Listen up Yo! Ya’ll need to shut your pie holes and drink from the well of wisdom. This ain’t no garden variety coolaid. This is the real deal. Too strong for your candy @$$es? Well that’s just too bad. The truth hurts like the taste of a 4 oz. MMA glove in your mouth.

MMA is just as much about your attitude as it is about your skillz. So take notes and learn yourself up yo.

How has this video escaped me thus far? I’m speachless. I just don’t know what to think about this. I mean, who in their right mind decides to film someone getting kicked in the junk? What insurance company covers someone who does this? Seriously, I want their number. And finally, who volunteers for such a job? It’s insanity. Someone call the authorities because someone needs medication.

I don’t know whether to be filled with horror, or admiration. Either way, it’s a great way to start off the week.

ENJOY!!!

Certainly any type of takedown can be used in the sport of MMA, but how to set them up and integrate them into a world where Neck Cranks, Chokes, Knees, Strikes and Submissions of all sorts can be employed as counter measures can sometimes be a daunting task. Cross Training Pioneer Erik Paulson has helped to continue the research and development of this field. Some would argue that he’s polished and even helped shape the landscape of MMA takedown protocols used in modern times. And you can put me into that group.

Here are some out takes we shot in 2009 and 2010 regarding some of those takedowns. As you might expect, these became part of the daily takedown regimen taught and studied at our school. And as the old saying goes, “Practice becomes habit, you don’t live up to your expectations, you live down to your drills and your training.” Such was the case in 2011 when a hand full of our students put these takedowns to the task at a local Submissions Only Tournament (no, time limits, no points).

Both the competitors seen in the videos (Jared Fahrner and Heinrich Mokofisi) used the running takedowns to eventually win their divisions.

One interesting idea to note was that one of our overall strategies going into the tournament was to employ the Catch Wrestling Concept of never offering your head to your opponent by means of “Shooting” for a takedown. Instead the competitors elected to use more upright, Grecco, Catch and Judo style takedowns when the opportunities presented themselves.

This not only allowed them to keep their heads and necks away from trouble but also gave them ample opportunities to utilize the Half Haltch, Grovit, Front Head Lock and Guillotine to control their opponents when they shot in and in some cases submit them outright.

Long story short, thank you again Sensei Paulson and Coach Robinson. This stuff works and works well.

And as a parting holiday present, we’ve included a final gift, an awesome impromptu lesson in leg locking for after you’ve taken your opponent to the mat. Courtesy again, of the legendary Sensei Paulson. So listen up and Lock On!

The Back Story

There is an arms race taking place, an on going struggle that began in the not so distant but aging past, in a garage, in a galaxy… well, it was in our galaxy but those times and places now feel, far, far away.

Two forces, Kiser and Yamasaki met on the mats of one of Professor Pedro Sauer’s old academies as Kiser’s private lesson with Khuen Khru Bernales ened and mine began. From that point on, we would be competing for the attention of our instructor, and trying to best each other whenever and wherever our paths crossed.

Since that time, the struggles continue, with one having the upper hand for months and even years at a time before the tide of battle would change and the playing field would again be leveled. Something we’ve alluded to before in posts such as our “Arm Triangle and Kimura Counter” which is a small glimpse into the arms race and ever evolving counter measures that Kiser and I will forever be interlocked.

Every week, new lines are drawn, scores are settled and new feuds born. Over time, even new Factions have arisen. Some have fallen and been lost to time, but others have taken root and begun to grow strong. I could go on forever about the counters and re-counters employed, sought out and developed between Kiser’s evil empire and Yamasaki’s solo Resistance, but that will have to wait until another time. For this hour, belongs to the new clan, the rising power, the Wiggins Faction.

He and his followers have begun a full scale assault on the happy and peace loving members of the Mushin Self Defense gym. Their calling card… The Arm Bar. I invite you to come along as I fumble my way through the mine field of Wiggarian Arm Bars, and attempt to mount a counter offensive through preventative measures, escape systems and counterfuge.

The purpose of this on going series of articles (The Mat Wars Saga) is two fold. One, to share a little more of our own personal world with our DCMMA friends and family, and two to share and further develop my own MMA problem solving methodology (and not necessarily in that order).

The problem solving methodology is a work in progress. I by no means claim any expertise in that department and am myself still trying to improve and simplify the process. I hope by sharing it, I will both clarify my own thought process as well as learn from your comments and experiences.

I often say, “THAT your technique failed is of little to no importance. HOW it failed, the specifics of where arms were placed, hands were positioned, hips were angled, feet were moving, etc. is of ultimate importance. Therein lies the body of evidence that will lead us to finding what killed our technique.” It’s a game of MMA CSI.

This is one piece of the problem solving methodology. Taking many snap shots at the scene of the crime. And make no bones about it, for a move to not work the way you would have liked, is indeed a crime.

We will use the Mat Wars Saga as a case study in these methods. Starting with the on going Crime Scene Investigation, the Wiggarian Arm Bar. This Serial criminal comes in many shapes and sizes, and attacks from many different angles. But as a starting point we will be investigating perhaps the most sinister variation of them all. The Kimura Set Up From Guard.

I have collected the necessary evidence in a series of snap shots. And it’s funny to mention and include these as I recall years ago, hearing one of my instructors defending a move that was being questioned with the following statement. “No move is 100% all the time. Anytime you take a snap shot of a technique, you can point out a number of ways to pick it apart.” We’ll that just what I intend to do.

Below is a re-enactment of Joe’s Crime. Prosecuting him for count two “Trying to tap out his own instructor” will be something we address at another time.

Joe Wiggins starts his evil and malicious crime (the Arm Bar) from Closed Guard

He then opens his guard and violently turns to his left side, which allows him to place his opponent's right hand on the mat and obtain wrist control

Here Joe locks up the Kimura but in the process, allows his left leg to slide downward until it hits the mat and invites you to step over and begin to pass his guard in a counter clockwise direction.

Kensei obliges Joe's invitation and begins to pass Joe's left shin across his midsection. Keep in mind that the threat of being finished by the Kimura itself is ever present.

As Kensei moves to finalize the pass (his motion and direction of force is shown here in green), Mr. Wiggins simultaneously moves his hips in the opposite direction (shown here in red, a clockwise direction of force), which gives him space and the potential for a parallel body alignment with Kensei. This is an important detail as at this juncture, Mr. Wiggins has 4 simultaneous options. 1. Finish The Kimura 2. Utilize Parallel Body alignment to execute the Kimura Sweep and finish with the Kimura 3. Execute the redundant Kimura Sweep and finish with the stereotypical Arm Bar or 4. Move directly to a Quarter Back Mounted Arm Bar

I generally fight to maintain my base and top position which usually persuades Joe to take option 4. To do this he immediately inserts his left shin in front of Kensei's left arm.

He then places his right leg over Kensei's head and inserts his right foot into Kensei's right hip. The whole while Joe maintains a T Wrap/Figure 4 Grip on Kensei's right forearm.

Joe finalizes the Arm Bar by using his hips to break Kensei's grip and extend Kensei's arm. In this case the direction of force on Kensei's arm is along the mat and towards Joe's head.

If Kensei is able to power his arm back in to defend the Arm Bar, Joe simply transitions to a Kimura. Kensei can look to his left and defend the Kimura by summersaulting over his right shoulder but then he runs straight into the stereotypical Arm Bar and is finished from there.

You’ve seen the evidence, you’ve had a chance to study the crime scene. Now let’s take a moment and discuss the problem solving methodology.

The Problem Solving Methodology

The problem solving methodology is two fold. I try to address said problems from both a technical and a tactical vantage point. The CSI approach is more on the technical level. It involves looking at the mechanics of the technique in question and then, countering the technique with other techniques or simply dismantling the technique by means of negating one or more of the necessary mechanics.

On a Tactical level we look at paradigm shifts. Sometimes, you get so stumped trying to untangle the limbs and levers, the weights and pulleys of a technique that you basically hit a dead end. A mental block if you will. When I experience these I usually try and attack the problem at the tactical level. That is, to look at the problem itself from a completely different vantage point.

Take for example this Wiggarian Arm Bar from a Kimura Set Up. I have attempted to break it down and disassemble it from a technical level, with limited success for months now. Frustrated at this progress or lack thereof, I’ve now begun to approach the problem at a tactical level. I try not to put myself in positions where Joe can set up his heinous technique in the first place, but as with many things, it’s a lot easier said than done. As a result, I’ve recently begun to postulate a new idea.

By understanding how Joe sets up his damned Arm Bar at a technical level, and by looking at the problem from a tactical vantage point, I’ve been able to decipher that his set up is based on a brilliant strategy. He sets his technique up and finishes it based on movements from his opponents that follow fundamental, but predictable predispositions. You see, if you’ve had any instruction in guard work at all, you are going to be predisposed to eventually attempting to pass guard whenever you’re caught in it. This is how Joe finishes. He will set up the arm bar from within the guard, but it’s the act of you passing that enables him to finalize it. As a result, he will actively create opportunities for you to pass and in doing so tighten the noose around your own neck. Tricky bastard!

Thus, I am led to believe, that if I do the opposite of what is expected, that is, once the arm bar is set via the Kimura Set Up, I move into his guard, I can stall and perhaps even completely demise his ability to finalize the arm bar or at least this iteration of his arm bar. I will call this the “Chinese Finger Trap Defense”.

Tune in to the next episode of the Mat Wars Saga to find out how it goes.

I also invite you to turn in your own solutions to this problem, and eventually your own Technique Failures for us to CSI and problem solve. Together, we can catch the bad guys and rescue your technique.

Now the challenge, for both you and me is to apply these same problem solving methodologies to the challenges that face us in our daily lives, at work, at play, in the home as well as on the mats. It’s the Jiu-jitsu of Life as my cousin would so aptly put it. The most important Jiu-jitsu of all.

I’ve been saving this little beauty for a rainy day. And seeing as how it’s been a little quiet around the vlog as of late, I thought, it’s a perfect time to unleash some more pain. I mean, sharing is caring right?

Ever since I first read about the Gotch Toe Hold, I’ve been interested in learning more about it. Well at this year’s first quarter Certified Catch Wrestling Audit, we had a chance to do just that. After being teased with a first glance look at the technique during our shoot for the “Say Uncle” Catch as Catch Can book (pages 198 and 199 cover the technique in pictorials), I wanted to get some more hands on time with it with one of the last surviving practitioners of Catch, Coach Billy Robinson.

He shared his thoughts on a few variations and follow ups and then signed my copy of the book.

If you’re interested in picking up a copy, it would help Coach Kiser and I out as well as Scientific Wrestling (the guys responsible for putting together the Audits and the book) if you could use the link below and purchase your copy from Amazon.com

Jake Paul and Coach Kiser demonstrating the basic CACC Ready Stance.

In essence, the Catch Ready Stance is more upright than it’s amateur wrestling cousin. And favoring more of a Grecco and Judo style throwing for it’s takedowns vs the shooting and leg hunting method of the amateur style, I asked Coach Robinson why that came to be. His answer was simple. “Because you would never want to offer your neck to your opponent like that.”

Notice the difference in posture with the Amateur Wrestling version of the ready stance

Seeing how Catch not only employs and allows Guillotine type chokes but also potentially lethal neck cranks such as the Grovit, I took his words to heart. In fact I could hear them ringing in my ears this last weekend as I watched two of my own fighters get caught and choked with Guillotines as they shot in for doubles and singles. I suppose some lessons are hard learned.

Our student Dan Berry delivers his second Suplex shortly before getting caught in an Arm In Guillotine

At any rate, train well and Happy Hunting.

As of late, I’ve been a bit of a loafer when it comes to updating this blog, I admit. Coach Kiser and I have been inundated with a number of gym projects. We prepped and took a number of the kids to a Jiu-jitsu Tournament, we trained and took Kensei Sato into his 5th MMA fight last week and have been slaving away with 5 more fighters who go into the Cage in exactly 9 days.

On top of all that, our members have finally figured out, that we respond and welcome their requests and personal interaction. They’ve been PMing and requesting technique series in our forums left and right and we’ve been working over time to accommodate them.

Recently, we were asked to do a series on drills that could be done either solo or with a partner. CSW Coach Shane Taylor, the first student to graduate the CSW Coaching curriculum and earn his coaching certificate through us under Sensei Erik Paulson used to travel out of town frequently and during the first few years with us had made a similar request.

As a result, we had already put together a series of techniques that he could do in his hotel rooms on the road. It would seem that they weren’t too shabby as he used them to help build his foundation and eventually become one of our very best students.

The Solo and Wall Drill series is largely based on the program we put together for Coach Shane. We filmed it and put it up for DCMMA member Robin Jeff Davis and Edric Escalante. But I thought there are many of you who might also enjoy a few ideas for the next time you’re fresh out of training partners.

I hope you find these videos helpful. They are a small sampling of the full series available to our members.

Train hard, enjoy yourselves and Lock On!

When I heard that Royler Gracie vs Eddie Bravo 2 would be this years ADCC superfight I was excited. When I heard it was taking place within travelling distance from my home I was on the Internet reserving my tickets. I wasn’t even bothered that there were other contests taking place.
However, rumours quickly began to swirl around the World Wide Web that the Superfight wouldn’t be taking place at all. To say I was devastated about the contest being cancelled would be a huge understatement.

I did intially have thoughts of selling my tickets but quickly realised how crazy that would be as I had the chance to watch the finest grapplers in the world competing against each other. As I entered the Capital FM Arena in Nottingham, the first person I saw was Andre Galvao. I get a photo and wish him luck and make my way to my seat. Meeting a grappling superstar on the way in set the tone for the rest of my weekend.

ADCC 2011 Nottingham England

Three large matted sections took up the floor in the middle of the Arena and there were three simultaneous matches taking place at once throughout most of the day. The first day featured the qualifiers to determine the semi finalists in each weight division and the second day had the Semi-Finals, Finals and the Absolute tournament. Each day held a Superfight, on day one it was the previous Absolute winner Braulio Estima vs Jacare and on day two it was a battle of grappling legends Mario ‘The Zen Machine’ Sperry vs Renzo Gracie.

Pablo Popovitch sporting a suit of muscle.

Many things stood out over the course of the weekend. The main thing that stood out was the outstanding conditioning of all the competitors. When you see the physiques of fighters such as Andre Galvao, Pablo Popovich, Kron Gracie and Rousimar Palhares you can see they have been hitting the weights room hard but what was outstanding is that these guys were fighting up to 25 minute contests against the best athletes their sport has to offer multiple times throughout the two days. I don’t recall any of them looking out of breath or fatigued. These guys obviously work as hard on their fitness as they do on their technique. It wasn’t only these particular fighters, virtually every competitor looked to have an elite level of fitness.

Another thing that stood out was the technique of the Grapplers. Some of the movements and transitions made were really phenomenal. As a fan of the ground game it was beautiful to watch at times. I marvelled at Marcelo Garcia and many of the female competitors as they demonstrated their ability in recurring instances of small triumphing over big in true BJJ fashion.

One instance that stood out in the Absolute was Victor Estima defeating Jaoa Asis. Victor had lost a very quick and disappointing loss to Marcelo Garcia the previous day to drop out of his weight class but he showed great heart and skill to return the following day to beat Asis who had lost to Dean Lister in a closely fought contest in the finals of the weight class above Victors own natural class. It was a great moment.

The Audience was clearly educated in the Grappling arts as it was similar to what you see in Japanese MMA where the crowd can be so silent you can hear a pin drop but if someone is close to a submission everyone was on their feet clapping and shouting encouragement or advice to the fighters. It was a great atmosphere and the fighters themselves were very approachable and accommodating.

I have some minor criticisms of the ADCC’s but only because I was greedy for more. There was no big screen to show slow motion replays. I understand that this is not essential but it would have been nice. This is because at times there were three grappling contests happening at the same time, sometimes I was watching one match and missed the submission on a different mat. At one point we had to choose between watching Marcelo Garcia vs Kron Gracie on one mat and Andre Galvao vs Pablo Popovich on another. There were more than a few times I was torn between which match to watch.

The scoring I felt didn’t always reflect the true nature of the bouts, for instance, in the Kron Gracie – Marcelo Garcia match up Marcelo took Kron down and received two points but Kron had caught Garcia in a Guillotine choke that looked very tight and Garcia looked to be in trouble before he eventually managed to escape. Most matches won on points were decided by someone taking the back and getting their hooks in or takedowns.

Some highlights of the action included Kyra Gracie winning her division with a victory over Michelle Niccolino submitting her with an omoplata.
Jeff Glover defeating Robson Moura with an arm in Guillotine in a classic match. Vinny Magalhaes used a full Rubber guard to setup an omoplata, unfortunatley he couldn’t get the finish but it was cool to see the set up being used in such a high level competition.

In another notable match, Rousimar Palhares and David Avellan rolled off the mat with Palhares catching Avellan in a leg lock but the referee called for a break. Avellan protested over something and was clearly angry yet Palhares seemed perplexed. When the match was restarted on the mat Palhares yanked on his leglock as Avellan tried to escape but Avellan tapped as his knee was popped out of place. Avellan was given medical attention and ended up leaving in a wheelchair. I hope he makes a speedy recovery.

Magalhaes vs Werdeum heavyweight finals

The main highlight for me though was Vinny Magalhaes vs Fabricio Werdum for the heavyweight final. Magalhaes had a two point lead with minutes to go when Werdum caught Vinny in a straight armbar. The former heavyweight winner had the hold on and it looked locked in. It seemed like a tap was imminent but it didn’t happen. Vinny held on, Werdum crossed the arm over his hip and pressed it down, he rotated it and applied pressure, he leaned further back, he tried everything to get the tap. The audience were all on their feet shouting, some even pleading with Vinny to tap. It seemed to carry on for ages then suddenly somehow Vinny was out. The spectators erupted with amazement and joy. Vinny managed to ride out the time and won the heavyweight division. He showed real heart and determination to survive.

All in all my trip to the ADCC’s was incredible. I had such an amazing time and I would highly recommend it to any fight fans. Watching these athletes live, in action gave me a real motivational boost and inspired me to become a much better Grappler.

- Robert Carlin 2011 ADCC Nottingham England

It’s been a while since I’ve had the time to just surf, dig, dig, and dig some more until I unearthed some burried gems. New artifacts (oxymoron alert!) for the Frontiers of Submission. If you read our earlier post on the subject you know that I enjoy seeing new ideas (perhaps not new to the world, but at least new to my eyes).

There was a dry spell there for a moment. Finding new, interesting and or useful material on the internet had become exceedingly difficult. Then things got busy and I simply didn’t have the time to sift through the muck to find a few viable possibilities. That is until now. As of late, I’ve found a few new ideas that are pretty interesting.

First up is this awesome Butterfly Guard Counter from www.DSTRYRSG.com A Guard Pass and Quick Kill all rolled up into one. What’s not to like? And anything that has anything to do with a Chicken Wing/Kimura/Double Wristlock is good fare for my tastes.

Next up are a couple of really nifty little wrist locks from www.vt1gym.com. I use that little Bicep Control Wrist Lock for quite some time now but that little hip shift detail has made it even more successful and efficient for me.

Below is some old school footage of Russian Wrestling. New? I think the video speaks for itself but I’ve never seen it, so it’s new to me, and I love it. If nothing other than for the pure eye candy of it. But there are plenty of great pointers you can pick up from checking this series out. I mean, it’s part 12 guys. There is a whole series, which could arguably keep us all busy for a friggin lifetime of study.

Barnett, Footlocks, NUFF SAID!

And I’ve saved desert for last. So much goodness to be said about this last clip. If it wasn’t awesome enough to have a Bravo clip sitting right next to a Barnett clip (If you aren’t privy to the keyboard war between the two concerning 10th planet JJ and Catch as Catch Can, you’re going to have to look it up on the MMA Underground yourself because I’m not going to go into here).

And as if that weren’t enough, we’ve got a leg lock set up from and Arm Triangle. Those of you who know how proficient Kiser is at using them and the hundreds of set ups he uses, know how useful this might be for him. Why do I post it here then when it will only make my life more miserable? Because I know he’ll never see it because he never reads my posts. I don’t even know if he’s literate to be honest. And I have to admit I get a kick out of hiding it here in plain sight.

Oh, and if that’s not enough to do it for you, did I mention Eddie’s partner is none other than Joanne of the MMA Girls… MEEEEEEEEEeeeee-OOOOOWWWW!!!

What fighter worth his salt would ever go into a fight without padding his proverbial hand as much as possible in his favor?

Having a rock solid wing man is one of the most overlooked and under rated pieces of prep work that a fighter can have in place for his/her up coming fight.

If you’ve ever taken the time to listen to the corners during a fight, you’d be surprised at the variance in ability and quality. It’s amazing how often the advice you hear being shouted from the corner is something along the lines of “F*** him up bro!” Really?

An important part of any successful competition is communication between Coach/Instructor and Student/Competitor.

This article will focus on a couple of methods we use to communicate to our students when they are in the middle of their matches. They can however, be applied to effectivly communicating during any traumatic or stressful event.

A good coach is like a second pair of eyes for their student. But what the coach sees is useless if he/she is unable to communicate that information to his/her student.

Below are a list of tips that we have found helpful in communicating to our students when they are in the middle of a match.

Less is more… Keep It simple

If there is a constant barrage of chatter comming from the sidelines, it tends to blend in with the myriad of other noises already being muted by the tunnel vision/hearing experienced by the student. Be patient, hold your tongue and only bark out an occasional observation. AND when you do give some instruction, keep it simple. Suggestions such as this, “slip the jab, then uppercut, overhand, left hook right kick and shoot.” Simply are too much for a student under duress to handle. Something like the following would be more helpful “SLip and counter”.

Use the student’s name.

During one of his fights, Trevor “Little Bang” Osborn related that when everyone was shouting, he didn’t know who was saying what to whom. He didn’t know if it was the opposing team or our team speaking to the other competitor or to him and pretty soon he simply tuned it all out… that is until he heard us shout his name. Then he was able to take focus and listen.

Proper use of use of this method would sound something like this:

“Trevor, be first.”
“Trevor, circle! Keep your back off the cage.”
“Trevor, Go Now!”

Make eye contact.

When your student is fatigued and or rocked they tend to do a little slot machine number with their eyes. Their head will roll lazily around and their eyes will roll up under their lids etc.

If this happens between rounds, control their head with your hands and force them to look into your eyes.

If they are in a contol position mid-round, tell them to look at you. This will again, help to re-focus them, not just on your instruction, but also onto the task at hand.

Trigger Words

Trigger Words are words or phrases whose meaning you and your students have agreed upon. They are words that have been used during training sessions leading up to the event so that the student is used to hearing them and reacting to them.

For instance, we use the Trigger Words “Go Now”. We all know that this means, it means that there is 30 seconds left in the round. We have trained the student to go all out upon hearing that phrase (Pavlov eat your heart out). “Establish Base” means, chill out. Don’t blow your wad just yet. Re-establish your position and calmly look for openings and opportunities.

These phrases should be reinforced and used repeatedly in the gym during training sessions.

Don’t use more than one or two Trigger Words in your gym. The more Trigger Words you have, the less impact and significance they carry.

Communicate Visually with Hand Signals and Expressions

There are many times that a student’s battle stress will completely debilitate their ability to hear your voice. There are also times that the venue is so loud that your voice simply cannot be heard above the rest of the noise. In these instances it is helpful to commuicate visually as well as verbally. For instance, we will point to our eyes, then look up and point to the ceiling if we want our students to arch their backs more, lift their head and put more body into straightening out the armlock, guillotine, etc.

We’ll point to the ceiling and loop our finger around in a circle if we want the student to relax and burn some time off the clock.

And remember… every communication should be prefixed with your student’s name.

I hope these tips are helpful to you and your crew and we wish you all the best of luck. Train hard… we’ll see you out on the mat!

The Artistry of Sweet Science

Recently I tried to explain to my students that ultimately, our goal is to learn the techniques so that we can express ourselves through them.

I saw a lot of glazed over looks and nodding heads with empty eyes.

Then come sparring time, I saw a lot of mechanical movements, like notes to a melody being pounded out, without a single shred of feeling.

What does this mean? Expressing oneself through technique. I tried to explain that a fight is like a conversation without words.

Techniques communicate something immutable, intangible. In Thai Boxing, a Teep to the face, like Western Boxing’s Lead Straight Right is a way of insulting your opponent.

You are taking one of the dirtiest parts of your body and wiping it all over someone’s face. In essence using it as a door mat. Or in the case of the Straight Right, you’re taking your most powerful tool, from the furthest point away from your opponent and putting it right on his snot box without need of a set up or diversion. That expresses something.

The Rhythm of Expression

There is a rhythm to fighting, a cadence and timing.

The best fighters, the ones we love to watch always have an intimate understanding of this, a way of phrasing with their combinations, the tactful use of a dramatic pause.

Take for instance the difference in how these Instructors from the Thai Boxing Association express the same types of technique.

Take for instance, Ajarn Greg Nelson’s relentless and physical style.

And contrast that to the paced approach of Ajarn Bryan Popejoy shown here in the red.

And then look at how the techniques and their judicious placement and timing during the fight communicate something that cannot be said in Khuen Khru Brian Dobler’s highlight.

All are decorated, and very deeply respected icons in the Thai Boxing Association Muay Thai Camp. But each expresses the same types of movement in their own unique and beautiful way. There is an artistry to their approach.

The slight lowering of the gloves after delivering a telling blow. Giving the fans, the judges and the opponent ample time to absorb the message.

There is much more at play here than simply flailing limbs. There is a conversation being played out. A wonderful debate that those of us lucky enough to witness can learn from and enjoy.

Beyond the Science of 8 Limbs

This goes beyond Muay Thai and extends in to all combat sport. Boxing, Kick Boxing, Jiu-jitsu, Catch Wrestling, MMA, et al. So the next time you lace up those gloves and slicker up that mouth piece. Take a moment and remember, that that greats, not only deliver a heaping dose of punishment, but a sound and undeniable message…

an expression of the self.