tag:blogger.com,1999:blog-83889190693613902752024-03-08T03:33:54.146-08:00Lessons From The Phantom of the Opera© and Other Phantom Ramblings Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.comBlogger147125tag:blogger.com,1999:blog-8388919069361390275.post-8497975844020617842023-10-10T14:12:00.000-07:002023-10-10T14:12:17.378-07:00Ramin Karimloo is BACK as Phantom in Milan, Italy<p></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="368" src="https://www.youtube.com/embed/IEqXs7EX5AE" width="527" youtube-src-id="IEqXs7EX5AE"></iframe></div><br /> <p></p>Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.com0tag:blogger.com,1999:blog-8388919069361390275.post-29645886181605634452019-05-30T17:15:00.000-07:002019-05-31T10:11:49.800-07:00Welcome to the Opera House<h2 class="title" style="font-family: Merriweather; font-size: 16px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; margin: 0px; padding-bottom: 0.5em; position: relative;">
<span style="background-color: white;">Welcome to the Opera House</span></h2>
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<span style="background-color: white;">The blog you've just landed upon has been in existence since 2008. It started as a place to "dump" my thoughts about the story and grew into a monstrosity of over 150 posts. For more information about the history of this blog, visit the tab above "About the Blog."<br /><br />The entire main blog that deals with the characters, emotions, symbols, and other aspects of the story and now is in book form for purchase worldwide, as well as eBook format.<br /><br />This blog is not a literary review of Gaston Leroux! Thoughts are taken from all versions - Leroux, Webber's stage version, and the Webber/Schumacher movie. It merely focuses upon the story and and life lessons hidden throughout. </span><span style="background-color: white;">I've also taken the time to dissect the characters in Love Never Dies.</span><br />
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<span style="background-color: white;">The blog shows no partiality to any versions of Phantom, because the author realizes that there are many fans worldwide who relate to the story on various levels. I'm a fan like you and an amateur with a Phantom love. </span><br />
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<span style="background-color: white;">You can find all posts with drop-down menus below to help you navigate through the various subject matter. </span></div>
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<span style="background-color: white;"><br />Hope you enjoy the lair! Come back, purchase the book, listen to our Podcasts, and feel free to leave comments. Posts are far and few between now, but we hope you enjoy the content anyway.<br /><br />I remain your obedient servant,<br />The Phantom's Student</span></div>
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Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.comtag:blogger.com,1999:blog-8388919069361390275.post-55921385909151294832015-06-21T14:32:00.001-07:002022-06-12T13:25:48.760-07:003rd Edition Now Available in eBook and Print<div style="text-align: center;">
The third edition of <i>Lessons From the Phantom of the Opera</i> is now available in eBook and print format. The entire blog, except for a few Phantom ramblings, are included.<br />
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eBook: <br />
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<a href="https://itunes.apple.com/us/book/lessons-from-phantom-opera/id1011214236?mt=11" target="_blank">Available on iTunes </a><br />
<a href="https://store.kobobooks.com/en-US/ebook/lessons-from-the-phantom-of-the-opera-1" target="_blank">Available on Kobo</a><br />
<a href="http://www.barnesandnoble.com/w/lessons-from-the-phantom-of-the-opera-vicki-hopkins/1029664137?ean=2940011170850" target="_blank">Available on Nook</a></div><div style="text-align: center;"><a href="https://www.amazon.com/Lessons-Phantom-Opera-Vicki-Hopkins/dp/0983295956" target="_blank">Available on Amazon</a> </div>
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Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.com0tag:blogger.com,1999:blog-8388919069361390275.post-72837044556623657342015-05-21T06:22:00.000-07:002015-05-31T20:15:54.579-07:00The Phantom of the Opera North America Tour (Review)<div class="separator" style="clear: both; text-align: center;">
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Today I saw the North American tour of <i>The Phantom of the Opera</i> at Keller Auditorium. As most of you know, I am a diehard Phantom fan having seen the production numerous times in Portland, London, and Vegas (on that note, let us take a moment of silence about the closing of the Vegas production).<br />
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This review will only focus on obvious changes to the story. I have decided, however, not to comment on the cast or their ability to act and sing. Those judgements can be made by you.</div>
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What I witnessed today is the same music, new setting and costumes, and revised flavor of the entire production. How do I feel? Well how about, <i>"Twisted every way, what answer can I give?"</i><br />
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If you have not seen it yet, be forewarned that what I'm about to write are spoilers. Perhaps you'll thank me that I have lessened the shock factor for you beforehand. I will admit that the major changes to the sets add an overall improvement -- for the most part. The candelabras coming up from the floor are no more, but the dry ice continues to crawl across the stage floor as the Phantom's boat glides for a very short distance. </div>
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However, it's the changes to the choreographing that strips away the old and leaves a rather dull and lifeless taste for me in this new version. Perhaps I could blame it on my mood, or the sinus headache I nursed from Box 4 due to the high humidity. All I know, is that the beloved emotions and tears I usually shed during the stage play were non-existent. My eyes did not water, and my emotions remained for the most part unmoved, except for my occasional jaw-dropping episodes of shock.</div>
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What are the differences? Well, here are a few quick highlights on what to expect.</div>
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1. The most beloved of numbers, <i>The Music of the Night,</i> is very different from the original. Cast away your memories of the Phantom putting his arm around Christine and swaying her back and forth in sweet intoxication. Forget former scenes of them coming close as if they are about to kiss and swiftly pulling away. Their physical interaction and sensual attraction has vastly change, with a new act of the Phantom blindfolding Christine. At the end of the song, the mannequin bride that causes Christine to faint in his arms has disappeared. She is wide awake as he picks her up and walks her to his bed, lays her down, and finishes the song. Why she peacefully falls asleep, I'm not quite sure.</div>
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2. Christine awakens but does not remove the Phantom's mask to see who is behind it. Instead, he is off by himself, removes the mask, and picks up a handkerchief to dab his face. Hum, where did they get that idea? ("<i>Taking his handkerchief from his pocket, he took
the folded white linen and pressed it against his right cheek..." </i>Quote from The Phantom of Valletta). When Christine awakens she sees his deformity. The Phantom rants as before, but no longer with the tearful emotion crawling on the floor. Not sure why he still calls her a "<i>viper</i>" and "<i>this is what you wanted to see</i>" when she wasn't responsible for stripping away the mask in the first place. </div>
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3. Masquerade - New costumes, improved set. If you enjoyed the former quirky costumes in the older version, they have been replaced. Raoul and Christine look basically the same, but Christine's dress is not as spectacular. Also, be prepared to see the Phantom arrive in a totally different outfit. He is dressed similar to the 2004 Movie outfit that Gerard Butler wore. The new set, however, is eye-catching and mesmerizing with mirrors.<br />
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4. "Wandering Child" takes on a new direction when Christine finishes her song. The Phantom and Raoul actually get into a physical altercation, i.e. pushing, shoving, falling, fists flying, etc. The Phantom continues to throw his fireballs (even more impressive) as Raoul moves about the stage. Kiss goodbye the Phantom's fedora.<br />
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5. The final lair scene is odd. It opens with the Phantom finishing to dress Christine in the wedding dress. Without the bride in MOTN, those who watch it for the first time will be scratching their heads as to what is going on. He is physically cruel to Christine when Raoul arrives on the scene. He puts her in a hold that looks as if he would snap her neck, then releases her and keeps her captive by grabbing her by the throat, and eventually throws her on the bed and pins her there while he's singing his demands. I found these changes bothersome.</div>
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6. By the time the kiss comes, the "pitiful creature of darkness" has acted as a very dark character indeed. It leaves little hope that Christine's kiss will redeem him in any fashion, and there is little reluctance or sadness on her departure from the lair with Raoul. Afterward, he is left crying over scattered musical sheets on the stage floor rather than the left-behind bridal veil that symbolizes love lost.</div>
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7. His disappearance from the chair is no more, but alas he does disappear into thin air and Meg still holds the mask up as the curtain goes down.</div>
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There are other changes that I have not touched upon and will leave for my readers to discover on their own. You will note that the Phantom does have more presence as he sneaks about in the background in various scenes.</div>
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For some fans these changes will be unsettling while for others no big deal. The audience at Keller Auditorium cheered, whistled, and clapped their approval during the bows, so for the newer generations or those who have never seen the play, it is apparently well received.</div>
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What did I like about it? The improved sets in spite of the missing rising candelabras and extended boat scene. </div>
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What I didn't like about it? The changes to iconic scenes that dismiss the intrigue that Christine feels for the Phantom and his yearning in return to have her as his own. His bid to seduce her into his world (as the dictionary would say, "<i>to win over, attract, or lure</i>") is gone and replaced by the darker treatment and lack of attraction between the characters. </div>
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As Phantom Vegas once advertised their show, "<i>Be Seduced</i>," I am sad to say that the North American Tour did not seduce me at all.</div>
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Vicki<br />
<br />Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.com5tag:blogger.com,1999:blog-8388919069361390275.post-77335769059357570542015-05-19T08:39:00.000-07:002015-05-19T17:36:54.015-07:00Love Never Dies to Tour United States 2017-18<div class="separator" style="clear: both; text-align: center;">
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Yes, you read the title right. Fresh from <u>Broadway.com</u> today. </div>
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"The sequel to the longest-running show on the Great White Way will finally land in the U.S.!" </div>
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Read the news <a href="http://www.broadway.com/buzz/180885/andrew-lloyd-webbers-phantom-sequel-love-never-dies-will-tour-us/">HERE</a>.<br />
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Read more news <a href="http://www.broadwayworld.com/article/Breaking-News-The-Phantom-Is-Coming-To-America--LOVE-NEVER-DIES-Will-Tour-US-in-2017-20150519" target="_blank">HERE</a>.</div>
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This is going to stir the sleeping bees nest. I remain silent, neutral, non-committal. </div>
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I've already seen it four times in London (both the original and revised version, but not the final revised that was released in Australia on stage - only on DVD). The picture at the left was taken by me outside the Adelphi Theatre.</div>
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The most memorable moment? Ramin Karimloo's arm around my waist getting my picture taken with him at the stage door. </div>
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The remainder is too controversial to get caught up in that argument again. I refuse to get drawn into the ruckus.</div>
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Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.com0tag:blogger.com,1999:blog-8388919069361390275.post-73169522712254537172015-05-18T09:53:00.000-07:002015-05-22T09:26:05.865-07:00Facebook Phantom Group<div style="text-align: justify;">
If you are on Facebook, take a moment to check out the "All Things Phantom - Blog Talk Radio" group (<a href="https://www.facebook.com/groups/225965400435/" target="_blank">Group Page Link on Facebook)</a>. We have quite a few Phantom followers and fans of the show who love to post pictures and talk Phantom. (<a href="http://www.blogtalkradio.com/all_things_phantom" target="_blank">Show Link</a>)</div>
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This is our new header for the page. We accept all things Phantom-related from the original book by Gaston Leroux, to the stage play by Webber, alternate versions of the story, the movies, and the sequel. Check us out and join the group! You are welcome.</div>
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<br />Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.com0tag:blogger.com,1999:blog-8388919069361390275.post-67332415357507960762015-05-16T18:44:00.000-07:002015-05-16T18:45:15.709-07:00North American Tour - The Phantom of the Opera<div style="text-align: justify;">
Well, I purchased my ticket to see The Phantom of the Opera at Keller Auditorium for next week. Box 4, seat 5, row 1. After the show, I will come back and write my review.</div>
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Visit their stunning website at the link below and see if the North American Tour is coming near you.</div>
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<a href="http://www.thephantomoftheopera.com/ustour/" target="_blank">WEBSITE</a></div>
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Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.com0tag:blogger.com,1999:blog-8388919069361390275.post-11945880561709694002015-04-02T07:29:00.000-07:002015-04-03T06:53:13.938-07:00Welcome to the Blog<div class="separator" style="clear: both; text-align: center;">
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Since the U.S. Tour of Phantom of the Opera began on April 1, 2015, this blog has seen a huge resurgence of visitors. I'm assuming it's because fans are taking time to do Internet searches about various aspects of the story. </div>
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The blog you've just landed upon has been in existence since 2008. It started as a place to dump my thoughts about the story and grew into a monstrosity of over 150 posts to date. It's written from a fan's point of view. I officially stopped posting in 2011.</div>
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The entire main blog deals with the characters, emotions, symbols, and other aspects of the story from Leroux to Webber. It was transferred to paperback form for purchase worldwide at the nagging of my readers. It's no longer available in eBook due to licensing that I have with the Hall Leonard Company who licenses the lyrics to the songs, which I have quoted in the text.</div>
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PLEASE NOTE: This blog was never meant to be a literary review of Gaston Leroux! It merely focuses upon the story and and life lessons hidden throughout. I've used all versions to talk about Phantom and have also taken the time to dissect the characters in Love Never Dies. </div>
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You can find all posts with drop-down menus at the sidebar to help you navigate through the various subject matter. </div>
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Hope you enjoy the lair! </div>
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If you wish to know more about who I am behind the mask, you can find information at <a href="http://vickihopkins.com/" target="_blank">http://vickihopkins.com </a></div>
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Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.com0tag:blogger.com,1999:blog-8388919069361390275.post-5786346430227261682014-02-14T18:23:00.004-08:002022-06-12T13:22:24.947-07:00The Audio Version of The Phantom of Valletta Now On Sale<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpHiNX1OcLsHRp3NED1z4mzNqSfViDw9mkggpESVfmscBsp9hEyCJRClfkEGy1V8gYmMZTPehBwnCcpE8PGz3FoCBaR5RIaP0TmdtZ9M2HcGnQ0HR7Sg5XM1es601BaHCIvE5JpFmAuZHW/s1600/Violin.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpHiNX1OcLsHRp3NED1z4mzNqSfViDw9mkggpESVfmscBsp9hEyCJRClfkEGy1V8gYmMZTPehBwnCcpE8PGz3FoCBaR5RIaP0TmdtZ9M2HcGnQ0HR7Sg5XM1es601BaHCIvE5JpFmAuZHW/s1600/Violin.jpg" width="320" /></a><span style="font-size: large;"> </span><br />
<span style="font-size: large;"><a href="http://www.amazon.com/The-Phantom-of-Valletta/dp/B00IGBS36S/ref=tmm_aud_swatch_0?_encoding=UTF8&sr=8-1&qid=1392428701">Amazon.com</a></span></div>
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<span style="font-size: large;"><a href="http://www.audible.com/pd/Mysteries-Thrillers/The-Phantom-of-Valletta-Audiobook/B00IECGYBU/ref=a_search_c4_1_1_srTtl?qid=1392430265&sr=1-1" target="_blank">Audible.com </a></span><br />
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<span style="font-size: large;"><a href="https://itunes.apple.com/us/audiobook/phantom-valletta-unabridged/id839645747" target="_blank">iTunes</a> </span><br />
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<a href="http://www.keithlobrien.com/index.php" target="_blank">Narrated by Keith L. O'Brien</a></div>
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Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.com1tag:blogger.com,1999:blog-8388919069361390275.post-77700266416625255082014-01-15T19:48:00.003-08:002014-01-15T19:48:44.777-08:00Review and Cartoon<div style="text-align: justify;">
<a href="http://www.amazon.com/Phantom-Valletta-Vicki-Hopkins-ebook/dp/B004QTOI0Y" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;" target="_blank"><img alt="www.amazon.com/Phantom-Valletta-Vicki-Hopkins-ebook/dp/B004QTOI0Y " border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtUe3Ka_Cx1MAeHQTlMJvUFsjCa3S2_CgJkU120t1QOSDDfuYqu0BtxB_cukWtvIVTmrJwNG4aW9gOazVEZYGEC1T9j02YO4MQKYFlOSOcsFCyy_XBzY84uJjmwF7T_KfYk1uAb8OiC-KY/s1600/NewKindle8-1-12.png" height="320" width="212" /></a>A hearty thank you to Stephanie Piro, the cartoonist and author of <i>The Militant Recommender</i> blog, who recently reviewed the <a href="http://www.amazon.com/Phantom-Valletta-Vicki-Hopkins-ebook/dp/B004QTOI0Y" target="_blank">Phantom of Valletta</a>. <br />
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<a href="http://militantrecommender.blogspot.com/2014/01/the-phantoms-opera-phantom-of-valletta.html" target="_blank">Click Here for Review</a></div>
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If you haven't read my Phantom continuation, the cartoon below may make no sense at all. So here is an excerpt that goes along with it. Stephanie's cartoon is a bit humorous to me, because it pretty well captures Erik's thoughts about this strange girl. And, of course, she's a bit surprised to meet the masked man face to face in his opera house.</div>
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<i>Everything appeared to be tidy and in its place, as he surveyed the seats and boxes. The chandelier hung dark, but a few gaslights near the stage burned, adding enough illumination in the theatre. As he strolled toward the front, he spotted a lingering light in the orchestra pit that caught his attention. Erik heard shuffling noises and movement and quickly halted his step. He listened intently, trying to ascertain if one of the musicians had perhaps lingered behind for some odd reason. Cautious and not wishing discovery, he stood motionless, waiting to hear further sounds before proceeding closer. </i></div>
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<i>Suddenly, a recognizable pluck of a violin string met his ear, randomly flicked by a human’s finger. The plucks continued, with no semblance of tune, accompanied by the soft giggle of a female voice.
Irate that someone dared to toy with an instrument meant for sounds of perfection, he angrily strode forward until he peered over the edge of the pit. There before him, with her back to his burning gaze, stood a petite golden-haired young woman fingering the instrument as if it were a mere plaything.
Twang, twang. The sounds reverberated again, and another giggle ensued. His unbridled displeasure over her actions caused him to fling his words at her without a second thought. </i><br />
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<i>“What in the hell do you think you’re doing?” he snarled, sounding like an angry bear about to claw its victim. He boldly stepped into full vision, daring to show his masked face to the intruder to make a point. “The violin is not yours, Mademoiselle, and I insist you cease from handling the instrument with such disrespect this instant!” </i> </div>
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<br />Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.com1tag:blogger.com,1999:blog-8388919069361390275.post-25985507752602627232013-01-03T17:29:00.000-08:002013-01-03T17:32:04.362-08:00News Regarding Book Version<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVT_Aro6RzfxbDnhzzVpIHGBlKBHfIHW6DNpNmrCbYaqEbCROfrjLGTLJSotm9JAPHSWBVWEjEQjN0G2dkVURoovyAvcvfyexEaA6NOzAjVXjV1JE-MyM9tA8uPAruiforFmkcK_ZHKQbM/s1600/200Lessons.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVT_Aro6RzfxbDnhzzVpIHGBlKBHfIHW6DNpNmrCbYaqEbCROfrjLGTLJSotm9JAPHSWBVWEjEQjN0G2dkVURoovyAvcvfyexEaA6NOzAjVXjV1JE-MyM9tA8uPAruiforFmkcK_ZHKQbM/s1600/200Lessons.jpg" /></a></div>
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Lessons From the Phantom of the Opera contains lyrics from the stage play as written by Andrew Lloyd Webber and the lyricists. In order to print those lyrics in the book, I had to pay a licensing fee to The Really Useful Group. The cost was pretty hefty, but I thought it would be nice to include them. Those lyrics are not, of course, here on the website.</div>
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When you license music like this, rights are usually given by how many prints will contain it. I paid a price for a certain number of books, which I have now reached in sales. In order to keep selling the book in print and eBook, I'd have to pay another license fee for additional copies. I'm not willing to do that.</div>
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Therefore, I have pulled the print and eBook versions of Lessons From the Phantom of the Opera. They should all be down within the next few weeks, however, you may see residual copies floating around here and there.</div>
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I do plan to re-release it with the stripped lyrics, but it won't be for quite a few months. In the meantime, I apologize for not making this book available, but it's a matter of cost that I'd rather put into advertising my current list of books in the historical romance and contemporary romance genre that I have recently released. </div>
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If you'd like to see what I am up to these days beyond Phantom, visit my site by <a href="http://vickihopkins.com/" target="_blank">CLICKING HERE</a>.</div>
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I will let you know when the book is released and available for sale once again. Thanks for your understanding.</div>
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Sincerely,</div>
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Vicki Hopkins</div>
Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.com5tag:blogger.com,1999:blog-8388919069361390275.post-53591636148523455202011-11-04T06:32:00.003-07:002019-05-30T16:25:45.918-07:00Blowing Out the Candle<div style="text-align: justify;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX9tv46H74kEL6B7byjGK9i3KZDLkclEpPwEkr3yCXu0xyPaKIaZIm_41AUKwX_HElVSJr0toAthqmyNVLzudLrEUetsF4uE0W4UBnm4O6IeV-qOPz9PTUZbvwpgNr4WbQ_gKv8MkFkjrx/s1600/dreamstime_xs_21239769.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX9tv46H74kEL6B7byjGK9i3KZDLkclEpPwEkr3yCXu0xyPaKIaZIm_41AUKwX_HElVSJr0toAthqmyNVLzudLrEUetsF4uE0W4UBnm4O6IeV-qOPz9PTUZbvwpgNr4WbQ_gKv8MkFkjrx/s320/dreamstime_xs_21239769.jpg" width="213" /></a>I've done some deep soul searching over this blog and other matters in the past month. Usually, when your soul prompts you to search inwardly, there's a discovery or change at the end of that endeavor. </div>
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I have, after much reflection, decided to end my blogging on<i> <a href="http://www.amazon.com/Lessons-Phantom-Opera-Vicki-Hopkins/dp/0983295956/ref=ntt_at_ep_dpt_3" target="_blank">Lessons From the Phantom of the Opera</a> </i>entirely. After nearly four years and 155 posts, I've done my bit in the lair and expressed my joys from center stage to the depths of the lake under the opera house. I've dissected, offered my two cents, received so many emails thanking me for my thoughts that I cannot count them all; but I will cherish every one. That, in itself, has given me great satisfaction. I've also had my share of critics, who found it necessary to slap my hand for having an opinion regarding Love Never Dies. <span class="st"><i>Whatever . . .</i></span> </div>
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This blog continues to receive hits worldwide, and the blog in print form continues to sell worldwide. I will not pull the blog from the Internet or the printed book. However, there will be no further posts about Phantom after this date.<br />
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My life's direction is turning elsewhere, as well as my interests and my career goals. When that happens, there are times your greatest interests must be put aside in order to pursue where your heart leads you next. I will never stop loving <i>The Phantom of the Opera </i>or the story it tells. It's been a huge part of my life, and I am very grateful for the experience. As far as further Phantom publications, I have people emailing me for a sequel to <i><a href="http://www.amazon.com/Phantom-Valletta-Vicki-Hopkins/dp/0983295921/ref=ntt_at_ep_dpt_2" target="_blank">The Phantom of Valletta</a>.</i> I hadn't planned on one, but you never know what an author has up their sleeve. It may be "<i>garbage</i>" to some, but to others it was an enjoyable read, especially to my very kind friends on the island of Malta who embraced the story wholeheartedly. They are very gracious and generous fans. As far as the book itself, there may be some shocking surprises in the future.</div>
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For Phantom news, thoughts, and opinions, I encourage you to reach out to others in the community who are more than able to feed your need. If I have news about my publications, I'll update this site, but as far as blogging, I'm blowing out the candle. Thanks to everyone who supported me during this journey.<br />
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If you wish to follow my endeavors elsewhere, feel free to visit my official author website at <a href="http://vickihopkins.com/">http://vickihopkins.com</a> and sign up to follow my progress on numerous other blogs and books.<br />
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Sincerely,</div>
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Vicki Hopkins aka The Phantom's Student<br />
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Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.comtag:blogger.com,1999:blog-8388919069361390275.post-79456978218045443892011-10-03T07:25:00.000-07:002011-10-03T10:18:24.249-07:00It's a Celebration - Not a Condemnation<div style="text-align: justify;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgj4uUf1NApbvYLFJSacWGuTqNEt1VCGgbZf6wZJA97Qi2PAHtl-ECN8ky5waVjgGR_AyQ4jQcrPllMf4ixbU6P_W2M7we8_MFs1J0CLu4GmvXh8C1wg49HK7Im_C-BwqiF49js3T8DzC_/s1600/ENCORE.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgj4uUf1NApbvYLFJSacWGuTqNEt1VCGgbZf6wZJA97Qi2PAHtl-ECN8ky5waVjgGR_AyQ4jQcrPllMf4ixbU6P_W2M7we8_MFs1J0CLu4GmvXh8C1wg49HK7Im_C-BwqiF49js3T8DzC_/s400/ENCORE.jpg" alt="" id="BLOGGER_PHOTO_ID_5659284085354946082" border="0" /></a>Yesterday at 11 a.m. Pacific Standard Time, I arrived at the Lloyd Center Regal Cinemas to take my seat for the 25th anniversary celebration. Thankfully, I bumped into Bonnie Anne Hudson Pinard aka Paisley Swan Stewart, the author of <a href="http://www.amazon.com/Chanson-lAnge-Book-Bleeding-Retelling/dp/1450084028/ref=pd_sim_b1"><span class="fbProfileBylineFragment"><span class="fbProfileBylineLabel">Chanson de l'Ange. </span></span></a>Bonnie and I sat next to each other, along with a friend she brought, and my son and his friend on the other side of me. If it were not for Bonnie carrying an abundant amount of tissues in her purse, I would have been wiping my nose upon my sleeve or running to the ladies room to steal some toilet paper. How could I leave without tissues? Duh!<br /></div><div style="text-align: justify;"><br />Whenever I see Phantom, I cry. Some shows I cry more than others, based upon the performance of the Phantom. Others have moved me to tears, but Ramin Karminloo moved me to uncontrolled weeping. Bonnie and I kept grabbing each other during various scenes, because they were so powerful.<br /><br />I'm sure others have different opinions about the production, and I've read some already (not that the Phantom community ever complains or anything); but I can only reiterate yesterday was a celebration. I encourage the community not to turn it into a condemnation.<br /><br />Those who were privileged to be in London and see the show live were surely blessed. The energy in the Albert Hall had to be electrifying. However, seeing it on the big screen in a theater was nothing less than mind blowing. The cinematography was fantastic! I thought we'd just be plugged into one camera during performance showing the stage as a whole, as if we were some person plunked in a seat in the auditorium with a cheap ticket. On the contrary, we were given a visual feast of various angles, closeups, and actually saw tears rolling down the faces of Ramin and Sierra.<br /><br />As far as the staging and sets, it was somewhat different no doubt due to the change in venue. Some of the familiar items such as the dressing room were missing, the elephant for Piangi, and a few other nuances. No doubt that had much to do with the setting of the production, but frankly it did not deter the enjoyment of the show for me. The visuals were wonderful too on the big screen as far as the backdrops that showed such great views like the Phantom penning his notes.<br /><br />The costumes were to die for! Have you ever been close enough to see the lines of the feathers in the Phantom's fedora or the bead work on his cape? How about Christine's wedding dress and all the intricate detail the eye can behold? The colorful costumes were breathtaking, and a fitting recognition was given to the designer, who passed away some years ago - <span class="st"><em></em> Maria Bjornson.</span><br /><br />The performances, as far as I'm concerned, were nothing close to mediocre. There were frankly brilliant in every possible way. Each Phantom, of course, brings their own interpretation of the role, and each fan has their preferences. However, after looking into Ramin Karimloo's eyes during some of the close-up scenes, I can honestly say the man embodied the Phantom perfectly. This was my first time seeing Karimloo play the original role. I have an extremely high regard for Ramin as a man of character, too, which was clearly demonstrated at the end of the show when he bowed to Crawford and held his hand to show him the respect he deserved.<br /><br />As far as his overall portrayal and vocals, they were sublime. Frankly, I was a tad worried having heard reports that his voice wasn't up to par on the first performance, and he even tweeted he was aware of the problem. However, Sunday's performance he was at the top of his game. Ramin's portrayal moved me to tears. His hurt, longing, anger, and brokenness were palpable. He just didn't play a role; he became the character. If I could bow to him and kiss his hand, frankly I would. Well done indeed.<br /><br />What can you say about Sierra Boggess? She is Christine Daae. Her performance was touching, conflicted, and filled with yearning -- frankly, I don't have enough words to express the depth of her portrayal or her wonderful vocals on stage. Her and Ramin were meant to play the part together. Their chemistry had already been forged in their roles in <span style="font-style: italic;">Love Never Dies</span>, and that chemistry was brought to the 25th Anniversary celebration. Great casting choice, though some may disagree in my assessment and the reasons behind those choices.<br /><br />I had never heard of Hadley Fraser until the 25th Anniversary cast was announced. Wonderful choice for Raoul, the Vicomte de Chagny. He played it with just a tad bit of aristocratic arrogance, which was quite appropriate since he was a patron of the opera house, rich beyond belief, titled, and handsome to boot. I thought his endearment toward Christine quite touching, and his hatred toward his rival quite convincing. His vocals were superb.<br /><br />As far as the remaining cast who played Meg, Madame Giry, Carlotta, Piangi, and the managers, they are all to be congratulated for their fantastic performances. They all deserve five star ratings, as well as the ensemble and chorus. Loved them all!<br /><br />The onstage reprisals and celebration after the performance were fantastic. I get such joy seeing Andrew Lloyd Webber. (#1 bucket list for me - meet the guy personally). To top it off, we saw and heard Sarah Brightman, <span jsid="text" class="commentBody">Anthony Warlow (former AU production), John Owen Jones (current Phantom in London), Colm Wilkinson (former Phantom Toronto), and Peter Joback (new Phantom for London effective March 2012)</span>. Michael Crawford came out on stage and the audience, of course, gave him the accolades due for being in the original cast. It was a very moving ending indeed.<br /><br />Yes, it was a celebration of the 25th anniversary. Of course, other reviews contrary to my own are popping up making it more of a condemnation instead. And, yes, you are entitled to your opinions. I can only add that the joy of Phantom is a universal gift that has been bestowed upon us by Andrew Lloyd Webber and the many others responsible for the creation of this wonderful production. As for me, I will not and cannot condemn and nitpick to death the beauty of yesterday's production. Why? Because it's not about me, folks, nor shockingly is it about you. It's about the continued existence of this wonderful show and story and the success of 25 years rolled into a program of celebration.<br /><br />In conclusion, all I can say is that it will be forever etched in my mind as a fantastic presentation of the story I so dearly love. I hope to own it on DVD one day and play it until I have to buy another copy because I've worn it out.<br /><br />If you haven't had the opportunity to see it yet, it's replaying encore performances at selected theaters this week. <a href="http://www.fathomevents.com/performingarts/series/phantomoftheopera.aspx">CLICK HERE for information and tickets.</a> Go! Go and enjoy it and glory in the <span style="font-weight: bold;">celebration</span> of <span style="font-style: italic;">The Phantom of the Opera.</span><br /><br />The Phantom's Student aka Vicki<br /><br />P.S. Read a great article of accolades <a href="http://www.broadway.com/buzz/157930/a-phantom-triumph-sierra-boggess-soars-ramin-karimoo-smolders-sarah-brightman-shimmers-at-london-anniversary-celebration/">BROADWAY WORLD</a><br /></div>Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.com3tag:blogger.com,1999:blog-8388919069361390275.post-46624087994730732872011-09-24T13:10:00.000-07:002011-10-06T07:53:42.860-07:00The Lair - Phantom 25 Years Later<div style="text-align: justify;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaW7nvfsECYMae1dieVlbZD3_nxkU1As-4hVEdswQ9oYZOjpd7TY39XoJjn85SxSNLQXAHYG9lc_FJUaH7bsXz8bD5Y4niRraae5tY8rjJoaJLT-ca5m6_qnpCXqttjA-c2jDAxM6mX5Mh/s1600/MyspaceBG.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 323px; height: 242px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaW7nvfsECYMae1dieVlbZD3_nxkU1As-4hVEdswQ9oYZOjpd7TY39XoJjn85SxSNLQXAHYG9lc_FJUaH7bsXz8bD5Y4niRraae5tY8rjJoaJLT-ca5m6_qnpCXqttjA-c2jDAxM6mX5Mh/s400/MyspaceBG.jpg" alt="" id="BLOGGER_PHOTO_ID_5656027809380285090" border="0" /></a>As October 2, 2011 nears to the 25th anniversary celebration of <span style="font-style: italic;">The Phantom of the Opera,</span> a lot has been stirring in my opinionated soul. Usually, when I post an opinion, I pay for it in many ways.<br /></div><div style="text-align: justify;"><br />The lair, in case you didn't know, isn't exactly the safest place to be these days as a fan of <span style="font-style: italic;">The Phantom of the Opera</span>. After being <span style="font-style: italic;">hounded down by a few - met with hatred by a few,</span> just because I saw, liked, and supported <span style="font-style: italic;">Love Never Dies</span>, I've often considered throwing the towel into the lake under the opera house and never returning.<br /><br />I've been defriended on social mediums, blocked, forum crucified, tweeted as a moron who writes garbage, and reviewed on Amazon as an "amateur" who knows nothing. Ah, the love of the lair! Where else in the entertainment community can you find such -- such unconditional love and acceptance? Maybe during the final lair scene on stage, but most definitely not in the Phantom community.<br /><br /><div style="text-align: justify;">Now that I got that out of my soul, let's proceed to the 25th Anniversary celebration. I had posted an article sometime ago about Phantom forums, where I occasionally read, lurk, and foolishly contribute my opinion. There's been a ton of chatter in the lair recently regarding the 25th anniversary concert of <span style="font-style: italic;">The Phantom of the Opera</span> to be held at the Royal Albert Hall.<br /></div><br />The full cast has been announced. You can read all about it on BroadwayWorld.com. <a href="http://westend.broadwayworld.com/article/PHANTOM-OF-THE-OPERA-25th-ANNIVERSARY-Full-Cast-Announced-20110924">CLICK HERE</a> As the old saying goes,<span style="font-style: italic;"> "You can please some of the people some of the time . . . but you can never please all of the people all of the time."</span> So is the same with casting of the 25th anniversary celebration.<br /><br />Frankly, I think some of the disgruntled rumblings around the lair come from the casting of Ramin Karminloo and Sierra Boggess, who stared in <span style="font-style: italic;">Love Never Dies</span> in London. I can only surmise Ramin and Sierra are somehow marked for life for participating in LND, and therefore are not worthy to perform in the iconic celebration of 25 years.<br /><br />A lot of fans had their own favorites, of course, they would have cast in the roles--that I can understand. However, casting isn't always easy. People have other commitments. Younger choices have been made rather than older seasoned performers. It is what it is. The power to choose was not given to you as a fan. And if you did have the power, you'd be in the same gondola - you'd please yourself, but alienate others.<br /><br />However, Sierra and Ramin are no strangers to the roles. Ramin, of course, played Phantom at Her Majesty's Theatre, and Sierra played Christine in the Las Vegas production. Both were highly acclaimed in their performances, and I am sure will do the 25th anniversary justice, even if they're not your favorites.<br /><br />The complaints go on and on, and I don't wish to rehash the unhappy ramblings of people's opinions on the remaining cast choices. However, I'll put my two cents into the ring before I take my Fandango ticket to Lloyd Center Theaters in Portland, Oregon to see the show at 11:00 a.m., on October 2nd. When I sit down in that theater seat, no doubt with popcorn in hand and friends sprinkled throughout the seats next to me, I'll first bemoan I'm not there in London. You guys that get to see this live are so lucky! Enjoy!<br /><br />Then, as the lights dim, and the show starts, Ramin and Sierra will not be my focus, nor any of the other actors/actresses dressed in the stunning costumes. Instead, I will be looking at the Phantom, Christine, Raoul, Meg, Madame Giry, Carlotta, Piangi, the Managers, and the other wonderful extras who make up this fantastic show. I'm going to get lost in the scenery. I'm going to be enthralled when I hear <span style="font-style: italic;">The Music of the Night</span>, and swoon in the lovely rooftop scene of <span style="font-style: italic;">All I Ask of You. </span>Then, I'll no doubt shed my usual tear in the final lair scene when I hear the Phantom sing, "It's over now, the music of the night." (Even though it really isn't over.)<br /><br />When it's all said and done, I'm going to jump to my feet and yell bravo and clap enthusiastically as the cast takes their bows and we celebrate worldwide 25 years of a wonderful show. I don't care who makes money off this production. I don't care who stars on stage. I don't care if you're one of the disgruntled fans in the lair who complain about everything. All I care about, is enjoying the show and loving the story.<br /><br />I encourage you to do the same. Put aside your prejudices for a day and join in the worldwide celebration of <span style="font-style: italic;">The Phantom of the Opera </span><span>wholeheartedly</span><span style="font-style: italic;">.</span> That's what October 2, 2011 is all about. It's about the story you love and defend.<br /><br />Oh, and Andrew - THANKS! Thanks for everything you've given us in the old and the new. My respect for you as a composer will never end.<br /><br />Just in case you miss it live in London or miss it at the theater, head on over to the official website and preorder the CD/DVD. <a href="http://www.thephantomoftheopera.com/products">CLICK HERE</a><br /><br />And that's my rambling opinion for the day!<br /><br />The Phantom's Student aka Vicki<br /><br /><object width="460" height="315"><param name="movie" value="http://www.youtube.com/v/0livERHJ9F8?version=3&hl=en_US"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/0livERHJ9F8?version=3&hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="460" height="315"></embed></object><br /><br /><br /></div>Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.com2tag:blogger.com,1999:blog-8388919069361390275.post-87371526420460289452011-08-29T15:11:00.001-07:002011-08-29T16:57:29.883-07:00What Makes a Great On-Stage Phantom?<div style="text-align: justify;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdbkrbI_gQ1akMJF0zSkVjbdqGfWwvNIcd0PCC3LGdUusFqj1LY_saMqnEVdijZbSksvcUtfcoLZumrpf12_8FEiXbCxbAgiSXbKtlp7OeaDRm3vRxv5juqGTnQIblGHVr9XQN5tz7HA_j/s1600/179373_1534498611928_1518706356_31069819_6263430_n.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 276px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdbkrbI_gQ1akMJF0zSkVjbdqGfWwvNIcd0PCC3LGdUusFqj1LY_saMqnEVdijZbSksvcUtfcoLZumrpf12_8FEiXbCxbAgiSXbKtlp7OeaDRm3vRxv5juqGTnQIblGHVr9XQN5tz7HA_j/s400/179373_1534498611928_1518706356_31069819_6263430_n.jpg" alt="" id="BLOGGER_PHOTO_ID_5646405255575133298" border="0" /></a>Wow, that question just popped into my head, as I look forward to having <a href="http://www.blogtalkradio.com/all_things_phantom/2011/09/10/peter-karrie--voted-the-worlds-most-popular-phantom">Peter Karrie on All Things Phantom on September 10, 2011 @ 12 Noon, PST</a>. His performances have earned him the title of <em>“The World’s Most Popular Phantom” </em>on two separate occasions, and we're very excited to talk with him about his portrayal of the role.
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<br />However, the question remains open to you, my readers. What makes a great on-stage Phantom in your opinion? We can think of many greats from the past who have played the role from Michael Crawford to John Owen Jones, currently in the production at Her Majesty's Theatre.
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<br />As I've wandered the Internet and various forums, you often see posts from individuals who talk about their favorites. Each person seems to have their own idea of what makes a great Phantom and why that individual's performance touched them above others.
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<br />Of course, none of us have probably seen every single man on stage who has worn the mask around the world in the various productions. In case you are curious who has worn the mask in the past 25 years, there's a good thread on Deserted Phans, a forum for POTO, attempting to list all who have played the iconic Opera Ghost. <a href="http://desertedphans.forumotion.net/t226-list-of-actors-who-have-played-the-phantom"> CLICK HERE</a>
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<br />Out of the ones we see on stage, each fan seems to pick one performer that moves them the most in their performance. Out of the four Phantom's I've seen perform the role, Scott Davies, is my favorite. I wish I could say, I've seen Peter, but I have not.
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<br />So what are the qualities of a great stage Phantom? Where in the production do we judge the pinnacle of their performance to form an opinion? Music of the Night? Point of No Return? Final lair scene?
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<br />Do we take into account the vocals of the performer? How about his nuances of the portrayal of the Phantom himself -- like the way he moves across the stage, or uses his hands and fingers? How about the acting and his reactions such as his cries, his tears, his rage, his parting words of love to Christine? There are so many variances, it's really hard to point to one single thing that makes a great Phantom. Frankly, I think it's whatever touches you as an individual in the whole of the performance itself.
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<br />The character of the Phantom is portrayed differently from actor to actor. Always the same lines, usually the same choreography, but differences of interpretation as to the personality of the individual in the black cape. One may appear more menacing and evil than another in the final lair scene or another perhaps controlling, frustrated, or broken.
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<br />In the Music of the Night, seduction, passion, and chemistry between Christine and the Phantom vary too. How many have you watched them glide their hands across her body and sway her in a certain way that gives you that craving to be embraced by that bad-boy? I find it quite fascinating, because some people are more prone to the "sexy" Phantoms rather than the "dangerous" psychopath that has you in his clutches. Ah, such sweet intoxication!
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<br />I guess whatever floats your gondola is the one you'll choose as your favorite great on-stage Phantom.
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<br />Anyway, tune in if you can to hear Peter Karrie. We'll promise to pick his brain about his interpretation of the Phantom of the Opera and perhaps learn why he was chosen as the favorite of many.
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<br />If you want, comments are open this time. Feel free to post what makes a great on-stage Phantom in your eyes.
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<br />Regards,
<br />The Phantom's Student aka Vicki
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<br />Enjoy Peter in the Music of the Night:
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<br />Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.com1tag:blogger.com,1999:blog-8388919069361390275.post-61623144156269275922011-08-25T10:28:00.000-07:002014-07-12T06:52:35.494-07:00August 27, 2011 - Closing of Love Never Dies London<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeRdtNuAFWhcIK-OEy2CwHHMld5ZV65kIZ9gHZBYWPnKDuMV4p3rCZ_Kr3Rn6MJxUzNnyHmSyQzbDIaFc9zrBDINe34a03Ag-Baa9Rpk7yWrNo6Vxme-Jmu7rUqBxHpP8cp4xChiDf4M20/s1600/London+2011+059.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeRdtNuAFWhcIK-OEy2CwHHMld5ZV65kIZ9gHZBYWPnKDuMV4p3rCZ_Kr3Rn6MJxUzNnyHmSyQzbDIaFc9zrBDINe34a03Ag-Baa9Rpk7yWrNo6Vxme-Jmu7rUqBxHpP8cp4xChiDf4M20/s400/London+2011+059.JPG" id="BLOGGER_PHOTO_ID_5644858314527349346" style="cursor: pointer; float: left; height: 320px; margin: 0pt 10px 10px 0pt; width: 240px;" /></a>Yes, it's a date - August 27, 2011.
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What's the significance? Well, if you're a fan of <span style="font-style: italic;">Love Never Dies</span> in London, it's a sad day indeed, because it will have its last performance at the Adelphi Theatre on The Strand. It means that a group of wonderful, talented, and fantastic men and women are going to be out of a job; and that, in itself, saddens me to the core.
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What do I think of those performers who put their heart into this production from the beginning? Well, let me tell you, because I too have a voice.
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First off, I think they are servants at heart, especially Ramin Karimloo. I have great respect for this man, because he understands what it means to serve and do your best in spite of obstacles and opposition. He served his master well. Hats off to you, Ramin! I respect you greatly -- your talent, fortitude, and heart from God. I wish you the best in your future endeavors.
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To Sierra Boggess, Joseph Millson, Summer Strallin, Liz Robertson, Niamh Perry, Adam Pearce, Jami Reid-Quarrell, and the many talented young boys who played Gustave -- my hat off to you as well! You should be commended for your wonderful performances, your tenacity to ignore the naysayers, and your unending every night, wholehearted performances given to the audience. You guys rocked!
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To Tam Mutu! Bravo! Wonderful interpretation of Phantom as well. Thanks, Tam, for your fantastic spirit and love of the character. It was a pleasure to see you perform more often in that iconic role. We wish you the very best as you move on in your career.
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To the new cast Celia Graham, David Thaxton, Haley Flaherty, Tracey Penn, Charles Brunton, and the new group of young men who came in after the changes to the show as Gustav -- bravo to you as well. You supported the creator of the production, as he tirelessly endeavored to refine his work. You gave it your all and stood by him in the process. You picked up where others left off, and continued to give the audiences great performances.
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We appreciate every one of you and wish you the best for the future. You have blessed the hearts of those who received you with open arms, gave us a touching stage production and the opportunity to once again to see Phantom and Christine interact with each other on stage in a story we didn't find offensive.
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Though mud has been slung your way, websites have gone up to discredit the show, pages created to complain, protestors have left anti-show fliers at the theatre, nailed them on telephone poles, flipped you the bird, and participated in a war of words on every social medium imaginable on the Internet, you held your heads up high through it all and did your very best in spite of opposition to the story and the characters you represented. We admire you for the professional way in which you handled the onslaught, and we appreciate your loyalty to Andrew Lloyd Webber's vision to continue the story he put on stage 25 years ago.
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When you take your last bow in <span style="font-style: italic;">Love Never Dies</span> on the <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIaTK50kIod0mgkXW1KR0cQ9ebfn0loxUTEDSsFFfy8HrJo4I1Juj4vWyFQ27_FV92Q1jppo5ccpqSAjXkmF_zN28UYJK9OuyPZW-0josRj6UZmlHWaGf2XwgM_07C0RXTl-HDuCnRGCVd/s1600/Final+Bow1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIaTK50kIod0mgkXW1KR0cQ9ebfn0loxUTEDSsFFfy8HrJo4I1Juj4vWyFQ27_FV92Q1jppo5ccpqSAjXkmF_zN28UYJK9OuyPZW-0josRj6UZmlHWaGf2XwgM_07C0RXTl-HDuCnRGCVd/s400/Final+Bow1.jpg" id="BLOGGER_PHOTO_ID_5645909058353816290" style="cursor: pointer; float: right; height: 279px; margin: 0pt 0pt 10px 10px; width: 371px;" /></a>evening of August 27th at the Adelphi Theatre, be assured there are people who love and respect you deeply as the individuals and wonderful performers you are. God bless every one of you in your careers. May you go on and become successful in all that you set your hand to, and may you take with you cherished memories of your time in the production.
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As you do, remember that those feelings you elicited in the audience, who watched your wonderful performances, will never die. They will live on in our hearts as fond memories, because we were privileged to be blessed by your outstanding talent and fantastic voices.
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From my heart, and I'm sure from many others,
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The Phantom's Student aka Vicki Hopkins
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<a href="http://www.lndfansite.org/tributebook.htm"></a>
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<span style="font-style: italic;">Note: Picture of final bow on closing night reposted with permission.</span>
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Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.comtag:blogger.com,1999:blog-8388919069361390275.post-50200075693628674622011-08-13T07:39:00.001-07:002011-08-14T15:38:54.950-07:00Love Never Dies - A Melbourne Attendee's Experience<div style="text-align: justify;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf4GgUCgryMip-uJn3vT3fuRIai1JCW661LBbxQYemYIrs8KIeGB0UYyxfN2LwoVfw5JwBvQKyrBeu6B3SVX64cE6F8AOH3h2wGskx-mdRKFdIIaryNiO2pCqvxC_7BVjSBf-f8bHdhWhj/s1600/LND.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 202px; height: 286px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf4GgUCgryMip-uJn3vT3fuRIai1JCW661LBbxQYemYIrs8KIeGB0UYyxfN2LwoVfw5JwBvQKyrBeu6B3SVX64cE6F8AOH3h2wGskx-mdRKFdIIaryNiO2pCqvxC_7BVjSBf-f8bHdhWhj/s200/LND.jpg" alt="" id="BLOGGER_PHOTO_ID_5640363147785959810" border="0" /></a><span style="font-style: italic;">A few months ago, I promised you a review from someone who has attended the Melbourne production of Love Never Dies. Below is a review from Anthony Grigsby, who kindly agreed to share his experience in seeing the show. Many of us cannot make it to Melbourne, including myself. His insight into his experience attending should give you an idea how it has affected one fan.
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<br />Even though I am quite familiar with the London version, the visual spectacle of the Melbourne production is exciting to say the least. It recently received three <a href="http://www.helpmannawards.com.au/">Helpmann</a> awards for Best Scenic Design, Best Costume Design, and Best Lighting. The latest news is that <a href="http://broadwayworld.com/article/Its-Official-Australian-LOVE-NEVER-DIES-to-be-Released-on-DVD-20110812">Love Never Dies will be filmed in Melbourne</a> on September 15th for international release, so many worldwide will be able to experience it via DVD and make up their own mind.
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<br />Below is Anthony's experience.
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<br /><div style="text-align: justify;">Phantom of the Opera and <a href="http://www.loveneverdies.com.au/index.php"></a><a href="http://www.loveneverdies.com.au/index.php">Love Never Dies</a> have totally taken me to another time; they have made me fall in love. I first fell in love with the story of the Phantom when I came across the beautiful music that accompanies Phantom original <span style="border-bottom: 2px dotted rgb(54, 99, 136); cursor: pointer;" class="yshortcuts" id="lw_1313246301_0">London</span> cast album. I listened to it countless times. Then I bought the original novel by Gaston Leroux. When the 2004 movie came out, I was hooked. When the Australian Production of Phantom came to <span style="border-bottom: 2px dotted rgb(54, 99, 136); cursor: pointer;" class="yshortcuts" id="lw_1313246301_1">Melbourne</span>, I saw it there and followed it to <span style="border-bottom: 2px dotted rgb(54, 99, 136); cursor: pointer;" class="yshortcuts" id="lw_1313246301_2">Perth</span> and <span style="border-bottom: 2px dotted rgb(54, 99, 136); cursor: pointer;" class="yshortcuts" id="lw_1313246301_3">Adelaide</span>. Lastly, the many videos I've watched and the audio I've listened to of the many bootleg shows recorded around the world have kept me a diehard Phan.
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<br />Love Never Dies has kept the candle burning ever so brightly, not that the light had ever dimmed on Phantom, as it is the most successful piece of entertainment in all history. Many people have come out against the concept of a sequel to Phantom, but I for one will always be a supporter. This Melbourne/Australian production is a success, much to the dismay of many haters.
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<br />The buzz around the Regent Theatre is electric. I got here at 12:00pm today, because I hadn't bought a ticket online. I had heard about the Box Office specials that are not available online at <a target="_blank" href="http://ticketmaster.com/"><span class="yshortcuts" id="lw_1313246301_4">Ticketmaster.com,</span></a> so I figured I would try my luck in person. After lining up, I scored a $45 ticket special (at a usual rate of $125, I think I did well.)
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<br />The Regent is packed today, plenty of wine, chatter, programs being sold and read, all these anxious/curious people are just waiting for the doors to open. I went to my seat, which was kind of to the side, but still it was only seven rows from the front so I am not complaining. I can admit I was a bundle of nerves, because I felt overwhelmed and emotional with The Phantom of the Opera and Love Never Dies had made me feel even more emotional.
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<br />Sitting there waiting for the show to start, for moments you look ahead at the set pieces in front of you that make up the setting of <span style="border-bottom: 2px dotted rgb(54, 99, 136); cursor: pointer;" class="yshortcuts" id="lw_1313246301_5">Coney Island</span>. Listening to people beside me and behind me, you can tell that they are anxious and curious and not quite sure what to expect. This is my third performance, and I still feel emotional and happy and ready to surrender to the story again.
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<br />Suddenly, the lights . . . go . . . out. . .
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<br /><b>Coney Island 1907</b>
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<br />It begins with the lights . . . then the Aerie . . . already watching <a href="http://www.loveneverdies.com.au/cast-Ben-Lewis-13">Ben Lewis</a> in place as the Phantom, you see and feel his longing. He puts everything into his performance as the Phantom. He is such a professional actor.
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<br />Then he starts singing<span style="font-style: italic;"> 'Til I Hear You Sing</span>. He is just amazing when he sings. He has a deeper voice than Ramin Karimloo, but he makes the role his own. By the end of <span style="font-style: italic;">'Til I Hear You Sing</span>, you definitely know that he is still very much in love with his Christine.
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<br />The trio Doctor Gangle, Squelch and Miss Fleck begin the Coney Island Waltz along with an amazing ensemble of Freaks. At this point, you can be forgiven for not knowing where to look because the stage is full of light and color and all round talent and excitement. The set for Coney Island is comprised of a Roller Coaster set pieces, which also serve as a bridge for the performers, going up and down. It's an amazing use of the stage. The big Phantom mask appears on and off during the show.
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<br />As the story unfolds, we meet <a href="http://www.loveneverdies.com.au/cast2-SharonnbspMillerchip-15">Sharon Millerchip</a>, who has reprised her role of Meg as she played Meg in the original production of Phantom in <span style="border-bottom: 2px dotted rgb(54, 99, 136); cursor: pointer;" class="yshortcuts" id="lw_1313246301_6">Australia</span>. She is very playful and talented, but you pick up very quickly that she just wants the Phantom's praise.
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<br />Then we meet <a href="http://www.loveneverdies.com.au/cast2-MarianbspMercedes-18">Maria Mercedes</a>, who plays Madame Giry as a no nonsense, single goal-orientated woman. What I find interesting is how Giry has gone from a protector of Christine to being very much against her. Meg although is excited at the prospect of seeing Christine again.
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<br />Then we meet our Christine, played by <a href="http://www.loveneverdies.com.au/cast2-AnnanbspOByrne-14">Anna O'Byrne</a>, who is so beautiful, not only in her glowing appearance, but her voice as well which we don't hear until later. <a href="http://www.loveneverdies.com.au/cast2-SimonnbspGleeson-16"> Simon Gleeson</a> is brilliant as Raoul. He gives off a tone of control in everything he says and does, even though it becomes evident quickly that they have come to <span style="border-bottom: 2px dotted rgb(54, 99, 136); cursor: pointer;" class="yshortcuts" id="lw_1313246301_7">New York</span> seeking fortune, because Raoul has become a drunk and has lost his fortune. I could hear people behind me saying, "she is beautiful."
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<br />Then we meet Gustave, who at this performance was played by <a href="http://www.loveneverdies.com.au/cast2-KurtisnbspPapadinis-53">Kurtis Papadinis</a>. He is a talented boy, and you pick up quickly his curious nature, very much creating the family image.
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<br />So by this point, we have established that Christine is in New York to sing for Oscar Hammerstein. In an interesting deception, the trio who are played by <a href="http://www.loveneverdies.com.au/cast2-DeannbspVince-25">Dean Vince</a>, <a href="http://www.loveneverdies.com.au/cast2-PaulnbspTabone-24">Paul Tabone</a> and <a href="http://www.loveneverdies.com.au/cast2-EmmanbspJnbspHawkins-22">Emma Hawkins</a>, help the Phantom's plan to deceive Christine and Raoul by appearing in a carriage, assuring them that they are taking them to Hammerstein when actually they are taking them to Coney Island.
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<br />At first, I didn't like how Raoul had become a drunk. You pick up the arrogance in him, Simon Gleeson does it so well. We hear Anna speak and sing at this point, she is just perfect as Christine. She was also an understudy for Christine in the Australian tour of Phantom a few years ago. She has great chemistry with the young actors who play her son Gustave. Being my third show, I've seen Trent Heath, Kurtis Papadinis, and Jack Lyall play the role of Gustave. She has a beautiful voice and shows genuine affection and plays a mother so well.
<br />
<br />After she sings<span style="font-style: italic;"> Look With Your Heart </span>with Kurtis, we watch as Ben's Phantom and Anna's Christine reunite. Ben has such a presence. With Anna, you see the anger and hear it in Christine's reaction to seeing him again. What I love here though is that we find out the Phantom and Christine shared a night of passion together, so he has felt the joys of the flesh. This goes into <span style="font-style: italic;">Beneath a Moonless Sky </span>and then into <span style="font-style: italic;"> Once Upon Another Time.</span> I found the chemistry between Ben and Anna here so natural. They make the story so real.
<br />
<br />The Phantom threatens Christine that he will take Gustave away from her if she doesn't sing for him once more, and you can see that Christine is genuinely hurt by this. Then the Phantom disappears and leaves her with his music. It's here you see something happen, almost something sympathetic. She starts humming the music, and I think she realizes here it is about her, but that is just what I think. She walks to the balcony and the music is playing when Raoul reappears.
<br />
<br /></div><div style="text-align: justify;">When Gustave meets the freaks and they take him to the Phantom's aerie, we see Ben really perform. He has strong vocal chords here. When he works it out that Gustave could be his son, you see and feel the genuine promise of him hoping Gustave will accept his deformity. Then when he confronts Christine, Anna and Ben share a real emotional moment. I was tearing up, feeling the agony he is feeling at finding out that he has a son after all this time and seeing what Ben puts into the Phantom's anguish.
<br /></div>
<br /><div style="text-align: justify;">Anna is comforting here in the fact that she promises to sing for him again, and then we watch as the Phantom proclaims that he will give everything to Gustave. Very deceptively, Maria who plays Giry reveals herself and her anger at finding this out. You feel for her, but you also don't in a way. I just take it as greed. I mean it is his son but then I see the argument there.</div><div style="text-align: justify;">
<br /><div style="text-align: justify;">When Act 2 begins and we see Simon as Raoul drunk in a bar, it makes you pity him. Then you see Sharon as Meg, warning Raoul to leave. It's evident she doesn't want to be second fiddle. The Phantom and Raoul's duet here is gripping.
<br /></div>
<br />Then you see the conflict in Christine when she has to decide what she is going to do, to sing or not to sing. Anna puts so much into the title song <span style="font-style: italic;">Love Never Dies</span>. The Phantom wins the bet here but it comes at such a cost. You hear the regret of Raoul. You see the desperation of Meg, and her depressive state turned to desperation. It becomes so much more emotional towards the moment she holds a gun to her own head then to the point she shoots Christine.
<br />
<br />The shock, the pain, the hurt, you feel everything. The tears well up in your eyes. You are overcome with emotion and watch as Ben cries out and puts all his heart into his final scene with Anna. When Gustave goes to the Phantom, your heart just breaks knowing he has accepted him to be his father.
<br />
<br /><span style="font-style: italic;">Many thanks to Anthon</span>y <span style="font-style: italic;">sharing how the experience of seeing Love Never Dies has touched him as an individual. Anthony has scored a ticket for the filming of Love Never Dies on September 15th, so he'll be back to see it again.</span>
<br /><span style="font-style: italic;"></span>
<br /><span style="font-style: italic;">Thanks Anthony for sharing with us!
<br />
<br />For those interested in a new fan site for Love Never Dies, please visit by <a href="http://www.lndfansite.org/">Clicking Here</a>
<br /></span></div><div> </div><div style="text-align: justify;" id="contentbuttonbarbottom" class="contentbuttonbar msgview clearfix"><form name="showMessageForm" action="showFolder;_ylc=X3oDMTBucmhobGR0BF9TAzM5ODMwMTAyNwRhYwNkZWxNc2dz?mid=1_653_AC1yBkoAAIVvTkEf7gfJ8l%2FQMZU&fid=Anthony&sort=date&order=down&startMid=0&filterBy=&ymv=0&.rand=457024627" method="POST"><span class="btn clearfix"></span></form><form id="showMessageFormbottom" name="showMessageForm" action="compose?&ymv=0&.rand=457024627" method="POST"><span class="btn clearfix split"></span><span class="btn clearfix"></span></form><form name="showMessageForm" action="showFolder?mid=1_653_AC1yBkoAAIVvTkEf7gfJ8l%2FQMZU&fid=Anthony&sort=date&order=down&startMid=0&filterBy=&ymv=0&.rand=457024627" method="POST"><span class="btn clearfix"></span></form><form name="showMessageForm" action="showFolder;_ylc=X3oDMTBvamJjMmxoBF9TAzM5ODMwMTAyNwRhYwNtdkZsZE1zZw--?mid=1_653_AC1yBkoAAIVvTkEf7gfJ8l%2FQMZU&fid=Anthony&sort=date&order=down&startMid=0&filterBy=&ymv=0&.rand=457024627" method="POST"><span class="btn clearfix bmenu"></span></form></div>Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.comtag:blogger.com,1999:blog-8388919069361390275.post-47404271241523971412011-08-06T07:21:00.000-07:002011-08-06T17:26:42.274-07:00Great Show Today on All Things Phantom - Kristen Hertzenberg<div style="text-align: center;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq0EDT0O4ZmWWu4DAwY0kTupP0ScRUxCccGp_6NKv7adMPatek1l_8FzJoP8436cQGkAqf6G9HXuAaZRUNIAvRvE6J0zrnW9u1QYJSLiKp39aow-UPsjf86i9jNdKnAr9vr7r8RX5HTrUr/s1600/Kristen+Hertzenberg_main.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 300px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq0EDT0O4ZmWWu4DAwY0kTupP0ScRUxCccGp_6NKv7adMPatek1l_8FzJoP8436cQGkAqf6G9HXuAaZRUNIAvRvE6J0zrnW9u1QYJSLiKp39aow-UPsjf86i9jNdKnAr9vr7r8RX5HTrUr/s400/Kristen+Hertzenberg_main.jpg" alt="" id="BLOGGER_PHOTO_ID_5637748301031802322" border="0" /></a><span style="font-style: italic;">"Pitiful creature of darkness, what kind of life have you known?"</span></div><p style="text-align: justify;">In the past 25 years, those lyrics have been sung by hundreds of actresses on stage worldwide. Join us this Saturday as we hear from Kristen Hertzenberg what it’s like to wear those spectacular costumes and sing those heart-wrenching words to the Phantom on stage at the fabulous <a href="http://www.phantomlasvegas.com/">Phantom - The Las Vegas Spectacular. </a></p><div style="text-align: justify;"> The show is destined to be informative and exciting, as we ask Kristin about her role as Christine, how she came to be on stage for this production, and what the story means to her personally. <br /><br />If you missed it live, it’s archived. Visit our show page by <a href="http://www.blogtalkradio.com/all_things_phantom/2011/08/06/kristen-hertzenberg--phantom-vegas-christine">CLICKING HERE</a><a href="http://www.blogtalkradio.com/all_things_phantom/2011/08/06/kristen-hertzenberg--phantom-vegas-christine"> </a>and listening to the great show.<br /></div>Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.com2tag:blogger.com,1999:blog-8388919069361390275.post-9516962227067427792011-07-03T08:40:00.000-07:002011-07-03T08:40:07.329-07:00Leroux's Endearing Term for Erik - "Monster"<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXs5lgAx-xFkzSd09w9Ih0NDzX0AlXzv84sbfWRE25KEi_2T1cWtYf3TalPy74G7aP5H_VYPR_374USo4uZ6NJA0e_fKOAujURwc7MVvl4Wn-_uNwkzRdKVeG1FJJmdMoywcbacvz0wAK-/s1600/images.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXs5lgAx-xFkzSd09w9Ih0NDzX0AlXzv84sbfWRE25KEi_2T1cWtYf3TalPy74G7aP5H_VYPR_374USo4uZ6NJA0e_fKOAujURwc7MVvl4Wn-_uNwkzRdKVeG1FJJmdMoywcbacvz0wAK-/s1600/images.jpg" /></a></div><div style="text-align: justify;">Fifty-one times . . . yes, 51 times (if my PDF search is right of the text), Leroux pens your beloved Phantom as a "monster." In fact everyone in the story calls him a monster. Leroux uses the term first, "<i>What monster had carried her off and by what means?"</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Christine calls him a monster, <i>"My lies were as hideous as the monster who inspired them; but they were the price of my liberty."</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Raoul calls him a monster, <i>"And why should I hesitate to betray that monster, sir?"</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">The Persian refers to him as the monster. <i>"I recognized the monster's touch!"</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">What do you think of when you see the word monster? The dictionary defines it as, <i>"</i><span id="hotword"><i><span id="hotword" name="hotword" style="background-color: transparent; cursor: default;">any</span> <span id="hotword" name="hotword">animal</span> <span id="hotword" name="hotword">or</span> <span id="hotword" name="hotword" style="background-color: transparent; cursor: default;">human </span><span id="hotword" name="hotword" style="background-color: transparent; cursor: default;">grotesquely</span> <span id="hotword" name="hotword">deviating</span> <span id="hotword" name="hotword">from</span> <span id="hotword" name="hotword">the</span> <span id="hotword" name="hotword">normal</span> <span id="hotword" name="hotword" style="background-color: transparent; cursor: default;">shape,</span> <span id="hotword" name="hotword" style="background-color: transparent; cursor: default;">behavior,</span> <span id="hotword" name="hotword" style="background-color: transparent; cursor: default;">or</span> </i> <span id="hotword" name="hotword" style="background-color: transparent; cursor: default;"><i>character."</i> The Persian pretty well confirms the term in the following:</span></span></div><div style="text-align: justify;"><span id="hotword"><span id="hotword" name="hotword" style="background-color: transparent; cursor: default;"> </span></span></div><blockquote><div style="text-align: justify;"><i>"I could not help shuddering when I thought of the monster. His horrible, unparalleled and repulsive ugliness put him without the pale of humanity; and it often seemed to me that, for this reason, he no longer believed that he had any duty toward the human race."</i></div></blockquote><div style="text-align: justify;"><span id="hotword"><span id="hotword" name="hotword" style="background-color: transparent; cursor: default;"> </span></span></div><div style="text-align: justify;"><span id="hotword"><span id="hotword" name="hotword" style="background-color: transparent; cursor: default;">I've been thinking a lot about the mental instability of the Phantom in many ways and why it is we often overlook his dark tendencies in spite of all his hideous characteristics. I'm not just talking about what is behind the mask. We all understand that deformity. However, like Webber pens, there is more distortion to the man than a mere physical problem - he's deformed in his soul. </span></span></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><span id="hotword"><span id="hotword" name="hotword" style="background-color: transparent; cursor: default;">When you read the statement above made by the Persian, it seems that he is inferring that Erik justified his distorted behavior toward humanity because his distorted face gave him justification to do so. He had no duty toward the human race whatsoever, so he acted out those beliefs by torturing and murdering others. Even Christine accuses him in Webber's version of murdering without thought. </span></span></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><span id="hotword"><span id="hotword" name="hotword" style="background-color: transparent; cursor: default;">What is it about Erik's distorted soul? Is he filled with rage and hatred for his lot in life? Does he torture others because he's a tortured soul? Does he murder the normal, as if he wishes to murder the abnormal in him? Erik is a man of anger, hurt, pain, and the outward manifestation of all that boils beneath the surface turns him into the monster everyone thinks he is in both appearance and action. </span></span></div><div style="text-align: justify;"><span id="hotword"><span id="hotword" name="hotword" style="background-color: transparent; cursor: default;"><br />
</span></span></div><div style="text-align: justify;">Each of us have a choice when faced with the monster. We can recoil in fear and disgust. We can show empathy toward the pitiful creature of darkness, or we can pity him, like the Persian does. It's that pity in Leroux's version that Raoul doesn't understand that both he and Christine offers to Erik. </div><blockquote><i>"I do not understand you. You treat him as a monster, you speak of his crime, he has done you harm and I find in you the same inexplicable pity that drove me to despair when I saw it in Christine!"</i></blockquote><div class="luna-Ent" style="text-align: justify;"><div class="dndata"><br />
It's inexplicable to Raoul anyone should show the monster pity. It drives him to despair that two people find it in their heart to understand the root of his problem. Erik harms both of them - the Persian and Christine. However, neither holds a grudge against the monster, but they hold a healthy fear of him knowing of the monstrous behaviors he's capable of displaying. As the Persian states, <i>"I have forgiven him him the harm which he has done me."</i><br />
<br />
Christine does the same. Kidnapped and imprisoned by the monster she fears, she watches his behavior and declares to Raoul that she cannot hate him. <br />
<blockquote><i>"With horror!" she said. "That is the terrible thing about it. He fills me with horror and I do not hate him. How can I hate him, Raoul? Think of Erik at my feet, in the house on the lake, underground. He accuses himself, he curses himself, he implores my forgiveness!...He confesses his cheat. He loves me! He lays at my feet an immense and tragic love. ... He has carried me off for love!...He has imprisoned me with him, underground, for love!"</i></blockquote>Why must we forgive the monster? The theme of forgiveness is one buried in the Phantom of the Opera too teaching us it's better to forgive than to hate. Yet it doesn't do away with the fact that Erik was a monster. I often wonder if that is why Erik is sometimes portrayed as young and sexy underneath a deformity most can live with, because we want to sugarcoat the true distortion underneath. It's frankly just too hideous to consider.<br />
<br />
He was a madman in many ways, filled with rage and anger burning toward his fellow human being. The root of that rage could be multifaceted from everything from jealousy of those normal, self-loathing for his hideous appearance, and anger towards the lack of compassion from others. What other mental instability could he have possessed? Could we use the insanity defense on his behalf for his murderous crimes? <br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEho7qfo5OjaFUpmLkYa5zOLWAB66P_f2qJ6LeZziDC2GAKUd6202BpEeLaNkONg1qe-e2vJap6OERuTLEBiLWkd20TVtBC-Cqka-d2Nw1Ktb4p7mVOR6HkrbzcIKTcBiEGfuJpjQpOsQ2HU/s1600/PotO_0790.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEho7qfo5OjaFUpmLkYa5zOLWAB66P_f2qJ6LeZziDC2GAKUd6202BpEeLaNkONg1qe-e2vJap6OERuTLEBiLWkd20TVtBC-Cqka-d2Nw1Ktb4p7mVOR6HkrbzcIKTcBiEGfuJpjQpOsQ2HU/s200/PotO_0790.jpg" width="174" /></a></div>The legal definition states he could have been impaired by a mental disease or defect at the time he acted out his hatred toward others. Did he not know what he was doing and acting out in volitional insanity or with an irresistible impulse to kill? This defense states that one can distinguish between right and wrong at the time of the act, but suffers from a mental condition that makes him incapable of controlling himself. Interesting to note that this defense is common in crimes of vengeance. Only Erik can tell us if vengeance was served as he strangled the life out of his victims. Did he enjoy it or did he loathe it? <br />
<br />
Well, after this gross dissection of Erik's mental instability or distortion in his soul, what do you take away from his personality? If he had harmed you, would you have forgiven him or would you have been like Raoul still filled with disgust over the monster that caused you harm? Forgive him or not, Erik definitely had a very dark side about his persona. Perhaps that is why we like to smooth over that inward ugliness with handsome men behind the mask we find appealing and sexy regardless of his facial deformity on one side. <br />
<br />
Enough of psychoanalyzing our beloved Phantom. He represents within each of us the light and darkness we possess in our own souls.<br />
<br />
Monstrously yours,<br />
The Phantom's Student aka Vicki<br />
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PS...if these additional posts keep up, I'll be releasing edition number three! The thoughts just keep coming. Blame it on the monster! <br />
<br />
<span id="hotword"><span id="hotword" name="hotword" style="background-color: transparent; cursor: default;"> </span> </span></div></div>Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.com2tag:blogger.com,1999:blog-8388919069361390275.post-1121404342930016002011-06-24T19:45:00.000-07:002011-06-25T06:00:37.837-07:00Concept of Redemption in Phantom of the Opera<div class="separator" style="clear: both; text-align: center;"></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsTXtfgNecH66Wm0mtfq2ytgYUyBDuY6a9MujCm9qrbMGB47i0lielpQcMPmbBGaursGGCnUN95ZzWSbjYafxOD3MXEg1ww_vj_HrnhYYRteuduxt_IB71b05R_6uvyzKutO0ACCtav0Is/s1600/KISS.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsTXtfgNecH66Wm0mtfq2ytgYUyBDuY6a9MujCm9qrbMGB47i0lielpQcMPmbBGaursGGCnUN95ZzWSbjYafxOD3MXEg1ww_vj_HrnhYYRteuduxt_IB71b05R_6uvyzKutO0ACCtav0Is/s320/KISS.jpg" width="180" border="0" height="320" /></a></div>Everyone takes something different away from the Phantom of the Opera. There are many themes buried in the story, which I think lends to its undying popularity. It continues from generation to generation, and the reason behind it must certainly be attributed to how it speaks to us individually in many areas of our lives.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"></div><div style="text-align: justify;">Some general themes we often relate to are:</div><div style="text-align: justify;"></div><ul><li>The hurt of unrequited love</li><li>The need to hide behind our symbolic masks to veil our inward ugliness</li><li>The need for acceptance and unconditional love</li><li>The need to be forgiven for the evils of our past</li><li>The need to be seen and wanted in order to save us from our loneliness and isolation</li></ul><div style="text-align: justify;"></div><div style="text-align: justify;">No doubt the list can go on and on. However, one theme that many take away from the story is the concept of redemption that plays out in the final lair scene. That theme is often prevalent with those of religious beliefs, because they see in the story analogies that relate to their ideals. Perhaps it's the salvation they wish the Phantom to experience, who once murdered, tortured, and kidnapped others. How he receives that salvation comes through the realization that if one truly loves, one lays down their life for another.</div><div style="text-align: justify;"></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">I believe that is part of the theme that some individuals attempt to hang onto in regards to the original, and why the sequel bothers them. It infers that after that kiss in the lair, the Phantom wasn't really redeemed after all or was he? His parting words at the end are not one of praise that he's been saved. Rather he cries: </div><blockquote><div style="text-align: justify;">"<i>Forget me; forget this; leave me alone; take the boat, swear to never to tell of the secret you know of the angel in hell. . ." </i> </div></blockquote><div style="text-align: justify;">Those words tell me he wishes to do one thing, and that is to sink back into isolation and obscurity, because he still believes he's an angel of hell and not a redeemed angel of heaven. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">I find it interesting how we all want to save the man from his pitiful life. Forget Raoul who has it all - the riches, the good looks, and the girl. We love the underdog, in spite of his dark tendencies and many sins. He needs fixing. Someone should rescue him. Let's all give him a kiss, and show him that he can be loved. We hate the thought that his isolation remains, and we want to pull him out of the dark lair and bring him into the light.</div><br /><div style="text-align: justify;">The theme of redemption is certainly there, but redemption can often be a process that is fully realized after a significant event happens in our life. Throw away all the books you've read and the recent stage sequel. People cry, <i>Phantom Needs No Sequel</i>! But are you really satisfied with the ending? How do you come to terms with his life after he disappears through the chair? Do you really think that experience instantly changed him, and he lived a happy life afterward? Was he suddenly healed from Christine's kiss or was he still a broken man having lost the one person he loved more than life? It's an interesting question to ponder, and I'll be honest that I'm often curious as to how people rationalize what we are left with at the end of the stage version. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">I think that if he really learned anything in the lair scene, it was the pain of sacrifice. He learned the meaning of unconditional love by watching two people he harmed display the act in front of him. We could spend plenty of time analyzing what was really behind Christine's kiss. Was it pity? Was it coerced? Was it surrender? Was it love? Whatever it was, it was that pivotal act that shook the Phantom to the core and became a turning point in his life. However, I don't believe that incident was the cure all of what ailed the Phantom. He was still a man in isolation. He was a man who experienced profound loss having loved another. He was still hounded down by everyone, who showed him no compassion and wanted him dead. If that's the case, then where was the redemption?</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Redemption can be an instantaneous experience, but it can also be a process. Whether we like the plot of <i>Love Never Dies</i> or not, it does have a purpose in the lives of some fans. It brings closure. I see it as the end of the process or his journey. He's slow to learn. The obsession that he was never able to get over came to end. Often, things need to be taken away from us so we can finally change and grow. He no longer has Christine, but he now has the responsibility of fatherhood. Will he finally learn from that experience and find the culmination of his redemption in the end? Perhaps the unconditional love will be given to him by a child rather than a woman, and he will learn for himself the concept of laying your life down for another. Not what we had pictured, but it will serve a purpose.</div><br /><div style="text-align: justify;">In any case, if you want the story to have a fulfilling ending and you wish for the theme of redemption to remain, you must give to the Phantom some story in your mind that leads him down that ultimate path. Disappearing into the chair leaves for me a hollow ending. God knows, I had to write my own book to satisfy what I pictured for him the remainder of his life. Countless others have written stories as well to satisfy their cravings to close the story one way or the other.<br /><br /></div><div style="text-align: justify;">It's obvious that some fans (and I know - not all) do find that closure in the current sequel by Webber. Apparently, it satisfies their questions. If you are one of those individuals who didn't need a sequel to satisfy your curiosity regarding the Phantom's ultimate redemption, that's great. No doubt you've figured that out for yourself. However, there are those that are still searching for the answer to what's beyond the back of that chair and the mask that's left behind. Right or wrong, it's just the way it is.</div><br />As for me, I see the concept of redemption in this story as a process and a journey, and not one that came to completion at the end of a kiss. Frankly, I think that would have been too easy. Change comes through growth, and growth comes through experience. The Phantom up to that point had neither.<br /><br />Thoughtfully,<br /><br />Vicki aka The Phantom's StudentVicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.com6tag:blogger.com,1999:blog-8388919069361390275.post-31499273087463151712011-06-17T07:21:00.000-07:002011-06-21T20:24:34.260-07:00The Amusement Park is Closing Down In London<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWpA-A-nl8Urf224JlPkHstUUgzGRP-LbWJNH4kyqDV_mD0wkXWPLOf3ndqF_epDrT_GOQ5e1KNYhJ2KDIJlXM1OaXv18a0X9uqd3zuCiO0GXI55QhyEyP3hMxRs_RbC3KvqVggS4dfePj/s1600/closed.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWpA-A-nl8Urf224JlPkHstUUgzGRP-LbWJNH4kyqDV_mD0wkXWPLOf3ndqF_epDrT_GOQ5e1KNYhJ2KDIJlXM1OaXv18a0X9uqd3zuCiO0GXI55QhyEyP3hMxRs_RbC3KvqVggS4dfePj/s1600/closed.jpg" /></a></div><div style="text-align: justify;">Well rumors yesterday swelled on the Internet, and my Google alerts filled my inbox this morning. Andrew Lloyd Webber's production of Love Never Dies in London is closing August 27. There is no word of reworking it in London, though the Melbourne show continues in Australia.</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Read here the morning news at:</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><a href="http://www.variety.com/article/VR1118038744?refCatId=19">Variety</a></div><div style="text-align: justify;"><a href="http://broadwayworld.com/article/LOVE-NEVER-DIES-to-Close-in-West-End-in-August-20110617">Broadway World</a></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">No doubt a variety of reasons pushed the show to close in London. The Adelphi is co-owned by Webber and another group, who wished to bring in a new production hopefully more profitable. In addition, the bad reception in London and the opposition from a certain campaign tainted the show from the beginning. As far as critics, critics are critics, and mediocre reviews were published. However, some of the general public and the fans generally liked the show, in spite of the crap thrown its way. The voices that were the loudest, didn't necessary represent the entire Phantom community. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">I'm so very thankful I had the chance to see it both in its original version and revised version and have been blessed to watch the performances of wonderful performers. Frankly, I never would have made it to London and enjoyed my first experience of English soil, if it hadn't been for the lure of seeing the show and reporting on it when I returned.</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">My heartfelt good wishes go out to all the cast as they move onto other opportunities. And to Webber, I say, thanks for letting me observe in London the choreographed reunion of my favorite two characters, Christine and the Phantom. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">While some are no doubt having parties and others are already standing by the grave ready to throw the first clod of good-riddens dirt on the London production's coffin, it's still alive elsewhere on stage in the world. If Webber stays true to his plans, it will tour Australia, and perhaps one day visit Toronto and Broadway.</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Usually we say it ain't over yet until the fat lady sings. In this instance it ain't over yet until the last one is thrown over the pier and drowned. My support of Webber and his endeavors continue, as I admire the man greatly and enjoy his creations.</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">To the London cast who leaves - GOD BLESS EVERY ONE OF YOU! </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">To the naysayers I say, don't rejoice over the failure of another. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">To the lovers and supporters of Love Never Dies, rejoice in what you had the opportunity to enjoy in London.</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">To Webber I say, take heart, there are those that still support you and your creative right to take Love Never Dies elsewhere.</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">I'm itching to say so much more! I hate it when I have to bite my tongue. I really hurts.</div><div style="text-align: justify;"></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"></div><div style="text-align: justify;">Sigh...</div><div style="text-align: justify;">The Phantom's Student<br />
<br />
</div><div style="text-align: justify;"><br />
<i>NOTE: I've closed the comments on this post for a variety of reasons. Mostly, I just don't want this blog to turn into a forum debate about Love Never Dies. There are so many other places on the Internet to talk about the likes, dislikes, and its recent demise from the West End, that I just don't feel it appropriate to rehash the matter here. Thanks for your understanding. </i></div>Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.comtag:blogger.com,1999:blog-8388919069361390275.post-4715974993489102202011-06-10T07:30:00.000-07:002011-06-10T07:45:13.077-07:00Q&A With Tam Mutu - Alternate Phantom at London's Love Never Dies<div style="text-align: justify;">Recently, Tam Mutu graciously agreed to answer a series of questions on the <a href="https://www.facebook.com/?sk=inbox&action=read&tid=64077ce6136b4712b42547ad79be9929#%21/home.php?sk=group_125092594177223">Tam Mutu Appreciation Group page on Facebook. </a></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Since I had the opportunity to see Tam in April of this year and thought his performance was stellar as the Phantom, including grabbing him at the stage door to get his autograph and meet him personally, I asked for permission to post the questions/answers on my blog. Permission was given, so here they are. If you wish to know more about Tam's background in theatre, his bio is linked back to the <a href="http://www.loveneverdies.com/the-show/cast-list/tam-mutu-1/">Love Never Dies </a>website. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Many fans are hoping that Tam will be the Phantom when Ramin Karimloo leaves in September. He would be an excellent choice. His voice is powerful, and his interpretation of the Phantom is moving. I hope you'll join me and many others and support Tam in his role in Love Never Dies.</div><div style="text-align: justify;"><br />
</div><div class="separator" style="clear: both; text-align: justify;"></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7k1Wtv46FxJns5yK2tF2G9Axuqs-cTcbkyK9qIx7pCa58dVl4OA3BxSoXAyCLuv_qPwKjcMiNc3zXtYcKOdFcLICEfg8fUUaVgNk9CT-35IKRwR21gpTsfCzf3LC3iYYjwIi5Ex5TuqEY/s1600/tam.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7k1Wtv46FxJns5yK2tF2G9Axuqs-cTcbkyK9qIx7pCa58dVl4OA3BxSoXAyCLuv_qPwKjcMiNc3zXtYcKOdFcLICEfg8fUUaVgNk9CT-35IKRwR21gpTsfCzf3LC3iYYjwIi5Ex5TuqEY/s1600/tam.jpg" /></a></div><b>1) What do you like best about playing the Phantom?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>In musical theatre terms, he is like a super hero. It’s great to be able to give my interpretation of a wonderful character and join a very successful list of people who have.</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>2) How do you prepare mentally to become the character that you play on stage?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>For me the mental work starts at the beginning of the rehearsal process. I do a lot of research on the character and on the play itself (when the play is set, location, etc.). I try to learn as much as I can and talk things through with fellow actors, designers, and, of course, the director. This allows me to make choices and find my own truth. I learn my lines inside out. Before I go on stage, I may look over notes I have made throughout the rehearsal process or that I have been given by the resident director from a previous show/rehearsal. If I have done my preparation and research and obviously rehearsed thoroughly, the mental work has been done. It’s then a case going on stage and trying to remember the work/choices I have made and aiming to be as truthful each night as I can possibly be.</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>3) Have you ever had any accidents on stage?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>Yes. One night in the old (original) show after ‘"Til I Hear You Sing" , I used to rush upstage and close the curtain around the Christine doll after being interrupted by Madame Giry and Meg. Well this night as I ran upstage, I slipped and fell flat on my back nearly knocking over Sierra who was the doll. There was a massive gasp from the audience. So embarrassing!</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>4) Have you some sort of ritual before each performance?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>The make up usually takes around 45 minutes each day. I generally tend to listen to music or watch DVDs while this is happening. It can be a little mundane otherwise. It used to take over an hour, but the wig department has done really well to get the time down. Well done Biddy!</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>5)</b> <u> <b>Would you like to play the first Phantom at Her Majesty’s?</b></u></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>Ha Ha Ha! I get asked this a lot. Yes, I would like to do the original Phantom. Be nice to complete the circle, albeit I have gone anti-clockwise in the process.</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>6)</b> <b> Have you experienced incidents when you messed up your lines or did something wrong during a show?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>Yes. This actually happens more often than people think. The trick is to cover it as best as possible. Most of the time the audience doesn’t notice but it is a horrible feeling when it happens.</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>7) </b><b>Do you have any specific music you like to listen to while you get ready for a show?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>My music is random to say the least. One day it could be Mario Lanza the next it could be Eminem. It usually reflects how I am feeling or if I need to be inspired or motivated in some way.</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>8)</b> <b>Was it hard to adjust to the new changes and a new cast?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>Yes, it was weird at first but you learn to adjust pretty quickly. The line changes were awkward as some of them were very subtle, but enough to trip you up ("‘Til I Hear You Sing’" being a prime example). I used to see costumes and not match the faces with what they were wearing. Was really weird. Things are all good now though.</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>9) </b><b>Was there a time on the stage when you actually felt you were the Phantom?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>I guess there is an element of that every night really. I have to commit to what I am doing and believe that I am that person. Otherwise I am not being truthful, and I feel like I am cheating the audience.</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>10)</b> <b>Who has been your favourite Gustave to work with?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>Ooh, I can’t answer that. All of them have brought something different to it. I am amazed by how fearless they all are. Inspirational really!</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>11) </b> <b>Would love it if you could make an album, but if that’s not possible how about having an official website where you could perhaps record some songs and put them online, as quite a number of musical theatre artists already do?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>That is something I should be looking into I know. Am not the best at looking at myself and the idea of my own website makes me queasy. Ha Ha Ha!</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"></div><div style="text-align: justify;"><b>12) </b> <b>I can imagine it must be really tiring some nights, so how do you wind down after a long day at the theatre?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>Cup of tea at home. Movie/TV/Xbox.</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>13)</b> <b>What is your view on people that see the show on multiple occasions?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>Thank you for all your support. We must be doing something right.</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje9wNF5SVsDKGgymTlG8GkhpAObfeQehCc1YTDCUDLPHMReDBywMqECn3-e_QM6HkOZPQ8q9DO2qs1dfn4yzUcMf19sszGUYDPJ1CtO52xsNtobRQ4dAsKrZVL5J2HY5fxU19cv7ve9W57/s1600/Tamauto-1.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje9wNF5SVsDKGgymTlG8GkhpAObfeQehCc1YTDCUDLPHMReDBywMqECn3-e_QM6HkOZPQ8q9DO2qs1dfn4yzUcMf19sszGUYDPJ1CtO52xsNtobRQ4dAsKrZVL5J2HY5fxU19cv7ve9W57/s320/Tamauto-1.png" width="232" /></a></div><b>14)</b> <b>How do you feel about people who wait to see you at stage door?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>I feel that if someone has taken the time to watch you in the show, then the least you can do is give them five minutes of your time.</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"></div><div style="text-align: justify;"><b>15)</b> <b>If the show were to become a movie, would you consider playing the Phantom?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>Ha Ha Ha! Yes think I stand a good chance of pipping Johnny Depp and Hugh Jackman to the role. It would be great.</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>16) What is your dream role?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>When I was at college I always wanted to play Curly in ‘Oklahoma’. I love all the traditional Musical Theatre roles. Have had a thing about Martin Guerre for a while too.</i></div><div style="text-align: justify;"></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>17) Is there anyone you would really love to sing/act with?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>Wow that’s a toughie! Would love to sing with Vittorio Grigolo. Am a massive fan of his. Also sing/act with Hugh Jackman. He can do everything and one of my big inspirations.</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>18) How did your acting/singing vocation start? Was there anyone who inspired you to become an actor?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>I was a late starter really. I was in the school choir, but didn’t start drama/singing until I was about 15. I joined the local amateur dramatics society and gradually became more confident and more interested. I remember the first time I thought I would like to act for a living and that was when I was in the NYMT doing a production of ‘Whistle Down the Wind’. The person who most inspired me to want to perform was probably one of my best friends, Jeremy Sharples. He had (still does) an amazing voice and was in my local am dram club. He’ll probably kill me for mentioning his name Ha Ha ha!</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>19) Are there any singers/actors who have inspired you, either living or dead, i.e. we know you admire Mario Lanza.</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>It’s strange really because I never really thought of myself as much of a singer. It was just something I did and enjoyed. Have grown and learned so much from singing and learned to appreciate voices and allow myself to be appreciated, if that makes sense. Anyway singers: Definitely Mario Lanza! Pavarotti, new guy called Vittorio Grigolo (amazing!), Jeremy Sharples, Freddy Mercury, George Michael, Sierra Boggess, Whitney Houston and the amazing Jeff Buckley. Actors: I love Leo Di Caprio (always wanted his career) and Johnny Depp. Pacino because you can’t take your eyes off him and my friend Joseph Millson who is supremely talented.</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>20) Which is your favourite part of Love Never Dies, and do you prefer one song to any other?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>My favourite part is probably the end of Act 1 when the Phantom finds out about Gustave. It’s great to do. I love all the music, but feel really fortunate to be able to sing ‘"Til I Hear You Sing." It’s such a great song, and I think one of ALW best for a leading man.</i></div><div style="text-align: justify;"></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>21) If the show were to be moved to Broadway, would you like to go with it as Phantom?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>Yes</i>.</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>22) Any roles on the great White Way you would like to play?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>Any. Would be great to work on Broadway.</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>23) Many London theatres are said to be haunted. Have you ever come across anything spooky and seen/heard an actual theatre ghost?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>I haven’t actually. The scariest thing I have seen is probably some of my fellow actors naked in the dressing room. It can be very traumatic!</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>24) Going back to the question of your own website, apart from enabling folks to hear you sing we could also be kept up to date with any concerts or future shows/TV/theatre work that you might be doing. Any plans for a website?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>I am hoping to sort something out.</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>25) Do you have a favourite film… book… TV programme?</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>Film: Top 3 (at the moment and in no particular order) Star Wars (Empire Strikes Back), Groundhog Day and The Usual Suspects. Book: A season with Verona by Tim Parks (Loved it) and The Dark Tower series by Stephen King. TV Show: Spongebob Squarepants (Yes I am deadly serious!) and South Park.</i></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><b>26) Lastly, the figure from history you’d most like to meet.</b></div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;"><i>Alexander the Great (male) he must have been some guy. Cleopatra (female) see what all the fuss is about.</i></div><div style="text-align: justify;"><br />
<div style="text-align: center;">* * * *</div><div style="text-align: center;"><br />
</div>Thanks to those who were involved in spearheading this Q&A with Tam Mutu on Facebook. The talent in the show is phenomenal, and I'm happy to support getting the word out on Tam's great interpretation of the Phantom and his aspirations for the future.<br />
<br />
Go visit his page on <a href="https://www.facebook.com/#%21/home.php?sk=group_125092594177223">Facebook</a> and show your support.<br />
<br />
Regards,<br />
The Phantom's Student aka Vicki</div>Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.com0tag:blogger.com,1999:blog-8388919069361390275.post-42054745005499674482011-05-27T08:08:00.000-07:002011-06-21T20:51:47.938-07:00Judgment Day<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOPZ4sA8b9hqjzFnpjg7MM9-OANrmfVySsgceX1rZynnKC6Le5eVwoTpFmF994NYQMspWn6d_OTLE32veZYQprpF2Uloxs8gnDOJlG7b3SBSgcAzuEKV5D8EReKG0w7Kgp1DsbqTOurnnb/s1600/theatre.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOPZ4sA8b9hqjzFnpjg7MM9-OANrmfVySsgceX1rZynnKC6Le5eVwoTpFmF994NYQMspWn6d_OTLE32veZYQprpF2Uloxs8gnDOJlG7b3SBSgcAzuEKV5D8EReKG0w7Kgp1DsbqTOurnnb/s320/theatre.jpg" width="320" border="0" height="240" /></a></div><div style="text-align: justify;">My Google alerts were filling my email inbox this morning with stories about the opening of Love Never Dies tonight in Australia. The article from the Hearld Sun has one primo picture in it of the Phantom and Christine. Gave me the shivers, but hey that's just me. (Follow the link below to see and read.)</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">With all the excitement, the <a href="http://www.dailymail.co.uk/tvshowbiz/article-1391371/Love-Never-Dies--hurting.html">Daily Mail</a> in the UK came out (great timing) with a story about Love Never Dies in London and their woes. Though I've heard a few snickers here and there they are not always the most reliable of sources, certain groups are jumping on the bandwagon having celebration parties. One comment in the article states: </div><blockquote><h6 class="uiStreamMessage" ft="{"type":"msg"}" style="font-weight: normal;"><span class="messageBody" style="font-size:small;">"For a show that should have been a sure-fire hit, it has been beset by some of the bloodiest behind-the-scenes shenanigans seen in the West End." </span></h6></blockquote><div style="text-align: justify;">If I weren't so nice and didn't wish to practice what I preach, I'd probably go off right here about now, but then that would negate my post below. Sigh. :bites tongue:</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">In any event, I for one continue to support Andrew Lloyd Webber. <a href="http://theatrepress.wordpress.com/2011/05/23/a-consideration-love-never-dies/">Kim Edwards</a> recently wrote an editorial that contains a statement I wholeheartedly agree with: </div><blockquote>"There is a place for all forms and levels of theatre, and producers, composers and artists have every right to create any new shows they like for the mingled delight and despair of theatre audiences."</blockquote><div style="text-align: justify;">Like it or not, I've said from the beginning, it was Webber who gave us Phantom in the first place; and we need to respect him as the creative genius he is and respect his right, without trying to sabotage his freedom of expression, to write a sequel. </div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">So tonight as it opens, I yell Chookas to the cast. Why? Because it's the right thing to do to bless individuals who have put their lives on the line, given their talent, time, and energy to a show, that will actually bless some people in their seats, even if it doesn't bless everyone in the Phantom community.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><a href="http://www.heraldsun.com.au/entertainment/love-never-dies-is-phantom-take-two/story-e6frf96f-1226064421319">Hearld Sun</a></b></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Sincerely,</div><div style="text-align: justify;">The Phantom's Student<b></b></div><div style="text-align: justify;"><b><br /></b></div><div style="text-align: justify;">P.S. Don't forget to check back and read our upcoming guest blogger's take on the show.<br /><br /><b>UPDATE: <a href="http://www.theatrepeople.com.au/features/paint-dry-love-never-dies">You gotta see these pictures! </a></b><br /></div><div style="text-align: justify;"><b><br /></b></div>Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.com0tag:blogger.com,1999:blog-8388919069361390275.post-61928728790014711982011-05-25T22:08:00.000-07:002011-06-01T22:31:43.500-07:00The Irreparable Breach<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnxbPK6Xfum9hNyC2ocbBoe0CtsLRATsfHLa7LS0R37FUX1gYD_4SpzXc3nnG2EX7l6EBE_NcVafnZk7MZLfjyP45c4XsyhDDzVO7VgyF_agHNcSHEaR3sjEz3qwzFZlPV0IWnC43xDMxo/s1600/TheLair-OliverThorntonRachelBarrell.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><u><b><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnxbPK6Xfum9hNyC2ocbBoe0CtsLRATsfHLa7LS0R37FUX1gYD_4SpzXc3nnG2EX7l6EBE_NcVafnZk7MZLfjyP45c4XsyhDDzVO7VgyF_agHNcSHEaR3sjEz3qwzFZlPV0IWnC43xDMxo/s320/TheLair-OliverThorntonRachelBarrell.jpg" width="273" /></b></u></a></div><div style="text-align: justify;"><b>UPDATE: 6/1/11</b><br />
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<b>I'm happy to report that a group of fans on both sides of the fence have started a new Phantom forum under the name of <a href="http://loveshouldnotdivide.proboards.com/index.cgi">Love Should Not Divide. </a> Kudos to their efforts for attempting to create a safe haven for fans to have intelligent conversations that are non-judgmental in a safe environment. Everyone should be able to express their opinions regarding matters of the Phantom of the Opera and Love Never Dies without the fear of retribution. It's a step in the right direction to calm this flaming war. Please visit and support their efforts. Thanks.</b><br />
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The Phantom community is in trouble. We're in the final lair scene, and for some odd reason this picture paints a thousand words. What I'm about to write is from my heart. Like it or not, it's what I feel. It's what grieves me, and there's nothing that can be done about it. At least it certainly doesn't seem that way.</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">When I was first introduced to the Phantom of the Opera it held for me a bucketful of lessons, as you can see from this blog. It represented the heartache of one man, who wanted nothing more in life than to be loved. Was he a perfect man? No, he was a damaged man. Damaged by his appearance; damaged by the lack of compassion shown him; and damaged in his ability to relate to others without the use of violence to get his way.</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">The Phantom (aka Erik, the Opera Ghost, Angel of Music) also represents for many the psychological pain that we as humans feel as we hide behind our masks we wear every day. The story touches us. We relate to it. We relate to him. It's a timeless masterpiece that grabs hold of our heart and won't let go.</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">We forgive the Phantom for his indiscretions and accept him as he is. After all, he is a product of his circumstances. Until, of course, one simple kiss in a dark lair, as he's about to kill his rival, breaks the barriers of his hardened heart. It's at that moment he not only tastes Christine's lips, he tastes the meaning of unconditional love. It is the crux of the story. The murdering madman is redeemed. The show ends, and we are left to ponder where to go from here.</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Well, as most of you know, Webber decided to take the story further, much to the disgruntled distaste of some fans who have become very vocal. I'm not going to point fingers, call names, or discuss tactics used, but I am going to express my feelings regarding the irreparable breach that now exists in the Phantom community over the sequel. If you're not part of the inner circle of Phantomdom, count yourself lucky. Let me enlighten you of the current state of affairs - it's war. Sides have been taken; the lines have been drawn. Most of the fire power of both sides is relegated to weapons of words, though shamefully some have stooped to using actions in the battlefield. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">What's the fight about? Well, Love Never Dies, of course. What else? It began as a matter of opinion pro or con regarding the show; but now it's turned into a war between fellow fans that were once lighting candles together in the lair. We no longer have anything in common with each other. You're either for it or you're against it. The fellowship is broken. How sad. How very, very sad.</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">The world of Phantom for me these days holds little joy. The story that I once loved, and frankly still do, seems somehow hypocritical in many ways. The compassion is gone; the acceptance is no longer there; and the words spoken by Erik in Leroux, <i>"I have tasted all the happiness the world can offer!" </i>has somehow lost its joy. The tears that Christine wept over Erik have dried folks, and like this picture she's in the middle trying to keep the peace between the angry Phantom and Raoul or in this case the lovers and haters of the sequel. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Will the lair of fans ever be the same again? Will we ever stop bitching at each other in forums, Facebook, or Twitter battlefields? Will this continue for years and years as Love Never Dies keeps opening in other venues worldwide? I have little hope that anything will change, and because of that reason I sometimes wonder why bother to stay in this strife-filled environment day after day that frankly grieves me to the core. It's draining.</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">What happiness I once tasted in this story has somehow turned bitter in my mouth, and I don't know what to do about it. There's an irreparable breach in the Phantom community that I don't think will ever heal. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Did it have to happen? I don't believe it did, frankly. I think things could have gone down differently had we remembered to keep the entire meaning of the story in our hearts as we dealt with each other through our disagreements. Somehow though the message got lost in translation. The unconditional love that Erik wished for, isn't there anymore guys. It died somewhere along the way, because we felt our opinions were more important than the message. Erik has reverted to his old self of getting what he wants no matter who gets hurt in the process. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">I felt the need to express my feelings about the current state of affairs, but I don't feel the need to open this post up for comments. The damage is done in the lair. Perhaps what we need is a repeat of the final scene in each of our lives. If that were the answer, I'm sure Christine would gladly run to all of you and plant a kiss on your lips, because we've become that "<i>pitiful creature of darkness"</i> and remind you that love is stronger than hate. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Will the Phantom community redeem itself? Well, that my friend is up to you.</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Sincerely,</div><div style="text-align: justify;">Vicki</div><div style="text-align: justify;"></div><div style="text-align: justify;"><br />
</div>Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.comtag:blogger.com,1999:blog-8388919069361390275.post-73626614576429731142011-05-19T07:44:00.000-07:002011-05-19T07:45:01.836-07:00Humor Me, Please.<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjx8MX-W5Fhw77Hx2XtG0x1r8yM30nhKKs0af-eSQmlOOkqmmNiK3B1y4BZ3YouAGZWnsxT00J1rgjcDVV8PLWghH_5y0QUNsJ2HgQMBPGKaqZhgnX08fTnc_1X-ZbEmy-wRDeko0xP-bZ/s1600/phantom_of_the_opera_cover.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img style="width: 137px; height: 220px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjx8MX-W5Fhw77Hx2XtG0x1r8yM30nhKKs0af-eSQmlOOkqmmNiK3B1y4BZ3YouAGZWnsxT00J1rgjcDVV8PLWghH_5y0QUNsJ2HgQMBPGKaqZhgnX08fTnc_1X-ZbEmy-wRDeko0xP-bZ/s320/phantom_of_the_opera_cover.jpg" border="0" /></a></div>I'm doing a survey off to the right. Please take a moment and answer the question. I'm taking a poll out of the hundreds of new visitors each week and all of you repeaters whether you've read Gaston Leroux's original work.<br /><br />Thanks!Vicki Hopkinshttp://www.blogger.com/profile/07268510221608107264noreply@blogger.com3