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Mahfood)</managingEditor><generator>Blogger</generator><openSearch:totalResults>626</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/CoffeeTablePoetry" /><feedburner:info uri="coffeetablepoetry" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><thespringbox:skin xmlns:thespringbox="http://www.thespringbox.com/dtds/thespringbox-1.0.dtd">http://feeds.feedburner.com/CoffeeTablePoetry?format=skin</thespringbox:skin><geo:lat>25.784276</geo:lat><geo:long>-80.141267</geo:long><creativeCommons:license>http://creativecommons.org/licenses/by-nc-nd/2.0/</creativeCommons:license><image><link>http://www.coffeetablepoetry.blogspot.com</link><url>http://i654.photobucket.com/albums/uu265/vickig423/coffeeiconwelcome.png</url><title>Coffee Table Poetry</title></image><feedburner:emailServiceId>CoffeeTablePoetry</feedburner:emailServiceId><feedburner:feedburnerHostname>http://feedburner.google.com</feedburner:feedburnerHostname><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8083953159111148026.post-2450113525240194250</guid><pubDate>Wed, 23 May 2012 23:50:00 +0000</pubDate><atom:updated>2012-05-23T19:59:18.195-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">humanity</category><category domain="http://www.blogger.com/atom/ns#">hope</category><category domain="http://www.blogger.com/atom/ns#">21st C</category><category domain="http://www.blogger.com/atom/ns#">kindness</category><category domain="http://www.blogger.com/atom/ns#">Anon</category><title>Kindness Is The Word</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-crGB6Uqdfbs/T714JusJkKI/AAAAAAAAJeo/Vqw6iQ8xVdE/s1600/teacupgoldrose.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-crGB6Uqdfbs/T714JusJkKI/AAAAAAAAJeo/Vqw6iQ8xVdE/s1600/teacupgoldrose.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000;"&gt;&lt;em&gt;&lt;strong&gt;--Description: 21st C, Unknown, Hope, Kindness--&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_VpTJUcCWU4s/Sd93SIHm2hI/AAAAAAAABFc/NRPGduKf0Xc/s1600-h/kindness2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" ki="true" src="http://4.bp.blogspot.com/_VpTJUcCWU4s/Sd93SIHm2hI/AAAAAAAABFc/NRPGduKf0Xc/s320/kindness2.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;"What is the real good?"&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;I asked in musing mood.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;Order, said the law court;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;Knowledge, said the school;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;Truth, said the wise man;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;Pleasure, said the fool;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;Love, said the maiden;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;Beauty, said the page;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;Freedom, said the dreamer;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;Home, said the sage;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;Fame, said the soldier;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;Equity, said the seer;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;Spake my heart full sadly:&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;"The answer is not here."&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;Then within my bosom&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;Softly this I heard:&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;"Each heart holds the secret:&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;Kindness is the word."&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;Unknown&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: #990000; font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Word of the Day:&lt;/b&gt; gambit \GAM-bit\, noun:&lt;br /&gt;
1. A remark made to open or redirect a conversation.&lt;br /&gt;
2. Chess. An opening in which a player seeks to obtain some advantage by sacrificing a pawn or piece.&lt;br /&gt;
3. Any maneuver by which one seeks to gain an advantage.&lt;br /&gt;
Example:&lt;br /&gt;
The leader was eyeing him up and down, shrewdly calculating. "Thirsty as all that, are you, my friend?" he asked. Gratefully Bomilcar seized upon the gambit. “Thirsty enough to buy everyone here a drink,” he said.&lt;br /&gt;
-- Colleen McCullough, The First Man in Rome&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;Quote of the Day:&lt;/b&gt; Endure and persist; this pain will turn to good by and by.&lt;br /&gt;
- Ovid&lt;br /&gt;
&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;** Please also visit fellow poets on our &lt;/span&gt;&lt;a href="http://www.coffeetablepoetry.com/p/todays-guest-post.html" style="font-family: Arial, Helvetica, sans-serif;"&gt;Today's Guest Post Page &lt;/a&gt;&lt;span style="font-family: Arial, Helvetica, sans-serif;"&gt;.&lt;/span&gt;&lt;br /&gt;
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&lt;/span&gt;&lt;br /&gt;
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&lt;span style="color: #990000; font-family: Verdana,sans-serif; font-size: small;"&gt;&lt;b&gt;--Description: 20th C, Swinburne A.C., Dreams, Love-- &lt;/b&gt;&lt;/span&gt; &lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_VpTJUcCWU4s/SuBsfJ7bi-I/AAAAAAAACxs/NasabCeoDk8/s1600/mothernat2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="230" src="http://2.bp.blogspot.com/_VpTJUcCWU4s/SuBsfJ7bi-I/AAAAAAAACxs/NasabCeoDk8/s320/mothernat2.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: #783f04;"&gt;&lt;br /&gt;
I hid my heart in a nest of roses, &lt;br /&gt;
Out of the sun's way, hidden apart; &lt;br /&gt;
In a softer bed then the soft white snow's is, &lt;br /&gt;
Under the roses I hid my heart. &lt;br /&gt;
Why would it sleep not? why should it start, &lt;br /&gt;
When never a leaf of the rose-tree stirred? &lt;br /&gt;
What made sleep flutter his wings and part? &lt;br /&gt;
Only the song of a secret bird. &lt;br /&gt;
&lt;br /&gt;
Lie still, I said, for the wind's wing closes, &lt;br /&gt;
And mild leaves muffle the keen sun's dart; &lt;br /&gt;
Lie still, for the wind on the warm seas dozes, &lt;br /&gt;
And the wind is unquieter yet than thou art. &lt;br /&gt;
Does a thought in thee still as a thorn's wound smart? &lt;br /&gt;
Does the fang still fret thee of hope deferred? &lt;br /&gt;
What bids the lips of thy sleep dispart? &lt;br /&gt;
Only the song of a secret bird. &lt;br /&gt;
&lt;br /&gt;
The green land's name that a charm encloses, &lt;br /&gt;
It never was writ in the traveller's chart, &lt;br /&gt;
And sweet on its trees as the fruit that grows is, &lt;br /&gt;
It never was sold in the merchant's mart. &lt;br /&gt;
The swallows of dreams through its dim fields dart, &lt;br /&gt;
And sleep's are the tunes in its tree-tops heard; &lt;br /&gt;
No hound's note wakens the wildwood hart, &lt;br /&gt;
Only the song of a secret bird. &lt;br /&gt;
&lt;br /&gt;
ENVOI &lt;br /&gt;
&lt;br /&gt;
In the world of dreams I have chosen my part, &lt;br /&gt;
To sleep for a season and hear no word &lt;br /&gt;
Of true love's truth or of light love's art, &lt;br /&gt;
Only the song of a secret bird. &lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt; &lt;span style="font-family: Verdana,sans-serif; font-size: small;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Algernon_Charles_Swinburne"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: #783f04;"&gt;&lt;br /&gt;
Algernon Charles Swinburne &lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt; (1837–1909) Swinburne was an English poet, controversial in his own day. He invented the roundel form, wrote some novels, and contributed to the famous Eleventh Edition of the Encyclopaedia Britannica. From 1903 to 1909 he was constantly nominated for the Nobel Prize in Literature. Swinburne was born at 7 Chester Street, Grosvenor Place, London, on 5 April 1837. He was the eldest of six children born to Captain (later Admiral) Charles Henry Swinburne and Lady Jane Henrietta, daughter of the 3rd Earl of Ashburnham. He grew up at East Dene in Bonchurch on the Isle of Wight and attended Eton College 1849-53, where he first started writing poetry, and then Balliol College, Oxford 1856-60 with a brief hiatus when he was rusticated from the university in 1859, returning in May 1860, though he never received a degree. He spent summer holidays at Capheaton Hall in Northumberland, the house of his grandfather, Sir John Swinburne, 6th Baronet (1762-1860) (see Swinburne Baronets) who had a famous library and was President of the Literary and Philosophical Society in Newcastle upon Tyne. Swinburne considered Northumberland to be his native county, an emotion memorably reflected in poems like the intensely patriotic 'Northumberland', 'Grace Darling' and others. He enjoyed riding his pony across the moors. Read more at:&lt;a href="http://en.wikipedia.org/wiki/Algernon_Charles_Swinburne"&gt; A. C. Swinburne &lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt; palladian \puh-LEY-dee-uhn\, adjective:&lt;br /&gt;
1. Pertaining to wisdom, knowledge, or study.&lt;br /&gt;
2. Of or pertaining to the goddess Athena.&lt;br /&gt;
3. Pertaining to, introduced by, or in the architectural style of Andrea Palladio.&lt;br /&gt;
Example:&lt;br /&gt;
Within the sanctuary the gold and ivory image of Athena, fashioned by Phidias, had given way to the pale face of Our Lady, Mother of the Holy Child, and the grandiloquent Latin of the mass rolled its volume through the hall that once had echoed to the sonorous Greek of the Palladian hymns.&lt;br /&gt;
-Justin Huntly McCarthy, The dryad: a novel  &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt; It is a good idea to be alone in a garden at dawn or dark so that all its shy presence may haunt you and possess you in a reverie of suspended thought.  &lt;br /&gt;
~James Douglas  &lt;br /&gt;
&lt;br /&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CoffeeTablePoetry/~4/eFIwxLAy-ho" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/CoffeeTablePoetry/~3/eFIwxLAy-ho/ballad-of-dreamland.html</link><author>noreply@blogger.com (V. Mahfood)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_VpTJUcCWU4s/Ss354GGXy0I/AAAAAAAACpc/R3FGDMriB_s/s72-c/teacupheart.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.coffeetablepoetry.com/2010/07/ballad-of-dreamland.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8083953159111148026.post-3020794959257828937</guid><pubDate>Mon, 14 May 2012 00:05:00 +0000</pubDate><atom:updated>2012-05-13T20:07:13.563-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">childhood</category><category domain="http://www.blogger.com/atom/ns#">memories</category><category domain="http://www.blogger.com/atom/ns#">20th C</category><title>My Mother Kept A Garden</title><description>&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-83MdX9DnTAo/T7BL35BrpqI/AAAAAAAAJNI/4w-IlrM4lRs/s1600/teacupdishempress.png" imageanchor="1" style="margin-left:1em; margin-right:1em"&gt;&lt;img border="0" height="250" width="168" src="http://1.bp.blogspot.com/-83MdX9DnTAo/T7BL35BrpqI/AAAAAAAAJNI/4w-IlrM4lRs/s320/teacupdishempress.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif; font-size: small; color: rgb(153, 0, 0);"&gt;&lt;b&gt;--Description: 20th C, Author Unknown, Childhood, Family, Memories-- &lt;/b&gt;&lt;/span style&gt; &lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-zcQ_E3QckhI/T7BMW7kehmI/AAAAAAAAJNU/ISN4tjvfqSc/s1600/gardenmother.jpg" imageanchor="1" style="margin-left:1em; margin-right:1em"&gt;&lt;img border="0" height="266" width="350" src="http://4.bp.blogspot.com/-zcQ_E3QckhI/T7BMW7kehmI/AAAAAAAAJNU/ISN4tjvfqSc/s320/gardenmother.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="color: rgb(120, 63, 4);"&gt;&lt;br /&gt;
My Mother kept a garden,&lt;br /&gt;
a garden of the heart,&lt;br /&gt;
She planted all the good things&lt;br /&gt;
that gave my life it's start. &lt;br /&gt;
She turned me to the sunshine&lt;br /&gt;
and encouraged me to dream,&lt;br /&gt;
Fostering and nurturing&lt;br /&gt;
the seeds of self-esteem... &lt;br /&gt;
And when the winds and rain came,&lt;br /&gt;
she protected me enough-&lt;br /&gt;
But not too much because she knew&lt;br /&gt;
I'd need to stand up strong and tough. &lt;br /&gt;
Her constant good example&lt;br /&gt;
always taught me right from wrong-&lt;br /&gt;
Markers for my pathway&lt;br /&gt;
that will last a lifetime long. &lt;br /&gt;
I am my Mother's garden.&lt;br /&gt;
I am her legacy-&lt;br /&gt;
And I hope today she feels the love&lt;br /&gt;
reflected back from me.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;/span style&gt; &lt;span style="font-family: Verdana,sans-serif; font-size: medium;"&gt;&lt;b&gt;Author Unknown&lt;/b&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: rgb(120, 63, 4);"&gt;&lt;/span style&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span style&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt;  antipode \AN-ti-pohd\, noun:&lt;br /&gt;
A direct or exact opposite.&lt;br /&gt;
Example:&lt;br /&gt;
It seemed that this enthusiast was just as cautious, just as much alive to judgments in other minds as if he had been that antipode of all enthusiasm called "a man of the world."&lt;br /&gt;
-- George Eliot, Daniel Deronda&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt;  When dealing with people, remember you are&lt;br /&gt;
not dealing with creatures of logic,&lt;br /&gt;
but creatures of emotion.&lt;br /&gt;
- Dale Carnegie&lt;br /&gt;
&lt;br /&gt;
** Please also visit fellow poets on our &lt;a href="http://www.coffeetablepoetry.com/p/todays-guest-post.html"&gt;Today's Guest Post Page &lt;/a&gt;. &lt;br /&gt;
&lt;br /&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CoffeeTablePoetry/~4/Gv3Wmssfk8c" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/CoffeeTablePoetry/~3/Gv3Wmssfk8c/my-mother-kept-garden.html</link><author>noreply@blogger.com (V. Mahfood)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-83MdX9DnTAo/T7BL35BrpqI/AAAAAAAAJNI/4w-IlrM4lRs/s72-c/teacupdishempress.png" height="72" width="72" /><thr:total>2</thr:total><feedburner:origLink>http://www.coffeetablepoetry.com/2012/05/my-mother-kept-garden.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8083953159111148026.post-4537099884835455611</guid><pubDate>Thu, 10 May 2012 23:16:00 +0000</pubDate><atom:updated>2012-05-10T19:17:06.958-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Wyatt T.</category><category domain="http://www.blogger.com/atom/ns#">16th C</category><category domain="http://www.blogger.com/atom/ns#">sorrow</category><category domain="http://www.blogger.com/atom/ns#">music</category><category domain="http://www.blogger.com/atom/ns#">love</category><title>My Lute Awake</title><description>&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_VpTJUcCWU4s/TFhNgddUa4I/AAAAAAAAE30/xyYHcZLVZrU/s1600/teacupstack3.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_VpTJUcCWU4s/TFhNgddUa4I/AAAAAAAAE30/xyYHcZLVZrU/s1600/teacupstack3.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="color: #990000; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;b&gt;--Description: 16th C, Wyatt T., Love, Music, Sorrow--&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_VpTJUcCWU4s/TFhN68E1VsI/AAAAAAAAE34/4xHAFmc2VvM/s1600/lute.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="250" src="http://1.bp.blogspot.com/_VpTJUcCWU4s/TFhN68E1VsI/AAAAAAAAE34/4xHAFmc2VvM/s320/lute.jpg" width="380" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="color: #783f04;"&gt;My lute awake! perform the last &lt;br /&gt;
Labour that thou and I shall waste, &lt;br /&gt;
And end that I have now begun; &lt;br /&gt;
For when this song is sung and past, &lt;br /&gt;
My lute be still, for I have done. &lt;br /&gt;
&lt;br /&gt;
As to be heard where ear is none, &lt;br /&gt;
As lead to grave in marble stone, &lt;br /&gt;
My song may pierce her heart as soon; &lt;br /&gt;
Should we then sigh or sing or moan? &lt;br /&gt;
No, no, my lute, for I have done. &lt;br /&gt;
&lt;br /&gt;
The rocks do not so cruelly &lt;br /&gt;
Repulse the waves continually, &lt;br /&gt;
As she my suit and affection; &lt;br /&gt;
So that I am past remedy, &lt;br /&gt;
Whereby my lute and I have done. &lt;br /&gt;
&lt;br /&gt;
Proud of the spoil that thou hast got &lt;br /&gt;
Of simple hearts thorough Love's shot, &lt;br /&gt;
By whom, unkind, thou hast them won, &lt;br /&gt;
Think not he hath his bow forgot, &lt;br /&gt;
Although my lute and I have done. &lt;br /&gt;
&lt;br /&gt;
Vengeance shall fall on thy disdain &lt;br /&gt;
That makest but game on earnest pain. &lt;br /&gt;
Think not alone under the sun &lt;br /&gt;
Unquit to cause thy lovers plain, &lt;br /&gt;
Although my lute and I have done. &lt;br /&gt;
&lt;br /&gt;
Perchance thee lie wethered and old &lt;br /&gt;
The winter nights that are so cold, &lt;br /&gt;
Plaining in vain unto the moon; &lt;br /&gt;
Thy wishes then dare not be told; &lt;br /&gt;
Care then who list, for I have done. &lt;br /&gt;
&lt;br /&gt;
And then may chance thee to repent &lt;br /&gt;
The time that thou hast lost and spent &lt;br /&gt;
To cause thy lovers sigh and swoon; &lt;br /&gt;
Then shalt thou know beauty but lent, &lt;br /&gt;
And wish and want as I have done. &lt;br /&gt;
&lt;br /&gt;
Now cease, my lute; this is the last &lt;br /&gt;
Labour that thou and I shall waste, &lt;br /&gt;
And ended is that we begun. &lt;br /&gt;
Now is this song both sung and past: &lt;br /&gt;
My lute be still, for I have done. &lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt; &lt;span style="font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Thomas_Wyatt_poet"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: #783f04;"&gt;&lt;br /&gt;
Sir Thomas Wyatt &lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt; (1503 – 24 September 1542) Wyatt was a 16th-century English lyrical poet whom scholars credit with introducing the sonnet into English. He was born at Allington Castle, near Maidstone in Kent – though his family was originally from Yorkshire. His father, Henry Wyatt, had been one of Henry VII's Privy Councillors, and remained a trusted adviser when Henry VIII came to the throne in 1509. In his turn, Thomas Wyatt followed his father to court after his education at St John's College, Cambridge. None of Wyatt's poems were published during his lifetime—the first book to feature his verse was printed a full fifteen years after his death. Wyatt was over six feet tall, reportedly both handsome and physically strong. Wyatt was not only a poet, but also an ambassador in the service of Henry VIII. Many legends and conjectures have grown up around the notion that the young, unhappily married Wyatt fell in love with the young Anne Boleyn in the early-to-mid 1520s. Read more at: &lt;a href="http://en.wikipedia.org/wiki/Thomas_Wyatt_poet"&gt;Sir Thomas Wyatt &lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Poetry Terminology:&lt;/b&gt; afflatus - &lt;br /&gt;
poetic inspiration&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt; acedia \uh-SEE-dee-uh\, noun:&lt;br /&gt;
1. Sloth.&lt;br /&gt;
2. Laziness or indifference in religious matters.&lt;br /&gt;
Example:&lt;br /&gt;
His tales give the impression of a man cursed with an incurable disenchantment with life, a malady about midway between acedia and ennui.&lt;br /&gt;
-James Norman Hall, Under a thatched roof&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt;  Music is the wine that fills the cup of silence.  ~Robert Fripp &lt;br /&gt;
&lt;br /&gt;
** Please also visit fellow poets on our &lt;a href="http://www.coffeetablepoetry.com/p/todays-guest-post.html"&gt;Today's Guest Post Page &lt;/a&gt;. &lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://coffeetablepoetry.com/"&gt;&lt;span style="font-family: Verdana,sans-serif; color: red;"&gt;&lt;b&gt;Coffee Table Poetry for Tea Drinkers&lt;/span style&gt;&lt;/a&gt;&lt;/b&gt;&lt;b&gt; &lt;span style="color: rgb(11, 83, 148);"&gt;&lt;span style="color: black;"&gt; is updated often.&lt;/span style&gt;&lt;span style="color: black;"&gt; Subscribe by selecting&lt;/span style&gt;&lt;/span style&gt;&lt;a href="http://feedburner.google.com/fb/a/mailverify?uri=CoffeeTablePoetry&amp;amp;loc=en_US"&gt;&lt;span style="color: red; font-family: Verdana,sans-serif;"&gt; E-mail&lt;/span style&gt;&lt;/a&gt; &lt;span style="color: black;"&gt;or&lt;/span style&gt; &lt;a href="http://feeds2.feedburner.com/CoffeeTablePoetry"&gt;&lt;span style="color: red; font-family: Verdana,sans-serif;"&gt;RSS Reader.&lt;/span style&gt;&lt;/a&gt;&lt;span style="color: black; "&gt; Also, come follow us on &lt;a href="http://twitter.com/coffeetablepoet"&gt; &lt;span style="color: rgb(11, 83, 148);"&gt;Twitter&lt;/a&gt; and &lt;a href="http://bit.ly/aEV6Eq"&gt;Facebook.&lt;/span style&gt;&lt;/span&gt;&lt;/a&gt; Poets and Advertisers-please contact us to post your press releases, new book info, graphics and more at: &lt;/b&gt; &lt;a href="mailto: coffeetablepoet@gmail.com"&gt; &lt;span style="color: red; font-weight: bold;"&gt;coffeetablepoet@gmail.com&lt;/a&gt;&lt;br /&gt;
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&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #990000; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;b&gt;--Description: 20th C, Dunbar P.L., Deceit, Disillusion, Sorrow--&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-pk_a9aCKMZM/T6mb6qhyYHI/AAAAAAAAJJM/4nTJvSqHgsQ/s1600/masquerade-trifaccia-dipinta-mask.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-pk_a9aCKMZM/T6mb6qhyYHI/AAAAAAAAJJM/4nTJvSqHgsQ/s1600/masquerade-trifaccia-dipinta-mask.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="color: #783f04;"&gt;We wear the mask that grins and lies,&lt;br /&gt;
It hides our cheeks and shades our eyes,--&lt;br /&gt;
This debt we pay to human guile;&lt;br /&gt;
With torn and bleeding hearts we smile,&lt;br /&gt;
And mouth with myriad subtleties.&lt;br /&gt;
&lt;br /&gt;
Why should the world be overwise,&lt;br /&gt;
In counting all our tears and sighs?&lt;br /&gt;
Nay, let them only see us, while&lt;br /&gt;
We wear the mask.&lt;br /&gt;
&lt;br /&gt;
We smile, but, O great Christ, our cries&lt;br /&gt;
To thee from tortured souls arise.&lt;br /&gt;
We sing, but oh the clay is vile&lt;br /&gt;
Beneath our feet, and long the mile;&lt;br /&gt;
But let the world dream otherwise,&lt;br /&gt;
We wear the mask! &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Paul_Laurence_Dunbar"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: #783f04;"&gt;Paul Laurence Dunbar&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt; (June 27, 1872– February 9, 1906) &lt;a href="http://www.coffeetablepoetry.com/2012/04/lifes-tragedy.html"&gt;Paul Lawrence Dunbar&lt;/a&gt; was a seminal American poet of the late 19th and early 20th centuries. Dunbar gained national recognition for his 1896 Lyrics of a Lowly Life, one poem in the collection Ode to Ethiopia. Dunbar was born in Dayton, Ohio to parents who had escaped from slavery; his father was a veteran of the American Civil War, having served in the 55th Massachusetts Infantry Regiment and the 5th Massachusetts Colored Cavalry Regiment. His parents instilled in him a love of learning and history. He was a student at an all-white high school, Dayton Central High School, and he participated actively as a student. During high school, he was both the editor of the school newspaper and class president, as well as the president of the school literary society. Dunbar had also started the first African-American newsletter in Dayton. He wrote his first poem at age 6 and gave his first public recital at age 9. Read more at: &lt;a href="http://en.wikipedia.org/wiki/Paul_Laurence_Dunbar"&gt;Paul Laurence Dunbar&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt; littoral \LIT-er-uhl\, adjective:&lt;br /&gt;
&lt;br /&gt;
1. Pertaining to the shore of a lake, sea, or ocean.&lt;br /&gt;
2. (On ocean shores) of or pertaining to the biogeographic region between the sublittoral zone and the high-water line and sometimes including the supralittoral zone above the high-water line.&lt;br /&gt;
3. Of or pertaining to the region of freshwater lake beds from the sublittoral zone up to and including damp areas on shore.&lt;br /&gt;
&lt;br /&gt;
noun:&lt;br /&gt;
1. A littoral region.&lt;br /&gt;
Example:&lt;br /&gt;
The extensive artificialization of lake shorelines reduces the native littoral vegetation in quantity and quality.&lt;br /&gt;
-- Alex Córdoba-Aguilar, Dragonflies and Damselflies&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt; &lt;br /&gt;
There is not one big cosmic meaning for all,&lt;br /&gt;
there is only the meaning we each give to our life,&lt;br /&gt;
an individual meaning, an individual plot,&lt;br /&gt;
like an individual novel, a book for each person.&lt;br /&gt;
- Anais Nin&lt;br /&gt;
&lt;br /&gt;
** Please also visit fellow poets on our &lt;a href="http://www.coffeetablepoetry.com/p/todays-guest-post.html"&gt;Today's Guest Post Page &lt;/a&gt;. &lt;br /&gt;
&lt;br /&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CoffeeTablePoetry/~4/EBQ2OFq_FWM" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/CoffeeTablePoetry/~3/EBQ2OFq_FWM/we-wear-mask.html</link><author>noreply@blogger.com (V. Mahfood)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-T8nTwiXZCek/T5dVBv70STI/AAAAAAAAI-U/JHwmPndUQbs/s72-c/tea2.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.coffeetablepoetry.com/2012/05/we-wear-mask.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8083953159111148026.post-4266315479589743141</guid><pubDate>Thu, 03 May 2012 00:53:00 +0000</pubDate><atom:updated>2012-05-02T20:58:30.060-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">nature</category><category domain="http://www.blogger.com/atom/ns#">humor</category><category domain="http://www.blogger.com/atom/ns#">Belloc H.</category><category domain="http://www.blogger.com/atom/ns#">fantasy</category><category domain="http://www.blogger.com/atom/ns#">children</category><category domain="http://www.blogger.com/atom/ns#">20th C</category><title>The Tiger</title><description>&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_VpTJUcCWU4s/S2yXpbAYZ-I/AAAAAAAADkc/oELPI9TKMoE/s1600-h/teacupblack.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_VpTJUcCWU4s/S2yXpbAYZ-I/AAAAAAAADkc/oELPI9TKMoE/s1600/teacupblack.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: #990000; font-family: Verdana,sans-serif; font-size: small;"&gt;&lt;b&gt;--Description: 20th C, Belloc H., Children, Fantasy, Humor, Nature--&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://images.nationalgeographic.com/wpf/media-live/photos/000/007/cache/siberian-tiger_707_600x450.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://images.nationalgeographic.com/wpf/media-live/photos/000/007/cache/siberian-tiger_707_600x450.jpg" width="335" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: #783f04;"&gt;The tiger, on the other hand,&lt;br /&gt;
Is kittenish and mild,&lt;br /&gt;
And makes a pretty playfellow&lt;br /&gt;
For any little child.&lt;br /&gt;
And mothers of large families&lt;br /&gt;
(Who claim to common sense)&lt;br /&gt;
Will find a tiger well repays&lt;br /&gt;
The trouble and expense. &lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: Verdana,sans-serif; font-size: small;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Hilaire_Belloc"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: #783f04;"&gt;Hilaire Belloc&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt; (27 July 1870 – 16 July 1953) &lt;a href="http://www.coffeetablepoetry.com/2012/05/tiger.html"&gt;Hilaire Belloc&lt;/a&gt; was an Anglo-French writer and historian who became a naturalised British subject in 1902. He was one of the most prolific writers in England during the early twentieth century. He is most notable for his Roman Catholic faith, which had an impact on most of his writing. Belloc was born in La Celle-Saint-Cloud, France (next to Versailles and near Paris) to a French father and English mother, and grew up in England. Much of his boyhood was spent in Slindon, West Sussex, for which he often felt homesick in later life. His mother Elizabeth Rayner Parkes (1829–1925) was also a writer, and a great-granddaughter of the English chemist Joseph Priestley. In 1867 she married attorney Louis Belloc, son of the French painter Jean-Hilaire Belloc. In 1872, five years after they wed, Louis died, but not before being wiped out financially in a stock market crash. The young widow then brought her son Hilaire, along with his sister, Marie, back to England where he remained, except for his voluntary enlistment as a young man in the French artillery. Read more at: &lt;a href="http://en.wikipedia.org/wiki/Hilaire_Belloc"&gt;Hilaire Beloc&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt; barnburner \BAHRN-bur-ner\, noun:&lt;br /&gt;
1. Something that is highly exciting or impressive.&lt;br /&gt;
2. Chiefly Pennsylvania. A wooden friction match.&lt;br /&gt;
3. (Initial capital letter) A member of the progressive faction in the Democratic party in New York State 1845–52.&lt;br /&gt;
Example:&lt;br /&gt;
“So, ready for the elder's meeting tonight?” Olan said, pouring himself some coffee. “Should be a barnburner from what I hear.”&lt;br /&gt;
-- Jonathan Weyer, The Faithful&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt; A table, a chair, a bowl of fruit and a violin;&lt;br /&gt;
what else does a man need to be happy?&lt;br /&gt;
- Albert Einstein&lt;br /&gt;
&lt;br /&gt;
** Please also visit fellow poets on our &lt;a href="http://www.coffeetablepoetry.com/p/todays-guest-post.html"&gt;Today's Guest Post Page &lt;/a&gt;. &lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://coffeetablepoetry.com/"&gt;&lt;span style="font-family: Verdana,sans-serif; color: red;"&gt;&lt;b&gt;Coffee Table Poetry for Tea Drinkers&lt;/span style&gt;&lt;/a&gt;&lt;/b&gt;&lt;b&gt; &lt;span style="color: rgb(11, 83, 148);"&gt;&lt;span style="color: black;"&gt; is updated often.&lt;/span style&gt;&lt;span style="color: black;"&gt; Subscribe by selecting&lt;/span style&gt;&lt;/span style&gt;&lt;a href="http://feedburner.google.com/fb/a/mailverify?uri=CoffeeTablePoetry&amp;amp;loc=en_US"&gt;&lt;span style="color: red; font-family: Verdana,sans-serif;"&gt; E-mail&lt;/span style&gt;&lt;/a&gt; &lt;span style="color: black;"&gt;or&lt;/span style&gt; &lt;a href="http://feeds2.feedburner.com/CoffeeTablePoetry"&gt;&lt;span style="color: red; font-family: Verdana,sans-serif;"&gt;RSS Reader.&lt;/span style&gt;&lt;/a&gt;&lt;span style="color: black; "&gt; Also, come follow us on &lt;a href="http://twitter.com/coffeetablepoet"&gt; &lt;span style="color: rgb(11, 83, 148);"&gt;Twitter&lt;/a&gt; and &lt;a href="http://bit.ly/aEV6Eq"&gt;Facebook.&lt;/span style&gt;&lt;/span&gt;&lt;/a&gt; Poets and Advertisers-please contact us to post your press releases, new book info, graphics and more at: &lt;/b&gt; &lt;a href="mailto: coffeetablepoet@gmail.com"&gt; &lt;span style="color: red; font-weight: bold;"&gt;coffeetablepoet@gmail.com&lt;/a&gt;&lt;br /&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CoffeeTablePoetry/~4/Ko2C2eIs1cI" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/CoffeeTablePoetry/~3/Ko2C2eIs1cI/tiger.html</link><author>noreply@blogger.com (V. Mahfood)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_VpTJUcCWU4s/S2yXpbAYZ-I/AAAAAAAADkc/oELPI9TKMoE/s72-c/teacupblack.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.coffeetablepoetry.com/2012/05/tiger.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8083953159111148026.post-129289999883804970</guid><pubDate>Sun, 29 Apr 2012 17:23:00 +0000</pubDate><atom:updated>2012-04-29T13:23:18.985-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Houseman A.E.</category><category domain="http://www.blogger.com/atom/ns#">love</category><category domain="http://www.blogger.com/atom/ns#">20th C</category><title>Along The Fields As We Came By</title><description>&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_VpTJUcCWU4s/TB_s6_a-Q-I/AAAAAAAAEqY/iV77UhaK5pw/s1600/teacupbl.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_VpTJUcCWU4s/TB_s6_a-Q-I/AAAAAAAAEqY/iV77UhaK5pw/s1600/teacupbl.png"&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="color: #990000; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;b&gt;--Description: 20th C, Houseman A.E., Love--&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_VpTJUcCWU4s/S0_FwmdnYOI/AAAAAAAADcM/WecGqd9G2Ok/s1600/elizsonnet.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/_VpTJUcCWU4s/S0_FwmdnYOI/AAAAAAAADcM/WecGqd9G2Ok/s320/elizsonnet.jpg" width="260"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: #990000; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;
&lt;span style="color: #783f04;"&gt;Along the field as we came by &lt;br /&gt;
A year ago, my love and I, &lt;br /&gt;
The aspen over stile and stone &lt;br /&gt;
Was talking to itself alone. &lt;br /&gt;
‘Oh who are these that kiss and pass? &lt;br /&gt;
A country lover and his lass; &lt;br /&gt;
Two lovers looking to be wed; &lt;br /&gt;
And time shall put them both to bed, &lt;br /&gt;
But she shall lie with earth above, &lt;br /&gt;
And he beside another love.’ &lt;br /&gt;
&lt;br /&gt;
And sure enough beneath the tree &lt;br /&gt;
There walks another love with me, &lt;br /&gt;
And overhead the aspen heaves &lt;br /&gt;
Its rainy-sounding silver leaves; &lt;br /&gt;
And I spell nothing in their stir, &lt;br /&gt;
But now perhaps they speak to her, &lt;br /&gt;
And plain for her to understand &lt;br /&gt;
They talk about a time at hand &lt;br /&gt;
When I shall sleep with clover clad, &lt;br /&gt;
And she beside another lad.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt; &lt;span style="font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Alfred_Edward_Housman"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: #783f04;"&gt;Alfred Edward Houseman&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt;  (26 March 1859 – 30 April 1936) Houseman usually known as A. E. Housman, was an English classical scholar and poet, best known for his cycle of poems A Shropshire Lad. Lyrical and almost epigrammatic in form, the poems were mostly written before 1900. Their wistful evocation of doomed youth in the English countryside, in spare language and distinctive imagery, appealed strongly to late Victorian and Edwardian taste, and to many early twentieth century English composers (beginning with Arthur Somervell) both before and after the First World War. Through its song-setting the poetry became closely associated with that era, and with Shropshire itself. Housman was counted one of the foremost classicists of his age, and has been ranked as one of the greatest scholars of all time.[1] He established his reputation publishing as a private scholar and, on the strength and quality of his work, was appointed Professor of Latin at University College London and later, at Cambridge. Read more at:&lt;a href="http://en.wikipedia.org/wiki/Alfred_Edward_Housman"&gt; A.E. Houseman&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt; rataplan \rat-uh-PLAN\, verb:&lt;br /&gt;
1. To produce the sound as of the beating of a drum. &lt;br /&gt;
noun:&lt;br /&gt;
1. A sound of or as of the beating of a drum.&lt;br /&gt;
2. A tattoo, as of a drum, the hooves of a galloping horse, or machine-gun fire.&lt;br /&gt;
Example:&lt;br /&gt;
When his breath returned, he called aloud to space: "My drum ain't busted, but I can't reach t'other stick !" and then rat-tatted as best he could, sitting, hot in his own blood, there in what might have seemed the measured centre of the surely coming charge. As his one stick beat, rataplanning as best it might alone, his ghastly face, turned backward, saw the first man, rifle in hand who topped the low ridge, racing forward on two strong legs, furiously cursing the swinging, helpless left arm that dripped as he ran.&lt;br /&gt;
-Clara Morris, The life of a star  &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt; Some say that true love is a mirage; seek it anyway, for all else is surely desert.  &lt;br /&gt;
~Robert Brault  &lt;br /&gt;
&lt;br /&gt;
** Please also visit fellow poets on our &lt;a href="http://www.coffeetablepoetry.com/p/todays-guest-post.html"&gt;Today's Guest Post Page &lt;/a&gt;. &lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://coffeetablepoetry.com/"&gt;&lt;span style="color: red; font-family: Verdana, sans-serif;"&gt;&lt;b&gt;Coffee Table Poetry for Tea Drinkers&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;b&gt; &lt;span style="color: #0b5394;"&gt;&lt;span style="color: black;"&gt; is updated often.&lt;/span&gt;&lt;span style="color: black;"&gt; Subscribe by selecting&lt;/span&gt;&lt;/span&gt;&lt;a href="http://feedburner.google.com/fb/a/mailverify?uri=CoffeeTablePoetry&amp;amp;loc=en_US"&gt;&lt;span style="color: red; font-family: Verdana, sans-serif;"&gt; E-mail&lt;/span&gt;&lt;/a&gt; &lt;span style="color: black;"&gt;or&lt;/span&gt; &lt;a href="http://feeds2.feedburner.com/CoffeeTablePoetry"&gt;&lt;span style="color: red; font-family: Verdana, sans-serif;"&gt;RSS Reader.&lt;/span&gt;&lt;/a&gt;&lt;span style="color: black;"&gt; Also, come follow us on &lt;a href="http://twitter.com/coffeetablepoet"&gt; &lt;span style="color: #0b5394;"&gt;Twitter&lt;/span&gt;&lt;/a&gt; and &lt;a href="http://bit.ly/aEV6Eq"&gt;Facebook.&lt;/a&gt;&lt;/span&gt; Poets and Advertisers-please contact us to post your press releases, new book info, graphics and more at: &lt;/b&gt; &lt;a href="mailto: coffeetablepoet@gmail.com"&gt; &lt;span style="color: red; font-weight: bold;"&gt;coffeetablepoet@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CoffeeTablePoetry/~4/5THVviyV-K4" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/CoffeeTablePoetry/~3/5THVviyV-K4/along-fields-as-we-came-by.html</link><author>noreply@blogger.com (V. Mahfood)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_VpTJUcCWU4s/TB_s6_a-Q-I/AAAAAAAAEqY/iV77UhaK5pw/s72-c/teacupbl.png" height="72" width="72" /><thr:total>1</thr:total><feedburner:origLink>http://www.coffeetablepoetry.com/2012/04/along-fields-as-we-came-by.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8083953159111148026.post-2188853094067471270</guid><pubDate>Wed, 25 Apr 2012 01:02:00 +0000</pubDate><atom:updated>2012-04-24T21:36:14.117-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">illusion</category><category domain="http://www.blogger.com/atom/ns#">disillusion</category><category domain="http://www.blogger.com/atom/ns#">contentment</category><category domain="http://www.blogger.com/atom/ns#">20th C</category><category domain="http://www.blogger.com/atom/ns#">envy</category><category domain="http://www.blogger.com/atom/ns#">Dunbar P.L.</category><title>Life's Tragedy</title><description>&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-T8nTwiXZCek/T5dVBv70STI/AAAAAAAAI-U/JHwmPndUQbs/s1600/tea2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-T8nTwiXZCek/T5dVBv70STI/AAAAAAAAI-U/JHwmPndUQbs/s1600/tea2.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: #990000; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #990000; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;b&gt;--Description: 20th C, Dunbar P.L., Contentment, Disillusion, Illusion, Hope--&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://2.bp.blogspot.com/-ivGGoZYskYI/T5dLcpWveEI/AAAAAAAAI-M/GGBg4aWejjc/s1600/glasshalffull.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-ivGGoZYskYI/T5dLcpWveEI/AAAAAAAAI-M/GGBg4aWejjc/s320/glasshalffull.jpg" width="217" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: #783f04;"&gt;It may be misery not to sing at all,&lt;br /&gt;
And to go silent through the brimming day;&lt;br /&gt;
It may be misery never to be loved,&lt;br /&gt;
But deeper griefs than these beset the way.&lt;br /&gt;
&lt;br /&gt;
To sing the perfect song,&lt;br /&gt;
And by a half-tone lost the key,&lt;br /&gt;
There the potent sorrow, there the grief,&lt;br /&gt;
The pale, sad staring of Life's Tragedy.&lt;br /&gt;
&lt;br /&gt;
To have come near to the perfect love,&lt;br /&gt;
Not the hot passion of untempered youth,&lt;br /&gt;
But that which lies aside its vanity,&lt;br /&gt;
And gives, for thy trusting worship, truth.&lt;br /&gt;
&lt;br /&gt;
This, this indeed is to be accursed,&lt;br /&gt;
For if we mortals love, or if we sing,&lt;br /&gt;
We count our joys not by what we have,&lt;br /&gt;
But by what kept us from that perfect thing.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Paul_Laurence_Dunbar"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: #783f04;"&gt;Paul Laurence Dunbar&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt; (June 27, 1872– February 9, 1906) &lt;a href="http://www.coffeetablepoetry.com/2012/04/lifes-tragedy.html"&gt;Paul Lawrence Dunbar&lt;/a&gt; was a seminal American poet of the late 19th and early 20th centuries. Dunbar gained national recognition for his 1896 Lyrics of a Lowly Life, one poem in the collection Ode to Ethiopia. Dunbar was born in Dayton, Ohio to parents who had escaped from slavery; his father was a veteran of the American Civil War, having served in the 55th Massachusetts Infantry Regiment and the 5th Massachusetts Colored Cavalry Regiment. His parents instilled in him a love of learning and history. He was a student at an all-white high school, Dayton Central High School, and he participated actively as a student. During high school, he was both the editor of the school newspaper and class president, as well as the president of the school literary society. Dunbar had also started the first African-American newsletter in Dayton. He wrote his first poem at age 6 and gave his first public recital at age 9. Read more at: &lt;a href="http://en.wikipedia.org/wiki/Paul_Laurence_Dunbar"&gt;Paul Laurence Dunbar&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt; apotropaic \ap-uh-truh-PEY-ik\, adjective:&lt;br /&gt;
Intended to ward off evil.&lt;br /&gt;
Example:&lt;br /&gt;
Ritualistic behaviour used as an apotropaic to ward off private demons, yes. Except to Raymond there's danger everywhere.&lt;br /&gt;
-- Leonore Fleischer, Rain Man&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt; Not what we have, but what we enjoy,&lt;br /&gt;
constitutes our abundance.&lt;br /&gt;
- Epicurus&lt;br /&gt;
&lt;br /&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CoffeeTablePoetry/~4/lEkSB-v-a64" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/CoffeeTablePoetry/~3/lEkSB-v-a64/lifes-tragedy.html</link><author>noreply@blogger.com (V. Mahfood)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-T8nTwiXZCek/T5dVBv70STI/AAAAAAAAI-U/JHwmPndUQbs/s72-c/tea2.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.coffeetablepoetry.com/2012/04/lifes-tragedy.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8083953159111148026.post-4660853233714785595</guid><pubDate>Sun, 15 Apr 2012 22:48:00 +0000</pubDate><atom:updated>2012-04-15T18:49:25.287-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">youth</category><category domain="http://www.blogger.com/atom/ns#">childhood</category><category domain="http://www.blogger.com/atom/ns#">nature</category><category domain="http://www.blogger.com/atom/ns#">19th C</category><category domain="http://www.blogger.com/atom/ns#">memories</category><category domain="http://www.blogger.com/atom/ns#">Stevenson R.L.</category><title>Farewell to the Farm</title><description>&lt;div style="text-align: center;"&gt;&lt;a href="http://s654.photobucket.com/albums/uu265/vickig423/?action=view&amp;amp;current=teablueflower-1.jpg" target="_blank"&gt;&lt;img alt="Photobucket" border="0" src="http://i654.photobucket.com/albums/uu265/vickig423/teablueflower-1.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: #990000; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;b&gt;--Description: 19th C, Stevenson R.L., Childhood, Memories, Nature, Youth--&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-vUnylIAKKUc/T4tQA1vPY5I/AAAAAAAAI0c/_tVITEVMwIE/s1600/farewellfarm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="178" src="http://3.bp.blogspot.com/-vUnylIAKKUc/T4tQA1vPY5I/AAAAAAAAI0c/_tVITEVMwIE/s400/farewellfarm.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: #990000; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #990000; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #783f04;"&gt;The coach is at the door at last;&lt;br /&gt;
The eager children, mounting fast&lt;br /&gt;
And kissing hands, in chorus sing:&lt;br /&gt;
Good-bye, good-bye, to everything!&lt;br /&gt;
&lt;br /&gt;
To house and garden, field and lawn,&lt;br /&gt;
The meadow-gates we swang upon,&lt;br /&gt;
To pump and stable, tree and swing,&lt;br /&gt;
Good-bye, good-bye, to everything!&lt;br /&gt;
&lt;br /&gt;
And fare you well for evermore,&lt;br /&gt;
O ladder at the hayloft door,&lt;br /&gt;
O hayloft where the cobwebs cling,&lt;br /&gt;
Good-bye, good-bye, to everything!&lt;br /&gt;
&lt;br /&gt;
Crack goes the whip, and off we go;&lt;br /&gt;
The trees and houses smaller grow;&lt;br /&gt;
Last, round the woody turn we sing:&lt;br /&gt;
Good-bye, good-bye, to everything! &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Robert_Louis_Stevenson"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: #783f04;"&gt;Robert Louis Stevenson&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt; (13 November 1850 – 3 December 1894) &lt;a href="http:/http://www.coffeetablepoetry.com/2012/04/farewell-to-farm.html/"&gt;Robert Louis Stevenson&lt;/a&gt; was a Scottish novelist, poet, essayist and travel writer. Stevenson was greatly admired by many authors, including Jorge Luis Borges, Ernest Hemingway, Rudyard Kipling, Marcel Schwob, Vladimir Nabokov, J. M. Barrie, and G. K. Chesterton, who said of him that he "seemed to pick the right word up on the point of his pen, like a man playing spillikins". An only child, strange-looking and eccentric, Stevenson found it hard to fit in when he was sent to a nearby school at six, a pattern repeated at eleven, when he went on to the Edinburgh Academy; but he mixed well in lively games with his cousins in summer holidays at the Colinton manse. In any case, his frequent illnesses often kept him away from his first school, and he was taught for long stretches by private tutors. He was a late reader, first learning at seven or eight; but even before this he dictated stories to his mother and nurse. Throughout his childhood he was compulsively writing stories. His father was proud of this interest: he had himself written stories in his spare time until his own father found them and told him to "give up such nonsense and mind your business".&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt; moschate \MOS-keyt\, adjective:&lt;br /&gt;
Having a musky smell.&lt;br /&gt;
Example:&lt;br /&gt;
Her familiar perfume and moschate odor was overwhelming within the confines of the car, especially with the windows rolled up.&lt;br /&gt;
-- Charles Ray Willeford, New Hope for the Dead&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt; Never be in a hurry; do everything quietly and in a calm spirit.&lt;br /&gt;
Do not lose your inner peace for anything whatsoever,&lt;br /&gt;
even if your whole world seems upset.&lt;br /&gt;
- Saint Francis de Sales&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
** Please also visit fellow poets on our &lt;a href="http://www.coffeetablepoetry.com/p/todays-guest-post.html"&gt;Today's Guest Post Page &lt;/a&gt;. &lt;br /&gt;
&lt;br /&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CoffeeTablePoetry/~4/G7h69G_9PU8" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/CoffeeTablePoetry/~3/G7h69G_9PU8/farewell-to-farm.html</link><author>noreply@blogger.com (V. Mahfood)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-vUnylIAKKUc/T4tQA1vPY5I/AAAAAAAAI0c/_tVITEVMwIE/s72-c/farewellfarm.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.coffeetablepoetry.com/2012/04/farewell-to-farm.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8083953159111148026.post-4798868340957101857</guid><pubDate>Tue, 10 Apr 2012 23:28:00 +0000</pubDate><atom:updated>2012-04-10T19:29:44.939-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">night</category><category domain="http://www.blogger.com/atom/ns#">nature</category><category domain="http://www.blogger.com/atom/ns#">19th C</category><category domain="http://www.blogger.com/atom/ns#">celestial</category><category domain="http://www.blogger.com/atom/ns#">Poe Edgar A.</category><title>Evening Star</title><description>&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh5.googleusercontent.com/-AGZvf3yvkXI/TYurKsHP_zI/AAAAAAAAGQ8/mfGdXoQ-EcM/s1600/tea2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="134" src="https://lh5.googleusercontent.com/-AGZvf3yvkXI/TYurKsHP_zI/AAAAAAAAGQ8/mfGdXoQ-EcM/s200/tea2.png" width="186" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="color: #990000; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;b&gt;--Description: 19th C, Poe Edgar A., Celestial, Night, Nature--&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-lD1wJtbirjk/T4TCHhb08tI/AAAAAAAAIvM/xAZHSqHBHXA/s1600/eveningstar.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="251" src="http://1.bp.blogspot.com/-lD1wJtbirjk/T4TCHhb08tI/AAAAAAAAIvM/xAZHSqHBHXA/s320/eveningstar.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="color: #783f04;"&gt;'Twas noontide of summer,&lt;br /&gt;
And mid-time of night;&lt;br /&gt;
And stars, in their orbits,&lt;br /&gt;
Shone pale, thro' the light&lt;br /&gt;
Of the brighter, cold moon,&lt;br /&gt;
'Mid planets her slaves,&lt;br /&gt;
Herself in the Heavens,&lt;br /&gt;
Her beam on the waves.&lt;br /&gt;
I gazed awhile&lt;br /&gt;
On her cold smile;&lt;br /&gt;
Too cold- too cold for me-&lt;br /&gt;
There pass'd, as a shroud,&lt;br /&gt;
A fleecy cloud,&lt;br /&gt;
And I turned away to thee,&lt;br /&gt;
Proud Evening Star,&lt;br /&gt;
In thy glory afar,&lt;br /&gt;
And dearer thy beam shall be;&lt;br /&gt;
For joy to my heart&lt;br /&gt;
Is the proud part&lt;br /&gt;
Thou bearest in Heaven at night,&lt;br /&gt;
And more I admire&lt;br /&gt;
Thy distant fire,&lt;br /&gt;
Than that colder, lowly light. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt; &lt;span style="font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Edgar_Allan_Poe"&gt;&lt;/a&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: #783f04;"&gt;Edgar Allen Poe&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt;  (January 19, 1809 – October 7, 1849)&lt;a href="http:http://www.coffeetablepoetry.com/2012/04/evening-star.html/"&gt; Edgar Allen Poe&lt;/a&gt; was an American writer, poet, editor and literary critic, considered part of the American Romantic Movement. Best known for his tales of mystery and the macabre, Poe was one of the earliest American practitioners of the short story and is considered the inventor of the detective-fiction genre. He is further credited with contributing to the emerging genre of science fiction. He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career. He was born as Edgar Poe in Boston, Massachusetts; his parents died when he was young. Poe was taken in by John and Frances Allan, of Richmond, Virginia, but they never formally adopted him. He attended the University of Virginia for one semester but left due to lack of money. After enlisting in the Army and later failing as an officer's cadet at West Point, Poe parted ways with the Allans. Poe's publishing career began humbly, with an anonymous collection of poems, Tamerlane and Other Poems (1827), credited only to "a Bostonian". Read more at: &lt;a href="http://en.wikipedia.org/wiki/Edgar_Allan_Poe"&gt;E.A. Poe&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Poetry Terminology:&lt;/b&gt; Minstrel - &lt;br /&gt;
Itinerant medieval musician/singer/story teller/poet. See bard and jongleur. &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt; ephebe \ih-FEEB\, noun: A young man.&lt;br /&gt;
Example:&lt;br /&gt;
His glance touched their faces lightly as he smiled, a blond ephebe.&lt;br /&gt;
-- James Joyce, Ulysses&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt; Our Lord has written the promise of the resurrection,&lt;br /&gt;
not in books alone, but in every leaf in spring-time.&lt;br /&gt;
- Martin Luther&lt;br /&gt;
&lt;br /&gt;
** Please also visit fellow poets on our &lt;a href="http://www.coffeetablepoetry.com/p/todays-guest-post.html"&gt;Today's Guest Post Page &lt;/a&gt;. &lt;br /&gt;
&lt;br /&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CoffeeTablePoetry/~4/5qH0hWTiv40" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/CoffeeTablePoetry/~3/5qH0hWTiv40/evening-star.html</link><author>noreply@blogger.com (V. Mahfood)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://lh5.googleusercontent.com/-AGZvf3yvkXI/TYurKsHP_zI/AAAAAAAAGQ8/mfGdXoQ-EcM/s72-c/tea2.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.coffeetablepoetry.com/2012/04/evening-star.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8083953159111148026.post-2591690835793042461</guid><pubDate>Sat, 07 Apr 2012 00:14:00 +0000</pubDate><atom:updated>2012-04-06T20:34:00.915-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Browning R.</category><category domain="http://www.blogger.com/atom/ns#">nature</category><category domain="http://www.blogger.com/atom/ns#">travel</category><category domain="http://www.blogger.com/atom/ns#">19th C</category><category domain="http://www.blogger.com/atom/ns#">love</category><title>Two in the Campagna</title><description>&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_VpTJUcCWU4s/SqRONIzx9PI/AAAAAAAACWs/0AgGoqRwgYM/s1600-h/teacuplisa.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://3.bp.blogspot.com/_VpTJUcCWU4s/SqRONIzx9PI/AAAAAAAACWs/0AgGoqRwgYM/s200/teacuplisa.png" border="0" height="121" width="164"&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: rgb(153, 0, 0); font-family: Verdana,sans-serif; font-size: small;"&gt;&lt;b&gt;--Description: 19th C, Browning., Love, Nature--&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_VpTJUcCWU4s/S7uh-a4eeTI/AAAAAAAAEQE/JOm6IQ3vDHE/s1600-h/italycountry.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://3.bp.blogspot.com/_VpTJUcCWU4s/S7uh-a4eeTI/AAAAAAAAEQE/JOm6IQ3vDHE/s400/italycountry.png" border="0" height="172" width="400"&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="color: rgb(120, 63, 4);"&gt;I.&lt;br /&gt;
I wonder do you feel to-day&lt;br /&gt;
As I have felt since, hand in hand,&lt;br /&gt;
We sat down on the grass, to stray&lt;br /&gt;
In spirit better through the land,&lt;br /&gt;
This morn of Rome and May?&lt;br /&gt;
&lt;br /&gt;
II.&lt;br /&gt;
For me, I touched a thought, I know,&lt;br /&gt;
Has tantalized me many times,&lt;br /&gt;
(Like turns of thread the spiders throw&lt;br /&gt;
Mocking across our path) for rhymes&lt;br /&gt;
To catch at and let go.&lt;br /&gt;
&lt;br /&gt;
III.&lt;br /&gt;
Help me to hold it! First it left&lt;br /&gt;
The yellowing fennel, run to seed&lt;br /&gt;
There, branching from the brickwork's cleft,&lt;br /&gt;
Some old tomb's ruin: yonder weed&lt;br /&gt;
Took up the floating wet,&lt;br /&gt;
&lt;br /&gt;
IV.&lt;br /&gt;
Where one small orange cup amassed&lt;br /&gt;
Five beetles,--blind and green they grope&lt;br /&gt;
Among the honey-meal: and last,&lt;br /&gt;
Everywhere on the grassy slope&lt;br /&gt;
I traced it. Hold it fast!&lt;br /&gt;
&lt;br /&gt;
V.&lt;br /&gt;
The champaign with its endless fleece&lt;br /&gt;
Of feathery grasses everywhere!&lt;br /&gt;
Silence and passion, joy and peace,&lt;br /&gt;
An everlasting wash of air--&lt;br /&gt;
Rome's ghost since her decease.&lt;br /&gt;
&lt;br /&gt;
VI.&lt;br /&gt;
Such life here, through such lengths of hours,&lt;br /&gt;
Such miracles performed in play,&lt;br /&gt;
Such primal naked forms of flowers,&lt;br /&gt;
Such letting nature have her way&lt;br /&gt;
While heaven looks from its towers!&lt;br /&gt;
&lt;br /&gt;
VII.&lt;br /&gt;
How say you? Let us, O my dove,&lt;br /&gt;
Let us be unashamed of soul,&lt;br /&gt;
As earth lies bare to heaven above!&lt;br /&gt;
How is it under our control&lt;br /&gt;
To love or not to love?&lt;br /&gt;
&lt;br /&gt;
VIII.&lt;br /&gt;
I would that you were all to me,&lt;br /&gt;
You that are just so much, no more.&lt;br /&gt;
Nor yours nor mine, nor slave nor free!&lt;br /&gt;
Where does the fault lie? What the core&lt;br /&gt;
O' the wound, since wound must be?&lt;br /&gt;
&lt;br /&gt;
IX.&lt;br /&gt;
I would I could adopt your will,&lt;br /&gt;
See with your eyes, and set my heart&lt;br /&gt;
Beating by yours, and drink my fill&lt;br /&gt;
At your soul's springs,--your part my part&lt;br /&gt;
In life, for good and ill.&lt;br /&gt;
&lt;br /&gt;
X.&lt;br /&gt;
No. I yearn upward, touch you close,&lt;br /&gt;
Then stand away. I kiss your cheek,&lt;br /&gt;
Catch your soul's warmth,--I pluck the rose&lt;br /&gt;
And love it more than tongue can speak--&lt;br /&gt;
Then the good minute goes.&lt;br /&gt;
&lt;br /&gt;
XI.&lt;br /&gt;
Already how am I so far&lt;br /&gt;
Out of that minute? Must I go&lt;br /&gt;
Still like the thistle-ball, no bar,&lt;br /&gt;
Onward, whenever light winds blow,&lt;br /&gt;
Fixed by no friendly star?&lt;br /&gt;
&lt;br /&gt;
XII.&lt;br /&gt;
Just when I seemed about to learn!&lt;br /&gt;
Where is the thread now? Off again!&lt;br /&gt;
The old trick! Only I discern--&lt;br /&gt;
Infinite passion, and the pain&lt;br /&gt;
Of finite hearts that yearn.&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana,sans-serif; font-size: small;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Robert_Browning"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: rgb(120, 63, 4);"&gt;Robert Browning&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt; (7 May 1812 – 12 December 1889) &lt;a href="http://www.coffeetablepoetry.com/2012/04/two-in-campagna.html"&gt;Robert Browning&lt;/a&gt; was an English poet and playwright whose mastery of dramatic verse, especially dramatic monologues, made him one of the foremost Victorian poets. Browning was born in Camberwell,[1] a suburb of London, England, the first son of Robert and Sarah Anna Browning. His father was a man of both fine intellect and character, who worked as a well-paid clerk for the Bank of England. Browning’s paternal grandfather was a wealthy slave owner in St Kitts, West Indies, but Browning’s father was an abolitionist. Browning's father had been sent to the West Indies to work on a sugar plantation. Revolted by the slavery there, he soon returned to England. Browning’s mother was a musician. It is rumoured that Browning's grandmother, Margaret Tittle, was a Jamaican born mulatto who had inherited a plantation in St Kitts. In childhood, he was distinguished by a love of poetry and natural history. By twelve, he had written a book of poetry which he later destroyed when no publisher could be found. After attending several private schools he began to be educated by a tutor, having demonstrated a strong dislike for institutionalized education. Read more at: &lt;a href="http://en.wikipedia.org/wiki/Robert_Browning"&gt;Robert Browning&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt; slake \SLAYK\, transitive verb:&lt;br /&gt;
1. To satisfy; to quench; to extinguish; as, to slake thirst.&lt;br /&gt;
2. To cause to lessen; to make less active or intense; to moderate; as, slaking his anger.&lt;br /&gt;
3. To cause (as lime) to heat and crumble by treatment with water. &lt;br /&gt;
intransitive verb:&lt;br /&gt;
1. To become slaked; to crumble or disintegrate, as lime.&lt;br /&gt;
Example:&lt;br /&gt;
My companions never drink pure water and the . . . beer serves as much to slake their thirst as to fill their stomachs and lubricate conversation.&lt;br /&gt;
-Philippe Descola, The Spears of Twilight&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt; Life is not about waiting for the storms to pass...&lt;br /&gt;
It's about learning how to dance in the rain.&lt;br /&gt;
-Vivian Green&lt;br /&gt;
&lt;br /&gt;
** Please also visit fellow poets on our &lt;a href="http://www.coffeetablepoetry.com/p/todays-guest-post.html"&gt;Today's Guest Post Page &lt;/a&gt;. &lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://coffeetablepoetry.com/"&gt;&lt;span style="font-family: Verdana,sans-serif; color: red;"&gt;&lt;b&gt;Coffee Table Poetry for Tea Drinkers&lt;/span style&gt;&lt;/a&gt;&lt;/b&gt;&lt;b&gt; &lt;span style="color: rgb(11, 83, 148);"&gt;&lt;span style="color: black;"&gt; is updated often.&lt;/span style&gt;&lt;span style="color: black;"&gt; Subscribe by selecting&lt;/span style&gt;&lt;/span style&gt;&lt;a href="http://feedburner.google.com/fb/a/mailverify?uri=CoffeeTablePoetry&amp;amp;loc=en_US"&gt;&lt;span style="color: red; font-family: Verdana,sans-serif;"&gt; E-mail&lt;/span style&gt;&lt;/a&gt; &lt;span style="color: black;"&gt;or&lt;/span style&gt; &lt;a href="http://feeds2.feedburner.com/CoffeeTablePoetry"&gt;&lt;span style="color: red; font-family: Verdana,sans-serif;"&gt;RSS Reader.&lt;/span style&gt;&lt;/a&gt;&lt;span style="color: black; "&gt; Also, come follow us on &lt;a href="http://twitter.com/coffeetablepoet"&gt; &lt;span style="color: rgb(11, 83, 148);"&gt;Twitter&lt;/a&gt; and &lt;a href="http://bit.ly/aEV6Eq"&gt;Facebook.&lt;/span style&gt;&lt;/span&gt;&lt;/a&gt; Poets and Advertisers-please contact us to post your press releases, new book info, graphics and more at: &lt;/b&gt; &lt;a href="mailto: coffeetablepoet@gmail.com"&gt; &lt;span style="color: red; font-weight: bold;"&gt;coffeetablepoet@gmail.com&lt;/a&gt;&lt;br /&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CoffeeTablePoetry/~4/ZbpTCnOA4vQ" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/CoffeeTablePoetry/~3/ZbpTCnOA4vQ/two-in-campagna.html</link><author>noreply@blogger.com (V. Mahfood)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_VpTJUcCWU4s/SqRONIzx9PI/AAAAAAAACWs/0AgGoqRwgYM/s72-c/teacuplisa.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.coffeetablepoetry.com/2012/04/two-in-campagna.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8083953159111148026.post-407300352009588263</guid><pubDate>Tue, 03 Apr 2012 17:52:00 +0000</pubDate><atom:updated>2012-04-03T13:52:22.725-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">nature</category><category domain="http://www.blogger.com/atom/ns#">life</category><category domain="http://www.blogger.com/atom/ns#">20th C</category><category domain="http://www.blogger.com/atom/ns#">Coleridge M.E.</category><title>Affection</title><description>&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-EyQIjtuTk7k/ToiqLD-6hOI/AAAAAAAAHUM/6NCZtHTMZVw/s1600/teacuppedestalbing.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="180" src="http://4.bp.blogspot.com/-EyQIjtuTk7k/ToiqLD-6hOI/AAAAAAAAHUM/6NCZtHTMZVw/s200/teacuppedestalbing.png" width="173" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="color: #990000; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;b&gt;--Description: 20th C, Coleridge M.E., Nature, Seasons--&amp;nbsp; &lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-yyVxqXPFDcM/T3s4lLJizFI/AAAAAAAAIpU/T8uYjCrvIkE/s1600/colorful-heavenly-roses-dsc05683.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="180" src="http://4.bp.blogspot.com/-yyVxqXPFDcM/T3s4lLJizFI/AAAAAAAAIpU/T8uYjCrvIkE/s320/colorful-heavenly-roses-dsc05683.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: #990000; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;
&lt;span style="color: #783f04;"&gt;The earth that made the rose,&lt;br /&gt;
She also is thy mother, and not I.&lt;br /&gt;
The flame wherewith thy maiden spirit glows&lt;br /&gt;
Was lighted at no hearth that I sit by.&lt;br /&gt;
I am as far below as heaven above thee.&lt;br /&gt;
Were I thine angel, more I could not love thee.&lt;br /&gt;
&lt;br /&gt;
Bid me defend thee!&lt;br /&gt;
Thy danger over-human strength shall lend me,&lt;br /&gt;
A hand of iron and a heart of steel,&lt;br /&gt;
To strike, to wound, to slay, and not to feel.&lt;br /&gt;
But if you chide me,&lt;br /&gt;
I am a weak, defenceless child beside thee.&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt; &lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Mary_Elizabeth_Coleridge"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: #783f04;"&gt;Mary Elizabeth Coleridge&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt;  &lt;a href="http://www.coffeetablepoetry.com/2012/02/swallow.html"&gt;Mary Elizabeth Coleridge&lt;/a&gt; (23 September 1861 – 25 August 1907) was a British novelist and poet, who also wrote essays and reviews. She taught at the London Working Women's College for twelve years from 1895 to 1907. She wrote poetry under the pseudonym Anodos, taken from George MacDonald; other influences on her were Richard Watson Dixon and Christina Rossetti. Coleridge published five novels, the best known of those being The King with Two Faces, which earned her £900 in royalties in 1897. She travelled widely throughout her life, although her home was in London, where she lived with her family. Mary Coleridge was the great-grandniece of Samuel Taylor Coleridge and the great niece of Sara Coleridge, the author of Phantasmion. She died from complications arising from appendicitis while on holiday in Harrogate in 1907, leaving an unfinished manuscript for her next novel, and hundreds of unpublished poems. Read more at: &lt;a href="http://en.wikipedia.org/wiki/Mary_Elizabeth_Coleridge"&gt;Mary Elizabeth Coleridge&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt; iniquitous \ih-NIK-wi-tuhs\, adjective:&lt;br /&gt;
Characterized by injustice or wickedness; wicked; sinful.&lt;br /&gt;
Example:&lt;br /&gt;
The commission was charged now with the task of discovering the iniquitous conspiracy against the Citizen-Saviour of his country.&lt;br /&gt;
-- Joseph Conrad, Nostromo&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt; Our deepest fear is not that we are inadequate.&lt;br /&gt;
Our deepest fear is that we are powerful beyond measure.&lt;br /&gt;
It is our Light, not our Darkness, that most frightens us.&lt;br /&gt;
- Marianne Williamson&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://coffeetablepoetry.com/"&gt;&lt;span style="color: red; font-family: Verdana, sans-serif;"&gt;&lt;b&gt;Coffee Table Poetry for Tea Drinkers&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;b&gt; &lt;span style="color: #0b5394;"&gt;&lt;span style="color: black;"&gt; is updated often.&lt;/span&gt;&lt;span style="color: black;"&gt; Subscribe by selecting&lt;/span&gt;&lt;/span&gt;&lt;a href="http://feedburner.google.com/fb/a/mailverify?uri=CoffeeTablePoetry&amp;amp;loc=en_US"&gt;&lt;span style="color: red; font-family: Verdana, sans-serif;"&gt; E-mail&lt;/span&gt;&lt;/a&gt; &lt;span style="color: black;"&gt;or&lt;/span&gt; &lt;a href="http://feeds2.feedburner.com/CoffeeTablePoetry"&gt;&lt;span style="color: red; font-family: Verdana, sans-serif;"&gt;RSS Reader.&lt;/span&gt;&lt;/a&gt;&lt;span style="color: black;"&gt; Also, come follow us on &lt;a href="http://twitter.com/coffeetablepoet"&gt; &lt;span style="color: #0b5394;"&gt;Twitter&lt;/span&gt;&lt;/a&gt; and &lt;a href="http://bit.ly/aEV6Eq"&gt;Facebook.&lt;/a&gt;&lt;/span&gt; Poets and Advertisers-please contact us to post your press releases, new book info, graphics and more at: &lt;/b&gt; &lt;a href="mailto: coffeetablepoet@gmail.com"&gt; &lt;span style="color: red; font-weight: bold;"&gt;coffeetablepoet@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CoffeeTablePoetry/~4/d0rtaSIFSK0" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/CoffeeTablePoetry/~3/d0rtaSIFSK0/affection.html</link><author>noreply@blogger.com (V. Mahfood)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-EyQIjtuTk7k/ToiqLD-6hOI/AAAAAAAAHUM/6NCZtHTMZVw/s72-c/teacuppedestalbing.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.coffeetablepoetry.com/2012/04/affection.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8083953159111148026.post-803058978605424260</guid><pubDate>Tue, 27 Mar 2012 20:57:00 +0000</pubDate><atom:updated>2012-03-27T16:57:42.715-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Rossetti C.</category><category domain="http://www.blogger.com/atom/ns#">19th C</category><category domain="http://www.blogger.com/atom/ns#">memories</category><category domain="http://www.blogger.com/atom/ns#">love</category><title>Echo</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_VpTJUcCWU4s/TNma-kDWwiI/AAAAAAAAFm4/nVIb-W7cNfI/s1600/teacupbing3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="141" src="http://2.bp.blogspot.com/_VpTJUcCWU4s/TNma-kDWwiI/AAAAAAAAFm4/nVIb-W7cNfI/s1600/teacupbing3.jpg" width="142" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;span style="color: #990000; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;b&gt;--Description: 19th C, Rossetti C., Love, Memories-- &lt;/b&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-wJ0svwxULqQ/T3IpkdLin7I/AAAAAAAAIlg/p0SfmQ9Fpq4/s1600/dreamsrosetti.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-wJ0svwxULqQ/T3IpkdLin7I/AAAAAAAAIlg/p0SfmQ9Fpq4/s320/dreamsrosetti.jpg" width="225" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;center&gt;&lt;span style="color: #990000; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;br /&gt;
Come to me in the silence of the night;&lt;br /&gt;
Come in the speaking silence of a dream;&lt;br /&gt;
Come with soft rounded cheeks and eyes as bright&lt;br /&gt;
As sunlight on a stream;&lt;br /&gt;
Come back in tears,&lt;br /&gt;
O memory, hope, love of finished years.&lt;br /&gt;
&lt;br /&gt;
O dream how sweet, too sweet, too bitter sweet,&lt;br /&gt;
Whose wakening should have been in Paradise,&lt;br /&gt;
Where souls brimfull of love abide and meet;&lt;br /&gt;
Where thirsting longing eyes&lt;br /&gt;
Watch the slow door&lt;br /&gt;
That opening, letting in, lets out no more.&lt;br /&gt;
&lt;br /&gt;
Yet come to me in dreams, that I may live&lt;br /&gt;
My very life again though cold in death:&lt;br /&gt;
Come back to me in dreams, that I may give&lt;br /&gt;
Pulse for pulse, breath for breath:&lt;br /&gt;
Speak low, lean low&lt;br /&gt;
As long ago, my love, how long ago. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;/span&gt;&lt;a href="http://en.wikipedia.org/wiki/Christina_Rossetti"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: #783f04;"&gt;Christina Georgina Rossetti&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/center&gt; &lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt;  (5 December 1830 – 29 December 1894)&lt;a href="http://www.coffeetablepoetry.com/2011/11/study-soul.html"&gt; Christina Rossetti &lt;/a&gt;was a British poet, who wrote a variety of romantic, devotional, and children's poems. She is best known for her long poem Goblin Market, her love poem "Remember", and for the words of what became the popular Christmas carol "In the Bleak Midwinter". Rossetti was born in London and educated at home by her mother. Her siblings were the artist and poet Dante Gabriel Rossetti, William Michael Rossetti, and Maria Francesca Rossetti. Their father, Gabriele Rossetti, was an Italian poet and a political asylum seeker from Naples; their mother, Frances Polidori, was the sister of Lord Byron's friend and physician, John William Polidori, author of The Vampyre. In the 1840s her family was stricken with severe financial difficulties due to the deterioration of her father's physical and mental health. When she was 14, Rossetti suffered a nervous breakdown and left school. In the early 20th century Rossetti's popularity faded as many respected Victorian writers' reputations suffered from Modernism's backlash. Rossetti remained largely unnoticed and unread until the 1970s when feminist scholars began to recover and comment on her work. In the last few decades Rossetti's writing has been rediscovered and she has regained admittance into the Victorian literary canon. Read more at: &lt;a href="http://en.wikipedia.org/wiki/Christina_Rossetti"&gt;Christina Rossetti&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt;  conniption \kuh-NIP-shuhn\, noun:&lt;br /&gt;
A fit of hysterical excitement or anger.&lt;br /&gt;
Example:&lt;br /&gt;
"Wah!" says Stella-Rondo. I knew she'd cry. She had a conniption fit right there in the kitchen.&lt;br /&gt;
-- Eudora Welty, "Why I Live at the P.O." The Collected Stories of Eudora Welty&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt;  The price of anything is the amount of life you exchange for it.&lt;br /&gt;
- Henry David Thoreau&lt;br /&gt;
&lt;br /&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CoffeeTablePoetry/~4/4M4lX274qxE" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/CoffeeTablePoetry/~3/4M4lX274qxE/echo.html</link><author>noreply@blogger.com (V. Mahfood)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_VpTJUcCWU4s/TNma-kDWwiI/AAAAAAAAFm4/nVIb-W7cNfI/s72-c/teacupbing3.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.coffeetablepoetry.com/2012/03/echo.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8083953159111148026.post-1418594373501869238</guid><pubDate>Sun, 25 Mar 2012 00:44:00 +0000</pubDate><atom:updated>2012-03-24T20:45:08.948-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Shakespeare W.</category><category domain="http://www.blogger.com/atom/ns#">17th C</category><category domain="http://www.blogger.com/atom/ns#">humanity</category><category domain="http://www.blogger.com/atom/ns#">sonnet</category><category domain="http://www.blogger.com/atom/ns#">love</category><title>Sonnet 116</title><description>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-Qq-QclKMWD4/T25pqkZtsXI/AAAAAAAAIh8/ndVIju2oDI8/s1600/coffeeiconwelcome.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-Qq-QclKMWD4/T25pqkZtsXI/AAAAAAAAIh8/ndVIju2oDI8/s1600/coffeeiconwelcome.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;center&gt;--Description: Shakespeare W., 17th C, Humanity, Love, Sonnet&lt;/center&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_VpTJUcCWU4s/SZsYlbHbXzI/AAAAAAAAAdI/nqUsuFOoGus/s1600-h/shakespearelove.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_VpTJUcCWU4s/SZsYlbHbXzI/AAAAAAAAAdI/nqUsuFOoGus/s320/shakespearelove.jpg" vi="true" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;center&gt;&lt;br /&gt;
&lt;span style="color: #274e13; font-family: 'Trebuchet MS', sans-serif;"&gt;Let me not to the marriage of true minds &lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #274e13; font-family: 'Trebuchet MS', sans-serif;"&gt;Admit impediments. Love is not love &lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #274e13; font-family: 'Trebuchet MS', sans-serif;"&gt;Which alters when it alteration finds, &lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #274e13; font-family: 'Trebuchet MS', sans-serif;"&gt;Or bends with the remover to remove: &lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #274e13; font-family: 'Trebuchet MS', sans-serif;"&gt;O no! it is an ever-fixed mark &lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #274e13; font-family: 'Trebuchet MS', sans-serif;"&gt;That looks on tempests and is never shaken; &lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #274e13; font-family: 'Trebuchet MS', sans-serif;"&gt;It is the star to every wandering bark, &lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #274e13; font-family: 'Trebuchet MS', sans-serif;"&gt;Whose worth's unknown, although his height be taken. &lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #274e13; font-family: 'Trebuchet MS', sans-serif;"&gt;Love's not Time's fool, though rosy lips and cheeks &lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #274e13; font-family: 'Trebuchet MS', sans-serif;"&gt;Within his bending sickle's compass come: &lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #274e13; font-family: 'Trebuchet MS', sans-serif;"&gt;Love alters not with his brief hours and weeks, &lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #274e13; font-family: 'Trebuchet MS', sans-serif;"&gt;But bears it out even to the edge of doom. &lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #274e13; font-family: 'Trebuchet MS', sans-serif;"&gt;If this be error and upon me proved, &lt;/span&gt;&lt;br /&gt;
&lt;span style="color: #274e13;"&gt;&lt;span style="font-family: 'Trebuchet MS', sans-serif;"&gt;I never writ, nor no man ever loved.&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;a href="http://en.wikipedia.org/wiki/William_Shakespeare"&gt;&lt;b&gt;William Shakespeare&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;/center&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;
&lt;b&gt;--Did You Know:&lt;/b&gt; (baptised 26 April 1564; died 23 April 1616) Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His surviving works, including some collaborations, consist of 38 plays,154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18, he married Anne Hathaway, who bore him three children Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. He then wrote mainly tragedies until about 1608, including Hamlet, King Lear, and Macbeth, considered some of the finest works in the English language. Read more at:&lt;a href="http://en.wikipedia.org/wiki/William_Shakespeare"&gt; William Shakespeare&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt;   esculent \ES-kyuh-luhnt\, noun:&lt;br /&gt;
1. Something edible, especially a vegetable.&lt;br /&gt;
adjective:&lt;br /&gt;
1. Suitable for use as food; edible.&lt;br /&gt;
Example:&lt;br /&gt;
The remainder of the garden presented a well-selected assortment of esculent vegetables, in a praiseworthy state of advancement.&lt;br /&gt;
-- Nathaniel Hawthorne, The House of the Seven Gables&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt;   The reason why the world lacks unity,&lt;br /&gt;
and lies broken and in heaps,&lt;br /&gt;
is because man is disunited with himself.&lt;br /&gt;
- Ralph Waldo Emerson&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;center&gt;&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;b&gt;&lt;a href="http://www.coffeetablepoetry.com/p/poems-from-guest-poets-o.html"&gt;&lt;u&gt;~ Drop by Our Guest Poet Page to see Today's Post. ~&lt;/u&gt;&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/center&gt;&lt;span style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;
&lt;br /&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CoffeeTablePoetry/~4/_ddLHC8PhCE" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/CoffeeTablePoetry/~3/_ddLHC8PhCE/sonnet-116.html</link><author>noreply@blogger.com (V. Mahfood)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-Qq-QclKMWD4/T25pqkZtsXI/AAAAAAAAIh8/ndVIju2oDI8/s72-c/coffeeiconwelcome.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.coffeetablepoetry.com/2012/03/sonnet-116.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8083953159111148026.post-1803302690028591205</guid><pubDate>Wed, 21 Mar 2012 00:47:00 +0000</pubDate><atom:updated>2012-03-20T20:51:46.574-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">nature</category><category domain="http://www.blogger.com/atom/ns#">Riley J.W.</category><category domain="http://www.blogger.com/atom/ns#">seasons</category><category domain="http://www.blogger.com/atom/ns#">20th C</category><title>A Summer Afternoon</title><description>&lt;div style="text-align: center;"&gt;&lt;a href="http://s654.photobucket.com/albums/uu265/vickig423/?action=view&amp;amp;current=teablueflower-1.jpg" target="_blank"&gt;&lt;img alt="Photobucket" border="0" src="http://i654.photobucket.com/albums/uu265/vickig423/teablueflower-1.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: #990000; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;b&gt;--Description: 20th C, Riley J.W., Nature, Seasons--&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-OF9HAKJuz4I/T2kkByiHJhI/AAAAAAAAIeU/FOEUrrIwVyw/s1600/summerafternoon.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="247" src="http://2.bp.blogspot.com/-OF9HAKJuz4I/T2kkByiHJhI/AAAAAAAAIeU/FOEUrrIwVyw/s320/summerafternoon.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;span style="color: #783f04; font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;
A languid atmosphere, a lazy breeze,&lt;br /&gt;
With labored respiration, moves the wheat&lt;br /&gt;
From distant reaches, till the golden seas&lt;br /&gt;
Break in crisp whispers at my feet.&lt;br /&gt;
&lt;br /&gt;
My book, neglected of an idle mind,&lt;br /&gt;
Hides for a moment from the eyes of men;&lt;br /&gt;
Or lightly opened by a critic wind,&lt;br /&gt;
Affrightedly reviews itself again.&lt;br /&gt;
&lt;br /&gt;
Off through the haze that dances in the shine&lt;br /&gt;
The warm sun showers in the open glade,&lt;br /&gt;
The forest lies, a silhouette design&lt;br /&gt;
Dimmed through and through with shade.&lt;br /&gt;
&lt;br /&gt;
A dreamy day; and tranquilly I lie&lt;br /&gt;
At anchor from all storms of mental strain;&lt;br /&gt;
With absent vision, gazing at the sky,&lt;br /&gt;
"Like one that hears it rain."&lt;br /&gt;
&lt;br /&gt;
The Katydid, so boisterous last night,&lt;br /&gt;
Clinging, inverted, in uneasy poise,&lt;br /&gt;
Beneath a wheat-blade, has forgotten quite&lt;br /&gt;
If "Katy DID or DIDN'T" make a noise.&lt;br /&gt;
&lt;br /&gt;
The twitter, sometimes, of a wayward bird&lt;br /&gt;
That checks the song abruptly at the sound,&lt;br /&gt;
And mildly, chiding echoes that have stirred,&lt;br /&gt;
Sink into silence, all the more profound.&lt;br /&gt;
&lt;br /&gt;
And drowsily I hear the plaintive strain&lt;br /&gt;
Of some poor dove . . . Why, I can scarcely keep&lt;br /&gt;
My heavy eyelids--there it is again--&lt;br /&gt;
"Coo-coo!"--I mustn't--"Coo-coo!"--fall asleep! &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://en.wikipedia.org/wiki/James_Whitcomb_Riley"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: #783f04;"&gt;James Whitcomb Riley&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt; (October 7, 1849 – July 22, 1916) &lt;a href="http://www.coffeetablepoetry.com/2012/03/summer-afternoon.html"&gt;James Whitcomb Riley&lt;/a&gt; was an American writer and poet. Known as the Hoosier Poet, National Poet,[1] and the Children's Poet,[2] he started his career in 1875 writing newspaper verse in Indiana dialect for the Indianapolis Journal. His verse tended to be humorous or sentimental, and of the approximately one thousand poems that Riley published, over half are in dialect. Claiming that "simple sentiments that come direct from the heart"[3] were the reason for his success, Riley vended verse about ordinary topics that were "heart high."[4] Riley was a bestselling author during the early 1900s and earned a steady income from royalties; he also traveled and gave public readings of his poetry. Read more at: &lt;a href="http://en.wikipedia.org/wiki/James_Whitcomb_Riley"&gt;James Whitcomb Riley&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt; selcouth \SEL-kooth\, adjective:&lt;br /&gt;
Strange; uncommon.&lt;br /&gt;
Example:&lt;br /&gt;
    Its English is not more quaint than that of De Brunne himself; it contains no names more selcouth than he himself is in the custom of introducing…&lt;br /&gt;
    -- Sir Walter Scott, The Poetical Works of Sir Walter Scott&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt; &lt;br /&gt;
The best bridge between despair and hope is a good night's sleep.&lt;br /&gt;
- E. Joseph Cossman&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://coffeetablepoetry.com/"&gt;&lt;span style="font-family: Verdana,sans-serif; color: red;"&gt;&lt;b&gt;Coffee Table Poetry for Tea Drinkers&lt;/span style&gt;&lt;/a&gt;&lt;/b&gt;&lt;b&gt; &lt;span style="color: rgb(11, 83, 148);"&gt;&lt;span style="color: black;"&gt; is updated often.&lt;/span style&gt;&lt;span style="color: black;"&gt; Subscribe by selecting&lt;/span style&gt;&lt;/span style&gt;&lt;a href="http://feedburner.google.com/fb/a/mailverify?uri=CoffeeTablePoetry&amp;amp;loc=en_US"&gt;&lt;span style="color: red; font-family: Verdana,sans-serif;"&gt; E-mail&lt;/span style&gt;&lt;/a&gt; &lt;span style="color: black;"&gt;or&lt;/span style&gt; &lt;a href="http://feeds2.feedburner.com/CoffeeTablePoetry"&gt;&lt;span style="color: red; font-family: Verdana,sans-serif;"&gt;RSS Reader.&lt;/span style&gt;&lt;/a&gt;&lt;span style="color: black; "&gt; Also, come follow us on &lt;a href="http://twitter.com/coffeetablepoet"&gt; &lt;span style="color: rgb(11, 83, 148);"&gt;Twitter&lt;/a&gt; and &lt;a href="http://bit.ly/aEV6Eq"&gt;Facebook.&lt;/span style&gt;&lt;/span&gt;&lt;/a&gt; Poets and Advertisers-please contact us to post your press releases, new book info, graphics and more at: &lt;/b&gt; &lt;a href="mailto: coffeetablepoet@gmail.com"&gt; &lt;span style="color: red; font-weight: bold;"&gt;coffeetablepoet@gmail.com&lt;/a&gt;&lt;br /&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CoffeeTablePoetry/~4/81ans_2Cf9g" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/CoffeeTablePoetry/~3/81ans_2Cf9g/summer-afternoon.html</link><author>noreply@blogger.com (V. Mahfood)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-OF9HAKJuz4I/T2kkByiHJhI/AAAAAAAAIeU/FOEUrrIwVyw/s72-c/summerafternoon.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.coffeetablepoetry.com/2012/03/summer-afternoon.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8083953159111148026.post-1957809947166315189</guid><pubDate>Mon, 19 Mar 2012 00:00:00 +0000</pubDate><atom:updated>2012-03-18T20:01:05.577-04:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Wordsworth W.</category><category domain="http://www.blogger.com/atom/ns#">nature</category><category domain="http://www.blogger.com/atom/ns#">travel</category><category domain="http://www.blogger.com/atom/ns#">19th C</category><category domain="http://www.blogger.com/atom/ns#">love</category><title>The Solitary Reaper</title><description>&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_VpTJUcCWU4s/S4bA9DVM5qI/AAAAAAAADvI/tgGtmnhw7gA/s1600/teacuptrios.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_VpTJUcCWU4s/S4bA9DVM5qI/AAAAAAAADvI/tgGtmnhw7gA/s1600/teacuptrios.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="color: #990000; font-family: Verdana,sans-serif; font-size: small;"&gt;&lt;b&gt;--Description: 19th C, Wordsworth W., Love, Nature, Travel--&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_VpTJUcCWU4s/S9ICGFbISpI/AAAAAAAAEe8/CZ8n5WE_gwo/s1600/milkmaid.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_VpTJUcCWU4s/S9ICGFbISpI/AAAAAAAAEe8/CZ8n5WE_gwo/s1600/milkmaid.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: #990000; font-family: Verdana,sans-serif; font-size: small;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;
&lt;span style="color: #783f04;"&gt;Behold her, single in the field,&lt;br /&gt;
Yon solitary Highland Lass!&lt;br /&gt;
Reaping and singing by herself;&lt;br /&gt;
Stop here, or gently pass!&lt;br /&gt;
Alone she cuts and binds the grain,&lt;br /&gt;
And sings a melancholy strain;&lt;br /&gt;
O listen! for the Vale profound&lt;br /&gt;
Is overflowing with the sound.&lt;br /&gt;
&lt;br /&gt;
No Nightingale did ever chaunt&lt;br /&gt;
More welcome notes to weary bands&lt;br /&gt;
Of travellers in some shady haunt,&lt;br /&gt;
Among Arabian sands:&lt;br /&gt;
A voice so thrilling ne'er was heard&lt;br /&gt;
In spring-time from the Cuckoo-bird,&lt;br /&gt;
Breaking the silence of the seas&lt;br /&gt;
Among the farthest Hebrides.&lt;br /&gt;
&lt;br /&gt;
Will no one tell me what she sings?--&lt;br /&gt;
Perhaps the plaintive numbers flow&lt;br /&gt;
For old, unhappy, far-off things,&lt;br /&gt;
And battles long ago:&lt;br /&gt;
Or is it some more humble lay,&lt;br /&gt;
Familiar matter of to-day?&lt;br /&gt;
Some natural sorrow, loss, or pain,&lt;br /&gt;
That has been, and may be again?&lt;br /&gt;
&lt;br /&gt;
Whate'er the theme, the Maiden sang&lt;br /&gt;
As if her song could have no ending;&lt;br /&gt;
I saw her singing at her work,&lt;br /&gt;
And o'er the sickle bending;--&lt;br /&gt;
I listened, motionless and still;&lt;br /&gt;
And, as I mounted up the hill,&lt;br /&gt;
The music in my heart I bore,&lt;br /&gt;
Long after it was heard no more.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt; &lt;span style="font-family: Verdana,sans-serif; font-size: small;"&gt;&lt;a href="http://en.wikipedia.org/wiki/William_Wordsworth"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: #783f04;"&gt;William Wordsworth&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt;  (7 April 1770 – 23 April 1850) &lt;a href="http://www.coffeetablepoetry.com/2012/03/solitary-reaper.html"&gt;William Wordsworth&lt;/a&gt; was a major English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with the 1798 joint publication Lyrical Ballads. Wordsworth's magnum opus is generally considered to be The Prelude, a semi-autobiographical poem of his early years which the poet revised and expanded a number of times. The work was posthumously titled and published, prior to which it was generally known as the poem "to Coleridge". Wordsworth was England's Poet Laureate from 1843 until his death in 1850. The second of five children born to John Wordsworth and Ann Cookson, William Wordsworth was born on 7 April 1770 in Wordsworth House in Cockermouth, Cumberland—part of the scenic region in northwest England, the Lake District. His sister, the poet and diarist Dorothy Wordsworth, to whom he was close all his life, was born the following year, and the two were baptised together. They had three other siblings: Richard, the eldest, who became a lawyer; John, born after Dorothy, who would become a poet and enjoy nature with William and Dorothy until he died in an 1809 shipwreck, from which only the captain escaped; and Christopher, the youngest, who would become an academician. Their father was a legal representative of James Lowther, 1st Earl of Lonsdale. Read more at: &lt;a href="http://en.wikipedia.org/wiki/William_Wordsworth"&gt;William Wordsworth&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt; tantivy \tan-TIV-ee\, adjective:&lt;br /&gt;
1. Swift; rapid. &lt;br /&gt;
adverb:&lt;br /&gt;
1. At full gallop. &lt;br /&gt;
noun:&lt;br /&gt;
1. A rush, a gallop or stampede. &lt;br /&gt;
interjection:&lt;br /&gt;
1. (used as a hunting cry when the chase is at full speed.)&lt;br /&gt;
Example:&lt;br /&gt;
The passage of wild pigeons from this wood to that-with their slight tantivy-and carrier haste- Now from under some rotten stump your hoe turns up a spotted salamander- your own contemporary- A small trace of Egypt and the Nile in New England- Where is the priest of Isis.&lt;br /&gt;
-Henry David Thoreau, Journal: 1842-1848  &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt; I wept because I had no shoes until I met a man who had no feet.&lt;br /&gt;
-old Persian proverb  &lt;br /&gt;
&lt;br /&gt;
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&lt;br /&gt;
&lt;span style="color: #990000; font-family: Verdana,sans-serif; font-size: small;"&gt;&lt;b&gt;--Description: 19th C, Browning E.B., Disillusion, Life, Nature--&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_VpTJUcCWU4s/S6jZli-x1nI/AAAAAAAAEL4/6BK__YlfmDY/s1600/april.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://2.bp.blogspot.com/_VpTJUcCWU4s/S6jZli-x1nI/AAAAAAAAEL4/6BK__YlfmDY/s320/april.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: #783f04;"&gt;Which is the weakest thing of all&lt;br /&gt;
Mine heart can ponder?&lt;br /&gt;
The sun, a little cloud can pall&lt;br /&gt;
With darkness yonder?&lt;br /&gt;
The cloud, a little wind can move&lt;br /&gt;
Where'er it listeth?&lt;br /&gt;
The wind, a little leaf above,&lt;br /&gt;
Though sere, resisteth?&lt;br /&gt;
&lt;br /&gt;
What time that yellow leaf was green,&lt;br /&gt;
My days were gladder;&lt;br /&gt;
But now, whatever Spring may mean,&lt;br /&gt;
I must grow sadder.&lt;br /&gt;
Ah me! a leaf with sighs can wring&lt;br /&gt;
My lips asunder -&lt;br /&gt;
Then is mine heart the weakest thing&lt;br /&gt;
Itself can ponder.&lt;br /&gt;
&lt;br /&gt;
Yet, Heart, when sun and cloud are pined&lt;br /&gt;
And drop together,&lt;br /&gt;
And at a blast, which is not wind,&lt;br /&gt;
The forests wither,&lt;br /&gt;
Thou, from the darkening deathly curse&lt;br /&gt;
To glory breakest, -&lt;br /&gt;
The Strongest of the universe&lt;br /&gt;
Guarding the weakest!&lt;/span&gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: Verdana,sans-serif; font-size: small;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Elizabeth_Barrett_Browning"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: #783f04;"&gt;Elizabeth Barrett Browning&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;
&lt;b&gt;--Did You Know:&lt;/b&gt;  (March 6, 1806 – June 29, 1861) &lt;a href="hthttp://www.coffeetablepoetry.com/2012/03/description-19th-c-browning-e.htmltp://"&gt;Elizabeth Barrett Browning&lt;/a&gt; was one of the most prominent poets of the Victorian era. She was the wife of poet Robert Browning, whom she married in secret due to objections by her father. Her poetry was widely popular in both England and the United States during her lifetime. The verse-novel Aurora Leigh, her most ambitious and perhaps the most popular of her longer poems, appeared in 1856. It is the story of a woman writer making her way in life, balancing work and love. The writings depicted in this novel are all based on similar, personal experiences that Elizabeth suffered through herself. The North American Review praised Elizabeth’s poem: “Mrs. Browning’s poems are, in all respects, the utterance of a woman – of a woman of great learning, rich experience, and powerful genius, uniting to her woman’s nature the strength which is sometimes thought peculiar to a man.” Read more at: &lt;a href="http://en.wikipedia.org/wiki/Elizabeth_Barrett_Browning"&gt;Elizabeth B. Browning&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Poetry Terminology:&lt;/b&gt;  Aide-memoire poem -&lt;br /&gt;
Poem which helps the memory e.g. 'Thirty days hath September,/April, June and November' &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt;  evanescence \ev-uh-NES-ens\, noun:&lt;br /&gt;
1. A gradual dissappearance.&lt;br /&gt;
2. The state of becoming imperceptible.&lt;br /&gt;
Example:&lt;br /&gt;
This is one of the most beautiful circumstances connected with water surface, for by these means a variety of color and a grace and evanescence are introduced in the reflection otherwise impossible.&lt;br /&gt;
-John Ruskin, The Works of John Ruskin: Modern painters, v.1-5 &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt;  In the coldest February, as in every other month in every other year, the best thing to hold on to in this world is each other.  &lt;br /&gt;
~Linda Ellerbee &lt;br /&gt;
&lt;br /&gt;
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&lt;br /&gt;
&lt;span style="color: #990000; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;b&gt;--Description: 20th C, Mansfield K., Children, Fantasy, Illusion, Parenting--&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-5d2TJ0iGUiE/T1vxuHDDuYI/AAAAAAAAIWk/g6rs9ulwERI/s1600/butterfly+laugh.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-5d2TJ0iGUiE/T1vxuHDDuYI/AAAAAAAAIWk/g6rs9ulwERI/s320/butterfly+laugh.jpg" width="280" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;span style="color: #783f04;"&gt;To and fro, to and fro &lt;br /&gt;
In the middle of our porridge plates&lt;br /&gt;
There was a blue butterfly painted&lt;br /&gt;
And each morning we tried who should reach the&lt;br /&gt;
butterfly first.&lt;br /&gt;
Then the Grandmother said: "Do not eat the poor&lt;br /&gt;
butterfly."&lt;br /&gt;
That made us laugh.&lt;br /&gt;
Always she said it and always it started us laughing.&lt;br /&gt;
It seemed such a sweet little joke.&lt;br /&gt;
I was certain that one fine morning&lt;br /&gt;
The butterfly would fly out of our plates,&lt;br /&gt;
Laughing the teeniest laugh in the world,&lt;br /&gt;
And perch on the Grandmother's lap. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt; &lt;span style="font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Katherine_Mansfield"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: #783f04;"&gt;Katherine Mansfield&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt;  (14 October 1888 – 9 January 1923) &lt;a href="http://www.coffeetablepoetry.com/2010/10/little-boys-dream.html"&gt;Katherine Mansfield&lt;/a&gt; was a prominent modernist writer of short fiction who was born and brought up in colonial New Zealand and wrote under the pen name of Katherine Mansfield, which is in itself a short form of her real name as she was born Katherine Mansfield Beauchamp. Mansfield left for Great Britain in 1908 where she encountered Modernist writers such as D.H. Lawrence and Virginia Woolf with whom she became close friends. Her stories often focus on moments of disruption and frequently open rather abruptly. Among her most well known stories are The Garden Party, The Daughters of the Late Colonel and The Fly. During the First World War Mansfield contracted tuberculosis which rendered any return or visit to New Zealand impossible and led to her death at the age of 34. Read more at: &lt;a href="http://en.wikipedia.org/wiki/Katherine_Mansfield"&gt;Katherine Mansfield&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Poetry Terminology:&lt;/b&gt; Rising Meter - &lt;br /&gt;
Term used to describe end-stressed meters such as iambic and anapestic - as opposed to falling meter. &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt; rutilant \ROOT-l-uhnt\, adjective:&lt;br /&gt;
Glowing or glittering with ruddy or golden light.&lt;br /&gt;
Example:&lt;br /&gt;
He had a round head as bare as a knee, a corpse's button nose, and very white, very limp, very damp hands adorned with rutilant gems.&lt;br /&gt;
-- Vladimir Nabokov, Ada, or Ardor: A Family Chronicle&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt;  Most truths are so naked&lt;br /&gt;
that people feel sorry for them&lt;br /&gt;
and cover them up,&lt;br /&gt;
at least a little bit.&lt;br /&gt;
- Edward R. Murrow&lt;br /&gt;
&lt;br /&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CoffeeTablePoetry/~4/xnUAuBL898A" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/CoffeeTablePoetry/~3/xnUAuBL898A/butterfly-laughter.html</link><author>noreply@blogger.com (V. Mahfood)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_VpTJUcCWU4s/TMYEUE6XY2I/AAAAAAAAFfA/u0ca_UQp6Dw/s72-c/teacupmug.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.coffeetablepoetry.com/2012/03/butterfly-laughter.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8083953159111148026.post-9117536741601381486</guid><pubDate>Fri, 02 Mar 2012 23:18:00 +0000</pubDate><atom:updated>2012-03-02T18:19:50.668-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Browning R.</category><category domain="http://www.blogger.com/atom/ns#">19thC</category><category domain="http://www.blogger.com/atom/ns#">love</category><title>A Woman's Last Word</title><description>&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_VpTJUcCWU4s/TKzqs600TcI/AAAAAAAAFWI/G18-yRRwJqI/s1600/teacupgold.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_VpTJUcCWU4s/TKzqs600TcI/AAAAAAAAFWI/G18-yRRwJqI/s1600/teacupgold.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="color: #990000; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;b&gt;--Description: 19th C, Browning R.,Love--&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-_mnfQOQ06u0/T1FVHXTTI9I/AAAAAAAAIUs/1H--CsX2tVw/s1600/manwomanfight.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-_mnfQOQ06u0/T1FVHXTTI9I/AAAAAAAAIUs/1H--CsX2tVw/s1600/manwomanfight.gif" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: #990000; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;
&lt;span style="color: #783f04;"&gt;     &lt;br /&gt;
I.&lt;br /&gt;
&lt;br /&gt;
Let's contend no more, Love,&lt;br /&gt;
Strive nor weep:&lt;br /&gt;
All be as before, Love,&lt;br /&gt;
---Only sleep!&lt;br /&gt;
&lt;br /&gt;
II.&lt;br /&gt;
&lt;br /&gt;
What so wild as words are?&lt;br /&gt;
I and thou&lt;br /&gt;
In debate, as birds are,&lt;br /&gt;
Hawk on bough!&lt;br /&gt;
&lt;br /&gt;
III.&lt;br /&gt;
&lt;br /&gt;
See the creature stalking&lt;br /&gt;
While we speak!&lt;br /&gt;
Hush and hide the talking,&lt;br /&gt;
Cheek on cheek!&lt;br /&gt;
&lt;br /&gt;
IV.&lt;br /&gt;
&lt;br /&gt;
What so false as truth is,&lt;br /&gt;
False to thee?&lt;br /&gt;
Where the serpent's tooth is&lt;br /&gt;
Shun the tree---&lt;br /&gt;
&lt;br /&gt;
V.&lt;br /&gt;
&lt;br /&gt;
Where the apple reddens&lt;br /&gt;
Never pry---&lt;br /&gt;
Lest we lose our Edens,&lt;br /&gt;
Eve and I.&lt;br /&gt;
&lt;br /&gt;
VI.&lt;br /&gt;
&lt;br /&gt;
Be a god and hold me&lt;br /&gt;
With a charm!&lt;br /&gt;
Be a man and fold me&lt;br /&gt;
With thine arm!&lt;br /&gt;
&lt;br /&gt;
VII.&lt;br /&gt;
&lt;br /&gt;
Teach me, only teach, Love&lt;br /&gt;
As I ought&lt;br /&gt;
I will speak thy speech, Love,&lt;br /&gt;
Think thy thought---&lt;br /&gt;
&lt;br /&gt;
VIII.&lt;br /&gt;
&lt;br /&gt;
Meet, if thou require it,&lt;br /&gt;
Both demands,&lt;br /&gt;
Laying flesh and spirit&lt;br /&gt;
In thy hands.&lt;br /&gt;
&lt;br /&gt;
IX.&lt;br /&gt;
&lt;br /&gt;
That shall be to-morrow&lt;br /&gt;
Not to-night:&lt;br /&gt;
I must bury sorrow&lt;br /&gt;
Out of sight:&lt;br /&gt;
&lt;br /&gt;
X&lt;br /&gt;
&lt;br /&gt;
---Must a little weep, Love,&lt;br /&gt;
(Foolish me!)&lt;br /&gt;
And so fall asleep, Love,&lt;br /&gt;
Loved by thee. &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Robert_Browning"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: #783f04;"&gt;Robert Browning&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt;  (7 May 1812 – 12 December 1889)&lt;a href="http://www.coffeetablepoetry.com/2012/03/womans-last-word.html"&gt; Robert Browning&lt;/a&gt; was an English poet and playwright whose mastery of dramatic verse, especially dramatic monologues, made him one of the foremost Victorian poets. Browning was born in Camberwell,[1] a suburb of London, England, the first son of Robert and Sarah Anna Browning. His father was a man of both fine intellect and character, who worked as a well-paid clerk for the Bank of England. Browning’s paternal grandfather was a wealthy slave owner in St Kitts, West Indies, but Browning’s father was an abolitionist. Browning's father had been sent to the West Indies to work on a sugar plantation. Revolted by the slavery there, he soon returned to England. Browning’s mother was a musician. It is rumoured that Browning's grandmother, Margaret Tittle, was a Jamaican born mulatto who had inherited a plantation in St Kitts. In childhood, he was distinguished by a love of poetry and natural history. By twelve, he had written a book of poetry which he later destroyed when no publisher could be found. After attending several private schools he began to be educated by a tutor, having demonstrated a strong dislike for institutionalized education. Read more at:&lt;a href="http://en.wikipedia.org/wiki/Robert_Browning"&gt; Robert Browning&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt;  plenum \PLEE-nuhm\, noun:&lt;br /&gt;
1. A full assembly, as a joint legislative assembly.&lt;br /&gt;
2. The state or a space in which a gas, usually air, is contained at a pressure greater than atmospheric pressure.&lt;br /&gt;
3. A space, usually above a ceiling or below a floor, that can serve as a receiving chamber for air that has been heated or cooled to be distributed to inhabited areas.&lt;br /&gt;
4. The whole of space regarded as being filled with matter (opposed to vacuum).&lt;br /&gt;
Example:&lt;br /&gt;
The plenum allegedly demanded that Bukharin cease his hunger strike.&lt;br /&gt;
-- Yuri Trifonov, Disappearance&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt; I never considered a difference of opinion&lt;br /&gt;
in politics, in religion, in philosophy,&lt;br /&gt;
as cause for withdrawing from a friend.&lt;br /&gt;
- Thomas Jefferson&lt;br /&gt;
&lt;br /&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CoffeeTablePoetry/~4/k2EWfXRe2Ec" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/CoffeeTablePoetry/~3/k2EWfXRe2Ec/womans-last-word.html</link><author>noreply@blogger.com (V. Mahfood)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_VpTJUcCWU4s/TKzqs600TcI/AAAAAAAAFWI/G18-yRRwJqI/s72-c/teacupgold.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.coffeetablepoetry.com/2012/03/womans-last-word.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8083953159111148026.post-6086796852097337613</guid><pubDate>Sun, 26 Feb 2012 19:57:00 +0000</pubDate><atom:updated>2012-02-26T14:59:51.858-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Campion T.</category><category domain="http://www.blogger.com/atom/ns#">disillusion</category><category domain="http://www.blogger.com/atom/ns#">beauty</category><category domain="http://www.blogger.com/atom/ns#">love</category><category domain="http://www.blogger.com/atom/ns#">17th C.</category><title>Kind Are Her Answers</title><description>&lt;center&gt;&lt;br /&gt;
&lt;a href="http://1.bp.blogspot.com/_VpTJUcCWU4s/SceXl58049I/AAAAAAAAA8c/k-9oBcPsTyM/s1600-h/teacupspoontinyblurb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="62" ii="true" src="http://1.bp.blogspot.com/_VpTJUcCWU4s/SceXl58049I/AAAAAAAAA8c/k-9oBcPsTyM/s320/teacupspoontinyblurb.jpg" width="77" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;span style="color: #990000; font-size: small;"&gt;&lt;b&gt;--Description: 17th C., Campion T., Beauty, Disillusion, Love--&lt;/b&gt;&lt;/span&gt;&lt;/center&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-qP2XvFxYWOY/T0qPHki4AvI/AAAAAAAAIRo/l3ZHnNjDDN0/s1600/kindanswers.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-qP2XvFxYWOY/T0qPHki4AvI/AAAAAAAAIRo/l3ZHnNjDDN0/s320/kindanswers.jpg" width="234" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Kind are her answers,&lt;br /&gt;
But her performance keeps no day;&lt;br /&gt;
Breaks time, as dancers&lt;br /&gt;
From their own music when they stray.&lt;br /&gt;
All her free favours and smooth words,&lt;br /&gt;
Wing my hopes in vain.&lt;br /&gt;
O did ever voice so sweet but only feign?&lt;br /&gt;
Can true love yield such delay,&lt;br /&gt;
Converting joy to pain?&lt;br /&gt;
Lost is our freedom,&lt;br /&gt;
When we submit to women so:&lt;br /&gt;
Why do we need them&lt;br /&gt;
When, in their best they work our woe?&lt;br /&gt;
Can alter ends, by Fate prefixed.&lt;br /&gt;
O why is the good of man with evil mixed?&lt;br /&gt;
Never were days yet called two,&lt;br /&gt;
But one night went betwixt. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://en.wikipedia.org/wiki/Thomas_Campion"&gt;Thomas Campion&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt; (12 February 1567 – 1 March 1620) &lt;a href="http://www.coffeetablepoetry.com/2012/02/kind-are-her-answers.html"&gt;Thomas Campion&lt;/a&gt; was an English composer, poet and physician. Campion was born in London and studied at Peterhouse, Cambridge, but left without taking a degree. He later entered Gray's Inn to study law in 1586. However, he left in 1595 without having been called to the bar. On 10 February 1605 he received his medical degree from the University of Caen. Campion was first published as a poet in 1591 with five of his works appearing in an edition of Sir Philip Sidney's Astrophel and Stella. The Songs of Mourning: Bewailing the Untimely Death of Prince Henry (1613), were set to music by John Cooper. He also wrote a number of other poems as well as a book on poetry, Observations in the Art of English Poesie (1602), in which he criticises the practice of rhyming in poetry. Some of Campion's works were quite ribald on the other hand, such as "Beauty, since you so much desire". He was implicated in the murder of Sir Thomas Overbury, but was eventually exonerated, as it was found that he had delivered a bribe unwittingly. Campion died in London, possibly of the plague. Early dictionary writers, such as Fétis saw Campion as a theorist. It was much later on that people began to see him as a composer. He was the writer of a poem, Cherry Ripe, which is not the later famous poem of that title but has several similarities. Read more at:&lt;a href="http://en.wikipedia.org/wiki/Thomas_Campion"&gt; Thomas Campion&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;b&gt;--Word of the Day:&lt;/b&gt; tramontane \truh-MON-teyn\, adjective:&lt;br /&gt;
1. Being or situated beyond the mountains.&lt;br /&gt;
2. Beyond the Alps as viewed from Italy; transalpine.&lt;br /&gt;
3. Of, pertaining to, or coming from the other side of the mountains.&lt;br /&gt;
4. Foreign; barbarous.&lt;br /&gt;
noun:&lt;br /&gt;
1. A person who lives beyond the mountains: formerly applied by the Italians to the peoples beyond the Alps, and by the latter to the Italians.&lt;br /&gt;
2. A foreigner; outlander; barbarian.&lt;br /&gt;
3. A violent, polar wind from the northwest that blows in southern France.&lt;/div&gt;&lt;br /&gt;
&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;&lt;b&gt;--Quote of the Day:&lt;/b&gt; "Friendship must dare to risk, or it's not friendship.&lt;br /&gt;
- Captain Jean-Luc Picard in the TV show Star Trek: The Next Generation."&lt;/div&gt;&lt;div style="font-family: Verdana,sans-serif; text-align: justify;"&gt;(Margaret Brownley)&lt;/div&gt;&lt;br /&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CoffeeTablePoetry/~4/y52R_Ja-D8g" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/CoffeeTablePoetry/~3/y52R_Ja-D8g/kind-are-her-answers.html</link><author>noreply@blogger.com (V. Mahfood)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_VpTJUcCWU4s/SceXl58049I/AAAAAAAAA8c/k-9oBcPsTyM/s72-c/teacupspoontinyblurb.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.coffeetablepoetry.com/2012/02/kind-are-her-answers.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8083953159111148026.post-1152489594903639544</guid><pubDate>Thu, 23 Feb 2012 18:04:00 +0000</pubDate><atom:updated>2012-02-23T13:13:56.863-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">Wordsworth W.</category><category domain="http://www.blogger.com/atom/ns#">night</category><category domain="http://www.blogger.com/atom/ns#">nature</category><category domain="http://www.blogger.com/atom/ns#">19th C</category><category domain="http://www.blogger.com/atom/ns#">seasons</category><title>The Sun Has Long Been Set</title><description>&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Verdana,sans-serif;"&gt;&lt;br /&gt;
&lt;b&gt;--Description:&lt;/b&gt; Wordsworth W., 19th C, Nature, Night, Seasons&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_VpTJUcCWU4s/Sa_jC1gRBRI/AAAAAAAAAr4/ZVEuwMkBtbI/s1600-h/MoonFlip.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_VpTJUcCWU4s/Sa_jC1gRBRI/AAAAAAAAAr4/ZVEuwMkBtbI/s320/MoonFlip.gif" vi="true" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;center&gt;&lt;span style="font-family: Verdana,sans-serif; color: brown;"&gt;&lt;br /&gt;
The sun has long been set,&lt;br /&gt;
The stars are out by twos and threes,&lt;br /&gt;
The little birds are piping yet&lt;br /&gt;
Among the bushes and the trees;&lt;br /&gt;
There's a cuckoo, and one or two thrushes,&lt;br /&gt;
And a far-off wind that rushes,&lt;br /&gt;
And a sound of water that gushes,&lt;br /&gt;
And the cuckoo's sovereign cry&lt;br /&gt;
Fills all the hollow of the sky.&lt;br /&gt;
Who would go `parading'&lt;br /&gt;
In London, `and masquerading',&lt;br /&gt;
On such a night of June&lt;br /&gt;
With that beautiful soft half-moon,&lt;br /&gt;
And all these innocent blisses?&lt;br /&gt;
On such a night as this is!&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: Verdana,sans-serif;"&gt;&lt;br /&gt;
&lt;a href="http://en.wikipedia.org/wiki/William_Wordsworth"&gt;&lt;b&gt;William Wordsworth&lt;/b&gt;&lt;/a&gt;&lt;/center&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt; (7 April 1770 – 23 April 1850) Wordsworth was a major English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with the 1798 joint publication Lyrical Ballads.&lt;br /&gt;
Wordsworth's magnum opus is generally considered to be The Prelude, a semiautobiographical poem of his early years which the poet revised and expanded a number of times. The work was posthumously titled and published, prior to which it was generally known as the poem "to Coleridge". Wordsworth was England's Poet Laureate from 1843 until his death in 1850. The second of five children born to John Wordsworth and Ann Cookson, William Wordsworth was born on 7 April 1770 in Wordsworth House in Cockermouth, Cumberland—part of the scenic region in northwest England, the Lake District. His sister, the poet and diarist Dorothy Wordsworth, to whom he was close all his life, was born the following year, and the two were baptised together. They had three other siblings: Richard, the eldest, who became a lawyer; John, born after Dorothy, who would become a poet and enjoy nature with William and Dorothy until he died in an 1809 shipwreck, from which only the captain escaped; and Christopher, the youngest, who would become an academician. Their father was a legal representative of James Lowther, 1st Earl of Lonsdale. Read more at: William Wordsworth&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Poetry Terminology:&lt;/b&gt;  Aide-memoire poem -&lt;br /&gt;
Poem which helps the memory e.g. 'Thirty days hath September,/April, June and November' &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt;  evanescence \ev-uh-NES-ens\, noun:&lt;br /&gt;
1. A gradual dissappearance.&lt;br /&gt;
2. The state of becoming imperceptible.&lt;br /&gt;
Example:&lt;br /&gt;
This is one of the most beautiful circumstances connected with water surface, for by these means a variety of color and a grace and evanescence are introduced in the reflection otherwise impossible.&lt;br /&gt;
-John Ruskin, The Works of John Ruskin: Modern painters, v.1-5 &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt;  In the coldest February, as in every other month in every other year, the best thing to hold on to in this world is each other.  ~Linda Ellerbee &lt;br /&gt;
&lt;br /&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CoffeeTablePoetry/~4/af4WYk28BbA" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/CoffeeTablePoetry/~3/af4WYk28BbA/sun-has-long-been-set.html</link><author>noreply@blogger.com (V. Mahfood)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_VpTJUcCWU4s/Sa_jC1gRBRI/AAAAAAAAAr4/ZVEuwMkBtbI/s72-c/MoonFlip.gif" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.coffeetablepoetry.com/2009/03/sun-has-long-been-set.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8083953159111148026.post-4301270654092200529</guid><pubDate>Tue, 21 Feb 2012 18:36:00 +0000</pubDate><atom:updated>2012-02-21T13:36:30.712-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">aging</category><category domain="http://www.blogger.com/atom/ns#">Holmes O.W.</category><category domain="http://www.blogger.com/atom/ns#">19th C</category><category domain="http://www.blogger.com/atom/ns#">life</category><title>Two Streams</title><description>&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_VpTJUcCWU4s/SuBsq9TCFlI/AAAAAAAACx0/SipI2mFI8a4/s1600/teacupempress.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="124" src="http://1.bp.blogspot.com/_VpTJUcCWU4s/SuBsq9TCFlI/AAAAAAAACx0/SipI2mFI8a4/s200/teacupempress.png" width="150" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="color: #990000; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;b&gt;--Description: 19th C, Holmes O.W., Aging, Life--&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-NcyvkRGlehU/T0PjvhR7uMI/AAAAAAAAIPo/keUSWhEXRmE/s1600/twostreams.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="214" src="http://2.bp.blogspot.com/-NcyvkRGlehU/T0PjvhR7uMI/AAAAAAAAIPo/keUSWhEXRmE/s320/twostreams.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: #783f04;"&gt;BEHOLD the rocky wall&lt;br /&gt;
That down its sloping sides&lt;br /&gt;
Pours the swift rain-drops, blending as they fall,&lt;br /&gt;
In rushing river-tides!&lt;br /&gt;
&lt;br /&gt;
Yon stream, whose sources run&lt;br /&gt;
Turned by a pebble's edge,&lt;br /&gt;
Is Athabasca, rolling toward the sun&lt;br /&gt;
Through the cleft mountain-ledge.&lt;br /&gt;
&lt;br /&gt;
The slender rill had strayed,&lt;br /&gt;
But for the slanting stone,&lt;br /&gt;
To evening's ocean, with the tangled braid&lt;br /&gt;
Of foam-flecked Oregon.&lt;br /&gt;
&lt;br /&gt;
So from the heights of Will&lt;br /&gt;
Life's parting stream descends,&lt;br /&gt;
And, as a moment turns its slender rill,&lt;br /&gt;
Each widening torrent bends,--&lt;br /&gt;
&lt;br /&gt;
From the same cradle's side,&lt;br /&gt;
From the same mother's knee,--&lt;br /&gt;
One to long darkness and the frozen tide,&lt;br /&gt;
One to the Peaceful Sea!&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt; &lt;span style="font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Oliver_Wendell_Holmes,_Sr."&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: #783f04;"&gt;Oliver Wendell Holmes&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt;  (August 29, 1809 – October 7, 1894) Holmes was an American physician, professor, lecturer, and author. Regarded by his peers as one of the best writers of the 19th century, he is considered a member of the Fireside Poets. His most famous prose works are the "Breakfast-Table" series, which began with The Autocrat of the Breakfast-Table (1858). He is recognized as an important medical reformer. Born in Cambridge, Massachusetts, Holmes was educated at Phillips Academy and Harvard College. After graduating from Harvard in 1829, he briefly studied law before turning to the medical profession. He began writing poetry at an early age; one of his most famous works, "Old Ironsides", was published in 1830. Following training at the prestigious medical schools of Paris, Holmes was granted his M.D. from Harvard Medical School in 1836. He taught at Dartmouth Medical School before returning to teach at Harvard and, for a time, served as dean there. During his long professorship, he became an advocate for various medical reforms and notably posited the controversial idea that doctors were capable of carrying puerperal fever from patient to patient. Holmes retired from Harvard in 1882 and continued writing poetry, novels and essays until his death in 1894. See more at: &lt;a href="http://en.wikipedia.org/wiki/Oliver_Wendell_Holmes,_Sr."&gt;Oliver Wendell Holmes&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt; mammonism \MAM-uh-niz-uhm\, noun:&lt;br /&gt;
The greedy pursuit of riches.&lt;br /&gt;
Example:&lt;br /&gt;
We will bring to mind a young man or young woman bitterly awakened from a fancy dream of accomplishment, action or glory, forced instead to come to terms with a considerably reduced status, a betrayed love, and a hideously bourgeois world of crass mammonism and philistine taste.&lt;br /&gt;
-- Rudyard Kipling, Kim&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt; What is necessary to change a person is&lt;br /&gt;
to change his awareness of himself.&lt;br /&gt;
- Abraham Maslow&lt;br /&gt;
&lt;br /&gt;
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&lt;a href="http://coffeetablepoetry.com/"&gt;&lt;span style="color: red; font-family: Verdana, sans-serif;"&gt;&lt;b&gt;Coffee Table Poetry for Tea Drinkers&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;b&gt; &lt;span style="color: #0b5394;"&gt;&lt;span style="color: black;"&gt; is updated often.&lt;/span&gt;&lt;span style="color: black;"&gt; Subscribe by selecting&lt;/span&gt;&lt;/span&gt;&lt;a href="http://feedburner.google.com/fb/a/mailverify?uri=CoffeeTablePoetry&amp;amp;loc=en_US"&gt;&lt;span style="color: red; font-family: Verdana, sans-serif;"&gt; E-mail&lt;/span&gt;&lt;/a&gt; &lt;span style="color: black;"&gt;or&lt;/span&gt; &lt;a href="http://feeds2.feedburner.com/CoffeeTablePoetry"&gt;&lt;span style="color: red; font-family: Verdana, sans-serif;"&gt;RSS Reader.&lt;/span&gt;&lt;/a&gt;&lt;span style="color: black;"&gt; Also, come follow us on &lt;a href="http://twitter.com/coffeetablepoet"&gt; &lt;span style="color: #0b5394;"&gt;Twitter&lt;/span&gt;&lt;/a&gt; and &lt;a href="http://bit.ly/aEV6Eq"&gt;Facebook.&lt;/a&gt;&lt;/span&gt; Poets and Advertisers-please contact us to post your press releases, new book info, graphics and more at: &lt;/b&gt; &lt;a href="mailto: coffeetablepoet@gmail.com"&gt; &lt;span style="color: red; font-weight: bold;"&gt;coffeetablepoet@gmail.com&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/CoffeeTablePoetry/~4/C_b29QTyryk" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/CoffeeTablePoetry/~3/C_b29QTyryk/two-streams.html</link><author>noreply@blogger.com (V. Mahfood)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_VpTJUcCWU4s/SuBsq9TCFlI/AAAAAAAACx0/SipI2mFI8a4/s72-c/teacupempress.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.coffeetablepoetry.com/2012/02/two-streams.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-8083953159111148026.post-3334855398852597345</guid><pubDate>Sun, 19 Feb 2012 01:53:00 +0000</pubDate><atom:updated>2012-02-18T20:53:47.441-05:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">nature</category><category domain="http://www.blogger.com/atom/ns#">Tabb J. B.</category><category domain="http://www.blogger.com/atom/ns#">love</category><category domain="http://www.blogger.com/atom/ns#">20th C</category><title>A Duet</title><description>&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_VpTJUcCWU4s/TSpT1Em84KI/AAAAAAAAF9k/M-pIICzVfOk/s1600/teababies.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="140" src="http://4.bp.blogspot.com/_VpTJUcCWU4s/TSpT1Em84KI/AAAAAAAAF9k/M-pIICzVfOk/s200/teababies.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="color: #990000; font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;b&gt;--Description: 20th C, Tabb J. B., Love, Nature-- &lt;/b&gt;&lt;/span&gt; &lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-Dk5vD-ZUNyA/T0BV9qWFKGI/AAAAAAAAIOQ/xMGyaNElA6s/s1600/yellowflower.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://1.bp.blogspot.com/-Dk5vD-ZUNyA/T0BV9qWFKGI/AAAAAAAAIOQ/xMGyaNElA6s/s320/yellowflower.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: #783f04; font-family: Verdana, sans-serif; "&gt; &lt;br /&gt;
A little yellow Bird above,&lt;br /&gt;
A little yellow Flower below;&lt;br /&gt;
The little Bird can sing the love&lt;br /&gt;
That Bird and Blossom know;&lt;br /&gt;
The Blossom has no song nor wing,&lt;br /&gt;
But breathes the love he cannot sing&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt; &lt;span style="font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: #783f04;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: Verdana, sans-serif; font-size: small;"&gt;&lt;a href="http://en.wikipedia.org/wiki/John_B._Tabb"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: #783f04;"&gt;John B. Tabb&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt;  (March 22, 1845 - November 19, 1909) Father John Bannister Tabb was an American poet, Roman Catholic priest, and professor of English. (Although often misspelled as Bannister, the poet's middle name is actually spelled with only one "n", Banister.) Born into one of Virginia's oldest and wealthiest families, he became a blockade runner for the Confederacy during the Civil War, and spent eight months in a Union prison camp (where he formed a life-long friendship with poet Sidney Lanier); he converted to the Roman Catholic Church in 1872, and began to teach Greek and English at Saint Charles College (Ellicott City, Maryland) in 1878. He was ordained as a priest in 1884, after which he retained his academic position. Plagued by eye problems his whole life, he lost his sight completely about a year before he died in the college rooms that he had continued to occupy after his retirement. Father Tabb (as he was commonly known) was widely published in popular and prestigious magazines of the day, including Harper's Monthly, The Atlantic Monthly, and The Cosmopolitan. Read more at: &lt;a href="http://en.wikipedia.org/wiki/John_B._Tabb"&gt;John  B. Tabb&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt; piacular \pahy-AK-yuh-ler\, adjective:&lt;br /&gt;
1. Expiatory; atoning; reparatory.&lt;br /&gt;
2. Requiring expiation; sinful or wicked.&lt;br /&gt;
Example:&lt;br /&gt;
The journey to obtain scriptures in the Western Heaven is, for Tripitaka and his disciples, also the piacular journey of return to Buddha, and like the Odysseus of the Homeric poem, the scripture pilgrim must pass through appalling obstacles for past offenses against the gods.&lt;br /&gt;
-- Anthony C. Yu, Journey to the West&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt; A friend is someone who won't stop&lt;br /&gt;
until he finds you and brings you home.&lt;br /&gt;
- Fraser Sr. in the movie Due South&lt;br /&gt;
&lt;br /&gt;
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&lt;span style="color: #990000; font-family: Verdana,sans-serif; font-size: small;"&gt;&lt;b&gt;--Description: 17th C, Shakespeare W., Love-- &lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_VpTJUcCWU4s/Sp8PRB0FaHI/AAAAAAAACUc/W97G31xcdhI/s1600/FairyLandWEB.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/_VpTJUcCWU4s/Sp8PRB0FaHI/AAAAAAAACUc/W97G31xcdhI/s320/FairyLandWEB.jpg" width="253" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: #783f04;"&gt;FROM off a hill whose concave womb reworded &lt;br /&gt;
A plaintful story from a sistering vale, &lt;br /&gt;
My spirits to attend this double voice accorded, &lt;br /&gt;
And down I laid to list the sad-tuned tale; &lt;br /&gt;
Ere long espied a fickle maid full pale, &lt;br /&gt;
Tearing of papers, breaking rings a-twain, &lt;br /&gt;
Storming her world with sorrow's wind and rain. &lt;br /&gt;
&lt;br /&gt;
Upon her head a platted hive of straw, &lt;br /&gt;
Which fortified her visage from the sun, &lt;br /&gt;
Whereon the thought might think sometime it saw &lt;br /&gt;
The carcass of beauty spent and done: &lt;br /&gt;
Time had not scythed all that youth begun, &lt;br /&gt;
Nor youth all quit; but, spite of heaven's fell rage, &lt;br /&gt;
Some beauty peep'd through lattice of sear'd age. &lt;br /&gt;
&lt;br /&gt;
Oft did she heave her napkin to her eyne, &lt;br /&gt;
Which on it had conceited characters, &lt;br /&gt;
Laundering the silken figures in the brine &lt;br /&gt;
That season'd woe had pelleted in tears, &lt;br /&gt;
And often reading what contents it bears; &lt;br /&gt;
As often shrieking undistinguish'd woe, &lt;br /&gt;
In clamours of all size, both high and low. &lt;br /&gt;
&lt;br /&gt;
Sometimes her levell'd eyes their carriage ride, &lt;br /&gt;
As they did battery to the spheres intend; &lt;br /&gt;
Sometime diverted their poor balls are tied &lt;br /&gt;
To the orbed earth; sometimes they do extend &lt;br /&gt;
Their view right on; anon their gazes lend &lt;br /&gt;
To every place at once, and, nowhere fix'd, &lt;br /&gt;
The mind and sight distractedly commix'd. &lt;br /&gt;
&lt;br /&gt;
Her hair, nor loose nor tied in formal plat, &lt;br /&gt;
Proclaim'd in her a careless hand of pride &lt;br /&gt;
For some, untuck'd, descended her sheaved hat, &lt;br /&gt;
Hanging her pale and pined cheek beside; &lt;br /&gt;
Some in her threaden fillet still did bide, &lt;br /&gt;
And true to bondage would not break from thence, &lt;br /&gt;
Though slackly braided in loose negligence. &lt;br /&gt;
&lt;br /&gt;
A thousand favours from a maund she drew &lt;br /&gt;
Of amber, crystal, and of beaded jet, &lt;br /&gt;
Which one by one she in a river threw, &lt;br /&gt;
Upon whose weeping margent she was set; &lt;br /&gt;
Like usury, applying wet to wet, &lt;br /&gt;
Or monarch's hands that let not bounty fall &lt;br /&gt;
Where want cries some, but where excess begs all. &lt;br /&gt;
&lt;br /&gt;
Of folded schedules had she many a one, &lt;br /&gt;
Which she perused, sigh'd, tore, and gave the flood; &lt;br /&gt;
Crack'd many a ring of posied gold and bone &lt;br /&gt;
Bidding them find their sepulchres in mud; &lt;br /&gt;
Found yet moe letters sadly penn'd in blood, &lt;br /&gt;
With sleided silk feat and affectedly &lt;br /&gt;
Enswathed, and seal'd to curious secrecy. &lt;br /&gt;
&lt;br /&gt;
These often bathed she in her fluxive eyes, &lt;br /&gt;
And often kiss'd, and often 'gan to tear: &lt;br /&gt;
Cried 'O false blood, thou register of lies, &lt;br /&gt;
What unapproved witness dost thou bear! &lt;br /&gt;
Ink would have seem'd more black and damned here!' &lt;br /&gt;
This said, in top of rage the lines she rents, &lt;br /&gt;
Big discontent so breaking their contents. &lt;br /&gt;
&lt;br /&gt;
A reverend man that grazed his cattle nigh-- &lt;br /&gt;
Sometime a blusterer, that the ruffle knew &lt;br /&gt;
Of court, of city, and had let go by &lt;br /&gt;
The swiftest hours, observed as they flew-- &lt;br /&gt;
Towards this afflicted fancy fastly drew, &lt;br /&gt;
And, privileged by age, desires to know &lt;br /&gt;
In brief the grounds and motives of her woe. &lt;br /&gt;
&lt;br /&gt;
So slides he down upon his grained bat, &lt;br /&gt;
And comely-distant sits he by her side; &lt;br /&gt;
When he again desires her, being sat, &lt;br /&gt;
Her grievance with his hearing to divide: &lt;br /&gt;
If that from him there may be aught applied &lt;br /&gt;
Which may her suffering ecstasy assuage, &lt;br /&gt;
'Tis promised in the charity of age. &lt;br /&gt;
&lt;br /&gt;
'Father,' she says, 'though in me you behold &lt;br /&gt;
The injury of many a blasting hour, &lt;br /&gt;
Let it not tell your judgment I am old; &lt;br /&gt;
Not age, but sorrow, over me hath power: &lt;br /&gt;
I might as yet have been a spreading flower, &lt;br /&gt;
Fresh to myself, If I had self-applied &lt;br /&gt;
Love to myself and to no love beside. &lt;br /&gt;
&lt;br /&gt;
'But, woe is me! too early I attended &lt;br /&gt;
A youthful suit--it was to gain my grace-- &lt;br /&gt;
Of one by nature's outwards so commended, &lt;br /&gt;
That maidens' eyes stuck over all his face: &lt;br /&gt;
Love lack'd a dwelling, and made him her place; &lt;br /&gt;
And when in his fair parts she did abide, &lt;br /&gt;
She was new lodged and newly deified. &lt;br /&gt;
&lt;br /&gt;
'His browny locks did hang in crooked curls; &lt;br /&gt;
And every light occasion of the wind &lt;br /&gt;
Upon his lips their silken parcels hurls. &lt;br /&gt;
What's sweet to do, to do will aptly find: &lt;br /&gt;
Each eye that saw him did enchant the mind, &lt;br /&gt;
For on his visage was in little drawn &lt;br /&gt;
What largeness thinks in Paradise was sawn. &lt;br /&gt;
&lt;br /&gt;
'Small show of man was yet upon his chin; &lt;br /&gt;
His phoenix down began but to appear &lt;br /&gt;
Like unshorn velvet on that termless skin &lt;br /&gt;
Whose bare out-bragg'd the web it seem'd to wear: &lt;br /&gt;
Yet show'd his visage by that cost more dear; &lt;br /&gt;
And nice affections wavering stood in doubt &lt;br /&gt;
If best were as it was, or best without. &lt;br /&gt;
&lt;br /&gt;
'His qualities were beauteous as his form, &lt;br /&gt;
For maiden-tongued he was, and thereof free; &lt;br /&gt;
Yet, if men moved him, was he such a storm &lt;br /&gt;
As oft 'twixt May and April is to see, &lt;br /&gt;
When winds breathe sweet, untidy though they be. &lt;br /&gt;
His rudeness so with his authorized youth &lt;br /&gt;
Did livery falseness in a pride of truth. &lt;br /&gt;
&lt;br /&gt;
'Well could he ride, and often men would say &lt;br /&gt;
'That horse his mettle from his rider takes: &lt;br /&gt;
Proud of subjection, noble by the sway, &lt;br /&gt;
What rounds, what bounds, what course, what stop &lt;br /&gt;
he makes!' &lt;br /&gt;
And controversy hence a question takes, &lt;br /&gt;
Whether the horse by him became his deed, &lt;br /&gt;
Or he his manage by the well-doing steed. &lt;br /&gt;
&lt;br /&gt;
'But quickly on this side the verdict went: &lt;br /&gt;
His real habitude gave life and grace &lt;br /&gt;
To appertainings and to ornament, &lt;br /&gt;
Accomplish'd in himself, not in his case: &lt;br /&gt;
All aids, themselves made fairer by their place, &lt;br /&gt;
Came for additions; yet their purposed trim &lt;br /&gt;
Pieced not his grace, but were all graced by him. &lt;br /&gt;
&lt;br /&gt;
'So on the tip of his subduing tongue &lt;br /&gt;
All kinds of arguments and question deep, &lt;br /&gt;
All replication prompt, and reason strong, &lt;br /&gt;
For his advantage still did wake and sleep: &lt;br /&gt;
To make the weeper laugh, the laugher weep, &lt;br /&gt;
He had the dialect and different skill, &lt;br /&gt;
Catching all passions in his craft of will: &lt;br /&gt;
&lt;br /&gt;
'That he did in the general bosom reign &lt;br /&gt;
Of young, of old; and sexes both enchanted, &lt;br /&gt;
To dwell with him in thoughts, or to remain &lt;br /&gt;
In personal duty, following where he haunted: &lt;br /&gt;
Consents bewitch'd, ere he desire, have granted; &lt;br /&gt;
And dialogued for him what he would say, &lt;br /&gt;
Ask'd their own wills, and made their wills obey. &lt;br /&gt;
&lt;br /&gt;
'Many there were that did his picture get, &lt;br /&gt;
To serve their eyes, and in it put their mind; &lt;br /&gt;
Like fools that in th' imagination set &lt;br /&gt;
The goodly objects which abroad they find &lt;br /&gt;
Of lands and mansions, theirs in thought assign'd; &lt;br /&gt;
And labouring in moe pleasures to bestow them &lt;br /&gt;
Than the true gouty landlord which doth owe them: &lt;br /&gt;
&lt;br /&gt;
'So many have, that never touch'd his hand, &lt;br /&gt;
Sweetly supposed them mistress of his heart. &lt;br /&gt;
My woeful self, that did in freedom stand, &lt;br /&gt;
And was my own fee-simple, not in part, &lt;br /&gt;
What with his art in youth, and youth in art, &lt;br /&gt;
Threw my affections in his charmed power, &lt;br /&gt;
Reserved the stalk and gave him all my flower. &lt;br /&gt;
&lt;br /&gt;
'Yet did I not, as some my equals did, &lt;br /&gt;
Demand of him, nor being desired yielded; &lt;br /&gt;
Finding myself in honour so forbid, &lt;br /&gt;
With safest distance I mine honour shielded: &lt;br /&gt;
Experience for me many bulwarks builded &lt;br /&gt;
Of proofs new-bleeding, which remain'd the foil &lt;br /&gt;
Of this false jewel, and his amorous spoil. &lt;br /&gt;
&lt;br /&gt;
'But, ah, who ever shunn'd by precedent &lt;br /&gt;
The destined ill she must herself assay? &lt;br /&gt;
Or forced examples, 'gainst her own content, &lt;br /&gt;
To put the by-past perils in her way? &lt;br /&gt;
Counsel may stop awhile what will not stay; &lt;br /&gt;
For when we rage, advice is often seen &lt;br /&gt;
By blunting us to make our wits more keen. &lt;br /&gt;
&lt;br /&gt;
'Nor gives it satisfaction to our blood, &lt;br /&gt;
That we must curb it upon others' proof; &lt;br /&gt;
To be forbod the sweets that seem so good, &lt;br /&gt;
For fear of harms that preach in our behoof. &lt;br /&gt;
O appetite, from judgment stand aloof! &lt;br /&gt;
The one a palate hath that needs will taste, &lt;br /&gt;
Though Reason weep, and cry, 'It is thy last.' &lt;br /&gt;
&lt;br /&gt;
'For further I could say 'This man's untrue,' &lt;br /&gt;
And knew the patterns of his foul beguiling; &lt;br /&gt;
Heard where his plants in others' orchards grew, &lt;br /&gt;
Saw how deceits were gilded in his smiling; &lt;br /&gt;
Knew vows were ever brokers to defiling; &lt;br /&gt;
Thought characters and words merely but art, &lt;br /&gt;
And bastards of his foul adulterate heart. &lt;br /&gt;
&lt;br /&gt;
'And long upon these terms I held my city, &lt;br /&gt;
Till thus he gan besiege me: 'Gentle maid, &lt;br /&gt;
Have of my suffering youth some feeling pity, &lt;br /&gt;
And be not of my holy vows afraid: &lt;br /&gt;
That's to ye sworn to none was ever said; &lt;br /&gt;
For feasts of love I have been call'd unto, &lt;br /&gt;
Till now did ne'er invite, nor never woo. &lt;br /&gt;
&lt;br /&gt;
''All my offences that abroad you see &lt;br /&gt;
Are errors of the blood, none of the mind; &lt;br /&gt;
Love made them not: with acture they may be, &lt;br /&gt;
Where neither party is nor true nor kind: &lt;br /&gt;
They sought their shame that so their shame did find; &lt;br /&gt;
And so much less of shame in me remains, &lt;br /&gt;
By how much of me their reproach contains. &lt;br /&gt;
&lt;br /&gt;
''Among the many that mine eyes have seen, &lt;br /&gt;
Not one whose flame my heart so much as warm'd, &lt;br /&gt;
Or my affection put to the smallest teen, &lt;br /&gt;
Or any of my leisures ever charm'd: &lt;br /&gt;
Harm have I done to them, but ne'er was harm'd; &lt;br /&gt;
Kept hearts in liveries, but mine own was free, &lt;br /&gt;
And reign'd, commanding in his monarchy. &lt;br /&gt;
&lt;br /&gt;
''Look here, what tributes wounded fancies sent me, &lt;br /&gt;
Of paled pearls and rubies red as blood; &lt;br /&gt;
Figuring that they their passions likewise lent me &lt;br /&gt;
Of grief and blushes, aptly understood &lt;br /&gt;
In bloodless white and the encrimson'd mood; &lt;br /&gt;
Effects of terror and dear modesty, &lt;br /&gt;
Encamp'd in hearts, but fighting outwardly. &lt;br /&gt;
&lt;br /&gt;
''And, lo, behold these talents of their hair, &lt;br /&gt;
With twisted metal amorously impleach'd, &lt;br /&gt;
I have received from many a several fair, &lt;br /&gt;
Their kind acceptance weepingly beseech'd, &lt;br /&gt;
With the annexions of fair gems enrich'd, &lt;br /&gt;
And deep-brain'd sonnets that did amplify &lt;br /&gt;
Each stone's dear nature, worth, and quality. &lt;br /&gt;
&lt;br /&gt;
''The diamond,--why, 'twas beautiful and hard, &lt;br /&gt;
Whereto his invised properties did tend; &lt;br /&gt;
The deep-green emerald, in whose fresh regard &lt;br /&gt;
Weak sights their sickly radiance do amend; &lt;br /&gt;
The heaven-hued sapphire and the opal blend &lt;br /&gt;
With objects manifold: each several stone, &lt;br /&gt;
With wit well blazon'd, smiled or made some moan. &lt;br /&gt;
&lt;br /&gt;
''Lo, all these trophies of affections hot, &lt;br /&gt;
Of pensived and subdued desires the tender, &lt;br /&gt;
Nature hath charged me that I hoard them not, &lt;br /&gt;
But yield them up where I myself must render, &lt;br /&gt;
That is, to you, my origin and ender; &lt;br /&gt;
For these, of force, must your oblations be, &lt;br /&gt;
Since I their altar, you enpatron me. &lt;br /&gt;
&lt;br /&gt;
''O, then, advance of yours that phraseless hand, &lt;br /&gt;
Whose white weighs down the airy scale of praise; &lt;br /&gt;
Take all these similes to your own command, &lt;br /&gt;
Hallow'd with sighs that burning lungs did raise; &lt;br /&gt;
What me your minister, for you obeys, &lt;br /&gt;
Works under you; and to your audit comes &lt;br /&gt;
Their distract parcels in combined sums. &lt;br /&gt;
&lt;br /&gt;
''Lo, this device was sent me from a nun, &lt;br /&gt;
Or sister sanctified, of holiest note; &lt;br /&gt;
Which late her noble suit in court did shun, &lt;br /&gt;
Whose rarest havings made the blossoms dote; &lt;br /&gt;
For she was sought by spirits of richest coat, &lt;br /&gt;
But kept cold distance, and did thence remove, &lt;br /&gt;
To spend her living in eternal love. &lt;br /&gt;
&lt;br /&gt;
''But, O my sweet, what labour is't to leave &lt;br /&gt;
The thing we have not, mastering what not strives, &lt;br /&gt;
Playing the place which did no form receive, &lt;br /&gt;
Playing patient sports in unconstrained gyves? &lt;br /&gt;
She that her fame so to herself contrives, &lt;br /&gt;
The scars of battle 'scapeth by the flight, &lt;br /&gt;
And makes her absence valiant, not her might. &lt;br /&gt;
&lt;br /&gt;
''O, pardon me, in that my boast is true: &lt;br /&gt;
The accident which brought me to her eye &lt;br /&gt;
Upon the moment did her force subdue, &lt;br /&gt;
And now she would the caged cloister fly: &lt;br /&gt;
Religious love put out Religion's eye: &lt;br /&gt;
Not to be tempted, would she be immured, &lt;br /&gt;
And now, to tempt, all liberty procured. &lt;br /&gt;
&lt;br /&gt;
''How mighty then you are, O, hear me tell! &lt;br /&gt;
The broken bosoms that to me belong &lt;br /&gt;
Have emptied all their fountains in my well, &lt;br /&gt;
And mine I pour your ocean all among: &lt;br /&gt;
I strong o'er them, and you o'er me being strong, &lt;br /&gt;
Must for your victory us all congest, &lt;br /&gt;
As compound love to physic your cold breast. &lt;br /&gt;
&lt;br /&gt;
''My parts had power to charm a sacred nun, &lt;br /&gt;
Who, disciplined, ay, dieted in grace, &lt;br /&gt;
Believed her eyes when they to assail begun, &lt;br /&gt;
All vows and consecrations giving place: &lt;br /&gt;
O most potential love! vow, bond, nor space, &lt;br /&gt;
In thee hath neither sting, knot, nor confine, &lt;br /&gt;
For thou art all, and all things else are thine. &lt;br /&gt;
&lt;br /&gt;
''When thou impressest, what are precepts worth &lt;br /&gt;
Of stale example? When thou wilt inflame, &lt;br /&gt;
How coldly those impediments stand forth &lt;br /&gt;
Of wealth, of filial fear, law, kindred, fame! &lt;br /&gt;
Love's arms are peace, 'gainst rule, 'gainst sense, &lt;br /&gt;
'gainst shame, &lt;br /&gt;
And sweetens, in the suffering pangs it bears, &lt;br /&gt;
The aloes of all forces, shocks, and fears. &lt;br /&gt;
&lt;br /&gt;
''Now all these hearts that do on mine depend, &lt;br /&gt;
Feeling it break, with bleeding groans they pine; &lt;br /&gt;
And supplicant their sighs to you extend, &lt;br /&gt;
To leave the battery that you make 'gainst mine, &lt;br /&gt;
Lending soft audience to my sweet design, &lt;br /&gt;
And credent soul to that strong-bonded oath &lt;br /&gt;
That shall prefer and undertake my troth.' &lt;br /&gt;
&lt;br /&gt;
'This said, his watery eyes he did dismount, &lt;br /&gt;
Whose sights till then were levell'd on my face; &lt;br /&gt;
Each cheek a river running from a fount &lt;br /&gt;
With brinish current downward flow'd apace: &lt;br /&gt;
O, how the channel to the stream gave grace! &lt;br /&gt;
Who glazed with crystal gate the glowing roses &lt;br /&gt;
That flame through water which their hue encloses. &lt;br /&gt;
&lt;br /&gt;
'O father, what a hell of witchcraft lies &lt;br /&gt;
In the small orb of one particular tear! &lt;br /&gt;
But with the inundation of the eyes &lt;br /&gt;
What rocky heart to water will not wear? &lt;br /&gt;
What breast so cold that is not warmed here? &lt;br /&gt;
O cleft effect! cold modesty, hot wrath, &lt;br /&gt;
Both fire from hence and chill extincture hath. &lt;br /&gt;
&lt;br /&gt;
'For, lo, his passion, but an art of craft, &lt;br /&gt;
Even there resolved my reason into tears; &lt;br /&gt;
There my white stole of chastity I daff'd, &lt;br /&gt;
Shook off my sober guards and civil fears; &lt;br /&gt;
Appear to him, as he to me appears, &lt;br /&gt;
All melting; though our drops this difference bore, &lt;br /&gt;
His poison'd me, and mine did him restore. &lt;br /&gt;
&lt;br /&gt;
'In him a plenitude of subtle matter, &lt;br /&gt;
Applied to cautels, all strange forms receives, &lt;br /&gt;
Of burning blushes, or of weeping water, &lt;br /&gt;
Or swooning paleness; and he takes and leaves, &lt;br /&gt;
In either's aptness, as it best deceives, &lt;br /&gt;
To blush at speeches rank to weep at woes, &lt;br /&gt;
Or to turn white and swoon at tragic shows. &lt;br /&gt;
&lt;br /&gt;
'That not a heart which in his level came &lt;br /&gt;
Could 'scape the hail of his all-hurting aim, &lt;br /&gt;
Showing fair nature is both kind and tame; &lt;br /&gt;
And, veil'd in them, did win whom he would maim: &lt;br /&gt;
Against the thing he sought he would exclaim; &lt;br /&gt;
When he most burn'd in heart-wish'd luxury, &lt;br /&gt;
He preach'd pure maid, and praised cold chastity. &lt;br /&gt;
&lt;br /&gt;
'Thus merely with the garment of a Grace &lt;br /&gt;
The naked and concealed fiend he cover'd; &lt;br /&gt;
That th' unexperient gave the tempter place, &lt;br /&gt;
Which like a cherubin above them hover'd. &lt;br /&gt;
Who, young and simple, would not be so lover'd? &lt;br /&gt;
Ay me! I fell; and yet do question make &lt;br /&gt;
What I should do again for such a sake. &lt;br /&gt;
&lt;br /&gt;
'O, that infected moisture of his eye, &lt;br /&gt;
O, that false fire which in his cheek so glow'd, &lt;br /&gt;
O, that forced thunder from his heart did fly, &lt;br /&gt;
O, that sad breath his spongy lungs bestow'd, &lt;br /&gt;
O, all that borrow'd motion seeming owed, &lt;br /&gt;
Would yet again betray the fore-betray'd, &lt;br /&gt;
And new pervert a reconciled maid!' &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt; &lt;span style="font-family: Verdana,sans-serif; font-size: small;"&gt;&lt;a href="http://en.wikipedia.org/wiki/William_Shakespeare"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: #783f04;"&gt;William Shakespeare&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt; (baptised 26 April 1564; died 23 April 1616) Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His surviving works, including some collaborations, consist of 38 plays,154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18, he married Anne Hathaway, who bore him three children Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. He then wrote mainly tragedies until about 1608, including Hamlet, King Lear, and Macbeth, considered some of the finest works in the English language. Read more at:&lt;a href="http://en.wikipedia.org/wiki/William_Shakespeare"&gt; William Shakespeare&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt;   exoteric \ek-suh-TER-ik\, adjective:&lt;br /&gt;
1. Suitable for or communicated to the general public.&lt;br /&gt;
2. Not belonging, limited, or pertaining to the inner or select circle, as of disciples or intimates.&lt;br /&gt;
3. Popular; simple; commonplace.&lt;br /&gt;
4. Pertaining to the outside; exterior; external.&lt;br /&gt;
Example:&lt;br /&gt;
    Every religion under the heavens has a set of exoteric beliefs for the common man and a secret set of esoteric beliefs known only to a privileged inner circle.&lt;br /&gt;
    -- C. M. Palov, The Templar's Code&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt;   Security is mostly a superstition.&lt;br /&gt;
It does not exist in nature, nor do the children of men as a whole experience it.&lt;br /&gt;
Avoiding danger is no safer in the long run than outright exposure.&lt;br /&gt;
Life is either a daring adventure, or nothing.&lt;br /&gt;
- Helen Keller&lt;br /&gt;
&lt;br /&gt;
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&lt;span style="color: #990000; font-family: Verdana,sans-serif; font-size: small;"&gt;&lt;b&gt;--Description: 20th C, Coleridge M.E., Nature, Seasons--&amp;nbsp; &lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-adWcn7KJ0kc/TzcH06saLNI/AAAAAAAAILo/JF-7_3RlFdg/s1600/swallow.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-adWcn7KJ0kc/TzcH06saLNI/AAAAAAAAILo/JF-7_3RlFdg/s320/swallow.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="color: #990000; font-family: Verdana,sans-serif; font-size: small;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;
&lt;span style="color: #783f04;"&gt;Come back to me my swallow&lt;br /&gt;
And leave me not forlorn,&lt;br /&gt;
Into the woods I follow&lt;br /&gt;
The footsteps of the morn.&lt;br /&gt;
&lt;br /&gt;
I thread the rustling hollow&lt;br /&gt;
Before the day is born,&lt;br /&gt;
Come back to me my swallow&lt;br /&gt;
And leave me not forlorn!&lt;br /&gt;
&lt;br /&gt;
The light was dark without thee,&lt;br /&gt;
My bird of April days,&lt;br /&gt;
I almost came to doubt thee&lt;br /&gt;
When thou hadst gone thy ways -- &lt;br /&gt;
&lt;br /&gt;
The sunshine round about thee -- &lt;br /&gt;
Into the land of rays.&lt;br /&gt;
The light was dark without thee,&lt;br /&gt;
My bird of April days. &lt;/span&gt; &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: Verdana,sans-serif;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Mary_Elizabeth_Coleridge"&gt;&lt;i&gt;&lt;b&gt;&lt;span style="color: #783f04;"&gt;Mary Elizabeth Coleridge&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;b&gt;--Did You Know:&lt;/b&gt;  &lt;a href="http://www.coffeetablepoetry.com/2012/02/swallow.html"&gt;Mary Elizabeth Coleridge&lt;/a&gt; (23 September 1861 – 25 August 1907) was a British novelist and poet, who also wrote essays and reviews. She taught at the London Working Women's College for twelve years from 1895 to 1907. She wrote poetry under the pseudonym Anodos, taken from George MacDonald; other influences on her were Richard Watson Dixon and Christina Rossetti. Coleridge published five novels, the best known of those being The King with Two Faces, which earned her £900 in royalties in 1897. She travelled widely throughout her life, although her home was in London, where she lived with her family. Mary Coleridge was the great-grandniece of Samuel Taylor Coleridge and the great niece of Sara Coleridge, the author of Phantasmion. She died from complications arising from appendicitis while on holiday in Harrogate in 1907, leaving an unfinished manuscript for her next novel, and hundreds of unpublished poems. Read more at: &lt;a href="http://en.wikipedia.org/wiki/Mary_Elizabeth_Coleridge"&gt;Mary Elizabeth Coleridge&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Word of the Day:&lt;/b&gt;  natheless \NEYTH-lis\, adverb:&lt;br /&gt;
Nevertheless.&lt;br /&gt;
Example:&lt;br /&gt;
Natheless, it was I who did educate Miss Lucy in all useful learning.&lt;br /&gt;
-- Sir Walter Scott, Guy Mannering&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;--Quote of the Day:&lt;/b&gt;  Yesterday is ashes.&lt;br /&gt;
Tomorrow is green wood.&lt;br /&gt;
Only today does the fire burn brightly.&lt;br /&gt;
- Eskimo Proverb&lt;br /&gt;
&lt;br /&gt;
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