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Wright</category><category>Alban Books</category><category>Parallel Pericopes of the Synoptic Gospels</category><category>University of Glasgow</category><category>1 Cor 14:34-35</category><category>Orthodox Corruption</category><category>Turner</category><category>GA L2441</category><category>William Lane Craig</category><category>Logos</category><category>synoptic gospels</category><category>Clement of Alexandria</category><category>panel</category><category>Codex Ephraemi Rescriptus</category><category>facsimiles</category><category>codex gigas</category><category>Eva Nyström</category><category>GA 1661</category><category>Lifetime Achievement Award</category><category>comparison</category><category>ευθυς</category><category>GA 686</category><category>New Testament Canon</category><category>Timo Flink</category><category>King James Bible</category><category>Edinburgh University</category><category>Septuagint</category><category>GA L2440</category><category>GA 1956</category><category>Middle East</category><category>Scott Carroll</category><category>Bible Translator</category><category>grants</category><category>Reviews</category><category>palaeography</category><category>GA L2443</category><category>Islam</category><category>Craig Evans</category><category>biblical studies carnival</category><category>translation</category><category>Örebro Theological Seminary</category><category>Apocalypse</category><category>GA 338</category><category>blog announcement</category><category>Mike Kruger</category><category>Barbara Aland</category><category>Annika Ralston</category><category>kindle</category><category>Greer-Heard Point-Counterpoint Forum 2011</category><category>GA 688</category><category>Ulrich Schmid</category><category>Augustus</category><category>Lindisfarne Gospels</category><category>Codex Tchacos</category><category>Stephen Levinsohn</category><category>ricoblog</category><category>Exhibition</category><category>typos</category><category>Biblioteca Medicea Laurenziana</category><category>GA L2442</category><category>GA 339</category><category>Greek New Testament Manuscripts in Sweden</category><title>Evangelical Textual Criticism</title><description>This is a forum for people with knowledge of the Bible in its original languages to discuss its manuscripts and textual history from the perspective of historic evangelical theology.</description><link>http://evangelicaltextualcriticism.blogspot.com/</link><managingEditor>noreply@blogger.com (P.J. Williams)</managingEditor><generator>Blogger</generator><openSearch:totalResults>1957</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/EvangelicalTextualCriticism" /><feedburner:info xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" uri="evangelicaltextualcriticism" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-6623623291979141855</guid><pubDate>Thu, 23 May 2013 11:15:00 +0000</pubDate><atom:updated>2013-05-23T12:15:12.159+01:00</atom:updated><title>Scrivener 1859</title><description>The pursuits of Scriptural criticism are so quiet, so laborious, that they can have few charms for the votary of fame, or the courtier of preferment: they always have been, perhaps they always must be, the choice employment mainly of those, who, feeling conscious (it may be) of having but one talent committed to their keeping, seek nothing so earnestly as TO USE THAT ONE TALENT WELL.</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/05/scrivener-1859.html</link><author>noreply@blogger.com (Peter M. Head)</author><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-7813662524638429833</guid><pubDate>Wed, 22 May 2013 09:59:00 +0000</pubDate><atom:updated>2013-05-22T10:59:23.028+01:00</atom:updated><title>Ephesians 6.21 in Sinaiticus and NA28</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-UJd-KjXbUmM/UZyR7culdKI/AAAAAAAAAbk/GVHtf0Io3mc/s1600/Eph621Sinaiticus.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="115" src="http://4.bp.blogspot.com/-UJd-KjXbUmM/UZyR7culdKI/AAAAAAAAAbk/GVHtf0Io3mc/s320/Eph621Sinaiticus.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Eph 6.21 in the NA28 has probably one of the most complex things ever seen in an apparatus. Whereas NA27 simply cited Sinaiticus in support of the&lt;i&gt; txt &lt;/i&gt;at the word order variant: PANTA GNWRISEI UMIN TUXIKOS; NA28 now has: ALEPH in support of the same reading, but qualified with: '(*.2a).1.2b'. This, while entirely accurate, is possibly over-kill - offering four different slices of the history of the manuscript all ostensibly in support of the same variant; but the situation is interesting.&lt;br /&gt;&lt;br /&gt;It is pretty clear that the original of Sinaiticus [labelled * in NA28] had PANTA U (which was caught as a mistake in the act of writing and dotted or crossed through [labelled 1 in NA28; S1 in SinProj]) then GNWRISEI UMIN. A subsequent corrector [labelled 2a in NA28; Ca in SinProj] added MIN between the lines (correcting the text towards the Maj. text, but leaving the following UMIN in place, resulting in PANTA UMIN GNWRISEI UMIN TUXIKOS). A further corrector [labelled 2b in NA28; CA in SinProj] rubbed out the MIN, and either dotted or crossed through the U.&lt;br /&gt;&lt;br /&gt;It seems to me likely that the exemplar of Sinaiticus had the word order GNWRISEI UMIN, if it was otherwise there would have been no reason to stop and self-correct. Thus Sinaiticus shows the type of word order variation originating independently. So Sin* is rightly cited in support of the NA28 reading. Possibly Sin2a really meant to correct the text towards the Maj. reading, and could possibly have been cited on the other side (but within brackets). But probably the simplest solution would have been to leave it as it was in NA27! It is certainly one that will now take a bit of explaining to students.&lt;br /&gt;&lt;br /&gt;</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/05/ephesians-621-in-sinaiticus-and-na28.html</link><author>noreply@blogger.com (Peter M. Head)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-UJd-KjXbUmM/UZyR7culdKI/AAAAAAAAAbk/GVHtf0Io3mc/s72-c/Eph621Sinaiticus.jpg" height="72" width="72" /><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-3250432451951629941</guid><pubDate>Mon, 13 May 2013 14:24:00 +0000</pubDate><atom:updated>2013-05-13T15:24:02.379+01:00</atom:updated><title>When can we say that a manuscript 'apparently' supports a reading?</title><description>Sometimes there is a certain amount of doubt what a manuscript reads at a particular point. If there is a variant reading and a manuscript has only a few of the letters but these letters fit with one reading and not with the other it is acceptable practice to cite this manuscript with the qualifier &lt;i&gt;videtur&lt;/i&gt; ('apparently') in support of the reading that fits. A good example is P70 in Matthew 2:23 where the reading ναζαρα for ναζαρετ is accepted as the apparent reading of P70, even though only the final two letters are visible (I am trusting the transcriptions here). For all we know P70 could have read γαδηρα, but because of Eusebius and the comparable variant at 4:13 there is a good case to be made for ναζαρα in P70. I think that this example is more or less on the edge but fine as it stands.&lt;br /&gt;&lt;br /&gt;But what about the following case in James 4:13?&lt;br /&gt;πορευσόμεθα εἰς τήνδε τὴν πόλιν καὶ ποιήσομεν&lt;br /&gt;&lt;br /&gt;There is a variant πορευσωμεθα and also ποιησωμεν. Most manuscripts have either twice the indicative or twice the subjunctive, an important few have first the indicative and then the subjunctive. There is none that has first the subjunctive followed by the indicative.&lt;br /&gt;&lt;br /&gt;This is what P100 has:&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/-ZycqaZlbSJI/UZD1GiyqoGI/AAAAAAAAAUA/nt9yxGulAE0/s1600/P100+james+4_13.JPG" imageanchor="1" &gt;&lt;img border="0" src="http://1.bp.blogspot.com/-ZycqaZlbSJI/UZD1GiyqoGI/AAAAAAAAAUA/nt9yxGulAE0/s320/P100+james+4_13.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;αυρι]ον πορευσ[&lt;br /&gt;]ποιησομεν[&lt;br /&gt;&lt;br /&gt;As we can see, P100 reads the full ποιησομεν but in the line above we have only -ον πορευσ. I cannot see how anyone could argue for a following omicron over an omega. Still, the NA27/28 ECM1 all have P100 as πορευσομεθα &lt;i&gt;ut videtur&lt;/i&gt;.&lt;br /&gt; &lt;br /&gt; Is this justified? Yes, there is a case why in light of the following indicative ποιησομεν it is likely that P100 has also the indicative πορευσομεθα here (since there is no other manuscript with the subjunctive first and then the indicative). Or 'No', since this argument is only indirect and not based on any observation of letter shapes. &lt;br /&gt;        I am not sure about the correct answer, it just shows that it is important to check &lt;i&gt;videtur&lt;/i&gt; whenever possible.&lt;br /&gt;</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/05/when-can-we-say-that-manuscript.html</link><author>noreply@blogger.com (Dirk Jongkind)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-ZycqaZlbSJI/UZD1GiyqoGI/AAAAAAAAAUA/nt9yxGulAE0/s72-c/P100+james+4_13.JPG" height="72" width="72" /><thr:total>4</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-6459667568427527420</guid><pubDate>Wed, 08 May 2013 16:43:00 +0000</pubDate><atom:updated>2013-05-10T15:40:45.884+01:00</atom:updated><title>Galatians 2.20b reconsidered</title><description>The latest issue of &lt;a href="http://www.brill.com/novum-testamentum"&gt;Novum Testamentum&lt;/a&gt; has an interesting article:&lt;br /&gt;J. van Nes, &lt;a href="http://booksandjournals.brillonline.com/content/10.1163/15685365-12341418"&gt;'"Faith(fulness) of the Son of God"? Galatians 2:20b Reconsidered' &lt;/a&gt;NovT 55 (2013), 127-139.&lt;br /&gt;&lt;br /&gt;In this article van Nes argues for the P46 reading: EN PISTEI ZW TOU QEOU KAI XRISTOU and argues that these are both objective genitives ('I live by faith in God and Christ') which suggests that other Pauline &lt;i&gt;pistis Christou&lt;/i&gt; references are also likely objective genitives.&lt;br /&gt;&lt;br /&gt;This of course is not news to readers of this blog, since I argued for this reading in 2006 (&lt;a href="http://evangelicaltextualcriticism.blogspot.co.uk/2006/03/galatians-220-i-live-by-faith-in-god.html"&gt;here&lt;/a&gt;, with, as usual, some helpful discussion in the comments) [and the blog posting is noted on p. 132 note 17, and also on p. 137 note 38]. </description><link>http://evangelicaltextualcriticism.blogspot.com/2013/05/galatiants-220b-reconsidered.html</link><author>noreply@blogger.com (Peter M. Head)</author><thr:total>8</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-5827605329897780671</guid><pubDate>Sat, 27 Apr 2013 14:30:00 +0000</pubDate><atom:updated>2013-05-02T14:13:52.851+01:00</atom:updated><title>An easy-to-miss minor improvement in NA28 - James 1:21</title><description>The text of James 1:21 has not undergone any change between the NA27 and NA28, but it has been improved anyway.&lt;br /&gt;&lt;br /&gt;This is how it is printed in NA27:&lt;br /&gt;&lt;br /&gt;διὸ ἀποθέμενοι πᾶσαν ῥυπαρίαν καὶ περισσείαν κακίας ἐν πραΰτητι, δέξασθε τὸν ἔμφυτον λόγον τὸν δυνάμενον σῶσαι τὰς ψυχὰς ὑμῶν. &lt;br /&gt;&lt;br /&gt;And here as it is in NA28:&lt;br /&gt;&lt;br /&gt;διὸ ἀποθέμενοι πᾶσαν ῥυπαρίαν καὶ περισσείαν κακίας ἐν πραΰτητι δέξασθε τὸν ἔμφυτον λόγον τὸν δυνάμενον σῶσαι τὰς ψυχὰς ὑμῶν. &lt;br /&gt;&lt;br /&gt;ESV:&lt;br /&gt;Therefore put away all filthiness and rampant wickedness and receive with meekness the implanted word, which is able to save your souls.&lt;br /&gt;&lt;br /&gt;The difference between the two Greek texts is the absence of punctuation after ἐν πραΰτητι, which leaves open the question whether 'with meekness' goes with 'putting away all filthiness and rampant wickedness', or, as per ESV and NRSV, with the reception of the implanted word. Though I think (rather strongly, actually) that the interpretation of NA27 is to be preferred over that of the two English translations, I also think that it is not necessarily the case that an edition of the Greek text has to decide this on behalf of the reader. NA28 made the right call not to force the issue. This is, therefore, a good case of 'less is better'.</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/04/an-easy-to-miss-minor-improvement-in.html</link><author>noreply@blogger.com (Dirk Jongkind)</author><thr:total>1</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-9212176794926167852</guid><pubDate>Fri, 26 Apr 2013 07:58:00 +0000</pubDate><atom:updated>2013-04-26T09:45:43.730+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Swimathon</category><category domain="http://www.blogger.com/atom/ns#">Peter Head</category><category domain="http://www.blogger.com/atom/ns#">fundraising</category><title>Sponsor Peter Head in Swimathon 2013</title><description>&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-ImxKOhLYuyg/UXov9S8wppI/AAAAAAAAAkw/niQbFrxSgqU/s1600/Swimathon+2013.tiff" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="186" src="http://2.bp.blogspot.com/-ImxKOhLYuyg/UXov9S8wppI/AAAAAAAAAkw/niQbFrxSgqU/s200/Swimathon+2013.tiff" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;Sponsor Peter Head in Swimathon, 26-28 April 2013 (click &lt;a href="http://my.artezglobal.com/personalPage.aspx?registrationID=420526&amp;amp;langPref=en-CA"&gt;here&lt;/a&gt;)&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-07dIKY4eXGQ/UXov1E2ngyI/AAAAAAAAAko/f8ZbWvsVIj0/s1600/race+walking.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-07dIKY4eXGQ/UXov1E2ngyI/AAAAAAAAAko/f8ZbWvsVIj0/s200/race+walking.jpg" width="164" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;As you may know, co-blogger Peter Head has a long sporting career behind him. He came in &lt;a href="http://evangelicaltextualcriticism.blogspot.se/2008/09/head-42nd-in-olympic-racewalking.html"&gt;42nd place in the Olympic racewalking in Beijing 2008&lt;/a&gt;, after somewhat unexpectedly &lt;a href="http://evangelicaltextualcriticism.blogspot.se/2008/05/wild-card-head-britains-new-olympic.html"&gt;having received a wild card&lt;/a&gt; from the International Olympic Committee to enter the competition.&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://1.bp.blogspot.com/-ZrQB7ff_smI/UXoyCl0pvpI/AAAAAAAAAlM/E_VS1BFykMI/s1600/Walton+torch.tiff" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-ZrQB7ff_smI/UXoyCl0pvpI/AAAAAAAAAlM/E_VS1BFykMI/s200/Walton+torch.tiff" width="159" /&gt;&lt;/a&gt;Last year in connection with the London summer olympics 2012, his British colleague Steve Walton got the honor to run with the torch.&amp;nbsp;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&amp;nbsp;&amp;nbsp;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-nobQ9Ig3Vo8/UXoxJynSl3I/AAAAAAAAAk8/sDRhYkTBTqs/s1600/Head+Olympic+torch.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-nobQ9Ig3Vo8/UXoxJynSl3I/AAAAAAAAAk8/sDRhYkTBTqs/s200/Head+Olympic+torch.jpg" width="156" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;Apparently, the torch made a detour to Tyndale House, so that Pete could once again celebrate his own Olympic memories.&lt;/div&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-yfojZW2NVVY/UXoy0ubRm9I/AAAAAAAAAlc/_R4WZ8etWys/s1600/Head+surfer.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="135" src="http://1.bp.blogspot.com/-yfojZW2NVVY/UXoy0ubRm9I/AAAAAAAAAlc/_R4WZ8etWys/s200/Head+surfer.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;Apparently, Peter Head is still a very active man. Now he has taken up a new challenge and will participate in the 2013 Swimathon starting today! The swim race is 5 km and Pete is aiming at under 1:30.00 (unless the pool is busy).&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;The Swimathon is actually the world's biggest fundraising swim, and we want to encourage all our readers to sponsor Peter Head and help him raise money for a very good purpose. I have already made my donation! Good luck Pete!&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;a href="http://my.artezglobal.com/personalPage.aspx?registrationID=420526&amp;amp;langPref=en-CA"&gt;Join me, make your donation, and sponsor Peter Head&lt;/a&gt;!&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/04/sponsor-peter-head-in-swimathon-2013.html</link><author>noreply@blogger.com (Tommy Wasserman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-ImxKOhLYuyg/UXov9S8wppI/AAAAAAAAAkw/niQbFrxSgqU/s72-c/Swimathon+2013.tiff" height="72" width="72" /><thr:total>7</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-5238971314954347961</guid><pubDate>Mon, 22 Apr 2013 13:44:00 +0000</pubDate><atom:updated>2013-04-22T14:44:49.494+01:00</atom:updated><title>Another review of The Early Text of the New Testament</title><description>&lt;span style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;Over at &lt;a href="http://rbecs.org/2013/04/22/etnt/#more-2539"&gt;RBECS &lt;/a&gt;Edgar Ebojo has offered a careful review of Charles E. Hill and Michael J. Kruger, eds., &lt;i&gt;The Early Text of the New Testament &lt;/i&gt;(Oxford: OUP, 2012). &lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Times,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: small;"&gt;Among other things he pinp&lt;span style="font-size: small;"&gt;oints an interesting notion &lt;span style="font-size: small;"&gt;reflected&lt;/span&gt; in the work, in that 'scribal habits' tend to b&lt;span style="font-size: small;"&gt;e identified with 'singular readings', with insufficient attention to describing the whole notion (let alone the broader range &lt;span style="font-size: small;"&gt;of phenomena w&lt;span style="font-size: small;"&gt;hich might go in to unde&lt;span style="font-size: small;"&gt;rstanding &lt;span style="font-size: small;"&gt;the habits of a particular sc&lt;span style="font-size: small;"&gt;ribe)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;. As a contributor I can see h&lt;span style="font-size: small;"&gt;ow that could have happened, but I think I must have lent my copy to someone, so I couldn't check&lt;span style="font-size: small;"&gt; this out. Further he adds an impressively humungous list of typ&lt;span style="font-size: small;"&gt;os and ot&lt;span style="font-size: small;"&gt;her problems&lt;span style="font-size: small;"&gt;.&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/04/another-review-of-early-text-of-new.html</link><author>noreply@blogger.com (Peter M. Head)</author><thr:total>6</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-7174869203015061978</guid><pubDate>Wed, 17 Apr 2013 05:47:00 +0000</pubDate><atom:updated>2013-04-17T06:47:53.546+01:00</atom:updated><title>SBL Northwest Regional Conference, Seattle, May 3-5</title><description>           &lt;style&gt;&lt;!--  /* Font Definitions */ @font-face  {font-family:Cambria;  panose-1:2 4 5 3 5 4 6 3 2 4;  mso-font-charset:0;  mso-generic-font-family:auto;  mso-font-pitch:variable;  mso-font-signature:3 0 0 0 1 0;}  /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal  {mso-style-parent:"";  margin:0in;  margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:12.0pt;  font-family:"Times New Roman";  mso-ascii-font-family:Cambria;  mso-ascii-theme-font:minor-latin;  mso-fareast-font-family:Cambria;  mso-fareast-theme-font:minor-latin;  mso-hansi-font-family:Cambria;  mso-hansi-theme-font:minor-latin;  mso-bidi-font-family:"Times New Roman";  mso-bidi-theme-font:minor-bidi;} @page Section1  {size:8.5in 11.0in;  margin:1.0in 1.25in 1.0in 1.25in;  mso-header-margin:.5in;  mso-footer-margin:.5in;  mso-paper-source:0;} div.Section1  {page:Section1;} --&gt;&lt;/style&gt;      &lt;br /&gt;&lt;div class="MsoNormal"&gt;I am giving a paper on the “Outer Margins of Nestle/Aland 28” for the Pacific Northwest Regional meeting of the Society of Biblical Literature at Seattle University in Seattle, Washington on Friday, May 3.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;The following is a brief description of the paper:&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;“The Outer Margins of Nestle/Aland 28." The newly published edition of the standard scholars' New Testament has kept pace with the developments in New Testament Textual Criticism, as evidenced by the application of the Coherence Based Genealogical Method to the text and apparatus of the Catholic Epistles. But the outer margins—which provide parallel references to the Old Testament-- have not been revised to reflect advances in the study of the Old Testament in the New and the textual criticism of the Hebrew Bible, Septuagint, etc. I propose to suggest how the next Nestle/Aland outer margins might be revised so as to make this remarkable resource even more valuable.&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;A sample of proposals will be given dealing with the scripture citations in Acts.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Peter R. Rodgers&lt;/div&gt;</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/04/sbl-northwest-regional-conference.html</link><author>noreply@blogger.com (Peter Rodgers)</author><thr:total>5</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-2958254365318950614</guid><pubDate>Wed, 17 Apr 2013 01:54:00 +0000</pubDate><atom:updated>2013-04-17T02:54:04.030+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Granville Sharp</category><category domain="http://www.blogger.com/atom/ns#">Stanley Porter</category><category domain="http://www.blogger.com/atom/ns#">Lee Martin McDonald</category><category domain="http://www.blogger.com/atom/ns#">Dan Wallace</category><category domain="http://www.blogger.com/atom/ns#">Nestle-Aland 28</category><category domain="http://www.blogger.com/atom/ns#">M.J. Kruger</category><title>JETS Reviews of Recent TC/Canon Volumes</title><description>&lt;span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 17px;"&gt;JETS Vol 56, No. 1 (March 2013): &lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;ol&gt;&lt;li&gt;Review of M.J. Kruger's CANON REVISITED: ESTABLISHING THE ORIGINS AND AUTHORITY OF THE NEW TESTAMENT BOOKS (Benjamin Laird);&amp;nbsp;&lt;/li&gt;&lt;li&gt;Review of L.M. McDonald's FORMATION OF THE BIBLE: THE STORY OF THE CHURCH'S CANON (Ryan J. Cook);&amp;nbsp;&lt;/li&gt;&lt;li&gt;Review of Nestle-Aland 28th by Dan Wallace.&lt;/li&gt;&lt;/ol&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Bonus: vigorous discussion between Dan Wallace and Stanley Porter on Granville Sharp.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;JML&lt;/div&gt;</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/04/jets-reviews-of-recent-tccanon-volumes.html</link><author>noreply@blogger.com (James M. Leonard)</author><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-2460198435461840364</guid><pubDate>Mon, 15 Apr 2013 07:41:00 +0000</pubDate><atom:updated>2013-04-15T08:41:50.740+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Biblia Graeca – Septuagint and NA28</category><category domain="http://www.blogger.com/atom/ns#">book notes</category><title>Biblia Graeca – Septuagint and NA28</title><description>&lt;a href="https://www.eisenbrauns.com/assets/book_images/L/LXXANDNA28.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="Biblia Graeca - Septuagint + NA28" border="0" hspace="0" src="https://www.eisenbrauns.com/assets/book_images/L/LXXANDNA28.jpg" style="border-left-color: rgb(230, 230, 230); border-left-style: solid; border-left-width: 1px; border-top-color: rgb(238, 238, 238); border-top-style: solid; border-top-width: 1px;" vspace="0" /&gt;&lt;/a&gt;&lt;br /&gt;Jim Spinti of Eisenbrauns tells me that the German Bible Society is going to publish &lt;i&gt;Biblia Graeca&lt;/i&gt; – Septuagint and NA28 this fall.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;b&gt;Description&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;This edition combines the Rahlfs-Hanhart Septuagint (Greek translation of the Hebrew Old Testament) with the 28th edition of the Nestle-Aland Novum Testamentum Graece. A one-of-a-kind, useful tool for pastors, scholars, and students.&lt;br /&gt;- Includes critical apparatus, cross-references, and much more.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Product Details&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Publisher: German Bible Society&lt;br /&gt;Publication info: forthcoming fall 2013&lt;br /&gt;Bibliographic info: 3126 pages&lt;br /&gt;Language(s): English and Greek&lt;br /&gt;&amp;nbsp; &amp;nbsp;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt;&lt;br /&gt;Cover: cloth&lt;br /&gt;ISBN: 1-61970-127-8&lt;br /&gt;ISBN13: 978-1-61970-127-4&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.eisenbrauns.com/item/LXXANDNA28"&gt;Link to Eisenbrauns' orderpage&lt;/a&gt;</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/04/biblia-graeca-septuagint-and-na28.html</link><author>noreply@blogger.com (Tommy Wasserman)</author><thr:total>4</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-7780242843920621224</guid><pubDate>Fri, 12 Apr 2013 16:57:00 +0000</pubDate><atom:updated>2013-04-12T18:17:57.198+01:00</atom:updated><title>IOSCS XV Congress in Munich</title><description>The program for the IOSCS Congress in Munich has been posted &lt;a href="http://www.en.iosot2013.evtheol.uni-muenchen.de/jointcongresses/ioscs/index.html"&gt;here&lt;/a&gt;. There is a very good lineup of presentations on the LXX for this congress. On day two I will present a paper for the section on Manuscripts. I list the three papers and their abstracts below. Time permitting I will also post on other abstracts of interest.&lt;br /&gt;&lt;br /&gt;The Significance of RA 788 for a Critical Edition of the Hexaplaric Fragments of Job&lt;br /&gt;John Meade&lt;br /&gt;Abstract: RA 788 (Tyrnavos 25) is a tenth century Greek catena manuscript containing the book of Job and the three Solomonic books. Dieter and Ursula Hagedorn were not aware of it and therefore it was not included in their magisterial work &lt;i&gt;Die Älteren Griechischen Katenen&amp;nbsp;&lt;/i&gt;&lt;i&gt;zum Buch Hiob&lt;/i&gt; or the &lt;i&gt;Nachlese&lt;/i&gt;. Before commenting on the hexaplaric fragments, it is necessary to determine the manuscript’s place in the stemma. This paper seeks to show that 788 is a member of oldest Greek catena (Hagedorns’ Γʹ) and in particular that it is the ancestor of the important RA 250. Once its place in the manuscript stemma has been determined, the paper will comment on the significant hexaplaric fragments within the manuscript in comparison with the recent dissertations on the hexaplaric fragments of Job by Nancy Woods and John Meade.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Did Origen Use the Aristarchian Signs in the Hexapla?&lt;br /&gt;Peter Gentry&lt;br /&gt;Abstract: Septuagint scholars have debated for over a hundred years as to whether Origen actually used Aristarchian signs in the Fifth Column of the Hexapla or whether the signs were first inserted into a recension of the Fifth Column. A definitive answer to this question can be given by carefully fitting together data from (1) colophons, (2) geography, (3) history, (4) analysis of use of Aristarchian signs and (5) analysis of the textual history of the materials in question.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;A (Preliminary) Report on the Schøyen Exodus Papyrus&lt;br /&gt;Kristin De Troyer&lt;br /&gt;Abstract: In this report, I will first shortly present the codicological aspects of the manuscript; then, I will give a survey of the pluses, minuses and variants of the text of the manuscript in relation to the Old Greek text; next, I will evaluate some of the possible pre-hexaplaric variants in the light of the readings of the Early Jewish Revisors and finally, I will compare and contrast the variants with the Exodus texts as found among the Dead Sea Scrolls.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;I look forward to attending this congress and also for sticking around for the first few days of IOSOT afterwards. If you plan to be in Munich in August, I would love to hang out.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/04/ioscs-xv-congress-in-munich.html</link><author>noreply@blogger.com (John Meade)</author><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-2576386740690596060</guid><pubDate>Thu, 11 Apr 2013 02:55:00 +0000</pubDate><atom:updated>2013-04-11T03:55:03.395+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">NA28</category><category domain="http://www.blogger.com/atom/ns#">Hendrickson Publishers</category><category domain="http://www.blogger.com/atom/ns#">Lee Martin McDonald</category><category domain="http://www.blogger.com/atom/ns#">UBS5</category><category domain="http://www.blogger.com/atom/ns#">bible translation</category><title>How Many TC Errors in This Statement?</title><description>We've played this game before. Someone submits a statement about TC from the BBC or some other news media, and we count how many errors are contained therein. But this time, it comes from a Hendrickson publication entitled, &lt;i&gt;Formation of the Bible&lt;/i&gt;: &lt;i&gt;The Story of the Church's Canon&amp;nbsp;&amp;nbsp;&lt;/i&gt;(Lee Martin McDonald). Extra credit points if anyone can help me understand how the statements could possibly be right,&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;blockquote class="tr_bq"&gt;As a result of the more recent discovery of many more ancient biblical manuscripts, all early translations, namely those produced before 1993, are essentially out of date--an unfortunate consequece of reassembling a text closer to the biblical original than was possible earlier. With the publication of the most recent editions of critical scholarly texts of the New Testament--the United Bible Society's 5th Edition of the &lt;i&gt;Greek New Testament &lt;/i&gt;&amp;nbsp;(2013) and the soon to be published Nestle/Aland 28th edition (2012) of the Greek Testament--we draw closer yet to the original text of the New Testament, but it would be a mistake to believe that we have reached that goal. There are some challenging and difficult passages to unravel, to which biblical scholars can offer very tenuous, possible solutions, but certainty is not yet available.&lt;/blockquote&gt;&lt;blockquote class="tr_bq"&gt;Since almost all modern translations of the New Testament depend on these two modern texts of the Greek New Testament, translations dating before these editions are not as reliable or as accurate and do not accurately reflect the latest understanding of what the biblical writers wrote.... &amp;nbsp;p. 134.&lt;/blockquote&gt;&lt;br /&gt;JML</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/04/how-many-tc-errors-in-this-statement.html</link><author>noreply@blogger.com (James M. Leonard)</author><thr:total>14</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-2402392851107719540</guid><pubDate>Fri, 05 Apr 2013 15:54:00 +0000</pubDate><atom:updated>2013-04-05T16:54:49.279+01:00</atom:updated><title>Newly Discovered Leaves of a Greek Lectionary</title><description>When examining an Armenian manuscript from Bzommar (n° 509, a Mashtots from the 16th Century) on the HMML &lt;a href="http://www.hmml.org/"&gt;website&lt;/a&gt;, I was surprised to discover three fly leaves from a Greek lectionary of the Gospels. Folio 01r contains Mt 20:1-8, Folio 168r contains Mt 11:2-4 and Lk 2:39-40, and Folio 168v contains Lk 7:22-28. As far as I can judge, all three folios come from the same lectionary. Klaus Wachtel tells me that this lectionary is not yet in the Kurtgefasste Liste of Muenster. J.-L. Simonet </description><link>http://evangelicaltextualcriticism.blogspot.com/2013/04/newly-discovered-leaves-of-greek.html</link><author>noreply@blogger.com (Peter M. Head)</author><thr:total>4</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-876389773150455324</guid><pubDate>Sun, 31 Mar 2013 21:15:00 +0000</pubDate><atom:updated>2013-03-31T22:22:29.910+01:00</atom:updated><title>Birmingham Colloquium Report: The Leicester Codex (GA 69) </title><description>The 5th of March, 2013, the participants of the &lt;a href="http://www.birmingham.ac.uk/research/activity/itsee/news/2013/eighth-colloquium-pictures.aspx"&gt;Eighth Birmingham Colloquium on the Textual Criticism of the New Testament&lt;/a&gt; visited the Leicester Record Office in order to take a look at the famous Leicester Codex, minuscule 69.&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-B4DiBjnzqeo/UVicUUEW9sI/AAAAAAAAAQc/0TtrQrPYGyE/s1600/Birmingham+Leicester.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="261" src="http://1.bp.blogspot.com/-B4DiBjnzqeo/UVicUUEW9sI/AAAAAAAAAQc/0TtrQrPYGyE/s400/Birmingham+Leicester.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;David Parker lecturing on the Leicester Codex&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;The manuscript is very interesting. As a member of family 13 (the so-called Ferrar group, or φ), it links Britain to Southern Italy in mysterious ways. The manuscript was studied by Erasmus during his stay in Cambridge (1510-1515), in the years that Erasmus’ New Testament project still consisted of hardly more than critically collating and annotating the text of the Latin Vulgate with whatever Greek sources he could find. Some of the particular readings of min. 69 subsequently found their way into Erasmus’ &lt;i&gt;Annotationes&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;During our visit, we were drawn into yet another interesting aspect of the manuscript’s history, namely a set of marginal notes to the word Ἀντιπᾶς in Revelation 2:13 (f. 203&lt;sup&gt;r&lt;/sup&gt;).&lt;br /&gt;First, an unknown annotator, in the decades before 1844, wrote the following (in ink!):&lt;br /&gt;&lt;blockquote class="tr_bq"&gt;Originally written Αντειπας and the erasure and alteration of τιπ in blacker ink is obvious.&lt;/blockquote&gt;Tregelles, who studied the manuscript while preparing his own edition of the text of Revelation (published in 1844), reacted sharply:&lt;br /&gt;&lt;blockquote class="tr_bq"&gt;There is &lt;u&gt;no&lt;/u&gt; erasure or alteration. S.P. Tregelles.&lt;/blockquote&gt;One easily senses some irritation in the double underlining of “no”. In any case, O. T. Dobbin (did we already know that he studied this manuscript?) found the case important enough to add his own two cents:&lt;br /&gt;&lt;blockquote class="tr_bq"&gt;Dr. Tregelles is certainly correct – O. T. Dobbin.&lt;/blockquote&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-pZ8lZdfbyck/UVidFXUeLEI/AAAAAAAAAQk/4o3aiD2pLvE/s1600/min+69+Tregelles+extra+cropped.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="640" src="http://2.bp.blogspot.com/-pZ8lZdfbyck/UVidFXUeLEI/AAAAAAAAAQk/4o3aiD2pLvE/s640/min+69+Tregelles+extra+cropped.jpg" width="308" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Scholarship in the margins?&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;After careful study of the passage, we (Tommy Wasserman and Jan Krans) could not but fully agree with Tregelles’ and Dobbin’s judgment. In fact, it is amazing to see with what ease people then and now cover the margins of manuscripts with such trifles.  This post is published on both the Amsterdam New Testament Weblog and Evangelical Textual Criticism.</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/03/birmingham-colloquium-report-leicester.html</link><author>noreply@blogger.com (Tommy Wasserman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-B4DiBjnzqeo/UVicUUEW9sI/AAAAAAAAAQc/0TtrQrPYGyE/s72-c/Birmingham+Leicester.jpg" height="72" width="72" /><thr:total>4</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-7610625036754872232</guid><pubDate>Mon, 25 Mar 2013 08:44:00 +0000</pubDate><atom:updated>2013-03-25T14:37:53.820Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">Brice Jones</category><category domain="http://www.blogger.com/atom/ns#">book review</category><category domain="http://www.blogger.com/atom/ns#">The Early Text of the NT</category><category domain="http://www.blogger.com/atom/ns#">Charles Hill</category><category domain="http://www.blogger.com/atom/ns#">theological agenda</category><category domain="http://www.blogger.com/atom/ns#">Mike Kruger</category><title>New Review of The Early Text of the New Testament (Kruger &amp; Hill)</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-BkTen2T407c/UVAOUrSM_iI/AAAAAAAAAkY/SrOQ4Xt49HU/s1600/Jones+review.tiff" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="195" src="http://4.bp.blogspot.com/-BkTen2T407c/UVAOUrSM_iI/AAAAAAAAAkY/SrOQ4Xt49HU/s200/Jones+review.tiff" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;Over at his new website, Brice Jones has published &lt;a href="http://bricecjones.weebly.com/1/post/2013/03/book-review-the-early-text-of-the-new-testament.html"&gt;a review of&amp;nbsp;&lt;i&gt;The Early Text of the New Testament&lt;/i&gt; (eds. Kruger &amp;amp; Hill).&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I note with satisfaction that this reviewer "found the approach and format of Wasserman’s essay to be the most clear of all the essays." However, the most interesting aspect of the review is that Jones identifies a theological agenda behind two of the articles (Charlesworth and Kruger): "In sum, it seems apparent that there is a theological agenda behind both Kruger's and Charlesworth's articles. The conservative and apologetic undertones in their arguments are clear."&lt;br /&gt;&lt;br /&gt;Kruger's co-editor&amp;nbsp;C. E. Hill&amp;nbsp;also gets his share in the summary:&lt;br /&gt;&lt;br /&gt;&lt;blockquote class="tr_bq"&gt;Overall, this book is an important addition to our field and thus is to be recommended to anyone interested in the text of the New Testament, in spite of the apparent apologetic predispositions on the part of the editors.&amp;nbsp;&lt;/blockquote&gt;&lt;br /&gt;Go ahead and read the whole review &lt;a href="http://bricecjones.weebly.com/1/post/2013/03/book-review-the-early-text-of-the-new-testament.html"&gt;here&lt;/a&gt; and welcome to comment!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Update: I just went through the typos that Brice Jones identified in my essay, and this makes me so disappointed with Oxford University Press – they are responsible for all the typos.&lt;br /&gt;&lt;br /&gt;In any case, the most embarrasing thing is that OUP has managed to duplicate my chart for P77 and insert it under P70 (including a typo).&lt;br /&gt;&lt;br /&gt;So, here is the correct chart for P70 (p. 97) which any owner of the book can print out and insert.&lt;br /&gt;&lt;br /&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt; 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 font-family:"Times New Roman";} &lt;/style&gt;&lt;![endif]--&gt;   &lt;!--StartFragment--&gt; &lt;br /&gt;&lt;div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt; text-align: justify; text-autospace: none;"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span lang="EN-US"&gt;Textual analysis&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;table border="1" cellpadding="0" cellspacing="0" class="MsoNormalTable" style="border-collapse: collapse; border: none; mso-border-alt: solid windowtext .5pt; mso-border-insideh: .5pt solid windowtext; mso-border-insidev: .5pt solid windowtext; mso-padding-alt: 0cm 5.4pt 0cm 5.4pt; mso-yfti-tbllook: 191;"&gt; &lt;tbody&gt;&lt;tr style="mso-yfti-firstrow: yes; mso-yfti-irow: 0;"&gt;  &lt;td style="border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt;" valign="top"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt; text-align: center; text-autospace: none;"&gt;&lt;span lang="EN-US" style="font-size: 10.0pt;"&gt;Text&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-left: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt;" valign="top"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt; text-align: center; text-autospace: none;"&gt;&lt;span lang="EN-US" style="font-size: 10.0pt;"&gt;Var.-units in NA27&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-left: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt;" valign="top"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt; text-align: center; text-autospace: none;"&gt;&lt;span lang="EN-US" style="font-size: 10.0pt;"&gt;Extra var.-units&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-left: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt;" valign="top"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt; text-align: center; text-autospace: none;"&gt;&lt;span lang="EN-US" style="font-size: 10.0pt;"&gt;Ratio of deviation&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-left: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt;" valign="top"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt; text-align: center; text-autospace: none;"&gt;&lt;span lang="EN-US" style="font-size: 10.0pt;"&gt;Type of deviation&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-left: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt;" valign="top"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt; text-align: center; text-autospace: none;"&gt;&lt;span lang="EN-US" style="font-size: 10.0pt;"&gt;Singular readings&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt; &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 1; mso-yfti-lastrow: yes;"&gt;  &lt;td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt;" valign="top"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt; text-align: center; text-autospace: none;"&gt;&lt;span lang="EN-US" style="font-size: 10.0pt; mso-bidi-font-family: Times-Roman; mso-bidi-font-size: 16.0pt; mso-bidi-language: SV;"&gt;2:13–16; 2:22–3:1; 11:26–27; 12:4–5; 24:3–6, 12–15&lt;/span&gt;&lt;span lang="EN-US" style="font-size: 10.0pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt;" valign="top"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt; text-align: center; text-autospace: none;"&gt;&lt;span lang="EN-US" style="font-size: 10.0pt;"&gt;6&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt;" valign="top"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt; text-align: center; text-autospace: none;"&gt;&lt;span lang="EN-US" style="font-size: 10.0pt;"&gt;4&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt;" valign="top"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt; text-align: center; text-autospace: none;"&gt;&lt;span lang="EN-US" style="font-size: 10.0pt;"&gt;7/10 (70%)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt; text-align: center; text-autospace: none;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt;" valign="top"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt; text-align: center; text-autospace: none;"&gt;&lt;span lang="EN-US" style="font-size: 10.0pt;"&gt;1 x O&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt; text-align: center; text-autospace: none;"&gt;&lt;span lang="EN-US" style="font-size: 10.0pt;"&gt;6 x SUB&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt;" valign="top"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt; text-align: center; text-autospace: none;"&gt;&lt;span lang="EN-US" style="font-size: 10.0pt;"&gt;3 x SUB&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt; &lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;!--EndFragment--&gt;&lt;br /&gt;&lt;br /&gt;At some point someone made a mistake. Unfortunately, I did not read the proofs as I should have! (why don't I learn the lesson).&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/03/new-review-of-early-text-of-new.html</link><author>noreply@blogger.com (Tommy Wasserman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-BkTen2T407c/UVAOUrSM_iI/AAAAAAAAAkY/SrOQ4Xt49HU/s72-c/Jones+review.tiff" height="72" width="72" /><thr:total>20</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-1588395743964590357</guid><pubDate>Fri, 22 Mar 2013 14:06:00 +0000</pubDate><atom:updated>2013-03-22T14:06:36.732Z</atom:updated><title>Bits and Pieces</title><description>&lt;br /&gt;&lt;a href="http://bricecjones.weebly.com/index.html"&gt;Brice Jones&lt;/a&gt; has a new web-site with a blog and &lt;a href="http://bricecjones.weebly.com/papyrological-resources.html"&gt;papyrological resources&lt;/a&gt;. On his &lt;a href="http://bricecjones.weebly.com/1/post/2013/03/book-review-text-of-the-new-testament-in-contemporary-research-2nd-ed.html"&gt;blog &lt;/a&gt;he reviews the recent book &lt;i&gt;The Text of the New Testament in Contemporary Research: Essays on the Status Quaestionis&lt;/i&gt;&lt;i&gt; &lt;/i&gt;(although he mostly comments on only two chapters); he also discusses &lt;a href="http://bricecjones.weebly.com/1/post/2013/03/poxy-viii-1151-and-the-text-of-the-new-testament.html"&gt;P. Oxy. 1151 and the text of the NT&lt;/a&gt; (it cites John 1.1 and 3).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://aramaicdesigns.blogspot.co.uk/2013/03/so-what-does-transcribing-manuscript.html"&gt;Steve Caruso&lt;/a&gt; posts a picture of an interesting transcription&lt;br /&gt;&lt;br /&gt;&lt;a href="http://networkedblogs.com/JvLg7"&gt;James McGrath&lt;/a&gt; offers a helpful visual showing how useful the KJV is compared with the original autographs (he seems to think it is silly, but I agree with every point).&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.sakeoftruth.com/2013/03/print-vs-digital-the-effect-of-pagination-on-interpretation/"&gt;Josh Mann&lt;/a&gt; has an interesting discussion about pagination (which links to my long awaited paper on 'Turning the Page and its impact on the NT textual tradition'). &lt;br /&gt;&lt;br /&gt;&lt;a href="http://michaeljkruger.com/review-of-a-new-new-testament-part-1/"&gt;Michael Kruger &lt;/a&gt;begins a review/interaction (possibly involving critique) with the very interesting &lt;i&gt;A New New Testament&lt;/i&gt; (sic)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.reclaimingthemind.org/blog/2013/03/best-selling-bibles-of-2012/"&gt;Michael Patton&lt;/a&gt; posts a list of the top selling Bibles in America in 2012.&lt;br /&gt;&lt;br /&gt;Ryan Wettlaufer's 2010 PhD has been published as &lt;a href="http://www.brill.com/no-longer-written"&gt;&lt;i&gt;No Longer Written: The Use of Conjectural Emendation in the Restoration of the Text of the New Testament, the Epistle of James as a Case Study&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;div class="imprintlogo"&gt;                       &lt;/div&gt;</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/03/bits-and-pieces.html</link><author>noreply@blogger.com (Peter M. Head)</author><thr:total>13</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-9045967210592055154</guid><pubDate>Thu, 21 Mar 2013 23:04:00 +0000</pubDate><atom:updated>2013-03-21T23:04:54.555Z</atom:updated><title>Birmingham Postgrad call for papers</title><description>&lt;br /&gt;Drew Longacre has a call for papers for the 3rd University of Birmingham Biblical Studies Postgraduate Day Conference Call for Papers &lt;a href="http://www.oldtestamenttextualcriticism.blogspot.co.uk/2013/03/3rd-university-of-birmingham-biblical.html"&gt;on his blog&lt;/a&gt;. Given the location (Birmingham, UK, not Alabama) and the theme&amp;nbsp;"Unity and Diversity in Text and Tradition", papers on TC will be very appropriate.&lt;br /&gt;</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/03/birmingham-postgrad-call-for-papers.html</link><author>noreply@blogger.com (P.J. Williams)</author><thr:total>3</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-8933605812345678299</guid><pubDate>Wed, 20 Mar 2013 09:04:00 +0000</pubDate><atom:updated>2013-03-20T09:04:27.447Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">GA 0171</category><category domain="http://www.blogger.com/atom/ns#">P48</category><category domain="http://www.blogger.com/atom/ns#">Digitization</category><category domain="http://www.blogger.com/atom/ns#">P35</category><category domain="http://www.blogger.com/atom/ns#">P95</category><category domain="http://www.blogger.com/atom/ns#">P36</category><category domain="http://www.blogger.com/atom/ns#">P89</category><category domain="http://www.blogger.com/atom/ns#">GA 620</category><category domain="http://www.blogger.com/atom/ns#">CSNTM</category><category domain="http://www.blogger.com/atom/ns#">GA 367</category><category domain="http://www.blogger.com/atom/ns#">Biblioteca Medicea Laurenziana</category><title>CSNTM: New Manuscripts On-line </title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-cUC1KEGOjJ8/UUl6AIB8A7I/AAAAAAAAAkI/nuVTz3QZVfY/s1600/CSNTM.tiff" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="88" src="http://1.bp.blogspot.com/-cUC1KEGOjJ8/UUl6AIB8A7I/AAAAAAAAAkI/nuVTz3QZVfY/s200/CSNTM.tiff" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Georgia; line-height: 14px;"&gt;News from the Centre for the Study of New Testament Manuscripts (&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia; line-height: 14px;"&gt;Robert D. Marcello)&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Georgia; line-height: 14px;"&gt;:&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Georgia; font-size: 12px; line-height: 14px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;blockquote class="tr_bq"&gt;In November of 2011 CSNTM traveled to the Biblioteca Medicea Laurenziana (BML) in Florence Italy. This is a phenomenal library founded by the Medici family. Here, the old library, which was designed by none other than Michelangelo himself, can be seen in all of its glory. It now holds over 2500 papyri, 11,000 manuscripts, and 128,000 printed texts. Because of this trip, CSNTM is proud to announce the addition of new images of 28 manuscripts from the BML. This excellent collection contains papyri, majuscules, minuscules, and lectionaries. Among the many treasures we digitized was an eleventh-century lectionary, written entirely in gold letters (GA Lect 117). Another manuscript had Paul’s epistles after the book of Revelation—a very rare phenomenon GA 620). And we photographed a complete Greek New Testament manuscript—one of only sixty known to exist (GA 367). We thank the library and their staff for their graciousness and willingness to digitally preserve these manuscripts. The following manuscripts may now be found &lt;a href="http://www.csntm.org/manuscript/"&gt;HERE&lt;/a&gt;.&lt;/blockquote&gt;&lt;div style="font-family: inherit; font-size: 12px; font-style: inherit; line-height: 1.22em; margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; vertical-align: baseline;"&gt;&lt;/div&gt;&lt;div style="font: 12.0px Times; margin: 0.0px 0.0px 12.0px 0.0px;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;P35, P36, P48, P89, P95, 0171, 0172, 0173, 0175, 0176, 0207, 198, 199, 200, 362, 365, 366, 367, 619, 620, 1979, L112, L117, L118, L291, L510, L604, L2210.&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/03/csntm-new-manuscripts-on-line.html</link><author>noreply@blogger.com (Tommy Wasserman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-cUC1KEGOjJ8/UUl6AIB8A7I/AAAAAAAAAkI/nuVTz3QZVfY/s72-c/CSNTM.tiff" height="72" width="72" /><thr:total>4</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-1451829970397757902</guid><pubDate>Tue, 19 Mar 2013 10:10:00 +0000</pubDate><atom:updated>2013-03-19T10:15:19.527Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">Acts 23:6</category><category domain="http://www.blogger.com/atom/ns#">Codex Ephraemi Rescriptus</category><category domain="http://www.blogger.com/atom/ns#">NA28 Apparatus</category><title>Who did what?</title><description>Sometimes it is a pain to get your head around what a manuscript actually reads, especially when there are corrections involved. The image below is from the &lt;i&gt;Codex Ephraemi rescriptus&lt;/i&gt; 'C', though it is only 'rescriptus' here in Acts 23:6 because of the erasure.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-G7Wrei3vG_0/UUgyhVHah-I/AAAAAAAAATo/AbWyThiFwZg/s1600/Ephraemi+Rescriptus+Acts+23+6.JPG" imageanchor="1" &gt;&lt;img border="0" src="http://2.bp.blogspot.com/-G7Wrei3vG_0/UUgyhVHah-I/AAAAAAAAATo/AbWyThiFwZg/s320/Ephraemi+Rescriptus+Acts+23+6.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The question is on νεκρων [εγω] κρινομαι.&lt;br /&gt;&lt;br /&gt;A clear erasure is visible under the rewritten letters εγω κριν, and possibly also under the following ο. The next two letters -με (itacism for -μαι) seem to me written on virgin material.&lt;br /&gt;&lt;br /&gt;1) The erased area is long enough to contain κρινομαι, but we don't know this for sure.&lt;br /&gt;2) Initially I thought that this must have been a correction &lt;i&gt;in scribendo&lt;/i&gt;, but this is not clear at all - the space after the original reading is likely to have been blank anyway, leaving room for the corrector to rewrite as εγω κρινομαι.&lt;br /&gt;3) The letters -με may not have been written by the original scribe. I do not know the hands in this manuscript well enough, but there seems to me enough difference to assume this. (Knowing the spelling patterns of the scribe and correctors would help).&lt;br /&gt;4) That the original scribe wrote κρινομαι instead of εγω κρινομαι, is a likely guess (since there are few alternatives), but this is not visible enough to make this a Cvid reading.&lt;br /&gt;5) NA27 had &lt;i&gt;Ephaemi&lt;/i&gt; supporting εγω κρινομαι as follows C(*), while NA28 has C2. The latter does not give us an idea what C* wrote, and this is probably correct. How to represent this in a full critical apparatus, is a tricky problem, I don't think you can avoid putting in a note that the erased area matches the length needed for just κρινομαι. And that might help &lt;i&gt;Vaticanus&lt;/i&gt; 'B' (the only Greek witness that justifies the square brackets in the NA texts) getting out of its isolation at this point - &lt;i&gt;Ephraemi&lt;/i&gt; might have read simply κρινομαι, with &lt;i&gt;Vaticanus&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/03/who-did-what.html</link><author>noreply@blogger.com (Dirk Jongkind)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-G7Wrei3vG_0/UUgyhVHah-I/AAAAAAAAATo/AbWyThiFwZg/s72-c/Ephraemi+Rescriptus+Acts+23+6.JPG" height="72" width="72" /><thr:total>3</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-3076470391737455438</guid><pubDate>Thu, 14 Mar 2013 07:20:00 +0000</pubDate><atom:updated>2013-03-14T07:22:40.370Z</atom:updated><title>Shape-Shifting Jesus</title><description>&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://www.themorgan.org/exhibitions/images/current/CopticHomily.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="200" src="http://www.themorgan.org/exhibitions/images/current/CopticHomily.jpg" width="146" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;M 610&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;Owen Jarus of Live Science begins his article, "A newly deciphered Egyptian text, dating back almost 1,200 years, tells part of the crucifixion story of &lt;span class="yshortcuts cs4-ndcor" id="lw_1363175410111_4"&gt;Jesus&lt;/span&gt; with apocryphal plot twists, some of which have never been seen before." &lt;a href="http://news.yahoo.com/shape-shifting-jesus-described-ancient-egyptian-text-114210117.html" target="_blank"&gt;(full article)&lt;/a&gt;&amp;nbsp; Surveying the &lt;a href="http://www.brill.com/pseudo-cyril-jerusalem-life-and-passion-christ" target="_blank"&gt;newly published book by &lt;span class="yshortcuts cs4-visible" id="lw_1363175410111_3"&gt;Roelof van den Broek (Utrecht)&lt;/span&gt;&lt;/a&gt;, the journalist mentions references in the sermons of Pseudo-Cyril in which shape-shifting abilities are attributed to Jesus and Pilate has Jesus over for a pre-crucifixion dinner.&lt;br /&gt;&lt;br /&gt;In my opinion, the article is well-written with clear caveats from van den Broek concerning the historical value of the stories.&amp;nbsp; One significant fact, however, is ignored.&amp;nbsp; These texts have been known since 1922, when Henry Hyvernat published the facsimile editions of the Archangel Michael Coptic codices.&amp;nbsp; Likewise, I am not sure that the book is actually publishing one Pierpont Morgan Coptic manuscript (i.e. M 610), but rather various manuscripts from the Archangel Michael find. (Cf. prior post on the Hamuli find &lt;a href="http://evangelicaltextualcriticism.blogspot.de/2009/10/manuscript-life-spans.html" target="_blank"&gt;here&lt;/a&gt;.)&lt;br /&gt;&lt;br /&gt;I should mention that some of the wild-eyed scholars with the International Greek New Testament Project are &lt;a href="http://www.iohannes.com/" target="_blank"&gt;publishing gospel fragments&lt;/a&gt; which suggest that Jesus miraculously changed water into wine, healed the blind, walked on water and resurrected someone from the dead. ; )</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/03/shape-shifting-jesus.html</link><author>noreply@blogger.com (Christian Askeland)</author><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-5960496696828491536</guid><pubDate>Wed, 13 Mar 2013 09:03:00 +0000</pubDate><atom:updated>2013-03-13T09:04:05.848Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">Dating</category><category domain="http://www.blogger.com/atom/ns#">papyrus</category><category domain="http://www.blogger.com/atom/ns#">papyri</category><category domain="http://www.blogger.com/atom/ns#">paleography</category><category domain="http://www.blogger.com/atom/ns#">Rodney Ast</category><category domain="http://www.blogger.com/atom/ns#">pappal</category><category domain="http://www.blogger.com/atom/ns#">palaeography</category><title>PapPal: New Resource for Ancient Paleography</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-T7A9v1DuYtE/UUBAQ8Ev-JI/AAAAAAAAAj4/v-glSFjuSg4/s1600/pappal.tiff" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-T7A9v1DuYtE/UUBAQ8Ev-JI/AAAAAAAAAj4/v-glSFjuSg4/s200/pappal.tiff" width="191" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;In a comment to the previous post on a reassessment of the date of the early NT papyri, Christian Askeland mentioned a new resource for the study of ancient paleography, &lt;a href="http://www.pappal.info/"&gt;PapPal&lt;/a&gt;, which certainly deserves to be mentioned in a main post.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;Here is the announcement by one of the developers, Rodney Ast of the Unveristy of Heidelberg:&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Helvetica;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;blockquote&gt;We are pleased to announce the launch of PapPal (&lt;a href="http://www.pappal.info/"&gt;www.pappal.info&lt;/a&gt;), an online resource for the study of ancient paleography. &amp;nbsp;The site currently gathers thumbnail images of over 2500 dated Greek documentary papyri from collections around the world, which can be displayed either in gallery or slideshow mode. &amp;nbsp;Links direct users to full images and further information at the host sites and to metadata and transcriptions at&amp;nbsp;&lt;a href="http://papyri.info/"&gt;papyri.info&lt;/a&gt;. &amp;nbsp; At the moment, there are only a handful of ostraka included. &amp;nbsp;In the coming months we will be adding more of them, as well as dated Latin documents. &amp;nbsp;&amp;nbsp;I hope that you will take some time to explore the site and send me your comments.&lt;br /&gt;Work on this project has been made possible by the Deutsche Forschungsgemeinschaft in the context of the University of Heidelberg's Cultural Research Center 933. &amp;nbsp;Material Text Cultures: Materiality and the Presence of Writing in Non-Typographic Societies, with further support from the Institute for Papyrology.&amp;nbsp;&lt;/blockquote&gt;&lt;blockquote&gt;Kind regards,&lt;br /&gt;Rodney Ast&lt;/blockquote&gt;</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/03/pappal-new-resource-for-ancient.html</link><author>noreply@blogger.com (Tommy Wasserman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-T7A9v1DuYtE/UUBAQ8Ev-JI/AAAAAAAAAj4/v-glSFjuSg4/s72-c/pappal.tiff" height="72" width="72" /><thr:total>0</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-3352478066539998163</guid><pubDate>Mon, 11 Mar 2013 13:33:00 +0000</pubDate><atom:updated>2013-03-11T13:35:31.391Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">Dating</category><category domain="http://www.blogger.com/atom/ns#">papyri</category><category domain="http://www.blogger.com/atom/ns#">Hurtado</category><category domain="http://www.blogger.com/atom/ns#">Claryssee</category><category domain="http://www.blogger.com/atom/ns#">Orsini</category><title>"Theological Palaeography"? Reassessment of the Dating of NT Papyri</title><description>A very controversial issue is the date of the early papyri of the NT.&amp;nbsp;&lt;a href="http://larryhurtado.wordpress.com/2013/03/08/the-dating-of-nt-manuscripts-an-important-recent-analysis/"&gt;On his blog&lt;/a&gt;, Larry Hurtado summarizes a very important recent article on the subject of "theological palaeography":&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 18px;"&gt;Pasquale Orsini &amp;amp; Willy Clarysse, “Early New Testament Manuscripts and Their Dates:&amp;nbsp; A Critique of Theological Palaeography,”&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 18px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;em&gt;Ephemerides Theologicae Lovanienses&amp;nbsp;&lt;/em&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 18px;"&gt;88 (2012): 443-74.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;blockquote class="tr_bq"&gt;&lt;span class="Apple-style-span" style="color: #29303b; font-family: Georgia, Times, 'Times New Roman', sans-serif; font-size: x-small; line-height: 19px;"&gt;&lt;span style="font-family: Georgia, 'Times New Roman', serif;"&gt;Abstract :&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #29303b; font-size: x-small; line-height: 19px;"&gt;&lt;span style="font-family: Georgia, 'Times New Roman', serif;"&gt;The date of the earliest New Testament papyri is nearly always based on palaeographical criteria. A consensus among papyrologists, palaeographers and New Testament scholars is presented in the edition of Nestle-Aland, 1994. In the last twenty years several New Testament scholars (Thiede, Comfort-Barrett, 1999, 2001 and Jaroš, 2006) have argued for an earlier date of most of these texts. The present article analyzes the date of the earliest New Testament papyri on the basis of comparative palaeography and a clear distinction between different types of literary scripts. There are no first-century New Testament papyri and only very few papyri can be attributed to the (second half of the) second century. It is only in the third and fourth centuries that New Testament manuscripts become more common, but here too the dates proposed by Comfort-Barrett, 1999, 2001, and Jaroš, 2006 are often too early.&lt;/span&gt;&lt;/span&gt;&lt;/blockquote&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 18px;"&gt;I have compiled a small table demonstrating that the critique for a general tendency to date early in "theological palaeography" is not applicable to the Nestle-Aland edition. In spite of some significant differences, we see that seven papyri or uncials are still dated potentially to the second century. However, now three papyri in the second-century range in NA, are dated to the third century by Orsini and Claryssee (P77, P98 and P103). Conversely, the latter assign one papyrus and two uncials in the second-century range (P4+64+67, 0171, and 0212) which NA has dated later. 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 &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/&gt;  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/&gt;  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/&gt;  &lt;w:LsdException Locked="false" Priority="34" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/&gt;  &lt;w:LsdException Locked="false" Priority="29" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="Quote"/&gt;  &lt;w:LsdException Locked="false" Priority="30" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/&gt;  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/&gt;  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/&gt;  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/&gt;  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/&gt;  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"    UnhideWhenUsed="false" Name="Dark List Accent 1"/&gt;  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/&gt;  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful List Accent 1"/&gt;  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/&gt;  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Shading Accent 2"/&gt;  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"    UnhideWhenUsed="false" Name="Light List Accent 2"/&gt;  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Grid Accent 2"/&gt;  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/&gt;  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/&gt;  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/&gt;  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/&gt;  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/&gt;  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/&gt;  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/&gt;  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"    UnhideWhenUsed="false" Name="Dark List Accent 2"/&gt;  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/&gt;  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful List Accent 2"/&gt;  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/&gt;  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Shading Accent 3"/&gt;  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"    UnhideWhenUsed="false" Name="Light List Accent 3"/&gt;  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Grid Accent 3"/&gt;  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/&gt;  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/&gt;  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/&gt;  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/&gt;  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/&gt;  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/&gt;  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/&gt;  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"    UnhideWhenUsed="false" Name="Dark List Accent 3"/&gt;  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/&gt;  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful List Accent 3"/&gt;  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/&gt;  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Shading Accent 4"/&gt;  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"    UnhideWhenUsed="false" Name="Light List Accent 4"/&gt;  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Grid Accent 4"/&gt;  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/&gt;  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/&gt;  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/&gt;  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/&gt;  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/&gt;  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/&gt;  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/&gt;  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"    UnhideWhenUsed="false" Name="Dark List Accent 4"/&gt;  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/&gt;  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful List Accent 4"/&gt;  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/&gt;  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Shading Accent 5"/&gt;  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"    UnhideWhenUsed="false" Name="Light List Accent 5"/&gt;  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Grid Accent 5"/&gt;  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/&gt;  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/&gt;  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/&gt;  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/&gt;  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/&gt;  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/&gt;  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/&gt;  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"    UnhideWhenUsed="false" Name="Dark List Accent 5"/&gt;  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/&gt;  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful List Accent 5"/&gt;  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/&gt;  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Shading Accent 6"/&gt;  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"    UnhideWhenUsed="false" Name="Light List Accent 6"/&gt;  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Grid Accent 6"/&gt;  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/&gt;  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/&gt;  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/&gt;  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/&gt;  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/&gt;  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/&gt;  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/&gt;  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"    UnhideWhenUsed="false" Name="Dark List Accent 6"/&gt;  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/&gt;  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful List Accent 6"/&gt;  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/&gt;  &lt;w:LsdException Locked="false" Priority="19" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/&gt;  &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;  &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;  &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;  &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;  &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;  &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt; &lt;/w:LatentStyles&gt;&lt;/xml&gt;&lt;![endif]--&gt; &lt;!--[if gte mso 10]&gt;&lt;style&gt; /* Style Definitions */ table.MsoNormalTable  {mso-style-name:"Normal tabell";  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-priority:99;  mso-style-parent:"";  mso-padding-alt:0cm 5.4pt 0cm 5.4pt;  mso-para-margin:0cm;  mso-para-margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:12.0pt;  font-family:"Times New Roman";  mso-fareast-language:JA;} &lt;/style&gt;&lt;![endif]--&gt;   &lt;!--StartFragment--&gt; &lt;table border="1" cellpadding="0" cellspacing="0" class="MsoNormalTable" style="border-collapse: collapse; border: none; mso-padding-alt: 0cm 5.4pt 0cm 5.4pt; mso-table-layout-alt: fixed;"&gt; &lt;tbody&gt;&lt;tr style="mso-yfti-firstrow: yes; mso-yfti-irow: 0;"&gt;  &lt;td style="border: solid black 1.0pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 26.7pt;" width="27"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;GA no.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-left: none; border: solid black 1.0pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 21.25pt;" width="21"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;P30&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-left: none; border: solid black 1.0pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 20.15pt;" width="20"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;P52&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-left: none; border: solid black 1.0pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;P4+64+67&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-left: none; border: solid black 1.0pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;P77&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-left: none; border: solid black 1.0pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;P90&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-left: none; border: solid black 1.0pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;P98&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-left: none; border: solid black 1.0pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;P103&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-left: none; border: solid black 1.0pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;P104&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-left: none; border: solid black 1.0pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;0171&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-left: none; border: solid black 1.0pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;0189&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-left: none; border: solid black 1.0pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;0212&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt; &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 1;"&gt;  &lt;td style="border-top: none; border: solid black 1.0pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 26.7pt;" width="27"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;Nestle-Aland   date&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 21.25pt;" width="21"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;200-300&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 20.15pt;" width="20"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;100-150&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;200-250&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;150-250&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;100-200&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;100-200 (?)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;150-250&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;100-200&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;300-350&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;150-250&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;200-300&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt; &lt;/tr&gt;&lt;tr style="mso-yfti-irow: 2; mso-yfti-lastrow: yes;"&gt;  &lt;td style="border-top: none; border: solid black 1.0pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 26.7pt;" width="27"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;Orsini-Claryssee&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;date&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 21.25pt;" width="21"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: red;"&gt;175-225&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 20.15pt;" width="20"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;125-175&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: red;"&gt;175-200&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: blue;"&gt;250-300&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;150-200&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: blue;"&gt;200-250&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: blue;"&gt;200-300&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;100-200&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;&lt;span class="Apple-style-span" style="color: red;"&gt;175-225&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;300-400&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;  &lt;td style="border-bottom: solid black 1.0pt; border-left: none; border-right: solid black 1.0pt; border-top: none; padding: 0cm 5.4pt 0cm 5.4pt; width: 22.7pt;" width="23"&gt;&lt;div align="center" class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: center; text-autospace: none;"&gt;&lt;span style="font-size: 5pt;"&gt;&lt;span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"&gt;175-225&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt; &lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;!--EndFragment--&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: x-small;"&gt;&lt;span class="Apple-style-span" style="line-height: 18px;"&gt; &lt;!--EndFragment--&gt;&lt;/span&gt;&lt;/span&gt;</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/03/theological-palaeography-reassessment.html</link><author>noreply@blogger.com (Tommy Wasserman)</author><thr:total>5</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-2304054147045789760</guid><pubDate>Fri, 08 Mar 2013 08:43:00 +0000</pubDate><atom:updated>2013-03-08T14:12:15.907Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">patristic citations</category><category domain="http://www.blogger.com/atom/ns#">Sources Chrétiennes</category><category domain="http://www.blogger.com/atom/ns#">IGNTP</category><category domain="http://www.blogger.com/atom/ns#">advices and resources</category><category domain="http://www.blogger.com/atom/ns#">Biblindex</category><title>Resources for Patristic Citations in New Testament Textual Criticism</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="webkit-fake-url://00C74897-C905-47C8-856C-A906A36C12ED/image.tiff" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.blogger.com/blogger.g?blogID=17859011" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;/a&gt;&lt;/div&gt;Some seven years ago, Peter Head compiled &lt;a href="http://evangelicaltextualcriticism.blogspot.se/2006/09/checking-patristic-citations.html"&gt;a useful blogpost&lt;/a&gt; with advice on how to check patristic citations (link in the right margin).&lt;br /&gt;&lt;br /&gt;However, in this post I would like to mention two additional resources:&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;1. International Greek New Testament Project: Bibliography on work on the NT text of Greek authors&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-T9v8r56fops/UTnw7DjLZWI/AAAAAAAAAjc/bq0EDd1Nq-M/s1600/IGNTP+Greek+fathers.tiff" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="133" src="http://1.bp.blogspot.com/-T9v8r56fops/UTnw7DjLZWI/AAAAAAAAAjc/bq0EDd1Nq-M/s200/IGNTP+Greek+fathers.tiff" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;Recently, IGNTP committee members Rod Mullen and Mike Holmes, both involved in the SBL series &lt;a href="http://www.sbl-site.org/publications/Books_NTGrF.aspx"&gt;The New Testament in the Greek Fathers&lt;/a&gt;, took the initiative to compile a&amp;nbsp;&lt;a href="http://arts-itsee.bham.ac.uk/itseeweb/igntp/patristic.html"&gt;bibliography of work on the New Testament text of Greek authors&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;The list "keeps track of recent work on establishing the biblical text in patristic writers. It includes the volumes published in the SBL New Testament in the Greek Fathers series, as well as a list of work in progress."&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"&gt;2. Biblindex&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;div style="text-align: left;"&gt;&lt;a href="http://1.bp.blogspot.com/-eNc0NyAvmjE/UTnwmtA5R_I/AAAAAAAAAjU/UIkP0ZBdw1o/s1600/Biblindex.tiff" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" height="117" src="http://1.bp.blogspot.com/-eNc0NyAvmjE/UTnwmtA5R_I/AAAAAAAAAjU/UIkP0ZBdw1o/s200/Biblindex.tiff" width="200" /&gt;&lt;/a&gt;The&lt;a href="http://www.biblindex.mom.fr/"&gt; Biblindex&lt;/a&gt; = Index of Biblical Quotations and Allusions in Early Christian Literature is maintained by Laurence Mellerin &lt;i&gt;et al.&lt;/i&gt; of the Institut des Sources Chrétiennes. It&amp;nbsp;includes all the 270.000 references in the published Biblia Patristica volumes, and an additional ca. 130.000 references on Athanasius of Alexandria, John Chrysostom, Theodoret of Cyrus, Procopius of Gaza, Jerome and more. Access to data is free, after registration. This is a real treasure trove.&amp;nbsp;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; color: #333333; font-family: arial, helvetica, sans-serif; font-size: xx-small; line-height: 15px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; color: #333333; font-family: arial, helvetica, sans-serif; font-size: xx-small; line-height: 15px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;I will update Peter's original blogpost with this information.</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/03/resources-for-patristic-citations-in.html</link><author>noreply@blogger.com (Tommy Wasserman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-T9v8r56fops/UTnw7DjLZWI/AAAAAAAAAjc/bq0EDd1Nq-M/s72-c/IGNTP+Greek+fathers.tiff" height="72" width="72" /><thr:total>2</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-2900337590765737533</guid><pubDate>Wed, 27 Feb 2013 08:40:00 +0000</pubDate><atom:updated>2013-03-08T14:13:56.779Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">GA 2902</category><category domain="http://www.blogger.com/atom/ns#">Korca Codex</category><category domain="http://www.blogger.com/atom/ns#">facsimiles</category><category domain="http://www.blogger.com/atom/ns#">Tirana</category><category domain="http://www.blogger.com/atom/ns#">Andi Rembeci</category><category domain="http://www.blogger.com/atom/ns#">CSNTM</category><category domain="http://www.blogger.com/atom/ns#">Simon Crisp</category><title>Facsimile Edition of the Korça Codex 93 (GA 2902)</title><description>&lt;div style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="webkit-fake-url://873166EF-1DCC-4FC4-818F-CF45E44B6409/image.tiff" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-eQ-kygfVJqU/UTnyGtnEriI/AAAAAAAAAjk/kEOXku1mBkY/s1600/Korca+93.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;/a&gt;&lt;a href="webkit-fake-url://BF4EAE7F-2E6A-4473-8727-F77139354BE9/image.tiff" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;/a&gt;&lt;img border="0" height="140" src="http://2.bp.blogspot.com/-eQ-kygfVJqU/UTnyGtnEriI/AAAAAAAAAjk/kEOXku1mBkY/s200/Korca+93.jpg" width="200" /&gt;&lt;/div&gt;A beuatiful facsimile edition of the Korça Codex 93 (=GA 2902), now deposited in the National Archive of Albania in Tirana, has recently been published in 1300 copies. Here are some extracts from the &lt;a href="http://www.orthodoxalbania.org/new/index.php?option=com_content&amp;amp;view=article&amp;amp;id=13532%3Abotohet-per-here-te-pare-ne-faksimile-katerungjilleshi-i-shek-x-kodiku-i-korces-93&amp;amp;catid=3%3Anewsflash&amp;amp;Itemid=89&amp;amp;lang=en"&gt;news flash&lt;/a&gt; on the Orthodox Autocephalous Church of Albania:&amp;nbsp;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: -webkit-auto;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #4f4f4f; font-family: Times, 'Times New Roman', serif; font-size: 12px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #4f4f4f; font-family: Times, 'Times New Roman', serif; font-size: 12px;"&gt;The Codex of Korça 93 is part of the collection of one hundred Byzantine and post-Byzantine manuscripts preserved today in the Central State Archives of Tirana, Albania. The Codex is from the 10th century and is written in the form of a cross, a fairly rare occurrence in the Byzantine manuscript tradition and is one of the oldest examples of this category on an international level.&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #4f4f4f; font-size: 12px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #4f4f4f; font-size: 12px;"&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;[...]&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #4f4f4f; font-size: 12px;"&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;The publication of the Facsimile of this very important Codex was made possible by the contributions of the Inter-confessional Bible Society of Albania, the Orthodox Autocephalous Church of Albania, and the General Directorate of Archives of Albania. The Facsimile is accompanied by an exhaustive study of the Codex as a paleographic transcription of the Gospel of Luke with the corresponding translation in English.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #4f4f4f; font-size: 12px;"&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;[...]&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #4f4f4f; font-size: 12px;"&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;It is worthy to be note the fact that a Facsimile edition of this type is the first in the history of documentary publications in Albania, and has been prepared with the cooperation of local institutions. The field of publication of these kinds of historic resources is of limited circulation in Albania, whether due to the isolation of the past or to the lack of experience and opportunities. The publication of this Codex, as universally representative of the intellectual activity during one of the most thriving cultural periods of Byzantium, in addition to its scientific importance, serve as a contribution to the promotion of cultural heritage in Albania.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Here is a news story covering&amp;nbsp;the presentation of the facsimile edition to Sali Berisha, the Prime Minister of Albania and Jozefina Topalli, Chairwomen of the Parliamant, to whom it is handed over&amp;nbsp;by the Archbishop Anastasios of Albania.&lt;br /&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="230" src="http://www.youtube.com/embed/K-z7DntdUCs" width="420"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;You can also watch a 30 minute long reportage featuring one of the editors, Andi Rembeci, Lecturer in Palaeography and History at the University of Tirana who presents the fascimile alongside the original in great detail (in Albanian). At the end of the clip you can see Rembeci putting the Gospel codex back in its place in the archive.&lt;br /&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/sjUvEi7Q5Go" width="420"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Thanks to Simon Crisp of the United Bible Society who drew my attention to this new publication. Crisp pointed out that my own article on Papyrus 72 was referred to in the accompanying volume of studies – I wonder what they wrote.&lt;br /&gt;&lt;br /&gt;As usual there is the infected issue of dating. The Kurzgefasste Liste indicates 13th century, whereas the Albanian scholars dates the codex to the 10th century.&lt;br /&gt;&lt;br /&gt;This codex and many other were photographed by the CSNTM in an expedition in 2007 when they rediscovered many MSS which had not been registered by the INTF – read about this expedition &lt;a href="http://www.csntm.org/expedition/albania2007"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;On the CSNTM webpage you also find&lt;a href="http://www.csntm.org/Manuscript/View/noGA_Minuscule_Tirana_ANA_93"&gt; a description and selected images &lt;/a&gt;of the Korça&amp;nbsp;codex.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/02/facsimile-edition-of-korca-codex-93-ga.html</link><author>noreply@blogger.com (Tommy Wasserman)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-eQ-kygfVJqU/UTnyGtnEriI/AAAAAAAAAjk/kEOXku1mBkY/s72-c/Korca+93.jpg" height="72" width="72" /><thr:total>34</thr:total></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-17859011.post-969587887916469412</guid><pubDate>Mon, 25 Feb 2013 08:18:00 +0000</pubDate><atom:updated>2013-02-25T08:18:16.897Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">Klaus Wachtel</category><category domain="http://www.blogger.com/atom/ns#">SBL Chicago 2012</category><category domain="http://www.blogger.com/atom/ns#">Nestle-Aland 28</category><category domain="http://www.blogger.com/atom/ns#">ECM</category><title>Presentation of NA28 (SBL Chicago)</title><description>Following up on &lt;a href="http://evangelicaltextualcriticism.blogspot.se/2013/02/editio-critica-maior-changes-between.html"&gt;Mike Holmes' post&lt;/a&gt;&amp;nbsp;on the changes between the 1st and 2nd editions of the Editio Critica Maior, this blogpost summarizes the presentation by Klaus Wachtel of the INTF, Münster, at the SBL in Chicago.&lt;br /&gt;&lt;br /&gt;The presentation was part of a session presenting the Nestle-Aland 28th edition. The specific paper was entitled:&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The Revision of the Catholic Epistles according to the Editio Critica Maior&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;– The text of NA28 has changed at 34 passages.&amp;nbsp;A list of changes is available on the INTF website &lt;a href="http://intf.uni-muenster.de/NA28/files/TextChangesNA28.pdf"&gt;here&lt;/a&gt;. This list also displays the differences between ECM1 and ECM2, which are due to the benefit of using the whole database with the Catholic Letters.&lt;br /&gt;&lt;br /&gt;– Diamonds have been inserted in the text and the apparatus where ECM2 will display a split primary line. A list of these passages&amp;nbsp;which are marked with diamond in the text and apparatus is available &lt;a href="http://intf.uni-muenster.de/NA28/files/DiamondsNA28.pdf"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;– The selection of witnesses has changed.&lt;br /&gt;&lt;br /&gt;– The symbol “Byz” is used instead of Gothic M.&lt;br /&gt;&lt;br /&gt;– The aim of the ECM is to present all relevant material [I think for the textual transmission of the NT in the first 1000 years] and the initial text.&lt;br /&gt;&lt;br /&gt;– The simplest hypothesis (making least suppositions) is that the initial text represent of the text of the author as it is preserved in the extant textual tradition. However, a reconstruction&amp;nbsp;of the authorial text is not possible in each case, every reconstruction cannot be absolutely claimed to be authorial.&amp;nbsp;The present reconstruction is a hypothesis about the text of the authors.&lt;br /&gt;&lt;br /&gt;– The old text-type terminology is not useful any longer.&amp;nbsp;Core witnesses of the Byzantine text are integrated into the network.&amp;nbsp;The ECM Byz is represented by seven witnesses with a pure Byzantine text (these representatives changes from letter to letter).&lt;br /&gt;&lt;br /&gt;– Sometimes the editors preferred readings which were preserved in later witnesses (not the well-known witnesses). When the characteristic feature of the Byzantine text of smoothing out the text is not there, we can be sure that we have an old text before us.&lt;br /&gt;&lt;br /&gt;– 125 passages are marked with diamond – here it is unclear which reading is the initial text.&amp;nbsp;The bold dot has been abandoned.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;NA28 vs. NA27&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;NA27: Aim was more secure reconstruction of the original text.&lt;br /&gt;&lt;br /&gt;NA28: Aim is formulated as a hypothesis about the initial text (at many passages left open)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NA27: Text-type theory&lt;br /&gt;&lt;br /&gt;NA28: Redefinition of external criteria based on relationships between individual witnesses&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NA27: Prejudice against the Byz tradition&lt;br /&gt;&lt;br /&gt;NA28: Reliability of the main stream tradition&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NA27: The critical apparatus as a repository of variants&lt;br /&gt;&lt;br /&gt;NA28: a gateway to the sources&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;NA28: ECM new basis for Nestle-Aland&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Question (at QA-session): At places where there is a diamond, why print a certain reading in the main text? Answer: It was done for practical reasons – the printed reading is the NA27 reading. It would have been a worse alternative to print a new reading.</description><link>http://evangelicaltextualcriticism.blogspot.com/2013/02/presentation-of-na28-sbl-chicago.html</link><author>noreply@blogger.com (Tommy Wasserman)</author><thr:total>1</thr:total></item></channel></rss>
