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term="Mauro Senise" /><category term="Salif Keita" /><category term="Celestrial Communication Orchestra" /><category term="José Reinoso" /><category term="Darío Reinosa" /><category term="Dr Lonnie Smith" /><category term="John Lennon" /><category term="Kirk Lightsey" /><category term="Hector Bingert" /><category term="Johnny &quot;Guitar&quot; Watson" /><category term="The Brecker Brothers" /><category term="Tete Montoliu" /><category term="Ara Tokatlian" /><category term="Renaud Garcia-Fons" /><category term="Bobo Stenson" /><category term="Guido Basso" /><category term="Jim Hall" /><category term="(Repost Request)" /><category term="Steve Howe" /><category term="Nina Simone" /><category term="John Swana" /><category term="3rd Coast Jazz Orchestra" /><category term="Astor Piazzolla" /><category term="Yamandu Costa" /><category term="Jazz" /><category term="Gene Ammons" /><category term="Sergio Boré" /><category term="Esperanza Spalding" /><category term="Aydin Esen" /><category term="biografías" /><category term="Arturo O'Farrill" /><category term="Diane Denoir" /><category term="Matthew Garrison" /><category term="Phil Upchurch" /><category term="Cal Tjader" /><category term="Joe Henderson" /><category term="Dexter Gordon" /><category term="Pablo Paredes" /><category term="Jorge Schellemberg" /><category term="Vera Sienra" /><category term="The Allman Brothers Band" /><category term="Joey Defrancesco" /><category term="Bill Evans (sax)" /><category term="Alex Skolnick" /><category term="Gaston Ciarlo" /><category term="Jimmy Smith" /><category term="Guillermo McGill" /><category term="Akiko Tsuruga" /><category term="Ornette Coleman" /><category term="Octavio Burnier" /><category term="Chris Washburne" /><category term="Larry Carlton" /><category term="Frank Gambale" /><category term="Carlos Vidal" /><category term="Jeff Clyne" /><category term="PeruJazz" /><category term="Lee Morgan" /><category term="Andres Boiarsky" /><category term="Pablo Traberzo" /><category term="Vitor Ramil" /><category term="Chuck Mangione" /><category term="Jorge Varona" /><category term="John Patitucci" /><category term="Merl Saunders" /><category term="Sergio Teran" /><category term="jorge barral" /><category term="Jorge Dalto" /><title>Las Cintas Recuperadas</title><subtitle type="html" /><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://lascintasrecuperadas.blogspot.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://lascintasrecuperadas.blogspot.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/2501904162088694542/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>luigi</name><uri>http://www.blogger.com/profile/17651625287584194482</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="24" 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/><title>Fileserve Terminates Accounts</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;Another file sharing website has reacted to the recent MegaUpload arrests and website suspension. This time Fileshare has decided to take action to clean themselves of any wrong doing by suspending accounts associated with piracy en masse.&lt;br /&gt;
Many users are signing in to their accounts today, only to find they’ve had their accounts suspended due to a violation of the Terms and Conditions. They’ve also shut down their rewards program, which allowed users to make money by uploading files and sharing the links with “friends and family”.&lt;br /&gt;
&lt;br /&gt;
It’s unclear whether accounts involved with the rewards program are also being suspended as well.&lt;br /&gt;
&lt;br /&gt;
This morning another popular file sharing site, FileSonic closed off its services, only allowing users to download files from their personal accounts.&lt;br /&gt;
&lt;br /&gt;
MegaUpload was shut down on Friday morning and several people involved with the site were charged with violating piracy laws. The site was accused of costing copyright holders over $500 million in lost revenue from pirated music and other content. The shut-down came only a day after websites such as Wikipedia and Reddit shut down services in protest of proposals (SOPA/PIPA) intended to stop online piracy.&lt;br /&gt;
&lt;br /&gt;
MegaUpload, which launched in 2005 and is one of the most popular “locker” services on the Internet, lets users anonymously transfer large files — and has generated $175 million in income for its operators through subscription fees or advertising.&lt;br /&gt;
&lt;br /&gt;
Hacktivist collective Anonymous retaliated by taking down a number of music, film, copyright and government websites, inlcluding Universal Music and BMI (which is responsible for collecting license fees on behalf of songwriters).&lt;br /&gt;
&lt;br /&gt;
&lt;h1 id="title"&gt;&lt;span style="font-size: x-small;"&gt;&lt;a href="http://musicfeeds.com.au/news/fileserve-terminates-accounts-suspends-make-money-feature/" title="Fileserve Terminates Accounts; Suspends ‘Make Money’ Feature"&gt;Fileserve Terminates Accounts&lt;/a&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/div&gt;&lt;b&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://torrentfreak.com/filesonic-kills-file-sharing-after-megaupload-arrests-120122/"&gt;Filesonic Kills File-Sharing Service.&lt;/a&gt;&lt;/span&gt;&lt;a href="http://torrentfreak.com/filesonic-kills-file-sharing-after-megaupload-arrests-120122/"&gt;&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-8464916582604193486?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://lascintasrecuperadas.blogspot.com/feeds/8464916582604193486/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=2501904162088694542&amp;postID=8464916582604193486&amp;isPopup=true" title="3 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/2501904162088694542/posts/default/8464916582604193486?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/2501904162088694542/posts/default/8464916582604193486?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LasCintasRecuperadas/~3/njolf0-xphU/fileserve-terminates-accounts.html" title="Fileserve Terminates Accounts" /><author><name>luigi</name><uri>http://www.blogger.com/profile/17651625287584194482</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="24" src="http://3.bp.blogspot.com/_mGP-7NjQHO8/SOA4tg1ubXI/AAAAAAAADRQ/lLLDG-PdpiA/S220/FJack.jpg" /></author><thr:total>3</thr:total><feedburner:origLink>http://lascintasrecuperadas.blogspot.com/2012/01/fileserve-terminates-accounts.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C08ESXs9fCp7ImA9WhRUEEs.&quot;"><id>tag:blogger.com,1999:blog-2501904162088694542.post-6124354275043658502</id><published>2012-01-20T04:16:00.000-08:00</published><updated>2012-01-20T04:16:48.564-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-20T04:16:48.564-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="información" /><title>"Megaupload Closed"</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div style="color: #e06666;"&gt;Another stumbling "Megaupload" permanently closed most of my files are on Megaupload to upload to other servers and also had problems with my accounts at these places and also problems with the "DMCA" I think in the future of Recovered Tapes. . after six years of maintaining a blog with its high and low .. I wonder if it's necessary to continue with this blow to the neck all the time.&lt;/div&gt;&lt;div style="color: #e06666;"&gt;Friends let you know shortly what will happen to this Blog.&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-6124354275043658502?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://lascintasrecuperadas.blogspot.com/feeds/6124354275043658502/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=2501904162088694542&amp;postID=6124354275043658502&amp;isPopup=true" title="5 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/2501904162088694542/posts/default/6124354275043658502?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/2501904162088694542/posts/default/6124354275043658502?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LasCintasRecuperadas/~3/Dg-OX4Js1bs/megaupload-closed.html" title="&quot;Megaupload Closed&quot;" /><author><name>luigi</name><uri>http://www.blogger.com/profile/17651625287584194482</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="24" src="http://3.bp.blogspot.com/_mGP-7NjQHO8/SOA4tg1ubXI/AAAAAAAADRQ/lLLDG-PdpiA/S220/FJack.jpg" /></author><thr:total>5</thr:total><feedburner:origLink>http://lascintasrecuperadas.blogspot.com/2012/01/megaupload-closed.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkUCRnwyfip7ImA9WhRVGU8.&quot;"><id>tag:blogger.com,1999:blog-2501904162088694542.post-1597036111125625509</id><published>2012-01-18T15:11:00.000-08:00</published><updated>2012-01-18T15:11:07.296-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-18T15:11:07.296-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="WDR Big Band" /><category scheme="http://www.blogger.com/atom/ns#" term="Arturo Sandoval" /><title>Arturo Sandoval And WDR Big Band - Mambo Nights (2011)</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-1qIBfYLJc7g/TxdPRTm3djI/AAAAAAAAKvU/EY6fHOTLaZo/s1600/Mambo-Nights.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-1qIBfYLJc7g/TxdPRTm3djI/AAAAAAAAKvU/EY6fHOTLaZo/s200/Mambo-Nights.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;01.Sofrito&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;02.Come Candela&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;03.Asi Asi&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;04.Manteca&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;05.A Mayra&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;06.Autumn Leaves&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;07.Mambo 9/34&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;08.Oye Como Va&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;09.Mambo Sandoval&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;10.Quiero Ir Contigo&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;11.Mambo Inn.&lt;/div&gt;&lt;br /&gt;
&lt;a href="http://zzmvzn.link-protector.com/"&gt;&lt;img alt="Image Hosted by ImageShack.us" src="http://img36.imageshack.us/img36/4884/comprimidosrar48x48.png" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div style="color: #f1c232;"&gt;&lt;b&gt;Manteca.&lt;/b&gt;&lt;/div&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" height="28" id="divplaylist" width="335"&gt;&lt;param name="movie" value="http://www.divshare.com/flash/playlist?myId=16601454-887" /&gt;&lt;embed src="http://www.divshare.com/flash/playlist?myId=16601454-887" width="335" height="28" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
&lt;div class="pre-spoiler"&gt;&lt;div&gt;&lt;div&gt;&lt;input id="xs" onclick="if (this.parentNode.parentNode.getElementsByTagName('div')[1].getElementsByTagName('div')[0].style.display != '') { this.parentNode.parentNode.getElementsByTagName('div')[1].getElementsByTagName('div')[0].style.display = '';this.innerText = ''; this.value = 'BIOGRAPHY/REVIEW'; } else { this.parentNode.parentNode.getElementsByTagName('div')[1].getElementsByTagName('div')[0].style.display = 'none'; this.value = 'BIOGRAPHY/REVIEW';}" style="margin-left: 0px; padding: 0px; width: 155px;" type="button" value="BIOGRAPHY/REVIEW" /&gt;&lt;br /&gt;
&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;In the course of a career that goes back about forty years, Arturo Sandoval has worked on innumerable album productions both as soloist and as side man. With “Mambo Nights” Señor Sandoval has delivered an eloquent example of his qualities as a performer.&lt;br /&gt;
In the opening piece, “Sofrito” by Mongo Santamaria, Sandoval and the WDR Big Band, in cheerful mood, set the scene of their plan to revive the great era of Afro-Cuban jazz on this album. Arturo Sandoval turns one musical somersault after another. In “Manteca”, written by Dizzy Gillespie in 1947 as one of the first ever jazz pieces with a Latin American touch, the trumpeter manages to break all speed records, playing his horn so fast that the listener's ears can barely follow him&lt;br /&gt;
Especially noteworthy is the evergreen “Oye Como Va”, which Tito Puente first made a hit of in 1963 and Carlos Santana immortalized in 1970 with his rock version. In this interpretation, “Oye Como Va” is taken back to its original cha-cha-cha rhythm. On the final track, “Mambo Inn” by Mario Bauzá, the artists have come full circle and take one more bow to one of the greatest Latin jazz epochs in the middle of the last century. This track, first recorded in 1952, stands for the Cubop genre as no other piece does, in other words for the blend of bebop and Afro-Cuban rhythms.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
01.Sofrito&lt;br /&gt;
02.Come Candela&lt;br /&gt;
03.Asi Asi&lt;br /&gt;
04.Manteca&lt;br /&gt;
05.A Mayra&lt;br /&gt;
06.Autumn Leaves&lt;br /&gt;
07.Mambo 9/34&lt;br /&gt;
08.Oye Como Va&lt;br /&gt;
09.Mambo Sandoval&lt;br /&gt;
10.Quiero Ir Contigo&lt;br /&gt;
11.Mambo Inn.&lt;br /&gt;
&lt;br /&gt;
Musicians include:&lt;br /&gt;
&lt;br /&gt;
Arturo Sandoval - Trumpet, flugelhorn&lt;br /&gt;
Mattis Cederberg - Bass trombone&lt;br /&gt;
Ludwig Nuss - Trombone&lt;br /&gt;
Tim Coffman - Trombone&lt;br /&gt;
Nils Marquardt,Bernt Laukamp,Mattis Cederberg - Trombone&lt;br /&gt;
Oliver Peters - Flute, tenor sax&lt;br /&gt;
Mark Walker - Drums&lt;br /&gt;
Pernel Saturnino - Percussion&lt;br /&gt;
Karolina Strassmayer,Heiner Wiberny - Alto sax&lt;br /&gt;
Paul Heller - Tenor sax&lt;br /&gt;
Frank Chastenier - Piano&lt;br /&gt;
Jens Neufang,Frank Jakobi - Bari sax&lt;br /&gt;
Andy Haderer, Rob Bruynen,Wim Both,Hlaus Osterlok,John Marshall - Trumpet&lt;br /&gt;
Paul Shigihara - Guitar&lt;br /&gt;
John Goldsby - Bass.&lt;br /&gt;
&lt;br /&gt;
Cool, a trumpet and four trombone as a solo instrument in a row on Mongo Santamaria's classic "Sofrito" let go and arrange the whole thing over a pleasurable grooving and precision then sprung big-band sound ... Or Joseph Kosma "Autumn Leaves" - one of the feature equipped with a erratic bongo intro and then a piano-trumpet part, up tempo to start with strong high notes - - pieces by Miles Davis, so a total counter-casting of Miles Davis' proposal - which is just as clever . So we put in already in the middle of the great cooperation of the WDR Big Band under the direction of the former Tito Puente trumpeter Michael Philip Mossman, with the ex-Irakere trumpeter Arturo Sandoval. Refer to both gentlemen on their former positions makes little sense, such a thing is only for quick understanding. Mossman is a brilliant leader and arranger, and has long been a world star Sandoval on trumpet. Both Latin roots can of course not with the cute slogan "Mambo" grasp. The two make is because even with the super-correct mambo-style arrangement of Perez Prado's long-running "Asi Asi" a bit over the corresponding cliché funny, why at this track, the WDR Big Band and almost sounds like a TV Orchestra of 1960s in a Saturday night show with Vico Torriani. But, as I said, meant more parody. The 11 tracks on the CD offer, all at all, classic Latin jazz in the classic Latin-jazz style, in the spirit of Tito Puente, Mongo Santamaria, Dizzy Gillespie (clear, "Manteca" is also there) and Mario Bauza. Varied shades, and subtle nuances in the most dazzling shades. High Notes from Sandoval (the lower register, he served just as a virtuoso), fetzende guitars by Paul Shigira, creative and precise piano by Frank Chastenier and an almost uncanny grooving rhythm section - John Goldsby (b), Mark Walker (drums), Pernell Saturnino (prec) - define the sound that is less on innovation than on the total playing the opportunities within the 'genre'. And so rather effortlessly arises a world-class, non-traditional and nostalgic at the same time, imaginative Latin-jazz production, which can be heard again and again. And should!&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-1597036111125625509?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://lascintasrecuperadas.blogspot.com/feeds/1597036111125625509/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=2501904162088694542&amp;postID=1597036111125625509&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/2501904162088694542/posts/default/1597036111125625509?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/2501904162088694542/posts/default/1597036111125625509?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LasCintasRecuperadas/~3/ft_ZkEaWFjM/arturo-sandoval-and-wdr-big-band-mambo.html" title="Arturo Sandoval And WDR Big Band - Mambo Nights (2011)" /><author><name>luigi</name><uri>http://www.blogger.com/profile/17651625287584194482</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="24" src="http://3.bp.blogspot.com/_mGP-7NjQHO8/SOA4tg1ubXI/AAAAAAAADRQ/lLLDG-PdpiA/S220/FJack.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-1qIBfYLJc7g/TxdPRTm3djI/AAAAAAAAKvU/EY6fHOTLaZo/s72-c/Mambo-Nights.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://lascintasrecuperadas.blogspot.com/2012/01/arturo-sandoval-and-wdr-big-band-mambo.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Ck4GRX8zeip7ImA9WhRVGU8.&quot;"><id>tag:blogger.com,1999:blog-2501904162088694542.post-7465535716174066465</id><published>2012-01-18T13:08:00.000-08:00</published><updated>2012-01-18T13:08:44.182-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-18T13:08:44.182-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Austin Peralta" /><title>Austin Peralta - Endless Planets (2011)</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-r_tpylg9Jks/Txcy81kXM9I/AAAAAAAAKvI/DxTlryDMvNA/s1600/Endless%2BPlanets.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/-r_tpylg9Jks/Txcy81kXM9I/AAAAAAAAKvI/DxTlryDMvNA/s200/Endless%2BPlanets.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;1.Introduction: The Lotus Flower (2:16)&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;2.Capricornus (8:15)&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;3.The Underwater Mountain Odyssey (6:38)&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;4.Ode To Love (6:41)&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;5.Interlude (1:17)&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;6.Algiers (13:37)&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;7.Epilogue: Renaissance Bubbles (1:48).&lt;/div&gt;&lt;br /&gt;
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&lt;div style="color: #f1c232;"&gt;&lt;b&gt;The Underwater Mountain Odyssey.&lt;/b&gt;&lt;/div&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="40" id="gsSong3046555689" name="gsSong3046555689" width="250"&gt;&lt;param name="movie" value="http://grooveshark.com/songWidget.swf" /&gt;&lt;param name="wmode" value="window" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="flashvars" value="hostname=cowbell.grooveshark.com&amp;songIDs=30465556&amp;style=water&amp;p=0" /&gt;&lt;object type="application/x-shockwave-flash" data="http://grooveshark.com/songWidget.swf" width="250" height="40"&gt;&lt;param name="wmode" value="window" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="flashvars" value="hostname=cowbell.grooveshark.com&amp;songIDs=30465556&amp;style=water&amp;p=0" /&gt;&lt;span&gt;The Underwater Mountain Odyssey by &lt;a href="http://grooveshark.com/artist/Austin+Peralta/756370" title="Austin Peralta"&gt;Austin Peralta&lt;/a&gt; on Grooveshark&lt;/span&gt;&lt;/object&gt;&lt;/object&gt;&lt;br /&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;"Austin Peralta (son of groundbreaking skater, Stacy) makes his recorded debut outside of Japan on a fiercely confident Brainfeeder release. It's a marked step away from anything Fly Lo's label have previously offered, entering the contemporary jazz arena with Peralta commanding an ensemble including The Cinematic Orchestra and Strangeloop on electronic manipulation, Zane Musa on alto saxophone, Ben Wendel on tenor and soprano saxophone, vocals from Heidi Vogel and percussion from Zach  Harmon. Like we say, he's already released two albums for the Japanese label Eighty-Eight's (four years ago, when he was only 16!), but this is a bold introduction to a whole other world, one inhabited by Daedelus, The Gaslamp Killer and Lorn among others and should be considered a brave but assuredly sophisticated purchase by its followers."&lt;br /&gt;
&lt;br /&gt;
Austin Peralta (piano)&lt;br /&gt;
Miguel Atwood-Ferguson (violin/viola)&lt;br /&gt;
Sam Gendel (alto sax)&lt;br /&gt;
Ryan McGillicuddy (bass)&lt;br /&gt;
Zach Harmon (drums &amp;amp; tabla)&lt;br /&gt;
Earnest Blount (electronic manipulation).&lt;br /&gt;
&lt;br /&gt;
For Flying Lotus, Cosmogramma was a big move. It was a shift away from his central presence in the scene he had created: pervasive side-chain, off-kilter, instrumental hip-hop that many attempted (and still do) to imitate. Whether those 2nd generation producers, mostly coming from the Los Angeles area, found success or not by pushing the experimental sound forward or by tastefully paying homage to the legacy of Ellis, his agenda is consistently one step ahead.&lt;br /&gt;
&lt;br /&gt;
That brings us to the start of a new kind of M.O. for FlyLo and the Brainfeeder crew in 2011, the origins of which can be seen in Cosmogramma with the addition of more talented musicians featuring, improvising to outstanding result. Austin Peralta, an 18 year-old pianist, will pave the way for a more musician-centric, jazzy, freeform style Brainfeeder is channeling through the release of his debut album Endless Planets, out now.&lt;br /&gt;
&lt;br /&gt;
With the addition of Zane Musa (alto sax), Ben Wendel (tenor and soprano), Hamilton Price (bass) and Zach Harmon (drums), Austin‘s sound is uninhibited, often fearless as swells of saxophone and round basslines lay a crucial foundation for the young Californian’s impeccable work on the keys. As he balances on the all-too-familiar jazz tightrope bridging genius and madness, Peralta’s abstract arrangements are driven and focused.&lt;br /&gt;
&lt;br /&gt;
Pardon the generalization, but the decision to put Endless Planets out on Brainfeeder coupled with it’s musical audacity gives jazz a much needed re-invigoration both among young people and the wider hip-hop community. Produced by Dr. Strangeloop, the album retains much of the sonic qualities for which Brainfeeder has been known to showcase, without ever compromising the experimental music at its core.&lt;br /&gt;
&lt;br /&gt;
I recommend Endless Planets not only for jazz enthusiasts, but also for musicians currently uninspired by lackluster marketing and what makes the hype machine’s popular list. The more open the mind, the more well-rounded the listener. Endless Planets could be just what you’re looking for.&lt;br /&gt;
&lt;br /&gt;
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&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://lascintasrecuperadas.blogspot.com/feeds/7465535716174066465/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=2501904162088694542&amp;postID=7465535716174066465&amp;isPopup=true" title="1 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/2501904162088694542/posts/default/7465535716174066465?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/2501904162088694542/posts/default/7465535716174066465?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LasCintasRecuperadas/~3/cjcI74aefOU/austin-peralta-endless-planets-2011.html" title="Austin Peralta - Endless Planets (2011)" /><author><name>luigi</name><uri>http://www.blogger.com/profile/17651625287584194482</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="24" src="http://3.bp.blogspot.com/_mGP-7NjQHO8/SOA4tg1ubXI/AAAAAAAADRQ/lLLDG-PdpiA/S220/FJack.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-r_tpylg9Jks/Txcy81kXM9I/AAAAAAAAKvI/DxTlryDMvNA/s72-c/Endless%2BPlanets.jpg" height="72" width="72" /><thr:total>1</thr:total><feedburner:origLink>http://lascintasrecuperadas.blogspot.com/2012/01/austin-peralta-endless-planets-2011.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkUAQ3g-eip7ImA9WhRVGU8.&quot;"><id>tag:blogger.com,1999:blog-2501904162088694542.post-8171072419719656510</id><published>2012-01-18T12:57:00.000-08:00</published><updated>2012-01-18T12:57:22.652-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-18T12:57:22.652-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Alexandre Gismonti" /><title>Alexandre Gismonti Trio - Baião de Domingo (2009)</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Qf72Djyszlc/TxcrQcIPmKI/AAAAAAAAKu8/DrYOTFXRGfA/s1600/BAIAO%2BDE%2BDOMINGO.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-Qf72Djyszlc/TxcrQcIPmKI/AAAAAAAAKu8/DrYOTFXRGfA/s200/BAIAO%2BDE%2BDOMINGO.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;01.Baião De Domingo (05:04)&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;02.Saudade Da Bahia (04:53)&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;03.Arrasta-Pé (05:33)&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;04.Asa Branca (04:27)&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;05.Chora, Antônio!(06:21)&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;06.O Bem Do Mar (03:27)&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;07.Forrozinho (05:27)&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;08.Ainda Me Recordo (03:17)&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;09.Rítmico E Lento (05:41)&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;10.Feira De Mangaio (04:27)&lt;/div&gt;&lt;div style="color: #93c47d;"&gt;11.Saudades (07:55).&lt;/div&gt;&lt;br /&gt;
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&lt;div style="color: #f1c232;"&gt;&lt;b&gt;Feira De Mangaio.&lt;/b&gt;&lt;/div&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" height="28" id="divplaylist" width="335"&gt;&lt;param name="movie" value="http://www.divshare.com/flash/playlist?myId=16600761-434" /&gt;&lt;embed src="http://www.divshare.com/flash/playlist?myId=16600761-434" width="335" height="28" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;Guitarist, composer and arranger&lt;br /&gt;
Son of brazilian musician and composer Egberto Gismonti, Alexandre Gismonti had an early and intimate contact with music that sounded contunuosly at home. At age of 12, Alexandre chose his unique and beloved instrument, the nylon string guitar and around 15, he had debuted on stage following the tours of his dad Egberto Gismonti, with whom Alexandre traveled for about 15 years, touring all over the world. During these trips, besides the development as an artist on stage, Alexandre had a chance to meet many of the greatest musicians alive from whom he captured many teachings that have influenced his artistic language.&lt;br /&gt;
&lt;br /&gt;
In 2009, the album "Saudações" is released by the german label ECM, featuring a guitar duo composed by Alexandre and Egberto Gismonti, which represents more than 10 years playing on stage. The repertoire includes unreleased songs as well as hits by Egberto, besides "Chora, Antonio!", composed piece by Alexandre dedicated to his great-grandfather Antonio Gismonti, the first composer of his family. In 2010, Alexandre debuts his first solo album alongside a double bass and percussion (by Felipe Cotta and Mayo Pamplona, respectively). The Alexandre Gismonti Trio features the album "Baião de Domingo", released by the brazilian label Fina Flor, which brings the composer's original songs alternate with classics of brazilian music in own arrangements. The result are great reviews in every brazilian major newspaper and an unprecedented nomination to the biggest music award of Brazil, "Prêmio da Música Brasileira 2010 - Categoria Revelação".&lt;br /&gt;
&lt;br /&gt;
Still in 2010, Alexandre was invited to join the 11th edition of "International Guitar Night," the world's premier guitar touring festival. During its course, IGN had already contemplated the major brazilian guitarists such as Guinga, Marco Pereira and Paulo Bellinati. "IGN V" album comes out, which is released and distributed by canadian label Pacific Music/Warner, in addition to acoustic guitar label Candyrat's merchandising. Three consecutive tours were followed by the United Kingdom, Canada and U.S. Again alongside experienced musicians, Alexandre and guitarists Brian Gore (USA), Pino Forastiere (ITA) and Clive Carroll (UK) join together to experience a unique sound. This is the result of an unusual combination of nylon and steel string guitars as well as an wide musical exchange between different cultures. "IGN V" goes from Brazilian Choro to Irish Dance, always with a refreshing touch of modernity so characteristic of the contemporary guitar.&lt;br /&gt;
&lt;br /&gt;
The music of Alexandre Gismonti is reflected in the richness and diversity of brazilian musical culture. Choro, Samba, Baião, Côco, Valsa, among many other styles. Brazil is permanently inside his compositions. The guitar, his great passion, is the leading channeler of his creativity. Though this instrument, he goes over sophisticated and surprising harmonic sounds as well as the richness of imaginative melodic lines. Nevertheless, his sense of freedom along the endless search for the unknow, shape different kinds of experimentations, in which the fusion of musical elements and styles open new affluents for his art of tranforming ideas an feelings into music.&lt;br /&gt;
&lt;br /&gt;
01.Baião De Domingo (para Dominguinhos) [Alexandre Gismonti] (05:04)&lt;br /&gt;
02.Saudade Da Bahia [Dorival Caymmi] (04:53)&lt;br /&gt;
03.Arrasta-Pé (para Gilberto Gil) [Alexandre Gismonti] (05:33)&lt;br /&gt;
04.Asa Branca [Humberto Teixeira, Luiz Gonzaga] (04:27)&lt;br /&gt;
05.Chora, Antônio! (para o bisavô Antônio Gismonti) [Alexandre Gismonti] (06:21)&lt;br /&gt;
06.O Bem Do Mar [Dorival Caymmi] (03:27)&lt;br /&gt;
07.Forrozinho [Alexandre Gismonti] (05:27)&lt;br /&gt;
08.Ainda Me Recordo [Benedito Lacerda, Pixinguinha] (03:17)&lt;br /&gt;
09.Rítmico E Lento (para Lenine) [Alexandre Gismonti] (05:41)&lt;br /&gt;
10.Feira De Mangaio [Glorinha Gadelha, Sivuca] (04:27)&lt;br /&gt;
11.Saudades (para a tia Vilma Gismonti) [Alexandre Gismonti] (07:55).&lt;br /&gt;
&lt;br /&gt;
Alexandre Gismonti : Violão | acoustic guitar&lt;br /&gt;
Felipe Cotta : Percussão | percussion&lt;br /&gt;
Mayo Pamplona : Contrabaixo | double bass.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-8171072419719656510?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;div style="color: #f1c232;"&gt;&lt;b&gt;The Sixteen Men Of Tain.&lt;/b&gt;&lt;/div&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="40" id="gsSong2612270522" name="gsSong2612270522" width="250"&gt;&lt;param name="movie" value="http://grooveshark.com/songWidget.swf" /&gt;&lt;param name="wmode" value="window" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="flashvars" value="hostname=cowbell.grooveshark.com&amp;songIDs=26122705&amp;style=water&amp;p=0" /&gt;&lt;object type="application/x-shockwave-flash" data="http://grooveshark.com/songWidget.swf" width="250" height="40"&gt;&lt;param name="wmode" value="window" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="flashvars" value="hostname=cowbell.grooveshark.com&amp;songIDs=26122705&amp;style=water&amp;p=0" /&gt;&lt;span&gt;The Sixteen Men Of Tain by &lt;a href="http://grooveshark.com/artist/Allan+Holdsworth/58326" title="Allan Holdsworth"&gt;Allan Holdsworth&lt;/a&gt; on Grooveshark&lt;/span&gt;&lt;/object&gt;&lt;/object&gt;&lt;br /&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;The Sixteen Men Of Tain finds Mr. Holdsworth performing in a trio setting backed by Dave Carpenter on acoustic bass and Gary Novak on drums. Utilizing his trademark volume swells and sometimes Metheny-esque chordal patterns as a background, he nimbly dances around the melodies of the songs before launching into solos of such speed and beauty as to leave the listener breathless. The opener "0274" is a good example, beginning with a gentle, airy wash of chording and interplay with Novak's nimble, busy (in the best way) drumming. The intensity gradually builds as Holdsworth almost casually starts his solo, increasing in speed and dazzling the ear as his fluid lines often become an aural blur, yet always staying melodically in line with the changing chord patterns behind him." This excellent Holdworthian release does nothing to alter the oft-quoted perception of Sir Allan as a guitar god.&lt;br /&gt;
&lt;br /&gt;
Allan Holdsworth: Guitar, Synthaxe&lt;br /&gt;
Dave Carpenter: Acoustic Bass, Electric Bass&lt;br /&gt;
Walt Fowler: Trumpet (Tracks 1 &amp;amp; 5)&lt;br /&gt;
Gary Novak: Drums&lt;br /&gt;
Chad Wackerman: Drums (Track 6).&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-4362141760652022930?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;div style="color: #f1c232;"&gt;&lt;b&gt;If.&lt;/b&gt;&lt;/div&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" height="28" id="divplaylist" width="335"&gt;&lt;param name="movie" value="http://www.divshare.com/flash/playlist?myId=16575592-a61" /&gt;&lt;embed src="http://www.divshare.com/flash/playlist?myId=16575592-a61" width="335" height="28" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;Reviews.&lt;br /&gt;
&lt;br /&gt;
About the Artist:&lt;br /&gt;
&lt;br /&gt;
FAHIR ATAKOGLU Born in Istanbul, Turkey, Fahir Atakoglu is an acclaimed composer and pianist. He is now finding a growing audience in Europe, Japan and in North America as well. His sensitivity as a composer deeply moves the audience by his unique rhythmic, melodic and harmonic sense. His music reflects his extraordinary talent in blending different musical cultures, which make his compositions speak with striking originality, and always wonderfully connected to the culture of his motherland. Ahmet Ertegun, of Atlantic Records, referred to Fahir Atakoglu as”…one of the outstanding pianists and composers in Europe today…. at the cutting edge of the world music.” http://www.fahiratakoglu.com HORACIO EL NEGRO HERNANDEZ Born in Havana, Cuba, 'El Negro' Hernandez is the most talented and innovative percussionist in the world. He was awarded his first Grammy in 1997 with Roy Hargrove’s “Crisol” Whether performing with jazz-legends like McCoy Tyner, Michel Camilo, Michael Brecker, Arturo Sandoval, or rock-stars like Carlos Santana and Stevie Winwood or in notable Latin American ensembles like the Tropi-Jazz All Stars of the late Tito Puente, as well as with Kip Hanrahan (“Deep Rumba”) 'El Negro' has always shown himself to be the most versatile and unique drummer in the international music scene today. He won another Grammy in 2004 with Michel Camilo for the album “Live in Blue Note”.” He writes music Textbooks and made many musical performance videos and also conducts clinics and is a faculty member at the Berklee School of Music. In 2004 Horacio released his first solo album “Italuba”. http://www.elnegro.com ANTHONY JACKSON Born in New York City, Bassist Anthony Jackson is the master of his instrument whose discography spans many genres' of music. A couple of decades before five string basses became popular, he invented his own, the six string”Contrabass”. He c-o wrote with Gamble &amp;amp; Huff, The O'Jays' million selling single For The Love Of Money' from their platinum album Ship Ahoy. Over the years, Jackson recorded and gave concerts with artists like Roberta Flack, BuddyRich, Michael Urbaniak, Al-Di Meola, Chick Corea, Leon Pendarvi, Paul Simon, Chaka Kahn (Naughty, What Cha' Gonna Do for Me) Stelly Dan (Gaucho-My Rival’, Glamour Profession') and Donald Fagen (The Nightfly-I.G.Y What Beautiful World’, Ruby Baby') Dave Crusin, Stanley Clarke and many many others.&lt;br /&gt;
&lt;br /&gt;
Product Description:&lt;br /&gt;
&lt;br /&gt;
International award winning composer, Fahir Atakoglu is a much-esteemed composerand pianist in Europe and Turkey, in the fields of large symphonic works and film music. His works have also been performed in various music festivals in Europe and across The United States to much acclaim. This CD called “IF” marks an interesting departure for him. Instead of a ninety piece orchestra, his music here is performed by only three musicians, and what a fabulous trio it is! Fahir’s playing and his harmonic and original rhythmic sense in his compositions, electrifies the musical atmosphere throughout. The legendary bassist Anthony Jackson is superb as always, so is drum virtuoso, Grammy winner Horacio ‘El Negro’ Hernandez. Saxophonist Donny McCaslin plays beautifully on two numbers. The drumming that is Horacio’s “own”, together Anthony’s tone that has been his signature for nearly two decades, and the groups unique grooves of Turkish melodic and rhythmic motifs, makes this album a one of a kind collectors item, a must have…” ARIF MARDIN Producer, Composer, Arranger. This document is edited from the Album’s (CD-FH12005) notes.&lt;br /&gt;
&lt;br /&gt;
Bass – Anthony Jackson&lt;br /&gt;
Drums – Horacio El Negro Hernandez&lt;br /&gt;
Piano,Composed,Arranged,Producer – Fahir Atakoglu.&lt;br /&gt;
&lt;br /&gt;
Recorded at "Bennett Studios", New Jersey between October12-13, 2004.&lt;br /&gt;
Mixed and mastered at "SOUNDwithVISON", Antwerp, Belgium in February, 2005.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-362440084065184635?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;div style="color: #f1c232;"&gt;&lt;b&gt;Just The Other Day.&lt;/b&gt;&lt;/div&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" height="28" id="divplaylist" width="335"&gt;&lt;param name="movie" value="http://www.divshare.com/flash/playlist?myId=16575394-4b6" /&gt;&lt;embed src="http://www.divshare.com/flash/playlist?myId=16575394-4b6" width="335" height="28" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;Speaking of Barry Finnerty, Brecker Bros still masterpiece of "Heavy Metal Be-Bop", and appeared before the guitarist's our flashy. As Brecler Bros album was "Heavy Metal ~", "Detente", "Straphangin '" participation in the work of three, Billy Cobham Lenny White's group and other projects, work of Miles Davis's 1981 return to "The Man With The Horn "will be appointed as such, was a guitarist at the time was much anticipation for the future. Significant growth through a world tour with Mike Stern Miles had similarly participated in the work of Miles returns, only today has become a leader also pressed down untold, this time to tour the Miles Finnerty and subsequent tour of the Crusaders were turned down an invitation to say that I would be opposed.&lt;br /&gt;
&lt;br /&gt;
From the Japanese label TDK made his solo debut in 1982 backed by a full Brecker Bros "New York City" was released. But Finnerty was showing Rock ~ Pop approach featuring his vocals from this time, we really played with the NY or LA's top musicians in this work, though they still pushed to the front quite a synchronous rhythm In the making, that "Heavy Metal ~" wild and powerful guitar told me with the impression that little is done to idled undeniable. However, Finnerty's talent as a composer has been polished over previous work, then even if producers are to retaining a calm eye out with a skillful play sure his talent, the album had been finished more wonderful a thing. Vinnie Colaita (Ds), Tim Landers (B), Anthony Jackson (B), Will Lee (B) Michael Brecker on the ultra-luxury rhythm team (Ts), Mark Gray (Key) joined up with colleagues Brecker Bros The album and the strong impression of a little disappointing. And the title track, an AOR so-called, however, Brecker Bros "Detente" 5 was also included, and 7 of the installation ballad with taste is there in it which also includes the track lights, minus Never not just surface. But also "Heavy Metal ~" or even because of the vivid impression of flax, and maybe after that Finnerty would feel the thing insufficient.&lt;br /&gt;
&lt;br /&gt;
1. Opening the album is a guitar piece I installed a fresh take on pop melodies blend of funk rhythms and sounds of the band sure cleverly synchronized rhythm. Guitar and singing well into Finnerty relaxed, but the rhythms and cool pretty tight, what impression does not seem just not good enough Why? In the overall impression of the sound is thin and cheap, bottom somewhat scant. It is fatal in thin bands playing live theaters and still. And never even play bad music itself is just Finnety not feel too good and not so.&lt;br /&gt;
&lt;br /&gt;
2 .. pop vocal numbers also receive a bit of a medium-tempo humorous impression. Most of the non-driving sound of vocal and guitar throughout Finnerty, the sound was becoming quite the measure this time, but still Finnerty guitar than these on a sound and uniform, also the band's vibe I think what I have to live together with the configuration, you can not honestly is not very impressed. Keyboardist album, for example, Mark Gray "Silencer", etc. did not feel much, nose profusely about what they like and driving guitar sound strange. Are tight enough that it will significantly Rock Heavy lively sense of Finnerty.&lt;br /&gt;
&lt;br /&gt;
3. Mellow vocal number of medium-tempo number is also the title of the album. Simple and natural sense of melody heard here, and vocals feel somewhat reliable at making you a strong awareness of the epidemic AOR sound, but I think pretty nice song. Feeling good rhythm groove tight and Will Lee ~ Vinnie Colaiuta and come! If I casually stylish keyboard to produce sounds of Gray. Not that the workmanship is not outstanding, especially in this kind of solo, in which the whole song feels tight and jerk Tenasoro is featured in the music of Michael Brecker's hand just like he does truly . And never as bad solo Finnerty casual sense of mellow, but wanted to let you feel one step solo still closed.&lt;br /&gt;
&lt;br /&gt;
4. Funk band playing a blend of rhythm and number sync. Set itself a spree of Rock guitar playing touch Hovey Finnerty put a crisp slap bass rhythm, but he never bad, and what the impact of synchronous rhythm, enough to heat up the guitar again Finnerty that is closed is undeniable feeling strangely floating. What a sensitive issue that really is not a matter of volume, he may not feel like a band's energetic. If only the guitar playing 抜Ki出Se Finnerty, one of which is really the approach that technique quite well, as the songs are half-hearted impression Imaichi.&lt;br /&gt;
&lt;br /&gt;
5th album 5.Brecker Bros "Detente" was recorded in the sense of speed, large-scale installation numbers feel heavy. Here Shinsesoro of Mark Gray, it has been Cha I picture book Tenasoro of Michael Brecker, and is where great crisis either have not been deployed solo bulls reminiscent of the era Brecker Bos once both The. I would say the album's most impressive performances at short while to listen to solo guitar solo Finnerty crisp feel and tension has outdone = field. Finnerty also has become very hard fusion tailoring these formats. Never forget where the rhythm duo of Anthony Jackson ~ Colaiuta not. If you are magnificent presence and demonstrate a solid groove while leaving the original image of the Brecker Bros.&lt;br /&gt;
&lt;br /&gt;
6. Vocal numbers by introducing a full range of driving rhythms, too. Now that is tailored to the number of female vocals Burakon leverage. Finnerty is a sense of pop melody and even while feeling quite sure why, if this sounds too simplistic hand you do not. Residence, but as network card, this kind of synchronization compatibility with rhythm guitar and Finnerty never seem good.&lt;br /&gt;
&lt;br /&gt;
7. 出Dashi number is reminiscent of the heart and driving again, but nice mellow ballad as it turned out the installation. Here's how to play guitar Finnerty likes this kind of mellow but not never, I sing the melody on this one get it. In such an expedient would be one of the original flavor of his absence. Out the rhythm section is full of good taste in theater really groove again, and Anthony ~ Colaiuta. Anthony is in play and then tighten a relatively adult, but as if they radically change the world into this person again. Gray's keyboard sound sense but really it's good, not feel sorry for this and Imaichi personality shine.&lt;br /&gt;
&lt;br /&gt;
8. Last number of the tone of the album Rock bold blues. I play guitar and Jeff Beck is reminiscent of a somewhat around, good vocals and wild, original flavor of this person will come alive again with a strong sense of Rock music like this. Certainly never say what that might be a monotonous performance, compelling guitar over mellow number of Finnerty "crying" guitar be heard, as it turned out, I think bad workmanship. Minutes or just did not elaborate on the strange twist, but it comes through a direct impression.&lt;br /&gt;
&lt;br /&gt;
Well, it's not just because it does not 致Shi方 excellent work that it never be said of the entire album workmanship, predecessor "New York City" Similarly, it is a work of outstanding and remain Out of print on CD. In so rare or even been exhibited in the online auction, but those who wish to purchase only way to check is tenacious.&lt;br /&gt;
&lt;br /&gt;
G.Key.Vo.Perc.Barry Finnerty&lt;br /&gt;
Key.Mark Gray&lt;br /&gt;
B.Anthony Jackson/Tim Landers/Will Lee&lt;br /&gt;
Ds.Vinnie Colaiuta&lt;br /&gt;
Ts.Michael Brecker(3/5)&lt;br /&gt;
Sax..Bob Mintzer/Denny Morouse&lt;br /&gt;
Org.John Hammond&lt;br /&gt;
Vo.Subil Thomas.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-5895230624951008810?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;div style="color: #f1c232;"&gt;&lt;b&gt;Emiliano Primero.&lt;/b&gt;&lt;/div&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" height="28" id="divplaylist" width="335"&gt;&lt;param name="movie" value="http://www.divshare.com/flash/playlist?myId=16572294-804" /&gt;&lt;embed src="http://www.divshare.com/flash/playlist?myId=16572294-804" width="335" height="28" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;Bobby Carcasses Biography:&lt;br /&gt;
&lt;br /&gt;
Born: August 29, 1938    Instrument: Multi-instrumentalist&lt;br /&gt;
&lt;br /&gt;
Bobby Carcassés&lt;br /&gt;
&lt;br /&gt;
New Album “De La Habana a Nueva York” 9 songs...featuring Dafnis Prieto: drums, Yosvany Terry: saxophone &amp;amp; chekere, Osmany Paredes: piano, Yunior Terry: bass, Marvin Diz: percussion, special guest Andrea Bratchfeld: flute.&lt;br /&gt;
&lt;br /&gt;
Whereas in the past he has been popularly known as the perfect “Showman” and Entertainer, Bobby is now considered the ultimate Guru of Afrocuban Jazz, offering inspiration to the up and coming generation of new Cuban Jazz musicians as many of the Best new talents have started their careers playing with Bobby’s band.&lt;br /&gt;
&lt;br /&gt;
He was born on August 29th 1938 in Kingston Jamaica, where his Cuban grandfather worked as a Diplomat. Upon moving to Villa Clara in Cuba at the age of four, Bobby grew up surrounded by Cuban rhytms, listening to Benny Moré, Conjunto Casino &amp;amp; Roberto Faz. He also acquired a Love for an eclectic spectrum of music from the Opera Star Enrico Carusso and Mexico’s enigmatic Jorge Negrete to the Jazz Supremos Sarah Vaugahn, Buddy Rich and Stan Getz.&lt;br /&gt;
&lt;br /&gt;
By the 1950’s he was envolved with some of the best vocals quartets in Cuba and whilst playing for many years at The Tropicana the very center of Cuban Jazz at the time, he began to experiment with Bebop and Scat vocals. In the 60’s he traveled to Europe, spending a year in Paris where he played with the Legendary Kenny Clarke and Bud Powell.&lt;br /&gt;
&lt;br /&gt;
When he returned to Cuba he worked in the Teatro Musical where he met trhee of the Futurs founders of the Legendary “Irakere” : Chucho Valdes, Carlos Emilio Morales and Paquito D’ Rivera.&lt;br /&gt;
&lt;br /&gt;
Over the next ten years He played in the best night clubs in Havana as well as acting in Cuban cinema, Tv and essentially starting to form his own Jazz group.&lt;br /&gt;
&lt;br /&gt;
In 1980 he organized the first Jazz Plaza Festival in Havana, envolving the Great Stars of Jazz such as Dizzy Gillespie, Ronnie Scott, Charlie Haden, Airto Moreira, Tania Maria, Steve&lt;br /&gt;
&lt;br /&gt;
Coleman and many others. Year after his own group was the focal point in these Festivals. he traveled to Canada,&lt;br /&gt;
&lt;br /&gt;
England, France and the USA where he performed with Tito Puente, Eddie Palmieri, Patato Valdés and many other Greats from the Latin Jazz scene.&lt;br /&gt;
&lt;br /&gt;
If Jazz Timbero (1998 Tumi Music UK) was both a projection of Bobby’s musical personality and a complex historical record of the different elements of Cuban music combined along the way with Jazz, Blues and World music. The power of Bobby’s dynamic personality shows in his versatility.&lt;br /&gt;
&lt;br /&gt;
Beginning as a Rumbero he had to master the three elements of Guaguancó: Song, Dance &amp;amp; Percussion, whilst his involvement in Jazz taught him to play countless instruments • Piano, Bass, percussion Fliscorno or Fugel horn, as well as writing his own pieces.&lt;br /&gt;
&lt;br /&gt;
The result of a lifetime’s involvement in sport and Yoga are shown in the bizarre combination of raw Energy and Spiritual Equilibrium; his Greatest Sporting achievement is that of National high jump Champion in 1960. He’s also a Lover of Painting, Drawing and Literature and has exhibited his own work on many occasions around the world.&lt;br /&gt;
&lt;br /&gt;
The word Timba has numerous meanings in Cuba; from a fiesta to a way of saying if something is right or not: “la timba esta Buena or esta mala”. It was originally used to refer to a meeting dedicated to al juego ilicito ( an illegal game). Cuban salsa has been christened as Timba by both the musicians themselves and the listening public. This new music renews Cuban rhythms and when mixed with Jazz produces something quite unique.&lt;br /&gt;
&lt;br /&gt;
The degree of respect Bobby has attained by his contemporaries is shown by the list of Great musicians that took part in his recordings.&lt;br /&gt;
&lt;br /&gt;
But without a doubt, the connecting thread is Bobby’s voice with his electrifying use of Guaguancó, Rumbero Improvisations and Scat Vocals. Bobby is part of a tradition of singers who, within a Son, Guaracha or&lt;br /&gt;
&lt;br /&gt;
Bolero format integrate other influences such as Mambo or Guanguancó. The most famous example is Beny Moré, but Bobby also remembers Francisco Fellové who towards the end of the forties created a style of singing known as Scat which Bobby has developed to an outstanding degree.&lt;br /&gt;
&lt;br /&gt;
Jazz Timbero is a declaration of principles: a tribute to Cuban rhythms and music and above all to the people of New York who have kept these elements alive and thriving throughout the world.&lt;br /&gt;
&lt;br /&gt;
Jazz Timbero offers us music to renew our vitality, our smile and brings us a deeply emotive and sweet Caribbean flavor under the direction of the Great Bobby Carcassés, it maintains an equilibrium of diverse tensions thanks to the concentration and relaxation offered by the artist’s practice of Yoga, and exciting fusion of music through his extensive knowledge of music and a distinct sound formed by many years of performing, touring and producing live and recorded works.&lt;br /&gt;
&lt;br /&gt;
Bobby is an ancestral musician whose roots could be Nigeria, Dahomey or Andalusia, but who in fact comes from a long line starting from Havana to New York, possibly passing through Tibet along the way.&lt;br /&gt;
&lt;br /&gt;
Leonardo Acosta Musician &amp;amp; Journalist&lt;br /&gt;
Press Quotes:&lt;br /&gt;
&lt;br /&gt;
Paquito D’Rivera:&lt;br /&gt;
&lt;br /&gt;
“Many years ago, against all hope and without any official support whatsoever, Bobby Carcasses and I started the first Cuban Jazz festival at La Casa de la Cultura in (What was left of) Havana. Carcasses is the one to be credited as the man with the idea, and I just followed his contagious enthusiasm. I still remember that Leonardo Acosta presented a show entitled “Bop and Modalismo” with the great Emiliano Salvador playing the piano.&lt;br /&gt;
&lt;br /&gt;
“A person I so deeply admired as an artist as much as a “Cuban Being”.&lt;br /&gt;
&lt;br /&gt;
“As an entertainer, as well as a unique plastic artist, I think my old friend Bobby Carcasses deserves to receive in the USA the recognition.&lt;br /&gt;
&lt;br /&gt;
Sincerely:Paquito D'Rivera New York, February 7th-2010.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-2718251099574042527?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;div style="color: #f1c232;"&gt;&lt;b&gt;Deadly Nightshade.&lt;/b&gt;&lt;/div&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="40" id="gsSong446668348" name="gsSong446668348" width="250"&gt;&lt;param name="movie" value="http://grooveshark.com/songWidget.swf" /&gt;&lt;param name="wmode" value="window" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="flashvars" value="hostname=cowbell.grooveshark.com&amp;songIDs=4466683&amp;style=grass&amp;p=0" /&gt;&lt;object type="application/x-shockwave-flash" data="http://grooveshark.com/songWidget.swf" width="250" height="40"&gt;&lt;param name="wmode" value="window" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="flashvars" value="hostname=cowbell.grooveshark.com&amp;songIDs=4466683&amp;style=grass&amp;p=0" /&gt;&lt;span&gt;Deadly Nightshade by &lt;a href="http://grooveshark.com/artist/Brand+X/18027" title="Brand X"&gt;Brand X&lt;/a&gt; on Grooveshark&lt;/span&gt;&lt;/object&gt;&lt;/object&gt;&lt;br /&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;Compositionally, this has got to be the strongest Brand-X outing, each song has such strong melodic content complimented by the typically sly British wit that had long been their trademark.&lt;br /&gt;
&lt;br /&gt;
The band's sound here is a bit punchier and a bit more colorful, owing to the presence of keyboardist Peter Robinson and all his cool textures, as well as percussionist Morris Pert contributing more compositionally and adding even more cool sounds and various metallic objects. Veteran session drummer Chuck Burgi adds a punchier sound as well, sounding nothing like Phil Collins (who by this point had no time to devote to Brand-X).&lt;br /&gt;
&lt;br /&gt;
All throughout, for me the real star is bassist Percy Jones, not only with his unique stuttering/guttural fretless style but also his compositions. If the disc has one tune that stands head and shoulders above the rest, it would be Percy's "Ghost of The Mayfield Lodge" with its alternately whimsical and spooky melodies and textures. The fun part of this tune is the middle section where Percy and Morris bat spooky phrases back and forth as Peter Robinson conjures up all kinds of cool spook sounds on his synths.&lt;br /&gt;
&lt;br /&gt;
"Deadly Nightshade" is easily my other favorite track here, with the whole band just firing on all cylinders, spinning out colorful melodies, witty interjections and a rip snortin' last few minutes of sheer fusion bliss with a grand ending!&lt;br /&gt;
&lt;br /&gt;
As Brand X continued into their recording existence, they seemed to become increasingly less a band and more of a revolving musicians' collective of sorts, something very uncommon to see nowadays. Made after their live album Livestock, fourth album Masques is somewhat interesting in a number of aspects. A few key members in the band sat out this recording, only to leap back on for the next one. Robin Lumley, the band's keyboardist up until then, served as the producer of this rather than a musician. Phil Collins was off touring with Genesis, and so he also isn't present, replaced here by Chuck Bergi. However, both Lumley and Collins would be back as musicians for next year's release Product. Masques is also somewhat unusual in terms of the writing, with percussionist Morris Pert contributing a majority of the pieces ("Black Moon," "Deadly Nightshade," and "Earth Dance"). This album marks Pert's apex in the band, as he would slide to the periphery with Product, and then be out completely.&lt;br /&gt;
&lt;br /&gt;
"Masques" is a pleasant ambient piece, primarily a musical dialogue between Jones, Robinson, and Pert. "Black Moon" is calm with an easy-going, slightly lounge melody. On "Deadly Nightshade," Goodsall gets in a pretty furious solo that goes toe-to-toe with John McLaughlin's Mahavishnu-era solos, and "Earth Dance" includes some feature spots for Pert and Bergi that are fun.&lt;br /&gt;
&lt;br /&gt;
Brand X's fourth album, 1978's "Masques," saw this outstanding progressive jazz/rock group go through a line-up change. Drummer Phil Collins was too busy touring with Genesis in support of their just-released album, "And Then There Were Three," so Chuck Burgi filled in on the drumkit. Keyboardist Robin Lumley decided to step away from the keyboards and produce the album instead---though I haven't a clue why---and his place was taken by keyboardist Peter Robinson. But both Burgi and Robinson fit the bill perfectly, as "Masques" remains a major highlight in Brand X's catalog. The material is very strong, and the band's performances are sizzling. Standouts include the hard-driving jazz/rock of "The Poke," the gorgeous "Black Moon," the incredible workout "Access To Data," and the spooky fun of "The Ghost Of Mayfield Lodge." Fabulous jams, and awesome music all the way around. Brand X's "Masques" is one of the group's very best releases.&lt;br /&gt;
&lt;br /&gt;
Brand X&lt;br /&gt;
&lt;br /&gt;
Tracklist:&lt;br /&gt;
&lt;br /&gt;
1.The Poke 5:10&lt;br /&gt;
2.Masques 3:16&lt;br /&gt;
3.Black Moon 4:48&lt;br /&gt;
4.Deadly Nightshade 11:22&lt;br /&gt;
5.Earth Dance 6:08&lt;br /&gt;
6.Access to Data 8:01&lt;br /&gt;
7.The Ghost of Mayfield Lodge 10:17.&lt;br /&gt;
&lt;br /&gt;
Personnel:&lt;br /&gt;
&lt;br /&gt;
John Goodsall, guitar&lt;br /&gt;
Percy Jones, bass&lt;br /&gt;
Morris Pert, percussion&lt;br /&gt;
Peter Robinson, keyboards&lt;br /&gt;
Chuck Bergi, drums.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-6841896089581557319?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;Due to the title cut, this was a huge seller when it originally came out. Reissued on CD, this set from flügelhornist Chuck Mangione (which&lt;br /&gt;
helped give guitarist Grant Geissman some fame) is actually stronger from the jazz standpoint than Mangione's subsequent dates. The&lt;br /&gt;
leader has some good solos, as does Geissman and saxophonist Chris Vadala, and the quintet's ensembles are generally both sparse and&lt;br /&gt;
attractive. Pity that in ways this was Chuck Mangione's last worthwhile release to date; success did stunt his artistic growth.&lt;br /&gt;
(Review by Scott Yanow, AMG).&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-9215147871538827615?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;div style="color: #f1c232;"&gt;Sepulveda Boulevard.&lt;/div&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" height="28" id="divplaylist" width="335"&gt;&lt;param name="movie" value="http://www.divshare.com/flash/playlist?myId=16570061-889" /&gt;&lt;embed src="http://www.divshare.com/flash/playlist?myId=16570061-889" width="335" height="28" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;Grammy nominated Latin jazz band Charlie Sepulveda &amp;amp; the Turnaround released their latest album on May 29, 2009. The 11 track recording includes a collaboration with Christian Nieves, an innovative cuatro player who has played with the likes of Ricky Martin. Christian blends the sounds of Puerto Rico’s plena to help create an album that is original and upholds Charlie’s evolving trend to honor his Latin upbringing.&lt;br /&gt;
&lt;br /&gt;
Charlie Sepulveda Biography&lt;br /&gt;
&lt;br /&gt;
Born: 1962    Instrument: Trumpet&lt;br /&gt;
&lt;br /&gt;
Recognized as a hot trumpeter of the Latin jazz scene in the Caribbean, Latin America and the U.S., Charlie Sepulveda continues to create a buzz in the music industry. With seven productions of his own as leader, he has been able to perform his music in the best Jazz Festivals around the world including Europe, United States, Japan and Puerto Rico getting excellent reviews, and several Grammy nominations along the way.&lt;br /&gt;
&lt;br /&gt;
A student from the School of Arts in Caguas, Conservatory of Music and University of Puerto Rico, and City College in New York, this trumpeter at age 20, earned the first trumpet slot in the band of heralded pianist Eddie Palmieri, with whom he toured and recorded. With those primary credentials he has interpreted and recorded among masters like: Tito Puente, Dizzy Gillespie, McCoy Tyner, Wynton Marsalis, Dave Valentin, Hilton Ruiz, Paquito de Rivera, Michael Camilo, Sheila E., Ray Barretto, Marc Anthony, India, Fania All Stars, and many others.&lt;br /&gt;
&lt;br /&gt;
Charlie Sepulveda &amp;amp; the Turnaround released their latest album “Sepulveda Boulevard” in 2009. The record includes material contributed by most of the band members, an undertaking normally done by Charlie. The individual input from each group member gives the album a personal touch and diversity in style.&lt;br /&gt;
&lt;br /&gt;
A current resident of Puerto Rico, Sepulveda and the Turnaround remain quite active with regular gigs in San Juan and he is a full time music professor at the Conservatorio de Música de Puerto Rico.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-2912064476786155759?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;div style="color: #3d85c6;"&gt;Andre Marques: Keyboards&lt;/div&gt;&lt;div style="color: #3d85c6;"&gt;Ricardo Zohyo: Bass Guitars&lt;/div&gt;&lt;div style="color: #3d85c6;"&gt;Cleber Almeida: Drums &amp;amp; Percussions.&lt;/div&gt;&lt;b&gt;Special Guests:&lt;/b&gt;&lt;br /&gt;
&lt;div style="color: #3d85c6;"&gt;Hermeto Pascoal: Melodica&lt;/div&gt;&lt;div style="color: #3d85c6;"&gt;Natan Marques: Acoustic Guitar.&lt;/div&gt;&lt;br /&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;Trio Curupira:&lt;br /&gt;
&lt;br /&gt;
Andre Marques (piano, keyboards, flute, rabeca, melodica)&lt;br /&gt;
Cleber Almeida (drums, percussion, viola, flute)&lt;br /&gt;
Fabio Gouveia (bass, guitar, acoustic guitar, flute).&lt;br /&gt;
&lt;br /&gt;
Curupira The Trio is made up of young musicians and composers of the state of Sao Paulo, which have exhibited to audiences in Brazil and abroad, one of the most creative of the instrumental genre. Featured in Rock In Rio - Lisboa/2004, the group was also a finalist in the Visa Instrumental Award the same year.&lt;br /&gt;
&lt;br /&gt;
The Curupira was born in mid-1996, a happy meeting of ideas and affinities of its members: Andre Marques (pianist of the group of Hermeto Pascoal, since 1994), Ricardo Zohyo (which was replaced by Fabio Gouvea in 2002) and Cleber Almeida . Determined to develop a unique work, the result of musical and cultural research, based on the authentic music of Brazil, they travel all the rhythms and eliminate all border styles. The sound is dense, the harmony is rich and personality is remarkable. The name was chosen by referring to the mythical character of Brazilian folklore charged with protecting the forests and animals. The trio took a similar mission: the defense of music and Brazilian culture. "We started with a concept totally focused on Brazilian music, but we realize that the prejudices against music. We play rhythms from all over Brazil, but we are open to influences, is classical music, jazz, Arabic music and flamenco. Music is music "says Andre Marques.&lt;br /&gt;
Another great feature of the trio is the huge variety of sounds, especially because the exchange of instruments both in concert and in recordings. In their presentations are used to training traditional trio (piano, bass and drums) and other with flutes, ukulele, guitar, percussion, melodica, among other instruments.&lt;br /&gt;
&lt;br /&gt;
To the members of Trio Curupira the great cultural mix that exists in Brazil allows the blending of various elements such different cultures as the indigenous, African, European and Arabic, among others. "Few were interested in exploring this subject, inserted in all segments of our culture. We want to bring to the public - through sounds consequent diversity of our cultural legacy - a unique and original music, which only Brazil has," he explains.&lt;br /&gt;
&lt;br /&gt;
With two CDs recorded, the trio, in March 2008, he toured all over Argentina to launch its third work is also published out there in the MDR Records label, the work to be launched in Brazil in early 2009, the CD "Pes no Brasil, cabeca no mundo"( or "Feet in Brazil, head of the world"), with great dissemination of the local press and critical acclaim.&lt;br /&gt;
Even before being released in Brazil, "Feet in Brazil, Head in the World", received a Grammy nomination in 2008. In June 2009 the trio was nominated for a Nobel Brazilian Music "(old Award Tim), the category, Best Instrumental Group.&lt;br /&gt;
This CD has the music of other Brazilian composers, what differentiates the two previous works, when most music was composed by the trio.&lt;br /&gt;
=========================================================================&lt;br /&gt;
&lt;br /&gt;
Produced by the trio and Jane Duboc, CURUPIRA, the disc is a real mapping rhythms. In its eleven tracks, the three musicians and their guests more than special - and guitarist Nathan Marques, who is currently working with Renato Teixeira and for years accompanied Elis Regina and composer, conductor, arranger and pianist Hermeto Pascoal - walk through some of the most legitimate Brazilian musical manifestations. The first track, "Maracatu Opening" (André Marques), works as an introduction to the party. The next topic, "Rain Stick" (Cleber Almeida) mixing samba ballad, using instruments such as the very rain stick, which helps the marking down in rhythm. At certain moments, the melody acquires atonal aesthetic, which makes it even more tasty and interesting. The fusion of tune with the touching ballad brand - "Reborn" (André Marques). The next topic, "Pife" collective creation of the group, brings CURUPIRA rescuing one of the most beautiful musical expressions of the Northeast, Pife bands that have touches of maracatu in its melodic structure.&lt;br /&gt;
&lt;br /&gt;
"Stop in Itapipoca" (André Marques) is a contagious frevo, which includes the participation of Hermeto Pascoal on the melodica (that nice tool that many people call "piano mouth"). "Expresso Brasileiro" (André Marques) is a schottische and waltz with touches of xaxado, which has the peculiarity of the presence of a Fender piano, which shows the total interaction between traditional and modern. "Capoeira", another creation of the collective CURUPIRA is a sticker that shows the irresistible beat used in capoeira. "Insane" (Ricardo Zohyo) looks more like an improvised theme, given the harmonic possibilities created by members of CURUPIRA.&lt;br /&gt;
&lt;br /&gt;
The great Natan Marques (who is the father of CURUPIRA pianist, André Marques) the guitar has a presence in the surrounding "To you MECE" (Cleber Almeida), taken with the bossa nova mixed samba. "Prelude in Baião" (André Marques) has a strong marking down and remember the topics of the follies of kings. In "Blacks of the Rosary", creation of CURUPIRA, is present once again the rhythmic pulse, a theme that recalls the songs of African slaves. Closing the repertoire, "That ran far Gone", a delicious mix of rhythms and melodies created by Hermeto Pascoal.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="color: #ffd966;"&gt;Formed by André Marques, Cléber Almeida and Fabio Gouveia, the trio goes beyond the traditional training bass, piano and drums, with new sounds and possibilities to introduce instruments such as viola, flutes, flutes and percussion instruments in this concert, the musicians disclose repertoire CD "Feet in Brazil, head in the world," nominated for a Latin Grammy in 2008.&lt;/div&gt;&lt;iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/ZY0VjANn18w" width="480"&gt;&lt;/iframe&gt;&lt;br /&gt;
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&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://lascintasrecuperadas.blogspot.com/feeds/1279542636153202266/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=2501904162088694542&amp;postID=1279542636153202266&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/2501904162088694542/posts/default/1279542636153202266?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/2501904162088694542/posts/default/1279542636153202266?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LasCintasRecuperadas/~3/7k6m72ki9ew/curupira-curupira-2000.html" title="Curupira - Curupira (2000)" /><author><name>luigi</name><uri>http://www.blogger.com/profile/17651625287584194482</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="24" src="http://3.bp.blogspot.com/_mGP-7NjQHO8/SOA4tg1ubXI/AAAAAAAADRQ/lLLDG-PdpiA/S220/FJack.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-AiyWTNj6l2A/TxCiVOHskII/AAAAAAAAKtM/Z-57ZCDA8lg/s72-c/curupira.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://lascintasrecuperadas.blogspot.com/2012/01/curupira-curupira-2000.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkcHR34_fyp7ImA9WhRVFEw.&quot;"><id>tag:blogger.com,1999:blog-2501904162088694542.post-3883762207924731371</id><published>2012-01-12T15:11:00.000-08:00</published><updated>2012-01-12T15:13:56.047-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-12T15:13:56.047-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Chad Wackerman" /><title>Chad Wackerman - The View (1993)</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-HxEOfzWSghg/Tw9hLbHOCGI/AAAAAAAAKtA/z52BjouMhFE/s1600/The%2BView.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="197" src="http://1.bp.blogspot.com/-HxEOfzWSghg/Tw9hLbHOCGI/AAAAAAAAKtA/z52BjouMhFE/s200/The%2BView.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;&lt;br /&gt;
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01.Close To Home (c.wackerman)&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;02.Across The Bridge (c.wackerman)&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;03.Black Coffee (c.wackerman)&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;04.Empty Suitcase (c.wackerman,w.fowler,a.holdsworth,j.cox,j.johnson)&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;05.Introduction (c.wackerman)&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;06.Starry Nights (c.wackerman)&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;07.All Sevens (c.wackerman)&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;08.On The Edge (c.wackerman,a.holdsworth,j.cox,j.johnson)&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;09.Just a Moment (w.fowler,a.holdsworth)&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;10.The View (c.wackerman,c.verheyen)&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;11.Bash (c.wackerman)&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;12.Flares (c.wackerman)&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;13.Days Away (c.wackerman,w.fowler,a.holdsworth,j.cox,j.johnson).&lt;/div&gt;&lt;br /&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;Chad Wackerman:&lt;br /&gt;
&lt;br /&gt;
A phenomenally skillful jazz and rock drummer, Chad's professional career began in 1978 with the Bill Watrous band. Since then he has amassed a remarkable body of work including a seven year association with Frank Zappa, with whom he toured the USA and Europe and recorded 26 albums including the London Symphony recordings. He has also recorded 6 albums and toured with guitar legend Allan Holdsworth, played on the 'One Voice' album and video with Barbra Streisand, and recorded albums and toured with artists as diverse as Steve Vai, Andy Summers, Men At Work,Ed Mann, Albert Lee, Colin Hay, Dweezil Zappa and Tom Grant. Chad has also toured with James Taylor, John Patitucci, Joe Sample, Banned From Utopia and The World Drummers Ensemble (Bill Bruford, Luis Conte, Doudou N'Diaye Rose and Chad Wackerman) and most recently toured the USA with another ex Zappa drummer-Terry Bozzio.&lt;br /&gt;
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As a band leader and composer Chad has four critically acclaimed CDs titled 'Forty Reasons' ,' The View', 'Scream' and his latest release 'Legs Eleven' . Chad has written music for the television show 'The Dennis Miller Show', as well as composing music for Allan Holdsworth's 'Secrets' , 'Wardenclyffe Tower' and 'Sixteen Men of Tain' CDs.&lt;br /&gt;
Chad's drumming combines the power and conviction of rock with the sensitivity and finesse of jazz. His playing is remarkably free of predictable patterns and licks, relying instead on invention and interplay with the musicians around him.&lt;br /&gt;
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The View is Chad Wackerman's second CD for CMP Records. It features an all start line up- the legend guitarist Allan Holdswoth, Jimmy Johnson(James Taylor) Jim Cox (Mark Knopfler) Carl Verheyen(Supertramp)and Walt Fowler (Zappa).&lt;br /&gt;
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Wackerman knows how to get the best out of his band, whether employing a pointed 7/4 groove, propelling a free improv or simply laying down his angular, monster like time feel- Jazz Times.&lt;br /&gt;
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1993 studio recording&lt;br /&gt;
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Chad Wackerman: drums&lt;br /&gt;
Jim Cox: keyboards&lt;br /&gt;
Jimmy Johnson: bass&lt;br /&gt;
Guests&lt;br /&gt;
Walt Fowler: trumpet, flugelhorn&lt;br /&gt;
Allan Holdsworth: guitar&lt;br /&gt;
Carl Verheyen: guitar.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-3883762207924731371?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;div style="color: #3d85c6;"&gt;Al Brodeur - Guitar&lt;/div&gt;&lt;div style="color: #3d85c6;"&gt;Ken Page - Keyboards&lt;/div&gt;&lt;div style="color: #3d85c6;"&gt;David Pastorius - Bass&lt;/div&gt;&lt;div style="color: #3d85c6;"&gt;Alex Petrosky - Drums&lt;/div&gt;&lt;div style="color: #3d85c6;"&gt;Anthony Darmana - Percussion.&lt;/div&gt;&lt;br /&gt;
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&lt;div style="color: orange;"&gt;&lt;b&gt;Reza.&lt;/b&gt;&lt;/div&gt;&lt;/div&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" height="28" id="divplaylist" width="335"&gt;&lt;param name="movie" value="http://www.divshare.com/flash/playlist?myId=16562105-696" /&gt;&lt;embed src="http://www.divshare.com/flash/playlist?myId=16562105-696" width="335" height="28" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-8606700457248982797?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;Home is where the heart is, some say. For others, it is where the hurt is. But be it the source of joy or pain, each of us must long for a familiar place, a place to go back to …a sanctuary.&lt;br /&gt;
&lt;br /&gt;
Many have lost that very place, like our brothers and sisters, the victims of tsunami. Others’ homes continue to be hit by savage attacks, including the recent tragedy in my hometown Bali.&lt;br /&gt;
&lt;br /&gt;
This record aims at uttering my deepest sorrow and compassion. I hope time can heal our wounds, and we can finally find our way home. Home in the harmony with nature, and home in the world without hatred and sheer bigotry.&lt;br /&gt;
&lt;br /&gt;
I Dewa Gede Budjana or Dewa Budjana (pronounced ['dewa bu'd?ana]; born August 30, 1963 in Waikabubak) is an Indonesian guitarist, songwriter and composer. He is the lead guitarist and songwriter of the band Gigi. Budjana’s style changed dramatically to jazz as he got to know John McLaughlin, Pat Metheny, Jeff Beck, John Abercrombie, Chick Corea and Weather Report. In his early experience, he established a band called "Squirrell" which was popular in the local community.[1] Throughout his musical experience in Indonesia, Dewa Budjana has collaborated with many famous guitarists such as Tohpati, Ridho and Abdee Negara. His ability to combine jazz and rock has put him among the top Indonesian guitarists.&lt;br /&gt;
&lt;br /&gt;
Early life&lt;br /&gt;
&lt;br /&gt;
Budjana's passion and talent in music, especially guitar, has been very dominant since he was in an elementary school in Klungkung, Bali. Budjana’s first teacher was a construction worker who lived nearby. He stole money from his grandmother to buy his first guitar[1] He prioritised guitar in his life, and started to teach himself by playing rock songs. He became more passionate about music, and was reflected when Budjana moved to Surabaya, East Java, where he took a classical music course, performed with a band and participated in many of music performances. After graduation, he went to Jakarta to pursue a career as professional musician. While there, he came across Jack Lesmana, a jazz maestro and father of jazz musician Indra Lesmana, who taught Budjana the philosophy of jazz.&lt;br /&gt;
&lt;br /&gt;
Music life&lt;br /&gt;
[edit] Early experience&lt;br /&gt;
&lt;br /&gt;
In 1976, when he was thirteen, Budjana's name started to be seen in the music world in Surabaya. Later, in 1981, he bought a "real" electric guitar (an Aria Pro II) and started to play with many different people. Slowly, his musical style changed from pop rock to jazz, as he started to incorporate influences from John McLaughlin of the Mahavishnu Orchestra, Chick Corea, Yes, Gentle Giant, Kansas, Tangerine Dream, American Garage, Bright Size Life, Pat Metheny and Allan Holdsworth.&lt;br /&gt;
&lt;br /&gt;
In 1980, Budjana started Squirrel, his first jazz band, with his schoolmates in Surabaya. Squirrel participated in a number of national music events, including Light Music Contest in 1984 at Teater Terbuka, TIM, Indonesia. Though many contestants participated, it was Budjana and his fellow bandmates who outperformed the competition and won. One year after that, Budjana decided to fly to Jakarta in order to expand his music career. This journey lead him to Jack Lesmana, an Indonesian jazz legend, who introduced him to other professional musicians.&lt;br /&gt;
&lt;br /&gt;
Professional career&lt;br /&gt;
&lt;br /&gt;
Although Jack provided Budjana with opportunities in his Indonesian music career, it was Indra who first asked him to became a session player. A few years later, Budjana joined the band Spirit, which included Baron, Gigi's former guitarist. With Budjana, Spirit released one self-titled album, before Budjana decided to leave the band and joined Java Jazz. He also sat in with many other bands — including the Jimmy Manopo Band, Erwin Gutawa, Elfa's Big Band and Twilite Orchestra — and participated in the North Sea Jazz Festival, a world jazz convention in Den Haag, the Netherlands.&lt;br /&gt;
&lt;br /&gt;
His current band, Gigi, was formed in 1994 with Baron (guitar), Thomas (bass), Armand (vocal) and Ronald (drum). Since then, Gigi has released six albums. He has also released his own solo albums: Nusa Damai; Gitarku; Samsara; and Home, a tribute album to the December 2004 tsunami victims.&lt;br /&gt;
&lt;br /&gt;
Equipment&lt;br /&gt;
&lt;br /&gt;
Since Dewa Budjana started his professional career as a musician, he has mainly used a Parker Fly Delux as his main guitar, occasionally using Klein and Gibson guitars SG series instead. Budjana also owns a double neck Klein guitar which was used on his latest album, Home, and pictured on the CD cover.[2] For his rig, Dewa Budjana mainly uses Mesa Boogie rectifier and Carvin Legacy amplifier that are connected to the Line 6 Ax2 212.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-8393303619842134893?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;div style="color: orange;"&gt;&lt;b&gt;The Tackle.&lt;/b&gt;&lt;/div&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" height="28" id="divplaylist" width="335"&gt;&lt;param name="movie" value="http://www.divshare.com/flash/playlist?myId=16546555-a8f" /&gt;&lt;embed src="http://www.divshare.com/flash/playlist?myId=16546555-a8f" width="335" height="28" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;Having reviewed some of Hammond organist Joey DeFrancesco's early albums on Columbia, then caught up with him again when he teamed up with the high-flying guitar acrobat Danny Gatton on Relentless, and then lost track of him, the word that comes to mind upon hearing this effort for Concord is "adult." DeFrancesco's earlier work was that of a young and precocious kid with a burning love of his instrument and something to prove. Fifteen years into what has become a celebrated career, he's settled in and is demonstrating the kind of taste and maturity that separates the flashy young hotshots from the serious musicians, the ones who will leave a legacy. On Organic Vibes, DeFrancesco goes beyond the traditional organ trio format that he has generally preferred up until now and is joined by a group that includes vibraphonist Bobby Hutcherson and tenor sax player George Coleman, and his desire to give them the space they need leads him to move away somewhat from center stage; as a result, his solos are tighter, more focused, and less frenetic than they have sometimes been. There's also more of a focus on slower numbers than has often been the case on past DeFrancesco projects, an approach that bears sweet fruit on the group's tender rendition of "I Thought About You" and on the sauntering and funky "Down the Hatch." DeFrancesco's own "Colleen" is lovely bossa nova that ends the album on an almost contemplative note. Very highly recommended. Review AMG.&lt;br /&gt;
&lt;br /&gt;
1.The Tackle DeFrancesco 8:09&lt;br /&gt;
2.Little B's Poem Hutcherson 6:29&lt;br /&gt;
3.I Thought About You Mercer, VanHeusen 9:26&lt;br /&gt;
4.Somewhere in the Night Reid, Reid 8:33&lt;br /&gt;
5.Down the Hatch DeFrancesco 6:51&lt;br /&gt;
6.Speak Low Nash, Nash, Weill 7:52&lt;br /&gt;
7.Jeneane's Dream Landham 4:21&lt;br /&gt;
8.My Foolish Heart Washington, Young 6:06&lt;br /&gt;
9.Colleen DeFrancesco 6:43.&lt;br /&gt;
&lt;br /&gt;
PERSONAL:&lt;br /&gt;
Joey DeFrancesco (Hammond b-3 organ)&lt;br /&gt;
Jake Langley (guitar)&lt;br /&gt;
Ron Blake (saxophone)&lt;br /&gt;
George Coleman (tenor saxophone)&lt;br /&gt;
Bobby Hutcherson (vibraphone)&lt;br /&gt;
Byron Landham (drums).&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-2783463704712429178?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;div style="color: orange;"&gt;&lt;b&gt;Love for Sale.&lt;/b&gt;&lt;/div&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="40" id="gsSong2681053834" name="gsSong2681053834" width="250"&gt;&lt;param name="movie" value="http://grooveshark.com/songWidget.swf" /&gt;&lt;param name="wmode" value="window" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="flashvars" value="hostname=cowbell.grooveshark.com&amp;songIDs=26810538&amp;style=water&amp;p=0" /&gt;&lt;object type="application/x-shockwave-flash" data="http://grooveshark.com/songWidget.swf" width="250" height="40"&gt;&lt;param name="wmode" value="window" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="flashvars" value="hostname=cowbell.grooveshark.com&amp;songIDs=26810538&amp;style=water&amp;p=0" /&gt;&lt;span&gt;Love for Sale by &lt;a href="http://grooveshark.com/artist/Joe+Doggs+Joey+DeFrancesco/1534715" title="Joe Doggs/Joey DeFrancesco"&gt;Joe Doggs/Joey DeFrancesco&lt;/a&gt; on Grooveshark&lt;/span&gt;&lt;/object&gt;&lt;/object&gt;&lt;br /&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;Is this still young but nearly legendary hipster, who almost singlehandedly rekindled jazz's interest in the Hammond B-3 organ, going to the dogs? The folks at Concord Records hope so, sending out a doggie biscuit with their press materials as DeFrancesco gives one of his favorite East Coast jazz singers, Joe Doggs, a prominent spotlight. Doggs' soulful vocals (praised in the liner notes by Quincy Jones and very reminiscent of the passionate Jimmy Scott experience) and fresh, expansive arrangements are at the cool, swinging heart of the collection's 11 cherished standards. Between vocal passages, the organ great also continues his long tradition of working with top trad jazz names like Pat Martino, tenorman Red Holloway, drummer Jeff Hamilton (complementing DeFrancesco's core trio member Byron Landham), and Kevin Eubanks. "All or Nothing at All" rolls along at eight minutes, with DeFrancesco's B-3 simmering coolly under Doggs' sweet seductive vocals before swinging harder during the playful instrumental break punctuated by Martino's crisp guitar solo. The same basic principles embrace the easy, strutting take on the Gershwins' "But Not for Me," with DeFrancesco's lively soloing giving way to a fiery tenor spotlight by Holloway. Other standards given the royal treatment are "Love for Sale," "Dearly Beloved," and "My Romance." Next time when you hear the term "Dogg style," you may think beyond Snoop Dogg and the more vulgar connotations. ~ Jonathan Widran.&lt;br /&gt;
&lt;br /&gt;
Recording information: Capitol Studio A (05/29/2002-05/30/2002).&lt;br /&gt;
&lt;br /&gt;
Photographer: Carlo Tallarico.&lt;br /&gt;
&lt;br /&gt;
Arranger: Joe Doggs.&lt;br /&gt;
&lt;br /&gt;
Personnel: Joey DeFrancesco (Hammond b-3 organ); Jeff Hamilton , Byron Landham (drums); Joe Doggs (vocals); Pat Martino, Ron Eschete, Kevin Eubanks (guitar); Ralph Moore, Red Holloway (tenor saxophone); Elijah Davis (trumpet); Ramon Banda (congas).&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-7460935370740739537?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;div style="color: orange;"&gt;&lt;b&gt;For Joe.&lt;/b&gt;&lt;/div&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" height="28" id="divplaylist" width="335"&gt;&lt;param name="movie" value="http://www.divshare.com/flash/playlist?myId=16545433-1e5" /&gt;&lt;embed src="http://www.divshare.com/flash/playlist?myId=16545433-1e5" width="335" height="28" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;Recording information: Beaker Sound, Los Angeles, CA; Plastic Studio, Rome, Italy; Valley Center Studios, Los Ange.&lt;br /&gt;
&lt;br /&gt;
Personnel: &lt;br /&gt;
&lt;br /&gt;
Jimmy Earl (keyboards,guitar,bass,programming)&lt;br /&gt;
Pino Danielle (vocals,guitar)&lt;br /&gt;
Josie Aiello (vocals)&lt;br /&gt;
Deron Johnson (Fender Rhodes piano)&lt;br /&gt;
John Beasley (keyboards,synthesizer)&lt;br /&gt;
Simon Phillips (drums).&lt;br /&gt;
&lt;br /&gt;
Jimmy Earl is an American jazz musician and composer. He has released two studio albums and recorded extensively. He has toured the world with major artists. He is ranked #22 on the DigitalDreamDoor list of greatest fusion bassists.Since 2003, he has performed nightly on Jimmy Kimmel Live!.&lt;br /&gt;
&lt;br /&gt;
Early life and education&lt;br /&gt;
&lt;br /&gt;
In 1957,James Christopher Earl was born in Boston, MA, to James and Sylvia Earl. He is the second of their four children. Shortly after his birth, the family moved to St. Paul, MN, and in 1965, to Hyattsville, MD, where he attended elementary school and Northwestern High School.&lt;br /&gt;
&lt;br /&gt;
Music career&lt;br /&gt;
&lt;br /&gt;
Earl began classical guitar lessons at age 10. In 1972, he picked up an electric bass guitar for $15 at the Rose Bowl flea market in Pasadena, CA, where his family was living temporarily. In 1973, along with his high school classmates Dan Hovey and Rex Wilson, he formed his first band named Cosmic Rainbow. Mark Opsasnick has described its activities in suburban Maryland.&lt;br /&gt;
&lt;br /&gt;
Boston&lt;br /&gt;
&lt;br /&gt;
In 1975-76, he attended Berklee College of Music in Boston.In 1981, he studied briefly at the New England Conservatory of Music, where he sits on the board of visitors.He also studied with Charlie Banacos.In 1983, he joined the group Tiger's Baku,which performed in the 1984 Newport Jazz Festival.In 1985, he joined a band led by jazz drummer Bob Moses,with whom he appeared in Boston and Cambridge.Earl began his recording career in Boston, where in 1986, he backed up David Gilden on Ancestral Voices.This album featured the Kora, which is a West African 21 string harp.&lt;br /&gt;
&lt;br /&gt;
New York&lt;br /&gt;
&lt;br /&gt;
In 1986, Earl moved to New York, where on the recommendation of his friend Steve Hunt, he joined the Jazz Explosion.Within this organization, he backed up: Gato Barbieri, Angela Bofill, Tom Browne, Stanley Clarke, George Duke, Freddie Hubbard, Phyllis Hyman, Ramsey Lewis, Lonnie Liston Smith, and Stanley Turrentine. Here, he met his friend and mentor Stanley Clarke. Soon, he joined Clarke's "three bassists" tour of Brazil with Larry Graham.Shortly thereafter, Earl went to New York's Blue Note, where he met Joe Sample,who invited him to tour with the Crusaders. During 1986 and 1987, he performed on their tours of the United States, Japan, and Europe.&lt;br /&gt;
&lt;br /&gt;
Los Angeles&lt;br /&gt;
&lt;br /&gt;
In 1988, Earl relocated to Los Angeles, CA. During this year, he recorded on Clarke's album If This Bass Could Only Talk. It was followed, in 1993, by East River Drive, on which Earl is credited with helping to compose the song "I'm Home Africa".&lt;br /&gt;
&lt;br /&gt;
In 1990, he recorded on two albums of the Mark Varney Project. The first, Truth in Shredding,featured Allan Holdsworth and Frank Gambale. On the second, Centrifugal Funk,Earl played a key role as arranger and producer.&lt;br /&gt;
&lt;br /&gt;
In 1993, Earl replaced John Patitucci in Chick Corea's Elektric Band, which immediately went on tour.On returning, he worked with his Elektric bandmate Eric Marienthal on the album One Touch, where he helped to compose the song "Backtalk".That year, he also recorded on Elektric Band II:Paint the World. Here, he composed, with Corea, the tunes "Ished", "Spanish Sketch",and "Reprise".This album was nominated for the 1994 Grammy Award for Best Contemporary Jazz Album.In 1996, he joined the band's collaboration with Steve Vai's monsters on "Rumble", which was included in the RCA Victor tribute album The Songs of West Side Story. On July 12, 1996, this album became a RIAA certified gold record.In 2002, he participated in the Elektric Band's reunion tour of the United States,which included two performances at the Blue Note.In another reunion, Earl performed on Manhattan Transfer's album The Chick Corea Songbook (2009).&lt;br /&gt;
&lt;br /&gt;
In 1993, while touring with Corea, Earl performed in Rome with the Italian superstar Pino Daniele,who invited him, and Corea, to record on the album Che Dio ti benedica. This was the first of five albums he recorded with Daniele from 1993 to 1999. In 1995, while touring with Daniele to promote Non calpestare i fiori nel deserto, he played in Milan with Pat Metheny.&lt;br /&gt;
&lt;br /&gt;
In that year, he recorded Jimmy Earl, which featured David Batteau, Mitchel Forman, Gambale, Deron Johnson, Gary Novak, Rique Pantoja, Randy Roos, Steve Tavaglione, and Dave Weckl.This album presents Earl's solo bass rendition of Maurice Ravel's "Pavane for a Dead Princess" (1899).It was followed, in 1997, by his second album Stratosphere, which features John Beasley, Daniele, Johnson, Forman, and Simon Phillips.It is an exploration into combining performances by live musicians with electronic music.&lt;br /&gt;
&lt;br /&gt;
In 1996, Tom Brechtlein recommended Earl as a replacement for Roscoe Beck in Robben Ford's band, The Blue Line, which was about to go on a bus tour of Europe. On returning, Ford started a new band, which began with a series of West Coast performances. These included appearances at Catalina Bar and Grill in Hollywood,and at Yoshi's in Oakland, CA,where Vinnie Colaiuta was featured on drums. Soon, Ford's album Supernatural was recorded and released in 1999.In 2001, Ford's band recorded New Morning: The Paris Concert. This DVD captured a live performance at the New Morning club in Paris.It was followed, in 2002, by Ford's first album with Concord Jazz, Blue Moon,on which Earl is credited with producing "Good to Love".Later, Earl recorded on two more Ford albums: Keep on Running (2003),and Truth (2007),which was nominated for the 2008 Grammy Award for Best Contemporary Blues Album.Moreover, in August 2007, Truth became the number one blues album on Billboard's charts.&lt;br /&gt;
&lt;br /&gt;
In 2003, he recorded on the album Man @ Work with Colin Hay. Earl's work with Man @ Work is only one of dozens of collaborations and compilations in which he performed as a guest artist.In the discography, there is a listing of some of these appearances, but it is more representative than exhaustive.&lt;br /&gt;
&lt;br /&gt;
In late 2002, Jimmy Earl was invited to join a new band, Cleto and the Cletones, which had just been tapped to be the house band on the ABC late-night television program Jimmy Kimmel Live! Since the show began in January 2003, the band, led by Cleto Escobedo III, has performed at the El Capitan Theatre, in more than 1,600 episodes.&lt;br /&gt;
&lt;br /&gt;
Jimmy Kimmel Live!&lt;br /&gt;
&lt;br /&gt;
After the show, and on weekends, Earl performs once or twice per month at the Baked Potato club in Studio City.Here, he has appeared with: Dean Brown, Deron Johnson, Scott Kinsey, Simon Phillips, Jeff Richman, Steve Tavaglione, and Steve Weingart. From time to time, he appears with "king of the funky drums", Zigaboo Modeliste,and with salsa queen Cecilia Noël and the Wild Clams.Earl's association with the Wild Clams goes back to 1995, when he performed with them at the National Theater of Cuba in Havana. This concert ended "a 16 year cultural cold war", during which American musical groups were banned from Cuba.&lt;br /&gt;
&lt;br /&gt;
Equipment&lt;br /&gt;
&lt;br /&gt;
In 1990, Earl began a relationship with the German company Warwick. In 1993, Warwick issued the Jimmy Earl Signature Streamer Stage II five string bass guitar.[53] Other Warwick basses that he has used are a Thumb and a fretless Dolphin. On Jimmy Kimmel Live!, he uses Fender basses: a white ’66 Jazz, a red ’66 Jazz, and occasionally, a sunburst ’73 Precision.[2] All these instruments are fitted with Dean Markley SR2000 medium-light strings. For amplification, he uses a Gallien-Krueger 800RB head and 410SBX 4x10 cabinet.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-23725139871729635?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://lascintasrecuperadas.blogspot.com/feeds/23725139871729635/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=2501904162088694542&amp;postID=23725139871729635&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/2501904162088694542/posts/default/23725139871729635?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/2501904162088694542/posts/default/23725139871729635?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LasCintasRecuperadas/~3/kCpO1bmbXy4/jimmy-earl-stratosphere-1999.html" title="Jimmy Earl - Stratosphere (1999)" /><author><name>luigi</name><uri>http://www.blogger.com/profile/17651625287584194482</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="24" src="http://3.bp.blogspot.com/_mGP-7NjQHO8/SOA4tg1ubXI/AAAAAAAADRQ/lLLDG-PdpiA/S220/FJack.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-AiZAQrJ8EE4/TwvhUUouGCI/AAAAAAAAKsE/JRRLl86G5B4/s72-c/Stratosphere.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://lascintasrecuperadas.blogspot.com/2012/01/jimmy-earl-stratosphere-1999.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkAFQn0_eSp7ImA9WhRWFk8.&quot;"><id>tag:blogger.com,1999:blog-2501904162088694542.post-1859443060516706599</id><published>2012-01-03T14:11:00.000-08:00</published><updated>2012-01-03T14:11:53.341-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-03T14:11:53.341-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Jimmy Earl" /><title>Jimmy Earl - Jimmy Earl (1995)</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-iBl2uYIhROk/TwN6-w2llmI/AAAAAAAAKr4/U1-4oc2jIzc/s1600/Jimmy%2BEarl.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="199" src="http://2.bp.blogspot.com/-iBl2uYIhROk/TwN6-w2llmI/AAAAAAAAKr4/U1-4oc2jIzc/s200/Jimmy%2BEarl.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;01.Haunt Me (6:23) [Jimmy Earl]&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;02.Dimi More (4:48) [Frank Gamble, James Earl]&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;03.Lavadeiras (6:15) [James Earl, Rique Pantoja]&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;04.Falling Grace (2:57) [Steve Swallow]&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;05.Number Five (7:28) [Randy Roos]&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;06.Pavane Pour Une Infanie Defunte (3:54) [Maurice Ravel]&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;07.Pantarehi (6:09) [James Earl, David Batteau]&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;08.Backroad (5:15) [Michael Thompson]&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;09.Marie's Dilemma (6:12) [Jimmy Earl]&lt;/div&gt;&lt;div style="color: #6aa84f;"&gt;10.Phil's Bounce (6:41) [Randy Roos].&lt;/div&gt;&lt;br /&gt;
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&lt;div style="color: orange;"&gt;&lt;b&gt;Lavadeiras.&lt;/b&gt;&lt;/div&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="40" id="gsSong2365936929" name="gsSong2365936929" width="250"&gt;&lt;param name="movie" value="http://grooveshark.com/songWidget.swf" /&gt;&lt;param name="wmode" value="window" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="flashvars" value="hostname=cowbell.grooveshark.com&amp;songIDs=23659369&amp;style=water&amp;p=0" /&gt;&lt;object type="application/x-shockwave-flash" data="http://grooveshark.com/songWidget.swf" width="250" height="40"&gt;&lt;param name="wmode" value="window" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="flashvars" value="hostname=cowbell.grooveshark.com&amp;songIDs=23659369&amp;style=water&amp;p=0" /&gt;&lt;span&gt;Lavadeiras by &lt;a href="http://grooveshark.com/artist/Jimmy+Earl/1252453" title="Jimmy Earl"&gt;Jimmy Earl&lt;/a&gt; on Grooveshark&lt;/span&gt;&lt;/object&gt;&lt;/object&gt;&lt;br /&gt;
&lt;div style="color: orange;"&gt;&lt;b&gt;Falling Grace.&lt;/b&gt;&lt;/div&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="40" id="gsSong2365913172" name="gsSong2365913172" width="250"&gt;&lt;param name="movie" value="http://grooveshark.com/songWidget.swf" /&gt;&lt;param name="wmode" value="window" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="flashvars" value="hostname=cowbell.grooveshark.com&amp;songIDs=23659131&amp;style=water&amp;p=0" /&gt;&lt;object type="application/x-shockwave-flash" data="http://grooveshark.com/songWidget.swf" width="250" height="40"&gt;&lt;param name="wmode" value="window" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="flashvars" value="hostname=cowbell.grooveshark.com&amp;songIDs=23659131&amp;style=water&amp;p=0" /&gt;&lt;span&gt;Falling Grace by &lt;a href="http://grooveshark.com/artist/Jimmy+Earl/1252453" title="Jimmy Earl"&gt;Jimmy Earl&lt;/a&gt; on Grooveshark&lt;/span&gt;&lt;/object&gt;&lt;/object&gt;&lt;br /&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;By &lt;br /&gt;
Pieter van Everdingen.&lt;br /&gt;
&lt;br /&gt;
The element that strikes me most on this bass album, is the incredibly rich tone of Jimmy's bass playing at all corners of the electric bass spectrum, fretted, fretless and both at the high end top as well as at the low end bottom. Usually starting from a killer groove, supported by drum aces like Gary Novak and Dave Weckl, the challenging and interesting compositions move into nice melodies and excellent solos of the various musicians that contribute to this album, like Deron Johnson and David Batteau. I would not categorize this as fusion, but as fusion and far beyond. The vibe and energy level of this album is at some tracks almost unlimited, where all musicians really can play they heart out. If making music is about fun then this album is one of the best examples of this statement.&lt;br /&gt;
&lt;br /&gt;
TRACK CREDITS :&lt;br /&gt;
&lt;br /&gt;
Haunt Me:&lt;br /&gt;
Jeff Beal : trumpet&lt;br /&gt;
Deron Johnson : Fender Rhodes electric piano&lt;br /&gt;
Mike Hyman : drum set, drum programming&lt;br /&gt;
Jimmy Earl : Fender bass, fretless bass, guitar, synths.&lt;br /&gt;
&lt;br /&gt;
Dimi More:&lt;br /&gt;
Frank Gambale : electric guitar&lt;br /&gt;
Jimmy Earl : electric bass, fretless bass&lt;br /&gt;
Steve Tavaglione: horns, woodwinds&lt;br /&gt;
Gary Novak : drums&lt;br /&gt;
David Goldblatt : piano.&lt;br /&gt;
&lt;br /&gt;
Lavadeiras:&lt;br /&gt;
Jimmy Earl : 5 and 6 string basses, synths&lt;br /&gt;
Rique Pantoja : electric piano, synths&lt;br /&gt;
Tom McMorran : synths, strings arrangement&lt;br /&gt;
Gary Novak : drums&lt;br /&gt;
Cassio Duarte : percussion.&lt;br /&gt;
&lt;br /&gt;
Falling Grace:&lt;br /&gt;
Jimmy Earl : basses&lt;br /&gt;
Mike Hyman : drum set.&lt;br /&gt;
&lt;br /&gt;
Number Five:&lt;br /&gt;
Randy Roos : guitar&lt;br /&gt;
Dave Weckl : drums&lt;br /&gt;
Mitchel Forman : electric piano&lt;br /&gt;
Jimmy Earl : fretless bass, synths bass, slap bass, synths.&lt;br /&gt;
&lt;br /&gt;
Pavane Pour Une Infanie Defunte:&lt;br /&gt;
Jimmy Earl : bass.&lt;br /&gt;
&lt;br /&gt;
Pantarehi:&lt;br /&gt;
David Batteau : vocals&lt;br /&gt;
Deron Johnson : Fender Rhodes electric piano&lt;br /&gt;
Jimmy Earl : basses, synths, samples, percussion programming&lt;br /&gt;
Gary Novak : drums.&lt;br /&gt;
&lt;br /&gt;
Backroad:&lt;br /&gt;
Michael Tompson : guitars, drum programming&lt;br /&gt;
Jimmy Earl : basses.&lt;br /&gt;
&lt;br /&gt;
Marie's Dilemma:&lt;br /&gt;
Jimmy Earl : basses, keyboards, percussion programming&lt;br /&gt;
Mike Hyman : drum set.&lt;br /&gt;
&lt;br /&gt;
Phil's Bounce:&lt;br /&gt;
Steve Tavaglione: soprano saxophone&lt;br /&gt;
Tom McMorran : electric piano, strings&lt;br /&gt;
Jimmy Earl : basses&lt;br /&gt;
Gary Novak : drums.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-1859443060516706599?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;div style="color: yellow;"&gt;&lt;b&gt;How Long Will It Last?.&lt;/b&gt;&lt;/div&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" height="28" id="divplaylist" width="335"&gt;&lt;param name="movie" value="http://www.divshare.com/flash/playlist?myId=16507472-fa2" /&gt;&lt;embed src="http://www.divshare.com/flash/playlist?myId=16507472-fa2" width="335" height="28" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;Review&lt;br /&gt;
by Alex Henderson.&lt;br /&gt;
&lt;br /&gt;
Although Chuck Rainey was among New York's most ubiquitous and in-demand R&amp;amp;B and pop session players of the 1960s and '70s, he didn't record very many albums on his own. The Chuck Rainey Coalition gives us a glimpse of the electric bassist in the driver's seat. Rainey doesn't do that much stretching, and most of the time, this collection of instrumental jazz/R&amp;amp;B simmers without really igniting. Nonetheless, there are a few cuts that stand out. Rainey really digs into a funky interpretation of the "Theme from Peter Gunn," and his soul-minded arrangement of "Harlem Nocturne" is fairly imaginative. Meanwhile, uptempo tunes like "Get It Together," "It's Gonna Rain" and "The Lone Stranger" are kind of catchy, though hardly mind-blowing. Overall, this isn't a bad album, but it could have been much better.&lt;br /&gt;
&lt;br /&gt;
Billy Butler - Guitar&lt;br /&gt;
Selwart Clarke - String Conductor&lt;br /&gt;
Cornell Dupree - Guitar&lt;br /&gt;
Eric Gale - Guitar&lt;br /&gt;
Melvin Lastie - Trumpet&lt;br /&gt;
Trevor Lawrence - Saxophone&lt;br /&gt;
Herb Lovelle - Drums&lt;br /&gt;
Specs Powell - Percussion&lt;br /&gt;
Bernard "Pretty" Purdie - Drums&lt;br /&gt;
Chuck Rainey - Bass, Bass (Electric), Guitar, Producer&lt;br /&gt;
Kenneth "Spider Webb" Rice - Drums&lt;br /&gt;
Warren Smith - Percussion&lt;br /&gt;
George Stubbs - Piano&lt;br /&gt;
Richard Tee - Organ,Piano.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-463428433327016995?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;div style="color: #3d85c6;"&gt;David Becker - acoustic guitars,electric guitars,keyboards&lt;/div&gt;&lt;div style="color: #3d85c6;"&gt;Bob Mair - fretless bass,keyboards&lt;/div&gt;&lt;div style="color: #3d85c6;"&gt;Bruce Becker - drums,percussion&lt;/div&gt;&lt;div style="color: #3d85c6;"&gt;Gary Gardner - percussion&lt;/div&gt;&lt;div style="color: #3d85c6;"&gt;Richie "Gajate" Garcia - percussion ("Rios","Song for J.B."only).&lt;/div&gt;&lt;br /&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;Some of the most rewarding fusion of the late 1980s and early 1990s came from the David Becker Tribune, a band that occupied what could be considered a healthy middle ground in the electric jazz realm. Like the albums of the Pat Metheny Group, Third Time Around favors a very melodic and accessible blend of jazz, pop and rock that isn't as forceful as Scott Henderson &amp;amp; Tribal Tech but has a lot more bite, substance and imagination than the sort of lightweight fluff that was dominating new adult contemporary (NAC) radio at the time. When guitarist Becker and his associates (who include bassist Bob Mair and drummer/brother Bruce Becker) treat us to such original material as the thoughtful "Rios," the lively "Drivin' Home" and the Asian-influenced "Despasar," you're hearing a band that had a lot of heart as well as a lot of creativity. Third Time Around is a disc that fusion enthusiasts should make a point of obtaining. ~ Alex Henderson.&lt;/div&gt;&lt;/div&gt;&lt;a href="http://www.davidbeckertribune.com/"&gt;Visit Website.&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-8232210813949001044?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;div style="color: #3d85c6;"&gt;Jack DeJohnette,drums and piano&lt;/div&gt;&lt;div style="color: #3d85c6;"&gt;Baikida Carroll,trumpet&lt;/div&gt;&lt;div style="color: #3d85c6;"&gt;Chico Freeman,tenor and soprano saxophone and bass clarinet&lt;/div&gt;&lt;div style="color: #3d85c6;"&gt;John Purcell,alto and bari saxophones and flutes&lt;/div&gt;&lt;div style="color: #3d85c6;"&gt;Rufus Reed,bass.&lt;/div&gt;&lt;br /&gt;
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&lt;div style="color: orange;"&gt;&lt;b&gt;Inflation Blues.&lt;/b&gt;&lt;/div&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" height="28" id="divplaylist" width="335"&gt;&lt;param name="movie" value="http://www.divshare.com/flash/playlist?myId=16507215-5fd" /&gt;&lt;embed src="http://www.divshare.com/flash/playlist?myId=16507215-5fd" width="335" height="28" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;Jack DeJohnette’s Special Edition&lt;br /&gt;
Inflation Blues&lt;br /&gt;
&lt;br /&gt;
John Purcell alto and baritone saxophones, flutes, alto clarinet&lt;br /&gt;
Rufus Reid bass, electric Bass&lt;br /&gt;
Chico Freeman bass clarinet, soprano and tenor saxophones&lt;br /&gt;
Baikida Carroll trumpet&lt;br /&gt;
Jack DeJohnette drums, piano, vocals&lt;br /&gt;
Recorded September 1982 at Power Station, New York&lt;br /&gt;
Engineer: Jan Erik Kongshaug&lt;br /&gt;
Produced by Manfred Eicher&lt;br /&gt;
&lt;br /&gt;
For its third ECM outing, Jack DeJohnette’s Special Edition incorporates the robust sound of Baikida Carroll, who lends his trumpet to four out of five tunes, all composed by our gracious frontman. “Starburst” drops us from the sky into the didgeridoo-like bass clarinet of Chico Freeman as Rufus Reid stretches his bass like a tectonic rubber band through a steady drum riff. Intriguing crosshatching of tenor (Freeman) and alto (John Purcell) saxes makes for a lively combination. Purcell also provides excellent baritone traction in the album’s closer, “Slowdown,” which capitalizes on its promise only in the last stretch, ending in a liquid bass and noteless clarinet breath. An infectious twang-and-slide pattern locks us into its groove from the start. “The Islands” is an amalgamation of influences and impressions, the sun and sands of an ocean view kaleidoscoped through the surgery of improvisation. Its abstract couplings of winds and horns lead to a delicate but enraptured drum solo. The title track gives us more of what we might have expected from the last: a smooth Reggae flavor. DeJohnette provides the requisite staccato of a clavinet while singing this timely lament:&lt;br /&gt;
&lt;br /&gt;
A dollar’s worth about thirty cents&lt;br /&gt;
You’re working your behind off and you still can’t pay the rent&lt;br /&gt;
The more money you make, the more Uncle Sam takes&lt;br /&gt;
And the unions still cry for more dues&lt;br /&gt;
Poor people stay poor; they’re defenseless and sore&lt;br /&gt;
They cry out of frustration against a sad situation&lt;br /&gt;
Breeds hunger and strength, and a miserable life&lt;br /&gt;
And you know the politicians aren’t even bruised&lt;br /&gt;
But they won’t find the solutions to win this confusion&lt;br /&gt;
That’s why I sing these inflation blues&lt;br /&gt;
&lt;br /&gt;
Tenor and alto add diffusive commentary to the repeat before playing us out on a bittersweet ramp. The absence of trumpet is keenly felt in the ornamental “Ebony,” which lands us in the album’s plushest diversions. Freeman’s gorgeous soprano provides the first solo over DeJohnette’s rims and piano. A stop-and-start structure molds each melodic cell like a bead on a wire, Purcell and Reid turning out a fine solo apiece before closing in the fluted and jaunty fade.&lt;br /&gt;
&lt;br /&gt;
The cover is a great one and expresses the band’s humility and commitment to its roots. Like the single dollar bill being dropped into Carroll’s hat, the least compensation we can offer is our undivided attention to this consistently engaging set of down-to-earth music.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-8947281924937498347?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;</content><link rel="replies" type="application/atom+xml" href="http://lascintasrecuperadas.blogspot.com/feeds/8947281924937498347/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.blogger.com/comment.g?blogID=2501904162088694542&amp;postID=8947281924937498347&amp;isPopup=true" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/2501904162088694542/posts/default/8947281924937498347?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/2501904162088694542/posts/default/8947281924937498347?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/LasCintasRecuperadas/~3/12GOW1omuPQ/jack-dejohnettes-special-edition.html" title="Jack DeJohnette's Special Edition - Inflation Blues (1983)" /><author><name>luigi</name><uri>http://www.blogger.com/profile/17651625287584194482</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="24" src="http://3.bp.blogspot.com/_mGP-7NjQHO8/SOA4tg1ubXI/AAAAAAAADRQ/lLLDG-PdpiA/S220/FJack.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-ZWrMZuXaUKE/TwNl1LoudfI/AAAAAAAAKrU/XecGFnmBhf0/s72-c/Inflation%2BBlues.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://lascintasrecuperadas.blogspot.com/2012/01/jack-dejohnettes-special-edition.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D0MFQ344eyp7ImA9WhRWFUU.&quot;"><id>tag:blogger.com,1999:blog-2501904162088694542.post-5018124489452384336</id><published>2012-01-03T02:10:00.000-08:00</published><updated>2012-01-03T02:10:12.033-08:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2012-01-03T02:10:12.033-08:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Pete La Roca" /><title>Pete (La Roca) Sims – Turkish Women At The Bath (1997)</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-vZJsStsYgIE/TwLQ1P9KzJI/AAAAAAAAKq8/MgbqWJS08Dw/s1600/Turkish%2BWomen%2BAt%2BThe%2BBath_front.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="375" src="http://3.bp.blogspot.com/-vZJsStsYgIE/TwLQ1P9KzJI/AAAAAAAAKq8/MgbqWJS08Dw/s400/Turkish%2BWomen%2BAt%2BThe%2BBath_front.jpeg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-HvhHe5eoU4U/TwLQ7bx6Z9I/AAAAAAAAKrI/1Xykxy44p7E/s1600/Turkish%2BWomen%2BAt%2BThe%2BBath_back.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="340" src="http://4.bp.blogspot.com/-HvhHe5eoU4U/TwLQ7bx6Z9I/AAAAAAAAKrI/1Xykxy44p7E/s400/Turkish%2BWomen%2BAt%2BThe%2BBath_back.jpeg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://zzxmcr.link-protector.com/"&gt;&lt;img alt="Image Hosted by ImageShack.us" src="http://img36.imageshack.us/img36/4884/comprimidosrar48x48.png" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div style="color: orange;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="color: orange;"&gt;&lt;b&gt;Turkish Women At The Bath.&lt;/b&gt;&lt;/div&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" height="28" id="divplaylist" width="335"&gt;&lt;param name="movie" value="http://www.divshare.com/flash/playlist?myId=16504355-1b6" /&gt;&lt;embed src="http://www.divshare.com/flash/playlist?myId=16504355-1b6" width="335" height="28" name="divplaylist" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;Bass – Walter Booker&lt;br /&gt;
Drums – Pete (LaRoca) Sims&lt;br /&gt;
Piano – Chick Corea&lt;br /&gt;
Saxophone [Tenor] – John Gilmore.&lt;br /&gt;
&lt;br /&gt;
Recorded May 25, 1967, Muse Records 5011.&lt;br /&gt;
Mastered at DB Plus Digital Services, New York, NY.&lt;br /&gt;
&lt;br /&gt;
Pete La Roca (Sims), formerly with Sonny Rollins, was the original drummer in the John Coltrane quartet and more or less gave up music after this 1967 LP….it was 30 years before he would lead another studio session. These are all La Roca’s original compositions. Turkish Women at the Bath, inspired by the Ingres painting, and other titles such as Love Planet, Majoun and Bliss show a musician exploring the sensual.&lt;br /&gt;
&lt;br /&gt;
The quartet includes Chick Corea on piano (soon to take up electric keyboard with Miles Davis).&lt;br /&gt;
&lt;br /&gt;
From the original sleeve notes: “The writing displays an assimilation and development of aspects of Jazz, Latin, Afro-Cuban and Oriental music..”.&lt;br /&gt;
&lt;br /&gt;
Biography&lt;br /&gt;
by Scott Yanow&lt;br /&gt;
&lt;br /&gt;
Pete La Roca's decision to leave music in 1968 and become an attorney (under his original name of Pete Sims) cut short a productive career. He started his career playing timbales in Latin bands, changing his name to Pete La Roca at the time. He played drums with Sonny Rollins (1957-1959) and had associations with Jackie McLean, Slide Hampton, the John Coltrane Quartet (where he was the original drummer in 1960), and Marian McPartland. La Roca led his own group (1961-1962), was the house drummer at the Jazz Workshop in Boston (1963-1964), and worked with Art Farmer (1964-1965), Freddie Hubbard, Mose Allison, Charles Lloyd (1966), Paul Bley, and Steve Kuhn, among others. He led two impressive albums: the classic Blue Note record Basra with Joe Henderson and Bliss!, a Douglas session (reissued on Muse) featuring Chick Corea and John Gilmore. La Roca started playing jazz again in 1979.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-5018124489452384336?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;div style="color: #3d85c6;"&gt;Chick Corea - Piano,Piano (Electric)&lt;/div&gt;&lt;div style="color: #3d85c6;"&gt;Joe Farrell - Sax (Tenor)&lt;/div&gt;&lt;div style="color: #3d85c6;"&gt;Bob Magnusson - Bass&lt;/div&gt;&lt;div style="color: #3d85c6;"&gt;Larance Marable - Drums.&lt;/div&gt;&lt;br /&gt;
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&lt;div style="color: orange;"&gt;&lt;b&gt;Skate Board Park.&lt;/b&gt;&lt;/div&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="40" id="gsSong3109781349" name="gsSong3109781349" width="250"&gt;&lt;param name="movie" value="http://grooveshark.com/songWidget.swf" /&gt;&lt;param name="wmode" value="window" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="flashvars" value="hostname=cowbell.grooveshark.com&amp;songIDs=31097813&amp;style=water&amp;p=0" /&gt;&lt;object type="application/x-shockwave-flash" data="http://grooveshark.com/songWidget.swf" width="250" height="40"&gt;&lt;param name="wmode" value="window" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="flashvars" value="hostname=cowbell.grooveshark.com&amp;songIDs=31097813&amp;style=water&amp;p=0" /&gt;&lt;span&gt;Skateboard Park by &lt;a href="http://grooveshark.com/artist/Joe+Farrell/68464" title="Joe Farrell"&gt;Joe Farrell&lt;/a&gt; on Grooveshark&lt;/span&gt;&lt;/object&gt;&lt;/object&gt;&lt;br /&gt;
&lt;div class="pre-spoiler"&gt;&lt;div style="color: orange;"&gt;&lt;b&gt;Bara-Bara.&lt;/b&gt;&lt;/div&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="40" id="gsSong3109823928" name="gsSong3109823928" width="250"&gt;&lt;param name="movie" value="http://grooveshark.com/songWidget.swf" /&gt;&lt;param name="wmode" value="window" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="flashvars" value="hostname=cowbell.grooveshark.com&amp;songIDs=31098239&amp;style=grass&amp;p=0" /&gt;&lt;object type="application/x-shockwave-flash" data="http://grooveshark.com/songWidget.swf" width="250" height="40"&gt;&lt;param name="wmode" value="window" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;param name="flashvars" value="hostname=cowbell.grooveshark.com&amp;songIDs=31098239&amp;style=grass&amp;p=0" /&gt;&lt;span&gt;Bara-Bara by &lt;a href="http://grooveshark.com/artist/Joe+Farrell/68464" title="Joe Farrell"&gt;Joe Farrell&lt;/a&gt; on Grooveshark&lt;/span&gt;&lt;/object&gt;&lt;/object&gt;&lt;br /&gt;
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&lt;div&gt;&lt;div class="spoiler" style="display: none;"&gt;This 1979 quartet date stands as one of the best of Farrell's career in my book. Somebody probably should have clued the folks at Xanadu that skateboard is one word but what the hell. Joe sticks to tenor on a program of four originals, 3 from Farrell and 1 from Corea, and a pair of nice standards. The rhythm team is Chick Corea, Bob Magnusson and Larance Marable, no need for introductions there. What a shame that Farrell didn't get to record a few more dates like this one in his career.&lt;br /&gt;
&lt;br /&gt;
Review&lt;br /&gt;
by Scott Yanow.&lt;br /&gt;
&lt;br /&gt;
This is one of Joe Farrell's strongest sessions, an advanced straight-ahead outing in which he sticks exclusively to tenor. With a quartet comprised of keyboardist Chick Corea, bassist Bob Magnusson and drummer Larance Marable, Farrell stretches out on three of his interesting originals, Corea's "High Wire -- The Aerialist," and the standards, "Speak Low" and "You Go to My Head." This valuable and very musical outing is long overdue to be reissued on CD.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2501904162088694542-2001759184668519047?l=lascintasrecuperadas.blogspot.com' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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