its world-famous EF lens series with the launch of three new lenses for photography professionals and enthusiasts. The new EF 24-70mm f/2.8L II USM professional zoom lens is an update to the popular EF 24-70mm f/2.8L USM, while the new EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM are the world's first1 wide-angle prime lenses to feature optical Image Stabilizer (IS) technology. All three provide the highest levels of performance for modern digital photographers, combining premium image quality with durable, userfriendly designs.

EF 24-70mm f/2.8L II USM: the ultra-high performance standard zoom

The new EF 24-70mm f/2.8L II USM features completely redesigned optics to provide outstanding clarity, image quality and durability. A compact design makes it ideal for carrying on every shoot, and a range of optical enhancements provide improved performance – capturing greater detail across the frame while reducing distortion throughout the entire zoom range, particularly at the maximum 70mm focal length.

With a redesigned optical system that includes two Ultra-low Dispersion (UD) and one Super UD aspheric elements to minimise chromatic aberration and colour blurring, the lens delivers consistently sharp, high-contrast images. Each lens element also features Canon's optimised Super Spectra coatings to reduce ghosting and flare and ensure excellent colour balance. Additionally, a fluorine coating minimises the amount of dust, dirt and fingerprints that adhere to the front and rear of the lens, helping to maintain superior image quality.

The EF 24-70mm f/2.8L II USM also enables photographers to capture their subjects up close, with a minimum focusing distance of 0.38m at all focal lengths throughout the zoom range. A ring-type Ultrasonic Motor (USM) works in combination with a highperformance CPU and advanced AF algorithms to ensure accurate, silent and ultraresponsive autofocus. For those who prefer to maintain full control in every shot, fulltime manual focusing allows photographers to precisely tweak or alter the focus of their shot at any time, even when AF is engaged.

Distinguished L-series design

The EF 24-70mm f/2.8L II USM is the latest lens from the elite L-series to offer Canon's high-grade and user-focused design enhancements. The mechanical structure of the lens has been improved to offer enhanced zoom durability and greater shake and shock resistance within the lens barrel. The size of the lens has also been reduced by 10mm compared to the previous model, providing enhanced portability and greater convenience in everyday use. A new Zoom Lock lever also enables photographers to lock the zoom position at the extreme wide end to prevent damage to the lens in transit, while a water and dustproof construction2 enables users to continue shooting in harsh conditions.

Introducing the world's first wide-angle primes with IS

Canon today also launches the new EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM – the world's first 24mm and 28mm fixed wide-angle lenses to feature optical IS technology. Ideal for landscape and reportage, both lenses offer outstanding flexibility allowing photographers to shoot an even broader range of scenes and subjects – combining fast apertures with IS to enable sharp results when shooting handheld, even in low light conditions.

Offering an advantage of up to 4-stops over lenses without IS, both lenses are ideal for capturing more of the scene thanks to their wider focal lengths. Both feature a wide f/2.8 aperture, allowing photographers to explore shallow depth of field, or to shoot in lower-light conditions. Wide apertures and IS technology also make each lens ideal for shooting fast-moving subjects, while Canon's advanced IS technology is able to detect intentional panning movement and automatically switch from Normal IS mode to Panning IS mode – helping users to capture movement with greater accuracy.

Silent, high-speed AF performance is provided by the inclusion of a ring-type USM and additional features including optimized AF control. Full-time manual focusing also ensures adjustments can be made even when AF is engaged, while a minimum focusing distance of 0.20m (EF 24mm f/2.8 IS USM) and 0.23m (EF 28mm f/2.8 IS USM) allows photographers to get even closer to smaller or more detailed subjects.

Designed to perform

Both the EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM feature redesigned optics to improve image quality and reduce the need for post-production. An aspherical glass moulded (GMo) lens element is incorporated to correct aberration throughout the optical system, while Canon's optimised Super Spectra Coatings reduce ghosting and flare for stand-out image quality. Externally, both models also boast a number of design similarities with Canon's professional L-series lenses, with a similar coating on the barrel and a similar design on the focus ring. A distance scale is also included to assist with landscape photography, while the compact design makes these lenses an unobtrusive addition to any kit bag.

1 According to Canon research as of February 2012
2 Waterproof construction around the lens mount, switch panel, zoom ring, focusing ring and zoom lock.
Weatherproof when used with weatherproof EOS bodies.

Additional images


Canon EF 24mm f/2.8 IS USM	Canon EF 28mm f/2.8 IS USM

Nikon confirms 36.3 megapixel D800, we go hands-on

noreply@blogger.com (Lucas Liau) — Tue, 07 Feb 2012 01:07:31 PST

Thirty six megapixels. That's the native resolution of Nikon's long-awaited FX-format digital SLR. The D800 was designed with all professional photographers in mind, but with 36.3-megapixel captures (yes, that also means 36.3 megapixels in RAW, or 15.4 in DX format), the Japanese camera maker's latest DSLR output is likely to far exceed the needs of many. It also limits low-light shooting capabilities -- the D800 is a full-frame camera, but even so, with a standard sensor capturing 36.3 megapixels, its high-ISO performance is unlikely to match the likes of the D4, or Canon's new 1D X. It's for this reason that Nikon limited the camera's top native sensitivity to ISO 6400, or 25,600 in Hi2 extended mode. Want to see more? Thumb through the gallery below and jump past the break for a closer look at the latest full-frame DSLR to hit the market.

Nikon D800

As you might expect, the D800 adopts many new features from the D4, while maintaining a smaller D700-like footprint. You get the same Advanced Scene Recognition System with 91k-pixel 3D Color Matrix Metering III, 1080/30p HD video with 20 adjustable audio levels and uncompressed HDMI output, in-camera two-consecutive-shot HDR and Active D-Lighting. In addition to the difference in resolution (remember, more megapixels doesn't necessarily translate to better quality images), you also lose the D4's 2.7x crop mode, which effectively multiplies your focal length by 2.7, bringing you closer to your subject without the need to a longer lens or teleconverter.

Significantly smaller than the monstrous D4, the D800 isn't the most compact full-frame DSLR that Nikon's released to date. It's noticeably taller than the D700 (by roughly half an inch), with a higher pentaprism and smooth appearance. But a new body design isn't the only element differentiating the D800 from its predecessor. The camera offers excellent contrast-detection autofocus, allowing you to sharpen your subjects much more quickly while in live view. The D800 also offers video improvements, and lets you capture 29 minutes and 59 seconds in a single clip in normal quality mode. Because of the DSLR's larger footprint, you'll need to upgrade your grip along with the camera -- the MB-D12 attachment uses the same battery as the D4, and boosts the camera's burst mode from four frames per second to six in DX mode.

And what about price? The basic D800 will run you just shy of $3,000 -- without a lens, of course. Nikon is also offering a second version, called the D800E, that is expected to retail for $3,300. This model captures slighter finer detail and "enhanced" resolution by removing the low-pass filter. Without the low-pass filter, you're likely to notice moire, though a new setting in the Nikon Capture NX2 software will enable you to compensate without losing sharpness. We took a look at side-by-side images captured by the D800 and D800E, but weren't able to differentiate between the low-resolution samples. Nikon reps explained that the differences can be incredibly subtle, and are most distinguishable when capturing fine details, such as individual hairs in an uncompressed D800E image. If the mainstream version will suffice, you can pick up the D800 when it hits stores in late March, while the specialty "E" model will ship a few weeks later in mid-April.

Sharif Sakr and James Trew contributed to this report.

Digital SLR camera D800/D800E

noreply@blogger.com (Lucas Liau) — Mon, 06 Feb 2012 23:03:27 PST

February 7, 2012

A new Nikon FX-format digital SLR camera with the world's highest effective pixel count–36.3-million pixels–for noteworthy definition and image quality

TOKYO - Nikon Corporation is pleased to announce the release of the Nikon D800 FX-format digital SLR camera. The D800 offers the world's highest* effective pixel count of 36.3-million pixels, and is equipped with the new EXPEED 3 image-processing engine and a 91K-pixel (approximately 91,000 pixels) RGB sensor for overwhelming definition and image quality. Nikon will be exhibiting the D800 at the CP+ CAMERA & PHOTO IMAGIING SHOW, to be held Thursday, February 9 through Sunday, February 12 in Yokohama, Japan. This exhibition is open to the public.

*Among interchangeable lens digital SLR cameras equipped with image sensors conforming to the 35-mm film size as of February 7, 2012

The D800, a new FX-format model offers an noteworthy effective pixel count of 36.3-million pixels. At its core is superior image quality equal to that achieved with medium-format digital cameras. The D800 is also equipped with a number of new functions for a high level of added value, all in a compact and lightweight body.

In addition to a new Nikon FX-format CMOS image sensor and the new EXPEED 3 image-processing engine, specifically optimized for Nikon digital SLR cameras, the D800 is equipped with a new 91K-pixel (approximately 91,000 pixels) RGB sensor that supports the Advanced Scene Recognition System with its noteworthy advances in scene recognition performance. The camera is also equipped with a number of new functions, including Multi-area mode Full HD D-Movie that enables movie recording using either the FX-based movie format or the DX-based movie format.

For users who demand an even greater sense of definition, Nikon also releases the D800E, a model that offers increased resolution for images with more dimension.

D800 Development Background

Reflecting Nikon's efforts to respond to a number of demands, including those for a higher pixel count, better image quality, and a smaller and lighter camera, the D800 is a digital SLR camera developed to capture still images with the superior resolution and record movies with the true high-definition picture quality demanded not only by advanced amateur photographers but also by professionals.

Nikon is responding to the needs of users who demand more from photographs and movies with the recently announced D4, a flagship model that combines excellent definition and image quality with superior high-speed performance, and the D800, a model that offers the ultimate in resolution demanded for nature and studio photography.

D800 Primary Features

New Nikon FX-format CMOS image sensor
The D800 is equipped with a new Nikon FX-format CMOS image sensor and the new EXPEED 3 image-processing engine for Nikon digital SLR cameras. This new image-processing engine is faster and offers greater performance. The camera also offers the world's highest* effective pixel count of 36.3-million pixels. When combined with the sharp rendering of NIKKOR lenses, images exhibiting resolution equal to that achieved with medium-format digital cameras are possible.

The D800 also responds to the demands of professional photographers with a standard sensitivity range of ISO 100–6400, and additional support for equivalents of ISO 50 (Lo 1) and up to ISO 25600 (Hi 2), for superior image and picture quality in dimly lit situations, such as just before sunrise and just after sunset, with shooting of still images as well as movie recording.
- *Among interchangeable lens digital SLR cameras equipped with image sensors conforming to the 35-mm film size as of February 7, 2012
New 91K-pixel RGB sensor for the more accurate Advanced Scene Recognition System
The D800 is equipped with a new 91K-pixel (approximately 91,000 pixels) RGB sensor. When a human face is detected in the frame, 3D Color Matrix Metering III bases exposure control on the brightness of that face so that the face is optimally exposed even with backlighting. In addition, the superior resolution of the metering sensor, which makes full use of an incredible 91,000 pixels, enables extremely precise analysis of the scene for more accurate control over autofocusing, auto exposure, i-TTL flash control, and auto white balance.
- *There is no display in the viewfinder that shows when a face or faces have been recognized.
Multi-area mode Full HD D-Movie for movie recording using one of two movie formats
The D800 records movies exhibiting superior resolution with optimal processing of information acquired from the 36.3-million pixel image sensor. Recording of 1920 x 1080p/30-fps full-HD movies is supported, and users can choose to record using the FX-based movie format or the DX-based movie format according to recording conditions. The FX-based movie format offers a shallow depth-of-field with an emphasis on blur characteristics while the DX-based movie format enables recording of movies that bring subjects closer when lenses with short focal lengths are used. The D800 is also equipped with a headphone jack and supports precise adjustment of microphone sensitivity. In addition, it supports simultaneous display of movies or the movie live view display in the camera monitor and on an external monitor. Further, the D800 responds to the needs of professionals who require uncompressed movie files with the ability to record movies directly to an external HDMI recorder in movie live view mode. The D800 also offers a time-lapse photography function that captures images at a selected interval and then combines the images to create a time-lapse movie that shows the changes in a particular scene that occur over time.
Viewfinder frame coverage of approximately 100%*¹ and a lightweight and durable water- and dust-resistant body
The viewfinder built into the D800 supports a frame coverage of approximately 100%*¹ and magnification of approximately 0.7x*². Adoption of a magnesium alloy for the body gives the camera the same level of durability as the D700 with a weight approximately 10% less.
- *1With FX-format image area
- *2With 50-mm f/1.4 lens at infinity, -1.0 m^-1
Support for high-speed continuous shooting and a variety of battery types with the Multi-Power Battery Pack MB-D12 (optional)
The MB-D12 supports the Rechargeable Li-ion Batteries EN-EL15 and EN-EL18, common AA batteries, and the AC Adapter EH-5a/b (with Power Connector EP-5B). When the MB-D12 is mounted on the D800, high-speed continuous shooting at approximately 6 fps* using the DX-format image area is possible. The MB-D12 also offers the added convenience of controls, including shutter-release button, AF-ON button and multi-selector, for vertical shooting. What's more, the same seals as those used for the D800 with its magnesium body offer superior resistance to dust and water.
- *When powered by the AC adapter, or AA batteries or Rechargeable Li-ion Battery EN-EL18 with the MB-D12. Measured according to CIPA guidelines.
Other D800 Functions and Features
- A 51-point AF system for improved subject acquisition and focus performance under dim lighting. In addition, 11 focus points (five at center with an addition three to each side) are fully functional when lenses with a maximum aperture of f/8 are used.
- A 3.2-inch, approximately 921k-dot LCD monitor with reinforced glass, automatic monitor brightness control, and wide viewing angle
- A virtual horizon that shows the degree to which the camera is tilted sideways (roll), or forward or backward (pitch) with display in the monitor and viewfinder
- A new shutter unit that has passed testing for 200,000 cycles and supports a maximum shutter speed of 1/8000 s and flash sync speed of 1/250 s
- Continuous shooting at 4 (FX-format/5 : 4 image area) or 5 (DX-format/1.2x image area) fps*
  - *When powered by a Rechargeable Li-ion Battery EN-EL15
- CompactFlash and SD dual memory card slots
- Support for SuperSpeed USB (USB 3.0)

The D800E with specifications for even greater resolution with an effective pixel count of 36.3-million pixels

In-camera disabling of the aliasing and moiré pattern reduction operation performed by the optical low-pass filter built into the D800E allows light passing through a NIKKOR lens to strike photodiodes directly for even greater resolution. This makes this model optimal for landscape and artistic photography with which higher resolution and clear definition is demanded. With the exception of the modification indicated above, all other functions and characteristics are the same as with the D800.

Aliasing and moiré patterns may be more noticeable in images captured with the D800E with some subjects, scenes or shooting conditions.
Optical low-pass filter IR coating and anti-reflection coating performance is the same with both the D800 and the D800E.

Imaging Products—lineup—Digital SLR Cameras—D800/D800E

Tamron 24-70 f/2.8 VC Announced

noreply@blogger.com (Lucas Liau) — Mon, 06 Feb 2012 19:15:49 PST

February 6th, 2012, Saitama, Japan － Tamron Co., Ltd., a leading manufacturer of optical equipment, announced the development of the SP 24-70mm F/2.8 Di VC USD (Model A007), a full-size high-speed standard zoom lens equipped with VC (Vibration Compensation) image stabilization and USD (Ultrasonic Silent Drive), with resolution at the top of its class.

The price and availability of the SP 24-70mm will be announced at a later date.

Product Features

A full-size, high-speed standard zoom with built-in VC ( Vibration Compensation). Even when shooting in low-light conditions with a slow shutter speed to render sharpness, Tamron’s acclaimed VC allows for stable handheld camera work, to more fully enjoy the benefits of this high-speed zoom lens.
Uses special high-grade glass in the three LD elements, three glass molded aspherical lenses, one hybrid aspherical lens and two XR (Extra Refractive Index) glasses, delivering top-of-the-class quality images suited to this high-grade lens. Using a rounded diaphragm, the lens achieves gorgeous blur effects. This rounded diaphragm retains a nearly circular shape even when taken two stops down from its fully open state.
Features Tamron proprietary USD ( Ultrasonic Silent Drive) to power a speedy AF drive together with a continuous manual mechanism.
This high-speed standard zoom lens has a wide-end focal length of 24mm that expands the photographic area.
The lens adopts the new technology including the latest optical design, VC ( Vibration Compensation) image stabilization and USD ( Ultrasonic Silent Drive), all in a lighter and more compact package.
Moisture-resistant construction helps prevent water from penetrating the lens.

EOS Utility 2.10.4 for Mac OS X Lion

noreply@blogger.com (Lucas Liau) — Thu, 02 Feb 2012 17:10:20 PST

EOS Utility 2.10.4 Updater for Mac OS XIAmPtr on Twitter sent Planet5D information about the long awaited EOS Utility update for Mac OS X Lion.

Download Here

Release Notes

EOS Utility is an application that brings together all of the functions required to communicate with the camera. Functions for downloading and displaying images, remote shooting, and camera control of each setting when an EOS DIGITAL camera is connected to a computer have been integrated.

EOS Utility 2.10.4 Updater for Mac OS X is software that will install EOS Utility 2.10.4 on your computer or update a previously installed version of EOS Utility to EOS Utility 2.10.4 It is necessary that the previous version of your software have been installed when you use this updater on your computer.

Update History

Changes for EOS Utility 2.10.4 Updater for Mac OS X;

Supports Mac OS X 10.6.8 to 10.7

Caution

If you are using a version earlier than Mac OS X 10.6.8, please use EOS Utility 2.10.2.

EOS Utility cannot be used with WFT on computers running Mac OS X 10.6.8 to 10.7.2.

Tamron sold more lenses than Nikon in Japan

noreply@blogger.com (Lucas Liau) — Mon, 30 Jan 2012 18:03:27 PST

The Japanese site BCNRanking published their 2012 BCN Awards for various products:

Nikon got the #2 spot in the DSLR section
Nikon Coolpix cameras are not in the top 3 in the compact segment (Casio is at the #3 spot!)
In the lens category, Tamron got the #2 spot after Canon - Tamron sold 0.6% more lenses than Nikon

Here are the main four photography categories:

BCN Ranking collects sales data from approximately 2/3 of all Japanese retail stores.

Canon EOS-1D X Technical Report

noreply@blogger.com (Lucas Liau) — Mon, 30 Jan 2012 17:33:10 PST

From the Canon MuseumCanon has posted a technical report about the Canon EOS-1D X at their Canon Museum. It’s a good quick reference for the camera.

The following information is covered.

Development objectives
Advances in image quality, resolution, and digital functions
New 61-point AF system
New exposure control system
High-speed continuous shooting and silent shooting
Advanced creative imaging functions
Advanced movie shooting functions
Pursuit of shooting convenience
Design and ease of operation
Further reliability and durability
Further system enhancements

Read the report at the Canon Museum

New Tokina AT-X 11-16 f/2.8 PRO DX Ⅱ lens announced

noreply@blogger.com (Lucas Liau) — Thu, 26 Jan 2012 18:31:13 PST

Tokina just announced a new version of their popular 11-16mm f/2.8 lens. The new lens will have an aspherical element, new coating for improved performance and a SD-M (Silent Drive-Module) autofocus motor (AF-S equivalent). You can now use this lens even with Nikon DSLR cameras that don't have an integrated AF motor (D3100, D5100). The Nikon version is expected to start shipping in March, 2012. The old Tokina 11mm-16mm f/2.8 lens currently has a $40 mail-in rebate.

Specs:

Focal length	11 ~ 16mm	Filter Size	77mm
Brightness	F2.8	Zoom mode	Rotating zoom
Minimum aperture	F22	Number of aperture blades	Nine
Lens Construction	13 images in 11 groups	Greatest dimension	84.0mm
Coating	Multilayer coating	Full-length	89.2mm
Angle of view	104 ° to 82 ° (with Nikon).	Weight	550g
Minimum focusing distance	0.3m	Accessories	Flower-shaped bayonet hood (BH-77A)
Macro maximum magnification	1:11.6
Compatible Mount	Nikon digital (APS-C) :4961607-634349Canon digital (APS-C) :4961607-634356

Nikon V1 + FT1 adapter + Celestron Reflex 2000mm f/10 = 5400mm

noreply@blogger.com (Lucas Liau) — Thu, 26 Jan 2012 18:28:58 PST

I cannot get enough of those crazy Nikon 1 lens combinations. This setup was sent by Peter Korp and includes Nikon V1 + FT-1 adapter + Nikon T adapter + Celestron reflex 2000mm f/10 which makes this a 5400mm weapon (FX equivalent). Both objects were approximately a mile away. Electronic shutter, self timer at 10 seconds and focus magnification were used to take those two samples - the first one was captured at ISO 100, the second at ISO 800 (click on image for full res version):

5D3/X and Other Random News

noreply@blogger.com (Lucas Liau) — Thu, 26 Jan 2012 18:26:35 PST

5D Mark III / 5D XThere has been nothing new to report on the recent leaked DSLR from Canon. Keep your thoughts and opinions coming though.

Rebel T4i & 70D [CR1]I have received little bits of info in regards to the replacement to the T3i and 60D, both will be “addressed” by the time Photokina rolls around (probably a lot sooner). Nothing in regards to specs or direction at this time. There’s a general opinion Canon will announce their mirrorless camera for Photokina in September.

Meanwhile [NL] is told that a new Rebel will be announced at CP+

Announcement date?My [CR3] level source in regards to announcement dates has yet to see one for CP+. Although it has been confirmed that Nikon will announce that day. It may just be a Coolpix day for them though.

5D Mark II at the OscarsA movie shot with the 5D Mark II has been nominated for an Oscar. So fear not, even if the new 5D Mark IIImakes it way to us soon, your 5D Mark II is still very capable.

Sigma 180mm f/2.8 EX DG OS HSM Macro Announced

noreply@blogger.com (Lucas Liau) — Wed, 11 Jan 2012 19:30:56 PST

Off to Sigma
The first place I wanted to head to was Sigma and checkout the new Sigma 180 f/2.8 OS Macro lens. It’s the first 180mm f/2.8 macro lens ever produced. Sigma hasn’t yet issued an official press release on the lens. The other lenses announced by Sigma were for the mirrorless market.

The new macro lens intro | Sigma 200-500 f/2.8 & my wife.

First Impressions
It’s an impressive size for a macro lens. It’s larger than the Canon 180 f/3.5L by a fair margin. Especially in width. The front element is quite impressive and it weighs accordingly. The tripod collar seems extremely solid and the switches on the side are of decent quality. The fit and finish on the lens is about what you’d expect from Sigma. This is another lens that no longer has the spray on hair coating of Sigma lenses in the past.
The lens didn’t have a lens hood on, so I have no idea how much that would extend the size of this large macro lens. I’ve yet to use a macro lens that isn’t sharp, and by appearance alone, this will probably continue the trend. I only hope Sigma has used quality parts inside the lens and quality control is up to par at launch.

The Sigma 180mm f/2.8 OS Macro & 5D Classic

Availability & Pricing?
The official word I received from the representatives at the Sigma booth was the price was unknown and it would begin shipping in March.
I asked about more Sigma lenses in the pipeline and received the usual “no comment” and a smile.

Nikon D4 vs. Canon EOS 1Dx specs comparison Read more on NikonRumors.com: http://nikonrumors.com/2012/01/07/nikon-d4-vs-canon-eos-1dx-specs-comparison.aspx/#ixzz1iv3pfsWA

noreply@blogger.com (Lucas Liau) — Sun, 08 Jan 2012 17:13:07 PST

Here is a another quick comparison between the Nikon D4 and Canon 1Dx cameras based on the specifications provided by the manufacturers (please note that not all specs were directly comparable):

	Nikon D4	Canon EOS-1Dx
Announced	January, 2012 (availability: February 2012)	October, 2011 (availability: March 2012)
Lens Mount	Nikon F bayonet mount	Canon EF mount
Effective Pixels	16.2 million	18.1 million
Sensor Size	36.0 x 23.9mm	36 mm x 24mm
Image Sensor Format	FX	full frame
File Format Still Images	JPEG NEF (RAW) NEF (RAW) + JPEG TIFF (RGB)	JPEG, RAW (14-bit Canon Original) M-RAW S-RAW RAW+JPEG M-RAW+JPEG S-RAW+JPEG
Picture Control	Landscape Monochrome Neutral Portrait Standard User-customizable S Vivid	Auto Standard Portrait Landscape Neutral Faithful Monochrome User Defined 1-3
Storage Media	CompactFlash© (CF) (Type I, compliant with UDMA) XQD Type Memory	Compatible with UDMA 7 CF cards
Card Slot	1 CompactFlash© (CF) card and 1 XQD memory type card	Dual CF Cards (Type I or II)
Viewfinder Frame Coverage	FX (36x24): 100% Horizontal and 100% Vertical Approx. 1.2x (30x20): 97% Horizontal and 97% Vertical Approx. DX (24x16): 97% Horizontal and 97% Vertical Approx. 5:4 (30x24): 97% horizontal and 100% vertical Approx.	Vertical/Horizontal approx. 100%
Viewfinder Magnification	0.70x Approx.	Approx. 0.76x
Fastest Shutter Speed	1/8000 sec.	1/8000 sec.
Slowest Shutter Speed	30 sec.	30 sec.
Top Continuous Shooting Speed at full resolution	10 frames per second 11 frames per second (AE/AF Locked)	Super High-speed: 14 shots/sec. High-speed: 12 shots/sec. Low-speed: 3 shots/sec.
Exposure Compensation	±5 EV in increments of 1/3, 1/2 or 1 EV	±3 stops in 1/3- or 1/2-stop increments
ISO Sensitivity	ISO 100 - 12,800 Lo-1 (ISO 50) Hi-4 (ISO 204,800)	ISO 100-51200 Extension settable: ISO 50; 102,400 and 204,800
Dynamic AF Mode	Number of AF points: 9, 21, 51 and 51 (3D-tracking)	One to five cross-type AF points at f/2.8 10 to 20 cross-type AF points at f/4, and 15 to 21 cross-type AF points at f/5.6. (The number of cross-type AF points will differ depending on the lens.)
Focus Modes	Auto AF-S/AF-C selection (AF-A) Continuous-servo (AF-C) Face-Priority AF available in Live View only and D-Movie only Full-time Servo (AF-A) available in Live View only Manual (M) with electronic rangefinder Normal area Single-servo AF (AF-S) Wide area	Single-point AF (Manual selection) Auto selection 61-point AF Single-point Spot AF (Manual selection) AF point expansion (Manual selection, 4 points: up, down, left, and right) AF point expansion (Manual selection, surrounding 8 points) Zone AF (Manual zone selection)
Maximum Autofocus Areas/Points	51	61
Built-in Flash	--	--
Flash Compensation	-3 to +1 EV in increments of 1/3, 1/2 or 1 EV	±3 stops in 1/3- or 1/2-stop increments
White Balance	Auto (2 types) Choose color temperature (2500K–10000K) Cloudy Direct Sunlight Flash Fluorescent (7 types) Incandescent Preset manual (up to 4 values can be stored) Shade	Auto Daylight ShadeCloudy Tungsten Light White Fluorescent Light Flash Custom Color Temperature setting
Movie	HD 1,920x1,080 / 30 fps HD 1,920×1,080 / 24 fps HD 1,280×720 / 30 fps HD 1,280x720 / 60 fps	1920 x 1080: 30 fps / 25 fps / 24 fps 1280 x 720: 60 fps / 50 fps 640 x 480: 30 fps / 25 fps
Monitor Size	3.2 in. diagonal	3.2-inches
Monitor Resolution	921,000 Dots	Approx. 1.04 million dots
Monitor Type	Wide Viewing Angle TFT-LCD	TFT color, liquid-crystal monitor
Battery Life (shots per charge)	2,600 Battery Life (shots per charge) (CIPA)	TBA
Approx. Dimensions	Width 6.3 in. (160mm) Height 6.2 in. (156.5mm) Depth 3.6 in. (90.5mm)	6.2 x 6.4 x 3.3 in. (158 x 163.6 x 82.7 mm)
Approx. Weight	41.6 oz. (1180g)camera body only	TBA
Price	$5,999.95	$6,800.00

AF-S NIKKOR 85mm f/1.8G

noreply@blogger.com (Lucas Liau) — Sat, 07 Jan 2012 07:26:35 PST

A fast, medium-telephoto fixed focal length lens with a focal length of 85 mm and a maximum aperture of f/1.8 compatible with the Nikon FX-format

TOKYO - Nikon Corporation is pleased to announce the release of the AF-S NIKKOR 85mm f/1.8G, a fast, medium-telephoto fixed focal length lens with a focal length of 85 mm and a maximum aperture of f/1.8 compatible with the Nikon FX-format.

The AF-S NIKKOR 85mm f/1.8G is the new addition to the FX-format lens lineup. It utilizes an all new optical design allowing users to enjoy shooting portraits with pleasing blur characteristics only possible through fixed focal length lenses. Even with a fast maximum aperture of f/1.8, the AF-S NIKKOR 85mm f/1.8G is very lightweight at roughly 350 g, allowing users to easily carry their camera around with this lens mounted. The Silent Wave Motor (SWM) ensures not only quiet autofocus operations, but also makes autofocus shooting possible when the lens is used with entry-level Nikon DX-format digital-SLR cameras such as the D5100 and D3100, which are not equipped with an autofocus drive motor.

Nikon has long had the support of professional, advanced amateur and entry-level photographers for its consistent development of innovative products that respond to the demands of customers and are equipped with the optical technologies Nikon has spent years cultivating as a manufacturer of optical devices. Nikon intends to continue to expand and strengthen the NIKKOR lineup as well as improve customer convenience with the steady release of new, high-performance lenses that offer advanced functions.

AF-S NIKKOR 85mm f/1.8G Primary Features

A fast, medium-telephoto fixed focal length lens with a focal length of 85 mm and a maximum aperture of f/1.8 compatible with the Nikon FX-format
An all new optical design that enables maximum utilization of digital-SLR camera capabilities in shooting high quality images
Enables shooting of portraits with pleasing background blur characteristics only possible with a fast, medium-telephoto fixed focal length lens
Very lightweight at approximately 350 g, even with the large aperture
Equipped with a Silent Wave Motor (SWM) for extremely quiet autofocusing. Autofocus shooting is also possible when the lens is used with entry-level Nikon DX-format digital-SLR cameras such as the D5100 and D3100, which are not equipped with an autofocus drive motor.
Equipped with two focus modes, M/A (autofocus with manual override) and M (manual)

Digital SLR camera Nikon D4

noreply@blogger.com (Lucas Liau) — Sat, 07 Jan 2012 07:24:25 PST

The next-generation flagship Nikon digital-SLR camera with the ultimate in versatility and functionality

TOKYO - Nikon Corporation is pleased to announce the release of the Nikon D4, a Nikon FX-format camera that serves as the new flagship model in Nikon's lineup of digital-SLR cameras. Nikon will be exhibiting the D4 at the 2012 International CES, to be held Tuesday, January 10 through Friday, January 13 in Las Vegas, Nevada. This electronics exhibition is open to the public.

The D4 is equipped with a new Nikon FX-format CMOS image sensor (imaging size of 36.0 x 23.9 mm) and EXPEED 3, the latest image-processing engine specifically optimized for digital-SLR cameras, making it the next-generation flagship Nikon digital-SLR camera with the ultimate in versatility and functionality that offers superior image quality rich in detail along with excellent high-speed performance. It has an effective pixel count of 16.2-million pixels, and offers superior image quality under a broad range of lighting conditions with its image sensor supporting an incredible range of sensitivities from ISO 50 to ISO 204800.

The new 91K-pixel (approximately 91,000 pixels) RGB sensor supports the Advanced Scene Recognition System, which is able to recognize human faces even when images are framed using the optical viewfinder. In addition, the Advanced Scene Recognition System offers significant improvements in AF, AE, i-TTL flash control, and auto white balance (AWB) control accuracy. The 51 focus point AF system has been improved with faster initiation of autofocusing and the ability to detect and focus on subjects with less lighting. In addition, 11 focus points are fully functional when lenses with a maximum aperture of f/8 are used. All of this means more precise autofocusing when super-telephoto NIKKOR lenses are used with teleconverters (2.0x). The Multi-area Mode Full HD D-movie movie recording function is capable of recording full-HD movies at 30 fps, and offers three movie recording formats for selection according to recording conditions or creative intent.

What's more, the D4 records images to memory cards faster with built-in support for high-speed, UDMA 7-compatible CompactFlash memory cards and next-generation, high-speed XQD memory cards. In addition to built-in wired LAN features, the D4 also supports high-speed image transfer via wireless LAN when the new, compact, easy-to-use Wireless Transmitter WT-5 (available separately) is connected to the camera. The D4 is also equipped with a number of new functions that support a more efficient workflow for professional photographers, including one that allows users to add IPTC (International Press Telecommunications Council) information to images.

Development background

In 2007, Nikon released the D3 digital-SLR camera as its flagship model equipped with the new FX-format CMOS image sensor developed by Nikon. With its new image sensor, the D3 established a new level of image quality, speed, and support for high sensitivities. In December of 2008, Nikon released the D3X with an effective pixel count of 24.5-million pixels, which enabled superior imaging performance equal to that possible with medium format cameras. In the following year, the D3S proposed new possibilities in imaging expression with its expanded range of standard sensitivities from ISO 200 to ISO 12800 and a built-in movie recording function. The superior performance of the Nikon D3 was recognized with three of the most prestigious domestic and international awards—Japan's Camera Grand Prix Camera of the Year and Europe's Technical Image Press Association's (TIPA) Best D-SLR Professional and the European Imaging and Sound Association's (EISA) Professional Camera of the Year. The D3X and D3S continued the success of the series introduced with the D3, being recognized by the camera industry for their superior performance with a number of awards of their own as well as extreme popularity with professional and advanced amateur photographers alike. In addition, the superior durability and reliability of the cameras has also been recognized by NASA, which ordered several models as-is, with no special modification, that are currently used aboard the International Space Station (ISS).

Nikon based development of the flagship D4 on the basic performance achieved with the D3 series, which has led the industry in imaging expression since its release. In addition to this high level of basic performance, a number of new functions and features were added in response to the needs and demands of professional and advanced amateur photographers, resulting in this next-generation digital-SLR camera that stretches the boundaries of functionality and performance with superior versatility.

D4 primary features

New Nikon FX-format CMOS image sensor
Support for an incredibly wide range of sensitivities, from ISO 50 to ISO 204800
The D4 is equipped with a new Nikon FX-format CMOS image sensor (imaging size of 36.0 x 23.9 mm) developed by Nikon. The superior performance of the FX-format CMOS image sensor with its effective pixel count of 16.2-million pixels offers excellent resolution and image quality under an incredible variety of lighting conditions. Despite the increase in pixel count, the D4 reads out data faster than the D3S. The range of standard sensitivities has been expanded to ISO 100 to ISO 12800. What's more, support for ISO 50 and additional expansion up to ISO 204800 is also possible, enabling effective shooting under a variety of lighting conditions without concern for any sacrifice in image quality.
New EXPEED 3 image-processing engine with superior, high-speed processing capabilities
The new EXPEED 3 image-processing engine built into the D4 offers better image quality and even faster processing speeds for vivid yet faithful color reproduction, a broader dynamic range, and rich expression of tones. It also effectively suppresses noise with advanced noise-reduction processing for images captured at high sensitivities under dim lighting, all while preserving definition and sharpness. Noise-reduction processing designed especially for movies maintains crisp, clear outlines in movies recorded in low-light situations. EXPEED 3 has high-speed processing capabilities for a variety of task, and it uses power effectively, contributing greatly to the camera's power-saving design.
91K-pixel RGB sensor for the more accurate Advanced Scene Recognition System
The D4 is equipped with the Advanced Scene Recognition System, which supports face recognition* when images are framed using the optical viewfinder. The new 91K-pixel (approximately 91,000 pixels) RGB sensor recognizes human faces for more frequent focus acquisition on human faces when Auto-area AF AF-area mode is used. When a human face is detected in the frame, 3D Color Matrix Metering III bases exposure control on the brightness of that face so that the face is optimally exposed even with backlighting. In addition, the high resolution of the metering sensor with its roughly 91,000 pixels enables extremely precise analysis of the scene for more accurate control over autofocusing, auto exposure, i-TTL flash control, and auto white balance.
- *There is no display in the viewfinder that shows when a face or faces have been recognized.
Faster and more accurate AF with 51 focus points
The 51 focus point AF system built into the D4 utilizes the new Advanced Multi-CAM 3500FX autofocus sensor module for faster, more accurate autofocusing that performs extremely well under dim lighting.
The 15 focus points at the center of the frame are cross-type sensors that detect phase differences both horizontally and vertically. All 51 focus points are fully functional when lenses with a maximum aperture of up to f/5.6 are used, and the cross-type sensors make the most of this capability. Precise focus can be quickly acquired with autofocusing using all AF NIKKOR lenses, even under lighting as dim as −2 EV (ISO 100, 20°C/68°F), the level at which the scene through the viewfinder can just be made out by the human eye. What's more, 11 focus points (five at center with an additional three to each side) are fully functional when lenses with a maximum aperture of f/8 are used. This enables very precise focus acquisition with sports photography and the like when super-telephoto NIKKOR lenses are used with a teleconverter (2.0x) at a combined aperture value of f/8.
In addition, adoption of a new algorithm enables faster autofocus initiation for even more certain and sharper capture of defining moments especially necessary when shooting sports scenes. The new high-speed AF system also supports high-speed continuous shooting at approximately 10 fps* in FX format with AF and AE tracking.
- *Measured according to CIPA guidelines. Value with shooting in AF-C autofocus mode, [S] or [M] exposure mode, shutter speed of 1/250 s or faster, all other settings at their default values.
Multi-area Mode Full HD D-movie with three image area options
A dedicated movie-record button has been positioned near the shutter-release button for smooth starting and stopping of movie recording with a feel similar to that of still-image shooting. Full-HD movie recording at a frame size of 1920 x 1080 and frame rate of 30 fps is supported, and the H.264/MPEG-4 AVC video compression method has been adopted. Movies up to 29 minutes 59 seconds*¹ can be recorded. Image sensor sensitivity begins at ISO 200 and can be expanded to the same ISO 204800 equivalent possible with still-image shooting.
Full-HD movies can be recorded with the D4 using one of three image areas: FX-based movie format*², DX-based movie format, or 1920 x 1080; 30 fps/25 fps/24 fps crop. FX-based movie format makes full use of the large image sensor, enabling movies with an emphasis on pleasing blur characteristics. When a DX lens is attached, DX-based format is automatically selected. This format is useful for creating an extension to the local length of an existing lens. For an even stronger telephoto effect, the 1920 x 1080 crop format brings an approximately 2.7x crop of the picture angle while delivering outstanding video quality and detail, obtaining 1080p Full HD. By choosing the movie format appropriate for the particular scene, the three image area options available with a single camera enable more flexible imaging expression through collaboration with the entire NIKKOR lens lineup, including DX lenses.
The D4 is equipped with a connector for external microphones that enables stereo recording. The camera also offers a headphone connector that supports stereo headphones, convenient for checking sound recorded with movies.
- *120 min. depending on frame size/rate and movie quality settings.
- *2Movies are recorded with an aspect ratio of 16: 9 regardless of the format selected. Aspect ratio is 3 : 2 with recording at a frame size/rate of 640 x 424; 30 fps and 640 x 424; 25 fps.
Smooth workflow from initial setup to image transfer
The entire photographic workflow is faster with the D4. Superior, high-speed response with a power-up time of approximately 0.12 s*¹ and a release time lag of roughly 0.042 s*¹. In addition, support for high-speed, next-generation XQD memory cards enables a continuous shooting frame rate of 10 fps for up to approximately 100 shots even with shooting in RAW format*². The camera is also equipped with dual memory card slots, one for XQD memory cards and one for CompactFlash memory cards, for smooth handling of images. What's more, professional photographers can work much faster with high-speed transfer of images to a computer when an XQD memory card reader supporting SuperSpeed USB (USB 3.0)*³ is used.
- *1Measured according to CIPA guidelines
- *2When a Sony XQD memory card H-series (QD-H16G, QD-H32) is used with capture of compressed 12-bit NEF (RAW) images (based on Nikon testing standards)
- *3Sony MRW-E80 (based on Sony testing standards)
The new compact Wireless Transmitter WT-5 with simple connection to the camera (available separately)

The D4 is equipped with an Ethernet port and functions for wired LAN connections. In addition, it also supports the new WT-5 (available separately), a compact wireless transmitter that is easily connected to the camera for high-speed transfer of images over a wireless network.* The D4 is also equipped with a number of new functions that support a more efficient workflow for professional photographers, including one that allows users to add IPTC (International Press Telecommunications Council) information to images.
The new WT-5 is powered by the camera, making a more compact size possible. In addition to IEEE 802.11a/b/g standards, the WT-5 also supports the new IEEE 802.11n (1 x 1) standard, enabling data transfer at twice the speed possible with the WT-4. The camera's HTTP server mode can be used to display a list of images stored on the memory card, and also enables basic camera control, live view, movie recording, etc. using the Web browser on a computer or smartphone. Synchronized release (WT-5 only) mode enables synchronized shutter release of up to 10 cameras D4 cameras, each with its own WT-5) with the D4 used as the controlling "master".
- *The Wireless Transmitter WT-4 can also be used.
·Other D4 functions and features
- Extremely durable shutter that has passed testing for 400,000 cycles
- Magnesium alloy adopted for the very strong, durably body that is very resistant to dust and water
- Effective sealing using O rings and packing make the camera more resistant to dust and water
- Silent shutter-release mode for live view photography that almost completely eliminates the sounds of the mirror and shutter operation
- A time-lapse photography feature, with which the camera automatically takes photos at selected intervals to record a time-lapse movie, which can be played back at 24–36,000x normal playback speed
- Operation optimized for both horizontal (landscape) and vertical (portrait) shooting
- Button backlights (illuminators) for increased visibility when working in dimly lit or dark situations
- High-performance viewfinder, utilizing a glass pentaprism, with a frame coverage of approximately 100% (FX format) and magnification of approximately 0.7x
- Four image area options for still shooting—FX (36 x 24), 5:4 (30 x 24), 1.2x (30 x 20), DX (24 x 16)—with viewfinder indicator that identifies the current image area
- A 3.2-inch, approximately 921k-dot LCD monitor with reinforced glass and wide viewing angle; integration of the glass and panel reduce internal reflections
- A virtual horizon that shows the degree to which the camera is tilted sideways (roll), forward or backward (pitch) with display in the monitor and viewfinder
- White balance that can be adjusted in units of 10 K; white balance can be specified separately for shooting (white balance applied to images) and monitor display with still-image shooting in live view mode
Capture NX 2 Ver. 2.3 for significantly faster processing
A trial version and free upgrade for Capture NX 2, Nikon's image editing software, were released on December 20 to coincide with release of the D4. This latest version is Capture NX 2 Ver. 2.3. In addition to offering image editing functions that allow users to achieve the intended results with intuitive operation, a faster image-processing algorithm has been adopted for much faster processing. What's more, operation is smoother and more natural with the addition of native compatibility with 64-bit operating systems.

Joe McNally on shooting with the Nikon D4

noreply@blogger.com (Lucas Liau) — Thu, 05 Jan 2012 23:36:56 PST

Joe McNally has a post on his blog on shooting with the Nikon D4. He was impressed by:

"File detail and forgiveness in the shadows.
Responsiveness of the camera in terms of intuitively good exposures and autofocus.
Video quality and new features. Wow. We’re in the final stages of post right now for what we shot. Check back sometime next week for the full scoop. It’s a game changer.
New rocker buttons for moving the auto-focus cursor.
Ease of shifting the auto-focus modes.
Size and clarity of the lcd.
The fact that I dropped one and it kept working.
Plus, none of us had tried to light an elephant with an SB-910 and a Lastolite tri-grip before."

And to answer your question Joe, as you probably know, the Nikon D800 is coming

iPhone | How to Jailbreak Your iPhone 4 Using PwnageTool (Mac) [5.0.1]

noreply@blogger.com (Lucas Liau) — Fri, 06 Jan 2012 07:06:41 PST

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These are instructions on how to perform an untethered jailbreak of your iPhone 4 on iOS 5.0.1 using PwnageTool for Mac. PwnageTool will let you customize your IPSW to prevent baseband updates and include Cydia packages.

Step One
Make a folder called "Pwnage" on the desktop. In it, you will need a couple of things. PwnageTool 5.0.1 which can be download from here.

You will also need the 5.0.1 iPhone 4 firmware which can be found here.

When downloading the IPSW file, it is best to download it with Firefox since Safari often auto extracts it!

Step Two
Double click to mount PwnageTool then drag the PwnageTool icon into the Pwnage folder.

Then from the Pwnage folder double click to launch the PwnageTool application.

Click Ok if presented with a warning.

Step Three
Click to select Expert Mode from the top menu bar

Step Four
Click to select your device. A check-mark will appear over the image of the device. Click the blue arrow button to continue.

Step Five
You will be brought to the "Browse for IPSW" page. Click the Browse for IPSW... button.

From the popup window select your firmware from the Pwnage folder then click the Open button.

Step Six
You will then be brought to a menu with several choices. Click to select General then click the blue arrow button.

The General settings allows you to decide the partition size. Check Activate the phone if you are not with an official carrier then click the blue arrow button.

NOTE*: Deselect Activate if you have an iPhone legitimately activated on an official carrier.

The Cydia settings menu allows you to create custom packages so you do not have to manually install the necessary them later.

Click to select the Download packages tab. Then click the Refresh button to display all the available packages. Double clicking the package you want will download it and make it available in the Select Packages tab.

Checkmark the ones you want then click the blue arrow button.

The Custom Packages Settings menu displays listed package settings for your custom IPSW. For know leave these settings as is. Click the blue arrow button to continue.

Step Seven
You are now ready to begin the pwnage process! Click the Build button to select it then click theBlue arrow button to begin.

Step Eight
You will be asked to save your custom .ipsw file. Save it to your Pwnage folder you created on your Desktop.

Your IPSW is now being built. Please allow up to 10 minutes.

You will be asked to enter your administrator password. Do this then click the OK button.

Step Nine
Once your ipsw has been built you will be asked to connect your iPhone to the computer. Once it detects your device PwnageTool will guide your through the steps to putting your iPhone into DFUmode.

Press and hold the power and home buttons for 10 seconds.

Then release the power button and continue holding the home button for 10 seconds.

Once your iPhone is successfully in DFU mode, PwnageTool will prompt you to launch iTunes.

Step Ten
Once In iTunes, hold the Alt/Option key and click Restore.

Step Eleven
Navigate to the Pwnage folder on your desktop using the dialog window that appears. Select the custom IPSW that was created and click the Choose button.

Step Twelve
iTunes will now restore the firmware on your iPhone. This can also take up to 10 minutes. Once done you will be rebooted into jailbroken iOS 5.0.1!

***THANKS: Thank you to iPhone Dev-Team, Chronic Dev-Team, Geohot, and pod2g for their hard work in making this jailbreak and tutorial possible!

If this tutorial needs to be updated please let us know here

How To Jailbreak iOS 5.0.1 For iPhone 4 & Older Devices [Untethered]

noreply@blogger.com (Lucas Liau) — Thu, 05 Jan 2012 17:53:35 PST

#This tutorial is for Windows only. Mac users pls click here#
Step One
Create a folder on your desktop called Pwnage
Download the latest version of RedSn0w from here and place it in the Pwnage folder. Likewise, download the 5.0.1 firmware from here and place it in the Pwnage folder. (Note: you do not need to download the 5.0.1 firmware if you are already on iOS 5.0.1)
Extract the RedSn0w zip file by double clicking it.

Step Two: (You can skip this step if iOS 5 is already installed on your device)
Connect your iPhone to the computer and launch iTunes.
Select your iPhone from the list of devices on the left. Now hold down Shift and click the Restore button. Restore is preferred as it won’t create any wasted space on your iPhone.

Navigate to the Pwnage folder on your desktop and select the 5.0 firmware ipsw. Click the Choose button to continue.
iTunes will now update your iPhone to the new firmware.
Step Three
Launch the redsn0w application from the redsn0w folder we extracted earlier.
**Windows 7 users may want to try running the redsn0w executable mode as an administrator in Windows Vista compatibility. You can do this by right clicking the executable and selecting Properties from the contextual menu.
Step Four
Once RedSn0w opens click the Jailbreak button

Step Five
Plug your iPhone into the computer and make sure its OFF then click the Next button
Step Six
RedSn0w will now guide you through the steps to get into DFU mode. You can find more help with DFU mode here

Hold down both the Home button and the Power button for 10 seconds.

Release the Power button and continue holding the Home button until RedSn0w detects the device.

Step Seven
Your iPhone will now reboot

Step Eight
RedSn0w will now prepare the jailbreak data.
Step Nine
Select Cydia from the list of options and click Next.

Step Ten
Your iPhone will now be rebooted again and RedSn0w will begin uploading the new RAM Disk and Kernel.
Step Eleven
Once this is complete you will be notified that RedSn0w is done. When your iPhone finishes rebooting (5 minutes or so) it will be jailbroken with Cydia on the SpringBoard.

Enjoy your Jailbroken device
Thanks to iClarified for the tutorial above.

Nikon issued second notice on the damage from the flood in Thailand

noreply@blogger.com (Lucas Liau) — Mon, 24 Oct 2011 00:46:37 PDT

Nikon just published a second notice on the damage from the flood in Thailand (see first statement here) – they cannot provide any estimation on the potential damages because they still don’t have access to the factory. There are no reported casualties from Nikon’s employees. As expected, there will be products shortage. No word on any new product delays. The full text is included:
This is to advise you, following our first notice of October 11, of the latest situations of submersion at Nikon (Thailand) Co., Ltd., a consolidated manufacturing subsidiary of Nikon Corporation in the Rojana Industrial Park in Ayutthaya Province located in Central Thailand.

DamagesThe 1^st floor of all buildings at the premises are presently submerged and the water level is as high as around 2 meters and there arose no remarkable change since October 12. Operation of the factory has been suspended since October 6. It is reported that there is no human damage.
Estimated impact to our business performanceWe still have difficulty to grasp the overall damages of our equipment and facility since access to the premises continues to be prohibited. We are now continuing our utmost to estimate the impact of the flood to our group companies and business performance. We assure you to immediately advise our findings once it is judged there will be an important change in our forecast.
RecoveryWe are unable to define how soon operation will be resumed. It will take a certain time before the situation normalizes including completion of water pumping out from the Rojana Industrial Park. We have set up support system under the Emergency Headquarters for Disaster Control headed by the president and will endeavor to restart the operation as early as possible. Every possible measure is now under preparation to resume production by means as purchase of new manufacturing equipment, review of production assignment among whole Nikon group companies. As for drainage from the industrial park, we are requesting its acceleration to the Thai government, together with the Rojana Industrial Park authority, other companies in the Park and Japan External Trade Organization.

We deeply apologize you for any inconvenience caused by the disaster such as short supply of our products.

Next EOS not a 1Ds4 or 5D3…. could be a 1D Mark 5

noreply@blogger.com (Lucas Liau) — Thu, 13 Oct 2011 19:17:16 PDT

What’s coming?
Last weeks mention of a 1D Mark V spec list was for the most part dismissed by yours truly. The spec list just seemed too detailed. However, my mind could be changing with new information that has trickled in over the last couple of weeks.
It’s looking more and more like a camera will be announced by Canon in 2011, however it may not be available until the new year.
What I do know

The next EOS camera will NOT be a 5D Mark III.
The next EOS camera will probably not be a 1Ds Mark IV. Probably is the key word here, it could change.
The next EOS camera will not be an APS-C camera.

What’s left?
A new model camera introduced to the lineup, or a replacement of a current camera. I’m currently leaning towards a replacement of the 1D Mark IV.
Line amalgamation of the 1D and 1Ds? Maybe not in the literal sense we’ve been told. However, they could definitely take on the same form factor. By making the Mark V a full frame camera. That would lower production costs, tooling and everything else that comes with sharing parts across camera models.
A Loose 1D Mark V spec list based on multiple pieces of information

Full Frame
16-20mp Range
Native ISO 51,200
Dual DIGIC V
Frame Rate Unknown
EOS Video Features Unknown.

October 18 coincides with previous mentions of an announcement the third week of October. The rumor last week from DCI also mentions October 18, as does the CPS invite in The Netherlands.
If this is coming in 10 days, I expect to see a lot more info coming my way.
I was told as long as 6 months ago, that the next EOS camera would be a 1D Mark V.
Lenses?
I’m told more and more that Canon will be staggering announcements for the foreseeable future. You’ll see a body, and then a lens a while later, and so on.
I have nothing definitive to report on that topic.

New DSLR on Tuesday, October 18, 2011

noreply@blogger.com (Lucas Liau) — Thu, 13 Oct 2011 19:15:35 PDT

Which one?
I am 99% positive we’re going to see a new DSLR next Tuesday, all the clues are pointing that way and I’m willing to give it a [CR3] rating.
What camera? No [CR] rating on this yet.
Everything is pointing to a new 1D series camera, I am getting zero information from sources or from anywhere else on the web about any other camera. We started hearing 6 months ago that the next EOS camera would be a new 1D and the bits of information are all pointing that way again.
For now the best spec list I have is what I posted a few days ago.

16-18mp
Full Frame
ISO 51,200
Dual Digic V
Crazy frame rates of 12-14fps have been reported
61 AF points has also been reported

Stock levels of the 1D Mark IV also point me in this direction. It seems they are very much being built to fill orders. There doesn’t seem to be any excess stock too many places.

UPDATE Canon Announcement in Singapore – October 18, 2011

noreply@blogger.com (Lucas Liau) — Thu, 13 Oct 2011 19:14:39 PDT

I received word that Canon Singapore will be holding a press event on Tuesday, October 18, 2011 for an “important global announcement”. There was no mention of what the announcement would be for, which is normal.
As you can see in the image above (and below), there is a picture of an EOS-1 on the front page of the print edition of Today newspaper in Singapore. Interesting to see, considering there is no model showing, as well as the very limited quantities of the 1D Mark IV for sale and none of the 1Ds Mark III.
Could be nothing…..
*UPDATE* CRs Take
I will note there is an event in The Netherlands on October 18, 2011 as well. PDN in New York City is the following week, October 27-29, 2011. There’s a general feeling something is coming, and probably beyond a printer.
However, I have yet to receive any solid and articulate information about a new EOS product. There’s a lot of fragmented information floating around.
The EOS-1 in the image is a 1Ds as people have pointed out, however it seems like a very odd time to do 4 full page ads in a newspaper. However, as I mentioned earlier, it could mean nothing.
With the big announcement on November 3, 2011, is it too much to ask for another major camera announcement within a few weeks of the Hollywood date?
I have not [CR3]‘d anything in regards to next week.
thanks Quek

Actual Print Edition

New Canon full frame camera on October 18th

noreply@blogger.com (Lucas Liau) — Thu, 13 Oct 2011 19:12:29 PDT

CanonRumors is pretty sure that there will be new 1D full frame camera announced on October 18th. In the past, Canon and Nikon always announced new products few weeks (sometimes days) apart and it seems this time Canon will have one week advantage.
We are looking really good for a potential Nikon D800 announcement on October 26th.

Nikon’s financial results may be impacted by the flooding in Thailand

noreply@blogger.com (Lucas Liau) — Thu, 13 Oct 2011 19:11:17 PDT

Nikon factory in Thailand before the flooding

after the flooding

Nikon stock price dropped 3.5% as a result of the flooding in Thailand. Nikon may experience some serious financial losses if their Thailand plant stays closed for over a month:

“Nikon’s inventory of SLR cameras will probably last for about a month and the effect on earnings would be negligible should the company resume the plant’s operation within a month, Hisashi Moriyama, a JPMorgan analyst in Tokyo, said in a report dated yesterday. Suspensions lasting two months could cut Nikon’s revenue by 30 billion yen and operating profit by 5 billion yen to 10 billion yen, he said.”

Nikon 1 test results from DxOMark are out

noreply@blogger.com (Lucas Liau) — Thu, 13 Oct 2011 19:10:00 PDT

DxOMark results are always controversial, but here we go – the first Nikon 1 tests are out.
I could not do a comparison with the latest mirrorless cameras because they do not have test data yet. Here are 3 quick Nikon 1 cameras comparisons:
Nikon 1 J1 vs. Nikon 1 V1 vs. Nikon P7000:

Nikon 1 V1 vs. Olympus PEN EP3 vs, Sony NEX-C3:

Nikon 1 J1 vs. Panasonic GF2 vs. Fuji X100:

You can do your own comparisons for the Nikon 1 lenses.

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Ardis Creative Web Design Blog » Blog Archive » Turn a Portrait into a Beautiful Porcelain Mask

Lucas Liau Photography

SUMMARY

INTRODUCTION

PREORDER D800 | D800E - UPDATE: 2100 EST

THE DIFFERENCE BETWEEN THE D800 AND D800E

NEW CONTROLS

REAR CONTROLS

THE IMAGE SENSOR - PIXEL SIZE

ISO LOW-LIGHT PERFORMANCE

AUTO ISO IMPROVED

DYNAMIC RANGE

91K RGB METERING

AUTOFOCUS SYSTEM

NIKON D800 IMAGE SAMPLES

VIEWFINDER | NEW PENTAPRISM

CROP MODES

HDR FUNCTIONALITY

NEW 3.2" LCD REAR DISPLAY

CONNECTIVITY

DUAL STORAGE CAPABILITY

SHUTTER DURABILITY

D800 PRODUCT TOUR

VIDEO HD-SLR RECORD (SIMILAR TO D4)

SAMPLE VIDEO

BATTERY LIFE

VERTICAL BATTERY GRIP | MB-D12

KEY DIFFERENCES BETWEEN NIKON D800 | NIKON D4

SIZE AND WEIGHT CHARACTERISTICS

INCLUDED IN PACKAGE

BUILD QUALITY

FULL HANDS ON REVIEW

COMPARISON

RECENT NIKON D700 PRICING DATA:

FOR THOSE WHO WANT A NIKON D700

CONCLUSION

Canon renews full-frame lenses with 24-70mm F2.8 II and stabilized wide-angle primes

Class-leading performance, unrivalled flexibility – Canon launches three new lenses

EF 24-70mm f/2.8L II USM: the ultra-high performance standard zoom

Distinguished L-series design

Introducing the world's first wide-angle primes with IS

Designed to perform

Additional images

Nikon confirms 36.3 megapixel D800, we go hands-on

Digital SLR camera D800/D800E

A new Nikon FX-format digital SLR camera with the world's highest effective pixel count–36.3-million pixels–for noteworthy definition and image quality

D800 Development Background

D800 Primary Features

The D800E with specifications for even greater resolution with an effective pixel count of 36.3-million pixels

Tamron 24-70 f/2.8 VC Announced

EOS Utility 2.10.4 for Mac OS X Lion

Tamron sold more lenses than Nikon in Japan

Canon EOS-1D X Technical Report

New Tokina AT-X 11-16 f/2.8 PRO DX Ⅱ lens announced

Nikon V1 + FT1 adapter + Celestron Reflex 2000mm f/10 = 5400mm

5D3/X and Other Random News

Sigma 180mm f/2.8 EX DG OS HSM Macro Announced

Nikon D4 vs. Canon EOS 1Dx specs comparison Read more on NikonRumors.com: http://nikonrumors.com/2012/01/07/nikon-d4-vs-canon-eos-1dx-specs-comparison.aspx/#ixzz1iv3pfsWA

AF-S NIKKOR 85mm f/1.8G

A fast, medium-telephoto fixed focal length lens with a focal length of 85 mm and a maximum aperture of f/1.8 compatible with the Nikon FX-format

AF-S NIKKOR 85mm f/1.8G Primary Features

Digital SLR camera Nikon D4

The next-generation flagship Nikon digital-SLR camera with the ultimate in versatility and functionality

Development background

D4 primary features

Joe McNally on shooting with the Nikon D4

iPhone | How to Jailbreak Your iPhone 4 Using PwnageTool (Mac) [5.0.1]

How To Jailbreak iOS 5.0.1 For iPhone 4 & Older Devices [Untethered]

Nikon issued second notice on the damage from the flood in Thailand

Next EOS not a 1Ds4 or 5D3…. could be a 1D Mark 5

New DSLR on Tuesday, October 18, 2011

*UPDATE* Canon Announcement in Singapore – October 18, 2011

New Canon full frame camera on October 18th

Nikon’s financial results may be impacted by the flooding in Thailand

Nikon 1 test results from DxOMark are out

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