Think Bruce Lee in Enter the Dragon or Marylin Burns in The Texas Chainsaw Massacre (the 1974 version). Total expenditure. Desperation. Blind, split second retaliations. Instinctual illogic. Lee’s focusing pupil. Burns’ quivering iris. One unbearable moment multiplied to infinity. One scream laying over a hole in time opening wider. You want to live but straddling this expanding crevasse is making you wretch, and if it doesn’t stop you might scream yourself to death… in a hall of mirrors waiting to die.

• Notes
• Score
• Soprano Sax Part

“Throughout the album he demonstrates an undeniable command of his instrument and a keen imagination. But most importantly, he shows that he plays the music, not the saxophone.” —New Music Box of the American Music Center