Do you know about American Patchwork and Quilting Radio hosted by Pat Sloan?  It airs every Monday, and Pat usually has four guests.  Tomorrow, I’m one of them!  We’ll be chatting about fabric design, design inspiration—all kinds of things.  To listen live, tune in at:

4pm Eastern
3pm Central
2pm Mountain
1pm Pacific

I’ll be the third guest.

If you miss the live broadcast, you can download a podcast and listen later.  Just click this link to find all the info.

http://www.allpeoplequilt.com/radio/index.html

This is my table runner.

Each participating member did a blind draw for a paint chip.

The goal was to make something using the colors in your chip, like this gorgeous Hawaiian wall hanging Doris made!

You were supposed to use three of the four colors on your chip.

How adorable are these elephants!?!

Renee made this.

You could add white to your palette.

Like Cherry did with this pretty pillow.

Or, you could add black.

Like Jan did to embellish her vest.

Some people were able to find a single fabric that had more than one of the paint chip’s colors in it.

Terri made this.

The stipes in this border look great against the chip!

Peggy’s quilt had a whole story to tell.

And the back is adorable.  There’s even a hidden pocket!

Participants had no idea what color they would get.

Nellie had yellows and made a cute table runner.

Audrey had golds.

She went the table runner route, too!

It was harder than you’d think to find just the right shades to match the chips.

Dianne’s adorable piece showed Sunbonnet Sue on vacation in Europe, and what a vacation it was!  She swam the English Channel, picked lavender in Provence, went nude sunbathing in St. Tropez, and took a steam bath in Baden Baden.  Wow, I want to travel with her!

Kathy resorted to dying her own fabric!

She made this clever purse.

The stripes in this border fabric had all the right colors!

I love Bev’s seashells in the attic windows setting.

Here’s another one with black.

Jo’s quilt was really striking, and the quilting was great.

You can’t go wrong with feathers and a scalloped edge!

Lynda made this radiant start quilt.

Oh, can you say Kermit?

That’s what Earlene thought of when she saw her paint chip!

Wow, imagine finding a single fabric that had all the colors!

Gerri turned it into this sweet apron.

Dee also found a print that worked with her chip.

She made an adorable apron with cross-stitch embellishments on it.

I didn’t get a snap of Janet’s paint chip, but her apron sure turned out cute.

Glennys’ giant dahlia quilt was one of two winners.

The other was Dixie’s lavender cat.  Both of them were whisked away before I got a picture of their paint chips, but believe me, they did a great job of matching their fabrics to their paint chips.

Here are some great neutrals.

Alas, I don’t know who made this great Quilter’s Roll.  Can someone tell me, please?

The whole challenge was great fun and the quilts will all be displayed at the Peninsula Quilt Guild Show in March.

It’s a gorgeous coffee table book filled with photos of Swedish and Norwegian folk dress.

There are no US distributors so I ordered a copy from Sweden.

It came last week and was worth the wait!

I love anything old, folksy or traditional.

This was all of that!

Can you imagine that this was everyday wear at one time?

The photos are taken by the author, Laila Duran.

I found some additional ones from the town of Boda here.

Each town, or parish, has their own unique costume.  One of the prettiest costumes comes from Dala-Floda.  The mens is shown below.

This is my relative, Berit, in blue.  She is from Floda, too!

And this is me in my Nås dress. I’m ready to dance around the Maypole in Sweden in 2008.  This dress was given me by my Swedish relatives in 1984, and I really treasure it.

Everyone in Nås would have worn the same costume.

At the midsummer celebration in Nås there were a lot of people in their folk dress. This woman is wearing a man’s jacket.

It was especially fun seeing the children in their traditional clothes.  The apron can be red or white.

Isn’t she adorable?

My sister took most of these photos.

She said she felt like a stalker!

But the kids were too cute to resist.

I love tradition!

Here’s the paint chip I got.

I chose to use the two on the left and the lightest one on the right.  Imagine, I had fabrics in my stash that worked great!

I had seen a tutorial for a cute table runner on the Knitty Bitties blog, so decided to make one.  It starts with half-square-triangles.

Once they were sewn together, I added wide rickrack.

I think the colors are pretty true to the paint chip.

Once the rickrack and borders were on, I layered everything, using the dark purple solid on the back and a scrap of cotton batting that I had left over from another project.

I knew I’d need three threads to quilt with.  I just don’t like light thread on dark fabrics and dark thread on light fabrics!  Once again, my stash—thread stash, that is—came through!

I just did some straight line quilting on my Featherweight.  I used my foot as a guide to quilt a 1/4″ from the edge of the triangles.  For the other rows of quilting, I used the Frixon pen to mark the lines and loved it!

I trimmed away the batting, cut the backing 1″ larger than the top and just did a double fold, bringing the back to the front for the binding.

I wasn’t sure how I wanted to stitch the binding in place so I experimented with a couple of stitches on my Elna.  I decided on the middle stitch, a triple zigzag,but once I started on the actual runner, I had trouble with consistency of size.  So, after about 12″, I decided to tear it out.  Ugh!

Do you know this little trick?  After you’ve cut your stitches with your seam ripper, you can use a lint roller to pick up all the tiny treads!  As you can see, I had a lot!

In the end, I used the buttonhole stitch, and it worked great.

The finished product!

Once the blocks started going up on the wall, they drew a lot of attention.  That led to a conversation about block swaps, and before you could say “Crossroads to Jericho” we decided we would do a block swap at our next retreat!

Robin and Mary’s blocks were so striking yet so simple that we decided to do this block for our first swap.  You might want to organize a swap with your friends, too!

Blocks finish at 8-1/2″. Here are the fabric requirements for each block.

Black: 5) 2-1/2” squares

Four different bright prints: 1) 2-1/2” squares of each and 1) 5-1/2” squares of each cut once diagonally.

When you cut your large square diagonally, you will end up with two triangles.  You only need one per color per block, so set half aside for another block.

L
Lay out your squares to form a nine-patch with the black in the middle and on the corners.

Match the triangles to their companion prints.  I love how this forms an arrow.

Once you have the nine-patch sewn together, line it up with one of the triangles as shown below.  Make sure an equal amount of fabric is visible on each side then stitch.  I like to do opposite sides first, press, then do the remaining sides.  On the nine-patches, I press toward the dark.  On the triangles, I press toward the triangle.

Voila!  Your finished block.

If you set the blocks straight, the black forms a chain through the bright arrows.

If you set the blocks on point, the nine-patch is more visible.

Every swap needs a few rules.  Below are ours.  The last one is the most important!

Your pieced block should measure slightly more than 9”.  There’s a little wiggle room here, so blocks can be trimmed to 9”.  If your block is smaller than 9”, it isn’t acceptable.  Either restitch with slightly smaller seams or make another one to swap.

Don’t trim your blocks.  Let the person receiving them do the trimming.

The black can be a solid black, or a black-on-black print, but be sure it “reads” black from a distance.

Bright means bright, clear colors.  Nothing muddy!

You may make all your blocks the same, or use lots of different blacks and brights.

Have fun!

Of course, I had to try it!  So yesterday, I bought the ingredients—mostly eggs, milk and cottage cheese—and made one!

It’s very much like a custard, but the cottage cheese gives it a unique texture and chewiness.  As I was rinsing the strawberries, I realized that the adorable little colander I was using was a Swedish purchase!

It was still pretty warm when I cut into it, but it had set up nicely.  I think it should be spooned out into a bowl (now that I looked at Maia’s photo again) but I cut wedges.  Bob agreed that it was very tasty.

I’ll definitely make this again!

Oh, did I just hear groaning?  At one time, I might have groaned right along with you.  I used to use a couple of different methods to make flying geese–the Sew-and-Flip and the traditional cutting of two sizes of triangles.  No matter how I tried, my goose always looked like he had one shoulder hunched up in the air.

Then I discovered a method where you use one large square and four small ones, do some stitching and slicing, and end up with four perfect geese every time!  Now you can make perfect flying geese, too!  These geese are going to finish 2-1/2″ x 5″, but I’ll give you a formula at the end so you can make them any size you want.

Here’s what you do:

Cut one 6-1/4″ square of “goose” fabric and four 3-3/8″ squares of sky fabric.

Did I hear more groaning about having to cut something that ends in 3/8″?  Here’s a little trick.  Get a role of blue masking tape, also known as painter’s tape.  Roll off a chunk and put it on your ruler at the 3-3/8″ mark.

Pile up some “sky” fabrics and trim the left edge.  Now, just align the tape on your ruler with the freshly cut edge.  In fact, because of the thickness of the tape, you can “feel” when the tape is against the edge of your fabric.  This is so slick anytime you have a lot of strips to cut.

Once you’ve cut your strips, just rotate them and cut again, letting the tape be your guide.

Take a minute and draw diagonal lines on your “sky” fabric.  Yes, I have an orange pen AND an orange cutting mat!!

Place two of your “sky” squares on opposite corners of the “goose” square.  Make sure the drawn lines make one continuous line across the diagonal.  Your small squares will overlap a bit at the middle.

Now, take this to your sewing machine and sew a scant 1/4″ on both sides of the drawn lines.

Before cutting, I like to touch the iron to the fabric to set the stitches.  Once that’s done, slice along the diagonal line.

Finger press the “sky” triangles away from the “goose” triangles.

Do it with both pieces. (At this point, they remind me of hearts–if you turn them, that is!)

Place the two remaining “sky” squares as shown and sew a scant 1/4″ on both sides of the drawn lines.

Press with the iron and slice on the drawn lines.

Believe it or not, you now have four perfect flying geese!  Just press the “sky” fabrics over, and there they are!

Voila!  Trim the little ears off and you’re done!  At this point, each block will measure 3″ x 5-1/2″ and will give you a 2-1/2″ x 5″ finished block.

Be sure to follow the fun on A Quilt Block A Day by clicking “Like” on the Facebook page.  I’ll be showing you lots and lots of ways to arrange flying geese blocks for a variety of quilts.

And here’s that formula.  Note: A Flying Geese unit is always twice as long as it is tall.

Decide on the finished width you want your block and add 1-1/4″.  That’s the size you need to cut your “geese” fabric, or the large square.

To the height (which is half the width), or your “sky” fabric, add 7/8″.

Now you can make any size block you want!

For tutorials on other methods for making Flying Geese, check out Quilter’s Cache.

P.S.  I HATE drawing diagonal lines on the back of my squares.  This is what I do in real life—press them with my iron which, of course, is orange!

Inside is a fabulous Christmas card from Hawaii.

It took two 1¢ stamps to send it to the “states” from Honolulu.

The post mark is encouraging people to buy defense savings bonds and stamps.

You see, it was postmarked the day after Pearl Harbor was attacked–December 8, 1941.  The post mark is at 8:30 in the morning.  I’m amazed the post office was even functioning after the chaos of the day before.

It was sent to my aunt by her boyfriend, Bethel Nichols.

I love the map inside, showing how Hawaii was the “Crossroads of the Pacific.”

Bethel must have mailed it late Saturday, perhaps one of the last things he did.  He was killed on the USS Arizona on December 7th.