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		<title>Newsbits: Alpha State, Other Minds, Merzbow, Aki Onda, and Fire! Orchestra</title>
		<link>https://avantmusicnews.com/2026/11/08/newsbits-alpha-state-other-minds-merzbow-aki-onda-and-fire-orchestra/</link>
					<comments>https://avantmusicnews.com/2026/11/08/newsbits-alpha-state-other-minds-merzbow-aki-onda-and-fire-orchestra/#respond</comments>
		
		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Sun, 08 Nov 2026 15:00:00 +0000</pubDate>
				<category><![CDATA[General]]></category>
		<guid isPermaLink="false">http://avantmusicnews.com/?p=163856</guid>

					<description><![CDATA[November 2, 2026: JG Thirlwell and Keith Fullerton Whitman joined forces for a two-hour edition of Alpha State on The Lot Radio. The archived session surveys contemporary sounds across experimental electronics and related territory. November 5, 2026: Other Minds announced Brian Baumbusch as its next executive director, effective January 1, 2027. Associated with the organization [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">163856</post-id>
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		<title>Relative Pitch Announces Four November Releases</title>
		<link>https://avantmusicnews.com/2026/11/08/relative-pitch-announces-four-november-releases/</link>
					<comments>https://avantmusicnews.com/2026/11/08/relative-pitch-announces-four-november-releases/#respond</comments>
		
		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Sun, 08 Nov 2026 14:30:00 +0000</pubDate>
				<category><![CDATA[Releases]]></category>
		<guid isPermaLink="false">http://avantmusicnews.com/?p=163860</guid>

					<description><![CDATA[Relative Pitch Records has announced four albums for November 20, 2026, all available for preorder digitally and on limited edition CD. Jordina Millà, Mats Gustafsson, Barry Guy – Poetics of Frø pairs Millà’s piano with Guy’s double bass and Gustafsson’s baritone saxophone, slide flute, fluteophone, and harmonica. Recorded at L’Auditori de Barcelona in January 2024, [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">163860</post-id>
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		<title>John Luther Adams Profiled</title>
		<link>https://avantmusicnews.com/2026/11/08/john-luther-adams-profiled/</link>
					<comments>https://avantmusicnews.com/2026/11/08/john-luther-adams-profiled/#respond</comments>
		
		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Sun, 08 Nov 2026 14:00:00 +0000</pubDate>
				<category><![CDATA[Artist Profile]]></category>
		<guid isPermaLink="false">http://avantmusicnews.com/?p=163854</guid>

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		<title>Soft Machine’s Live History on Bandcamp</title>
		<link>https://avantmusicnews.com/2026/11/08/soft-machines-live-history-on-bandcamp/</link>
					<comments>https://avantmusicnews.com/2026/11/08/soft-machines-live-history-on-bandcamp/#respond</comments>
		
		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Sun, 08 Nov 2026 13:30:00 +0000</pubDate>
				<category><![CDATA[Artist Profile]]></category>
		<guid isPermaLink="false">http://avantmusicnews.com/?p=163864</guid>

					<description><![CDATA[Jim Allen traces Soft Machine’s evolution through its live recordings in Prog Is a State of Mind #4 at Bandcamp Daily. Marking the band’s sixtieth anniversary, the column draws on conversations with Cuneiform’s Steve Feigenbaum and MoonJune’s Leonardo Pavkovic, whose labels have documented its changing lineups and musical directions. The survey moves from the psychedelic [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">163864</post-id>
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		<title>Mary Halvorson’s Canis Major Returns to Europe in November</title>
		<link>https://avantmusicnews.com/2026/11/08/mary-halvorsons-canis-major-returns-to-europe-in-november/</link>
					<comments>https://avantmusicnews.com/2026/11/08/mary-halvorsons-canis-major-returns-to-europe-in-november/#respond</comments>
		
		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Sun, 08 Nov 2026 13:00:00 +0000</pubDate>
				<category><![CDATA[Performances]]></category>
		<guid isPermaLink="false">http://avantmusicnews.com/?p=163852</guid>

					<description><![CDATA[Guitarist Mary Halvorson takes Canis Major to Europe this month, joined by Dave Adewumi on trumpet, Henry Fraser on bass, and Tomas Fujiwara on drums. The quartet will premiere new music alongside material recorded for its forthcoming Nonesuch debut, expected in spring 2027. November 18: Victoria Eugenia Theater, San Sebastián, SpainNovember 19: Barcelona Jazz Festival, [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">163852</post-id>
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		<title>Avant-Garde &#038; Creative Music in the San Francisco Bay Area: November 7–14, 2026</title>
		<link>https://avantmusicnews.com/2026/11/07/avant-garde-creative-music-in-the-san-francisco-bay-area-november-7-14-2026/</link>
					<comments>https://avantmusicnews.com/2026/11/07/avant-garde-creative-music-in-the-san-francisco-bay-area-november-7-14-2026/#respond</comments>
		
		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Sat, 07 Nov 2026 16:53:47 +0000</pubDate>
				<category><![CDATA[Performances]]></category>
		<guid isPermaLink="false">http://avantmusicnews.com/?p=163847</guid>

					<description><![CDATA[Nat Evans performs his new album What Are Days For. Written over the course of…Saturday, November 7 &#124; 7:30 PM · Center for New Music, Center for New Music, [55 Taylor St SF]. Nat Evans performs his new album What Are Days For. Written over the course of three years, this new album by Nat [&#8230;]]]></description>
		
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		<title>Rodrigo Amado’s New Orbit Announces Live in Shenzhen</title>
		<link>https://avantmusicnews.com/2026/11/07/rodrigo-amados-new-orbit-announces-live-in-shenzhen/</link>
					<comments>https://avantmusicnews.com/2026/11/07/rodrigo-amados-new-orbit-announces-live-in-shenzhen/#respond</comments>
		
		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Sat, 07 Nov 2026 15:30:00 +0000</pubDate>
				<category><![CDATA[Releases]]></category>
		<guid isPermaLink="false">http://avantmusicnews.com/?p=163824</guid>

					<description><![CDATA[Tenor saxophonist Rodrigo Amado’s New Orbit trio, with double bassist Joel Grip and drummer Michael Griener, will release its debut album, Live in Shenzhen, on December 4, 2026, through European Echoes. Available for preorder on CD and digitally, the album documents the group’s October 26, 2025 performance at B10 Live during China’s Oct-Loft Jazz Festival. [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">163824</post-id>
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		<title>Jazzword Reviews – October 31–November 6, 2026</title>
		<link>https://avantmusicnews.com/2026/11/07/jazzword-reviews-october-31-november-6-2026/</link>
					<comments>https://avantmusicnews.com/2026/11/07/jazzword-reviews-october-31-november-6-2026/#respond</comments>
		
		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Sat, 07 Nov 2026 14:30:00 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<guid isPermaLink="false">http://avantmusicnews.com/?p=163822</guid>

					<description><![CDATA[Recent reviews from Jazzword covering experimental and exploratory music. KontraSax &#38; Friends II — “‘YallaYalla’ for instance combines a double-timed tarantella-like melody from the clarinet and accordion with the pianist and bassist creating a responsive modern Jazz-like groove.” (11/2/2026) Bondini/Godard/Niggli — “‘YallaYalla’ for instance combines a double-timed tarantella-like melody from the clarinet and accordion with [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">163822</post-id>
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		<title>Cryptogramophone Becomes Gramophonic Records</title>
		<link>https://avantmusicnews.com/2026/11/07/cryptogramophone-becomes-gramophonic-records/</link>
					<comments>https://avantmusicnews.com/2026/11/07/cryptogramophone-becomes-gramophonic-records/#respond</comments>
		
		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Sat, 07 Nov 2026 14:00:00 +0000</pubDate>
				<category><![CDATA[Industry]]></category>
		<guid isPermaLink="false">http://avantmusicnews.com/?p=163818</guid>

					<description><![CDATA[Cryptogramophone, the label founded in 1998 by violinist and producer Jeff Gauthier, is changing its name to Gramophonic Records. Gauthier says the change reflects his opposition to cryptocurrency’s political and commercial associations, which have overtaken the original name’s wordplay on Deutsche Grammophon. To mark the transition, the label is adding ten catalog albums to its [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">163818</post-id>
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		<title>The Squid’s Ear Reviews – October 24–November 6, 2026</title>
		<link>https://avantmusicnews.com/2026/11/07/the-squids-ear-reviews-october-24-november-6-2026/</link>
					<comments>https://avantmusicnews.com/2026/11/07/the-squids-ear-reviews-october-24-november-6-2026/#respond</comments>
		
		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Sat, 07 Nov 2026 13:30:00 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<guid isPermaLink="false">http://avantmusicnews.com/?p=163830</guid>

					<description><![CDATA[Recent reviews from The Squid’s Ear covering experimental and exploratory music. Lazro / Leandre / Lovens &#8211; For Baritone Sax, Double Bass and Drumset (Relative Pitch) — “Rather, these three musicians have proven themselves over the last half-century as masters of improvisation, and they lean into that mastery.” (11/5/2026) Sandy Ewen / Damon Smith / [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">163830</post-id>
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		<title>Bandcamp’s Field Recording Picks for October 2026</title>
		<link>https://avantmusicnews.com/2026/11/07/bandcamps-field-recording-picks-for-october-2026/</link>
					<comments>https://avantmusicnews.com/2026/11/07/bandcamps-field-recording-picks-for-october-2026/#respond</comments>
		
		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Sat, 07 Nov 2026 13:00:00 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<guid isPermaLink="false">http://avantmusicnews.com/?p=163816</guid>

					<description><![CDATA[Matthew Blackwell’s October field recording roundup for Bandcamp Daily surveys releases that turn environmental sounds into material for composition, improvisation, and sonic investigation. The selections range from abandoned buildings and laboratory equipment to Antarctic storms, seal calls, and volcanic activity. Among the highlights are crys cole’s Testing the Waters, which combines recordings of water in [&#8230;]]]></description>
		
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		<title>Sonologyst, Rapoon, and Eighth Tower: New and Forthcoming Releases</title>
		<link>https://avantmusicnews.com/2026/11/07/sonologyst-rapoon-and-eighth-tower-new-and-forthcoming-releases/</link>
					<comments>https://avantmusicnews.com/2026/11/07/sonologyst-rapoon-and-eighth-tower-new-and-forthcoming-releases/#respond</comments>
		
		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Sat, 07 Nov 2026 12:30:00 +0000</pubDate>
				<category><![CDATA[Releases]]></category>
		<guid isPermaLink="false">http://avantmusicnews.com/?p=163826</guid>

					<description><![CDATA[New projects from Sonologyst, Rapoon, and Eighth Tower Records range from underwater electroacoustics to dark ambient interpretations of horror cinema, alongside recordings and a publication documenting Italy’s post-industrial underground. Sonologyst – Deep Sea. Studies on Hydroacoustic Recordings from Oceanic Depths draws on underwater monitoring archives, treating scientific hydrophone recordings as compositional material. Spectral analysis, transformation, [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">163826</post-id>
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		<title>Treble Surveys Ten Experimental Albums from Summer 2026</title>
		<link>https://avantmusicnews.com/2026/11/06/treble-surveys-ten-experimental-albums-from-summer-2026/</link>
					<comments>https://avantmusicnews.com/2026/11/06/treble-surveys-ten-experimental-albums-from-summer-2026/#respond</comments>
		
		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Fri, 06 Nov 2026 23:45:31 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<guid isPermaLink="false">http://avantmusicnews.com/?p=163832</guid>

					<description><![CDATA[Brad Cohan’s latest Without a Net column for Treble, “10 Great Experimental Albums from Summer 2026,” ranges across free improvisation, electronic composition, experimental folk, and politically charged rock. Selections include Thollem’s DoReMiAntiFa Symphony, combining synthesizer improvisation with spoken political commentary; The Pure Products of America Go Crazy, a first meeting of T.J. Borden, Vinny Golia, [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">163832</post-id>
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		<title>Durations Brings Experimental Music to New York, November 9–15</title>
		<link>https://avantmusicnews.com/2026/11/06/durations-brings-experimental-music-to-new-york-november-9-15/</link>
					<comments>https://avantmusicnews.com/2026/11/06/durations-brings-experimental-music-to-new-york-november-9-15/#respond</comments>
		
		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Fri, 06 Nov 2026 16:00:00 +0000</pubDate>
				<category><![CDATA[Performances]]></category>
		<guid isPermaLink="false">http://avantmusicnews.com/?p=163806</guid>

					<description><![CDATA[Durations takes place November 9–15, 2026, with performances, talks, club nights, and audiovisual presentations across Public Records, Pioneer Works, Roulette, and the Whitney Museum. Presented by Public Records with the three partner venues, the festival brings together ambient music, electronics, improvisation, and discussions of music, philosophy, and art. Selected music events include: November 9–11: William [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">163806</post-id>
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		<title>Avant-Garde &#038; Creative Music in New York City: November 6–13, 2026</title>
		<link>https://avantmusicnews.com/2026/11/06/avant-garde-creative-music-in-new-york-city-november-6-13-2026/</link>
					<comments>https://avantmusicnews.com/2026/11/06/avant-garde-creative-music-in-new-york-city-november-6-13-2026/#respond</comments>
		
		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Fri, 06 Nov 2026 15:00:00 +0000</pubDate>
				<category><![CDATA[Performances]]></category>
		<guid isPermaLink="false">http://avantmusicnews.com/?p=163801</guid>

					<description><![CDATA[M3 Festival 2026: Terri Lyne Carrington, William Parker, Theo Bleckmann, Martha…Saturday, November 7 &#124; 7:00 pm · Roulette, 509 Atlantic Ave, Brooklyn, NY 11217. M3 Festival 2026: Terri Lyne Carrington, William Parker, Theo Bleckmann, Martha Redbone, and More. The 5th annual M³ festival celebrates some of the most innovative composer-performers in the jazz and creative [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">163801</post-id>
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		<title>Bandcamp’s Best Field Recordings – October 2026</title>
		<link>https://avantmusicnews.com/2026/11/06/bandcamps-best-field-recordings-october-2026/</link>
					<comments>https://avantmusicnews.com/2026/11/06/bandcamps-best-field-recordings-october-2026/#respond</comments>
		
		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Fri, 06 Nov 2026 14:00:00 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<guid isPermaLink="false">http://avantmusicnews.com/?p=163799</guid>

					<description><![CDATA[Matthew Blackwell’s October field recordings roundup for Bandcamp Daily surveys nine releases spanning environmental sound, electroacoustic composition, and instrumental improvisation. Among them are crys cole’s Testing the Waters, which combines recordings of water in changing states with drones and electronics; Anna McMichael and Helen Svoboda’s The Weddell Seal, pairing violin and double bass with Antarctic [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">163799</post-id>
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		<title>Acousmatic Crossings: The Disappearance of the Familiar</title>
		<link>https://avantmusicnews.com/2026/11/06/acousmatic-crossings-the-disappearance-of-the-familiar/</link>
					<comments>https://avantmusicnews.com/2026/11/06/acousmatic-crossings-the-disappearance-of-the-familiar/#respond</comments>
		
		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Fri, 06 Nov 2026 13:00:00 +0000</pubDate>
				<category><![CDATA[Artist Profile]]></category>
		<guid isPermaLink="false">http://avantmusicnews.com/?p=163804</guid>

					<description><![CDATA[The Disappearance of the Familiar, the latest installment of Metapsychosis’s Acousmatic Crossings series, presents two electroacoustic works with commentary by curator Michael Eisenberg. Anna Vassiliadis’s Afanismos (2024) addresses the sudden rupture of everyday life by war, moving through calmness, chaos, and silence. Berk Yağli’s Ideological Distortion (2021) examines media manipulation and ideological confusion while exploring [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">163804</post-id>
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		<title>Chain D.L.K. Reviews – October 30–November 5, 2026</title>
		<link>https://avantmusicnews.com/2026/11/05/chain-d-l-k-reviews-october-30-november-5-2026/</link>
					<comments>https://avantmusicnews.com/2026/11/05/chain-d-l-k-reviews-october-30-november-5-2026/#respond</comments>
		
		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Thu, 05 Nov 2026 16:00:00 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<guid isPermaLink="false">http://avantmusicnews.com/?p=163790</guid>

					<description><![CDATA[Recent reviews from Chain D.L.K. covering experimental and exploratory music. Mats Erlandsson &#38; Gus Loxbo: Minnets Långa Kedjor — “The result is neither a straightforward document of improvisation nor a conventional studio composition.” (11/5/2026) Billy Gomberg: capacity — “Gomberg has spent more than two decades developing a practice that brings together synthesis, digital processing, acoustic [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">163790</post-id>
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		<title>Bandcamp’s Contemporary Classical Picks for October 2026</title>
		<link>https://avantmusicnews.com/2026/11/05/bandcamps-contemporary-classical-picks-for-october-2026/</link>
					<comments>https://avantmusicnews.com/2026/11/05/bandcamps-contemporary-classical-picks-for-october-2026/#respond</comments>
		
		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Thu, 05 Nov 2026 15:44:14 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<guid isPermaLink="false">http://avantmusicnews.com/?p=163794</guid>

					<description><![CDATA[Peter Margasak’s October contemporary classical roundup for Bandcamp Daily covers recent chamber music, solo instrumental recordings, and archival electronics. Among the selections are Ed Cooper’s Mutism, whose subdued ensemble writing incorporates unstable textures and cycling patterns, and Alyssa Weinberg’s Pieces of Light, a collaboration with cellist Gabriel Cabezas that explores harmonics, bow pressure, and shifting [&#8230;]]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">163794</post-id>
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		<title>The Quietus Marks Daphne Oram’s Centenary</title>
		<link>https://avantmusicnews.com/2026/11/05/the-quietus-marks-daphne-orams-centenary/</link>
					<comments>https://avantmusicnews.com/2026/11/05/the-quietus-marks-daphne-orams-centenary/#respond</comments>
		
		<dc:creator><![CDATA[Mike]]></dc:creator>
		<pubDate>Thu, 05 Nov 2026 15:00:00 +0000</pubDate>
				<category><![CDATA[Artist Profile]]></category>
		<guid isPermaLink="false">http://avantmusicnews.com/?p=163759</guid>

					<description><![CDATA[Claire Biddles speaks with nine artists about Daphne Oram’s influence in a new feature for The Quietus. Annea Lockwood recalls hearing Oram demonstrate Oramics, her system for turning markings on film into electronic sound. Hannah Peel describes hearing the 2018 BBC Proms premiere of Still Point, a work Oram composed in 1949 for double orchestra, [&#8230;]]]></description>
		
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