One for the Money: “We’re meant to laugh at the fact that cute little Stephanie bumbles her way to getting one informant killed and another savagely beaten and thrown from a moving vehicle. Oh Stephanie, you’re a riot!” — Jeff Otto, cinemaobsession.com

Red Tails: “One can get away with a lot of cornball speeches a long time ago in a galaxy far, far away but it doesn’t work nearly as well a short time ago on planet Earth.” — James Berardinelli, reelviews

Man on a Ledge: “After an hour of this malarkey, you’re tempted to ask if there’s room for one more on that ledge.” — Steve Persall, St. Petersburg Times

Extremely Loud & Incredibly Close: “Extremely Loud and Incredibly Close could be more accurately described as Extremely Mawkish and Incredibly Irritating.” — Ethan Alter, Television Without Pity

Contraband: “‘Contraband’ aims to be dumb fun but gets only the first half right.” — Kyle Smith, New York Post

My address:

Here is my technique:

Jack and Jill: “Howard the Duck, Gigli, Showgirls, From Justin To Kelly. What do they all have in common? They’re all widely considered to be among the worst big studio movies ever made. You know what else they have in common? They’re all better than Jack and Jill.” — Mike McGranaghan, Aisle Seat

Immortals: “When Hyperion says of one character, “His pain has just begun,” you know exactly how he feels.” — Ty Burr, Boston Globe

In Time: “It’s an intriguing concept, rather than a compelling story. Before the movie’s over, its time is up.” — Moira MacDonald, Seattle Times

If you’d like, you can see the ultrasound photos and hear the heartbeat.